#oz short film

[emeraldcityoz]

OZ - Short Film

[fearthephenom]

Back in the day, all of the Oz girlies were here on Tumblr. I don't know where you all are or if you're still around. But this is for all of you.

Written by Tom Fontana, starring Lee Tergesen as Tobias Beecher (Prisoner #97B412) and Dean Winters as Ryan O'Reily (Prisoner #97P904).

[betelgo0ze]

OZ SEQUEL OZ SEQUEL OZ SEQUEL

OZZZ SEQUELLLL

[vocaloid-song-of-the-day]

Alice in Musicland by OSTER project feat. Hatsune Miku, Kagamine Rin, Kagamine Len, Megurine Luka, MEIKO, and KAITO

[junkyarddemento]

STRAW MAN

Part Ray Bolger’s Scarecrow from THE WIZARD OF OZ, part Frosty the Snowman from the holiday classic, this Straw Man is a true friend that wants to help in any way it can. A throwback to another time, this heart-warming story, with a heavy dose of magic realism stands, out for being kind and pure, different from the dark and destructive type of stories currently found throughout the short film landscape. Kudos to Alexander Casimir and his team for offering something refreshing! 

[adamwatchesmovies]

Legends of Oz: Dorothy's Return (2013)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

I can't think of anyone who would enjoy Legends of Oz: Dorothy’s Return. Adults will probably forgive the visuals - they're ok, but nothing spectacular. They won’t be able to look past the annoying characters and will instead wish they were just watching the original Judy Garland flick instead. Small children will do the same thanks to the lackluster songs and forgettable plot. If they haven’t seen the 1939 classic, this picture doesn’t stand on its own, making it an unofficial and pointless sequel.

In the Land of Oz, the Scarecrow (voiced by Dan Aykroyd), the Tin Woodman (Kelsey Grammer) and the Cowardly Lion (Jim Belushi) call their friend Dorothy Gale (Lea Michele) for help. An evil Jester (Martin Short) has stolen the Wicked Witch of the West's broomstick and is using its magic to destroy the Emerald City. With the help of some new friends, Dorothy must take down this new threat.

In all of these Oz sequels, Dorothy befriends a new group of crazy creatures while the original crew is sidelined. Why this happens over and over, I don't know. Fans would much rather see the four best friends reunited than meet a new crew, particularly when they aren't interesting. Dorothy's Return offers a lackluster replacement trio. First, Wiser (Oliver Platt), a flightless owl that’s constantly gorging and has this annoying tendency to finish other people’s sentences. Next is China Princess (Megan Hilty), who adds little to the plot. Finally, there's Marshal Mallow (Hugh Dancy), who provides some neat visuals but is otherwise unremarkable. They all participate in songs (the film is a musical) that are so forgettable you couldn't remember two lines in a row if a gun was pointed at your head. They’re not even bad; just bland.

It’s taking a superhuman effort to muster up memories of Legends of Oz: Dorothy’s Return and tell you why you shouldn’t watch it. The plot is so dull and uninspired it’s impossible to stay invested. You simply sit and wait for the plot to end. It isn’t offensive, but it begs the question: Why? Who was asking for this film? I can understand wanting to revive the Oz franchise, but just like 1985’s Return to Oz, this picture reminds you of the original while never matching its appeal. Actually, that comparison is unfair. Dorothy's Return WISHES it was even a 10th of Return to Oz. Nothing here manages to dredge this children’s story from the haze that forms the instant you hear that first musical number. At least it’s harmless in the sense that, even if are subjected to it, there’s nothing about this picture that’ll haunt you later on. It’s completely forgettable. (On DVD, May 11, 2018)

[hotvintagepoll]

Propaganda

Judy Garland (Meet Me In St. Louis, A Star is Born, Summer Stock)— Judy is the GOAT when it comes to classic movie musicals. The voice of an angel who deserved so much better than she got. She can sing she can dance she can act she's a triple threat. Though she had a turbulent personal life (her treatment as a child star by the studio system makes me mad as hell like Louis b Mayer fight me ((she was made to believe that she was physically unattractive by the constant criticism of film executives who made her feel ugly and who manipulated her onscreen appearance by capping her teeth and using discs in her nose to change its shape and Mayer called her "my little hunchback" like imagine hearing that as a child and not having damage)) she always goddamn delivered on screen and in any performance she gave. She began in vaudeville performing with her sisters and was signed to MGM at 13. Starting out in supporting parts especially paired with mickey Rooney in a bunch of films (she's the best part tbh) she eventually transferred to the lead role. She is best known for her starring role in movie musicals like the iconic Wizard of Oz (somewhere over the rainbow still hits hard and is ranked the top film song of all time), meet me in St. Louis (Judy singing have your self a merry little Christmas brings tears to the eyes she is that powerful), the Harvey girls (she looks like a technicolor dream and sings a catchy af song about trains), Easter parade ( dancing and singing with Fred Astaire), for me and my gal, the pirate, and summer stock ( with pal Gene Kelly who she helped when he was starting out and he helped her when she was struggling). But she also does non- singing just as well like the clock ( her first movie where she sings no songs and is an underrated ww2 era romance), her Oscar nominated a star is born ( like the man that got away she put her whole soul in that and I have beef with the fact she lost to grace kelly ((whom I love but like still not even her best work)), and judgement at Nuremberg (a courtroom drama about the nazi war criminal trials). Outside of film she made concert appearances to record-breaking audiences, released 8 studio albums, and had her own Emmy-nominated tv series. She was the youngest (39) and first female recipient of the Cecil B DeMille award for lifetime achievement in the film industry. Girl was a lifelong democrat and was a financial and moral supporter of many causes including the civil rights movement (she was at the March on Washington and held a press conference to protest the 16th street Baptist church bombings). She was a friend of the Kennedy family and would call jfk weekly often ending the calls by singing the first few lines of somewhere over the rainbow (she thought of them as Gemini twins).She was a member of the committee for the first amendment which was formed in response to the HUAC investigations. Though she died far too young and tragically she remains an icon for her work and her life. As a girl who didn't feel like i was as pretty as everyone else I have always felt a connection to Judy and I just really love her.

Natalie Wood (West Side Story, The Great Race)—She went through so much shit which I know can be said for all these women but Natalie really was a star and her death often overshadows her career and life. She could make you cry, but she also had the capacity to be incredibly funny which I think is lost on people.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Natalie Wood:

Judy Garland:

Judy's voice alone qualifies her for at least top ten hottest HOT VINTAGE MOVIE WOMEN. She was a truly incredible swing singer, with a stunning voice on top of her technique. Her short dark hair looked incredible in just about any style. Have I mentioned her swagger? I can’t do it justice with words. She had swagger. She was funny as hell, and clever too. Incredibly charming and cool. I adore her.

Her eyes, her voice have bewitched me

I mean how can you beat the one and only Judy? She's beautiful, her smile is contagious, the way she sings with her whole body. You can't help but love her.

Beautiful woman, love her singing voice. And she can do everything between happy or silly and angry or heartbroken

[murdrdocs]

having a baby w mike and it being the baby’s first halloween :’) you mike and abby take lil dude to baby’s r us and spend HOURS trying to find smth perfect, mike and abby bicker over costumes bc “he’s my kid??” vs “i’m a kid and i know what kids like, and he’s MY nephew”, taking him trick or treating w abby and her staring down anyone w a mask or smth scary like “>:( don’t scare him he’s little”, mike being a Dad and wanting to take pics/vids of everything

oh my god clementine this is so sweet i actually had to silently squeal for a second !!

it’s like there’s a general buzz in the house for all of october. each of you thoroughly excited for the first real holiday in baby schmidt’s life, apart from the fourth where he’d worn an american flag swimsuit at your parents cookout. he seems to be excited too, constantly flashing his newly grown teeth even when no one’s looking. 

the outside of the house is brandished in cheesy decorations, little cobwebs and faux tombstones, abby’s hard work as she likes to remind you and mike every so often. it seems like she has just as big of a role in baby schmidt’s life as his parents, which eventually leads to the infamous babies r us argument. 

standing in the infant section again, it’s at least the fourth time the four of you have found yourselves here, the three times before ending in frustrated walks to the toy section (where mike put entirely too many toys in the buggy), a lunch break, and a feeding break for little schmidt. 

now, you’re determined to find a costume this time. the section isn’t that big so it really shouldn’t be as difficult as it is. but the two equally stubborn schmidt’s are the ones making it difficult, dual hardened eyes staring at each other. 

“he should go as mickey mouse, it’s cuter.” 

“and i’m telling you again, abby, that he’s going as a little astronaut.” 

they each hold their respective costumes in tight fists, and it’s really a funny sight to see; mike bent down to eye level with his little sister, face just a tiny bit red from the argument that really shouldn’t be as heated as it is. 

“every other kid is going to be an astronaut.” 

“and how do you know that?” 

“because dina’s little cousins are all astronauts. i’m a kid. i know what kids like, mike.” she spits his name with such a matter-of-fact attitude, that you start to see her point. 

but little schmidt is starting to get fussy in your harness and your back is really starting to hurt so you cut the argument short just when mike states, “yeah but hes my kid” and abby is starting to counter that he’s her nephew. 

you punctually grab the first costume that you see, the lion from wizards of oz, and throw it in the basket. 

“neither of you carried him and went through 17 hours of labor so i get to choose.” and they can’t argue with that logic. 

but to make the two grumpy ones feel better about losing, you all stop for ice cream on the way home. 

and weeks later, when halloween finally rolls around (because of course abby and mike were so excited for little schmidt’s first halloween that you’d gone costume shopping extremely early), they’re both on guard. 

abby’s trick or treating with a friend, you and mike left as guardians for the night, and as soon as dina rings the doorbell abby is giving her a lecture. 

“and he’s really little still so you can’t scare him, okay?” 

you and mike stand a few feet away in the hallway, coordinating outfits with baby schmidt who’s still down for the remainder of his nap. 

when it comes to trick or treating itself, mike has his camera out the entire time. he refuses to let you all leave the house without pictures. every few houses he has to take a picture of you and abby and dina walking back from the porch, or baby schmidt with his fist in his mouth. by the end of the night, he’s gone through two rolls of film, and there’s new family photos framed around the house by the time thanksgiving rolls around.

[rubycruzin4abruzin]

never been (stage) kissed

Summary: After years of being a struggling actress in Los Angeles, you finally land your big break! The only problem is, you’ve been cast opposite your longtime celebrity crush… Ruby Cruz. What will you do when the director demands a kiss between the two of you?

Pairing: ruby cruz x actress!reader

Contains: mature language, small amount of adult humor, kissing, fluff, thigh touching, in depth details of Hollywood movie shooting, anxious!reader, publicity tweets and comments, ruby being the sweetest girl EVER

Word Count: 3.1k

A/N: This is a Real Person Fiction. I’ve included a mass disclaimer of RPF guidelines here. Make SURE to click the link before reading, it’s extremely important for the safety of all Real People involved in this fiction.

———

You stared at the movie script in your hand, biting your lip to stop from squealing. After being in Los Angeles for the past five years, you had finally landed your big break.

You had known that you wanted to act ever since your mother signed you up to be a munchkin in a community theatre production of “The Wizard of Oz.” Of course, being a stubborn elementary schooler, you fought her on it, saying the songs were “stupid” and the costumes were “itchy.” But as soon as opening night came, and the lights hit your face, you put on a smile and celebrated the death of the Wicked Witch like it was something you’d been waiting for your entire life.

After the song's last note, deafening applause echoed around the theater, causing adrenaline to course through your veins. In that moment, you decided to spend the rest of your life chasing that feeling.

When you reached middle school, you joined their drama department, taking theatre as an elective class while occasionally participating in the school plays. Once high school rolled around, you began to take some of the more advanced classes, and even competed in a couple One-Act Play competitions. A lot of the people you started taking classes with eventually got bored and left to pursue other hobbies, but over the years you just fell more and more in love with acting, and became completely dedicated to your craft.

Instead of attending college, after you graduated high school you packed up whatever you needed and moved across the country to a small town about half an hour away from Los Angeles. The area was slightly sketchy, your apartment was small, and you had to work two jobs while sharing with four other roommates just to make rent.

Los Angeles kinda… sucked. But you had stars in your eyes and couldn’t be happier.

Unfortunately, you were kind of in for a rude awakening once audition season rolled around. Back in high school, you would book leads left and right. Now, it seemed like the only gigs you could book were background work, maybe a role in a rinky-dink student film if you were lucky. You always took what you could get, but you longed for something that could get your foot in the door.

One day, one of the short films you starred in entitled “Attack of the Killer Zombie Prom Queens” got entered into some film festival, and not only did it win an award you couldn’t remember the name of, it ended up going viral on YouTube, and not in a bad way either. Your performance in that film was astounding.

Plus, not that this was the sole reason the film blew up, but as an actress in your early 20’s who tended to take care of herself, you were kind of… well… hot.

Suddenly, you were getting recognized in public, signed with an agency, and landing more notable roles. You were featured in a music video for an up-and-coming country artist, booked a commercial for a costume makeup company (in which you brought back your look from “Attack of the Killer Zombie Prom Queens”), and even starred in three episodes of a new series on HBO Max.

Just when you thought life couldn’t get any better, one day you were coming back from what was either your third or fourth audition of the day, when you got a call from your agent on the drive home. You groaned, almost certain she was calling to schedule another “last-minute” audition. Sure you appreciated how hard she worked to get you booked, but you were also so tired after a long day.

To your surprise, when you picked up the phone, she ecstatically announced that you had booked a huge role.

In a feature film.

Starring alongside your celebrity crush… Ruby Cruz.

You had to pull over on the side of a highway to keep from swerving out of excitement.

Ruby had been your celebrity crush since you saw her in the Disney+ series “Willow.” Her masculine ambience, her devil-may-care attitude, and the way she swung her sword had you absolutely drooling. Somehow, you finished the entire series in two days, and immediately ran to IMDB to add Every Single Thing she’s been in to your watch list.

Now, you stood in front of the building where your first read-through was supposed to take place, the script for “Aliens of Atlantis” resting in your shaking hands. You gulped as you pushed open the door, wondering how you were going to keep your cool around Ruby when the very thought of her practically sent you into cardiac arrest.

Walking into the reading room, you were met with several chairs arranged into a circle and sounds of chatter from the other actors. You recognized a few of them from some smaller projects, even recognizing one from a movie that had come out the previous year. Your eyes scanned the room for Ruby, heart beating out of your chest when they landed on the back of a choppy brunette bob.

When Ruby turned around, you swore her blue eyes sparkled under the fluorescent lights. She caught you staring at her from across the room, and shot you a wide toothy smile before walking over to you.

“Hey,” she started. “You must be Zephyra.”

You blinked at her. “I’m sorry, what?”

“Zephyra.” She repeated. “You’re playing the alien queen of Atlantis, right?”

She furrowed her eyebrows at you slightly and tilted her head, worried she may have gotten you mixed up with someone else.

Her words clicked in your head, finally. “Oh! Yes! I’m playing the role of Zephyra.”

Ruby’s smile returned as she let out a lighthearted chuckle. You swallowed, trying to keep your cool. You still had trouble wrapping your mind around the fact that you were standing in front of the Ruby Cruz, and having a semi-successful conversation.

She stuck out her hand, offering a handshake. “Hi, I’m Ruby. I’m playing Calantha.”

You took her hand, electric shocks vibrating through your body at her touch. “Nice to meet you.”

After removing her hand (much to your displeasure), she turned to walk back over to her seat, but not before flashing you a smile over her shoulder. “Can’t wait to work with you!”

God, why did she have to be so cool?

The table read went fairly well, in your opinion. The movie was about Calantha, an underwater adventurer, finding the lost city of Atlantis during an expedition. Once there, she finds the city being ruled by aliens who’s spaceship crashed near the area about 100 years ago. Calantha finds Zephyra, the alien queen, who makes her promise to keep their secret, and in return, Calantha will help her run the city.

You were playing Zephyra, of course, since being in “Attack of the Killer Zombie Prom Queens” proved you looked hot even in otherworldly makeup. You kind of thought there might be some romantic or even sexual tension between Calantha and Zephyra, but you brushed it off as you thought that might not be the artistic intention.

Once filming started, your days were basically exclusively spent on set. Not that you were complaining, you loved every second. Even after coming home at 1am when you left for work at 6am, a blissful smile would be painted across your tired face.

The only thing that bothered you was that you barely ever got to talk to Ruby on set. It was more your fault than hers. Every time you two were working together, your brain short circuited and you couldn’t get out anything more than a few dim-witted babbles. Ruby was always so sweet about it though, always lightheartedly chuckling at your barely-comprehensible speech, sometimes even giving your upper arm a squeeze if you felt especially nervous.

You knew she meant well, but any touch from your celebrity crush was sure to do the opposite of calming you down.

One day, during a filming session, you and Ruby were meant to be sitting especially close to each other. You were sure you felt some romantic tension between the two characters, but you chalked it up to your crush on the actress and tried to downplay it. The director, however, seemed very frustrated today, this was the nineteenth take of this particular scene and he still wasn’t happy.

“Cut!” He yelled, letting out a frustrated sigh as you and Ruby turned your attention towards him.

“Everything alright, sir?” Ruby asked, making you glad you weren’t the only one who noticed his irritation.

“This scene… it’s missing something.” He brought his hand to his chin and squinted at the both of you. “Do we think we could add a kiss? Right here?”

Your heart stopped, and all the moisture disappeared from your mouth.

It wasn’t like you hadn’t kissed people before. You had your fair share of dates back in high school, that wasn’t the problem.

You’ve kissed, but you’ve never stage kissed.

Sure you had plenty of acting experiences, but the roles you played never required kissing. Instead of playing Aurora, you made a fabulous Maleficent. While Elle Woods locked lips with Emmett, you were busy portraying a hilarious Paulette. And of course, nobody wants to make out with a zombie prom queen.

You had no idea if there was any difference between actual kisses and stage-kisses. Obviously, sex scenes in movies weren’t real. But kisses? What if there is a difference and you go to kiss Ruby on camera and make her uncomfortable? What if she pushes you away? What if she gets mad? You don’t know how you’d recover from something like that, and your mind swarmed with plans to flee the country if that did happen.

Ruby opened her mouth to answer the director, before looking at you for confirmation and noticing your overly-panicked state. She sent you a reassuring smile, and placed a gentle hand on your back.

She turned to the director. “Could we pick this up after lunch? I think my scene partner and I have some things to discuss.”

The director agreed, and since it was still about thirty minutes to lunch, decided to use that time to record some “room noise.” You and Ruby were meant to sit still and quietly, the only thing you heard being the echo of your heartbeat in your ears.

Suddenly, you received a text notification, causing sound to go off and the director to groan and shoot you an annoyed look. You mumbled a quick “sorry” before switching your phone to vibrate and looking to see who texted you.

After wolfing down a sandwich from the craft services table, you stood in front of the trailer with Ruby’s name on the door, wringing your clammy hands while deciding whether or not to knock. You took a deep breath, raised your knuckles, and knocked three times, taking a step back after.

She answered almost immediately, staring down at you with a comforting grin. “Hey, come on in.”

Walking up the stairs and into Ruby’s trailer, you couldn’t help but notice how much cleaner it was than yours. You weren’t necessarily sloppy, but your vanity was covered in various bottles of blue face paint, while your floor held multiple alien-like prosthetics. Ruby’s was tidier, with a small couch pushed up against the wall, and her vanity holding nothing but some makeup basics and a half-full can of Dr. Pepper she had been drinking right before you walked in.

Ruby took a seat in her vanity chair and took a sip from her Dr. Pepper, motioning for you to sit on the small couch. “What’s going on? You didn’t seem too comfortable with the kissing scene.”

You gulped, staring down at your lap. “It’s not that…”

Ruby sat up, leaning forward to gawk at you. “Oh my god… have you never been kissed?”

“What? No! Of course I have…” you trailed off. “I just… I’ve never stage kissed before, and I know you have, so is it any different from regular kissing? I feel so stupid for asking and I’m so sorry but I didn’t wanna do it wrong while filming and I’m kinda embarrassed that I don’t know the answer so that’s why I wanted to ask you privately because I didn’t wanna fuck up…”

Ruby stared at you, silent and wide eyed. You felt your heartbeat in your ears as you tried to decipher what she was thinking. Suddenly, she threw her head back and let out a hearty laugh. Your heart sank. Here you were being awkward and vulnerable in front of your crush, and she was laughing at you.

Just before you decided to get up and walk out, Ruby calmed down, wiping away a tear and smiling apologetically. “I’m sorry, I promise I’m not making fun of you. I didn’t mean to laugh, really. You’re just so cute.”

You felt your cheeks burn at her words. She thinks you’re cute?

Ruby threw her soda away in a nearby trash can and moved to sit next to you on the small couch. She criss-crossed her legs, turning to face you while pondering how to answer your question.

“So… stage kisses are different from regular kisses, but they’re also not, you know? Like, we’re kissing but we’re not like… kissing.”

She peered over at you, studying your facial expressions. You looked more confused than ever, so she continued her explanation.

“So, if you’re asking if my lips will physically be on your lips… then the answer is yes, they will. But they’re not exactly like the real thing, because it’s more of a demonstration to the audience rather than an act of passion between two people.”

“A demonstration?” You cocked your head. Ruby nodded.

“Yeah, so say the camera was over there…” she pointed out in front of you. “…then you might cup my jaw, or cradle the back of my head. But if you were to grab my face or something like that, it’d look pretty awkward in a fifty-fifty profile shot.”

You nodded in understanding. “Ok… I think I get what you’re saying.”

“There are also different types of kissing.” Ruby continued. “Like, it should portray how your character feels about the other character. When Zephyra has scenes with Calantha, how does she feel?”

You gulped, focusing on your lap again. “Well, to be honest, it kinda feels like there’s a lot of romantic or sexual tension between our characters, but I’ve sort of been suppressing it because I’m not sure that was the intention.”

“But you feel like Zephyra is attracted to Calantha sexually?” Ruby asked. You nodded. “Great! You don’t necessarily have to make it explicit, but something like that can help you dive deeper into your character.”

Ruby scooted closer to you, taking your hands in hers. She gazed at you with half lidded eyes, causing your breathing to accelerate.

“I want you to kiss me.”

Ruby’s words barely resonated in your head, there was no way you heard her correctly. “You… huh?”

“For practice.” Ruby clarified, letting go of your hands. “Like you would during filming. Is that ok?”

An involuntary swallow forced itself down your throat as you nodded. You couldn’t believe you were about to kiss your celebrity crush, even if it was only for practice.

You pressed your hand into her warm cheek, pulling her close and quickly pecking her lips before retreating away. Your face burned from embarrassment while Ruby cocked her head, clearly confused.

“That’s it?” She asked. “My bad, I didn’t realize Calantha was your grandmother.”

Ruby moved closer and cradled the back of your head, entangling her fingers into your soft locks. You felt your hands sweat as her big blue eyes gazed into yours. “I was thinking maybe something more like this…”

She crashed her lips into yours, causing warmth to explode in your chest. Her fingers played with your hair as you began to kiss back, and your arms wrapped around her waist. Holy shit could she kiss! You could barely fathom how soft her lips were, tasting faintly of Dr. Pepper and vanilla lip balm. As hard as you tried to act professional and pretend there was a camera in front of you, every inch of your body screamed at you to succumb to your most primal instincts.

You lifted one hand from her waist and moved to rest it on her mid-thigh, causing a gentle moan to escape from her lips and a shiver to run down her body. Startled, you moved back, throughly convinced that you majorly fucked up.

“Shit, I’m sorry!” You exclaimed, pulling back your hand like it had touched fire. “I wasn’t thinking, fuck. I got too swept up in the moment. I shouldn’t have touched you, that was completely unprofessional.”

“Hm…?” Ruby blinked, still in a daze. “Oh. Oh! You’re good! Don’t be sorry. I liked it. Really.”

Ruby grinned at you shyly. You stared back at her, a question you weren’t quite sure how to ask lingering at the tip of your tongue. “Ruby, are we still… practicing?”

Her smile faded as her eyes went wide, her gaze dropping to her lap. It was her turn to be coy, a sight you’d never seen before.

She dropped her voice to a low whisper as she choked out her question. “Do you want to be?”

Before you could even open your mouth to answer, your phone alarm screeched from your jacket pocket. You took it out, groaning as you turned it off.

Ruby furrowed her eyebrows in confusion. “What was that?”

“My alarm,” you answered. “I have to go.”

“But lunch isn’t over for another twenty minutes.” Ruby pointed out, trying to hide her disappointment.

“Yeah, but I have to head back early so they can touch up my makeup and fix my prosthetics.”

Ruby sighed in understanding. She supposed your costume might have a bit more upkeep than hers. Your prosthetics did look a little wonky after the lunch break, never mind your smudged blue lipstain that made her apprehensive to look in a mirror.

You collected yourself and turned to walk out, but looked over your shoulder before opening the door. “Uhm… Ruby?”

“Hm?” She answered.

You wrung your hands anxiously. “Do you think we could maybe… do this again? Sometime?”

Ruby’s head shot up to look at you, and a playful smile spread across her face. “Do what? More kissing lessons?”

You rolled your eyes as she chuckled, then gave you a lopsided grin. “I’d like that. Lunch again, tomorrow?”

A blush pink color sprinkled across the apples of your cheeks as you smiled back at her, trying your best to stay cool and suppress the giddy feeling that was bubbling inside of you.

“See you then.”

[nonsensology]

This was supposed to just be a rough sketch, but then I started getting really invested in it.

I hadn't initially intended to include so many picture book characters, but the nostalgia was overwhelming. Does anyone remember the animated short films produced by Weston Woods? My local library used to have a bunch of them on the Scholastic VHS tapes from the late 90s. (I know some shorts were released on the Children's Circle VHS tapes back in the 80s (🎶 Come on along! Come on along! Join the caravan!), and some were packaged in Sammy's Story Shop in 2008.)

Characters:

Max, from Where the Wild Things Are, written and illustrated by Maurice Sendak

Peter, from The Snowy Day, written and illustrated by Ezra Jack Keats

Brother Bear and Sister Bear, from The Berenstain Bears series, written and illustrated by Stan and Jan Berenstain

Pooh and Piglet, from the Winnie-the-Pooh books, by A. A. Milne, illustrated by E. H. Shepard

Owen, from Owen, written and illustrated by Kevin Henkes.

Mouse, from If You Give a Mouse a Cookie, by Laura Joffe Numeroff, illustrated by Felicia Bond

Louis, from The Trumpet of the Swan, by E. B. White

Mr. Toad, from The Wind in the Willows, by Kenneth Grahame, based on the illustrations by E. H. Shepard

Mr. Tumnus, from The Chronicles of Narnia series, by C. S. Lewis

Pippi and Mr. Nilsson, from the Pippi Longstocking books, by Astrid Lindgren

Willy Wonka, from Charlie and the Chocolate Factory, by Roald Dahl, based on the illustrations by Quentin Blake

Matilda, from Matilda, by Roald Dahl, based on the illustrations by Quentin Blake (with an homage to the Mara Wilson movie)

Peter Pan and Tinker Bell, from Peter Pan, by J. M. Barrie

Merlin and Archimedes, from The Sword in the Stone, by T. H. White, based on the illustrations by Dennis Nolan

Pinocchio, from Pinocchio, by Carlo Collodi, based on the illustrations by Enrico Mazzanti

Alice, White Rabbit, and Cheshire Cat, from Alice's Adventures in Wonderland, by Lewis Carroll, illustrated by John Tenniel

Rupert Bear, from the Rupert stories, created by Mary Tourtel and continued by Alfred Bestall, John Harrold, Stuart Trotter, and others.

Arthur Read, from the Arthur series, written and illustrated by Marc Brown

Tin Woodman and Scarecrow, from the Land of Oz series, by L. Frank Baum, based on the illustrations by W. W. Denslow and John R. Neill

The Cat in the Hat, from The Cat in the Hat, written and illustrated by Dr. Seuss

a frog on a flying lily pad, from Tuesday, written and illustrated by David Wiesner

Charlotte, from Charlotte's Web, by E. B. White

[tiffanys-aus-and-headcanons]

Appendix D: Some Pig/One More Final

The first three posts in this series are here.

Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.

George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.

Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.

Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.

League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.

The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.

Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.

The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.

Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.

Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.

Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.

Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.

Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.

Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.

Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.

Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.

The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.

The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.

Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.

St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.

After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.

Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.

For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.

"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."

Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.

Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).

Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".

Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.

Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.

Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.

In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.

[kraken17]

List of dimensional variants/counterparts of Enid and Wednesday introduced in my fanfiction Kooky Spooky in order of appearance.

This means that other characters that are counterparts such as Taylor Galpin, the Yoko and Weems from Agent A's dimension and the rest of the Adamos (High Fantasy Addams Family) are not on this list. Only Enids and Weds.

(Artwork from Kris6758 on Twitter)

First, those with some weight in the plot:

Eamon Sinclair (Chapter 1): Initially named in Chapter 1, with no formal appearance until Chapter 43. Eamon is a male counterpart of Enid and husband of Friday (the Wednesday from the 1973 cartoon). Basically, he is "our" Enid if she had been born male. Standard lycanthrope, though exceptionally strong.

Thursday (Chapter 9): Wednesday Thursday Addams. As Eamon, a male counterpart to Wednesday and Friday's cell neighbor. He looks identical to a teenage Gomez but with no mustache and with Fester's pallor.

Enid Saint-Clair (Chapter 19): The Enid of Woe's dimension (the Wednesday of the '90s movies). Brunette, of Greek descent and werecat rather than werewolf. Affable and nice, though with psychopathic tendencies and a love for exacerbated violence. Loves to fight people who can keep up with her. To call her "kitten" is to invite death. Better just call her “Nid”.

Agent A (Chapter 22): Wednesday Tuesday Addams. The Wednesday from a dimension gone to hell (literally). She's a grown woman in her forties, dresses like she's a MIB and is a practitioner of magic. She's also one of the few Wednesdays who doesn't make use of her pigtails or pull her hair back in any way, leaving her hair loose. If you want to put a face on her, I imagine her as Hailee Steinfeld about 16 years from now.

Wodnesdæg (Chapter 35): Lord Wodnesdæg of the House of Adamo, Prince of the Kingdom of Nova Gersia. Wod to his closest family and friends. Trans male version of Wednesday. He collects his hair in two short but thick pigtails. Likes to wear black armor that makes him look like the stereotypical Dark Lord from a fantasy novel, but first impressions aside his personality is closer to that of a Gomez Addams.

Eneit Synklar (Chapter 35): Enid's variant from Wodnesdæg's dimension and his betrothed. A barbarian and werewolf princess Enid, extremely tall and muscular, usually dressed in furs or light leather armor. Very outgoing, affable and friendly, though she lacks a bit of tact and has no qualms about breaking in half anyone who messes with her loved ones.

[UPDATE] The Bright One: SPOILERS! Read the fic 😁

Now, the ones that are more cameos:

Chapter 43:

A golden tyrannosaurus Enid and her ape-like sidekick Wednesday, inspired by the original comic book versions of Devil Dinosaur and Moon Boy.

A middle-aged futuristic soldier Enid.

A Wednesday who looks like a living marble statue with golden cracks adorning her skin and luminous white hair.

A Wednesday and Enid who look like stereotypical pirates.

Gargoyle Enid. A purple-skinned Enid with horns, tail and wings, inspired by the characters from the Disney series Gargoyles.

Chapter 45:

Cyborg-lycanthrope Enid.

Vampire Wednesday, armed with a spear.

Reverse Enid and Wednesday: A violent lycanthropic but black-furred Enid accompanied by a disturbingly extroverted blonde Wednesday.

The younglings: A group of five or six young Wednesdays, the oldest no older than seven.

Saiyan Enid: A brunette-haired martial artist Enid with ki abilities, orange robes, staff and monkey tail. Inspired by Dragon Ball, although it can be interpreted as a reference to Journey to the West as well.

Gunslinger Enid and Wednesday, as if out of a classic Hollywood Western.

Sasquatch Enid.

The witches: Two Enids, one of them in school uniform and wand-wielding, clearly inspired by the Potterverse novels/films or other similar works. The second Enid, with green skin and black clothes, pointy hat and broom is more inspired by The Wizard of Oz and Wicked.

Punk-looking Enid with cybernetic implants like blades in her arms. Inspired by Cyberpunk 2077.

Angelic Enid, alternates between a humanoid form with wings and a fire-wheel form with multiple eyes.

Hellboy Wednesday (Hellgirl?).

[UPDATE] Chapter 50:

A witch-like Enid with a talking cat familiar.

[that-ari-blogger]

Wicked's Existential Crisis

Deception is a big theme in Wicked. I don't think this is news to many people. The wizard is a wizard, truth is truth, happy is what happens when all your dreams come true.

Galinda embodies this pretty heavily, but so does Fiyero, although they do so in similar ways. They both lie to others, and realise that they have been lying to themselves later on.

But, you need a baseline before you get to character development. You need a benchmark for everyone to either move up or down from, depending on the genre.

In my opinion, Dancing Through Life establishes that benchmark, while asking a few more philosophical questions as it does.

Let me explain.

SPOILERS AHEAD

"Dancing through life, Down at the Oz Dust If only because dust Is what we come to. Nothing matters, But knowing nothing matters, It's just life So keep dancing through"

Fiyero, buddy, friend, pal... are you ok?

Dancing Through Life is the introduction of Fiyero, and there is a enormous difference between what he is saying and how he is saying it.

That dust line is actually a biblical allusion, with various Judeo-Christian books and prayers claiming that G-d created humans from dust, and that when someone dies, they return to that dust. Hence the "ashes to ashes, dust to dust" saying (source). So, Fiyero is nihilistic.

"Nothing matters, so why bother trying" is such a morbid idea, and its usually associated with emo music, either lots of drums and raw emotions, or quiet and sad. So, when Fiyero sings it as a musical theatre, bombastic full orchestra song, his message flies under the radar because it is so dissonant with the style.

That's the key here. Most of the time, people are nuanced, and stereotypes do not encompass the human experience at all. The emotionally confused or depressed or spiraling person isn't the one who sits in the moonlight writing sappy poetry, it's the person who manages to hide it the most easily because they've been doing it for the longest.

Fiyero is putting up a mask to hide his insecurities, and he is doing it by... not wearing a mask?

Lampshading is the practice of softening elements in a piece of media, letting the audience know that something is out of order or farcical, and turning it into a joke. Overly Sarcastic Productions (@comicaurora) has a video explaining the trope in detail.

In a weird way, this is what Fiyero is doing. He is turning his own crisis into a joke. He doesn't have to hide it if he can poke fun at it. He becomes self-referential, and tells people to move on past the words he is saying and focus on the fun dancing and music.

I see where Fiyero is coming from, here. Purpose is difficult to find in this world, and it definitely seems like neither good or bad are rewarded, and luck will do what it will. But I would like to present a counter point.

Everything Everywhere All At Once was easily the most emotionally powerful film of 2022, and it also discussed nihilism in detail. I don't want to get into plot spoilers, but this movie asks the question: If nothing matters, then what?

And the answer to this is clear: Everything. In a Cinema Therapy video on the film, Johnothan Decker states this:

"If nothing we do matters, then the only thing that matters is what we do."

Actions have whatever meaning we ascribe to them, and if we ascribe no meaning to anything, then everything has meaning on the same level. If nothing matters, then everything matters.

This segways into another core question of the musical and especially this song. Do intentions matter?

Galinda and Elphaba have a comedy of errors with the gift giving, specifically when Galinda sets up Nessa with Boq, and Elphaba arranges for her to receive a wand in return, contrasted with the infamous hat.

Galinda does things for personal gain, and accidentally makes someone's life slightly better for a moment, and Boq kind of does the same. Neither of the two cares about Nessarose, but they bring her happiness in the short term.

"We deserve each other, and Galinda helped it come true."

I mentioned in my post about The Wizard And I that this theme comes up there first, in association with meeting the wizard, and I think there is something else to it than just deception. Don't get me wrong, this is deception at work, Elphaba with the Wizard and Nessa with everyone around her. But that lie has a positive result here, for the moment.

It also separates the consequences from the intention. Elphaba sees the wizard and wants to improve the world, her hopes are on rocky foundations, but her actions are strong, and I have already mentioned what Galinda's actions do.

However, I would argue that intentions do matter, and that this musical agrees with me, and that is with Boq, a person whom I despise.

As a character, Boq is fascinating. He is a direct satire of the hopeless romantic of stereotypical fairy tales, think Ariel from The Little Mermaid, or Lancelot from the 1963 movie, Lancelot and Guenevere. Boq is trying desperately to court someone who does not care about him and has someone who does care fall from the sky in front of him, but he can't see past himself.

Now, pining is all well and good, you are allowed to pine, and if someone is attracted to you, there is no law that says you must be attracted back. But Boq goes a step further.

"It's because I'm in this chair and you felt sorry for me. Isn't that right?" "No! No! It's because you are so beautiful."

Boq had an opportunity to back out of the romance handed to him on a silver platter. He could have said it was just a dance, or even confessed that Galinda put him up to it, if he so desired. But Boq made a choice to keep stringing Nessarose along. He may have his reasons, but I think his actions are not excusable, and the gut punch at the end of the musical when he tells her that he never cared is a betrayal that could have been so easily avoided.

Boq and Fiyero go on to become key players in the "death" of the Wicked Witch of the West, and they do so for alternative reasons, and it reframes Dorothy's journey.

For a more nuanced explanation of what I mean, consider this: In 2019, youtuber Hbomberguy (Harry Brewis) raised $347000 for a Brittish charity organisation called Mermaids in a livestream of Donkey Kong 64, and he gave a speech in October of that year about why he did such a thing.

"I think secretly, we're always making one of two decisions, and we make that decision even if we don't know we're making it. You're either choosing to make life worse for someone you don't like, or better for people you care about. There is an actual difference, and I didn't realise I made the wrong choice until a lot of people came over and helped change the choice retrospectively."

What you are trying to do matters, because if you keep trying to do good, even if you hit roadblocks, if you are truly committed, you will eventually do some good in the world.

I actually like Brewis' definition of right and wrong here, because it isn't overly philosophical, it pertains to individual actions. You either make someone else's life better or worse.

I have been rambling around my point for a while, so let me make it concise. Dancing Through Life asks philosophical questions about life. What matters? Is it you? Is it your actions? Is it your intentions?

Final Thoughts

There are two other things I need to mention before I finish. First up, the extras are some of the best parts of this musical, and in this song, that is driven home. Everything comes across as so superficial, and not in a "that's bad acting" way, but in a "that's an actor playing a character who is acting" way. This carries over to Galinda's entire style of talking, but the extras knock it out of the park here. It means that the only sincere moments in the song hit with the relevant weight. Those being Elphaba and Nessa's conversation, and the Elphaba dance (something remarkably difficult to find images of).

That dance is the moment I see Glinda x Elphaba (I still refuse to use the Gelphie ship name) actually taking off, rather than in What Is This Feeling, because it's the first moment that the two see eye to eye, and Galinda finally understands Elphaba. She earns her friendship and trust by trying to make up for her mistakes. Galinda talks a lot, but actions speak louder than words, and that dance kicks off a love story.

Next week, I will be diving into Popular, a number that really takes apart the theming to an overt level only matched by one other song, and we will get to that one soon.

Previous - Next

[gabessquishytum]

Since his imprisonment over a century ago, cinema has changed. Dream knew the camera would always be the next big thing in storytelling and that the movie would become a new medium that the next generation of storytellers would manipulate and mold.

So Hob proposes movie night. They go in order of the decades, from just before he was captured up to the present day. So far Dream has really liked the 1926 rendition of Phantom of the Opera, Gertie the Dinosaur, and the 1939 rendition of The Hunchback of Notre Dame. The film for this movie night is Gene Kelly's Singing in the Rain and then afterwards Wizard of Oz, but he's not alone.

Del is still feeling a bit rejected by her family and decides to pop around her siblings to see what they've got going on. Destiny let her get lost in his maze, Death took her into the deep ocean to say good bye to an ancient whale, Desire took her to a club where she made a guy hitting on her dance forever, and Despair just sat around in her own self misery and Del nearly succumbed to boredom. Dream is the only one left to humor her and brings her with him for movie night.

It goes off about as well as to be expected. She loved the film, particularly enjoying Cosmo's Make Them Laugh and Dorothy's Somewhere Over the Rainbow. Dream also liked the film, though it wasn't one of his favorites. Just something bright and colorful to pass the time. But this gives her an idea. Things always seem to work out when people are singing and she just wishes that everything with her family would resolve in something as simple as a song.

So she makes everyone sing. The first victim is Hob who wakes the next day singing to his appliances and every sentence afterward. Which is weird for him, but he can't stop. He can't get through a lesson without making it into a song. Which is becoming disturbing by lecture number three. He goes home and contacts Dream.

Who is having his own issues. The Dreaming and its denizens can't stop singing either. Matthew has turned into a songbird and the music is starting to chafe his nerves. He goes into the Waking and finds all of humanity has joined in a discordant musical number. Lovers sing about the virtues of romance, street punks are dancing in lines and singing about how they're going to cause trouble. A woman screams herself bloody about her lost dreams and passions. He makes his way to Hob's apartment, where he comes down with a song himself.

It's a heart wrenching screed about the loss of time and opportunity. About how he just wants to love and be loved in return. Red-faced, he disappears.

Hob heard every word he said and opened the door too late, leaving them both to scream themselves hoarse about their feelings. A song that perpetuates until Hob passes out from exhaustion and is ferried onto the Dreaming. There they have a heart to heart in the form of a ballad which culminates in a big, sweeping movie musical style kiss.

After the first few deaths from exhaustion, Death comes to her sister. Even she is not immune and through a large musical number, shows Delirium the extent of the damage she's caused. Del doesn't feel bad, until she hears her brothers and sisters sing. The whole universe is in a chorus of pain and misery as they struggle under the weight of her gift. So she removes the curse and sulks. Her sigil dims and she retreats deep into her realm.

Until she hears her siblings collectively calling for her. She appears in Hob's living room. The popcorn is popped, the room is darkened and she can see everyone sitting on the couch or the floor except for one place on the couch, between Death and Hob. Dream is comfortably sitting next to his new human lover, his head on his shoulder. They invite her in as the movie is just about to start. They're watching Meet Me in St. Louis.

- 🤜 anon

MY HEART. Poor darling Del, she certainly meant for it to be a good thing. But nobody really wants to be singing for more than a short amount of time. I wonder what Dream and Hob sound like while singing? If Dream’s singing is as unique as his laughter, I'm sure it was truly... something. But hey, Del unwittingly performed a minor miracle by bringing the idiots together at last. Who knew that all it would take was a romantic ballad after 600 years of pining?

Del enjoys Meet Me in St Louis a lot! She likes the slightly disfunctional family, particularly the little sister who gets into all kinds of shenanigans. The best part is being with her family, though, especially because they're all on their best behaviour! They even have a good ole sing along to the Trolley Song. Delirium revels in the slight chaos and finally feels properly appreciated by her entire family <3

[hotvintagepoll]

Propaganda

Machiko Kyō (Rashomon, Floating Weeds, Older Brother Younger Sister)— Considered an early sex symbol in Japanese cinema. Also just an ethereal beauty who can also go feral/unhinged in a glorious way.

Judy Garland (Meet Me In St. Louis, A Star is Born, Summer Stock)— Judy is the GOAT when it comes to classic movie musicals. The voice of an angel who deserved so much better than she got. She can sing she can dance she can act she's a triple threat. Though she had a turbulent personal life (her treatment as a child star by the studio system makes me mad as hell like Louis b Mayer fight me ((she was made to believe that she was physically unattractive by the constant criticism of film executives who made her feel ugly and who manipulated her onscreen appearance by capping her teeth and using discs in her nose to change its shape and Mayer called her "my little hunchback" like imagine hearing that as a child and not having damage)) she always goddamn delivered on screen and in any performance she gave. She began in vaudeville performing with her sisters and was signed to MGM at 13. Starting out in supporting parts especially paired with mickey Rooney in a bunch of films (she's the best part tbh) she eventually transferred to the lead role. She is best known for her starring role in movie musicals like the iconic Wizard of Oz (somewhere over the rainbow still hits hard and is ranked the top film song of all time), meet me in St. Louis (Judy singing have your self a merry little Christmas brings tears to the eyes she is that powerful), the Harvey girls (she looks like a technicolor dream and sings a catchy af song about trains), Easter parade ( dancing and singing with Fred Astaire), for me and my gal, the pirate, and summer stock ( with pal Gene Kelly who she helped when he was starting out and he helped her when she was struggling). But she also does non- singing just as well like the clock ( her first movie where she sings no songs and is an underrated ww2 era romance), her Oscar nominated a star is born ( like the man that got away she put her whole soul in that and I have beef with the fact she lost to grace kelly ((whom I love but like still not even her best work)), and judgement at Nuremberg (a courtroom drama about the nazi war criminal trials). Outside of film she made concert appearances to record-breaking audiences, released 8 studio albums, and had her own Emmy-nominated tv series. She was the youngest (39) and first female recipient of the Cecil B DeMille award for lifetime achievement in the film industry. Girl was a lifelong democrat and was a financial and moral supporter of many causes including the civil rights movement (she was at the March on Washington and held a press conference to protest the 16th street Baptist church bombings). She was a friend of the Kennedy family and would call jfk weekly often ending the calls by singing the first few lines of somewhere over the rainbow (she thought of them as Gemini twins).She was a member of the committee for the first amendment which was formed in response to the HUAC investigations. Though she died far too young and tragically she remains an icon for her work and her life. As a girl who didn't feel like i was as pretty as everyone else I have always felt a connection to Judy and I just really love her.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Machiko Kyō:

Judy:

Judy's voice alone qualifies her for at least top ten hottest HOT VINTAGE MOVIE WOMEN. She was a truly incredible swing singer, with a stunning voice on top of her technique. Her short dark hair looked incredible in just about any style. Have I mentioned her swagger? I can’t do it justice with words. She had swagger. She was funny as hell, and clever too. Incredibly charming and cool. I adore her.

Her eyes, her voice have bewitched me

I mean how can you beat the one and only Judy? She's beautiful, her smile is contagious, the way she sings with her whole body. You can't help but love her.

Beautiful woman, love her singing voice. And she can do everything between happy or silly and angry or heartbroken

[littlemisssquiggles]

Oscar's Undisclosed Birthday

So…m’good friend @jealouscartoonist just shared with me this new cameo from Miles talking about Oscar’s birthday and this squiggly Pinehead is just all smiles now.

Listening to Miles describe with such pure joy an ideal birthday for Oscar was the big kick of serotonin that I didn’t know I needed until I listened to the whole thing. Shoutout to whoever this Sarah person who sent in this cameo is. Thank you for doing the Pinehead community another solid.

This just makes me more salty that Oscar was NEVER EVER added to RWBY Chibi since Miles’ description of “Oscar’s Undisclosed Birthday” is just perfect for as a concept for another wholesome episode of the series that’s Oscar-worthy. Even calling the episode “Oscar’s Undisclosed Birthday” seems perfect as an appropriate title.

Miles made my night with this cameo. It’s everything I wanted for how Oscar would spent his special day (minus actually GIVING US HIS CANON birthday) and I love how Miles dropped more cute tidbits about Oscar as a character too.

Oscar’s favourite breakfast is waffles (and how his big sis Nora would actually make a big pile for him).

Apparently Oscar has trouble sleeping sometimes because of Oz being in his head so Ren gifting him a pair of headphones to drown out the voice of the old headmaster would be useful. Miles basically admitted that Oz is a chatterbox. Makes me think of that “Brain Before Sleep” meme only replace the brain with Oz XD  That’s the first thing that popped into my head. Thanks for that imagery Miles.

Oscar loves going to the movies especially Spruce Lee (LOL) films which he shares in common with Jaune and that’s how they bond.

Yang would take Oscar on a fun day at the amusement park where they’d ride all the rides that he’s now tall enough to ride (another LOL from me because they always gotta poke fun that my little prince is a short king)---that would be a thing Yang would do and I cannot picture Oscar turning that down since, in the words of Ruby, Oscar is braver than he thinks and we have seen moments of Oscar being more daring than he looks so he totally would not pass up an opportunity to ride all the rides especially if Yang is the one pushing him to do it.

So the “Girl Who Fell Through the World” is confirmed to be Oscar’s favourite childhood fairytale---and Blake getting him a second edition of it is cute being the book-worm that she is.

I also love the bit with Weiss panicking about not knowing what to get Oscar so she just gives him a lumpsome of money and Oscar being floored by it since he’s never had that amount of money in his life---that fits beautifully.

And of course, gotta love how Miles saved the best gift for last. Ruby gifting Oscar a new co-op videogame that they both end up spending the rest of his birthday playing til they both crash the morning after (Oscar first) is more than a perfect way to conclude Oscar’s birthday in my Rosegarden-shipping books.

*chef’s kiss*

Didn’t even realize that Oscar liked playing videogames. Didn’t know he had them back on the farm. This just makes me think back to his reaction to Ruby’s videogame comment back in V6. Puts the whole moment in a new context for me XD

All in all, Miles made me a happy Pinehead tonight.

~LMS (2023)