#paperback!!

[mactiir]

obsessed with mass market paperbacks. their pleasing rectangular proportions. how they fit badly in a hoodie pocket so you can drag them around everywhere with you like a temporary little buddy. the way they fit in your hand because they're MADE for human hands and not as bookshelf decoration. the way the pages feel when you riffle them gently with your thumb. How pristine and crisp they look when you get them and how creased and folded they look when you're done, even if you try to be nice to them. how that wear is okay, how that's correct actually, because they're made with the philosophy that books aren't meant to be PRETTY, they're meant to be read. that little ripple new ones get on the left side from where you hold them when you're reading, the way the ripple only goes as far as you've read, because u change stories by reading as they are changing you. how you can find thousands of these creased and folded and loved little dudes in every thrift store and used book shop and neighborhood library and you can instantly see the ones that someone carried around in a backpack for weeks or read to pieces or gave up on halfway through because they wear being read like fresh snow wears footprints. I love these poorly made, subpar little rectangles so much. truly the people's books.

[mostlyghostie]

What books have you done this to?

Instagram / Shop

[blondie-drawings]

working on some silly tlt memes for my friend's bday and I liked how this one came out 🥲

[niennanir]

Listen to your elders

So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.

So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.

But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?

In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.

Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download

Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title: 

No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.

Now you’re going to need some materials:  8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife

You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.

Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:

use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.

Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.

Once the text block is anchored down, take off he binder clips and get out the glue.

You can use a brush but you don’t need one, smear some glue on that raw edge.

Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour

In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock

Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)

Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.

Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine

Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.

Voila:

I’m going to put this baby on the shelf next to the Silmarillion.

The whole process, not counting drying time, took less than an hour.

If you want to make a book of a longer fic, I recommend Renegade Publishing, they have a ton of resources for fan-binders. 

[megumiifushiiguro]

fuck personality tests tell me what do u prefer? paperbacks? hardcovers? e-books? or audio books?

[garlandedspirits]

Cover art for the paperback edition of Shirley Jackson's "We Have Always Lived in the Castle" - by William Teason

[paperback-rascal]

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See more of my fix-it posts here -> [LINK] <-

My fanart masterlist -> [LINK] <-

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STAR WARS: The Clone Wars/The Bad Batch © George Lucas/ Dave Filoni/ LucasFilm/ Disney

My personal headcanon is that Tech got Echoed AKA Empire used his knowledge/experience/memories to train CXs troopers - that's why clone assassins got so good at fighting the batch - they're flash trained based on Clone Force 99 tactics. Following that headcanon of mine... CX2 was, to a degree, Tech... just as he was Crosshair, Wrecker, Hunter and Echo or more precisely... what Tech knew about his brothers and their capabilities/fighting style.

But I also believe showrunners are aiming to have Tech rescued in a different show (or a tie-in comics or a book) to have another property tied tightly to Filoniverse... also to strengthen my theory - J. Corbett admitted that she loves Marvel's Winter Soldier movie - make of that what you will.

The ending of TBB s3, in my opinion, teases an idea of a show circling around rebellion in which Omega will be at least secondary/supporting character so I think they'll make her rescue her fallen brother in her own show as a minor plot point or at least a TBB cameo.

I don't care either way as long as CF99 will be properly reunited.

[wyntonyang]

some pages from R.F. Fox’s classic children’s novel, Deltarune. I remember being so scared of Susie when I was little

[atomic-chronoscaph]

Paperback cover art by Paul Rader (1960s)

[dduane]

“Understand that when you’re competing for the attention of a teen reader, you aren’t competing against games, movies, and social media. A teen reader is reading, just reading differently. Often, they are reading fan fiction—on their phone. They are part of a secret club, finding comfort in characters they already know and scenarios that are reassuring (and yes, maybe titillating, but these are teens we’re talking about). However, there’s something else extremely important to remember about fan fiction: it’s free.

“Maybe part of the decline in YA sales is because books for the average teen are not affordable to the average teen.”

Hmm…

[macrolit]

Giveaw@y: We’re giving away 12 vintage paperback classics! Won’t they look lovely on your shelf? =) Enter to win these classics by: 1) following macrolit on Tumblr (yes, we will check. :P), and 2) reblogging this post. We will choose a random winner on 30 July 2023. Good luck! Follow our IG account to be eligible for our IG giveaw@ys. For full rules to all of our giveaw@ys, click here.

[mpchev]

Dissertation on Fanfiction Bookbinding — Looking for participants! [EDIT: Thank you so much, participants found!!!]

[Edit continued: I'm still sorting through emails and setting up meetings, will reply to everyone very soon, I can't even begin to thank everyone enough for the visibility that's been given to this 💜 I'll keep the updates coming as I work on the dissertation (and learn how to bookbind), in case anyone would like to follow along. For any questions about the research or comments/suggestions/resources about ficbinding, my asks are wide open. Thank you thank you thank you!!!]

Hi! My name is Marie Chevrier, I’m currently doing my postgraduate dissertation on fanfiction bookbinding, and I’m looking for people to talk to about it!

If you’ve ever taken a fanfic from somewhere online and turned it into a physical copy, either for yourself or as a gift, I’d love to know more. From printer paper stapled together to typesetting and painted edges, nothing is too simple or too complex — I’m interested in the whole process, what motivates readers or authors to bring the story to a different format, and how it’s one more way to interact with stories actively and creatively. This will be the final project of my MLitt in Folklore and Ethnology with the Elphinstone Institute (University of Aberdeen, Scotland).

What to Expect

To participate, you must be 18 or older and speak English. I’ll give you more details and answer any questions you might have via email, and will then set up individual video calls with participants (if you happen to be in North-East Scotland, we could also meet at an agreed public location). I’ll tell you more about the dissertation and explain how what you share will be used, which depends entirely on what you agree to, including if you would prefer your contribution to be credited or anonymised. I will ask you about your experience with fanfiction bookbinding and if you have some examples to show me, I would love to see them! Meetings will last approximately 45–90 minutes and take place in June 2024. You have the right to withdraw your participation at any time.

Contact Information

If you’d like to participate or have any questions, please send me an email at m.chevrier.23@abdn.ac.uk

To know more about the Elphinstone Institute, please visit https://www.abdn.ac.uk/elphinstone/

To know more about me, here's an intro post for you.

If for any reason you don’t wish to participate but still have comments/suggestions/resources/musings you’d like to send my way, please do!

[mostlyghostie]

I got some big prints made up of this one- there are only ten each of each colour for now

Shop / Instagram

[steelycunt]

a paperback book isnt alive until you break its spine btw like a long slumbering animal being carefully roused it actually needs you to do that like when you click your knuckles. for your paperback book the breaking of its spine is like the first stretch against your pillow in the morning

[illogicalvulcans]

[Fic Book Covers 11+12/?] Integrative Approaches by Nnm / @mouseonamoose

Demonology and the Tri-Phasic Model of Trauma

As soon as Aubrey Thyme, psychotherapist, had opened her office door and seen her new client, Anthony J. Crowley, sitting in her waiting area, she was observing and assessing him. At first glance, she paid attention to the following: --His clothing was expensive and stylish; --He wore very strange but noticeable cologne; --His relationship to the seat he occupied could only, very loosely, be described as “sitting;” --He looked angry; --He was wearing sunglasses. What Aubrey Thyme, a professional, thought, upon first seeing her new client was: you’re going to be a fun one, aren’t you?

Angel-Centered Therapy Through A Multicultural Lens

“I’d love to meet with you,” Davey said, apologetically, when he had been called up by a fellow looking to initiate therapy, “but I’m all booked up for months.” “Are you sure?” The fellow said, through a poor connection that crackled. Davey had been sure. And yet. Right there in his calendar was a blank spot, just a few days away, which he had somehow completely overlooked before. “How about that…I’ve got Wednesday at eleven, if you can make that work.” “What a miracle,” the fellow said, “that would be just the perfect time.”

[gameraboy2]

Unnatural by Sloan Britton Midwood Books 47, 1960 Cover by Paul Rader