#parallels? similarities? hm

[witchspeka]

I wanted to make an analysis but I made this instead

[ID: A three-way Venn diagram with Shou, Teru, and Ritsu from Mob Psycho 100.

Shou: 🔥child of divorce🔥

Shou + Ritsu: misplaced sense of responsibility over op family members

Ritsu: too much self awareness, outwardly polite

Ritsu + Teru: inclined towards violence, superiority complex that compensates for insecurity, impulsive

Teru: not a gram of self awareness, "humble" (in quotes)

Teru + Shou: developed main character syndrome to cope with The Horrors, neglectful/shithead parents, blunt

All three: psychic middle schoolers with issues. End ID]

[kirbyliker12]

This is the deepest I can delve into how I view them n their implications through imagery before it bcomes incomprehensibl 😙😙😙😙maybe I’ll do a tiny bit of elaborating in tags idk(this was mostly an excuse to practice drawing dranzas head)

[love-has-a-way-ofgrowingbackward]

i feel like not enough of us are talking about how crowley's password is canonically 4004, the year he came to earth

[a-flickering-soul]

the kylux griddlehark shared color scheme

[thegildedghost]

What Type of Demon Are You? [link leads to a quiz]

Leviathan.

You have always been the type to speak your mind. Your uncensored and sarcastic attitude can be off-putting to the weaker-minded. However, you rarely let such trivialities concern you. With a tongue and wit of steel, you are on top of your game when it comes to comebacks and insults. Of course, your mouth can get you in trouble occasionally but it is a part of who you are and you should never change that.

[prince-kallisto]

Vil, Meleanor, and the Virgin Mary: Crowley’s Obsession

I haven’t seen anyone talk about this, but it’s driving me insane: Vil and Meleanor’s design parallel each other SO MUCH that it’s not even funny. In fact, I think Vil is foreshadowing EVERYTHING about Meleanor’s fate and Crowley’s plans.

I know I’m just coping lol, but I think I finally figured out why Crowley is so obsessed with the Fairest Queen and Pomefiore if he was Levan. Here me out: Vil is the representation of Meleanor.

Vil’s Overblot form is what immediately caught my attention. The way his cape connects to his hands, the night sky on his cape, the corset and the gems. The way the edges of his dress looks like old, torn paper, like history long since forgotten. Not to mention how he has claws like Crowley and is wearing Crowley’s same exact shade of blue. Just…this entire silhouette with the sleeves and crown matches Meleanor more than Malleus’s Overblot does. Strange how both Vil and Meleanor are associated with stars, when Crowley has a lot of star designs on the curtains in his office.

In his dorm uniform, look how the gloves and the lace has a similar design as Meleanor’s. Not to mention how in this vignette, Vil is like a “Queen reborn” with “two knights” at his side. Hm?? Like Meleanor with Lilia and Baul, perhaps?

Something I’ve always found strange is how much Crowley dotes on Vil. In both his history and flight lessons, Vil comments a lot on Crowley when a Special Lesson is triggered. Doesn’t it feel…almost uncomfortable??? Vil feeling “eyes” on him specifically when Crowley is there. And there isn’t clarification if Vil is speaking to Yuu or Crowley, but when he says “I’m just fine,” it makes me wonder if Crowley was asking Vil how he was doing.

This isn’t just limited to the lessons. Although Crowley played a less significant role in Book 5 than I thought he would, doesn’t he sound very affectionate when he says this?? “What I’ve always taken you for”…he holds great pride in Vil and how represents the history and beauty of Pomefiore. Crowley has NEVER shown this much of a bias towards any student before. Only Vil.

I can hear some of you asking: Why in the world would Crowley/Levan care so much about Vil if MALLEUS and DIASOMNIA exists? Here’s the thing: Vil simply represents more of who Meleanor was as an evil, proud princess.

He is proud, he is beautiful, he truly understands the power of his beauty, how to make people submit to him with harsh truths. He has a certain charm and pride in his accomplishments that Malleus doesn’t.

But what REALLY got me was the religious symbolism in Vil’s Overblot form. @pianostarinwonderland made a really amazing post on the resemblances Vil has to the Virgin Mary and the Lady of Sorrows.

The Lady of Sorrows is another “form” of the Virgin Mary- which ironically enough, is depicted with SEVEN swords piercing her HEART. Sometimes she is depicted with only one sword- more on that later. The Virgin Mary is considered to be the holiest of saints- a figure of worship. She is also considered to be the “god-bearer.” Her death is referred to as the Dormition of the Mother of God, Aka the “falling asleep of the god-bearer.”

And back to the swords in her heart, the seven swords represent the Seven Sorrows, but the singular sword represents the Prophecy of Simeon.

The prophecy of Simeon said something like Mary’s child would be the RISE and FALL of many in Israel, and that a sword would pierce through Mary’s heart too, as an allusion to the crucifixion. Because Mary would suffer alongside her son, the one curse of motherhood. Stars are also significant in Christian mythology, like the star of Bethlehem to guide the wise men to the birthplace of Mary’s child. Another significant “star” is the Morning Star, Aka Lucifer. The Morning Star title is based off Venus, whose Greek name means “the light bringer” or “the DAWN bringer.”

If all of these things I’m saying reminds you about the imagery in TWST, I feel like this is purposeful! Lets back up and go over each of these points and how it relates to TWST (I am not religious, so if any of this is inaccurate, please let me know!)

Crowley in the opening seems to worship his “benefactor,” and I’ve been theorizing that it’s Meleanor whose trapped in the Dark Mirror. She is quite literally a figure of worship to him- the holiest of saints. And with Meleanor being the mother of Malleus, who is one of the most powerful mages in the world, doesn’t it sound similar to be a “god-bearer?”

The swords through her heart not only sounds like a connection to Meleanor’s death, but to Maleficent’s too. The sword of truth piercing her heart- but not only that, Vil’s Overblot crown LITERALLY has the design of a singular sword piercing through a heart. Yes, its a representation of the Evil Queen demanding Snow Whites heart, but why is Vil’s design combined with the Virgin Mary of all figures??

I bolded “prophecy” because I think Levan is heavily connected to prophetic powers, but doesn’t this prophecy sound A LOT like Meleanor’s blessing on Malleus? Malleus would be the benevolent star to the Fae, and an evil star to humankind. Like the Star of Bethlehem for the Fae, and the Morning Star for humans…and the Morning Star is heavily connected to the DAWN. Dawn Knight? Silver???

It doesn’t help that Dragon Fae seem to be ostracized by humans for their horns. Maleficent in Sleeping Beauty though, refers to her powers as “powers of Hell,” heavily leaning toward his demon like design.

Meleanor suffered to protect Malleus. She gave him up and fought an entire army to better his chances of survival because she loved him so much. And if Meleanor is trapped in the mirror and will be brought back to “life,” all of this suffering stemmed from the fact she sacrificed herself for Malleus.

SNDJDHSJSJDJD STOP IT TWST WHY DOES THIS ALL FIT TOGETHER SO WELL????? YANAAAAA HELP

But do you see what I mean on how I think Vil is slyly foreshadowing EVERYTHING? Not only that, but look at his Overblot design again. At his waist, there are sharp crystal-looking objects surrounding him. I think these represent broken mirror shards. This, combined with all the coffin imagery at NRC, Epel’s Unique Magic, and Malleus’s making everyone fall asleep like Aurora or Snow White…

Perhaps Meleanor really is trapped in the mirror, put in a death-like sleep…but one day she will be freed, like Aurora or Snow White with the power of true loves kiss. Until then, Vil is the closest representation of her to Crowley. Someone who understands the power of beauty to make others submit, someone to worship.

[booksandpaperss]

you ever get bamboozled by a byler still where one of them is looking at the other with an expression of such blatant gut wrenching want that it makes you want to keel over and just die a little

to quote stav heroesbyler: who gave Finn and Noah the right to Act

examples.

these are not even all the examples they’re just some of the ones I could find in my camera roll and that’s not even including the other seasons hey notice how some of these look really similar to each other almost like mikes feelings for Will are paralleled to Will’s feelings for mike or something Hm

[pikahlua]

Look, I don’t wanna get everyone’s hopes up, but I might have to get everyone’s hopes up

My initial thoughts on chapter 395 were to be enveloped in the tragedy of this ending. I could already tell some of the criticisms that would come at it, but I was also interested in thoroughly considering the chapter as fairly as possible. Whether or not it involves stale tropes, such tropes still have the potential to bring meaning and emotion--and to be honest, MHA has been pretty good at that since the get-go. The manga is pretty much defined by refreshing and playing with stale shounen tropes. I am willing to give this chapter as-is a chance. I comforted friends who were hit hard by the chapter. I allowed myself to feel the sorrow ushered in by Himiko Toga’s chosen end.

But then I started translating the chapter, and my melancholy didn’t last fucking long.

Because...I’m gonna be real with you, there are a LOT of questions this chapter raises, but only if you’re paying attention.

So like.

Look.

I don’t wanna get your hopes up.

Himiko Toga may really be dead.

I don’t actually know how this will all play out.

But...

LET ME TELL YOU WHY THIS IS SUS AS HELL

1. Hello???

Why is the All Might doll coming into play here, now?

And uh, where did it go????

I don’t see it anywhere! Is it...still in the same hand Himiko was holding it with?

Is THAT why we’re zooming in here on the final panel?

“Why does it matter?” you may ask. “Isn’t it just a symbol of the connection between these two girls once Himiko found where Ochako was hiding it and teased her about it? Isn’t this perhaps just Himiko’s way of comforting Ochako?”

“Hm, yes, interesting,” I would reply. “But DON’T YOU WHO THE FUCK I AM?”

This is the second time All Might merchandise is appearing in a supposed death scene! Is it mere coincidence? I THINK NOT.

I mean, we haven’t had a SINGLE update on Katsuki for a year now. (UNLESS WE JUST GOT ONE?) Could it be Horikoshi was holding off on any Katsuki updates to avoid spoiling something else that needed to happen first? Specifically Ochako vs Toga?

Because if there’s ANYTHING fishy going on with that card and that doll (and boy do I smell fish), Katsuki’s storyline would not be able to progress until AFTER the doll also came into play. AND NOW IT HAS.

2. Of course my first thought was Katsuki Bakugou, don’t tell me you’re actually surprised...

There are a LOT of weird parallels between Ochako and Himiko’s fight and...whatever the hell is going on with Izuku and Katsuki just in general. But I mean, just look at Katsuki. Compare that wound to Ochako’s. Compare Ochako’s imminent death to Katsuki.

And...compare Himiko Toga to Katsuki Bakugou however many ways you like.

But most importantly...compare Himiko Toga to Izuku Midoriya.

Because Ochako was on the verge of death, and Himiko Toga sacrifices herself to save Ochako. Yeah, you can compare that to Katsuki in chapter 362. But like, Katsuki is the one on the verge of death now, right? That would make him parallel to Ochako (especially since they’re the ones with the All Might merch). That would mean Izuku could do something similar to save Katsuki.

And please, please note how Himiko performed this rescue. She became Ochako. She became compatible with Ochako, started pumping Ochako’s same blood through her own veins, hooked them up so not only was Himiko supporting Ochako’s life, THEY WERE CONNECTED AS ONE PERSON.

Are YOU getting Heroes Rising vibes? Because I’m definitely getting Heroes Rising vibes.

3. Remember, Horikoshi said this ending would be better than Heroes Rising.

Izuku and Katsuki shared OFA in the ending of Heroes Rising.

Let us not forget the ever-present nomenclature of One For All and All For One.

What could be better than a team-up of two people?

Maybe...a merging of everyone?

4. Everyone is down

Himiko and Ochako and Katsuki aren’t the only ones down. Basically EVERYONE is.

Shouto, Endeavor, Touya, Hawks, Tokoyami, Spinner, most everyone at the UA battlefield, most everyone at the Gunga battlefield, basically most everyone who isn’t AFO, All Might, Izuku, and Tomura (and maybe a few UA kids).

Actually, speaking of UA kids, why haven’t we seen Aoyama and Sero and the others yet? Could it be that Horikoshi just wanted to showcase the most important part of their fights, aka the ending?

The ending where they all fall over and pass out or die too?

Why is everyone fucking dead?

Because something big is going to happen to them all after they pass out???

I mean, maybe???

Even if that’s the case, I have no idea how many people will actually be part of this union or revival or whatever the fuck happens. I just...I do notice that heroes and villains both are dropping like flies.

WHAT IS THIS LEADING TO?

5. The story of how we all became the greatest heroes

So once upon a time I wrote a tiny meta about the infamous line from the first chapter, “This is the story of how I became the greatest hero.”

Basically, it occurred to me that it’s very strange for the narrator to “spoil the ending” of the story in the first chapter. Where’s the dramatic tension? Why even do that?

Well, the obvious answer is: it wasn’t a spoiler. Perhaps it meant something else than what it seemed at first glance.

I realized “hero” in Japanese could be both singular and plural. Thus, I conceived that the true message was: “This is the story of how I became ONE OF the greatest heroes.“

Chapter 324 basically confirmed that theory.

But...what if it’s still wrong?

What if there’s ANOTHER hidden message in the line?

What if it’s something like: “This is the story of how I became a part of the greatest hero.” Singular. Purposefully.

What if EVERYONE becomes the greatest HERO literally. What if...everyone merges to create...All Might?

And then I saw all the vestiges rebelling inside AFO and thought:

Oh god this actually seems plausible now.

So here’s the good news for Himiko...

There was, in fact, a chapter titled “The Story of How We All Became Heroes, Part Minus 1.”

Maybe everyone becomes heroes together. Maybe they all literally become one hero together. Either way, Himiko was highlighted in a chapter with a title that specifically implied she would be part of whatever the fuck happens.

Sure, this chapter COULD BE Himiko’s heroic moment. But...I don’t know man. We got SO MANY CHAPTERS with this title. It’s SCREAMING some sort of plot twist is on the way...!

6. Ochako is ALSO supposed to be part of this “greatest hero” business too!

Finally, can we just...remember how Ochako was inspired to save people? She held Sir Nighteye in her arms as he died, and that’s when she knew she wanted to save people.

Himiko dying here on Ochako’s watch...idk mannnnn, has Ochako really proven that she’s achieved her goal yet? Can she really be part of the greatest heroes like this?

[bonni]

I've talked before about how I think hisoka's reputation as a "well-written villain" is undeserved and I still stand by that for reasons I'll get into at the end of this post. but I think the most frustrating thing about hisoka as a character is that I understand where that reputation comes from, because sometimes his character really works and thinking about what he could have been compared to what he is is infuriating.

hxh is, at its core, a shounen deconstruction, and one of its major themes is how the blind ambition of hunters is damaging on both an individual and interpersonal level. this is specifically reflected in gon, who's ambition and stubbornness hurts himself and the people around him (this post isn't about kurapika but obviously he is a prime example of this as well and the two have major character parallels). both ging and hisoka act as foils to gon, harboring the same blind ambition as he does but in increasingly twisted ways, with ging becoming so easily bored he can't treat a single human being with basic respect, and hisoka literally fetishizing ambition itself; gon, as a child, also finds himself facing abuse and assault at the hands of both of them, and they both use their twisted world view as a justification, with ging neglecting him for his entire life, grooming other vulnerable people in the process, and instructing them to hurt gon, and hisoka literally molesting him.

people sometimes get offended when you talk about the similarities between gon and hisoka, because yeah it feels kind of icky to compare a 12-year-old kid to the adult pedophile who's assaulting him. but the parallels exist for a reason, and that reason isn't to say that gon's going to turn out like this guy, it's to illustrate that hisoka's path is one potential outcome to prioritizing your own ambition over the lives of others. hisoka doesn't have a single relationship that isn't grounded in his own selfish worldview, and neither does ging. these are the people that gon admires and wants to surpass.

gon finally landing a punch on hisoka is an awesome moment, but in retrospect, it's upsetting. it reminds me of utena's duel against mikage; instead of confronting the ways in which they're unhealthily similar to their opponents and maybe doing some soul-searching, our protagonists celebrate the progress they've made towards their own destruction. gon's march towards a self-inflicted doom is a slow and steady one, and the chimera ant arc is the climax. gon can't be a great hunter like ging or hisoka. he cares too much about other people, and it destroys him.

so, yeah. as a foil to gon and as a source of commentary on the way a traditional shounen world encourages child abuse (not unlike our own world, hm?) hisoka is actually a good villain. the problem is, he isn't written consistently. togashi seems to like him too much and is fixated on making him some sort of anti-hero, which completely detracts from his supposed role as a villain! and, elephant in the room, he's still a homophobic stereotype. if you're going to write a predator, don't make him effeminate, and also include gay characters in your work who aren't predators (I do believe killua is intentionally gay coded but let's be honest, it's not enough). and when we look at the way gon's history of grooming and characters like palm are handled, it just becomes increasingly obvious that togashi doesn't really care about making any commentary about csa in a respectful or appropriate way. at best, it's there for shock value, and at worst, it's literally a joke. I will never respect the way that hisoka's character is handled in the series, but I do understand his appeal as a villain, and I really do wish he was written in a more respectful and consistent way.

[stanlunter]

You asked me to write about Lunter's parallels with Evelyn.

Let's start with just similar moments that could be noticed.

1. (photo 1,2)A parallel with Luz and Hunter running away from Belos, holding hands, and in the same series a picture with the same Caleb and Evelyn running away from Philip

2. According to 3 and 4 pictures, everything is basically clear. It's funny that this picture is literally on their background

3. 5, 6, 7 - Evelyn introduces Caleb to his palisman, luring him and Luz, who literally also introduced Hunter to the Flop. In both cases, apparently, this was the first step for Caleb/Hunter to throw Philip/Belos

4. 7-8 - Evelyn/Luz attack Philip/Belos with Light magic after he attacked Caleb/Hunter

5. Interestingly, Evelyn wears a raincoat in all the pictures, just like Luz in the episode where she and Hunter met, although she had practically not used it before

6. In a sense, both Luz and Evelyn are people (witches) who came from another world and discovered wild magic for Hunter/Caleb, helped them look at the world with different eyes, changed their worldview and even "took" them from Philip/Belos. Literally throughout the HM, Luz helps Hunter escape from Belos, opening his eyes to his personality, while on the walls in the same episode the story of Evelyn, who also runs away from Philip along with Caleb, is told.

[ihatebrainstorm]

Ok I got a bunch of work I need to finish but also just need to spitball some long winded Half Life/Portal universe Transformer crossover thoughts:

(Will contain Half Life 1 & 2, Portal 1 & 2, Aperture Desk Job, and ofc TF IDW spoilers btw)

Perceptor fitting as more of a Gordon Freeman role in Half Life's Black Mesa Institute bc he matches the more gritty atmosphere and serious tone of the Half Life games + Both Gordon and Perceptor taking on similar "scientists by trade, but still a competent as hell fighter when the situation calls for it" roles... Their appearances even kinda give similar vibes? But that could just be me

Brainstorm's fascination with the Dead Universe in IDW working well with Black Mesa's dubious research into Xen and all the alien life there- I can see him being incredibly interested in headcrab parasites? But he also sorta matches more with the eccentric type of experiments ran by Aperture Science.. Turrets and portal gun technology seem right up his alley,, (Also not to mention the mantis society human DNA stuff has weird Brainstorm type experimentation written all over it)

Percy working at Black Mesa while BS is in Aperture bc they're rival companies etc. etc. u get the gist hopefully

I need to look at Portal's lore again bc it's been a long while and I don't remember what his story was, but whenever I look at that one photo of Doug Rattman, he reminds me of BS sdkfs

Shockwave and Glados. I know technically Glados and Caroline are separate, but the parallels behind Caroline/Glados and Shockwave's backstories are still there ksdkfsd- What if Glados and Shockwave swapped places actually, and Shockwave were to run Aperture..... hm

Domestication and their parallels to the procedure done by the Combine to create stalkers.....

Whirl having a pet headcrab? Like Lamaar? Maybe?? Similar to his scraplets I dunno

Brainstorm would have so much fun with potato Glados and all the personality cores I think

Rodimus meeting and yelling at the G-man because I think it'd be funny

Brainstorm jokingly speculating that the G-man's briefcase is a plagiarized version of his time-case bc of how he's always carrying it around, able to blip in and out of random portals, as well as control time-

[bijoumikhawal]

Hm. I have dealt with antisemitic star trek fans, but given the times we live in and the recency of this post, as well as me not hearing of any recent major events about antisemitism in Trek fandom, let me check OPs blog real quick

Ah.

Anyway- DS9 intentionally paralleled the Occupation of Bajor with both the Holocaust and the Nakba, among other things, and one of the cast members who remarked on the similarity of Bajorans to Palestinians was Armin Shimerman, who is himself Jewish.

[jicklet]

Oh no I forgot you ship Ted/Becca.

😆 Hi anon! I hope this doesn't ruin your day or anything, whomstever you are. If you don't ship it or ship something opposing or whatever's your bag, I'm sure we can still be friends, or whatever we are.

But I've been mulling this all over since the finale, and this is a good excuse to get my thoughts out. Because I come from ye old timey shipping days of "the idea of them together is cool, regardless of whether it happens or not." so that wasn't really my problem with the ending.

Here are the things that are true:

I really like themes and parallels. I like connecting dots and finding connections and all that jazz

The number of themes and parallels they set up between Ted and Rebecca was delicious and very fun for me.

My reaction to the finale is less upset than it is frustrated and confused.

My frustration isn't purely 'they didn't get together romantically so it sucks.' I had started making peace early S3 with realizing it probably wasn't gonna happen

I am frustrated because I wanted all those bits of cool narrative shit they laid out to Do Something

I am frustrated because it feels like Ted and Rebecca have had very few emotionally connected scenes since season one, and what's the point of parallel journeys and soulmateism if their journeys are going to stay so parallel and not join up more, and then just apparently diverge completely

And on the apparent diverging, I don't love it but it would have sucked less if their lines just matched up more in the middle! That could be poignant! But as is, it's more disappointing than tragic, because whatever potential was there wasn't almost realized and then lost, but instead just... never really approached. It feels wasted.

The show did not owe us them getting together, but what it did give us, I found unsatisfying. That's just a bummer, man.

Forgive me this metaphor but I cannot find a better way to put it: I am frustrated because I feel like I got ridden for 3 seasons while they went 'just wait it'll feel so good' and then they were like 'are you ready?' and then just hopped off and left.

I am confused because at the end of their story, I cannot figure out what I am meant to be feeling about it.

Again, I didn't need them to get together romantically, they totally could've found some other way to make it satisfying! But. Ted and Rebecca getting together romantically would have also tied it up in a lot of ways that worked and made the narrative satisfying.

Having a romance arc that works with their character arcs and the themes they've built on is just really cool as a story.

Obviously all that parallel journey stuff would've actually been leading them somewhere, ie to each other, yay woo

And not to each other just because they've been through similar shit, but because, as that last post said, among a lot of other reasons, they've been set up well to be what the other person needs.

Romance is not the be all, end all. But:

Ted and Rebecca both want to be in love with someone, someday.

Here is someone who already understands and balances and supports them.

Like, that's awesome. Is that not the qualities you want for them in a future romantic partner?

I can't see how it diminishes their friendship if it caries on very similar to it has been, just like, sometimes they smooch. Maybe I'm just too demisexual for this idk

Boat guy. I like boat guy, but he's a chiller version of Ted. I can't find that post that points out all the parallels there, but that episode by the time we got to Kenny Rogers I was like. Uh. Hm.

It's confusing to have boat guy have a beautifully intimate evening with Rebecca, all the while having so many specific details similar to Ted, and then just act like romantic Tedbecca is a wild, character-ruining concept.

Because the show ends with Ted leaving and Rebecca miserably walking out of the airport and straight into proxy-Ted. I have no idea how to feel about that.

I could keep going, but I'm about out for now, so uh. Woe, wasted Tedbecca potential be upon ye~

[prince-kallisto]

PSSSST hey comrade–

I think there's only six coffins on the TWST OST commercial because Malleus is rising from the 7th one!

But now it makes you wonder about the Prologue's 7 floating coffins...

Are all the Dorm leaders contained inside them? Because if Malleus is inside the 7th coffin, then that means there's a big chance that the coffins we see in the prologue may be the other dorm leaders.

IM SORRY FOR RAMBLING I JUST THOUGHT I NEEDED TO SPILL THIS OUT TO YOU FOR UHHHH FOR ANY POTENTIAL THEORIES YOU MAY HAVE IN THE FUTURE!

DONT APOLOGIZE THIS IS AMAZING! 👀💖💖💖🐦‍⬛ Hana mentioned the 6 vs 7 coffins to me as well, and I’m amazed at how I missed this! \(//∇//)\

When I heard about this, I immediately thought about Book 7’s trailer, where Malleus is in some dark abyss with NRC’s coffin gates in a split-second shot. For a long while now, I’ve had a feeling that something may happen to Malleus at the end of book 7. I’m not sure- seeing the cage of thorns and the NRC coffins gives me a bad feeling! 🤣 But now that I’m seeing this connection between him rising from the coffin,,,hm 👀

Also the dorm leaders being inside!! 👀 It has me even more curious about what the coffins rising in the soundtrack teaser means. It’s really giving the vibes of being some sort of ritual. Crowley’s prologue and Malleus’ Overblot seems to parallel each other in the sense that everyone is put under a sleep that only they themselves can wake them from (e.g Crowley unlocking the coffins and Malleus’ Fae of Maleficence).

So I’m wondering why these six coffins are floating- and if they really do have people inside them 👀 A lot of the official art seems to nod to this, but the purpose behind it is what has me lost. ahhh I don’t know what this means, but I’m intrigued! 🤣

Actually this is completely sidetracked and unrelated to what you said, but thinking about it, I wonder how Crowley’s gates makes others unconscious inside. Epel has a similar ability, but that’s his unique magic with his own coffins. Malleus’ magic can make others sleep and not wake until he breaks his spell. So I wonder how the whole gate system works, and why Crowley specifically unlocking the gates is what wakes the student. Perhaps these sort of gates can be enchanted to do this, but it’s a very intricate system that I wish we knew more about

Anyway thank you so much for sharing Ray! 😭🫶🫶🫶🫶 Im always happy to hear your thoughts! My head cannot wrap itself around TWST sometimes I swear- I feel like we have all these big puzzle pieces, but it feels impossible to make sense of them 🤧 Discussing theories with others helps so much though! 💖🐦‍⬛

[veinsfullofstars]

Idea that bandanna dee reminds dedede of Box Dee

Hm… I’m assuming you meant to say Bow Dee, anon? If so, then I can kinda see why you’d think that.

While I wouldn’t call it a one-to-one comparison (Bow is a bit more impulsive and abrasive, while Bandee can be nervous and kind-hearted to a fault), there are definitely some parallels you can draw between them: the energetic personality, the love of adventure, the courage to stand up to danger despite the odds, etc. Dedede doesn’t get to see Bow as often in the future - busy with their duties aboard the Halberd after earning the title of Sailor Dee - but I think he’d still pick up on these similarities regardless, having grown up with one and practically helped raise the other (or so he boasts).

On one hand, it’s probably nostalgic for him to see glimpses of his old friends in the young spearwielder - smart and skilled (and a little skittish) like his father, brave and joyful (and a little reckless) like his godparent. It’s like little reminders of his youth, the adventures had and memories made, living on in the next generation.

But, on the other hand, he might feel a pang of dread. “Oh great - now there’s two of them.”

Sketch started and finished 04/24/24.

[indieyuugure]

Okay um in your rise of parallel comic will rise krang find out that 2012 April is half krang and if he does will he use it to his advantage like let's say manipulate her

Hm, he might find her Psychic powers odd, but the Krang are familiar with the concept of mystic powers and her psychic abilities pass pretty well as strong mystic powers.

I don’t think he’d be able to manipulate her in anyway since she’s not Rise Krang, she’s 2012 Kraang. I do see where you were going with that thought, and I think if the Rise Krang and 2012 Kraang were more similar it’d probably work, but I think because of the way Krangification works, Krang wouldn’t be able to use her the way he did on Raph and Leo.

Good questions! :]