#past access formats

[thedisablednaturalist]

Unfortunately all chatgpt is good for is interview/job application stuff which I think says a lot about the hiring process as a whole

[martyrbat]

detective comics #370

(ID in alt!)

[locked-into-eternity]

–Mind’s pain had been slowly growing over the course of the day, but he did his best to ignore it. He refused to admit that he was in pain. That would make him weak, or at least he thought it would.–

–They could feel something wriggling in their back, but they ignored it. They could feel the pain get worse and worse, but they ignored it. They could feel whatever was in their back get bigger and bigger, but they ignored it.–

–He’s now lying on his stomach in his bed, reading a book he summoned. “The Strange Case of Dr. Jekyll & Mr. Hyde”. He would rather read in the living room, but the mess hasn’t been fully cleaned up, and he doesn’t want to risk running into Heart.–

–And so he lies there.–

–“‘If he be Mr. Hyde,’ he had thought, ‘I shall be Mr. Seek.’”–

[…That’s fucking stupid.]

–Despite his remark, the quote had made him smile ever so slightly.–

–Said smile was quickly wiped off his face when a cracking sound came from his back.–

[Ah- shit-]

[summerlycoris]

RED ALERT! RED ALERT! < lo > AND < li > WORKS ON TUMBLR! I REPEAT! LIST ORDER HTML WORKS ON TUMBLR!

...

Of course, < center > and < hr > do not. For what I'm sure are very understandable reasons. But I'll take my breaks when I can get them!

[absentlyabbie]

seriously, though. i work in higher education, and part of my job is students sending me transcripts. you'd think the ones who have the least idea how to actually do that would be the older ones, and while sure, they definitely struggle with it, i see it most with the younger students. the teens to early 20s crowd.

very, astonishingly often, they don't know how to work with .pdf documents. i get garbage phone screenshots, sometimes inserted into an excel or word file for who knows what reason, but most often it's just a raw .jpg or other image file.

they definitely either don't know how to use a scanner, don't have access to one, or don't even know where they might go for that (staples and other office supply stores sometimes still have these services, but public libraries always have your back, kids.) so when they have a paper transcript and need to send me a copy electronically, it's just terrible photos at bad angles full of thumbs and text-obscuring shadows.

mind bogglingly frequently, i get cell phone photos of computer screens. they don't know how to take a screenshot on a computer. they don't know the function of the Print Screen button on the keyboard. they don't know how to right click a web page, hit "print", and choose "save as PDF" to produce a full and unbroken capture of the entirety of a webpage.

sometimes they'll just copy the text of a transcript and paste it right into the message of an email. that's if they figure out the difference between the body text portion of the email and the subject line, because quite frankly they often don't.

these are people who in most cases have done at least some college work already, but they have absolutely no clue how to utilize the attachment function in an email, and for some reason they don't consider they could google very quickly for instructions or even videos.

i am not taking a shit on gen z/gen alpha here, i'm really not.

what i am is aghast that they've been so massively failed on so many levels. the education system assumed they were "native" to technology and needed to be taught nothing. their parents assumed the same, or assumed the schools would teach them, or don't know how themselves and are too intimidated to figure it out and teach their kids these skills at home.

they spend hours a day on instagram and tiktok and youtube and etc, so they surely know (this is ridiculous to assume!!!) how to draft a formal email and format the text and what part goes where and what all those damn little symbols means, right? SURELY they're already familiar with every file type under the sun and know how to make use of whatever's salient in a pinch, right???

THEY MUST CERTAINLY know, innately, as one knows how to inhale, how to type in business formatting and formal communication style, how to present themselves in a way that gets them taken seriously by formal institutions, how to appear and be competent in basic/standard digital skills. SURELY. Of course. RIGHT!!!!

it's MADDENING, it's insane, and it's frustrating from the receiving end, but even more frustrating knowing they're stumbling blind out there in the digital spaces of grown-up matters, being dismissed, being considered less intelligent, being talked down to, because every adult and system responsible for them just

ASSUMED they should "just know" or "just figure out" these important things no one ever bothered to teach them, or half the time even introduce the concepts of before asking them to do it, on the spot, with high educational or professional stakes.

kids shouldn't have to supplement their own education like this and get sneered and scoffed at if they don't.

[mbrine]

I have hacked the mainframe (Inspect Element)

It seems like WOW starts at 4000 boops given, OMG at 2000, MAX at 1000

Adding on all the tiers I've found so far

MAX - 1000

LOL - 1500?(Missed the window, can't confirm)

OMG - 2000

WOW - 4000

*-* - 5000

WHY - 6000

PLZ - 7000

AAA - 7500

;_; - 8000

0_0 - 8500

T_T - 9000

MAX - 9200+? (I think the counter bugged? idk)

<33 - 9500

TUM - 10000 given

BLR - 10000 received

How to Super Boop

On desktop, hover your mouse over the Boop button for around 5 seconds, and it will do 2 spins.

Once the button is done spinning, click on it and you can send a Super Boop!

EVIL BOOPS can be accessed by allowing the animation to play 3 times before clicking

One way to get Super Boops on mobile is using a web browser to access tumblr. Use "Desktop Site"/"Desktop Mode", then click and hold the button to send the boop. That'll convert it to a Super Boop button. It seems pretty inconsistent though.

For all clicking enthusiasts, do click this too, trust me, it's just as satisfying

Omg thanks everyone for the boops, I've been butterfly clicking the boop button for so many different people for the past 6 hours and I'm exhausted

I'm pretty sure this is also my most engaged post on any platform I've ever used, thanks for all the RBs and likes <3 <3 <3

If anyone's crazy enough to try reaching 10k without an autoclicker, here's what I did

Ok, one more tutorial for the boops before I go to bed for real.

How do I check my exact given and received boop count?

NOTE: You'll need to refresh the page to update the counters, unless there's another method to check the live count

Chrome

Go to your dash ("home" tab).

Press f12, or right click and select "Inspect Element"

In the window that pops up, click on "Sources" then "dashboard" under "www.tumblr.com" (Pic below for reference)

In the window showing the code, press Ctrl+F and type in either "givenCount" or "receivedCount".

Ta da! (Pic below for reference)

Firefox

Go to your dash ("home" tab).

Press f12, or right click and select "Inspect Element (Q)"

In the window that pops up, click on "Debugger", then "Sources" and "dashboard" under "www.tumblr.com" (Pic below for reference)

In the window showing the code, press Ctrl+F and type in either "givenCount" or "receivedCount".

Enjoy formatting (Pic below for reference)

Gonna take a break from Tumblr for now, my fingers are in shambles and I'm pretty sure I can hear the mouse clicks echoing around inside my skull. Thanks to everyone for making this random Singaporean guy's day, mbrine signing out! ❤

Here's a link to my Twitch and Instagram for those who're interested, seeing as the standard procedure for when a post blows up online is to shamelessly plug lol ;)

Happy April Fool's Day!

[caffeinatedopossum]

MISREAD UR NEWEST POST . i vote still no trying to lose weight-- trying to do it healthily while being in ed recovery isnt v safe

Meh (sorry idk how else to respond to this)

[elbdot]

And this marks the end of Gladions Arc... It's been 3 long years since I started this arc. Granted, I was on hiatus for a full year due to my animated Comic Dub, but still. I'm glad I finally managed to finish this story after all this time. As always, thank you for your patience and thanks for reading!

Previous | Next

Some notes for future updates: I will most likely change my shading style and break free from the set 16:9 format I have been presenting my comic panels in for the past few years. I noticed how much time I'm wasting on shading and rendering my panels, as beautiful as it may look in the end, for a comic it's an incredibly inefficent way to work and I want to improve on that, so that I may be able to finish comics more regularly in the future. "El's Alolan Adventures" is only one of many projects I'm working on, so if I want to continue it, I should learn to actually work like a comic artist instead of an illustrator.

If you want to support me on my journey and see wips on art, comics and more, then you can join me on Patreon! https://www.patreon.com/elbdot

Joining any pledge will also grant you access to my Discord server.

[oflgtfol]

arguing with people on the college pulse survey app is such a terrible experience because you have people writing essays in this space

[glenthemes]

🔗 ；⸺ at.tumblr.com links remover

[image description: a screenshot of an online tool that says “tumblr - remove at.tumblr.com on link shares”. The prompt label says “Paste in the Tumblr link you copied”, and includes two examples of such links. It finishes with a button that says “Do the thing please”, with all the words capitalized, and a click icon. end ID ]

📢 As of 2023/03/24, Tumblr are no longer enforcing at.tumblr.com links when you copy a link from the mobile/app. [Read More]

When a post link is copied via mobile, it can appear as the following variants:

𝟙 〜 at.tumblr.com / {𝚞𝚜𝚎𝚛𝚗𝚊𝚖𝚎} / {𝚌𝚊𝚙𝚝𝚒𝚘𝚗_𝚝𝚎𝚡𝚝} / {𝚝𝚛𝚊𝚌𝚔𝚒𝚗𝚐_𝚒𝚍} 𝟚 〜 at.tumblr.com / {𝚞𝚜𝚎𝚛𝚗𝚊𝚖𝚎} / {𝚙𝚘𝚜𝚝_𝚒𝚍} / {𝚝𝚛𝚊𝚌𝚔𝚒𝚗𝚐_𝚒𝚍} 𝟛 〜 tumblr.com / {𝚞𝚜𝚎𝚛𝚗𝚊𝚖𝚎} / post / {𝚙𝚘𝚜𝚝_𝚒𝚍}

I made a tool that converts them back to their original permalinks so when they’re shared on social media, the previews should show again.

👉🏼 at-tumblr-links.glitch.me

You can bookmark this on your phone or your desktop browser so you can quickly access it when you need it!

Currently, it’s not known which at.tumblr.com link format will proc under what circumstances. If it has a 𝚙𝚘𝚜𝚝_𝚒𝚍 in it, that’s good news. If it doesn’t, we need to ask a URL un-shortener service to follow the redirects for us. But this tool should accommodate any format regardless. It’s not perfect, but I hope it helps.

Read more about at.tumblr.com tracking links [here].

If you run into any issues, you can report them to me via Discord or Tumblr ask.

[fuckyeahgoodomens]

Good Omens graphic novel update: May 2024

Happy 34th birthday to Good Omens - published in May 1990. We don't need any extra reasons to celebrate Aziraphale and Crowley, but we're always happy to find some.

Admin

Thank you to everyone who has completed the PledgeManager so far; as mentioned, this will be open through 2024 into early 2025 to complete. A few key queries that have arisen in the past month:

I ordered via Kickstarter, but when I go onto PledgeManager, it is setting me to Human Tier and/or asking me to pay again. Please check the email that you are using on PledgeManager. The email to access PledgeManager must be the same as the one you used on Kickstarter for the system to connect your account to the order; if your email is not showing a prior order, please try your other emails, or drop us a message from the account you pledged on (and are, presumably, reading this from!) and we can confirm the email address linked to your pledge.  

I have been charged twice for shipping. What do I do? We have raised this with PledgeManager, and they say it is a known issue that can occur via Stripe, but it is easily fixed. Please contact support@pledgemanager.com with information on your order, and note that your shipping has been charged twice, and their system can verify this and process the refund swiftly and easily.  

I need to change my address. How do I do that? We have left the option to update your shipping address open on PledgeManager and will do so for as long as possible. Per PledgeManager, here is a step-by-step on how to change your address: Return to your survey (which you can also do by visiting my.pledgemanager.com and using the ‘Forgotten Password’ option if needed) and scroll down on the receipt page. There, you will see the below button. After clicking that, you will be taken to the first page of the survey and will just need to click through to the shipping page. On the shipping page, you can use the ‘Create New Address’ button to enter their updated address. 

If you have any further issues or queries, visit the central FAQ page as your first port of call.

Good Omens items...

The desk at Good Omens HQ is slowly filling up with prototypes, the latest of which appears to be as popular as Aziraphale and Crowley, and for good reason. We are, of course, talking about the ducks. Here's an early version of the duck mug:

We've got some early prototype designs of the trading cards too. Illustrator Steve Gregson has begun work on the base card deck illustrations, to be unveiled in future, and designs for some of the variants are fully underway. Here are some early samples of graphic novel variant cards from Colleen Doran, and Rachael Stott's Crowley:

The base packs (Hellhound+) currently include 80 cards, and have caused quite heated games with those who have test-played it so far on their attempts to thwart (or indeed cause) the apocalypse. Hellhound+ backers will also get a booster pack alongside the main game. Rarities for sharing at random in these orders are shaping up nicely too. Hoping to share some of the base pack design imminently.

If you've been wondering what your other alternative cover choice is, alongside Rachael Stott's (Serpent+), then wonder no more: here is Frank Quitely's take on Aziraphale and Crowley, ready to shine on your shelves.

Update from Colleen

We often end with an update from Colleen, whether that's her art, or her shots from her studio. However, we thought it was about time we invite Colleen to update you herself, so we are handing the rest of this month's over to your ineffable artist for a glimpse inside the process of making Good Omens. Enjoy.

---

As you may imagine, I’m having a wonderful time working on the Good Omens graphic novel. The Dunmanifestin team asked me to pop in and give you a look at my process.

The task of adapting a beloved novel into graphic novel format is a complex, wonderful sort of pressure cooker. Even without the well-publicized complications I got smacked with over the last year, it promised to be an intense, time-consuming project.

The graphic novel is about the book and not the show. Getting Michael Sheen and David Tennant out of my head was quite a task. I’ve seen it dozens of times and I adore it, but I to had devote a lot of time to re-reading the novel and listening to the audiobook to clear my head of them. 

The few times I allowed myself to watch the show again screwed me up a bit. So, I won’t watch it again until I am completely finished with every drawing. Maybe a view-a-thon will be my reward for finishing the book. 

But I’m getting ahead of myself. There’s still a lot to do, so let me show you it.

Before we knew the Kickstarter fundraiser would do well, the graphic novel was to clock in at 164 pages. After the good news of the Kickstarter success, I got permission to take the story to 200 pages. That meant a major rewrite and redraw on some dozens of thumbnails and layouts.

And you guys are getting a much longer book.

Not complaining one bit. I was so happy to get more space to give breathing room to the ending.

Anyway, here's a look at my workspace.

To the left is my laptop computer with the script. The laptop is connected to my graphics computer via ethernet, and all my reference is on the main system, from which I share files.

On my older projects, I dutifully printed out every bit of reference. I think this is the first project where I’ve done all reference and organizing on my MAC.

As you can see, I draw comics the old-fashioned way – by hand – and there is my script on the computer.

But I do all the coloring on this project on the MAC. I know some people hate Photoshop, but even if I wanted to switch, I don’t have the time to dive into a new system.

That entire box with all the narrow drawers in it you see there contain Good Omens pages in varying degrees of completion. Finished pages are at the bottom with layouts, pencils, and partial inks toward the top. The middle drawer contains templates, French curves, and a ruler.

The box isn’t fancy art studio equipment. It’s just a Childcraft brand puzzle storage rack. I realized a long time ago the heavy wooden bookcases, puzzle racks, and construction paper storage made for children’s classrooms made great modular storage for professional art spaces. It’s solid as a rock, heavy so little children can’t tip it, and I can move it and rearrange my space however I like.

The final art is drawn on 11”X14” Strathmore 500 acid free Bristol.

I do all my prelims as tiny “thumbnail” sketches, some in ink, some in very loose pencil. I keep them organized in this Levenger notebook. The thumbnail paper is both Canson brand, and Blue Line Pro, and both are acid free. Blue Line Pro is good for ink, but Canson is better for pencil because it has more tooth. I usually use Canson.

Using the Levenger hole puncher, I perforate my pages and keep them organized in a Levenger Circa system. It’s pricey, but I love it. There are other brands far less expensive, however.

The ruler shows how tiny the thumbnails are.

If the storytelling is clear at this small size, then it will be clear in the final.

I redo quite a bit as I go along, as you can see from the sequence below.

From thumbnail:

To pencils:

Since I did multiple rewrites, adding a large section at the end and popping in earlier scenes I originally had to skip, this meant redoing almost all the page numbers about 4 times.

Nearly went barmy.

I use the construction method of drawing, as you see. This is an old-school technique. Some people seem to assume that artists always use computers and tracing for their drawings, but most cartoonists of my generation work extemporaneously. There’s quite a bit of noodling around and searching in the sketches. Using too much reference often results in stiff, dead work.

In comics, it’s very important to make sure you’ve considered word balloon placement when designing a page. The script for Good Omens is more copy-heavy than most modern comic book scripts because I want to preserve as much of the clever original language as I can.

Here I scramble about working out the word balloon space allowance.

Here’s a deeper look at the process for page 2 from thumbnails to final color.

Now here is where things get a little weird. What you’re about to see is a process called flatting.

If you color a comic without first flatting the art, you are consigning yourself to many extra hours of labor and frustration.

Flatting is a way to tell the computer to select areas inside the black lines so that whenever you click on that particular color, you can paint inside that area perfectly. Since the computer only understands 1 and 2 - or on and off - when you tell that computer to stick to that area, that is what it will do.

There are computer programs that you can use to create your flats. I use Multi-Fill. The results are uniquely ugly, but they get the job done. Here is what that looks like.

Absolutely hideous.

But pretty much all I have to do from this point on is click each block of color and change it to whatever I like. The result is this:

I also experimented with selecting areas of the line work as color holds, but I’m getting into more complicated color technique than we may have time for at this point. But from here, I can start painting.

And the painting stage looks like this.

Since I wasn’t entirely sure exactly how I wanted to approach this color style, I took screen shots of some of the changes I made as I went along. In the shot at the left, I’ve given Aziraphale’s heavenly self a golden glow by using a color hold on the line. But I found it needed more contrast to make his figure pop, so I darkened it in the next shot.

I use the computer to create the initial flats, but I either do the final flats myself, or I have help from Julmae Kristoff and/or Dee Cunniffe.

The flats are (usually) not intended to be part of the final work. They are a technical tool.

For example, here are the original, computer-generated flats for one scene in Good Omens.

And here are the secondary flats by Julmae Kristoff.

And here is my final color work.

Since I’m running behind on the book, I’ve brought in Dee Cunniffe to do some extra color work. He is a wonderful colorist, as well as an excellent flatter. I’m not sure to what extent I’ll be handing pages to Dee at this point, because I’m very controlling, and I want to make absolutely certain there are no stylistic anomalies in the art, and I want all the Crowley and Aziraphale pages for myself, is that too much to ask?

I use Faber Castell Pitt Artist pens for my inking. I sometimes use an old-fashioned crowquill as well, but Faber Castells are easier to control, and the ink uses real pigment instead of dye like many markers. All of my originals are created with longevity in mind: acid-free and lightfast. I want the drawings to be fade-proof.

And that is a quick tour of the work so far.

A thousand thanks to Neil Gaiman and the Dunmanifestin team for their incredible kindness and patience, and that goes double for all Good Omens supporters out there. Your indulgence is appreciated more than I can adequately express. I am truly sorry to have been the cause of the delay in the book, but I can only make it up to you by doing my very best.

And that is what I am doing.

BTW, many years ago, I found a little yellow duckling who was getting beaten up by the other ducks, so I saved him and took him to my home to live until my parents adopted him, since they had a nice yard and a pond, and I didn’t.

He had a birth defect and could not fly, which is probably why the other ducks were pecking at him.

He got to stay in the family house, and eat goldfish crackers, and swim in the tub. Eventually they built him his own house. We called it the Duck Majal.

He lived for ten years.

I named him Fred because I’d been watching Breakfast at Tiffany’s when I heard him quacking for help that day we met, and Holly Golightly’s brother was named Fred.

So, here’s to you Fred.

Until next time.

[bioethicists]

Come Chat about Psych Abolition + Harm Reduction!

Over the past several weeks, I've hosted 5 Zooms where we chatted about psych abolition + its futures + the work we want to see in the world. It was a deeply healing experience for me + I appreciated hearing from all of you so much more than you could even know. As I discussed, I am hoping to host a second set of these Zooms, this time 6 in sequence, focused on harm reduction + psych abolition. Harm reduction is both my vocation + my passion in life + I'm really excited to share about it with you all.

As some people requested, the format this time will be a little different- I will open each session with a brief (~15 min) presentation from either myself or one of my comrades discussing the topic + explaining crucial works in a way that is accessible to someone with no prior knowledge of harm reduction. After that, we will chat similarly to the format of the first set of meetings, bouncing ideas off one another + sharing what resonates with us + what doesn't.

A reminder to anyone who wants to attend that under no circumstances may anyone contact the authorities as a result of anything spoken about during the Zoom. Free discussion of self-injury + suicidality + substance use are expected without fear of being “crisis” intervened upon. That being said, the goal of these chats is not necessarily to be a support group but more to talk about psychiatric abolition, build community, + increase knowledge.

I will be doing 3 weekday evening sessions + 3 midday Saturday sessions (apologies to those who observe Shabbat! My Sundays became a bit haywire), hoping to accommodate people with different work schedules + time zones. They will be via Zoom. Each topic will repeat 2x, but I still encourage people to attend both if they want to chat more about it! 'Lurking' (aka camera off, no speaking) is encouraged! Any way that you want to show up is okay- we regularly have people attend who do not engage at all, or only engage in the chat. Chat messages are read aloud by me to ensure that chat participants feel equally included in the group.

Also, I am looking for people who have resources that may be helpful for these, as well as people who might be interested in speaking about their experiences with these topics. Unfortunately this is all just done by me, in my office, so I don't have compensation to offer, but anyone who wants to contribute in any capacity is encouraged to reach out <3 Elliott @trans-axolotl will be giving the presentation portion for Harm Reduction (Self-Injury + Suicidality).

Also, if you would like to join the Madness + Liberation forum where we discuss psychiatric abolition at greater length, please feel free to fill out my Google Form here.

Those of you who need a dial-in number, please message me on Tumblr or send an anon + I will provide it.

Resource Masterlist

Summary of the first set of sessions, Substance Use

Summary of the second set of sessions, Disorderly Eating

UPDATED!Harm Reduction (Self-Injury + Suicidality): Monday September 23rd @ 9pm EST | 1am UTC

UPDATED!Harm Reduction (Self-Injury + Suicidality): Saturday September 28th @ 12pm EST | 4pm UTC

(image by asako narahashi, 2003)

[ryttu3k]

Speculating on why Astarion doesn't seem to remember his mortal life. Some of the other spawn clearly do (Leon knows who Victoria is, Dalyria remembers being a doctor), and Dalyria had a high-up position, so it's entirely possible she was over a hundred when she was turned. Maybe Astarion's memory loss is due to his age when he was turned?

Elves in Forgotten Realms have an interesting relationship with memory. All FR elves reincarnate. Initially, when they trance, they basically just relive their past lives; in their second or third decades (teenage years or twenties), they experience First Reflection, and they start incorporating memories of their current lives into their reverie. This is basically… part reflection, part reinforcement of what they learn in their waking/active hours, so it sounds like it's pretty important to turn short-term memories into long-term ones. Over the next several decades, they dream of their past lives less and less, and eventually go through a fairly traumatic event called Drawing of the Veil, at about a century old. After that, they're considered, culturally, to be adults. After the Drawing of the Veil, the memories worked through in trance are entirely of their current existence.

(Source: Mordenkainen's Tome of Foes. It's a 5e book published in 2018, so it could have been a source for BG3, I suspect. The game doesn't agree entirely with the book - it says elves stop visibly aging at about thirty, and Astarion, Halsin, and Minthara all look older - but they could have definitely taken notes from it.)

Drawing of the Veil could indicate that an elf's memory centres of their brain are now fully developed and 'attuned' to their current life. So, what happens if the process is interrupted? Astarion was turned at thirty-nine, well before the Drawing of the Veil. I wonder if this interrupted the usual reinforcement of memories, or damaged the memory centres of his brain? He's had, at most, thirty years of a potential ninety years of memory centre development, so he does remember bits and pieces, but the vast majority he missed.

It might not have been instantaneous, ie. waking up in his coffin without any memories at all. But over time, without being able to sort through those mortal memories in reverie, they just start fading away and can't be written into long-term memory. If Dalyria had already experienced Drawing of the Veil, her memory centres wouldn't have had the same damage, so she'd be able to keep working through her mortal memories in trance; Astarion, who was turned younger, can't work over them and so they just… end up forgotten.

Also worth noting that Astarion also doesn't trance exclusively, too - he actually sleeps at times. Most surface elves never true sleep unless they're badly injured, ill, or exhausted (drow sleep more). We do see Astarion trancing, but we also see him sleeping a few times - he sleeps and has a nightmare in his Origin run, and he's sleeping during that scene with a Dark Urge who's romanced him. If he can't access his past lives or mortal life when he trances, then literally all he has access to is… his life under Cazador's rule. Dreaming might be weird and scary and uncomfortable and risky, but it's also a possible escape from not reliving two centuries of shit.

There isn't really anything to confirm one way or another in-game, but I did wonder why Astarion doesn't remember his mortal life, and Dalyria appears to do so. Astarion was young for an elf when he was turned, so I wonder if that could be the reason why, interrupting that memory formation development.

(Side note: I do consider Astarion to have been an adult when he was turned in almost all ways, including physically, mentally, and in Faerûnian society. He just wouldn't have been considered an adult when he was turned in elven culture, due to not having undergone Drawing of the Veil. He was a Baldurian elf, considred to have the rights and responsibilities of any other adult. If he had been raised in, say, Evereska, that'd be another matter entirely, but Baldur's Gate is mixed, and majority human. A great analogy I saw once is that Drawing of the Veil is analogous to having your b'nai mitzvah - of course a thirteen-year-old isn't an adult in broader society, but within the community, a b'nai mitzvah is expected to be held accountable for their actions, know Jewish law, participate in things like fasting for Yom Kippur, count towards minyan, etc. It's a specific cultural standpoint of maturity, even if it's not a broader societal standpoint; with the theory above, it would also have a biological component with memory formation, similar to how b'nai mitzvah most often coincides with puberty. Anyway, even without Drawing of the Veil, 39 is still painfully, tragically young for someone that could have potentially lived to 750.)

[ellipsus-writes]

There’s a LOT of new stuff in Ellipsus this month!

Writing is collaborative—we use beta readers to punch up phrasing, cut the fluff, refine our creative vision... why should building a writing tool be any different?

With our awesome beta users’ input (seriously, we love you guys sm), we’ve spent the past few weeks shipping:

📑 Version history!

🔡 6 new fonts (new sans serif, serif, monospace, and accessible fonts!)

🔍 Find and replace

👋 Live cursors

📲 Faster mobile formatting

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[beyondthisdarkhouse]

Alt text is so incredibly useful when it comes to speakers of other languages. I follow a bunch of fiber artists from different parts of the world, Ukrainian fashion designers and Chinese antique garment collectors and Iranian university professors of textile art history. There are discussions happening in different languages, and resources like books and scholarship, simply not available in the English or French I know.

And a lot of them never even use the Latin alphabet a lot of the time! So sometimes I can photograph a book page or screencap an Instagram story and get my phone's OCR to give me text to paste into Google Translate, and I can sometimes use a Cyrillic keyboard to type out what I'm seeing, but but as soon as something is antiquated or handwritten or viewed at an angle, my goose is cooked. I can't even get the original phrase to try to translate at all.

Unless there's alt text. Because alt text gives me exactly the data I need in the exact right format to take to a dictionary and get the gist of what's going on.

It makes me reconsider how my own content is accessible or inaccessible not just to blind or visually-impaired people, but people who aren't perfectly fluent in English. Because I and a lot of my friends are native English speakers who usually only speak 1-2 languages total, I'm prey to assuming that everyone in my intended audience is like us. That of course everybody can easily process English text, whether it's printed or written in cursive or using some antique calligraphic hand. And of course, that's not true. Now when I look at my analytics for my business's rare medieval name, I occasionally see translation site traffic where people in Farsi or Ukrainian or Chinese have translated me in return.

The curb-cut effect is a wonderful thing, I think. The primary reason I've used alt text is a good one, and it also turns out that it's really useful for a lot of other people too.

[transmutationisms]

this is probably shaped by my limited frame of reference, but im really fascinated by witnessing the real-time development of adhd as a diagnosis. people attribute so many symptoms to it now or maybe they always did? i was wondering if you have any thoughts on what is the use of adhd specifically as a category within psychiatry. I'm esl so sorry for any confusing wording

no you're right imo; diagnostic categories are always somewhat in flux ofc but ADHD is one that has seen a particularly pronounced shift in the last couple decades. obviously this is multifactorial but my observation goes something along these lines:

'hyperactivity' has been dx'd in children since about the 1950s (also when Ritalin hit the market) but the ADHD dx doesn't really take off until the 90s (also when Adderall, a 2nd-gen reformulation of the 'obesity' drug Obetrol, hit the market). so, it's not all that surprising that 20 years later you see increased patient awareness of the diagnosis, increased popular interest in it, and shifting / expanding ideas of what it means and what ADHD 'is'. it's a relatively young dx.

part of the reason it's young is because it's basically a 'biopsychiatric' dx, meaning it diagnoses certain behaviours as being a 'brain problem' rather than having social causes or context. in practice this is complicated because psychs do use pharmacological approaches in conjunction with psychodynamic ones all the time; nevertheless, the central promise of DSM ADHD and its pharmaceutical treatments has consistently been that the ADHD subject has a physiological, neurological disorder / dysfunction / aberration, and that the drug treatments on the market fix it. that none of this is actually empirically supported is conceptually inconvenient and entrenched by the research process.

the biopsychiatric narrative is worth paying attention to because the context here is one in which it has become commonly accepted that behavioural 'disorders' and affective distress of various kinds can be, basically, either of pure biological origin, or else Your Fault. in the case of childhood hyperactivity, Your Fault historically also included Your Mother's Fault; part of the reason many mothers embraced Ritalin in the 50s and 60s was because the proffered pharmaceutical narrative explicitly challenged the idea that these mothers had done something 'wrong' to result in their (mostly) sons exhibiting disruptive and hyperactive behaviour.

this dichotomy of biology vs personal failing is very overtly present in quite a bit of discourse around ADHD today. if it's my brain being 'wrong' or different, then it's not something I've done wrong but a disease with a simple chemical fix. in this context I don't think it's surprising at all that a lot of popular and patient conceptions of ADHD have seen a considerable widening over the past few decades. often people like to blame this on pharmaceutical companies, and it's true that industry benefits from these discourses and frequently invests in them (eg, via instruments like ADDitude mag). however, that's a pretty simplistic explanation on its own and doesn't really account for the ways in which patients and potential patients also find this diagnostic category personally useful, for reasons ranging from identity-formation to the desire to access prescription amphetamines. ADHD increasingly shows up as a biologised explanation for behaviours ranging from 'eating too many sweets' to 'postural sway' and so on. you can see in such examples how invoking the idea of an aberrant ADHD brain is both reassuring to people who have been made to feel ashamed of certain behaviours, and provides a sense of shared identity and community with others.

all of this is to say: I don't find it surprising at all when I see a relative broadening of notions of ADHD, almost always expressed in biological terms (the 'ADHD brain' operates differently, 'seeks dopamine', causes this or that). ADHD is in some ways a particularly blatant distillation of this general trend in popular psychiatric discourses, for reasons relating to expectations about childhood and child behaviour, and the historical and present relationship between the ADHD label and the regulation of amphetamines. but much of what's happening with ADHD in terms of popular discourses about it can also be seen with many, many other psychiatric diagnoses, to varying extents and in various ways.

my experience writing about ADHD on this website leads me to close by explicitly stating the following: I do not think any ADHD behaviours / symptoms are people's 'fault' or an individual failing; I do not think using drugs for any reason is morally bad or needs to be justified; the fact that I do not think ADHD is a 'brain disease' does not mean I think people are 'making it up' or exaggerating wrt any difficulties they experience personally, professionally, emotionally, &c.