at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Simon has always been confused on why you gift him toys. Sure, most of the gifts you gave him were some of the things he liked. Bourbon, masks, gloves, make up for him to smudge his eyes with, some daggers and knives. Things that we're useful for him, just him. But later, you gifted him a toy airplane. He makes a comment about it, saying he is not a child anymore and you were better off giving it to Johnny instead.
"No, this is specifically for you, take it."
When he gets to him room, he walks toward his trash can, opening it with the tip of his boot. He gives one more look at the toy, his mood souring before throwing it into the trash. He goes on about his day, training, signing paper work, drills. Doing anything to ignore the pain stinging memories that the toy brought back. Emotions that were buried thousands of feet deep it could reach hell itself. Later, he lies awake in bed, staring at the ceiling, avoiding looking at the cylinder shape that's calling for him in his peripheral.
Fuck.
He pulls the covers off vigorously and stomps over to the trash can. He is standing over it like he's trying to intimidate it, as if it was an enemy he's trying to get rid of in battle. To anyone else, the scene would look comical.
He sighs to himself and reaches down to take out the toy he so cruelly threw away. He sets it on his desk and quickly walks toward his bed, facing away from his desk.
The next day, he wakes up feeling different. He swears he sees his room more vibrant, more lively. That energy follows him through out the day, having his other teammates notice his rather bright mood.
You catch him in the hallway. Pulling him aside to ask him about the paper work you left at his desk this morning. Of course, he notices the way you smile brightly, more so than usual. But he notices that you're not looking at him. More like looking at something next to him.
"What's got you so cheery?"
You turn to look up at him, feeling a bit embarrassed.
"I just..." You take a quick glance at the spot next to him, before bringing your eyes back upon his.
"I just hope you liked your gift." The same bright smile appearing on your face.
He stares at you, examining your words. Your expression.
You think you see his eyes crinkle a bit.
"Yea,"
"I liked it."
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Alley Drunk! Danny AU- Part 1
[Pt.2] [Pt.3] [Pt.4]
To not turn into a giant raging asshole hell bent on murdering people and destroying the world after everyone he loved died, Danny had ran from Amity with his chosen vice.
A bottle. That’s right. Even after Jazz’s talks about alcoholism as a poor coping mechanism as a form of self harm, he still chose alcohol. Or maybe that’s why he picked it, because it reminded him of her, right before the booze took the sting of grief off of her memory. He was never really all that good at listening to Jazz.
And now she’s gone, so it’s moot point. Danny really hated Nasty Burger.
Danny made it all the way to Gotham, bottle constantly glued to his hand. It’s better than Vlad’s creep-o-self looming over him all of the time. He bummed out on the streets, fitting into crime alley like a native. Danny learned to pickpocket. Not much, just enough for a bottle when his ran out. He stayed human. At first he tried to convince himself that it was because he didn’t want to be perceived as a meta in a city where Batman notoriously disliked metas. Then, as he sunk deeper, he admitted to himself in a shameful curl of a whisper that it was really because alcohol affected his human side much easier.
Ghosts need an ungodly amount of alcohol to even get slightly buzzed. Danny’s human side? Only one full bottle the shittiest tequila he could find could even hope to be more than buzzed. It sucked.
He’s spent two years being an alcoholic that didn’t actually get that drunk. Technically, underage drinking was a crime. But then again, so was being a vigilante ghost. So, whatever. He does what he can to dull the grief. Mostly, he slept on covered and hidden nooks on top of Crime Alley’s roofs. Gotham city had taken pity on him and cleared her smog clouds when he was awake at night. Stargazing helped, at least. It gave him a little hope. It gave him a little wish to change and better and live like he wants. But then the night ends and when the day comes, Jazz isn’t there. Sam isn’t there. Tucker isn’t there. His mom and dad are not there.
Danny always went back to the bottle, in the end. Not that it did much.
Which was why, when he saw three looming figures over a tiny child, Danny’s saving people thing flared with a vengeance and his surprised ectoplasm burned what little buzz he had achieved by downing most of the bottle away, leaving him stone cold sober and pissed.
Danny sighed, dumping the rest of the nasty tasting liquid out. There’s no point drinking that little.
He approached the trio, who were beating up an actual child. Ancients, he hated Crime Alley sometimes.
“Give me your shit, you little punk!” Asshole 1 decided to say like a typical mugger, raising his leg to kick the curled up kid below. Danny doesn’t let him land the kick, smashing the bottle on the asshole’s head before any of them clocked his presence. He pivots, pushing a bit of that extra strength he normally keeps on a tight leash into his hands, and punched the other two in a quick fashion, knocking them out.
With that taken care of, Danny turned back to the kid who was still curled up. Danny sighed again, the trembles in small shoulders plucking on his heartstrings.
“You okay, kid?”
The kid uncurls, and Danny stared. Holy shit, is he looking into a mirror? Blue eyes, black hair, and tanned skin. Holy shit, he’s even got similar jaws to Danny.
“Huh.”
The kid flinched.
“Y-y’er the drunk,” the kid flinched again, eyes darting to the broken bottle still clenched in Danny’s hand. “I- I ain’t got money, honest. Please-”
Danny blinked down at the kid, brain connecting the dots after so long without actual interaction. He’s panicking and staring at the bottle in Danny’s hand like it’ll kill him. Danny raised the bottle and the kid closed his mouth with a click, terror worming its way into the kid’s eyes.
“I wasn’t going to mug you myself, kid.”
“But- y’er the- the Alley drunk.”
Danny blinked. Did he get a reputation without knowing again? Goddammit.
“I guess. Am I famous or somethin’?”
“Nobody- nobody fucks wit’ ya.”
“I also don’t hurt kids.”
“…”
The kid stared at him dubiously and with a sinking feeling, Danny realized that maybe the kid already had some terrible experiences with a heavy drunken hand. He promptly chucks the bottle further into the alley.
“I drink, yes. But I’m also not the kind of scum that would lay hands on a kid, let alone anyone that didn’t provoke it first.”
“Oh.” The kid uncurled more, looking at Danny warily, more at ease now that the bottle has left the chat.
“Yeah. I’m Danny. Stone cold sober, right now.”
“…”
Danny waited.
“Peters.”
“Okay. Peters, do you wanna take their shit?” Danny pointed a thumb at the knocked out would-be-muggers behind him.
“Y… yeah, sure. What’s my cut?”
“All of it.”
Peters stared.
Danny shrugged and started looting.
"Y'er so fuckin' weird."
----
See, the thing is, Danny hadn't anticipated saving Peters- "'s actually Jason"- would result in having a duckling following him around. The kid, Jason, glared at everyone who even looked at them wrong. But that's not the problem, because Danny could take anyone who took issue with Jason's looks, it's more like there's a child following him around now and Danny doesn't want to be the reason Jason turns into an alcoholic. It's- well, it made him cut down on the drinking. He even got jobs- legitimate jobs that sucks out his his poor ectoplasmic soul.
Why? Because Jason's apparently homeless. While that's something Danny's okay with for himself, he can't ever condone that for an actual child. Jason's walking around in threadbare clothes and thin soled shoes in the middle of Fall, for Ancient's sake.
Danny grumbles as he piled a bunch of clothes into the shopping bag as he checked out. Gotham's Walmart is a different kind of hell, but Danny feels right at home.
Sure, the work might suck out his soul and he might hate being sober, but Jason's face every time he comes home to an actual place to live, warm clothes, and food was worth everything.
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