#poor self-control

[phoebe4rt]

And finals start today. Wish me luck fellas!!!!

I should be studying for my finals but instead I did this.

Wanna make it comic style and this is the best I got ;)

[thimblings]

sometimes i play around with the headcanon that the companions did ask Rook to join book club or to go camping or to hang out or any of the various things they do together - but Solas obscured it/erased it/controlled Rook's responses, in order to make sure Rook would feel more and more isolated and full of regret. eventually, after being turned down enough, he didn't even have to do anything anymore - they just assumed Rook didn't have the time or desire.

(very quick and dirty/cruddy comic to illustrate an idea, like most of my comics are lmao)

[rocketbirdie]

HUGE HUNK O'MEAT

[kindaasrikal]

Hey guys why haven’t i seen a lot of acknowledgment about the actual affect the MASTER OF BUGS could have on a guy whose possibly half bug now.

Let’s say that Kai being half bug WAS canon (or at least in an AU it is), he would therefore already be dealing with the change and loss of control physically, having his body morphed in such an invasive way that leaves him in shambles.

Yet after all that, after a few years of secretly healing and growing and just thinking about how to protect his family and loved ones, he meets a man who can control him.

Kai has already felt the invasiveness of one’s own body unwillingly changing. Now he has to sit with a never ending fear of a man forcing him to hurt the very people that make Kai who he is.

I wonder if Drix actually knows the amount of power he could hold over the master of fire.

Edit: okay I won’t deny me forgetting Drix is actually the master of Swarm but it sounds so dumb master of bugs sounds better pls guys/silly

[ganondoodle]

should surprise absolutely no one that i much much much prefer radahn when hes older (and not mindless! or mindcontrolled!)

(doesnt look amused about what malenia just did in that ol trailer- and possibly even moreso about what she said)

that (and base game) version of him is the only one to meeeeeeeee

[pepperyhoney]

COLLEGE END TERM EXAMS ARE KILLING MEEEE but

I saw someone saying that he is blaming himself for something that is not his fault completely because he always does (re: AM retirement), and that katsuki is showing how much he is a soft person at heart. And how he is not to blame for this. But i have a slightly different interpretation from this.

i think Katsuki was not a soft person. and I think that here was not a show of how much he loves to blame himself. it is stated again and again how much of him is brash and callous and arrogant, and like his mother and himself said, he is given too much praise and never really tasted rejection or failure—except from himself. and even then, he never dwells too much on it and just keep having the mindset of improving and one upping everyone including himself. the sigma grindset, if you will. Even though his outward theatrics shows how explosive he is and how he gets so agitated at many things, he has shown that he has more emotional control in battle than even Midoriya-I-Will-Go-Berserk-Over-My-Endangered-Lover-Izuku. like he even has to remind Izuku to not dwell on things lest it kills him.

Then he came back from the dead.

The death itself is a significant factor. "Can I still catch up to you?" as one of his last thoughts, was something he now consider his reality, his acceptance of himself and Izuku. He reframed the way he tasted failure and rejection of what he thinks the way he is - of how he perceived Midoriya and that what he rejects about him in the first place then came to reject him in return-into something that once again motivates him to win and to always have a goal, his newborn northern star.

When All Might retires, he blames himself because all might is the symbol of peace and people around the world now lost it and there's a new imbalance that he feels are a part of his responsibility. But truly, regardless of anything, all might will retire anyway due to his injury. It is not his fault. He just hates the feeling of "failing" to save himself, that he needed to be saved. He doesn't want to accept that.

Then we get a narrative of how quirk is viewed by the world, the sides of it, and the darkest part of it. Izuku is shown to be affected by this too, while relying on his own belief that stems from all might idealism (the vigilante era). But then his class shows how much that idealism is no longer sustainable, and repeating the same things aren't going to do anyone any good. Katsuki, despite the lack of narrated inner thoughts, is a part of crowd who instill it to izuku as well. Then he apologized. He knows that Izuku is this self sacrifical because of him. That he thinks he can't truly save anyone without giving a part of himself. Which circles back to how he accepted izuku as a rival and a partner. He now see him as he is and accept the part of it was his fault. Katsuki went on with life because he thinks that now Izuku can always change for the better, like he always do, and he will be there on his heels, to be with him and to accept his hand, and i quote, "for the rest of their lives".

When izuku has to give up OFA to try save Tenko, when he really showed how much he is willing to give up anything- even the greatest gift and his raison d'etre that is propelling him to this point along with Katsuki himself (because you know, izuku extend his hands to everyone and that starts with his extension to Katsuki), That is really what hits home to him. That they're so interwined with each other, that izuku has always been a hero to him as much as he is to Izuku, that the extended hand he swatted all those years ago, is the same hand that still give a part of himself away to tenko shimura in an attempt to save him. Izuku was always a hero because he will not hesitate to save anyone.

Now that he saw Izuku as a rival, and saw izuku as what he is, he truly sees how much saving is tied to the act of being saved, that everyone has to help each other to truly win, that to protect someone, you have to be willing to be protected to save yourself, too. Now, the hand he rejected all those years ago, the person he rejected again and again, is unable to save himself from fate, and the worse part, he can't protect him from fate and himself. He saw how much his actions truly meant, he saw how apology only grazed the surface wound of the consequence of a childhood ignorance. Now he truly understands that all he wanted was to protect Izuku; that it was all a misdirection of what he truly wants, to be a hero that protects people. that misdirection in turn bites him in form of losing his hero that saved him from himself. So, with tears of realization too late, "no... just what the hell did i do to you?".

the despair he feels is because he has so much respect for izuku and that bittersweet feeling of knowing that izuku choice is going to change everything, as well as knowing he has a part on it. He can't take back anything, and izuku has to live with it, and how does it truly feel to see the one you now saw as your equal, goal, northern star, to rise and dim because of you?

Katsuki was not a soft person. he is, now. Because he is saved by the people around him. Thats why his wish was to save izuku, too. He wishes there was another way, he wishes that the fate izuku has didnt have to enforce izuku's already self sacrificing beliefs. He wish that he is saved from the fate. He cries because he knows he is inseparable from it all-even if it wasn't truly his fault. He loves and respect him and knowing he is inseparable of what makes him love and respect him is making him realize the gravity of the situation. He changed so much from the brash and arrogant kid he was, that now instead of being angry and challenging at fate not going his way, he yearns for them to change so that the person he truly cares about is saved. His admittance and heartfelt confession is one hell of a leap and show how much he changed, and reducing it to him blaming himself for something not his fault is kinda redundant and insulting to his character development.

[ladyshinga]

Isekai often offers the idea of "what if a human is reborn as another creature of some kind" but we need to be exploring the other way around. What about some anime about a dog that crosses the rainbow bridge RIGHT into a fantasy world where he's born human but remembers being a dog, where's THAT weirdo

[vaguely-concerned]

the idea this game posits that just as much as or even more so than lucanis is having a demon problem, spite is currently having a lucanis problem. is everything to me. spite voice bitch you live like this???

[lizziestudieshistory]

Someone send help, this is my "currently reading" pile and I'm fearful it's going to topple over if I keep going at this rate! Worst part is this isn't a complete picture of how out of control I am because I'm reading two fantasy books on my Kobo!

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[theunluckiestdevil]

[Please don't tag Tomas' face as body horror it is a regular healed injury thank you]

Hi i played through the ES The Queen of the Elephants yesterday because I knew a husband unlock was there and it still managed to completely and utterly delight me when he showed up. This doodle was also drawn yesterday because I couldn't get it out of my head.

The way it says "the most terrifying nightmare of all belongs to you." I'LL NEVER BE OVER IT I FEAR. And he's SO good. His stupid little bow??? His theatrical manner of speaking???? The way he LEAVES before we can say thank you, ugh. I'm choosing to believe it's because a goodbye kiss would completely ruin his reputation as the scariest nightmare. He's on the clock, there's other people, no PDA!!!! But, of course, Tomas can't leave him without a thank you kiss next time they see him. It's the least he deserves for helping them out of a pinch (though, Tomas full well could have gotten the group back on track, they're a skilled Silverer after all. But what's a husband for if not to ask his help with things you can accomplish yourself?)

[excessive-moisture]

There should be a fic where artificer reaches the outer expanse colony after killing scav chief and heals there. Opens up very slowly and reveals their past even slower. Starts looking after the OE pups. Confronts their past in healthy ways.

And I would 100% write this myself if I wasn't in the middle of the enot dating sim saga !!! AAAA

[sysig]

Evil Time is great :) (Patreon)

[artshineaura]

hot topic dont do this to me please i dont have the money…

[kobracola]

ngl i really fucking hate the disparity between the way people treat gerard and lindsey in bandom

[eyesontheskyline]

reckless (just enough) - ch 2/3.

Read here on ao3.

Rating: M

Warnings: No Archive Warnings Apply (but we're talking about pregnancy, abortion and Emily-typical Catholic guilt, and there's a decent amount of non-graphic vomiting going on; this chapter has sexual content, as clearly consensual as sex undercover can be.)

Relationships: Eventual Hotchniss in chapter three, but this chapter has Doyle/Lauren and mostly-lone-wolf Emily.

Summary: Emily Prentiss and three pregnancies: at fifteen, thirty-three, and forty. (Demonology, Lauren arc and Hotchniss vibes.)

Chapter Excerpt: Emily turns away, white knuckling the glass of water in one hand and gripping the counter with the other, her throat burning, chest tightening, because she doesn’t have a village, and she’s spent her life telling herself she doesn’t want one. She’s never stayed in one place or been one person long enough. She still hasn’t even told her mother she’s pregnant, because every time she considers it, fifteen-year-old Emily surfaces in a wild panic and drags her into a spiral that passes through layers of guilt and fear and shame and lands her back in bed with the covers pulled up to her chin, Lauren’s baby rolling and kicking in her belly, reminding her that the time remaining to pull herself together is slipping rapidly through her fingers.

“Emily,” Louise says, a gentle hand between her shoulder blades. “I’m telling you I’m here. You’ve nothing to hide from me – I’ve seen it all and heard the rest. Now, the father – is it –?”

“Don’t,” Emily interrupts softly, because it’s not safe for anyone to know the truth, and the target she’s already put on Louise’s back is too much. “I can’t.”