#probably some failed development

[werepossums]

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[beeapocalypse]

trying to craft a funger oc like aughhhh i can see him i can picture him in my head right now [image of the most off putting little man possible]

[revedetendresse]

[kinda-daily-warriorcat]

[kellystar321]

.

[hanzajesthanza]

i tend to focus on regis making angouleme a little less insane. but the underrated dynamic in my head is angouleme making regis a little more insane. this mentorship goes both ways.

[tkbrokkoli]

:3

[youvebeenlivingfictional]

the pro

part ii: what we're willing to accept

Pairing: Art Donaldson x Reader

Rating: Explicit - 18+ only. minors, please get off my lawn.

Notes: My brain chose violence this morning. Not beta-read because when is it ever.

Length: 4.8K

Warnings: Slow burn; unhappily married reader; divorced Art Donaldson; infidelity; oral sex (female receiving); vaginal sex; unsafe sex

Summary: Every lesson becomes an exercise in self-control. You force yourself to try, really try, and not make silly mistakes for the sake of Art coming closer, grasping your arm or elbow, pressing close and redirecting your swing. You don’t know what you crave more these days: his praise or his touch.

He's the biggest men's tennis star since Andy Roddick.

That’s what your husband says, as if it’ll entice you. As if you know anything about tennis, about the pro that your husband says will be coming to the house to teach you to play.

It’ll be good for you. You need a hobby. 

You don’t gripe or argue. You don’t tell him that five months into your marriage shouldn’t have you looking for a new hobby. You should still be in the honeymoon stage, spending all of your time with him, hanging off of his arm, off of his every word. But he works so much and he’s away so often—

I don’t want you to get bored. 

It’s a sweet gesture. The maid handles the housework; you have a chef that handles most of the grocery shopping and cooking, unless you insist on making something yourself; you have a housekeeper that arranges for anything you need—dry cleaning, maintenance. And it’s no wonder that with all of his money, his power, he can just order a retired pro tennis player up to your house, like you’d order a pizza. There’s a tennis court in the back of the mansion, a few feet from the pool. You’ll get some new outfits, the best sneakers, the nicest rackets. You’ll finally have something to do to fill your days. 

Art Donaldson. 

You know his name before the lean, fair-skinned patrician man turns up at your front door. He trails you through the house, politely declines your offer of a beverage. 

“You ever played tennis before?” He asks. 

You haven’t. Before your husband arranged this for you, you hadn’t so much as given the sport more than a passing thought. You don’t have the heart or confidence to tell that to a man that’s made tennis his whole life, so you just give him a small, guilty smile and say no, you haven’t. He nods, waves you off, insists that it’s fine. 

“We’ll start with the basics.” 

-- 

Two months of lessons on the basics make your arms tired, and your hands sore. But where your swings are clumsy and your grip is weak at first, you can see improvement in the way that you move. Your steps are less clumsy when you go after a ball; you’re more aware of the service line and the base line; your forehand stroke from contact to your left shoulder is smoother; your rotation and follow-through on your backhand is coming along, but has a long way to go. 

Art’s instruction is calm and steady. He explains technique as much as he demonstrates it. When you get something wrong, he doesn’t scold, just lightly corrects. When you do something well, his encouragement is constant and free-flowing. Every accurate move and motion is met with, “Nice,” or, “Perfect,” or, “That’s it.” 

On the days when you don’t have a lesson with Art, you practice. You order a tennis ball machine to work on your forehand and backhand. You attempt (and fail) to learn how to slice on your own. You try anyway—you can only imagine the way his eyes might light up if you manage to surprise him. 

You’ve tried to ignore the rising interest that you have in Art, but you can’t help the little…Crush that’s developed. He’s just so attentive, and kind. When you find yourself smiling these days, it’s often because of something that he said, or did. You can’t remember the last time your husband made you feel giddy this way. It was probably when you started dating—before you’d made the decision to marry for comfort, rather than love. Your husband is practical, rarely physically affectionate, more heavily involved in his job and social circles than with you. 

But you’ll have to find a way to thank him. He’s given you a hobby, and a man that grins at you like you just painted the goddamn Mona Lisa when you serve your first ace. 

-- 

“So, tell me about the Mark Rebellato Academy.” 

Art smiles, dipping his head as he reaches for his coffee. It’s taken a few months, but you finally convince him to have something to drink with you after practice. Your chef is blessedly out shopping for ingredients for dinner, so you have the kitchen all to yourself. Art has watched you putter around, seeming surprised that you know where everything is. You can’t blame him; the kitchen is chef-grade, and you don’t cook much these days. 

“Did your husband tell you that’s where I went?” 

“No.” 

“Then how do you know?” 

You’re too embarrassed to admit that you’ve done some googling, and watched a couple of clips of him interviewing before and after his matches. 

“I’ve just heard,” You fib. “Tell me about it?” 

He leans back in his seat, eyes skating across your face as he seems to consider something. 

“What do you wanna know?” 

“Did you enjoy it? I mean—” It feels like a dumb question once it’s out, and you hurry to redirect, “With what you know now, if you had the choice, would you have learned how to play tennis somewhere else?” 

He considers for a moment, trailing his finger over the side of his cup. Your gaze flits to his fingers, and your own flex around your mug handle. You’ve spent far too much time looking at and thinking about Art’s fingers—their length and quickness; the slight roughness of his calloused hands; the lingering tan line from where his wedding band used to sit. 

“Yeah,” He admits, drawing your full attention back to his face. “I would. It was foundational, you know. I’ve been thinking of sending Lily there.” 

“Lily?” 

A bittersweet smile twists his lips. “My daughter.” 

“Oh!” It catches you off-guard.  

“Tashi, uh—” He clears his throat, “Lily’s mother, my ex-wife. She and I are thinking about schools.” 

“I’m sure they’d be glad to have her. Does she play tennis?” 

“Little bit. She didn’t start until last year, but she's a natural.” He clears his throat again, presses, “Are you and your husband planning on having kids?” 

“Oh god no.” You blurt it out, and realize as he raises his brows that you’ve spoken too quickly. You lean back in your seat, stirring your coffee quickly to distract yourself from your growing embarrassment. “He actually has kids already. Two girls, seven and ten. They’re at boarding school and they stay with their mother when they're on vacation. I haven’t gotten to spend much time with them.” 

“...He seems to be pretty busy.” 

“He is.” 

“So it’s just you in this big house?” He tips his head to the side, brows knitting with curiosity. “What do you do all day?” 

“Play tennis.”

He grins, chuckling, and your stomach flips at the sound. 

“It shows, you know,” He says. 

“What do you mean?” 

“I can tell you’re practicing without me. And,” He leans across the table, running his fingers lightly over the exposed skin of your bicep, “You’re getting stronger.” 

You wonder if he can see or feel the goosebumps that break out across your skin at the gentle sweep, his gaze heavy on yours.

“I have a good teacher,” You murmur. Art’s lips twitch with a soft smile, his hand gently cupping your arm. 

“Just good?” He plies. 

“The best. A real pro.” 

His smile widens, and the flash of his tongue sweeping across his lower lip makes your face go hot. You know that you’re caught when Art’s touch becomes firmer, pulling your arm toward him just a little. 

The sound of approaching footsteps startles you, and you hurriedly tug your arm away. The sight of your husband makes your heart leap into your throat. 

“There you are,” He smiles. “Art, how’s she doin’?” 

“She’s killing it.” 

You don’t dare look at him, but you can feel the weight of his attention lingering on you still. You just give your husband a smile, tipping your cheek up obligingly as he leans down to kiss it. 

“Actually, Art,” Your husband straightens up, hands resting on your shoulders. “I’m glad I caught you. There’s a charity event for a local club this month. It’s for uh…What is it?” He squeezes your shoulders for answers, and you have to keep from rolling your eyes. 

“It’s a charity tennis match to raise funds to fix up the local courts. They need resurfacing and they’re raising funding to keep the fees down.” 

“We could use a sponsorship from the foundation,” Your husband adds. 

“Honey,” You glance back, wary of insulting Art. But—

“I’ll do it,” Art agrees. “Send me the details.” 

“Excellent,” Your husband grins. “Maybe we could coax you into a match or two.” 

You don’t chastise him this time—not when you see something light up in Art.

“Maybe.” 

--  

You haven’t seen Art play before. You’ve specifically avoided it. You’ve known that when you saw it, you would be too intimidated to do a damn thing on the court with him. But now, you can’t stop watching him. You don’t even care that you probably look so out of place—where everyone else is watching the ball, you’re just watching him. 

His movements are so neat, so precise. It’s like watching a dance. He’s running the poor guy on the other side of the net up and down the court. And the sounds that he’s making—god. Every little grunt and groan is weaving increasingly filthy thoughts in your mind. You already know that you’ll seek out the memory of those sounds, as you reach between your legs later. His shirt clings to his chest, showcasing the muscles that you’ve always suspected he has. Strands of hair plaster to his forehead as sweat drips over his cheekbones, down the bridge of his nose, over his jaw. 

When he scores a match point and he looks toward the cheering crowd—when his eyes land on you instantly, without having to search—it’s like you’ve been hit by a bolt of lightning. You can’t think, or move. You barely have the focus to applaud, but you manage to raise your hands and clap. 

-- 

Every lesson becomes an exercise in self-control. You force yourself to try, really try, and not make silly mistakes for the sake of Art coming closer, grasping your arm or elbow, pressing close and redirecting your swing. You don’t know what you crave more these days: his praise or his touch. 

Coffee becomes a post-lesson ritual. He starts to stick closer and closer to you as he follows you into the house until he begins to rest his hand on your lower back, guiding you to your door. He keeps nearby when you’re making it, brushes droplets of sweat off of your forehead or neck. Every touch is electrifying; you have to make a concentrated effort to keep your hands steady, your face neutral as your heart pounds and your stomach floods with butterflies. 

He pushes you harder on the court, and you force yourself to meet the level that he sets for you, even when you don’t feel confident in it. But you want to make him proud. 

It spurs you to lunge a little too far. 

The sharp stabbing pain in your left ankle makes you shriek, and you tumble to the ground, dropping the racket with a clatter. You hear the pounding of his feet, glance up just in time to see him clear the net before he’s on the ground at your side. 

“What hurts?” 

“My ankle,” You grit out, hissing softly as he helps you straighten your leg out. He smooths his hands over your calf, leaning over you and gently guiding your foot in a few different directions. You whimper as he starts to guide your foot to the left. 

“Okay, okay,” He soothes, “Let’s get you inside.” 

For as much as you damn the throbbing in your ankle, you thank it a little, too. You lean heavily against Art, making the slow, arduous journey back to the house with his arm wrapped tightly around your middle. 

When your husband comes home, he finds you with on the couch with Art coming back in from the kitchen, an ice pack in your hand. 

You’d hope for concern, but your husband frowns, glances at the swelling knob of your ankle, and simply asks: “What did you do?” 

“She lost her balance.” Art sits down on the other end of the couch, soothing you as the chill of the ice pack makes you shift with discomfort. 

“Are you going to be able to walk tomorrow?” Your husband presses. “We have dinner at the Fineman’s.”

“I'm still going, don't worry about that."

“...Tomorrow might be a bit soon,” Art warns. 

“I’ll be okay. It’s just a sprain, right?” You tip your brows up, hoping, praying that he’ll agree for your sake. His fingers flex around the ice pack, jaw ticking as he clenches it. He doesn’t say a word as your husband sighs heavily, grumbles, “I hope so. Still, we should put a pause on the lessons until she’s fighting fit again.” 

Art finally tears his eyes from yours, a tight smile on his lips. 

“Of course.” 

-- 

“How’s the ankle?” 

It takes you a moment to scrounge up an answer. You can’t believe that he called. You knew that Art had gotten your number when you started taking lessons with him, but he’s never used it beyond texting to confirm a lesson time now and again. 

You look down at the still-swollen flesh as it strains against the thin strap of your slingbacks. 

“Fine,” You lie, “It’s um—” You glance over your shoulder, listening for your husband. “It’s not that bad.” 

“Good enough to walk on?” 

Hardly. 

“Yes.” You think you’ve gotten away with it, but when you hear Art sigh and chastise, “You should rest,” You know that you haven’t.

“I have,” You insist, “All day.” 

“Are you sure you’re alright?” 

“Yes.” 

“You can tell him no, you know.”

Your mouth works wordlessly, body going hot with indignation. You can’t think of a thing to say. You can’t tell him that he’s wrong, that your husband’s connections are the lifeblood of his business. You can’t tell him that if your husband’s business falls apart, you won't be able to afford those tennis lessons, and then how the hell are you supposed to see Art again? 

You just yank your phone away from your ear and hang up. 

-- 

I invited Art. 

It shouldn’t be a surprise, but your husband’s statement makes you feel like you’ve swallowed your tongue. You haven’t seen or spoken to Art in nearly two weeks. Your doctor recommended putting off any physical activity, which your husband surely relayed to him. He was the one whose name was on Art’s checks, after all. 

Your husband has always thrown a massive party to kick off the summer. Every year, 150 of your husband’s closest family, friends, and business associates flooded into the house. It shouldn’t be such a surprise that your husband invited Art after the performance he had given at the fundraiser—$25,000 from the foundation, and ticket sales went through the roof when it had been announced that the Art Donaldson would be making an appearance. Your husband owed Art a lot, and probably saw this as an opportunity for him to network, to take on more clients. He had been evangelizing Art’s training to any of your friends that would listen—how good you are on the court, how engaged and energetic you seem to be these days. 

It’s one thing to know that you’ll have to put on a happy face for the crowd, but to know that Art will be among them makes your insides twist with nerves. You can’t stop thinking about the way that he had spoken to you when you were hurt; his calm, steadying demeanor as he’d gotten you inside; the careful coaxing and gentle touch that he’d used as he’d taken your shoe off and examined your ankle more closely. 

You think about it now, as you strap on another pair of heels. Your ankle really is doing well, though you have a little lingering pain in shoes like these. You’ll likely be on your feet for the length of the party; it’s going to be a long night. You look over yourself in the mirror, self consciously tipping your ankle from side to side for anything that he may spot or catch out. But there’s nothing, you reassure yourself. You slide your hands over the skirt, plastering on a smile as your husband pokes his head into your dressing room. 

“Almost ready in here?” He asks. 

“All set!” 

-- 

He doesn’t come over to you. On the crowded patio, you can feel him watching you—you’ve gotten so used to seeking out the sensation that you can’t ignore it now. The first true look at him is agony. He watches you from just a few feet away, a glass of champagne in hand as he speaks with your husband and the Finemans. He openly looks you over, eyes drifting over your body to the flash of ankle revealed by the slit in your dress. He tips his head to the side just a little, squinting before his eyes flit back up to your face, lips twitching with a small smile. 

You want to hate how good it feels; you want to be angry with him for his smug knowing, his insistence of You can tell him no, you know. But it feels so goddamn good to have his attention again that you can’t bring yourself to be annoyed. You know that you’re staring—that you both are—and you force yourself to turn away and excuse yourself from the conversation you’re in. You go inside, murmuring your thanks for the waitstaff that pass you along the way.

The house isn’t nearly as busy as the patio, and you're able to slip into your darkened study unnoticed. You leave the lights off, certain that if you turn them on, people will be drawn in to bug you, like moths to a flame. The party’s lights and music filter in through the partially-closed blinds. 

You lean against the desk, circling your ankle and wincing a little. You’ll hide for a few minutes, let it rest—

Your breath catches in your throat as the door opens. You expect your husband, ready to scold and usher you back to the guests. 

You only have a second to get a look at Art before he shuts the door behind himself, plunging the room back into darkness. Your fingers tighten around the edge of the desk as you use it to ground yourself. 

“...Do you need something?” You ask, voice wobbling with nerves. 

“Wanted to come say hi.” 

“Well. Hi.” 

You hear him chuckle, his footsteps muted by the carpet. 

“Thanks for the invite.” 

“It wasn’t my idea.” It’s not polite to admit, but you want it to sting him, just a little. Maybe it does; in the dim of the room, you can’t see Art’s expression as he comes to a stop just a couple of feet from you. 

“Do you want me to go?” He asks. You know what you should say, but you can’t bring yourself to say it. 

“No,” You whisper. You feel the heat of him as he comes closer, his hands resting on the desk and caging you in. You bite your lip as gently brushes his nose against yours. 

“He isn’t taking care of you.” 

“My ankle is fine.” 

“I’m not talking about your ankle.” He lifts a hand, smoothing it over your hip as your breath mingles. Art’s fingers drift from your hip to stroke over the apex of your dress’s slit. His fingers slip further down, and you nod as he palms your thigh. Before you can say or do a thing, Art sinks to his knees. He curls his hand around your left calf, lifting it. You shiver as his lips press a gentle kiss to your ankle. His hand and lips travel up, easing the fabric of your dress higher with each second. The first brush of his knuckles against your panty-covered clit makes you jolt. Your hands dig into the wood of the desk as his fingers hook between the fabric and your skin. You lift your hips without a word, allowing him to draw them down. 

Art presses a kiss to your mound before he lowers his head, giving your lips a sweet, sucking kiss. You gasp softly as his tongue swipes across your clit. You look down despite the fact that you can’t see him well. You can just make out his blissful expression, his eyes closed as his laps broadly across your aching cunt. You lower your hand to his neat hair, winding your fingers through it, unable to help grasping it. His heady moan vibrates against you and you nearly cry out at the sensation. You manage to just catch it, the sound dying in your throat as Art buries his tongue inside you. He sweeps his thumb over your clit in rush, harried circles, panting against your heated flesh. You rock your hips down against his lips, tightening your grip on his hair as you guide him. He lets you do as you please, whining against your skin as your movements become less controlled.

“Art,” You warn, “I—Oh, oh god—” 

He hums in encouragement, sucking your clit back between his lips and lashing it with his tongue. Your jaw drops open, your hand shoving Art even more tightly against your skin as you cum suddenly. A stunned, breathy moan slips from your lips as Art leans back, smearing his lips against the inside of your thigh. 

You use your grasp on Art’s hair to draw him back up off of his knees, giving him a crushing kiss as he catches his balance. You swipe your tongue across his lips, whining against his lips as you taste yourself on him. He presses close, his hard cock straining against the fabric of his pants. You reach down, palming and squeezing his length as you trade slick, messy kisses. He steers you back onto the desk as you fumble to undo his belt, button, and zip. 

“Condom?” He asks. 

“Pill,” You reassure, shoving his pants down. You lap broadly across your palm, grasping Art’s length and guiding him closer. He brushes the tip of his cock against your still-throbbing clit, smiling as you whine. You’re going to ache tomorrow, but you’ve never been so happy to be sore.

“Art.” 

“Sssh.” 

“Please—” It’s hardly out of your mouth before he shoves his hips forward, seating himself fully with a single thrust. You bite down on your lip to quiet your moan, curling your arms around your shoulders. He rocks into you with firm, quick strokes, his mouth covering yours. You can hear things on the desk rattling with each thrust, kisses growing less controlled as he hoists your thigh up around his hip. 

“Oh, god,” You breathe, “We have to be quick—He’ll come looking—” 

“Not until you cum for me again,” He urges. “I need to feel it, sweetheart.” 

“Art—” 

“When’s the last time he did this? Hmm?” He presses, “When’s the last time he made you cum? When’s the last time he tasted you?” 

“Never,” You admit with a shiver. It seems to renew Art’s passion, his thrusts and hold growing more intense. You squeeze your eyes shut, hands hooking tightly in the fabric of his jacket. He yanks the front of your dress down, bowing over you and drawing one of your nipples between his lips. You whimper as he toys with the bud, tugging it gently with his teeth before swiping across it. You arch into the slick heat, using your leg to tug him even closer as you chased the swelling curl of your orgasm. 

“Just like that,” You urge, “Ffffuck—yes, yesyesyesyes—”

Your eyes squeeze shut as your hips buck down against his, pussy pulsing as he spills into you. Your heart pounds in your chest as the two of you slow and still. Art rests his forehead heavily against your neck, peppering gentle kisses across the exposed skin. You have to move—now. You don’t know if anyone heard you, but if someone did, you’re screwed. If no one did, your husband will probably be looking for you anyway, ready with a scold for neglecting your hostess duties. 

“...I have to go,” You warn softly. It takes Art a moment to move, but he does, gently drawing himself back from your still-throbbing cunt. You hear the clanking of his belt buckle as he tucks himself away, and you reach down, righting your dress where it’s been pulled away. You take up your panties from where they’d been discarded on the floor, tugging them on before you straighten your skirt and hurry out of the room. 

--  

“Can I see you?” 

It’s only been an hour since the last guest has left, and you are so, so fucking tired. You glance toward the bathroom door. You know that you locked it, and you’re certain that your husband can’t hear you over the shower running, but you can’t help but be paranoid.

“You just saw me,” You remind him. 

“Tomorrow,” Art clarifies. 

“Where?” 

“I’ll send an address.” 

You bite your lip, toying with your earring. Your pussy is still aching from the stretch of him, your ass sore from getting fucked on the desk. 

“...You regret it?” He asks. 

“No,” You don't give your answer a second thought.

“I’ll send an address. Whether or not you see me is up to you. Just…think about it. Okay?” 

“Okay.” 

You lower your phone, hanging it up and watching his contact information blink away. It’s only a moment before a text with an address lights up your phone. You don’t have to think about it. You already know what you’re going to do. 

--  

You know that you’re staring, but you can’t bring yourself to stop. Art has spent so much time in your home, so you feel entitled to look around a little bit. You eye the row of trophies on his mantle, photos of him playing when he was young. You come to a stop at a picture of him with a young girl, a racket in her hand and a medal around her neck. 

“Is this Lily?” You ask. 

“Yeah,” He nods. “First competition.” 

“Already getting gold,” You smile. “The Mark Rebellato Academy isn’t ready for her.” 

Art chuckles, nodding as he steps around you.

“You, uh…You want something to eat, or drink, or…?” He trails off, tucking his hands into his pockets as he takes a couple of steps back toward his kitchen. You turn to face him, taking him in more fully. 

“Art?” 

“Yeah?” 

“Why am I here?” 

He doesn’t answer for a few moments. You can see him weighing his options before he comes closer. 

“I…I’ve been thinking about last night.” 

Fear shoots through you, but you force yourself to stand tall. “Okay.”

“I could lie and tell you that it should be a one-time thing, but I can’t remember the last time I got through a day without thinking about you. And I think you’ve been thinking about me, too.” Art stops as the tip of his shoes brush against yours, and you let your eyes slip closed as he rests his forehead against yours. 

“Tell me I’m wrong,” He pleads. “Tell me to fuck off right now and I will never say another non-tennis related thing to you again.” 

-- 

When he fucks you, he curls close, chest pressing against yours as he catches your lips in a kiss. You sink back against his pillows, your head cradled by his broad palm as he rolls his hips achingly slowly. You don’t bother to hide your whines and moans, and you revel in his. Every grunt and whimper and groan that Art lets out lights you up. 

And when you cum, you don't have to quiet yourself. His name tumbles out of your mouth, cushioned between expletives as your nails dig into his shoulders.

--

"What time is he home tonight?"

You don't want to think about it. You want to stay in this cozy little bubble, trailing your fingers over his muscled chest as he massages your nape and kisses your forehead.

But you know that you'll have to let the world back in sometime.

"I don't know," You admit. "Late."

"...Could stay."

"He'll be suspicious if I'm not home when he gets there."

Art sighs softly, running his hand down to rub between your shoulder blades.

"This isn't going to be easy, is it."

"What?"

"Letting you go every day."

"Every day?" You tease, pushing yourself up to get a better look at him. "Don't get greedy, Mr. Donaldson."

He smiles, raising his hand and cupping your cheek. "Is it greedy to know what I want?"

You shake your head a little, lowering your lips to brush against his.

"Not when I want it, too."

part ii: what we're willing to accept

Tag list: @missredherring ; @fantasticcopeaglepasta ; @massivecolorspygiant ; @blueeyesatnight ; @amneris21

@ew-erin ; @youngkenobilove ; @carbonated-beverage​​​ ;  @moonlightburned ; @milf-trinity

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[screeching-bunny]

Yandere! Game Show Host Hcs

Warnings: Obsessive Behavior, Yandere Thoughts, Bad Writing, Stalking, Possessive Behavior, Reader is Referred as ‘You’

A/N: I saw this request and was like this is such a cool request but what if we made him an evil game show host. Like one that would put contestants in deadly scenarios.

🌟 Yandere! Game Show Host who kidnaps all of the contestants and forces them to play this twisted game that he created for money. Don’t worry though, he rigged the entire game to be in your favor. It was discreet enough for the viewers not to really care but apparent enough for you to notice the favoritism. Did you care? Hell no!! As long as you were getting paid you and survived this whole ordeal could give a rats ass about what happened next. Even when you do manage to get certain questions wrong, he will just brush it off and pretend that it was just a warm up question. The contestants are definitely seething whenever they see this happening.

🌟 Yandere! Game Show Host is a psychopath by nature. In each round, he presents the contestants with morally ambiguous dilemmas, enticing them with promises of grand rewards while dangling the threat of dire consequences for failure. Whether it's forcing them to choose between betraying a fellow contestant or facing a treacherous obstacle, he revels in their anguish, relishing the psychological torment he inflicts.

🌟 Yandere! Game Show Host is doing everything in his power to make sure that you win the game. He can’t have his poor baby feeling upset if they fail to win the grand prize. He would absolutely give out the most insane questions that practically no one knows the answer to. The punishment for getting a few questions wrong is mutilation of certain body parts and if you get too many questions wrong then you’ll end up being sent to your death. While everyone is basically being tortured in their punishments, he’d never allow that to happen to you. At most he’d probably just flick your forehead and call it a day. I imagine that most of the people watching the show are people who paid for the contestants to be kidnapped and be brought there against their wishes. Everyone who is put onto his show is a horrible person, including yourself, and have done something to be warranted to be there.

🌟 Yandere! Game Show Host bends all the rules of the game for you, providing subtle hints or covert assistance to ensure your safety. Although he has a strong desire to see others in pain and suffering, his love for you is stronger. At first justifies these actions as preserving the "entertainment value" of the show, but deep down, he's driven by an inexplicable desire to protect you.

🌟 Yandere! Game Show Host would baby you during your time there. He’d make a fuss whenever you tried to do anything remotely dangerous or touch some blood. I could totally see him using a baby voice to try to convince you to stop what you're doing. He has no shame, and everyone is looking at him with utter disbelief/confusion on their faces.

Yandere! Game Show Host: “Oh No! Please don’t go over there! You might slip from all the blood on the ground! Come here let me carry you across.”

Viewers: “…”

The contestant with their leg cut off: “…”

🌟 Yandere! Game Show Host thrives on the power he wields over his contestants, reveling in their suffering as they navigate his challenges. As the game progresses, his demeanor grows more twisted, enjoying the contestants' internal conflicts and emotional turmoil. He taunts them with mocking laughter, reveling in their discomfort and manipulating their decisions to heighten the drama. God forbid that you manage to develop a crush on someone while you are there. He’d absolutely lose it and do everything in his power to crush them. You best believe that he’s going to keep them alive for as long as possible and give them the worst punishments known to man.

🌟 Yandere! Game Show Host has cameras everywhere and when it's time for the contestants to rest for the night he’s going to be observing you. He’s a loser who doesn’t really know how to act around you without becoming a mess. In his spare time, he likes to just watch you through the cameras and imagine himself right next to you. He’s absolutely delulu about your feelings towards him and believes that you feel the same way. Even when you do manage to win this fucked up game, he’s not letting you go. There’s no way that he’s letting you leave after you managed to steal his heart. After this is all over, he’s taking you to his house and locking you there.

🌟 Yandere! Game Show Host holds pride in knowing how many people are at the mercy of his hand. Has a minor God complex and has this skewed mindset about how everyone else is beneath him besides you. Believes that you were made just for him and that you're his one true love. Would rather die than give you up or allow anyone to “take you away from him”. He’s like an annoying roach and almost impossible to get rid of. He’s making sure to stay with you for as long as possible.

—

Yandere! Game Show Host strides onto the stage with a wicked gaze, his piercing gaze fixed on the contestants. His voice, a chilling blend of charm and malice, booms through the speakers as he welcomes the participants with a mocking flourish. Thom who were strapped onto a table with heavy objects over their heads.

Yandere! Game Show Host: “Alright contestant number one, what is the mass of the Sun divided by Planck's constant in nanometers.

Contestant One: “HOW THE FUCK AM I SUPPOSED TO KNOW THAT!?!?!”

Yandere! Game Show Host: “Unfortunately, that's not the correct answer. You’ll now be facing the consequences.” In a matter of seconds, the heavy object comes flying down with alarming speed. Upon impact, it mercilessly crushes against their skull, unleashing an overwhelming and unimaginable force that distorts bone and flesh. Yandere! Game Show Host then makes his way towards you and begins to speak.

Yandere! Game Show Host: “Alright, it's your turn now. No pressure, I know you’ll do great just take your time. Okay what’s 1 + 1?”

You: “2.”

Yandere! Game Show Host: "Talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique, completely not ever done before, unafraid to reference or not reference, put it in a blender, shit on it, vomit on it, eat it, give birth to it."

Other Contestants: “What the hell!?!? How is this fair!?!!

[inkskinned]

in the time loop the only way out is to leave her there but you don't ever leave her there, never in the roughly one thousand years you have been in the same day. it is probably like "50 first dates" but you haven't stooped so low as to watch "50 first dates" yet. (but who is to say what another thousand years of the same media will bring to you, maybe you will develop a new taste).

you spent about 200 of these years sulking in a bathtub or on the couch or staring at the seaside. 300 of them have been spent slowly mapping the geographical distance you can actually get before the time loop restarts. you have a list of favorite places: one library in Western Massachusetts called "The Bookmill", which has weird hours and has never raised an eyebrow to you arriving out-of-breath and panting, asking to see a specific book on a specific shelf. There is one beach without a name in North Carolina; it is an accident of geography and ownership title disputes - and it is pristine, untouched, warm and cozy. you've taken her on a lot of picnics there. Acadia National Park. One specific birdhouse in the mountains.

you were stuck in the time loop with the money you entered it with: not enough to rent a private jet. you've robbed a bank a few times, you don't like the way it ends. maybe next century you'll get the hang of it. you don't like the look on her face when you say hang on i have to stop at the bank.

you just have to leave her, and you can go back to being a person again. you took 5 years just catching a flight and sitting in the Grand Canyon. if there's one thing you regret more than anything, it's that you hadn't gotten your passport renewed before this fucking time loop. maybe you should spend some time learning forgery - but also, like, you look like an english teacher. nobody is going to be cool about you asking to see their paper printing machines.

the world is very big. that is one of the things groundhog day gets wrong. there are no consequences, so you have literally all the time (or none of the time?) in the world. in groundhog day, he does a lot of very cool things, but in reality - your muscle memory never gets better. you can't necessarily learn how to play piano or sculpt ice, because your hands never remember the practice. but hey - maybe you'll try violin next. drums. synth.

you can open any door and walk into any conversation. money isn't really an object. you can try every meal off every menu, forever. take her on helicopter tours and into every museum and on every event that is happening right-now at-this-moment. parades and funerals and calligraphy classes.

but you are somewhat trapped by the limitations of your body. if you were reading a book, you still need to get up and go back to the library and find that book again when the day resets. (thank god for the internet). it still takes like 2 hours to board a plane, and then takeoff and landing and traffic. you've gotten off to run around on the freeway. one of the little thankful things: since your brain isn't actually developing (it's a muscle too), the days thankfully don't feel shorter to you. that would be agony.

all you have to do to leave the timeloop is let that man get away with it. that's all. in every version of yourself - forever - you have stopped him.

the problem is that this experience has convinced you of the existence of the human soul. after all, how else are you forming memories? your very cells reset. information has to be transferred somehow. and if timeloops are real, you can convince yourself other magic exists. so you have two choices here: this hell, or the next. there might be a millennia where you have been worn down to the point you can accept fate's decision. this is just not one of them. ironically - she is the one thing you have left.

and besides! if you can't always find something new in your partner, aren't you failing them? there is something new about her, every day with the same morning. every brutal day with the same orange sunset.

after all, you wanted to live with her in heaven, in eternity, and, well - isn't this second-best.

[gwarden123]

Well, that was some fresh bootstraps bullshit.

I don’t think that’s what the Prime Directive means, Picard. I don’t think “whenever humanity helped out less developed civilisations in history” turned out bad because they helped them too much. Picard.

[ghelgheli]

i would actually like to hear more of your thoughts on whipping girl, whenever you feel ready enough to talk about it. i've only ever heard positive recommendations for it. i was thinking of reading it. i've read one or two introductory 101 texts on transmisogyny as well as some medium/substack posts, and always looking to read more as a tme person. ty!

thanks for asking! I'm gonna try to be concise because I'm stuck on my phone for the month, but here are my thoughts on whipping girl:

serano is at her strongest in the book in three areas: manifestations of transmisogyny in media (e.g. how trans caricatures pervade movies), the history of medical institutions developing a pathology of transsexuality (like the diagnostics of blanchard et al. or how trans people seeking healthcare were and continue to be forced into acting out prescribed expressions and manufacturing memories), and the construction of her own transition narrative (telling the reader what it was like for her to grow up desiring femininity in a way that confused her, the experience of crossdressing, the effects of hrt for her)

whenever she's just sticking to this, I think she effectively communicates a lot that the unaware reader could benefit from—even many trans women/transfems/tma people who are otherwise in tune with the history of medicalized transsexualism and our popular depictions could probably benefit from her own personal narrative, by nature of how variegated our experiences can be.

unfortunately I think the book fails at its primary—stated—goal, which is to theorize about transmisogyny. in the big picture this is a bifurcated failure:

on one branch of her argument, she remains committed to there being something biologically essential/innate about gender. this manifests thru multiple claims: that we have "innate inclinations" toward masculinity/femininity and "subconscious sex" rather than what I believe, which is that the latter are constructed categories imposed on different matrices of behaviour/expression/desire in different cultural contexts; that there is "definitely a biological component to gender" (close paraphrase) after a discussion of how she believes E and T tend to affect people (thus equivocating gender with dominant hormones!); that we have such a thing as "physical sex" which is the composition of our culturally decided "sex characteristics" (don't ask me how the dividing line is drawn) even as she says we should stop using "biological sex" as a term; that there is "no harm" in agreeing that "sex" is largely bimodal with some exceptions; that social constructionism is necessarily erasure of transsexual experiences in early childhood... altogether she is unwilling to relinquish arguments about the partial "innateness" of femininity/masculinity and gender. this is at tension with her admission on several occasions that these are neither culturally/geographically nor temporally stable concepts! but that doesn't seem to be a line she can follow thru on.

on another, intertwining branch, she engages in what I think is a deep and widespread mistake in the theorizing of transmisogyny: reducing it (mechanistically) to what she calls effemimania* or essentially anti-femininity. it is her stated thesis at the start that masculinity is universally preferred to femininity. she doesn't offer a definition of either term until one of the final chapters, where she defines them as the behaviours and expressions associated with a particular gender. but I think this reduction just misunderstands transmisogyny. it is even in tension with an observation she makes early on, that trans women are often punished for their perceived masculinity! but again, this is a thought she seems unable or unwilling to follow thru with.

my problem with the thesis is that masculinity and femininity do not float free of gender—it is not possible to speak of their valuation in the abstract. anyone who grew up as a masculine cis girl and never "grew out" of that "phase" can attest to the violence wrought upon expressions of masculinity from women. and this applies doubly so to the subjects of transmisogyny! not only are we punished for any perceived bleed-through of masculinity from our supposed "underlying male selves", those of us who are willingly masculine and thriving as mascs are punished for our failure to conform to the rules of the normative womanhood that is imposed on us (just as we are punished for any willing femininity as "false" and predatory upon cis womanhood—observe that transmisogyny is reactive degendering in every case!).

on both branches serano makes only perfunctory remarks about the intersections with race, class, and colonialism. "sex" as such was made to only be accessible to the "civilized", most of all the white european! for a racialized person and particularly a Black person navigating gender the waters are just not the same; the signifiers of sex neither available in the same way, nor granted the same medical legitimacy. what is the "physical sex" of someone who is de-sexed altogether? how can gender have a "biologically innate" component when its expressions between the bourgeoisie and the working class are at total odds with one another? this all goes for the masculine/feminine distinctions as well. what sense is there in the claim that we have innately masculine/feminine inclinations when globally (and transmisogyny has been made global!) what is feminine and masculine can be very nearly mirrored? nor is "masculinity is always considered superior to femininity" innocent of obviating race. transmisogynoir adds yet further degendering thru the coercive masculinization of someone as a Black woman—masculinization as punishment, again!

and as a final point, the account fails to be materialist. there is no attempt to place transmisogyny in its role as an instrument of political economy or, as jules gill-peterson might say, as a tool of statecraft. it is just a psychological response to the way the world is, as far as serano has anything to say about it. but how did the world become that way, and why?? serano's solution, the abolition of what she calls gender entitlement, is naive to the fact that gender entitlement is necessary to the maintenance of the capitalist state, which is structured thru patriarchy and built on colonialism. it is not possible to reskin this into something innocuous!

this is why I cannot recommend whipping girl as a work about transmisogyny except at the most shallow level. it could be a helpful critical read, but imo, it is just wrong about transmisogyny.

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[finelinefae]

tongue-tied

synopsis: y/n has a stutter and harry likes to hear her talk

word count: 3.1k

contains: fluff, highschool romance, harry's a football player, popular boy x shy girl, brief mentions of bullying

a/n: happy soft girl Sunday !! I wasn’t planning on posting just because I posted the second part of the aviator a little later than I was meant to but I could resist putting this one out <3

. . .

“E-excuse me!” Y/N weaved her way through the mass exodus of students heading in the opposite direction to the lunch hall. She had tried to leave class a few minutes before the lunch bell to avoid the large groups of people but she had been so invested in writing her essay, she’d lost complete track of time. 

She was running as fast as she possibly could to get to the library, knowing the person waiting for her wouldn’t get too impatient but she didn’t want to waste a second of their lunch break not being with him. Her bag slipped from her shoulder, her braids flying behind her and her knee-high socks falling down her calves. 

Y/N barely registered the people around her, wondering where she could be going in such a rush, until her face collided with soft, grey fabric. Before she could even get embarrassed and profusely have to apologise for bumping into them, long arms snaked around her, hands clasping behind her back. She caught a whiff of his woody cologne and the floral fragranced detergent his mum always used to wash his school uniform.

“There y’ are, Dove.” He murmured, “I was starting to get worried.”

Y/N looked up and settled on those familiar green eyes she loved so much. She relaxed into his embrace, “Harry,” She sighed. 

Harry and Y/N had been dating since they were fourteen. If it weren’t for the fact that their parents all worked together at the local hospital, they probably would never have met at all, although Harry liked to believe they were fated to be together so they would have ended up meeting each other some way or another. 

Harry had always been popular at school. For one, he was on the football team which instantly made him a name within their year group. He was also very handsome for his age. Girls would whisper and giggle whenever he passed by in the hallways even those from the lower years. Despite the fact they had just turned seventeen, Harry could honestly pass for an almost twenty-year-old with how tall and mature he was. 

Y/N was the complete opposite. When it came to her social life she was shy and not often one to make friends easily. She was part of the arithmetic club and had made a few friends there and in some of her other classes. She liked to keep to herself and struggled to talk in class not only because she was quiet but also because she had a particularly bad stutter. 

It had developed when she started High School. She had been to multiple speech therapists to help her get rid of it and although it wasn’t as bad as it used to be, it still never failed to make her life all the more difficult than it already was.

A lot of the other kids liked to pick on her for it too. Whenever teachers picked on her in class and she’d reply, the rest of the class would start snickering, whispering in each other’s ears. She wanted to be invisible to everyone but it was her stutter that made her stand out.

When Harry’s family would come over to Y/N’s house for dinner, her parents would often force them to go off together whilst the adults spoke in the dining room. She remembered the first time she invited him into her room and how embarrassed she was when he saw all her comic books lying on the floor that she had forgotten to put away. But it eventually became the seed of their relationship, the common ground that allowed them to bond. 

Soon Harry was inviting Y/N to his football games and up to his room every other weekend when she’d come over with her parents. They’d exchange comic books and talk about their favourite characters. Y/N was always apologising for her stutter whenever she’d ramble on for too long but Harry never cared, he loved hearing her talk. 

Their first kiss was on her bed whilst their parents were in the room below them. Harry was the one to initiate it and Y/N hadn’t been expecting it so it was slightly awkward at first but then she got used to it and eventually all she ever wanted to do was kiss him. Every weekend, whether at her place or his, all they did was sneak around and kiss each other, giggling and falling in love all at the same time. 

Now, three years later, things were still the same except they were older now and more in love than they were yesterday. 

Wherever you looked, Harry was there, and Y/N was never too far behind. Students had grown accustomed to their relationship, and the bullying Y/N endured wasn't as severe as it used to be. Even teachers couldn't help but be enamoured with their young love — how fortunate it was to find love at such a young age. 

Things were great, everything was great and Y/N had hoped she could finish her last year of High School on a high note. That was until she entered her English class on a Friday afternoon when the teacher announced it was time for their presentations which would go towards their final grade. 

“I can’t Harry!” Y/N cried into her pillow after school, Harry was sitting on the end of her bed with his back against the wall as he rubbed his hand up and down her back. 

“I know Dove,” He comforted her, already knowing the reason she was so upset over it.

“Everyone’s going to l-laugh at me,” She could already picture herself standing up in front of her class and everyone pointing and laughing at her. 

Harry sighed, “Dove,” He shook her gently, “Will y’ look at me?” 

Y/N hesitated before turning her head so her cheek lay against the pillow. Harry smiled and lay on his side in the spot next to her, their faces inches apart, “There’s m’ pretty girl,” He cooed, his heart hurting at the tears on her cheeks. He cupped her cheek in his big hand and wiped some of those tears away with his thumb. 

“I-It’s not fair,” She huffed, “Why’d I have to have this stupid stutter.” 

“Hey,” He frowned, “Enough of that hmm? Everything about you is beautiful, y’ know I love to hear y’ talk. Could sit here for hours and just listen.” 

“But you’re d-different,” She whined, shuffling closer to him so she could hide her face in his grey jumper. Her stutter was rarely ever that bad in front of Harry which was why he was the easiest person she could talk to. 

Harry laughed breathily, his hand going to her hair to play with the strands, “Would it help if I helped you a little?” 

“How?” Y/N asked, her words muffled by his jumper.

“We could practise in the library at lunch, y’ could read me a few things and it might help your stutter.”  He thought.

Y/N’s head looked up to his face where she could count every mole and freckle on his nose and cheeks. She couldn’t help but pucker her lips to kiss his jawline, “That’d be nice,” She murmured. 

“Yeah?” He smiled, kissing the top of her head in return, “I only want to help you so if you don’t enjoy it or you’d rather practise alone then y’ can tell me,” 

She shook her head, “N-No, I want to do that with you. I’d like it very much.” 

So it became a daily occurrence, five days a week during lunch hours when Harry didn’t have practice, they’d sit in the library and Harry would pick out a book for them to read. They started with simple YA books with less complicated words. 

“Good job, Dove!” Harry cheered every time Y/N finished a chapter. 

“Wait I’m not done,” She huffed and then said the last line just for Harry to cheer for her again just as proudly as the first time. 

Now that the day of her presentation was getting closer, they had finally made their way onto Classical novels which Y/N had come to despise. 

They walked with their hands intertwined to the library after Y/N had bumped into him in the hallway. It was natural as they stepped into the library and headed straight to their table in the corner hidden away by two tall bookshelves. 

Y/N placed her bag under the chair whilst Harry unzipped his to pull out the book they were currently reading. It was Jane Eyre by Charlotte Bronte, even looking at the front cover made Y/N’s stomach turn. 

“A-Are you sure we can’t go back to YA books?” Y/N huffed, taking the book and opening it up to the chapter they were last on. 

Harry laughed, “But you’re doing so well, Dovey.” 

“I-it’s hard though and the w-words are so tiny.” She pouts, Harry can’t help but lean forward and kiss her. 

“C’mon, jus’ a few pages and then I can show y’ something I got for you.” He tried to persuade her, knowing the surprise would be enough to win her over.

“Fine,” She sighs dramatically. 

She read for five pages, Harry listening intently to every word. His eyes focused on her lips as she spoke, stumbling over a few words here and there. He tried to hold back from smiling so much with how concentrated she was on each letter of every word. He thought it was adorable how her eyebrows creased and her hands gripped the book. 

Eventually, she had enough, placing the book down on the table and closing it shut. “Good job baby!” He cheered, pressing multiple kisses to her cheek, “M so proud of you.” 

Y/N giggled, “Thank you, Harry.” 

Harry smiled and reached into the pocket of his blazer for the surprise he had promised her. Y/N looked down and saw a small, black pouch in his hand. He gave it to her, her fingers carefully pulling on the ribbon before pulling out the small item inside. 

“It’s an anxiety ring,” Harry explained as she held the silver ring in the palm of her hand. He picked it up and slid it on his pinkie finger to show her, “Y’ can twist this band whenever you feel nervous, thought y’ could wear it on the day of your speech.” 

He passed it back to her, Y/N narrowing her eyes to look at the spinning band which had a small inscription written on it, ‘i love the way you speak almost as much as i love you, your harry.’ 

Y/N’s eyes watered, unable to come up with the right words to say how much she adored it as well as the boy sitting in front of her. Instead, she leapt forward and wrapped her arms around his neck, “Thank you,” She murmured, “I love it. I love you.” 

Harry softened even more from her embrace, “I love you more, Dove,” He whispered. 

Y/N pulled away enough to kiss his lips, she was thankful for the privacy they had in the back of the library since she was never that good with public displays of affection and all she wanted to do now was kiss him because she was so grateful for him being there all the time. 

It wasn’t long before the day of her presentation. After school, Y/N had been working on a short essay. She was going to speak to the class about her favourite comic books and why she loved them so much. She had recited the words out loud to herself and Harry and even her parents, that she could probably speak it off by heart. 

Harry and Y/N stood outside the school. Her English class wasn’t until the third period but she knew she wouldn’t be able to concentrate in her morning classes until the presentation was over. Harry was wearing his football uniform because he had a game against another school in the morning. Y/N had been with him after school as he practised for it, wearing his coat as she wrote out her speech on a notepad. 

They stood side by side facing the school building as if it was some kind of beast they had to tackle, “O-okay,” She huffed, “I can do this,” 

Harry looked down at her smiling and then reached for her hand, “You can do this,” He squeezed her fingers in encouragement. 

“Good l-luck with your game today,” She grinned, standing on her toes to kiss his cheek. 

“Thank you, baby,” He spoke softly, “Y’ can tell me all about your presentation and how well it went afterwards.”

“Okay Harry,” She nodded, completely determined despite how nervous she was. She had spent weeks preparing, she couldn’t let fear get the best of her. 

“Good luck kiss?” Harry grinned, cheekily. 

Y/N playfully rolled her eyes and craned her neck to kiss his lips. Harry held her face in his hands, unable to pull away from her even when she tried to, “I love you,” He murmured against her lips.

“I love you too.” She sighed, blissfully. 

When third period came around, Y/N stood outside her English classroom, counting to five in her head. She clutched onto the piece of paper where her speech was written out in gelled ink, spinning the ring Harry had gifted her on her finger. With a deep breath, she opened the door and stepped foot into her classroom. 

. . .

Harry could hardly concentrate during the football match but he was trying his best. His team were two points ahead and it wouldn’t be long before the game was over. Since it was the morning and the game was mostly practice for the two schools competing, there wasn’t a huge audience watching them. 

He was glancing down at his watch every few minutes when he was supposed to have his eye on the ball, checking to see whether third period was about to start. All he could think about was his little dove and how nervous she was when they stepped into school this morning. 

She had been working so hard on reading things out, even stopping in shops when they went to town together to read the labels on the backs of food containers. He fully believed in her and her ability to speak in front of the class even when she didn’t and it killed him not being able to watch her do it. 

So when the whistle finally blew marking the end of the game, Harry ignored the celebrations with his team after they won the match and ran across the field through the entrance of the school. He raced up the steps, his football boots clicking against the crowd. He knew he probably didn’t smell the best and his knees were muddy from falling over but he didn’t have much time to think about it as he searched for Y/N’s English classroom. 

“Y/N?” He heard the teacher’s voice call her name as he approached. 

“A-Already? O-Oh, O-okay.” He could hear her nerves just by listening to her speak. 

Harry was about to knock on the door but he hesitated, wondering if it would worsen her nerves if he was in the classroom watching her. He knew how much of a big deal this moment was for Y/N and he didn’t want to intervene or make a spectacle of the moment especially since he wasn’t in her class. 

He lowered his hand and instead pressed his ear up to the door. 

“H-Hello,” Y/N started, “My name is Y-Y/N and today I will be sharing with you m-my love for comic books,” Harry’s heart ached as her voice came out quietly. 

“C’mon Dove,” He whispered, wanting her to do well. 

Y/N cleared her throat and let out a shaky exhale, “A-As you can probably tell, I-I am not all that good at speaking. I s-stumble over letters and sometimes even have to replace words with o-others because my mouth t-turns into mash potato and I can’t seem to get t-the words out.” People chuckled and Harry’s heart began to beat against his chest, “T-That is why I love comic books so much because of the l-lack of words. Instead, there are pictures,” Y/N continued, her voice gaining strength the more that she spoke, “T-They tell stories without the need for p-perfect sentences or flawless speech.” 

Y/N continued her speech and Harry spent the entire presentation with his ear pressed up against the door. He ignored the looks of teachers and other students walking past as a huge grin spread across his cheeks the more Y/N spoke in front of the class. 

By the time she had finished, it fell silent before the class responded with a round of applause, “Brilliant work, Y/N,” Her teacher said. 

Y/N felt like she was floating on a cloud as she left her English classroom. Even if her speech wasn’t perfect, she had done it and gotten through it all in one piece. As she stepped out, two arms snaked around her waist and lifted her off the ground, “Harry!” Y/N giggled as he spun her around.

“M so proud of you, Dove.” He kissed her softly, lowering her to the ground but refusing to move his hands from her waist. 

“I-I can’t believe I did it, Harry!” Y/N almost squealed. 

“Heard every word, y’ did so good, M so proud of you.” He rambled, unable to cease his admiration for her. 

“You heard?” Y/N’s eyebrows creased, her lips pouting slightly. 

“I ran here as fast as I could and stood outside to listen to you,” Harry explained, “Y did perfect, honestly, the best speech I’ve ever heard.”

“You really ran h-here to listen?” Y/N asked, still in disbelief.

“I did,” Harry smiled, “It was all I could think about when I was on the field.”

“Did you win?” Y/N asked. 

Harry pulled her flush against him, “You already know I did baby,” He smirked, kissing her. Y/N smiled against his lips.

“Let’s go out tonight,” Harry murmured, “To celebrate.”

“And do w-what?” Y/N wondered, even though the idea of spending any time with Harry was always her favourite. 

“Maybe go to the bowling alley and get dinner after,” He shrugs.

“O-oh and maybe we can stop at the comic book store on the way home!” Y/N said, excitedly. 

“Course m’love,” Harry’s smile widened the more she spoke, “We can do whatever you want as long as I get to hear you talk.” 

Y/N grinned broadly as Harry interlaced his hands with hers, feeling the cool metal of her ring against his skin. Together, they walked hand in hand down the hallway, Y/N unable to stop talking the entire time, while Harry hung onto her every word.

[randomshyperson]

Heart Drawing - Wanda Maximoff Oneshots

Summary: Dinner with Mr. Heart takes a different turn. Or, what anyone who wasn't a synthezoid would have done at the sight of Wanda in that dress.

Warnings: (+18), purely smut, bottom!Wanda (bratty), rough smut, creampie, strap-on, fingering and oral (w rec),  Westview setting, established relationship, kinda semi-public (?), almost getting caught but Wanda keeps doing magic tricks | Words: 1.169k

A/N-> I can't believe I finally wrote this, it's a fixing of the scene from WandaVision because I always thought it was unbelievable. If Wanda prepared a romantic dinner for me, especially wearing that, there would be no dinner at all. A good Wandavision anniversary for all of us btw <3

General Masterlist | Wattpad | AO3

-&-

Although it was one of the skills she developed first, mental control could be very difficult. Especially if Wanda was experiencing some other strong emotion, such as stress, anger, or sadness. 

Or physical exertion, like a fight with an alien or lifting machines or the like. 

Or just being so close to cumming in the middle of the kitchen.

And you, well, you weren't making it any easier for her. Your hips never faltered in their brutal rhythm against her and every time the fake cock attached to your waist slid between her tight walls, Wanda had the impression that even the magic around the house was failing. 

Her eyes were still red, though - Wanda is still surprised that she has any control when you slide your fingers down to tug at her neglected clit and she's forced to muffle her whimper with a bite on your shoulder.

She's sure she won't be able to keep the two guests static in the kitchen if you keep this up. But the soft protest is little more than a choke; "S-slow down, detka" she gasps directly into your ear.

You adjust the angle, and your hips slow down, but god, you thrust hard enough for the kitchen counter to crack. The dress she called a surprise barely hanging on her body is pushed down even further with the rough motions and Wanda won't be surprised if the the magic fails her once and for all with the reach of her orgasm.

She wasn't complaining, after all, this was the whole point of the night. A misunderstanding about a heart drawn on the calendar had led her to believe that tonight would be an anniversary (of which, she and Agnes came to no conclusion, and Wanda preferred to pretend it was supposed to be a wedding one). She got chocolate fruit and a dress that made you ignore your boss in the other room and force her against the counter as soon as you caught the first glimpse of her cleavage.

Wanda tried to be the voice of reason, even if her voice was hoarse and not very determined. She asked you; "What about them?" but all you did was give her a dirty little smile as you unbuttoned your pants.

"Play your tricks, my lovely little witch." That's what you whispered before sliding into her in probably the only gentle thrust of the night, and well, we're back to the beginning.

Wanda being fucked roughly on the counter in the kitchen while trying to keep the two guests in the living room.

She doesn't know, or think she doesn't know, at least not consciously about how that toy ended up inside your pants. She doesn't think about it, nor about when your hips start to buck and how when you come first, she can feel something hot squirting inside her. She can only mew in arousal, feeling your weight fall on her as you return your movements, faster than before making it impossible for her to hold back any longer. Your mouth finds hers again, and you swallow every dirty moan she lets out as she finally reaches her climax a moment later.

The kitchen, perhaps the whole city, shakes with the force of this orgasm. Wanda doesn't notice, but you're kind of mesmerized by the whole thing. She doesn't even realize she has lost control, still panting and soft under your body but you hear footsteps approaching.

It's your powers that keep the kitchen door tightly shut, and Wanda blinks exhaustedly at the knocks.

"I'll tell them dinner's canceled." You murmur, kissing her cheek before pulling out, the act drawing a gasp from the other. Wanda forces her body to react when you make mention of moving away, her legs hooking behind your knees while she gestures in the air with her fingers glowing red.

"They'll find their way on their own." That's what she says before pressing her mouth to yours again. You smiled into the kiss, saving a mental note to comment that you'd probably lose your job for this. But those were problems for later; right now, you were focused on your darling wife moaning on your tongue.

Your kisses descended to her collarbone, marking the skin gently as Wanda struggled to breathe. Your body soon followed the lead, and you ended up on your knees on the kitchen floor with your face between her legs, taking a moment just to admire the image of Wanda's pussy leaking your mixed cum. 

Your breathing against her was driving her crazy, she moved her hips forward, one of her hands grabbing a handful of your hair and trying to pull you in, but you fought back. Wanda meowed in protest.

"Please." It didn't sound much like begging, and you raised your eyes to her. Wanda blushed heavily at the image but tried to bait you by moving her free fingers to her own pussy, spreading the wetness before sinking a finger in. She whimpered before teasing; "Come on baby, I know you want a taste."

You bite your tongue, but you can't contain the shuddering of your body and Wanda smiles at you, a finger teasing its way in. You try not to fall for it but she mewls as she pushes her finger further inside and you curse quietly before you take action. Your hand pushes hers away, and you sink your face into her pussy before Wanda can complain; she chokes on a moan, her back arching on the counter as you eat her out in hungry determination. Your hands grip her thighs wide open and Wanda struggles to control the sounds, trying to find some ground as she clutches your hair, but all it serves for is to keep your head in place as she grinds harshly against your face.

She is almost robbed of her orgasm the next moment when there is a knock at the back door. It's she who is startled, failing in her movements towards your face, but you groan in frustration at the interruption and instead of stopping the whole thing, the vibration takes Wanda over the edge, and she has to cover her mouth with her hand to avoid the sound that escapes her as the climax washes over her.

She's still trembling on the counter when you stand up, a mess of cum running down your chin that you wipe off with the back of your hand, which Wanda watches with exhausted eyes as you lick it clean a moment later.

"I'll send her away." You mutter, evidently against your will to get off her. When Wanda mentions protesting, you offer her a wink, your hands busy hiding the toy back in your pants. " We'll carry on upstairs."

She tries to stand up on shaky legs while you answer the back door to the nosy neighbor. By now, Wanda's mind is so dizzy from a good fuck that she doesn't even care if Agnes was able to hear anything.