13.20 Unfinished Business
Story Arena:
Script (Production Draft):
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gojo loves the marks you leave behind on his skin. it’s like they’re proof you were there, underneath him as he presses his cock deeper into the tight hug of your pussy— feeling your nails burn vermillion lines along the smooth skin of his back and shoulders with every orgasm he pulls from you.
he likes to admire them in the mirror, feeling a little smug despite the way he hisses when the steady stream from the shower head makes them burn slightly — aching everytime he’s trying to sleep at night.
but with every little shock of pain, gojo can remember the pretty face you made as your walls hugged around him— crying out his name in quick pants as his hips smacked against yours and he wouldn’t call himself a masochist but he loves it. he loves you.
even when he’s got you bouncing on his lap, his long fingers squeezing into the space where your thigh meets your hips, he’s intoxicated by the way you bury your face into the crook of his neck— his free palm curling at the back of your head, pressing you deeper until he can feel your teeth nipping at the skin there. his crystalline eyes almost roll back, snowy peaks of his hair framing his flushed features and he’s never came as hard or as fast as he did when you laved your tongue over the blooming marks you left across his throat.
gojo can’t help but press his fingers against them as he looks at himself in the mirror, hissing at the sting but he sees it as a silent little claim — teasing you about it later on, about how you “want everyone to know i’m yours, huh sweet thing? ‘ts cause i’m so handsome, right?”
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One of those "your soulmate's first words to you are written on your wrist" AUs where Uzi constantly wonders why she's gonna slap her soulmate when she finds them and N is confused by the concept of someone wanting to be bitten.
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It's always "Shou and Ritsu need to blow stuff up with their minds for mental health reasons" or Ritsu and Teru or even Shou and Teru!
But what about Mob? When does he get to blow stuff up with his mind for funsies? For shits and giggles? He didn't go through all of those meltdowns and character development for nothing, let him go ham on a junkyard car or something smh
I believe in Mob's narrative given right to fuck shit up sometimes
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i envy those who are able to write first drafts. if anything i write isn’t as close to perfect as possible on the first try, i loose it
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3.06 Red Sky at Morning: Production Draft
Read it along with the transcript, the casting sides for Gertrude Case, and have a look at some of the storyboards in the 'Sides, Scripts, and Transcripts' section of the 3.06 episode page on the SupernaturalWiki.
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the fact that in the way too wonderland's storyboard drafts courtly actually shapeshifts into lizzie at that one point instead of that mask-like effect she does in the movie... ougghhhh my brain
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I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim
Secret origins 80 page giant, ID in alt
(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)
Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:
Robin (1993) #4, ID in alt
Straight up the progression here goes:
The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting
Robin (1993) #4, ID in alt
Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.
Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)
Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)
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