#promise i did not make any up

[pimento-playing-hopscotch]

WIP Wednesday

Thank you for the tag, @actualalligator (for the tease tuesday tag) @heartstringsduet @paperstorm @sznofthesticks @thisbuildinghasfeelings @carlos-in-glasses 💝

This is a morsel from an upcoming Tarlos fic, "The MovieCation of Carlos Reyes"

TK glanced over at Carlos. “Babe, we can turn this off if you want to”.

“I didn’t say that”. He pointed out.

“I know”. TK scooched closer. If TK had to be recuperating, he was glad that he only needed to have a boot that didn’t go past his knee. “But this is your movie watch,” TK pointed out as Carlos carefully pulled TK into his lap. “If you’re not into it, we can shut it off. You have the ultimate veto power”.

“I appreciate that, baby,” Carlos murmured, kissing TK on the forehead and lightly scratching his scalp. “And this isn’t going to be my favorite movie. But I want to finish it anyway”.

“Really?” TK brightened.

“Well, he’s gone through so much to get them to do the play,” Carlos said. “And now the ACLU is getting involved. I want to see how it turns out. But can I ask you one thing?”

“Of course”. TK nodded eagerly.

“Do they really sing the song he mentioned?” Carlos asked. “The… ‘Rock Me Sexy Jesus’ one?”

“Oh yeah”. TK laughed. “It’s catchy as hell. Is that what you’re objecting to?”

“Well, it feels very blasphemous”. Carlos mumbled. TK pecked his husband on the chin. He really was the cutest person in the world.

“You know,” TK said as he hit play on the remote, “this was directed by the guy who made Dick. And you liked Dick, right?”

“I could say I love Dick, babe,” Carlos growled low in his ear.

“I know,” TK rolled his eyes as Carlos’s hand started roaming. “That’s been well documented. I meant the movie Dick. You liked it”.

Carlos rolled his eyes. “You mean the movie you tricked me into watching by telling me Ryan Reynolds was in it and he appeared on screen for a grand total of two minutes?”

“Only because it was like his second movie ever,” TK protested. “And if I had told you it was about if two teenage girls were responsible for Watergate and bringing down Nixon, I didn’t think you would have gone for it. And besides,” he added, “it has Will Ferrell. Your distrust of Will Ferrell is well documented, too”.

“I didn’t mind him in The Other Guys”. Carlos countered. “He made a decent cop, at least”.

No pressure tagging - I tag @anewkindofme @snowviolettwhite @dreamingofmickeywaffles @lemonlyman-dotcom @lightningboltreader @chaotictarlos @kiwichaeng @herefortarlos @liminalmemories21 @cold-blooded-jelly-doughnut @welcometololaland @inkweedandlizards @bonheur-cafe @carlos-tk @freneticfloetry @happilylovingchaos @reyestrandd @firstprince-history-huh @tailoredshirt @birdclowns @decafdino @thebumblecee @feministteapot @sugdenlovesdingle @lochnesswriter @eclectic-sassycoweyes @chicgeekgirl89 @jesuisici33 and anyone else who wants to do it - open tag 🫶

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[cravingpepsimax]

listening to against the kitchen floor and WOW this is EXTREMELY stancest. specifically post-canon and from ford’s guilty pov. goddamn

[pearl-kite]

So new Vega audio, right. Heads up this got WAY longer than I meant so uh. Prepare to scroll, I guess ¯\_(ツ)_/¯

In advance, I don't even really know when things get posted to youtube time-of-day-wise, so this is probably technically spoiler material, etc etc, and a bit heavily flavored by particular headcanon for the Warden, especially the details of their job.

You work at the Department, your favorite part is psychology-related casework. Sure, the serenity demons have got that corner covered, but you enjoy helping when they're short-handed in between the times you have to do demon-specific tasks like ward maintenance, etc.

You get this fucking file, red flags ALL over it, but you're good at your job, you know how to keep your personal shit separate and not fall for manipulation tactics, but the guy is good. You're also good enough to see through it all, but oh man is he pat.

Shit happens and suddenly you're kidnapped, sort of? And you can see every time he tries to be subtle and nudge you to think one way or another, but he is actually helping you, which yeah, sure that's a manipulation in and of itself, but he's almost nice? You don't agree with a lot of what he says, but there are some points he has that you've had before, but you'll be damned if you're going to let him know that. You can see what he's doing and you're not going to fall for it (maybe that's the problem though, you think you can see it but does that make you overconfident?)

And then when you're finally better he just. Lets you leave. But he gives you an option, and it sounds not only logical, but nice (ah shit did you start to like him? You know he's manipulating you, remember?). So you stick with him. You can leave anytime.

But you don't leave, because maybe you started to forget that he's manipulating you, you saw through it all at the beginning, after all, and there's plenty of evidence that he's not lying about shit going on with that cult.

One day he says he values you, and you immediately think it's a trick, and you can't read his emotions the way he can read yours, but something feels honest about it, and suddenly you believe it when he says you matter, and you like that, you like it a lot, and you think maybe you're a little fucked because you might do anything he asks you to at this point.

And then not even a half hour later something fucking disintegrates him in front of you, which shouldn't have been possible, and it terrifies you and you run. You forget that you can fucking rift away in an instant and you use your fucking feet and sprint, you're so terrified.

Where the fuck are you supposed to go? You ditched your job, even if you were abducted in the first place, do you even have any friends outside of work?

To make things more confusing, some fucking piece of paper materializes out of nowhere for you, and you read it. It feels like a confession, but it's from that bastard so how are you supposed to believe it, and it tells you to just forget him and move on and what the fuck, man, how?

So you read it again, and another couple times, and maybe you end up back at the safe house you had been abducted to at first and you reread it enough that maybe you start to memorize it. And when you finally put it back down to reconsider what you're supposed to do, the thing that killed him suddenly pops in with him alive next to it like he didn't just disintegrate in front of you hours ago.

And he doesn't remember it. He doesn't remember you. He doesn't address you properly, doesn't remember your name and doesn't call you darling. But he does remember? He remembers you but nothing about you? And he begs you to explain what's going on because his memory is about 2000 years old at this point and he doesn't know if there's anyone else that can catch him up.

He's begging, and you don't think this is a trick anymore. For the first time, you're positive he isn't manipulating you, he's pleading.

He asks what your relationship was (good question). You try to hedge and he calls you out. You tell him it's complicated.

What do you mean complicated.

You don't really know how to say "Well, I was your department-appointed therapist of sorts, you abducted me, but then you offered to have me tag along on your mission to save the world and you've manipulated me so much through the whole thing that I can't really tell what was real and what wasn't and then you died in front of me and left me this note that honestly just made it more unclear what we were," so you stick with "You died and left me this note" and hand him the piece of paper you already memorized to read.

And he doesn't just read it to himself, he reads it out loud, so you get to hear the fucking thing in his voice now, and why does he sound so shaken by the request to forget him, does he hate reading that part as much as you did?

He finishes the letter and doesn't understand why you said it was complicated, that made it sound pretty straightforward, why would he have called you darling and dearest and praised you like that if it hadn't been straightforward?

You don't know what else to say, and thank god he drops it, but even though he knows now what he called you he keeps addressing you wrong and you hate it, you're not just an inchoate you're his warden, but he asks if you'll keep helping him and you almost want to say of course you idiot but you just say you will.

Anyway I was very insane about this last night, I don't know if this accurately gets that across, but then again it's about 5 times longer than I meant so maybe that's the insanity.

I've never really been good at putting my reactions into words, it never quite gets across the vibrating flailing aaaaaa feel that my brain goes through, but be assured my brain is vibrating flailing aaaaaa

[microfeelings]

Yeah I'm sharing them now because if I decide to wait to pass them digitally I will ✨never do it✨

Spiderverse x One Piece AU!

A little something that started as an exercise in character design and then I got a little bit into it lmao

I did design the rest of the East Blue Crew but uh... they were kinda ugly/boring, I put more effort into these two because they're the 💕favs💕

Info, kinda. Honestly I don't have a lot thought out its mostly random ideas that mushed together sort of resemble a well put together au, just like everything I do <3

Nami:

- Spider-Woman of her universe, while her design isn't exactly original I really liked using her orange and blue colors. She has the spider logo on her back because she hates spiders and hates looking at them lmao

- In her universe, her best friend Usopp died when she failed to save him (kinda her "Gwen Stacy" but he was just a friend)

- Has electricity powers, her spidey senses are also really in tune with the climate for some reason

- She has a staff (not pictured) she fights with, and also uses the environment to her favor, not the biggest fan of fighting hand to hand because (compared to other Spider-people) shes not as physically strong

- Has a few enemies and nemesis that she fights, Arlong being the most important/strong one

- She's actually quite happy to know other Spider-people, tho she was kinda shocked when she saw Usopp... It was awkard for both of them...

Usopp:

- The first Spider-man in his world, there are some things of his design I would change (mainly the sweatband, I would change the colors), but I'm actually quite happy with his design. Where does his nose go with the mask on? The same place Hobbie's hair goes, idk..

- In his universe, his best friend Nami died, Usopp failing to protect her

- Uncanny precision with his webfluids, also figths using the environment

- Unfortunately isn't a well received Spider-man 😔, gets complaints about destruction of property or how he's "pretty coward for a superhero"

- Really would rather focus on saving civilians from natural disasters, as he's also not as physically strong (compared to other Spider-people), but it seems every weirdo on the block decided they really need to beat this teenager up, so he also has some enemies...

- Super excited about meeting other Spider-people and finally being able to share life experiences with them, and then met Nami, or Spider-Woman Nami and it was awkard and uncomfortable (but they became besties, bittersweet moment)

Extra stuff from the rest of the East Blue Crew:

- Luffy's spiderman name is Spider-King and the rest of the Spidermans where like "I can't decide if that's the best or the worst name I've ever heard...". Well Usopp thinks it's kinda cool, and wishes he had chosen a cooler name for himself, might be too late for a new signature 🤔, Nami and Sanji think it's stupid, Zoro is undecided

- Sanji does not have a spider logo, even tho his name is Spider-man because he hates spiders

- Zoro is the second Spider-man from his universe, the first one being Kuina, she died and he took her place

- Sanji has fire inmunity

- Zoro carries like 5 extra pockets of web fluids cause he takes "longer routes" (he gets lost a lot)

[sea-buns]

Holy fuck, man. What a trip Fearne has been on, huh?

You tell her how grateful you are to have her in your life, you flatter her, you tell her you need her, that you have to do this together. You have her make a promise that has this woman, born of chaos and fey, agreeing through shaking hands and a trembling voice.

You make her deceive your friends; you make her follow where they cannot know; you make her help you into this contraption; you make her feed this thing into you despite the fact that you both have been warned extensively of the risks. You make her watch you crumble and splinter and shatter and fracture and burst and implode. You make her watch you die, over and over and over and over, for a minute in agonizing bullet time.

You make her do all these things, because when she tries to back out, when she tries to not be the one who let you do this—how could you do this—

you tell her, "YOU PROMISED."

Because if there's one thing you know, it's that the fey do not break a promise.

[fictionadventurer]

"If the structure of your world ever evaporates, I will still be here."

I think The Q might contain one of the greatest declarations of friendship/love ever.

[puppyeared]

ive made myself more wet and pathetic

[dustteller]

Now that I am mostly over the Absolutely Feral stage of my Radiant Emperor Obsession and can think again, I want to do a proper write up on how the series handles colonialism. I need to get my sources together and make it all pretty and stuff, but the gist of it is this.

I actually really respect SPC for not making it A Thing. Like, the colonialism is an inherent part of the serting, and a lot of important moments hinge around it, but there's also a pretty clear refusal by the author to turn it into A Statement. I think they do a really good job of walking the fine line between aknowledging it and making it clear that its an important part of the setting, without turning the book into a political thesis on Why Bad Actually.

I think a lot of fantasy authors that frankly have no business making their books into political science treatises try to be super philosophical about it, and inevitably have almost all their points ring flat bc the main character almost always ends up perpetuating the system they spent the whole book critiquing. The classic example being, of course, "We've destroyed The Evil Empire! We will now replace it with The Good Empire, which is functionally identical to The Evil Empire except Good bc our Main Character is in charge! This will totally change the systemic issues we've spent the last three million words exploring! How? Don't worry about it, absolute power only corrupts you if you're A Bad Person!" (atla. atla i am looking at you. my love for you does not mean I am letting you off the hook.)

The Radiant Emperor books interact with and aknowledge the colonialism. The empire canonically falls at least in part because of one guy's willfull ignorance of the differences between his culture and that of two of the people he loves the most, because his culture supercedes theirs to the point where he does not even consider the posibility of this difference truly existing as a real-life power imbalance. And still, these books are not about that! That is not the main theme! It is important. It is handled pretty well, it is aknowledged, and it is not The Point. I really appreciate that more understated approach that SPC takes, because ironically by refusing to partake in dramatic philosophical grandstanding the media often ends up making way better and more nuanced points, because then their point actually fits into the story they are trying to tell.

[randomminty]

Putting my iono and grusha here as well. They’re friends for streaming reasons

[ratatatastic]

"Who's idea was it to put the cone on your head for the parade? Was that all you?" "Zach Eisenberg [Director, Executive Operations]—I think is his name—he takes care of us a lot at Amerant Bank Arena. I don't know his exact role with the team but he's just kind-of always around, and helps us out. He's friends with Brooks [Koepka.] I think he helps Brooks when he comes to the games. Anyways he found a pylon or I think I might have told him—I was pretty drunk at the time but I think I told him to go get a py—'if you could find a pylon, find one!' 'Cuz they sprung that speech on me, kind-of, last second, you know, five minutes before I was supposed to go up there. I'm like, 'What the fuck am I gonna say?' So I had him go grab the pylon and I grabbed it on the side of the stage right before I was gonna do my speech. And luckily all the clips are of that, you know, me telling him to go fuck himself... 'cuz the rest of my speech was terrible. There's really nothing to it! And I'm so happy that, you know, all the clips are only of that so!" "Yeah, we didn't know you said anything else! I thought that was the entire speech!" "That's all that matters!" "Exactly, exactly! I got away with it there!"

The Cam & Strick Podcast | 7.30.24 (x)

i love finding out they basically told ekky he was gonna have to do a whole speech 5 minutes before he was up while hes been drenched from rainwater and alcohol for like the past 6 hours absolutely pissed out of his mind like yeah no wonder his speech basically culminated to THANK YOU SOUTH FLORIDA AND ALSO GIVE IT UP FOR MY D PARTNER WOOOOO yeah that tracks

"But what golf tournament* were you at shortly after that? Somebody was dressed like a cone? Was that Lomberg who was dressed in like a costume? A cone costume?" "He came—Brooks came up to you—" "No, that was his buddy, that was his buddy. He was actually a Sunrise police officer. I actually saw him last night at the Zach Bryan concert! But yeah, no, that's one of his buddies. No, he was completely put to bed the day after. Right? Like he texted me—I personally didn't care, like, how many people at a hockey game are calling me a cone and telling Barkov he's got no hands like it's—you know, that's hockey. That's sports, right? So I didn't give a shit but—yeah, no, it was all in good fun. And then I got a way to get him back! It's perfect!" "But when you did see the first video of him in the box—and I remember watching that, I'm like, 'this motherfucker is rolling esctasy!' His eyes were fuckin' gigantic, he's like, 'Aaargghh.' Like, 'I can't take him, he's calling me a cone! I can't—' But that is kind-of odd that a professional athlete is gonna call you a cone and he's like a fan of yours...it's just—it was really bizarre!" "Goofy!" "Yeah..." "And his eyes were black which, you know..." "What does that mean?" "I just know what that means... and he was fucked up, you know..." "Yeah, yeah! He was definitely fucked up and he agreed that he was fucked up. And he apologised so I didn't care, obviously. And then when I was at that golf event I should've thrown a beer at his backswing or something—at the LIV event when he was actually competing? I should've fucked with him but I couldn't do it... I couldn't—I couldn't find the courage to throw something at him..." "So did he reach out to you like that night? And say, 'Hey, dude... I was just joking, you know...'" "'I took some pills and...'"

*2023 LIV Golf Team Championship (Miami) held from Oct. 20-22 in Doral

[and i suppose more context here lombo and koepka are friends and he even showed up to his cupday when he went golfing in parkland and not to mention that lombo facilitated koepka apologising to ekky so its why the whole cone costume came to be really]

theres a lot more context about this incident and the ensuing storm after it so for archival sakes here are articles about it (x)(x)(x)(x)(x) because its quite a saga but its water under the bridge and there's only so much tabloid-esque coverage thats been reignited after the ekky speech i can take about an athlete who's dumb enough to insult another guy while hes drunk off as his ass in a fucking public setting

but anyways i think its really funny that i said to myself wow thats an oddly petty thing to admit to you know the whole wanting to throw a beer at his backswing ekky... for such a good vibes sweet man who like the only thing youve particularly said about the cone novella is "we'll never be buddies" to which you quickly retracted and then went "holding ill will against somebody and pulling negativity in your body is never a good thing"

and then i remembered who he attended the liv event with and it all made sense

behind every aqua whos being a little mean there is a much worse much more evil looming presence who is encouraging them down this dark path (a gem but especially a june gem)

truly a tale as old as time

[bogos-bint3d]

Post that has rerouted my brain

[rainingmbappe]

The rise of "let people enjoy things" is single handedly the backbone of the rise of anti intellectualism