#queer people especially

[cryptidfagswag]

Vampirism is such slut behavior. Oh ur immortal and you bite people to stay alive? U literally suck people to not die? Ur a “creature of the night”? U have fangs? Slut. Bite me.

[ale-arro]

been going a little bit insane about this sentence from Ace by Angela Chen for the past week

[arklayraven]

Asmo shows so much joy and excitement in dressing more feminine or expressing himself more through it. Yet there's people out there who hate this, and want to see less of it or just gone completely. Demanding to see him more masculine instead.

BEING FEMININE IS WHO ASMO IS. THIS ISN'T BAD OR SHOULD BE ERASED JUST BECAUSE YOUR LOW/HIGHKEY QUEERPHOBIC SELF CAN'T DEAL WITH A CANON QUEER GUY BEING FEMININE.

ASMO IS PERFECT AS HE IS. IF YOU CAN'T SEE THAT OR ACCEPT THAT, THEN STAY AWAY FROM HIM AND ME.

[cams-cozy-corner]

Statement I feel needs to be said, headcanoning a character as an age regressor is NOT the same as infantilizing them

[redysetdare]

I think there's a genuine conversation to be had about how aro spaces have begun pushing QPRs in a similar way that amatonormativity pushes romantic relationships onto people but a majority of aros just refuse to engage in the discussion because they see it as an attack on QPRs or people saying QPRs are romantic relationships lite instead of actually looking at the fact it's critiquing how some Aros have begun pushing it almost like an alternative to romance and something all Aro's want.

No one is saying QPRs are bad but rather that there is too much push that the idea of a QPR will fix people's problems. "oh you're lonely? just find a QPR!" "You dont have to be in a romantic relationship you can be in a QPR!" "QPR is MORE than friendship" etc etc.

There's a genuine critique here of QPRs being used to continue to push amatonormativity by again assuming that every aro wants a partner - even if not romantic - and I think we can have a genuine conversation about this rather than going at each other throats over a fake argument of "QPRs bad"

[uncanny-tranny]

The bourgeois or "exploiting class" doesn't inherently include the person who gets their nails done biweekly, or the disabled person who has a carer, or the guy who got a $70 video game for full-price, or the person who relies on medication (yes even the ones you don't think they "need"), or anything else like this. None of these people will, on average, have the ability to exploit workers by means of ownership or whatever.

While you are busy fighting with fellow workers, you are still being exploited by your boss, by capitalism, by (potentially) not having healthcare, by being overworked and underpaid, and so are they.

[agrebel18]

friendly reminder that the hexsquad was initiated because of three kids of color who found love and acceptance in each other after being considered ‘freaks’ especially adding that they all got mistreaten by the very limiting school system

[razzek]

One thing that's starting to really get to me with the James Somerton stuff is a real strong undercurrent of disdain toward his fans. And yeah, I was one of them. A good scam artist isn't as easy to spot as y'all seem to think. You forget that you have all the information right now. Two days ago most of you had never heard of him and it would have kept going. Anyone can fall for a scam, nobody is immune. I would love to have had whatever resources you guys think we all should magically know about so I could have kept my sad $5 a month I really needed but thought was going to something worthwhile. Some of us can only devote so much energy into things and when you have no idea whatsoever that something is amiss of course you're not going to go digging for sources, why would you when everything is fine as far as you know? I really wish I could have seen the dissenting opinions on him but for many, many reasons that aren't just that the dissenting voices weren't widely circulating at the time all I had was the thought every now and again that "huh that doesn't seem right" and then go on with my day. And I think that happened to a lot of us. So yeah. Say what you gotta say about Somerton, he has more than earned it with the damage he's caused, but maybe don't shit so hard on his former fans because that is going to be you someday with something, it happens to everyone sooner or later.

[artronenergy]

Honestly if you're looking at Doctor Who (2005) as a piece of fiction with, you know, themes and intent, it's really necessary to engage with it as actual queer media. At least a little. I think it's status as a fandom show from the mid 2000s means people are quick to dismiss this as some sort of transformative read rather than something that actually informs the storytelling and characters, but it can not be understated how it's fundamentally part of the same body of work as Cucumber and It's a Sin and Queer as Folk

[blackbackedjackal]

As a Gévaudan Lycan, June’s design is supposed to give off an unknowable and melancholy energy.

Gévaudan Lycans are mimics, and their emotions alter their form, especially if they have little to no control of themselves when they shift.

The way June was changed into a lycan and her experience during first shift were extremely traumatic, and over time, her lycan form reflected her feelings of loss and self-loathing. She fronts as this charming and confident woman, while holding back her deeper emotions that eventually leached into the form that reflects her true self.

Fear, sadness, loss, and rage all mixed into this one entity she cannot control. Once a month, she's forced into facing all of those emotions, reliving that trauma again and again for nearly 30 years.

[biblicalhorror]

The yj subreddit is a cesspool of bad takes most of the time but I just saw someone make the connection between the strawberry lube and the fact that Shauna is shown eating "strawberries" when she's eating Jackie and I'm vibrating

[morsobaby]

For many queer individuals, long hair is just that baby skin you shed when you've outgrown it finally. And for many queer individuals, short hair is just that pot that you transfer out of because it's far too small.

Much queer about hair

[royalarchivist]

Eret: I feel so lucky I am able to be in a position where I’m able to help other people -- at the very least -- realize they are not weird, they are not alone, they’ve got someone who will look out for them. Because that’s something I didn’t have when I was growing up [...] I didn’t have any exposure to any gender stuff, or even LGBT stuff. Now, I actually get to be that representation for some people, and that’s f**king amazing for me. I hope I can continue to help people find themselves, and continue to be a positive representation for people, because I remember what it's like not to have that.

Eret discussing the importance of LGBTQIA+ representation.

Full video transcript:

[Responding who a dono who thanked Eret for helping them find and feel comfortable with their gender identity]

I’m so glad I could help you with your journey. I feel so lucky I am able to be in a position where I’m able to help other people — at the very least — realize they are not weird, they are not alone, they’ve got someone who will look out for them. Because that’s something I didn’t have when I was growing up, and I thought I was weird, I thought I was — I don’t know, I didn’t have any exposure to any gender stuff or even LGBT stuff. So I just thought, “Well these things going in my mind are f**king weird stuff.”

Now, I actually get to be that representation for some people, and that’s f**king amazing for me. I’ve gotten so many letters, and so many messages, and so many donations, and so many chat messages going, “Thank you for everything”. Meeting people in person at conventions, people literally shaking and going, “Oh my god, it’s you.” And I’m like, “I’m just me! I’m just a person. I just play games.”

To have people freak out over that is mind-blowing. I don’t think I’m ever going to get used to it. Like, I got recognized at my university, I used to get recognized doing random things, and people would just come up to me and go, “Seriously, thank you.”

I hope I can continue to help people find themselves and continue to be a positive representation for people, because I remember what it's like not to have that.

I want to make sure that anyone who feels alone, or anyone who feels they don’t have anywhere else to find understanding, I want to be there for them. I understand I can’t have that one on one connection, but at least I want a space where you can come to, and you’re surrounded by a big group of people who all go, “Yeah, I understand that! Yeah, we’re all on the same page.”

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[uncanny-tranny]

I love trans people whose transness means that their sexuality is complex. I love trans people who adopt contradictory labels. I love transmasculine people who still have ties to old lesbian spaces and transfeminine people who still have ties to gay spaces (even if they themselves aren't lesbian or gay). I love trans people whose dysphoria has put them at a place where they don't want to engage with any type of sexuality. I love trans people who are confused, unsure, or questioning. I love trans people who toe the lines of queerness. I love trans people who are unapologetically embracing their sexualities. I love trans people who are working through internalized shame about their sexualities.