#red&gold&black

[rosina783]

Too be honest there were multiple style here witch is the eye colors and the hair style but right this is it I’m gonna be sending since I don’t wanna keep checking anymore…….☠️☠️☠️☠️

[morggo]

Midnight Serpent

4 in x 8 in Pen, ink, gold leaf

Just a lil thing I made for myself. I was messing with colors and didn't want that blue to go to waste.

It's also for sale.

[trashcatsnark]

feel like every laundry night at the tadfools camp just becomes a game of who's black shirt is this and the only thing anyone can confidently say is it's not Gale's

[vinceaddams]

Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.

I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)

Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.

(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)

There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.

(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)

The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.

(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)

Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.

(1720's-30's, LACMA)

Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.

(1730's, V&A, metal and silk embroidery on silk satin.)

Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.

(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)

Tell me this look isn't positively made for vampires!

(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)

(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)

And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.

(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)

(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)

Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!

I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.

(1730's, Museo del Traje.)

(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)

(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)

(Portrait of Duchess Colavit Piccolomini, 1690's.)

(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)

Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.

(Viago in drag Portrait of a lady, Italian School, c. 1690.)

Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!

[sevinite]

sevenite sketchbook veteran theo makes his humble return to the public eye

[arielluva]

using the dream i had where utena had white streaks in her hair as inspiration, i made these designs!!! i wanted to keep them recognizeable, but also have more fantastical elements to them. i dont know if their (mostly utena's) outfits make too much logical sense, but since they're inspired by a dream, do they have to be?

[aaruaalislost]

it was time i doodle them

[wild-magic-oops]

I've seen posts about this scene and how Gortash and some body types for Durge almost brush hands and I ofc I had to try it with my default Durge (nvm the tail) and it almost looks like he's grabbing Gortash's wrist

[spacepacks]

gustav klimt' paintings headers || like or reblog if you save

[bebemoon]

look for the name FONTAINE (requested by @benevxllain) | art print by emiliano maggi, romeo gigli dark purple pleated cocoon coat (a/w 1992), romeo gigli floral borcade sheer skirt, mirror palais "angel wisp" top in burgundy, zimmermann baroque gold chain belt, vintage italian butter leather over-the-knee point-toe stiletto boots w/ button detailing, joanne burke 18kt gold fountain ring, paloma picasso "mon parfum" eau de parfum in special edition wearable sun brooch bottle, anna molinari kiss clasp black leather handbag w/ logo charm chain

[otaku553]

Here comes the boyyyyyyy

[hyakunana]

The special edition of Venigni's Landmark Guide

[projectmayhem-stims]

clawdeen draculaura frankie

lagoona cleo ghoulia

[yoshiyoshitaniart]

Black and Gold Koi Mermaid

[echosong971]

The Petrification Disease is a nasty thing...

[morggo]

Master of the Art of Dying

Original available here: https://ko-fi.com/s/77f989c669