#rem talks about:

[hayakawalove]

Arranged marriage with Suguru

[mothlady-garden]

Trigun Maximum Volume 12 Chapter 1

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.

[lost-technology]

SEEDS Security Codes and Why They Matter

So, I've been thinking about one of the details in Trigun: Stampede that was not present in either '98 or the manga. In '98, Knives just hacking into the SEEDS codes was left as-is. He walked up to Captain Joey and shot him and apparently took his pilot's seat. Did the Captain have the navigation open at the time? Was it closed and Knives had to do some hacking? Anyway, there, he did it on his own. Now, in Trigun Maximum, which treats Vash and Knives' childhood differently (just Rem there raising them), there is a foreshadowing of what is to come. In Volume 6, Rem is depicted waking up to an emergency signal in the middle of her sleeping-hours. (Aw, she sleeps in her regular clothes, mom-jeans and all...). Panicked, she yells at Knives for him and Vash to lock themselves in their rooms and not to come out or speak up for ANY reason, even if they hear voices outside. She tries to handle the situation, but it goes from bad to worse and the automatic crew-wakening protocol goes into effect, which she is very concerned about (for reasons that we who have read the manga know about)!

In the beginning of Volume 7 the crew wakes up, there's a situation-update. The ships are going off-course and will collide if things are not corrected. They're working through the issues and suddenly, there's an unknown factor that kicks in to correct the course. Rem then gets the crew all settled back in again for nappy-time... And proceeds immediately to Vash and Knives, where she scolds Knives with (Rem's angry mom-face, my beloved)! Knives was playing around with the ship codes and systems. He'd apparently hacked his way into the system and was curious about SEEDS' functions. (One would assume that Rem changed some of the codes after this, but I bet they were in some kind of hacking-war, with her trying to stay one step above curious Plant-twins). Knives did not mean to nearly cause a catastrophe, but this shows that he can and is a foreshadowing to when he DOES mean to cause one later. Now, in Trigun Stampede, it is stated by Nai / Knives that Vash gave him the ship-codes, also that he spent a lot of time and trouble changing the codes for every human ship. (The manga lists the ship they are born on as the Mothership, presumably guiding the entire fleet, in Stampede, it is just Ship 5, which implies multiple guides with multiple navigators). I am wondering where Studio Orange is going with this. Will it be a situation like the manga where the kids are just playing around? Little prank-war with Rem? Maybe Vash is sharing a ship code innocently, as part of their games? Or is it going to be darker, more sinister? I wonder if Vash was originally of the thought of "maybe we need to crash the ships and kill all humans (except Rem) because they're scary and dangerous because of what happened to Tesla" and then had a change of heart and backed out of it? - I can see that happening... him having his cathartic alone-time with Rem as in the manga and then talking things out with Nai and thinking that they weren't going to go through with it. And then Nai betrays him. I've been wondering about the guilt Vash carries over the Big Fall in Stampede. Is it an unnecessary, undue guilt like he seems to have about a lot of things? Or is there a guilt born from "I had originally planned disaster / we had originally planned disaster" and it came true even after he'd backed out? It's just that... in both '98 and Maximum, he does carry his cross (that is not Wolfwood's), but he seems to feel less specifically guilty over this (the Big Fall). He's really more like "Knives, how could you do this to everyone / Rem?!" He just seems more guilt-ridden in Stampede than in the other media and I am wondering if there is a dark secret behind it. I can see it going either way.

[overthemoons7]

once again thinking about marylene !!!!

[aaxzlyte]

hi guys I am actually a fake fan bc I just found out about Rem's Russian Musical design (i knew about the Russian musical but for some reason did not bother looking up her design despite being a slut for that shit???)

anyways yeah hi, I LOVE IT?!?!?!

first of all, the actor is beautiful as always. her dress is fucking amazing and i love the way cage hoop skirt reflects the fact that she's made of fucking bones (basically) in other media. very skeletal, very chic, 10/10

the boots are very cunty and make her look a bit taller and it should be publicly announced that i love a tall Rem, especially and abnormally tall one

i have always loved monochromatic looks ESPECIALLY all-white ones and this outfit just makes me soooooooooooooooo

we love and cherish how consistently Rem has that torn up look with white fabric. here it looks very much like cobwebs, super fucking gothic. she has red eyes in this photo??? literally fucking amazing. i love the way her sleeves are cropped here as well: might be a stretch but it kind of does gives the vibe of how her arms are in the anime & manga, though noticeably less spiky

i love the way her hair is put up, it's very messy but i like the way it highlights her femininity here, on top of her dress of course

OKAYYYYY this photo makes me weak in the knees. it captures so much emotion and her makeup here makes it seem very much like she is crying / emotional.

you can also see the distressed bits hanging from her sleeves better in that photo. plus there is some feathery action going on? we love a reminder of the Shinigami wings in whatever way we can have them

and okay yes i can finally mention it urgh: THE DEATH HEAD MOTH INSIGNIA OH MY LORD. First of all, I love the death head moth with all my heart (this love comes mostly from a previous fandom i was in and still AM in bc it is my favorite show ever)

anyways most of the symbolism behind the Death Head Hawkmoth is just that it represents death and i personally think it is perfect for a Shinigami, in that sense

anywayyy, something something —Misa was the flame and Rem was the moth— something something

all photos were taken from this post on Tumblr :) tysm and these will stay in my gallery forever and ever

[shadow0-1]

catch fire

[remynisce]

I'm finally biting the bullet and making 2024 the year of my ocs. Prepare to only see these guys for a while

[goth-automaton]

"Ne, Kiki, you didn't wake up this early to work on your Plague Doctor fic before you have to leave for Easter breakfast?"

Maybe I did.

[b0tsbby]

It only concerns me a little bit I haven’t really seen a written introspection on Stampede Knives’ character, specifically him. 98 is 98 and Maximum Knives has enough elitists on his case to cover him, definitely not a fan favourite but people have broken him down.

I’m aware of how disliked he is, Stampede that is, but it really is something. Could I write it, and could I kill an analysis of him? Most likely. I’ve been injecting the character into my veins, breathing him in and out for a year, every incarnation of him.

But I’m so curious to see someone else do it. Curious to see if someone else will do it…Maybe to convince myself I’m not a complete fool, or stuck in delusion. Maybe to find someone else that got it.

Hate and disdain, is something I’ll never protect him from. He’s an asshole. But man, even he doesn’t deserve the shallow reading of him that’s too widely accepted I think.

But who am I to say what is and isn’t…

[zombiecicada]

The egg that Dr Cruce has been incubating in Nightmare’s dark energy hatches.

[ocheeva]

— ᴛʜᴇ ʟᴇꜰᴛ ʜᴀɴᴅ ᴏꜰ ᴅᴀʀᴋɴᴇꜱꜱ, ᴜʀꜱᴜʟᴀ ᴋ. ʟᴇ ɢᴜɪɴ

[lemongrass77777-moved]

Sirius wearing a skirt when he’s staying at school for Christmas holidays and nobody cares because the wizarding world doesn’t have gendered clothing.

[aaxzlyte]

what are some of your head canons for rem?

oh, hi :) good question !! quick disclaimer: as with most of my headcanons, these are not all necessarily true at the same time !! (ex. i headcanon Rem to be a lesbian but also ship her with men...)

Rem actually did not like Gelus at all !! for a long while, i picture her having looked down on him for having so much affection for a human (and i think Rem definitely looked down on ALL humans) but she was intrigued and wanted to see what kind of human could possibly catch the eye of a Shinigami !! eventually, she grows to respect Gelus more as she learns to love Misa and also begins to see herself at a lower level than before because of her capacity for love (which is something she sees as being very unique to humans, ofc!)

that being said, i believe Rem has a lot of what i would say is almost hubris? she obviously sees herself as being more powerful than Light and i'm pretty it's mentioned at least once or twice that she is technically a higher status of Shinigami than Ryuk – she uses both of these facts against Light and Ryuk respectively to protect both herself and Misa,,, + (again i think Rem looks down on humans, in general) she kind of despises Ryuk because he's annoying but also because he very easily breaks and bends the rules of the Shinigami Realm

Rem is a manhater, in my mind !! she hates most humans, in general, but she can come to appreciate some women, other than Misa !! men, however... completely different story

the reason Rem likes Misa so much starts mostly because she really does think Misa embodies everything Rem despises humans for being – Misa proves herself to be cruel and for the sake of love, at that (ie. she offers to kill for Light then THREATENS to kill for his [but mostly her own] sake)

[haridraws]

Some of my favourite panels from volume one of my big webcomic, which finally had the last pages out this year!

It was a big sprawling project that I started 6 years ago (these first drawings are... very old now) but there are still old parts of it I like - this month I thought I'd do some posts reminding myself of them.