#resolve mistakes

[espeonkin]

[kens-ramblings]

so ik it’s not cannon accurate but,,,

i need a fic of tim just crashing out.

like he gets so sick of like damian and jason talking about how weak he is and shit like that that he’s like “yall realize lady shiva was my one of my FIRST teachers, and i was the first robin she trained. i had to train under b AFTER he already lost a robin. you DONT think he was 10x harder on me than any of you guys???? there’s a reason my training videos are mainly redacted without bruce’s or my permission. i got ra’s al ghul BEGGING ME to join his league or have my children. i get gifts from him WEEKLY. do you KNOW how many of his little ninja i fight per DAY??? nahh im sick of this shit let’s take it to the mats” and just demolishing both of them at the same time.

i just think it’d be very funny. i just like fics of people who pretend to be weaker than they are(or they just never really have a reason to go full tilt so they just don’t) get sick of holding back and just losing it :D

[bayetea]

jason and hazel's beef in hoo was always way more interesting than whatever percy and jason had going on sorry. the differences in gravity and intrigue in the jason/hazel relationship vs jason/percy are only further compounded by the ways they're connected and the ways that their stories are similar

because 1. they have a HISTORY they knew each other before he went missing!!!!! they were in the fifth cohort together!!!! hazel is the ONLY person in the prophecy 7 that was in jason's life before he disappeared and had his memories stolen. yes they didn't know each other well but if you ask me that was just a bad writing choice rick made. can you imagine if they used to be friends/if jason had grown to be a big brother figure to hazel only to go missing for months and then they have a very awkward reunion on the argo because he barely remembers her and then she's even more betrayed because he doesn't wanna save nico initially. the drama. we could have had it all man

2. beef between a son of poseidon and a child of zeus/jupiter from the grace family? yeah been there done that why are we doing this again (and it was way more engaging the first time). god I wish we had gotten a big fight between a child of jupiter and a child of pluto instead

3. their issues regarding nico were way more high stakes than the silly alpha male posturing rick was trying to force between jason and percy especially considering how mega nerfed jason is written in hoo because no one's allowed to be on equal footing with percy

4. the tacit layer of betrayal in jason being hazel's ex-centurion/praetor only to end up preferring chb (to be clear this particular conflict belongs to jason and reyna and is more impactful between them - but since hazel is actually on the argo and reyna isn't she can still be an opportunity for this camp jupiter/camp half-blood conflict to be explored with jason)

5. I'm just gonna say it - I think hazel ought to have complicated feelings about white authority figures in a military camp as a black girl from the freaking jim crow era (not that this would have ever been explored satisfactorily in the books because as far as rick is concerned hazel is colorblind and hardly ever thinks about race despite growing up segregated. which is crazy unrealistic but whatever)

6. something something about the parallels that jason and hazel have about making hard choices about their pasts in order to have a more fulfilling future

7. this isn't necessarily interesting in and of itself but I just think it's neat that they're both big three roman kids with greek siblings that they didn't grow up with. what could have been interesting is jason seeing how close hazel and nico are and feeling some type of way about everything he never got to have with thalia and some exploration into how that impacts his feelings about the rescue mission. I'm starving for more grace sibling content by the way

8. they both have really awkward romantic conflicts in their pasts that intrude upon the present (whether he and reyna were ever even slightly romantically involved or not) because the jason/reyna thing is written as a initial source of conflict/uncertainty for jiper in the same way that hazel/leo (sammy) was a conflict for frazel to grapple with. this is interesting to me because like... hazel is connected to reyna and jason is connected to leo. like there could have been a moment of connection over letting go of pasts loves to wholeheartedly pursue new ones in the way that both of them are (were) with piper and frank

9. they both died. this bullet is a joke but I just thought I should put it here

10. percy is a well-established character and hazel and jason are new in hoo. percy has 50 povs in hoo and hazel has 28. economically speaking it would just be a more effective use of your limited pages to spend more time developing important interactions and conflicts between two new characters (esp new big three kids) who already have a more interesting foundation than the one involving our previous protagonist of 5 entire books

11. beryl grace and marie levesque. think about this for a second. ok that's all

12. both had their pasts taken away from them from major deities and are continually haunted and influenced by their presence throughout hoo

imo hazel and jason are the most weirdly written new additions to the main cast but I strongly feel that rick severely underutilized the way that characters like those two could play off of each other. hazel isn't just a sweet little cinnamon roll she is passionate and contemplative and morose and guilt-ridden and jason isn't just a bland rule-follower he is kind and committed and loyal and conflicted and they're both painfully self-sacrificing and I just think it's such a shame that these two characters with great concepts on paper and so many obvious threads to connect them didn't get as much as attention as.... whatever happened in kansas did

and I mean if you like the jason/percy conflict that's fine, but I think it's worthwhile to compare the merit of them because rick chose to centralize and build up to one more than the other when he had such perfect material to expand on the other instead and I think that says something about his biases. and I think part of the issue is that rick struggles with strengthening tension and applying complexity to conflicts between male/female characters that aren't romantic or onesidedly antagonistic like clarisse/percy. we have several noteworthy conflicts between male characters but when women are involved it's like rick doesn't know how to put them on equal footing and apply platonic depth. imo this is just another reason why big three girls (hazel/thalia/bianca) don't get to be as powerful and transformative in the overall narrative as big three guys (percy/jason/nico). all this world-changing narrative weight is afforded to big three kids but hazel in particular is weirdly excluded from all of that and doesn't get to have much impactful interconnectedness with the prophecy or with other big three kids. what happened to big three kids being super dangerous when put together or when they're on opposing sides of conflicts!!!!!!!! we had impactful percy/thalia and percy/nico and jason/percy and jason/nico conflict where is the fleshed out jason/hazel beef - it's right there!

anyways tldr all I'm saying is that jason and hazel complement each other well and rick was too hung up on the Colliding Of Alpha Male Strong Dudes (that he didn't even write well) to see everything that hazel and jason could have had instead

[louiesselfshipramblings]

I didn't realize just how much better Mac's redesign was until I saw their old chair compared to their new chair back-to-back. Like, not just looking more befitting for a dedicated wheelchair user, but generally a better design overall. Looks a lot more solid and put together. (Old design on the left)

[strangersteddierthings]

Good People - Final Part

Part One🦇Part Two🦇Final Part

It is not often that Wayne is happy with the monotony of work. Tonight is one of those nights, if only because it allows him to think about where he went wrong speaking to Eddie. He had never meant to imply he thought Eddie was like Al; he'd meant the apple and tree comment to for Richard and Steve. However, he does acknowledge why Eddie drew the conclusion that Wayne might have thought Eddie would follow in Al's footsteps.

Wayne's being a hypocrite, applying the logic to one boy, but not the other. And even though he never, not once, thought that Eddie would become Al, he'll never be able to take that thought from Eddie's mind that he had. He can apologize until he's blue in the face, Eddie might even forgive him, but he's not sure Eddie will ever believe him. Not truly.

And how could Wayne expect him to?

No. That's a shame Wayne will take to the grave.

Next strike to Wayne's conscious; the misjudgment of Steve Harrington, and how it ties into the fact Eddie accused him of not trusting his judgement, and, moreover, Eddie being right. Wayne hadn't trusted in Eddie's trust of Steve.

He should have. It's been years since Eddie came home crying about a boy, but what father doesn't see their kid crying over their first heartbreak and doesn't grow protective? And with Eddie, it's even more terrifying. Getting mixed up with the wrong boy could mean bruised ribs, black eyes, or worse.

In a town like Hawkins, a boy would just have to claim Eddie made a sexual advance and his murder could (would) be justified.

Now add the manhunt and being suspected of murderer to that. Well, Wayne's scared for Eddie's life almost every minute of his day.

But it's no excuse. Or if it is, it's a poor one.

Wayne doesn't know the full story but he does know that Steve was with the group of people on Eddie's side; that he was there with the Henderson kid, the Buckley girl, and Nancy Wheeler, digging Eddie out of the rubble from the earthquake, getting him to the hospital as fast as they could.

Steve Harrington was part of the group that saved Eddie's life, and that should have meant more to begin with. Instead, Wayne's been waiting for a shoe to drop that very well isn't coming.

He's going to fix this.

He'll give Eddie his space to be angry with him, and he'll try again in a few days.

When Wayne gets home, around 6:30am, Eddie's van is gone. He's not surprised. He probably left shortly after Wayne did, not leaving sooner just to avoid him.

There is a note on Wayne's bed when he makes it there. Says he's at Steve, and instead of letting Wayne know when he'll return it just says the words 'be back' followed by a bunch of questions marks. He ends it with 'call if worried' and leaves a phone number that must be for the Harrington residence.

Another hurt Wayne can't blame on anyone but himself.

Wednesday passes. Wayne eats breakfast, goes grocery shopping, pretends to care about his shows before sleeping the afternoon away to prepare for another graveyard. Eddie has not returned when he wakes, and two short hours later, he's off to work.

Eddie's van remains gone.

Returns from work Thursday morning and repeats Wednesday. He replaces grocery shopping with laundry and cleaning out the leftovers for trash day tomorrow morning. Goes to work.

Friday morning he returns home. No Eddie. He waits for it to be a more appropriate time, a little before 10:00am to call the number Eddie left.

It rings, rings, rings, then, a voice he hasn't heard in years. Richard Harrington's voice sounds as cold as it always was as the answering machine recites, "You've reached the Harrington's. We are not available. Leave a message."

"This is Wayne Munson. I just wanted to make sure Eddie's- that's he's alright. Let him know that I called. Checked on him. He doesn't need to call back but I'd appreciate it."

He hangs up the phone, lump in his throat. He misses his boy, and he wants to make his right, but he can't force that. Eddie has to always want to make it okay between them.

He's usually off Fridays, but he asked to pick up a shift. He can't face Linda without having fixed this. He spends the morning and afternoon doing all the small fixes he'd been putting off. Anything to keep him busy. He goes to sleep at his usual time, and wakes up two hours before his shift like normal.

Check's his answering machine but if anyone called while he was asleep, they didn't leave a message. There's still no van when he heads to work.

The plant tells him to leave an hour early. He tries to argue to stay but he's just waved off, told to go get some sleep because he's been looking a little worse for the wear.

He gets back to Forest Hills around 5:40am and finds there is another car parked at his home. Not Eddie's van, but the sleek maroon BMW that belongs to Steve Harrington parked where the van usually is.

When he pulls into his spot, the headlights of his truck light up Steve, sitting on his steps, wrapped in a coat. It can't be more than 50℉ outside right now.

Steve stands as Wayne cuts the engine and climbs from his truck. He gets to the front of his truck and Steve speaks.

"Eddie's okay," Steve says, hands shoving deep into his pockets, "I tried to get him to call you back yesterday but, well, you know Eddie."

Wayne nods, because he does know Eddie. "I appreciate you tellin' me. But you coulda just called."

"I could have."

They look at each other for a moment, and just as Steve opens his mouth, probably to tell Wayne he's going to go, Wayne speaks first, "you wanna come inside and have a cup of coffee to warm up?"

Steve tilts his head slightly to the left before he says, "are you sure?"

"I'm sure."

"Alright," and then Steve steps away from the stairs so Wayne can climb them and let them into the trailer. Steve follows behind silently but with familiarity. He's spent so much of his time here since spring break- the shame crawls through Wayne again. He'd assumed, once upon a time, that Eddie and Steve spent more time here than at Steve's because why would Steve want the trailer park boy in his big fancy house? Now, though, he wonders if it's because this place felt more like a home, even with Wayne's cold shoulder.

Steve sits at their little kitchen table, a luxury they didn't have before because there was no room in the single wide, one bedroom they'd had before. The new double wide (with three bedrooms) offered them a bit more space for a dining area.

Wayne's still suspicious of the government's offer to replace their destroyed home, but he wasn't foolish enough to deny the offer when it was made to him by Jim Hopper (newly returned from the dead back then).

"How do you take your coffee?" Wayne asks, once the machine finishes filling the carafe.

"Oh, I can fix it-"

"Nonsense," Wayne waves him back to sitting, "just tell me."

"I like it with just enough milk to take the scalding heat out of it," Steve says, and while Wayne's not sure just how much that it, he tries anyway.

He sets a cup in front of Steve before taking a seat across from him. "I really do appreciate that you came to tell me Eddie's okay. I want to give him his space but...."

Steve sips his coffee before shooting his cup a small smile. Wayne must have got the ratio right. Then, he looks to Wayne and the smile drops, a more serious expression taking its place and he says, "Eddie wouldn't really tell me what your fight was about, other than, uh, me and that you... overheard some of what I said last time I was here. I don't, like, want to come between you and Eddie, but I'm not, I'm not going to let you scare me away. So, just tell me what I have to do to get Eddie to believe we're cool, and I'll do it. Anything, except for getting out of Eddie's life. 'Cause I won't."

"I would never ask you to do that," Wayne says. Steve squints at him, a look of suspicion now. Completely warranted, given what Steve has known of Wayne thus far. "I owe you an apology, Steve. For how I've been treatin' you."

Steve's eyes go wide, "Oh. What? Why?"

"You've been nothin' but good to Eddie. For Eddie. And I refused to see that. I made a judgment about you without knowin' anything but your name." Steve let's out a soft 'oh' at that, but Wayne plows on, "And that weren't fair, and it weren't right. I can't undo it, but I want you to know I regret it. I'm sorry."

"Okay," Steve says, after a moment. "I forgive you."

It's Wayne's turn to be surprised. He's a bit speechless. So much so, he takes a page right out of Eddie's book and asks, "are you sure?" which is a question he's never asked after having an apology accepted before, but one Eddie had asked a lot when he first came to live with Wayne, and they were learning to co-exist.

"Yeah. I get it."

He doesn't like that answer. Doesn't like the he contributed to the mind set that gave Steve that answer. "You're allowed to be mad at me for it."

"I think Eddie's mad enough for both of us."

It doesn't feel like closure. It doesn't feel like forgiveness, but Wayne doesn't know what to say. He can't just start sprouting all the bad things he thought about Steve; there's no reason Steve should have to listen to that. But without hearing it, Steve doesn't even know what he's forgiving Wayne for. "I'll be honest with ya, Steve. It feels like you shouldn't."

Steve frowns at him. "Why?"

Why? Why? For all the reasons Eddie yelled at him, and all the things Linda said, and all the agony he's felt these last few days. The guilt and the shame that still eat at him, even as Steve Harrington says he forgives him. "It's too easy."

Those three words have Steve leaning back against the chair. His eyes dance around Wayne's face before taking in the whole of him. Or, what Steve can see of him with from across the table. When Steve meets his eye again, Wayne sees recognition there. "If you can't forgive yourself, I get that. I do. I-I've spent most of my life as one big apology. And I'm not saying that I, like, don't still feel like- what I mean to say, is that, I forgive you. I'm not, like, gonna hold it against you that you were just trying to look out for Eddie, man. Like, two years ago your fears would have been justified, so."

"Don't make it right," Wayne argues, but he doesn't know why.

"No," Steve agrees, "but I'm forgiving you anyway. You think you're the first person to hear the name Steve Harrington and assume you know everything you need to know about me already?"

Steve's words sound like they could be confrontational, but his tone is light. Teasing? Wayne says, "no. Suppose I'm not."

"Every person I love has done that," Steve says, and the ease of which he says that has Wayne feeling some sort of way. Eddie's words echo in his mind 'you made me help him feel that way'. How many other people have made him feel like he's a bad person? "Even- even Eddie. He made a point, during spring break, to, uh, well, he didn't apologize for anything because there was nothing to apologize about, but he made a point to tell me I was very 'metal' and a 'cool dude' so.... I know my name comes with, like, a shadow or a curse or whatever. I think it will for as long as I live in Hawkins, but that's," Steve flaps his hand in the air, as if that fills in for the word he can't find, and it's a move so reminiscent of Eddie. "Anyway, if you aren't actually, like, ready to accept an apology, you shouldn't be making one."

Wayne sits in that for a moment. There's a lot more to Steve Harrington than he'd ever thought. So much he doesn't know, actually, but he thinks he's okay with learning more. This boy told Eddie he was half-way in love with him earlier this week, and while Wayne never heard Eddie say it back, he knew anyway. It's why he was so protective. "You're pretty wise for your age."

Steve grins and shakes his head. "Nah, that last part was all Robin. She says it all the time to me."

"Well, then you best stop apologizing when you ain't ready to accept the forgiveness," Wayne parrots back the words.

Steve throws his head back and laughs.

They finish their coffee with silence and small talk. Steve tells him about how he never thought he'd miss his job at the video store but working at Melvald's is making him long for the days when the biggest complaint was late fees. Apparently, there's so many more things to complain about in retail.

Wayne talks about working at the plant and how the tasks are repetitive and a bit labor intensive, but the graveyard pay is worth it. Steve asks him a few more questions about working at the plant that Wayne's happy to answer and the more Steve asks, the more Wayne becomes aware that Steve might be looking for a change of occupation. He makes a mental note to put in a good word to Floyd, just in case.

Steve leaves with the promise of returning with Eddie, as soon as possible. As he was heading to the door, Wayne asked why he showed up so early.

"Eddie can't stop me if he's not awake," was Steve's answer, a mischievous grin on his face.

Wayne watches from the porch as Steve backs out. Steve shoots him one last little wave with his fingers before heading away.

He goes back inside and washes the dishes. Even dries and puts them away, a feat usually done once a week; he and Eddie have no qualms with using dishes directly from the dish drainer. His only other chore for the day is leaving for work a bit early so he has time to stop at the gas station and fill up the truck.

Grabbing the remote from its spot on the coffee table, Wayne plops onto the couch to spend his day as mindlessly as possible with some TV.

He goes to sleep at his usual time and wakes up at 7:43pm according to his alarm clock; a little over two hours before his shift is to start. It's time for more coffee, he thinks as he dresses for work before heading to the kitchen.

He jerks to a stop when he sees Eddie and Steve sitting on the couch, leaned close and talking softly. He's not about to repeat a past mistake, so he makes his presence known. "Evenin' boys."

Eddie pops up from the couch quick as lightning, taking a few steps towards Wayne before stopping. "I don't like being mad at you."

Wayne nods, "I don't much like you bein' mad at me, either. For what it's worth, I am sorry."

Eddie closes the distance between them, then, and pulls Wayne into a tight hug. Wayne returns it instantly, how can he not? He hears Eddie say, softly, "it's worth an awful lot, you terrible old man."

They part, and Eddie speaks first, "but if you ever pull shit like this again, I won't be so quick to forgive."

"I won't," Wayne says, at the same time Steve says, "he won't."

Both Munsons look at Steve, who grins back at them.

"You think you know my uncle that well already, from one shared cup of coffee?" Eddie asks, sounding amused.

Steve shrugs, "no. I just, uh, plan to stick around, y'know. Kinda hoping there's no dude after me for him to be an angry dad about. I would appreciate it, though, Mr. Munson, if you'd skip the shovel talk bit of all this?"

Eddie sucks in a breath and Wayne's a bit shocked by what Steve's implied. What Steve's admitted, really, out loud in front of another person. Wayne wonders if any boy Eddie's ever liked before would have done that.

"What good's a shove talk when you've already told me you ain't goin' anywhere?" Wayne says, hoping his tone is as light and teasing as he wants it to be.

"Glad we're on the same page," Steve agrees, "but, uhh, do you want me to go? So you can have a real talk?"

"No," says Eddie.

"No," says Wayne, at the same time.

"Oh. Okay. Uh, in that case, you got anything to drink here besides coffee?"

Wayne nods and they all pile into the kitchen to get a beverage before settling in the living room. There will be time to talk later, Wayne realizes. He's going to apologize properly.

Later, though, when he'll really be ready to accept Eddie's forgiveness, because there's no doubt Eddie'll forgive him. So, he's going to sit in the living room and chat with his boys until he has to go to work.

By the time Friday comes around again, he'll be able to tell Linda she was right, everything's going to be okay one day, and maybe ask her on a date he's been putting off asking for since high school.

Done!! I hope the ending is sufficiently cheesy.

I'm so sorry if I missed you! There were a lot of people asking to be tagged haha

@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @unclewaynemunson @kaij-basil-lionelli88 @swimmingbirdrunningrock @mugloversonly @limpingpenguin @krazyperson @acrolius @salisbury-at-the-stake @littlebookworm86 @savedbytheirmusic @wxrmland @myownworstenemyyy @thelittleclare @awkotaco24 @djohawke @wrenisflying @croatoan-like-its-hot @actualwakingnightmare @krowepoison @jamieweasley13 @yourmom-isgay @irregular-child @oldwitcheshat @abstractnaturaldisaster @wishiwasacasualfan @vinteraltus @zerokrox-blog @warlordess @stevesbipanic @steveshairspray @slowandsteddie @samsoble @waelkyring @just-a-tiny-void @saramelaniemoon @halfadoginatank @nightmareglitter @scarletyeager @hellfireone @rovia2312 @munsonslure @a-little-unsteddie @soaringornithopter @eddiethehunted @starlight-archer @dryptid @inkjette

[heybiji]

That causes Dande’s resolve to soften somewhat...

[rikusahoge]

"But be safe. No reckless stunts."

On Sora and Riku's respective recklessness as showcased in the series, and what it means for their relationship

Under readmore because i am going to talk a lot

As an aside: Im going to be pulling from the Japanese text, though I am not a native speaker or really any kind of speaker, so take what I say with a decent amount of scrutiny. I'm more than willing to be corrected on these conclusions!

One line that has stood out to me in kingdom hearts is the repetition of "no reckless stunts!" and similar phrases. If you examine the original text, three slightly different words have been used to mean "reckless", which I'll include below (pulled definitions from Jisho, mostly)

無謀 (mubou): reckless, foolhardy, rash, ill-advised, mad (scheme)

無茶 (mucha): reckless, absurd, unreasonable, ridiculous

無理 (muri): impossible, unreasonable, unjustifiable

Importantly for what i want to talk about is how "muri" is used in situations where a character wants to express that something is impossible (think of a character giving up all hope due to an insermountable obstacle in front of them, they may mutter something like "muri da...") keep a pin in this, it will matter toward the end.

Also note that each of these words starts with "無" (mu), which usually means nothingness or absence of something. The definition of this kanji isnt super important, it's more important that its presence ties these three phrases together in a really unique way as i hope to demonstrate.

what i propose is that both Sora and Riku are depicted as reckless characters, albeit in different ways. The established pattern I've noticed is that Sora: "mucha" & Riku: "muri". I will tentatively refer to "mucha" as "rash" and "muri" as "impossible" (despite that it does also mean other things in some cases! bare with me it'll make sense)

Dialing back a bit, we have seen countless moments of Sora acting rashly. It is one of his key character traits and it tends to get him in trouble. He has a big heart, and is quick to anger.

Sora's response to loved ones and helpless innocents that have been put in harm's way is to repetitively bash things with his keyblade (and ask questions later).

It's Sora's rashness that allows Org 13 to use him to complete kingdom hearts. The extreme end of his rashness is showcased when he stabs himself to release Kairi from his heart.

Tldr. I think it's pretty well established and easy to argue that Sora is one to leap before he looks.

Now, Riku might be a little harder to sell as reckless, because of how well he tends to hide it. He carries himself as a role model for Sora, and tries to be the responsible friend. But if we look at his patterns of behavior, despite how he carries himself, he is quite reckless!

Without thinking of the consequences, he rushes the open door when destiny islands falls to darkness, eventually succumbing to it himself. He lashes out several times at Sora, particularly dangerously when he fires off a dark firaga in Hollow Bastion. He closes the door to darkness with Sora without knowing what would happen to him if he was trapped in the realm of darkness. When Sora is asleep, he sacrifices his form to defeat Roxas, without any assurance that he would ever be able to get his old form back.

We see Riku's recklessness too in the fight against Xemnas. He recklessly throws himself in front of Xemnas twice, hurling Sora away from danger and taking a very nasty blow to the hip. I'd count his dive to save Sora in DDD among these, mostly due to his risk taking behavior when it comes to saving Sora. Finally of course we see it in KH3, with his ultimate sacrifice. (but i think importantly, this scene isn't just recklessness, but I'll explain in a bit)

So tldr. Despite Riku's mask of level headedness and resolve, he has been shown over and over to take massive risks without caring for the consequences. Which is pretty reckless, in my opinion!

Sora and Riku's recklessness, mind you, is also called into question by Yen Sid, who tells Riku the reason he kept Aqua's fate a secret was to keep Riku and Sora from staging a "half-baked attempt at rescue"

He says similar in Japanese, but i want to just note the word he uses when he describes the rescue attempt as reckless (highlighted for ur convenience):

(the highlighted word here is "mubou", it will come back later in an Important way, so keep it in mind)

he's *basically* saying that if Riku, or worse, Sora, knew about Aqua, they would have recklessly marched into the realm of darkness to rescue her. Because he knows they are both ... Like that.

I would be remiss to not mention that Sora's impulsivity and recklessness is something Riku admires! After Yen Sid tells riku not to be rash, and Riku excitedly tells Mickey he's ready to help save Aqua, Kairi observes that Riku has changed, and he's more like Sora. Riku asks if that's a compliment, but I think it's clear that he feels it is. He says it's more Fun to just follow his heart, which is sora-esque. (;_;) This is also something he brings up to Sora when they're on the dark margin together, that he's jealous of how Sora can just follow his heart. It's clear Riku has started to embrace his more impulsive side, to follow his heart like sora does. This is important later!

So now that I have my premise Mostly set up, I'd like to highlight a handful of scenes that I thought were really telling about how Sora and Riku relate to the terms "mucha" and "muri", respectively.

Let's start with Sora and "mucha".

The first instance i have found "mucha" used is in Olympus Colliseum.

lets recall How Herc initially loses his power in KH2, and compare it to the movie.

In KH2, Herc is tricked into leaving the colliseum unguarded by capturing Meg and hiding her in the underworld so that Herc and Sora must go to her rescue. Hades sends a hydra in to destroy the colliseum while Sora and Herc are busy fighting heartless and Pete and rescuing Meg.

Upon seeing the destruction in the colliseum, Herc falls to his knees, and you can visibly see his colors fade to a more ashen complexion, similar to his appearance without his powers in the movie. He calls himself a piece of shit basically and Meg helps him up to limp to safety, leaving Sora to defeat the Hydra (ahem sora helping riku walk in twtnw after xemnas fight anyone)

(Herc even has a second journal entry for his Desaturared form.)

You leave the world after defeating the hydra and jumping up on its back a few times, and after sora d & g are named true heros. Yay. But Herc doesn't have his power back yet, which will later be addressed in the second episode.

Herc's loss of power is much different from the movie. In the movie, he agrees to let Hades take his strength for a day in order to keep Meg from harm, and release her from the contract she had entered with Hades (iirc). This was all so Herc wouldn't get the chance to save Olympus from the titans that Hades revives in order to take Zeus' throne for himself.

Herc still tries to wonderboy his way into rescuing the town, and fights a giant cyclops. While he lacks physical strength and gets pretty much Pummeled, he ends up beating the cyclops with his wit - but in doing so, a pillar is knocked over. It is about to crush Herc, but Meg pushes him out of the way, and is crushed to death.

She gives her life to save him, which in turn returns strength to Herc, because the contract was only good if Meg remained unharmed.

What I'm mostly trying to say here on this tangent is Herc's loss of power in KH2 specifically is very reminiscent of Sora losing his keyblade in Hollow Bastion, which is later echoed in the keyblade graveyard when he feels he loses his strength to fight after losing his friends. I bring up the movie to show how bizarrely different it is from the Kh2 plot, perhaps precisely to make the parallel between Sora and Herc stronger (and the parallel between Herc and Riku, by the way - Herc falling to his knees, losing his power, and giving up, only for Meg to walk him to safety, is a parallel to Riku losing his will to fight and press on after the battle with Xemnas - Sora refuses to let him and in the same Exact way he helps Riku walk on)

So Hercules, when faced with the impossible wavers, and loses his strength and will to fight. This is important so keep it in mind. Impossible/Muri isn't stated here as far as i know, but it's important that he is feeling utterly defeated and unable to win.

The second visit to the world is when we first see the term "mucha"/reckless used as far as I was able to find. Hades casts Meg into the Soul Hole and Herc dives in to save her without hesitating (mechanically to write Herc out of the boss fight, but)

We later see Herc emerge with Meg, his godly aura restored (he is Radiant!) something that *should* have killed him. and should have been impossible. But his desire to save her was so great, he recklessly dives in, without knowing that he will succeed. Luckily, all he had to do to prove he was worthy of godhood and power in both the game and the movie was to use the strength of his Heart rather than his fists, as a true hero does:

Sora scolds him and tells him not to do anymore crazy stunts after this reckless dive to save Meg (screenshot makes it look like herc is saying it sorry lol) and that is where we can see the term "mucha" being used in Japanese:

instead of crazy stunts, Sora moreso says "but don't be reckless (mucha)":

to which herc responds:

"people always do stupid things when they're in love" (note he doesn't repeat reckless, he says "baka" lol)

so here we have a direct link between herc's sacrifice when he dove in to save Meg, the restoration of his power/Godhood, and acting recklessly (mucha), without Fear or Doubt, to save someone he is In Love With. put a pin in this because it's all connected.

Now moving onto KH2.9 and KH3. From the start of the game we are told Sora has lost the Power of Waking, and his Entire goal in the game is to regain it, wake Ventus, and prepare for the battle in the KBG with Xehanort.

The Power of Waking is already a very vague, disney-esque power, essentially the power to free sleeping hearts from slumber (and first introduced to us in DDD, particularly in terms of Riku waking Sora up in a sleeping beauty retelling but I'm getting ahead of myself)

Yen Sid suggests that Sora go to Olympus for clues to regain his power, as Just Like Sora, Hercules also lost his power, but was able to regain it.

It's pretty straightforward, but in the interest of not making this post a fucking novel ill try to keep it short. Herc tells Sora he's not sure just *how* he got his powers back, just that he wanted to save Meg with all his heart when he (recklessly) dove in to save her. The game is trying to tell Sora that it's the Power of Love that brought back Herc's strength, and that Love will be key in bringing Sora's PoW back, too.

Specifically, I think that Herc's story and the other worlds Sora visits are saying that it's True Love that will bring Sora's powers back. Acts of true love in KH3 are framed as courageous, selfless, and performed unconditionally.

Despite the visit to see Hercules, Sora still doesn't gain the PoW. He has an idea of what he needs to regain it, but he has to visit multiple Disney worlds to learn more about the power of true love and sacrifice (well also separation but thats not as important to this post) before he's ready to test it out for himself.

After Arendelle (i think) we get to another important cutscene where Riku, Sora, donald, goofy, & mickey meet up with Yen Sid to discuss the progress they've made on their respective journeys. Sora wants to go to the Realm of Darkness with Riku & Mickey because he's worried, but they Won't let him because he doesn't have the PoW. Riku does the fondest laugh known to man, eliciting a bit of anger from Sora, but explains it's because of what Yen Sid had told him earlier - that had Sora or Riku known about Aqua being trapped in the RoD, they would have recklessly gone in to save her.

he's pretty much directly quoting yen sid here, just like he does in English (saying half-baked instead of reckless too). So basically saying here Sora would have marched into (the dark world) recklessly (had he known where Aqua was) - again using "mubou" like master yen sid.

Interestingly, when we get to Sora telling Riku to not be reckless in the dark world to Riku, he's not repeating the same word for Reckless that Riku is using (Now this might be just a flow of the conversation thing, which i certainly cant confirm as a non-native speaker but i think it's still notable)

Sora says something similar to what is said in English; with a few distinctions. A rough translation would be "but don't overdo it, call me if anything happens" (need I gripe one more time that english localization cuts out sora telling Riku to call him; which is why he spends the rest of the time apart from Riku wanting a call, and why its so unhinged that Riku triangles for sora and basically summons him. I DIGRESS)

This line is translated as "but be safe, no reckless stunts" in English, which serves as a callback to what Sora tells to Hercules in KH2, (further solidifying a herc/riku parallel) but IMPORTANTLY, Sora is NOT even saying the same thing he said to Hercules in the Japanese script. He's saying something else - 無理しないで (muri shinai de), which is usually translated as don't overdo it - but literally means "don't do the impossible". This will be important later when I talk more about Riku so keep this in mind.

We immediately get Donald saying "Sora's the reckless (muri) one" (abbreviating for simplicity) but Jiminy disagrees. In English he says "He's not reckless, he just doesn't think!" but in Japanese he says this:

Which i know im going to butcher any translation I do, but Jiminy is basically saying "[Sora's] not muri he's mucha". That distinction is important enough for Jiminy to make a joke about it. That Riku might actually be the one who is overdoing it/trying to do the impossible (muri), while Sora is the one who runs headfirst into danger recklessly (mucha). Which, i think, is quite fitting, given the actions theyve done through the series.

Importantly we get one more instance of "mucha" which I think really ties Sora's trait "recklessness" together nicely, and puts into perspective what the repetition of these phrases is doing from a story telling perspective.

After Sora finishes up the remaining Disney world visits, S, D, & G find out that Chip & Dale have lost contact with Riku & Mickey. Sora is very upset at this, and is Determined to save them (Riku) (with all his heart). Sora has NOT GAINED THE POW at this point, and they don't know how to even get into the RoD, so Sora opts to "let his heart be his guiding key" to find his way to Riku and the RoD. (Recklessly I might add, he hasn't called or talked to Yen Sid or consulted anyone about it lol)

He arrives at Destiny Islands and mysteriously finds Master's Defender which happens to be the key to getting him into the RoD. Right? Well. We know from the glossary that the established method of reaching the RoD is with a keyblade of darkness, through dark corridors, or with the Power of Waking.

Others have argued this (see SRT) but it's heavily implied that Sora regained the PoW on his way to rescue Riku. That he used it explicitly to get into the RoD is where people tend to be a little caught up in the details, because it *does* seem like Master's Defender plays a role, which begs the questions - is it a keyblade of darkness? What the fuck was it doing there? etc. (literally saw on a kh wiki that sora got into the RoD because Masters defender was a keyblade of darkness, which is unconfirmed currently lol) It's also not traditionally what the PoW looks like. There's a huge door that appears, Sora isn't using the kingdom key, he doesn't burst out of Riku's chest. Etc.

HOWEVER. I think with the context of the narrative arc Sora is going through, the foreshadowing present in the game, and The Reckless Rescue angle can at least prove that he DID regain his power here, regardless of whether or not he explicitly used it to get into the RoD. I'll try to briefly summarize the points I've seen made before I add my own.

After the visit to Olympus, Sora explains to Yen sid that he didn't regain his power but he still learned a lot. Yen sid stresses again that sora needs the PoW, Sora gets pouty, and Goofy cheers him up by saying "maybe something will trigger it real soon". Shortly after a bit of banter, there is a knock at the door, and Riku and Mickey walk in. The camera kmakes a point to show Mickey off to the side, then pan up to Riku as he walks in to close the door, who is centered in the view (almost as if we are watching from Sora's POV, who is anticipating Riku's appearance in the door).

Putting this side by side is a little unfair, since it's not an immediate jump from Goofy saying this to Riku's entrance, but it's pretty in your face about just what (or who) might be key to reawakening sora's PoW.

We also get some heavy handed foreshadowing in the next visit to Yen Sid's tower, right before Sora tells Riku to not overdo it:

Yeah. and he does, importantly, get the power of waking, not BEFORE he comes to the rescue, but BECAUSE he comes to the rescue.

Now for my contribution since I stole the last two/three points from other posts. Just before Sora enters the RoD, he tells D & G to stay behind and that he has to go alone. (Sigh, yes, this scene is a parallel to Riku using the PoW to save Sora in DDD - it *has* to be him, and him alone) D& G protest, but eventually relent. But Donald doesn't let Sora go without saying this:

(In English, Donald says "you promise to be good?" inexplicably) but in Japanese he tells sora (basically) "Don't be reckless" - aka. No Reckless Stunts, complete with the use of "mucha" (recall Donald in the previous scene was the one to call Sora "muri" before being corrected by Jiminy). This is similar to what Sora tells to herc, so we are pretty much full circle on this scene being a callback to Herc rescuing Meg in KH2.

Like Herc, Sora does the reckless thing. Like Herc, he heroically dives into the abyss to rescue his loved one with all his heart.

Like Herc, Sora regains his power the moment he resolves to rescue Riku, even if it is not made explicitly clear to Sora OR the audience (perhaps the fact that he regained the PoW is why he is able to save aqua, too)

I could probably go on about this and what it means for Sora for a long time, but I think it's high time I actually wrote about "muri" and Riku's recklessness, so let's rewind a little.

I've already brought up how Riku relates to Herc in terms of his recklessness and heroics, but theres a few more things to add. of course. I'll recap with pictures of one of the parallels i've already discussed:

So here i think at least metaphorically, we can argue that Riku has lost a bit of his "power"- or rather, his drive. After everything is over, he just collapses, ready to die or be left behind. Sora WONT let that happen. So Riku asks Sora to lead. He confesses to some of the jealousy and superiority he'd been feeling over Sora for the past few years, and seems to be trying to find a new direction in his life, having now repented Quite a bit for the sins he committed in KH1.

Riku's entire purpose for fighting after KH CoM and KH2 was to wake Sora up, keep him safe while he does his keyblade weilder duties, reunite him with Kairi, and send him on his merry way. Sora refuses to let him leave, and demands that he comes home with him. So he does. but without his jealousy over his feelings toward Sora, or without his feelings of guilt and feeling he needs to make it up to Sora, what is left to drive him to keep fighting?

DDD gives him a pretty strong answer - it's where he both rediscovers his sense of purpose and gains the Power of Waking in the process. And his dream eater powers too. btw

Riku's journey in DDD is, simply put, not really about passing the mark of mastery exam and becoming a keyblade master. it's about remembering What he lives for. remembering his promise to Terra, and how those feelings have evolved - from wanting strength to protect the Stuff that matters as a child, to, in DDD, discovering that the "stuff that matters, like his friends" was Sora the Whole time, and that Sora is actually a "precious best friend" that he wants to protect. It's About recovering his strength, like Herc needs to do in KH2.

So how does Riku regain his "strength"? By Sora-style taking a reckless dive into the deep abyss of Sora's heart to wake him using the PoW.

(Not once was I able to find any mention of "recklessness" here, or any particular language that ties this moment together cleanly with what happens in Olympus Colliseum in KH2, but the repetition of diving down into an abyss to rescue someone (with all your heart. etc) is Enough of a parallel to make the connection between this scene and Herc's dive to save Meg)

It is within the deepest depth of Sora's heart where Riku is interrogated by three pieces of Sora's heart about what he's afraid of, what he cares about more than anything else, and what he wishes - All canon answers involve the mention of "precious" - "taisetsu" (sorry im not explaining this one im going to just assume you know what im talking about if you are a soriku that reads meta you should know.) - to lose something precious, my precious best friend (fuck da english localization for this one), to recover something precious that I lost. It is here that we see Riku's simple "protecting important stuff" become "protecting something precious/my precious best friend" (note that this hasn't quite become "taisetsu na hito"/precious person but hes getting there)

Ansem the wise is there i guess and he tells Riku that his 3 answers are what were the key to waking sora up, and I think, importantly, are what give Riku his "strength" back. He has rediscovered his purpose, which is, to him, protecting Sora (with all his heart)

Continuing into KH2.9 we have another couple scenes that will both complete Riku's development from protecting stuff that matters to protecting a precious person and also continue to make a strong connection between him and Hercules.

It's been pretty well established that these two scenes are deceptively mistranslated, but i'll go over it again

Herc here is saying "taisetsu na hito" which is translated to "person I love most"

The EXACT phrase Mickey uses to tell Riku why he's feeling more powerful and fearless in the RoD, in the literal next scene in 2.9. They were supposed to be VERY CLEAR hit you over the head parallels but, well. SENA said fuck gay people i guess.

Riku repeats what Mickey says into his hand ("strength to protect my precious person") and recalls his promise to Terra, to protect the things that matter. (again it's implied it's always been about protecting sora, he just didn't have the language or understanding of himself yet to know how to say it)

There is absolutely no room for nuance here. This is explicitly framing Riku's feelings for Sora on par with Herc's feelings for Meg eg. explicitly romantic. And that it's his ROMANTIC LOVE for Sora that is what gives him his strength - not just to protect Sora, but also to do THE IMPOSSIBLE

phase ??? of my argument will now commence hang on to your butts. (i wrote this all in one night im tired)

Now that ive Exhaustively set that up. lets actually get back into discussing what I initially set up - riku doing the impossible "muri" thing.

As a reminder, Sora tells Riku to not "attempt the impossible/overdo it" in the RoD. And to call him if he needs him.

So Riku, instead of attempting the impossible in the RoD by facing the demon tide, does call Sora, which ends up being what saves the day! Yay!

I have bad news though! Riku is terrible at listening to advice when Sora is in trouble.

Now recall what I mentioned earlier about the fall of the guardians in the KBG and Sora's subsequent breakdown being a parallel to Herc losing his power in KH2. Sora *fails* everyone here, and he explicitly states he is worthless, without strength, when he loses them. It's very in line with Herc losing his powers in KH2.

(just putting these in here to hurt you and myself)

So, we get the Herc parallel, but it stops here for Sora. He doesn't do some grand self sacrifice for Riku to prove his heroism and regain his "power", but i think theres a reason for that beyond it just being Riku's time for the spotlight but I am getting there.

In the english localization, Sora says "we've lost, it's over". It's a subtle change from the Japanese, where instead of "it's over", Sora simply utters "muri da--" ("its impossible") (in the wettest saddest voice you can imagine)

It's at this moment where I do truly think we're meant to make the connection between Sora saying "its impossible" and Sora telling Riku to not attempt the impossible. It fits in nicely with Sora telling Herc to not do reckless stunts, with the slight change in language from "reckless" to "impossible", and with the impending self sacrifice. Riku knows that beating back the demon tide is impossible. But he does it anyway (compare to how, when faced with a much smaller demon tide, and he was losing, he listened to Sora's advice and called Sora for help instead of attempting the impossible)

So we have Riku's ultimate true love sacrifice for Sora, which both takes his life and grants him a spot upon an alter in Olympus, perhaps symbolically giving him some sort of ascension for his heroic deed. And again tying his sacrifice intimately to Herc's.

Because Sora and Riku are both "herc" and "meg" here I am going to make a little bit of a reach. Recall that I went through the effort of recapping the climax of the hercules movie. for no reason. There is a connection though even if it's loose, and i would kick myself for not including it.

In the movie, Meg, like Riku, protects a powerless Hercules from impending danger in her own act of true loves sacrifice. Her death gives Hercules his strength back (partly due to contract BS but it's still a romantic moment). And her death is what drives Hercules to dive into the Soul Hole to rescue her soul at a potentially great cost, which is what ultimately restores his godhood (showing his strength of heart). Riku sacrificing himself for Sora can be seen to be more like the events of the Hercules movie, Riku standing in for Meg - Sora does have to restore Riku's heart after it's been taken by the Lich, after all, much like Hercules brings Meg's soul out from the Hole. And Riku's sacrifice is what gives Sora the resolve to keep fighting. (not arguing with anyone who thinks it was only kairi because it wasnt lol)

So Riku attempts the impossible here, and ultimately he is rewarded. An interesting nuance is that the phrase "attempting the impossible" isn't meant to be taken as a challenge. From what ive read from native speakers, the phrase Sora uses really is better translated as "don't overdo it" as it is less about proving yourself to be able to overcome crazy obstacles and more about keeping your expectations in check. But Riku is reckless, and following his heart, which he learned from Sora.

I hope I've properly illustrated how Sora and Riku are both painted as reckless in different ways, and how the language used in KH3 is making direct references to Herc's reckless heroics in KH2 and in the actual Disney movie. And how these reckless acts are showcasing how much these two love each other, because I still have one more point to make. Namely, how this ties into Cinderella, and ultimately KH4.

In Terra's route of Birth By Sleep, he happens upon a distraught Cinderella, who has had her dress torn up by her step sisters. She was planning to go to the ball, but cannot, because it is "impossible" (muri)

Terra tries to console her. It's all very reminiscent of the scenes of Herc's, Sora's, and Riku's defeats.

After Terra fights off the unversed summoned by Cinderella's negativity (toxic much..), Out of the blue, the fairy godmother appears and makes everything better. She fixes up Cinderella with a dress and a ride to the ball, and sends her on her merry way.

She explains to Terra that she appeared to Cinderella to show her that her dreams *can* come true and that she typically appears only to people that have a strong belief in their dreams. Terra says he believes in dreams but you have to work for them, to which FGM responds that simply believing in dreams is already a difficult thing on its own. (Ventus also compares Terra to Cinderella. btw. because of his strong dreams)

Now. Sigh. Im not the only person that has pointed this out. The FGM quite literally appears to Riku, but only after a year has passed and they have no leads on Sora, and after it's implied that Riku is starting to lose hope.

In the limit cut, you can see Riku's sad wet puppy dog face as he talks about how hard everyone is working, and how they haven't found anything at all. He says "if Sora is really out there, don't you think we would have found something by now?" - Again, he's losing faith in his dreams of Sora's return. This is important.

I do not have the strength to go through and find all the times Riku told everyone to believe in Sora in KH3. It's a lot. And the last thing we hear him say Near Sora, is to let him go on his suicide mission to save Kairi - to BELIEVE in Sora (#wish).

So one, we know the dream Riku believes in is Sora, and two, we know he is starting to lose his belief in his dreams, like Cinderella before the ball, when he dress is destroyed.

Right after it's clear their is no lead through the data from Org 13, FGM appears, just like she did for Cinderella. And she tells Riku that His Dreams Are Literally A Key To Find Sora (that hes quite literally been #dream drop distancing into sora's dreams while hes in unreality is already so much without the FGM being there to explain this to him but KH is crazy!)

One last thing to really drive this home. The FGM brings Riku and Kairi to the nameless star to bring the three keys together.

And what does she tell Riku, before he leaves?

"Be careful. Do not attempt to do the impossible."

---------

if you read this whole thing... well... im proud of you. I know i definitely missed stuff, because it would be so hard to go through all the games and really dig for the use of this term especially when I dont speak japanese at all. and because i wrote this all in one night. But dont hesitate to comment or reblog if you have anything to add. I freaking love kingdom hearts

[the-star-rigel]

WHATEVER. I’ll say it here too. Fucking insane that hermitcraft ccs decided to unfollow dream over THIS and not the SA allegations. like are you people serious

[casualavocados]

Why not consider he might be waiting for you?

Winny Thanawin as Q and Satang Kittiphop as TOEY WE ARE, ep7

[ficsiwontwrite]

Wangxian cloud recesses study arc where artifact assigns them as soulmates

au where there’s a class about cultivating partners, which (at least in this au??) is not another way to say married couple but literally two people who’s cultivation compliment each other and they do it together

there are as many dual cultivation techniques as there are when cultivating alone, so i like to imagine an old lan grandma giving this class and being very unimpressed about teenage reactions to when she says they will have to find temporary partners to work through the rest of their stay… they already now this stuff, they will just have to spar and meditate with a possible stranger and it’s not as sexy as the spring books make it seem

Of course if you’re compatible with someone and work on your connection diligently you may create a profounder bound that is much better but also makes you unable to cultivate with someone else… this process may take years tho, and it’s relatively common for even dedicated long time partners to be unable to be bound

When the lan elder takes out the artifact (I think it would be cool if it was a musical instrument with some spiritual cognition bc… matchmaking guqin pov extra lmao) no one wants to be the first to sit on one side of where it is and wait for every one to go and touch it too, but wy volunteers!

The artifacts mingles both Qi’s and gives a signal of compatibility, a light or sound maybe, the elder and her assistant are taking notes to later distribute the pairs…

Now, everything is being pretty normal and wwx is already getting antsy about having to keep his position and not being able to talk and- the last one!! Of course lwj lets himself for last, maybe he didn’t intend to participate but for some reason ends up going (cofcof)

And the it’s either the artifact blinding/deafening everyone with an over the top reaction when their qi fuse OR it can go Very Pretty and Very magical with a a heavenly sound or colerful magic everywhere

Them they’re absolutely forced to stay together all the time (they’re not, they could cultivate for half an hour together a day and they would be ok, wangxian just really wants to stay close)

Sparing is cool and them they teach each other their methods of meditation (handstands and whatever moving meditation wwx does) and they decide to try other stuff too bc they’re so compatible it would be a waste not to experiment so they try everything from painting, music or cooking and even games… ok most of the ideas are from Wei Ying but I like to think lwj is the kinda nerd who would be intrigued by the limits of what their magical compatibility can make worthwhile to cultivate…

They also kiss and is totally about cultivation…

there’s no expulsion cause jzx was too embarrassed by wangxian to ever be found anywhere near either of them, maybe he saw an ambiguous but innocent cultivation testing, like hugging and misunderstood,

by the end of the classes the duos have to retake the artifact test to see if they’re combined power grew or if the compatibility changed (it can happen, but it’s very slow) and the artifact of course has another over the top reaction to wangxian and confirms they’re already bonded for life

[camgoloud]

he still has his tonsils. by the way if you even care

[bunnymedley]

wowwww work manages to piss me off and stress me out even on a slow day i hate it here

[horsechestnut]

So the whole point of The Umbrella Academy is the world is fundamentally better off without them in it. That no matter how hard they try they will never be enough to save the world, they can never have their happy endings. And that ultimately they will have to sacrifice themselves and everything they've worked for to fix their father's mistake, they will never be free of him.

Cool. Great. Got it.

[blaithnne]

my timephoon hot take is that the episode was literally fine, it's the episodes that came AFTER it that fucked things up

[starlos-soulmate]

really strange that you seem to be getting blocked by people cause as far as i can tell, you've done nothing wrong and ik we don't talk much but like. still :(

Thank you, that means a lot. It's just so bizarre suddenly getting blocked by a buncha people out of the blue. Like. What-?

[kashilascorner]

Oh ok. I get now why a lot of people didn't vibe with the ending.

All and all: excellent manga, overall very good final act, too rushed final 2-3 chapters but weak and honestly mediocre epilogue, which makes the high of the ending kind of leave a bitter taste. I think Noda had a good steed and suddenly he had to finish and had to rush all. So the ending in the sense of the final arc was good but the ending proper (final couple chapters) + epilogue......... Not so much