#revision notes

[stochastique-blog]

Experiment - Automatic Random_Reblog - Ask me !

thursday 9th december | homeostasis revision notes and milk coffee with whipped cream

by the way, i got a new desk!!

and it’s a standing desk!!!

:D

[theravenpiper]

Learning My Work Habits

In writing fiction, I think first in terms of memorable characters and events. It takes time, even several drafts, before I can fit them together in a way I like.

Which explains why, although my first draft had no outline, my fourth and latest, has 4100 words of revision notes -- a whole chapter's worth.

[fuzzyperfectionengineer]

O Level Chemistry Notes, Revision Notes, Quick Revision Notes for O Level Chemsitry & IGCSE Chemsitry in PDF

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[screambirdscreaming]

Something that peeves me whenever I see another post going around with some variation on "autistic people take things literally which means we are the only people who communicate Clearly and Directly" is that - for any given statement, there is not one singular, agreed on, universal Literal Interpretation. If there was, none of this would be a problem!

The nature of language is that there's always some degree of interpretability. Words have several different meanings, often overlapping, and there's nuance of context, cultural references, and so on.

Faced with a statement, most people will quickly come up with an interpretation that to them makes the most sense. But if you asked a roomful of people to explain in detail their interpretations, everyone's would probably be a little different, even for a pretty simple statement. Regardless of whether those people are autistic! Everyone conceptualizes the world a little differently, and everyone has a unique personal history of all the language they've encountered, and these things effect our interpretations.

In order for communication to be workable, given this slosh in interpretability, there's another couple of processes that go on. As conversation goes on, people reassess if their initial interpretation matches up with additional context. If it doesn't, they revise it, or ask clarifying questions. And on the flipside of this process, the other person in conversation is tracking if your reactions make sense with *their* understanding of what they're trying to convey to you, and offering context or rephrasing things if it seems you're out of alignment.

These processes are social skillsets that are, like most social skillsets, not ever directly articulated or explained. Many people are bad at one or both. Sometimes you encounter someone who is really, notably good at it - the vaunted "good listener", who puts in the effort to really understand what you're trying to say, or that really excellent teacher who engages with you back and forth until you really get it. But a lot of the time, it's a sort of passive social friction - people just not getting each other.

Sometimes, you encounter someone whose brain works so much like yours that talking to them feels almost effortless - you just get each other. But that's a pretty rare occurrence for anyone. More often, as you get to know someone, you start to understand the shape of the way they interpret things and learn to account for it, so over time it's easier to make sense to each other.

It's honestly not uncommon in society for people to aggregate in groups of people who interpret things similarly, and who are thus easier to talk to, rather than actually building the skills of communicating across interpretation gaps. Particularly egregious are those groups of men who talk about Women as an incomprehensible monolith, but it turns up to a greater or lesser degree on a lot of levels.

I suspect this is the root of a lot of parenting problems - people who have never built this communication skillset, and relied on choosing friends who make sense to them without a lot of effort, and who are then totally unprepared to interact with a child who interprets things in ways they don't expect.

Obviously I can't speak to The Universal Typical Experience, not least because it doesn't exist. But in general I would posit that:

Most people, give or take a few assholes, are not trying to say things that are confusing. Most people think they are communicating clearly, because the first interpretation *they* would come up with on hearing one of their own sentences is the correct interpretation.

Many people are not very good at accounting for different ways people could interpret things they're saying. However, it is normal and polite social behavior to be somewhat flexible about this and forgiving of misunderstandings. If people are being shitty to you about not understanding them, they are assholes. And I wouldn't assume that the rest of the communication they have with everyone else they know goes totally smoothly for them.

I suspect there is a bit of an unfortunate feedback loop, where people have bad experiences when someone gets mad at them for not getting something, and learn to hide when they're confused. Which then leads to larger, more complicated misunderstandings, which other different people get upset at them about, because those people think they should have asked for clarification in the first place.

Truly you can't win with everyone. No one can win with everyone. There is no monolith of "neurotypical communication" which resolves all these contradictions - all those people you're lumping in together under "neurotypical" have just as much trouble with each other.

[todayis-snowy]

mummy? sorry. mummy? sorry. mu

[synelven]

my take on an arcane university au (jinx and ekko are top of the class)

[whoops-ahaha]

Teehee

[virgil-upinthestars]

a silmarillion hyperfixation is never late, nor is it early, it arrives precisely when it means to

[literaryvein-reblogs]

Writing Notes: Revision Strategies

When the time comes for revision, it can cause stress for writers of every level.

After all, it can be hard to delete or change words you spent hours writing.

To help reduce this stress, the following lists a few revision strategies.

READ IT ALOUD

Although it can be awkward at first, reading your work aloud can be one of the best revision strategies.

1. Catching Typos

When reading silently, your brain might skip over or correct small errors because it makes educated guesses about what the words are trying to say.

However, reading aloud forces you to slow down and see what is actually written.

2. Identifying Sentences That Flow Awkwardly

If you have ever read an incredibly long sentence in someone’s work, you know that it can be hard to follow the person’s train of thought.

These sentences are hard to catch in your own writing, but reading aloud will make them almost impossible to miss.

It is natural to take a breath in between sentences, so if you find yourself out of breath while reading aloud a single sentence, or having difficulty following the main idea/s of a sentence, the sentence likely needs to be revised.

SHARE YOUR WORK

It can be unnerving to ask others to read your work, but the payoff is more than worth it.

1. Another Reader Can Offer A New Perspective

It is easy to miss small details in your own work, especially when you have been looking at the same document for a long time.

Furthermore, because you are an expert on your own topic, you may not notice whether your essay effectively lays the groundwork necessary for those unfamiliar with the topic.

Ask a friend, family member, or a writing consultant to read your draft and offer feedback.

Moreover, telling your readers what to focus on ensures they pay special attention to the elements you want to revise.

2. Edit for Grammar Last

Even a grammatically-sound paper can fall flat if the content does not meet a reader’s expectations.

Your top priority during revision should be to make sure that you have made your point/s clearly.

Save the editing of punctuation and grammar until after you finish revising a draft.

3. Manage Your Stress

If you get a lot of feedback on what to revise, make and prioritize a list of the comments.

After taking the time to digest everything, focus on each individual item on your list.

Cross off items as you complete them so that you have a physical representation of the work you have finished.

TAKE TIME AWAY

Leave yourself enough room in your schedule to take time away from your completed rough draft; time away from your writing is an important part of revision.

1. Recharging Throughout the Process

It is taxing to begin revision immediately after finishing a draft and can discourage writers.

Giving yourself a break between writing and revising allows you to rest and recharge, so when you revise, you have more energy to spend on the process.

2. Refreshing Your Perspective

Taking a break allows you to distance yourself from your work so that you can read through it more objectively.

This fresh perspective allows you to see what might need clarification, refined organization, elaboration, or other revision work.

3. Coming Back from a Break

Instead of immediately jumping into sentence-level revisions during your first read-through of a draft, focus on reading your writing from start to finish at least once without interruptions.

This enables you to see how well your writing flows, catch any repetition, and determine whether anything might be missing.

Writing Notes & References

[hauntingofhouses]

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

[mixingandmelting]

Moot, I heard that you wanted more of Hyuk Kwon's content so...I came here with a request! (I read rules btw, don't worry).

I'm wondering if you'll write about Hyuk x female reader, who's also cyclist. They're both participating in League Of Streets and it just happened that she caught Sabbath Crew's ace's attention. Whether it is because Hyuk found her to be his type or because he recognized her talent (or maybe both🤭), no one knows for sure. Her crew and Sabbath have to race each other and Hyuk immediately decided to participate this time, but offered a bet to reader. Bet like "if I win, you owe me a date." and he won:) hence, took her on a date. You can make reader's personality however you like tbh.

I hope you'll accept this request and thank you so much in advance. Also, take your time!!!

This is bad.

Underneath his mask, he can’t stop grinning. You always manage to entertain him with your reactions that it’s getting to where he can’t get enough of it. 

So when you flat out reject his bet, he isn’t disappointed. Rather, he stays amused, mentally jotting down how you’re somehow able to make a face that borders between annoyance and disgruntlement. 

It’s out of pure coincidence that he ran into you while you were in the middle of walking out of the locker room. And when opportunity is being served on a silver platter like this, who is he to not take it? Hence him stopping and cornering  when you notice too late and try to make a beeline for it. Gleefully.

“Why, scared that you’ll lose?”

“More like concerned I’ll have to use a portion of the winnings to fix my bike.”

He doesn’t get deterred by your scoff, distracted by the thrill thrumming inside his heart. It’s a different kind too, where he usually feels it from the excitement of toying with those talented like him prior to breaking them. But with you, he keeps wanting more of something else. He wants to see what other expressions you can make, how else you would react each time he pokes you. Something he’ll be able to see plenty of once he gets a day with you to himself. 

“Then how about this,” he places a finger thoughtfully on his chin while keeping his eyes trained on you, “if you win, I’ll get you a new bike.” 

Lips stretching impossibly wider, he anticipates your next move when you go from having an eye twitch to placing your face in your hands. 

“What part of ‘no’ do you not get-“

“Teams, please make your way to the starting line!” 

Tsk. Just as things were about to get good. 

“Guess, I’ll see you at the race.”

He doesn’t wait for your answer, turning around and heading back to where team Sabbath were hanging out all the while snickering from you yelling behind him to get his ass back and you aren’t agreeing to the bet.

Needless to say, he ends up winning the race much to your chagrin and his joy as he considers it a double win with annoying you and winning the bet. He did have to resort to bribing you by offering to pay for anything you want to eat to get you to accept it. 

Still worth it as, on the day of, he unexpectedly witnesses the shy side of you flushing from ears down to fingertips after your ears pick up him muttering the word cute towards you. A scene that would continue to stay inside his mind the next couple of days, leading to Wooin and Joker to send strange looks and keep questioning him why he’s making a particular expression.

[fuzzyperfectionengineer]

O Level Chemistry Notes, Revision Notes, Quick Revision Notes for O Level Chemsitry & IGCSE Chemsitry in PDF

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[miyagi-hokarate]

Footage of Ralph Macchio and William Zabka rehearsing the Beach Fight Scene from The Karate Kid feature Beyond the Form, narrated by Pat E. Johnson

[kayystudiess]

Thursday November 7th

Hope everyone is having the best dayyy, here with some notes from the other weeks in pink as always 🩷

Using kokuyo campus notebook <3

[rogdona]

[huh-j]

“I can’t, I have to study~”

~Rory Gilmore

- Probably my most used excuse this year..