The reason Psych is the Important Show of All Time is because it said "friendship is the MOST important thing." Like, yes, the romances were good but the show spends even more time emphasizing and developing the friendships and that's why it rocks. Lassiter and Juliet love and support each other unconditionally without even the slightest whiff of romance and it is SO. REFRESHING. When Juliet almost dies, Lassie sacrifices his favorite gun to save her without any hesitation. He's the one there to hold her while she cries. She's his confidant. She leaves everything she knows behind so he can chase his dream of being chief without reprocussion. That's a deep, wholesome kind of platonic love. They also never had Shawn be jealous of how close Jules and Lassie are - instead, in the final episode, we see Shawn thanking Lassie for loving and supporting Juliet. We simply don't do that jealousy crap here. Lassie and Jules are best friends and that's an excellent thing. And then there's Shawn and Gus. Those characters are narratively and physically inseperable. The show makes it VERY clear that, without the other, neither one is complete. They balance each other and exacerbate each other's hijinks at the same time. They're closer than close and everyone around them just accepts it. It's just the way those two dumb boys are and no one is going to try to get between that. And then, of course, SO many friendships develop over the course of the show. Lassie and Shawn form a begrudging friendship eventually. Juliet and Karen end up bonding more than I think either expected. Friendship is the beating heart of this series and it's presented in a way that is unique and fun and I just don't see a lot of other shows that do it like Psych did.
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"I'm sorry."
It's the first thing Steve says after everything.
After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.
It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.
"Don't be."
Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.
Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.
Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.
"I miss you."
"...Why?"
Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.
"You were my friend."
Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.
Can't help but say it like he means it.
"I wish we could've had more time..."
Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.
The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...
But for once, his broken head overpowers his shattered heart.
"Maybe we did."
Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.
"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."
And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.
Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.
A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.
A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.
A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.
A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.
Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.
A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.
A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.
An eccentric king in an old coliseum, always choosing one particular warrior as his champion.
A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.
Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.
In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.
Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.
And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.
"Thank you... for everything, Eddie."
Thank you, Steve. For everything and more..."
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- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School
- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery
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spoilers for chapter 429
idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.
This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.
He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost?
He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.
but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.
the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship.
In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.
That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.
Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.
Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…
Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?
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a bystander: both of you are focusing on the wrong thing
anyway! this is a comic from the vault™! it was originally something goofy I drew for myself after I read a couple of different takes on this whole event (Crassus leaving Rome in 63 BCE, see Plutarch Pompey 43). like.
the phrasing is giving late night teleserye plot drama.
and this literally sounds like something a friend has told me about someone else's relationship drama with their sometimes ex. but like. on a less high stakes stage.
ALRIGHT, moving on. some stuff that was Fun To Read, To Me
Crassus' New Friends and Pompey's Return, Eve J Parrish
Crassus: a Political Biography, B.A. Marshall
speaking of titles, fascinated by how this part of crassus' life gets defined by pompey's absence/return. hello fellas!
AND FINALLY inspiration for Pompey's comment about perpetuating cycles of violence comes from this delightfully dramatic bit of writing
Marcus Crassus and the Late Roman Republic, Allen Mason Ward
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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scott summers and jean grey but like this:
- jean grey immediately experiencing love at first sight for the scrawny teenage boy struggling to carry her suitcase up the stairs but being too hard headed to accept help
- (as they become friends when scott’s being annoying she absolutely trips him with her teke)
- scott summers after all the childhood trauma, thinks jean grey’s friendship is the best thing that has ever happened to him
- jean grey 10000% being the one to lean in and kiss him first, scott summers is wrecked !! this naturally leads to scott “my wife is so much cooler me” summers as adults
- despite scott’s mask of self assurance and natural leadership, he confides in jean that he’s afraid this cocky bravado —- is sometimes just a show
- scott summers takes pride in being jean grey’s partner it’s such a badge of honor to love her, understand her, belong in her head
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