#s3 has been... good

[a-fucking-tornado]

I miss Jackson's Diary season two.

[sbarrysncream]

Here's some recent good omens stuff I've been doing (its mostly just David lol)

speed paints are on my TikTok! https://www.tiktok.com/@barrysncream1

[the-vegetarian-artist]

NEW FACE ALERT!!! AAAAAA sSHE LOOKS SO CUTE 😩😩

[aardvaark]

the long way down job is such an important turning point in eliot & parker’s relationship bc they’d both been viewing the things they have in common as fairly negative: they’ve both been told that they’re cold and ruthless and dangerous and they know those things are true. so when they’ve recognised themselves in each other, it’s been a sense of "the thing that’s wrong with me is a lot like the thing that’s wrong with you". and there’s comfort in that, in a way. but now eliot gets parker to see that maybe those aren’t all negative traits, they’re just… traits. neutral. it doesn’t make them bad or good, it makes them who they are. and now when they see themselves reflected in each other, it’s not a reminder that they’re wrong and bad - it’s kinship, it’s familiarity, it’s belonging.

[ossy-serenity]

Power Nap

she insisted for him to stop sleeping on the floor of the garage

well

he did get a couch in there

[demaparbat-hp]

Almost

[bullagit]

due to personal reasons i am now firmly on team “i hope aziraphale does change heaven for the better actually (going on the assumption that his return is as straightforward as it seemed etc” 

like if the alternative is just this ohhh he’s so NAIVE and SOFT and so WRONG and he’ll have to LEARN A TOUGH LESSON etc etc nonsense then yeah 1000% go for it babe knock it out of the park

i hope choosing hope and kindness pays dividends. i hope the soft traits that made other characters continually disparage and underestimate him and his intelligence turn out to be his greatest assets bc i kinda don’t give a shit about a “toughen up it’s the only way everyone else knows better” life lesson for this character

(which like honestly a lot of the rhetoric is dismissive of the fact that persistent goodness in the face of an existence of disparagement takes great strength and that at the end of the day aziraphale has always been able to stand up in his own way)

[goth-emrys]

Just once i want arthur to look up from seeing a spear fly out of nowhere, hitting a target about to get him, and instead of seeing merlin on the ground (where he has used magic to save him) he sees merlin standing tall and shrugging like he got lucky with that throw. JUST ONCE I WANT MERLIN TO HAVE THIS CREDIT.

[mysteryanimator]

Ok so this a word ramble that I originally shared to a few folks, and then went “what the hell sure” and I’m sharing this here. Though this is more word ramble rather than structured then anything I’ve written analysis wise. The only reason why it’s less structured then what I normally do is because if I were to do this properly, I would genuinely go make a PowerPoint and multiple animatic examples to prove a point for a made up what-if 😭 I have to go be productive haha

Ok here we go

How we could have a Mizrak and Olrox intimacy scene actually work

This is hypotheticals I’m not actually trying to say it should be this way, I’m just really interested on this concept because it CAN work and it makes my brain excited. Also side point- you can also very easily achieve all of these scenes without a sexual intimacy scene as well, it’s honestly just up for can be portrayed and want needs to be conveyed to the audience. As long as the main ideas that need to be said are said!

I’ll preface beforehand too, this will be having Mizrak in particularly lean into a more positive viewpoint on it simply because I think we need more positive accepting sex scenes in animated queer scenes, especially with a repressed gay man coming to accept vampirism aka queerness. I think that’s neat in contrast to a lot of intimate scenes that aren’t so positive :D this also means a lot of it will come with my a lot of my own personal opinions!!

First of all, it would build an entirely new perspective on mizrak for us as an audience! There is so much we viewers that we do not know about him. Yet Olrox is so comfortable sharing alot of his emotional vulnerabilities to him, unlike Drolta in the graveyard scene. This type of physical intimacy literally has some baring their entire self to someone else. Nakedness is vulnerability. Mizrak is also a ‘warrior monk’ who wears armour. So you’re literally stripping him of not only his armour, we’re stripping him of the label he’s had since who knows how long. We go from warrior monk to just Mizrak. Every single scene of him in Nocturne is just defined by his monk title, never Mizrak. Which is also why it’s hard for a lot of us to imagine him in clothes other than his monk attire.

His monk attire is now however gone because drum roll. He’s a VAMPIRE. This is important I swear!

(Side tangent his ‘rebirth’ scene at the end of episode 08 when he’s revealed to be a vampire was unbelievably really fucking good)

He’s going to be dealing with a lot of self identity issues, his self image and how he feels about himself. He was already pretty repressed beforehand, and now all the walls are crashing down. Firstly as mentioned before, nakedness is a form of vulnerability. It would be such an interesting and unique way to showcase an acceptance of his identity. It’s both of his new identity of vampirism but also his identity of being queer. Almost as if having the reverse occur in the story of Genesis, where Adam and Eve become ashamed when they realised they’re naked. The opposite happening for Mizrak would be just interesting!

Another point is that we can explore Mizrak’s acceptance of vampire’s having a soul/life! I semi-explored the concept in an animatic not that long ago just because the idea just intrigues me sooooo much. I kinda want to explore it further but busy atm 😔, though I would genuinely make space and time to work on something like that regardless of what show/film it is. Emmanuel learns the concept that vampires/night creatures have souls, that they remember their lives beforehand when he turns Drolta into a night creature. It is totally up to audience interpretation if Mizrak recognises learns vampires have souls through this line:

“If you have a soul Olrox, and maybe you do, I hope it finds peace.”

However, through an intimacy scene, you could absolutely cement Mizrak learning then and there Olrox does indeed have a soul. Solely because, I’m going to get pretty NSFW here, Olrox is reacting to Mizrak, he’s reacting to what’s happening to each other BAHAHA. He’s getting emotionally invested in the moment, beyond the physicality, which could click something in Mizrak’s brain. There is a life to Olrox because that vampire is sweating and moaning HAHAHAH, which if he were to be truly soulless and lifeless, he would not be doing all of that. He’s a breathing, living person who has a soul. Ensue Mizrak accepting and giving in 🏃

Sure this probably happened between episode 3 and episode 4 in season 1, but for us to only see it now would mark an importance for Mizrak. It’s important for us as an audience to see this recognition because it will fundamentally change him and progress both their narratives. Every Mizrak and Olrox scene from episode 03 of season 1 to episode 08, something changes and something moves forward.

Speaking of life, Olrox has not been living. He’s depressed and traumatised. He’s the what-if he just killed the person who killed his lover dilemma for Dracula (thank you Tack for that!) He hasn’t lived since his lover died UNTIL Mizrak. I personally haven’t had seen so much life in him until he was fighting Drolta, saw Mizrak wounded and then started RUNNING??? It’d be really interesting conceptually to see Olrox be ‘alive’ in a much more safer private space, just between him and Mizrak!

This is also something you can very very easily achieve in 2-3 minutes, which is how long most of their scenes together are because they’re side characters. Or even less, 30 seconds it’s entirely possible to convey all of the above in little time. Power of visuals is important!!! Censoring is also not an issue too, I think you could censor this to hell and back but with smart and powerful storyboard choices from whoever gets the blessing to do it, concrete writing, you can actually have something that goes along narratively with the love theme in Nocturne and it’s positive influence on people. Mizrak’s self-acceptance and Olrox’s life reinvigorated. Of course everything beforehand has to build this up to this before it happens. Me, the brainrot person I am, recognises how hands are like a super important thing for them so it would be very cool to have that incorporated in somehow. Also, having the Olrox holding Mizrak from behind thing come up again, but with Mizrak accepting it properly and leaning back into him (or even Mizrak holding Olrox from behind) during a scene like this?? During a emotionally and physically vulnerable moment? Actual shockwaves I tell you, I think you’d have the whole fan base in tears.

There are nuances here, visual metaphors to play off, unique storytelling pathways it could go down, interesting characterisation you specific to sex and so forth!

Anyways that’s my proper ramble for the week, I hope you enjoyed my season 3 episode 6 pitch (massive joke I’m joking I’m joking, tho honestly would be so funny though if I could pitch something like because I will do my proper research, I will pull up statistics if I must and make visuals. Though I generally do understand how intimacy scenes don’t happen often, though Cativi winning an Annie award would prove to help strength the argument I’m making :D )

[catabasis]

1601 | 1941 GOOD OMENS 1.03 | 2.04

[chirpsythismorning]

Say it’s likely there will be a Brokeback Mountain reference in s5 and nobody bats an eye.

Say it’s likely that the final byler fight will be inspired by this scene and society goes wild.

[demonicseries]

wwdits s6 wishlist:

- have an action result in a consequence

- the characters are affected by the consequence

[sbarrysncream]

oh shit, I guess its ace week.

HAPPY ACE WEEK!!!!!

yes, I forgot to give Crowley ears, shhhhhhhhhhhhhh

@inezrable , thought you'd appreciate this :)

[cnl0400]

(Trying to make sense in the Simeon human >> demon pipeline. Very Headcsnnon heavy post so be warned)

Simeon steals the Ring of light and gets told off by Michael. Michael enters panic mode because that means Simeon messed up with a human life spawn and he would be punished/banished for this

(Reminder that in the conversation with Michael in S2OG, he mentions how If he would have been more like MC, things would have gone different and he wouldn't have lose Lucifer/his brothers. So in a way, trying to stop Simeon from falling/being punished Is his "second chance" on doing everything right)

The punishment for messing with a human life spawn Is basically being forced to wander through darkness for all eternity (both NB & OG mention different punishments for Lilith, my rule Is that the newer version it's whats considered canon unless stated otherwise), and going against the CR in general Is losing your angel status and become a fallen angel. So Simeon punishment was odd since the start

To stop the whole process of Simeon becoming a fallen angel, Michael turns Simeon into a human. In that way, Simeon doesn't have enough magic to go throught the whole metamorphosis. Also explains why he was defenseless for the whole S4OG

S3 happens and Simeon Is "human" the whole time. Probably in the same way that MC Is human (that they can see that he's not a regular human and has a supernatural origin, but still pretty weak by himself)

Raphael regularly checks on him for the whole S3, he was probably keep in the dark about how bad the situation situation Is, judging by his actitude in L48NB

S4 Happens and Raphael gets into the exchange program, to keep Simeon safe and to inform Michael about whatever changes he may be going through. Luke also says that Michael asks him more about Simeon so it's probably that Simeon being human just was a way to gain more time to fix the whole issue

** The whole Nightbringer/Time traveling arc happens (S1 & S2 of NB), not a lot happened here since the time barely moved in the present

They return to the present, Solomon cast a protective spell on Simeon and that's where everyone starts to see that something Is going on with Simeon. My theory Is that now Simeon has enough magic in himself to "transform"

(Also: Simeon apparently still has hidden power within himself, even after becoming "human" but tbh that's makes everything more confusing. Sry Solomon)

** Something that I found interesing Is that 7 Lessons after L41, this lesson was the one they choose to make reference to the past. Solomon references his time with MC in Cocytus hall. Does this mean something? Probably not. But I'm still on the cracktheory that Simeon & Nightbringer are in this together.

[arthurmorganisabutchlesbian]

this season has a serious lack of parkinglot interactions, where is my insanely religious and loyal acolyte interacting with the bloodlustful cult leader

[sapphicjigsaw]

its been fun yall see you when splatoon 4