I am so. So sorry for posting some garbage like this but I am actually going insane and I need to get this out of my system before my head explodes
For my whole time being in this community. I have tried to be. So. So. So normal. I have always tried to be comfortable with/cool about sharing f/os cuz like. They’re not realllll and it doesn’t matterrrrr or something idk
But idk what’s going on with my idk why I am. Behaving in this way but I have started to really. Really hate sharing. Like. I don’t even know how to properly explain it because it’s never bothered me this much before. I’ve always just kind of shrugged it off when I see someone I share with. But recently I have been so???,?,,???? AHHHGGGGGGG
There is like. Actually something wrong with me. It’s not all of them. I’m actually really okay sharing like. A majority of my f/os. But there is like. Idk 2 that I will actually start ripping my hair out over.
Idk. In the past I would simply sigh and move on like it never bothered me like this before but now it’s like. I genuinely get UPSET AND ANGRY and it’s really. Embarrassing I’m so weird oughgg like. Im 19 I shouldn’t be huffing and puffing because someone likes the the same character as me. And obviously I would NEVER ever harass someone over this (worst I’ve done is blocking lol) It’s obviously not their fault I’m just. Really weird and it’s like. That’s MY guy. And it just upsets me so much. When I was like 16 I was like ‘lol idk why ppl r sooo weird abt sharing :P’ but like. Now I get it. I really reallllly get it. And it bothers me so much. And I’m just sitting here festering. And I’m so jealous and sooooo bitter. OUGHGG I bite I bite so hard
Idk I feel so ashamed cuz like. I am a grown woman there is no reason to be acting like this idk. Anyway if you read all this I’m sorry and I hope you know I am so normal actually and not bothered at all by anything.
My brainrot today is thinking about just how incredible for a character Eowyn is.
Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.
To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.
The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.
The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.
Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.
Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time
I like the idea of red not really. Realizing that his feelings for green are romantic until they're like. Adults. Even after they reconcile and he comes down the mountain he's kinda operating under "we're best friends" assumptions. Not bc internalized homophobia or anything but he just. Can't tell the feelings apart. He doesn't have any friends other than green as a kid and as a teen he lived on a mountain alone so. All the feelings of loneliness and longing for green very well could be now you're supposed to feel about your Good Buddy in his mind. I think green realized way earlier that he Liked red and it did freak him out. So after they reconcile and green has given him a whole speech about needing red in his life and how only red understands him and completes him n whatever he's like. Ahh it feels so good to confess my feelings...only for red to nod sagely and tell him I feel the same. I need you too. You'll always be My Best Friend.
Jamie and Roy spending ridiculous amounts of time together and Phoebe knowing about it definitely means that Jamie’s around Phoebe a lot more in the off-season when she’s off school and Roy’s off work but still being Jamie’s personal trainer for free (and she definitely likes bossing Jamie around just as much as Roy does and finds the ridiculous shit Roy makes him do hilarious)
And you know that thing where kids love to randomly go watch this, I can do a somersault or want to see me do a cartwheel? and then you just have to awkwardly stand there and be like wow whether they actually can do them or not (and sometimes several times in a row have to try to think of something new to say the fifth time they do the exact same thing and then look to you for a reaction)
I’m just saying at some point they’re in some park and Phoebe definitely pulls a look how good I’m getting at cart wheels, Uncle Roy! around Jamie at some point and while Roy just stands there like 🧍♂️ and gives compliments that gradually get more and more deadpan and debates turning it into saying how much more impressive that is than anything Jamie’s done all morning but he doesn’t because he’s 90% sure that would just lead to Jamie getting all indignant and competitive and proving he can cartwheel too as if Roy isn’t already annoyingly aware of that from when he was dying trying to keep up with Jamie in Amsterdam while he was cartwheeling and practically skipping
But obviously Roy not saying anything doesn’t matter anyway and Jamie turns it into being like watch this to Phoebe and cartwheeling too and turning to Roy after like well go on, tell me how good I am at that too
Roy deadpans somehow it’s far less impressive watching a grown man cartwheel for attention. It’s just sad, really
But Jamie isn’t offended at all and just shoots Roy an obnoxious smirk and insists you’re just saying that because you know you couldn’t do one. Even trying would probably end with you needing a hip replacement or something
But before Roy can even properly argue or say something bitchy back, Jamie’s turning back to Phoebe with a how about this then? But even though it’s her he asks, it’s Roy he looks to the moment he finishes running a few steps and doing a one-handed cartwheel
And Jamie’s like well now are you impressed??? And god, Roy resents that he is and he could make a dig about how useless of a skill it was as an adult and how that wouldn’t accomplish anything on the pitch and he’d just look like one of the kids that picks flowers on the pitch instead of playing or even paying attention to where the ball is, but instead he rolls his eyes and says yeah okay
And Jamie beams but he doesn’t have time to properly gloat and give Roy shit because Phoebe’s already bossing him around telling him that he has to teach her how to do that too
literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
a small moment of kindness that touched me today. speaking about our struggles as grad students in class with classmates. our small group is all BIPOC; another latine and two arabs, one who is palestinian. we are speaking very honestly about our fears and frustrations. feeling useless. feeling scared. upset at the world and its horrors. angry at other peoples' silence. but at the same time so so full of joy and hope. i talked about being scared of being forgotten, and we continued on with our group task of creating a liberation health triangle.
professor transitioned us back to the full class and while our professor began speaking again, my Palestinian classmate--so beautiful and with the most wonderful curls--leaned close to me and whispered "I'll never forgot you." I almost didn't hear her so i whispered back, "what?", and as sweetly as the first time she said, "I'll never forget you. And I'll never forget what you said last semester. You were the first person in this entire program who spoke of your frustrations. I felt less alone."
the walk home from class was very cold, but i could not help but let myself repeat the moment in my head over and over again.