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#seeking a friend spoilers
vic-does-battlecats · 2 months
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Tigerstar takes in the RiverClan Rejects (again)
! click the gif for quality that doesn’t suck
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fayesdiary · 9 months
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reverse unpopular opinion for....aw heck, go ahead with Rhea for this one as well
This might as well be a part 2 to the previous Rhea ask so :D
I find Rhea to be so compelling for several reasons, one of the biggest being the inherent contradiction that she is very much capable of caring, loving and trusting others, sometimes with some insane gestures when you realize their meaning behind them (ie. Saving Jeralt's life by giving him her blood thus risking outing herself because of it, letting Catherine keep Thunderbrand despite the fact it's the one Relic she could safely recover- implicitly trusting her with one of her family's remains without any obligation to do so, risk angering a noble house to give Cyril a better life and treating him like her son in all but name)... And yet she cannot, for the life of her, bring herself to be honest with them.
Something fascinating I noticed about Rhea is that she ironically seems to prefer people who are blunt with her, because look at the people she's closest to - Seteth spends all of Part 1 openly questioning her, Flayn is constantly on the verge of accidentally outing herself, Cyril is so direct and honest he sometimes accidentally comes off as rude (Shamir too even if she's not as close to Rhea) and Catherine wears her heart on her sleeve.
Heck, all of them are either not that religious or outright non-believers, which ironically I believe helps reassure Rhea they love her because of who she is as a person and not because she's the archbishop, especially given how much she implies to find the position incredibly alienating.
And isn't that just so fascinating? That she is more than capable than loving others and caring for them risking her own personal safety, she appreciates people being honest with her.... But cannot, will not be entirely honest with them in turn.
Because make no mistake, that right there is Rhea's true fatal flaw: her compulsive need to keep everything a secret.
From the big but understandable stuff that would get her and her family scrapped for parts if it became public to downright pointless shit to hide like not liking hot drinks, and it's the one trait that screws her over the most, between being the reason Jeralt left (since she didn't tell him ANYTHING about what happened with Byleth so he assumed the worst and fled) and the thing preventing her from making connections as deep as she actually wants (like even just telling her loved ones how much they mean to her), as well as getting the support she actually needs. And because she feels she has to bear everything on her shoulders, she crumbles under the weight because no matter how hard she tries, she will never be good enough.
In that sense the role of archbishop is a sort of mask to her. It's definitely a part of her, but also something she has sort of burrowed into like a safety net preventing her from being true to herself. Because that'd mean making herself vulnerable, in more ways than one. To say nothing about putting her surviving family and remnants of her dead kin to jeopardy.
If she were to open up she'd be... More lively, I think. Definitely sillier if Heroes is any indication, and arguably more willing to take a direct approach in helping people. And definitely more loved and happier.
And perhaps, one day she'd realize she doesn't need to bring her mom back to fix Fódlan. She's not doing it alone anymore, after all.
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omg they found a family in each other and are taking a family photo together
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full party chat under the cut
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#yakuza 7#ichiban kasuga#yu nanba#koichi adachi#saeko mukoda#joongi han#seonhee#tianyou zhao#it is TIME to RAMBLE in the TAGS 🎉#one of my favorite thing in y7 is how (almost) each member of the ichigang comes from a broken family#nanba's brother had recently disappeared and nanba's life was heavily impacted by it#saeko's relationship with her sister is terrible yet still loving and the fact they cannot connect deeply hurts saeko emotionally#joongi considered the original joongi han as his twin brother before he got killed and found another subistute sibling in seonhee#and zhao saw a brother in mabuchi and had a very hard time coming to terms with the fact he was his enemy now#and ichiban well. you know.#the reason why their friend group feels so strong is most probably because they're all craving for the kind of human connection they lost#they're all seeking a familial bond in each other because they were denied this bond with their actual family#or already lost it in a previous found family#(which is why nanbas character arc in Y7 is so satisfying bc out of everyone he was the only one who didn't HAVE to become part of the gang#>as he already had his brother back there was no reason for him to still find a emotional connection with the rest of the group)#only adachi doesn't really fit in this interpretation of their bonds... but he could represent the people who never had ANY family ever#and who are only finding one very late in life. i would be satisfied if this is how he is supposed to fit in the whole family theme :)#codexdraws#y7 spoilers#kasuga ichiban#nanba yu#adachi koichi#mukoda saeko#han joongi#zhao tianyou
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marimeeko · 2 months
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Tbh I actually don't know of this spells the confirmation of Izu Ocha or not.
Bc does it really have any place in the current narrative? When Izuku is messed up about what happened with Shigaraki...Ochako is messed up about what happened to Toga...
Like is this going to amount to a romantic moment, and/or a desperate, emotional kiss?? Or just a comforting moment between friends??
Because I mean, a kiss or solidifying a romance between them at this moment, in this context, when they both have so much baggage they are MORE CONCERNED ABOUT, seems more than a little off to me.
On the other hand...it IS a shonen manga.
I'm really hoping they just have a discussion and find comfort in their similar traumas. If that were to develop down the road for them, sure, that makes sense, but
I don't think romance is how these two characters COPE with their stressful situations. I do not think that will help them GRIEVE what they just lost.
In short, I guess, it really doesn't make sense to me foe there to be a big Izu Ocha romantic finale in the next chapter. A talk, yes. A climax to their relationship, even, yes.
But this doesn't.....seem romantic.
Then again, I could be wrong.
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honorthysalad · 7 months
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“Matsuura-san’s parent died… Hikaru’s parent also died… having your parent die… is bad.”
Thank god we’ve got Yoshiki here, modern philosopher of our time, to drop this wisdom upon us. Surely this grand conclusion, which required a whole flashback to come to, will have an impact on how Yoshiki views death going forward- oh wait, lol what am I saying? Of course it’s not!
#It took so much to come to the coldest take I’ve ever seen#Like Yoshiki pulled this straight out of the fridge ‘hikaru’ put Matsuura in#And he somehow got less empathetic after this point#At the point that /‘Hikaru’/ is the one going ‘should we care about this person dying?’#And Yoshiki is going ‘nah. We’ve got a research project to do’#Smth has definitely changed#I hope this obsession with the research project is like- an actual thing#Maybe like Yoshiki is experiencing that same emptiness ‘hikaru’ feels on a daily basis but he doesn’t know what would fill it#So he’s just seeking out and taking in as much information as he can because learning has always been an escape for Yoshiki#Like being smart is Yoshiki’s way out of the village. Every time Tokyo is brought up it’s almost always in reference to his intelligence#So learning more has always been Yoshiki’s solution to things. ALSO Yoshiki is actually obsessed w/ this research project#He thinks about it while he’s in class- while he’s studying outside of class- while his friends are all talking-#You can probably count on two hands the amount of times Yoshiki talks about smth other than the research project post volume 3#It’s actually concerning#hikaru ga shinda natsu#the summer hikaru died#hgsn#hgsn spoilers#my hgsn shit#It doesn’t have to be because he’s becoming more like ‘hikaru’#I’d just like for that plot point to come up again and be like a driving force for why Yoshiki acts the way he does#The actual reason will be nothing at all#And instead Yoshiki will revert back to normal when Maki eventually dies#Because Yoshiki is only capable of caring about people he knows the name of
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malkshayke · 6 months
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Totally forgot to post this lol. It started off as a nearly forgotten sketch in my high school notebook a couple years ago. Had no idea it would make a come back (and in such a similar pose to a cannon scene!)
I love these two so much. They actually LIKE and support each other, which is rare to see on screen fr. I find them so refreshing💖💖💖
And yes, this is a repost from reels lol
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beaulesbian · 2 years
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They may call it a Summer palace, but it’s actually three different structures joined together. The cathedral is at the top. No way in there except from the palace itself. Below that, the whole place is a maze of secret passages, easy to get lost in. And it’s all built atop a sealed temple to the Old Gods.
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fluffypotatey · 3 months
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YOU'RE RIGHT WHAT IF THIS IS A TWISTED IRONY OF GETTING WHAT YOU WANT. MACAQUE HAS THE POWER TO KILL WUKONG OR MK FOR REAL THIS TIME??? but he doesn't want to. what if he's forced again. what if this power has the potential to destroy him to be removed/stopped from affecting others?
….so about Wukong’s death flags— *gunshots*
#‘Fluffy they’re not going to kill swk’ BUT THEY DID TRY TO#AND RHEY KNOW THEY CANT#NOT AT THE VERY BEGINNING#this is Sun Wukong the Monkey King we’re talking about. he can’t just die willy-nilly! no no no!#but he is in the mentor role#and he is also a character who knows too much#something no character wishes to be bc that means you’re a problem to the plot#now how does one solve this? well the easy answer is killing them off. but as said before: this is Sun Wukong#so they incapacitate him —> he is conveniently not in town. he is stuck in power draining webs. he used up all his power to break a seal#etc etc so on and so forth#and then you have SWK talking about how long he’s lived and they show his exhaustion and his wistfulness for the past and such#and then we have the story edging closer to the underworld#and then we are in the underworld and they can’t touch him bc he crossed off his name.#and then we have Macky an old friend of swk turned enemy turned semi-ally for MK’s sake#he starts off the show wanting to use SWK’s power to kill SWK#he fails obvi but still#then we learn that he made a deal with LBD that she’ll free him and yada yada such as life and power if he frees her (which he doesn’t)#but still#two times we see Macky’s crave power and seek revenge on SWK (lbd uses his anger at swk as motivation with the deal)#THEN WE HAVE S5 ANS FHE WEIRD WAY MACKY’S MAGIC REACTS TO NINE HEADS AND THEN WE END WITH MACKY ACQUIRING IT???#what is the magic? idk some chaos magic that Nine Heads uses that mess with reality and such#So#interesting layout we have here 👀#lmk#asks#lmk s5#lmk season 5#lmk s5 spoilers#lmk season 5 spoilers#lmk spoilers
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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littlespoonevan · 4 months
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the thing about the kim-as-shannon scene is that if it had been a dream, there would've been something very quietly devastating about eddie waking up and, at first, maybe feeling content with finally getting everything off his chest only to realise it was a dream and that it still isn't enough because he can't actually say any of these things to shannon and she can't answer back the way he needs her to. and to then see that struggle with him trying to get closure because she's Never gonna be there to answer him back so what does he do??? how does he make it stop???? because he wants to get better and he wants to move on but he doesn't know how to, y'know??
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timegears-moved · 1 year
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tbh i gotta take back what i said before. totk hasn't really done anything to make me care about this version of zel*nk
#bwark#don't get me wrong it's still a fine ship but i think this is just a case of me preferring their friendship#and also it's more of a criticism of this incarnation of link than a criticism of the game itself#he's just too. static. i don't like that he shows more emotion at cooking than at the actual tragedy of the plot#and i know that it's stated that he has anxiety from the pressure of the calamity but like i said he's still capable of showing emotion#but like at the wrong times. it's cute that he's happy about food but where's the shock that he was asleep for 100 years and everyone he#once loved is dead and he doesn't even have memories of them before seeking them out#or that his best friend had to suffer a millenia as a dragon for the sake of everyone#compare this to like. idk tp link's horror when ganondorf holds up midna's fused shadow and crushes it with his hand#and his relief at the end that not only is she back to her true form but is still the same mischevious midna he's known the whole game#or sksw link's pure anger at ghirahim for kidnapping zelda near the end#or ww link's visible guilt and heartbreak at having to leave his grandma behind and alone to go and save his sister#not trying to be mean because i still like him. he is still link after all. but idk he just falls a bit short for me#like his promise to mipha's father comes across as very shallow when he kept a blank face at her in both the memory and her spirit scene#the only character that benefits from him being flat is revali and that's because it fuels revali's dislike of him because of a#misunderstanding and lack of communication#totk spoilers#<- in the tags at least
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skrunksthatwunk · 6 months
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kiryu you were not about to write that on your bucket list you lying faker you gay ass homosexual man
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the-bi-space-ace · 6 months
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I have no idea if this is true or not but I saw someone say Echo was in the episode trailer for this Wednesday so he's coming back! He's here he's really here he's going to be in the episode this week?!?! I would've asked to see the episode trailer but my browser refreshed and I lost the post before I could someone please. please. Don't play with my feelings right now I'll cry so hard is he really in the preview trailer for the episode this week?!?
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coredrill · 7 months
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which came first? the chicken (smith’s desire to die as become a hero) or the egg (suicidal robots)?
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felixcosm · 6 months
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Innocent Hunter deserved so much better
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lovaboy · 2 years
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oh my god romantic shipping in media is not all that matters. i’m literally begging you people to open your ears and listen to “we can do more than save ourselves” and “though we are not bound by blood, we are family” and “all of our lives becoming one life […] one unstoppable life” and realize that we are nothing without love in every single form and that’s what the finale is telling us. we need love. we need care and compassion and selflessness. we need to help people who are hurting, we need to take care of each other. we exist to make people laugh and hold them when they cry. we exist to love! there is no point without love! you don’t need to be hung up on what kind of love these two characters have because they love each other regardless. romance is not the only form of love! get a grip! stop dismissing the importance of platonic and familial love in the finale!
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