#sexy doctor bela

[shortstrawberry]

This line stays in my head rent free. So here's sexy doctor Bela Dimiterescu headcannons.

You have been suffering with knee pain as of late. And headaches. And a constantly clogged nose. Okay fine, your body is doing shit right now. So you find yourself at your most hated place: the hospital.

Last time you visited a hospital, you had to deal with a middle aged dude drolling away his prescription at you. Thankfully this time, you got a young and daresay beautiful doctor, Dr. Bela Dimiterescu.

Unfortunately, Dr Dimiterescu was as mean as she was beautiful. She proceeded to scold you for ten minutes for your lack of vegetables in diet. Hey, it's not your fault vegetables suck. She also proceeded to scold you for drinking only 2 glasses of water per day.

"But I drink 2 big glasses!!"

"Not enough! You need 2 LITRES to live a functional life! God, I don't even want to imagine the smell of your toilet!"

That was a low blow. You'll let it go though. Only because she is such a beautiful blondie.

Dr Bela handed you a two page long prescription, mostly filled with supplements and diet regime instructions. She also insisted that you give her biweekly visits for the next 6 months so she can "monitor" your progress.

"Monitor me, huh? You don't need to invite me to hospital for that, Doc."

You were expectedly kicked out of her cabin for that.

Nevertheless, like a devoted patient, you visited her without fail for the next three months. In the first month, you noticed that Dr Bela barely has any food herself. Being a doctor is hard, considering hospitals often run understaffed. Not to mention, Dr Bela has a habit of taking on work upon herself so that her juniors and colleagues can take a break. Who knew such a hardass can be such a softie?

So for your next visit, you make sure you bring a packed lunch for your favourite blonde doctor. This time, you were the hardass one and refused to be kicked out until she finishes the food that you cooked for her. You know you make a mean adobo, and seeing her moaning reaction at the first bite (hot), you know she agrees.

After this first time success, your audacity to keep Dr Bela Dimiterescu well-fed quadrapled. You visited the hospital again next day but this time dropped the lunch to Dr Bela's nurse. Next day you visited again with lunch and asked the nurse if your favourite doctor ate the lunch or threw it away. Your heart glowed when the nurse said Dr Bela ate the lunch with the grumpiest smile on her face.

In your next visit to Dr Bela, the blonde snappingly asked you to deliver the lunch to her personally if you're so insistent on this "useless endeavour". You wanted to digress about the useless part, seeing how Dr Bela seemed to be less pale then before. But you let it go. You tease the blonde too much and she'll make your next blood test painful.

(She never does. Dr Bela always holds your hand gently when she draws out blood)

In the third month, you find Dr Bela absent in the hospital for your appointment. You get to know that she is visiting her family back in Romania and won't be back until your next biweekly check-in. Disheartened, you turn to walk away, but the nurse has already called in a substitute for you. The replacement doctor was was polite and appreciated your efforts to stay healthy. But it hurts when the new doctor drew out blood.

Next appointment you dutifully show up again, excited to see your grumpy doctor. However, today Dr Bela was decidedly more grumpy then ever. Her jaw was tight and her fists clenched, as if someone has taken away her morning coffee.

"Did you see another doctor last week?!"

You could only blink owlishly at her, nodding in yes. What else are you supposed to say to your regular doctor who is decidedly jealous? Even when you try to explain that hey, "you were not present that time", the blonde doctor snapped even more at you.

"Doesn't matter! Damnit, you could have called me! We could have done a virtual check! You have my number, don't you? You didn't call me, not even once!"

"Wait, I'm allowed to call you?"

"Of course you are! Why else did I give you my personal number for!"

Oh. You did wonder why Dr Bela didn't give you her professional card. Now it makes sense. And now you suddenly feel like a idiot. Thankfully, Dr Bela just rolled her eyes at you, called you a idiot, and demanded to know if you're free this weekend.

Suffice to say, from now on you both have regular checkups outside the hospital.

Got any ideas you want me to write on? Just drop me a request and I'll write it!

(Also a Donna fanfic is in works. Yes, it's the Professor one!)

[nerdyfangirllife]

The German Aziraphale & Crowley

Okay, hear me out. I know it sounds a little weird, but these two idiots are perfect. May I introduce to you the guitarist and the drummer of the German punk-band 'Die Ärzte' (which translates to 'The Doctors' which is funny cause - you know - David Tennant was...Where was I? Oh, yeah! So!) Farin Urlaub

loves books (he is being called 'The intellectual of the Band' from his Band members)

loves tea (even drinks it while being on stage)

speaks several languages (including german, english, french, spanish, portuguese, japanese and italian)

'chronically positive'

cute smile

Bela B

Farin's gothic (husband) best friend

Dark and unique fashion sense

called himself 'Bela' after Bela Lugosi aka Dracula

Sex, Drugs and Rock'n'Roll

sexy as hell

Facts about Farin & Bela

known each other for a long time (they became friends as teenagers)

absolutley different but share the same opinions and humour

flirting - like - a LOT on stage and in interviews

There were a few kisses but all footage of it is blurry and not enough

Thanks for reading.

Oh, and since I didn't even mentioned the bassist of the band here's a GIF of him. He's cute. He's my Muriel. :3

[ctitan98official]

Y/N giving the RE8 women a lap dance

Alcina:

Alcina is definitely not one for public displays of affection… However, in private, she likes to indulge her more flirtatious side. Y/N in a classic bowtie (And little else) really does it for her, personally. She doesn’t have a problem with Y/N taking the lead and entertaining her for a bit… But if they breathe a word of this to anyone they’re dead.

Donna:

Listen, Donna’s been alone for so long. This woman has to have a few fantasies that she’s been holding onto all these years… Y/N is all too happy to indulge her. It was actually her idea for Y/N to give her a lap dance. Donna has always been interested in medicine, so she made Y/N dress like a doctor… She played the naughty nurse 😏 (Co-lap dance?? What a way to salute our frontline heroes).

Miranda:

For all of Miranda’s professional bluster, I think she’s secretly very touch-starved. She also strikes me as someone who is not as much into foreplay as she is actually doing the deed. Hey, if you’re going to do something, might as well get on with it, right? As soon as Y/N starts dancing for her, she can’t control herself. She begs Y/N to whisk her to her bedroom to finish the job… Then, the next morning she completely denies having enjoyed any of the previous night’s activities at all. Utter lies.

Bela:

Okay, I’m sorry. Bela is just so sexually pent up, that the littlest things Y/N does tend to make her a little… Excited. When Y/N walked in dressed as a sexy firefighter and started dancing for her, that was it. She definitely enjoys the performance, but the after-party is where it’s at for her. It’s not only a moment of sexual intimacy, but an emotional one as well. For Bela, this just cements how much Y/N loves her.

Cassandra:

When Y/N dances for Cass, this is one of the few times she feels flustered. In most situations, I think it’s fair to say that Cass exudes confidence, however, when she lets Y/N take the reins, she feels electric. Y/N knows she’s not shy about physical affection and that she also likes it on the rougher side… After a lot of trial and error, Y/N finally knows how to make Cass feel like a queen.

Daniela:

Come on, y'all. Giving Dani a lap dance? I think that’s kind of a basic requirement for her to figure out if she wants to even date Y/N or not. She loves to be wowed and Y/N has spared no expense. They went full on naked and gave this woman a show she’ll never forget. Dani kept demanding encores until Y/N almost passed out from exhaustion. She knows what she likes, no shame in that.

Masterlist

[somethingusefulfromflorida]

The Wolfman (1941)

The eventual wolfman is named Larry, and he's American even though his dad is an English lord who lives in a castle, Sir John Talbot.

Larry is a peeping tom; the very first thing he does when he gets to his dad's estate is spy on a woman through her window with a telescope. Her name is Gwen, and she lives above her father's antique shop, so Larry goes in and asks to buy the earrings she has sitting on her dresser upstairs. She's surprised he knows about them, and he claims to be psychic. He invites her to go on a date with him that night, but she says no. He asks her again ten times and she keeps saying no.

He buys an antique cane for a scandalous £3 upcharge, "$15 for an old stick? What are you trying to pull?" To be fair, $15 in 1941 is worth over $300 today. I guess when your daddy is a local lord and owns all the serfs in town, you can afford to drop $300 on a stick with a SILVER WOLFHEAD HANDLE AND PENTAGRAM.

Gwen tells him apropos of nothing that "the werewolf is marked by a pentagram! It is the symbol of evil, and he sees it in the palm of his next victim's hand!" Remember this exposition; it's a mystery mousekatool we can use later!

Larry picks up Gwen for their "date" even though she said no and is in fact engaged to his dad's gamekeeper. She invites along her friend Jenny, and they go to have their fortunes told by some traveling ethnic slurs.

Their fortune teller is Bela Lugosi, playing a character also named Bela. He has a pentagram burned into his forehead and sees a pentagram on Jenny's palm.

Don't get too attached to Jenny.

Jenny is mauled to death by a wolf, Larry beats it to death with his cane and somehow gets bitten on the sternum. How a wolf bites the flat center of your chest, the world may never know (the movie never actually shows the wound, nor any of the copious blood the characters keep mentioning)

Larry's wound is magically gone the next day, and the cops find Bela Lugosi with his head bashed in next to Jenny's mangled corpse. Larry is in trouble, but don't worry, his daddy own the cops too and tells them to buzz off.

Bela's mother tells Larry that he is cursed to become a werewolf unless he wears a magic pendant over his heart. He immediately takes it off and gives it to Gwen who offers him a penny for it; "that's not enough," so he kisses her and she runs away because all the ethnic slurs who came for Bela's funeral start packing up shop and leaving town. They heard there's a werewolf on the loose!

Side note: this is pre-decimal currency, back when there were 240 pence in a pound. If 3 pounds is 15 dollars, that means one penny is 2.08333 cents, about 40 cents today. You'd pay more than that for a glow-in-the-dark spider ring or a sticky hand from one of those capsule machines at the grocery store.

Larry finally turns into The Wolfman™! Bela turned into an actual wolf, but Larry turns into a wolf-man hybrid for some reason. He transforms after stripping down to his wife beater to look at his disappearing wound which has suddenly reappeared in the shape of a pentagram (the movie zooms in so close you can't see his chest, just a star on a skin-textured bsckground; man boobs must have been too sexy for the Hays Code). I guess the studio didn't want their monster to run around in an undershirt, because the wolfman wears a black longsleeve, and Larry wakes up wearing it the next morning after killing a gravedigger. Maybe the costume department didn't have enough fake fur to cover his arms. Who knows?

Larry all but confesses to the murder to the cops, his father, and the town doctor, but they write him off and tell him he's just stressed out after mistaking Bela for the wolf that killed Jenny and stoving his brains in. Larry asks the doctor about the werewolf curse, and is told that it's all psychosomatic. "People just IMAGINE they turn into wolves, they don't REALLY transform, it's a kind of schizophrenia."

He visits Gwen at the antique shop and tells her that he's running away. "I'm a loner, Dotty. A rebel. You don't want to get mixed up with a guy like me." She wants to run away with him, abandoning her fiance for some guy she met yesterday, but he sees the pentagram on her palm and runs back home in fear.

Gwen's gamekeeper fiance assembles a posse to trap and kill the werewolf. He is adamant that it is indeed a werewolf even though the tracks are regular wolfprints and the doctor told everyone that werewolves are just mentally ill humans. He should have no reason to suspect it's a werewolf, but I guess he can sense Larry was macking on his honey and now he's out for blood.

Larry confesses again to his father that he's a werewolf after being cast out of church (EVERYONE gave him the stink eye until he left), and he decides to turn himself in to the posse. His dad won't let him, and he won't let the posse come inside to get him either, so he ties him to a chair upstairs until his madness breaks.

"Won't you stay with me until I'm better, papa?"

"Hell no, this is your fight, not mine. Besides, there's an angry mob outside looking for you, and now I've got to throw them off your scent. Godspeed, my boy."

Around this time, I figured the movie wad about half over, and that the next 45 minutes or hour would be spent with Larry struggling with the curse night after night, narrowly escaping the posse, teaming up with Bela's mom, looking for a cure to his curse etc.

NOPE.

He escapes from the chair offscreen and tries to kill Gwen, so his dad beats him to death with the cane. He turns back into a human, everyone cries, the end.

That was it? That was the Wolfman?!? It ended just when I thought it was starting!

[the-goth-catte]

††BLACK MASS @ PANDEMONIO†† 09.17.2023

Emilie Autumn - I Know Where You Sleep Juno Reactor - Conga Fury Cobrah - Dip N Drip KMFDM - These Boots We’re Made For Walkin Pixel Grip - Dancing On Your Grave Laibach - Opus Dei Twin Tribes - Shadows Public Memory - Heir Chemlab - Vera Blue (96/69) La Scaltra - Rhythm of Our Dead Hearts Male Tears - I EXPIRE Skeleton Hands - Oxygen Switchblade Symphony - Bad Trash Buzz Kull - Into The Void Drab Majesty - The Other Side Depeche Mode - Strangelove New Order - Bizarre Love Triangle Pet Shop Boys - Opportunities Actors - Post Traumatic Love Ministry - Effigy (I’m Not An) Crosses - Goodbye Horses Revolting Cocks - Me So Horny Only Fire - Up n Down Mindless Self Indulgence - On It (A23 Mix) Suicide Commando - Hellraiser (Agonoize Remix) Oddko - Kitty Girl (Aesthetic Perfection Mix) Mind.In.A.Box - I Love 64 Apoptygma Berzerk - Kathy’s Song (Ferry Corsten’s 12” Remix) Bruderschaft - Forever (EssenZ Remix by Grendel) Noisuf-X - Orgasm Blutengel - You Walk Away Gunship - DooM Dance (ft Carpenter Brut & Gavin Rossdale) HEALTH - Feel Nothing Orgy - Opticon She Wants Revenge - Take The World She Pleasures Herself - Good Girl Ulver - Machine Guns & Peacock Feathers Cold Cave - Prayer From Nowhere KMFDM - Liquor Fish & Cigarettes Tre Lux - Never Let Me Down Again Revolting Cocks - Do Ya Think I’m Sexy? Corlyx - My Body Is Wrong Kanga - Vital Signs Depeche Mode - Enjoy the Silence Drab Majesty - Dot In The Sky Type O Negative - My Girlfriend’s Girlfriend Sister Machine Gun - Sins of the Flesh Skinny Puppy - Smothered Hope Nitzer Ebb - Getting Closer MCL - New York Front 242 - Welcome To Paradise Bigod 20 - Like A Prayer Mechanical Moth - Black Queen Style Echo & the Bunnymen - The Killing Moon The Sisters of Mercy - First and Last and Always Concrete Blonde - Bloodletting Peter Murphy - The Prince & Old Lady Shade NIN - Dead Souls The Cure - Fascination Street Siouxsie & the Banshees - Spellbound London After Midnight - Kiss Emilie Autumn - Dead Is The New Alive (Manipulator Mix) Dresden Dolls - Coin-Operated Boy Voltaire - When You’re Evil Ministry - Every Day Is Halloween New Order - True Faith Black Angel - The Widow III Holygram - Signals Lebanon Hanover - Babes of the 80s Minuit Machine - Sisters Foie Gras - Sisyphus Rotersand - Exterminate Annihilate Destroy (Reclubbed) SITD - Richtfest (Suicide Commando Mix) Suicide Commando - Comatose Delusion (Overdose V3.0) Herzschlag - Fest der Liebe Dive - Leave Me Be (Suicide Commando Mix) The Cruxshadows - Helios (Solar Night Mix) Aesthetic Perfection - LAX Rob Zombie - Dragula (Crosses Remix) Front Line Assembly - Killing Grounds NIN - Sin KMFDM - Megalomaniac Godhead - Bela Lugosi’s Dead Heinataerde - Dark Dance (Medievalfloor) L’ame Immortelle - Tiefster Winter (Zeromancer Mix) Celldweller - Heart On (Aesthetic Perfection Mix) Zeromancer - Doctor Online The Cure - Lovesong

[hermywolf]

my headcanons on everyonewantstofuckdeannatural. yeah i don’t know what this is either

[theythemsam]

Important facts about vision boy(man?)king!sam!!!

He’s a fancy man. He wears a suit. He’s got style.

When he drinks his demon blood he doesn’t just grab a vein and gulp from the source. He’s not a monster after all!

Nope, he has some blood prepackaged in a nice bottle and a demon servant, who is Very Afraid of and also Kinda Horny for the King Of Hell. The demon servant has two jobs: Protect the one singular wine glass Sam has left over from before the apocalypse started (do you know how hard it is to find a glass factory in the apocalypse? Very hard!) and pour for Sam when he’s chilling on his throne of bones.

Sam then does the swirl and the sniff and the little sips like a true connoisseur of fine wines and all demon blood vintages. It’s really civilized. 

Dean finds him like that at some point and completely looses his advantage, because he’s just so shocked that he forgets he’s here to stop his brother.

Like, Sam’s not a savage, Dean. He’s a King of Hell, not a trash raccoon, come on, don’t act so shocked.

[slushrottweiler]

I might as well put this our into the world, jist in case someone from the DA fandom reads it.

WHAT JOBS DO YOU THINK THE DA2 SQUAD WOULD HAVE IN A MODERN AU?

Coz some of the gang are obvious.

Aveline is a cop

Varric is an author/bar owner

Anders is a doctor/activist

But like... What the Fuck do Fenris and Merril do in a modern au? Piracy isn't quite as sexy in a modern au, more dark computer rooms and hacking(tm).

Maybe Merril could be a historian. Or a social worker for underprivileged communities.

Isabella and Fenris could go the criminal act, bodyguards and theives. Or Bela could also be a really fabulous Insta model.

Hawke is the ultimate wildcard

Sebastian who?

Idk, what do y'all think?

[deansgayangel]

Hear me Out - Bela Talbot as Cas's first SPN vessel

ok so as much as cas's introduction in spn was the best thing ever, I think what would be the absolute BOMB would be if initally cas was played by Lauren Cohan. say Bela Talbot and jimmy novak are distant cousins, or their grandfather had a secret child, and Bela's cas's true vessel, but she's dead, right? her parents are dead, and she has no children, she was the last one alive out of her line, so at first cas tries to talk to dean in his true form (cue: the petrol station) but it doesn't work, so he needs her. time is nothing to Angels, and the Righteous Man is the most important charge any Angel's ever been given, so cas goes back in time and convinces Bela to say yes just as the hellhounds are about to take her. (I'm definitely implying here that cas would be able to nullify Bela's deal. let's just assume that) he can't save her life, as her death date has been written down the day she made her demon deal, but he can send her to heaven just before she was about to be dragged to hell, nullifying her deal and Bela, desperate, agrees. the second he's in her body he goes back to the present, and then we have the iconic barn scene but with BELA TALBOT. dean would be out of his mind. they would DEFINITELY assume she was a demon, cause last they spoke she was about to be dragged to hell. plus we'd get some delicious misogyny where they'd all assume because cas is in a female vessel he isn't that scary (were they ever afraid of Anna? nope.) and don't tell me female cas is Anna because no it isn't. Anna's a damsel in distress, a puzzle to be solved, who becomes less helpless as time progresses. cas is a bamf who tells dean he can be dragged back to hell the second time they meet and gets a dagger to the heart. speaking of that 'angels are warriors of god' scene, dean would totally try to crowd and/or intimidate cas-in-bela's-body & cas would just smirk and then throw him across the room with one move of his hand. all the FLIRTING dean'd do just to get Bela to make a mistake, but ofc it's not Bela, but by the time they accept it's really an angel he's just so used to it he keeps it up. the entire beautiful room scene would be so much more intimate. the subjugation scene (I give myself wholly to heaven yada yada) would be so cool with cas-as-bela. and THEN cas dies by Raphael's hand in s4 finale and in s5 he comes back as MISHA COLLINS. the shock of this man appearing behind Zachariah and the angels calling him cas. the myriad of expressions crossing dean's mind and face. the explanation of them being distant cousins and jimmy not being a perfect vessel but a doable one. FREE TO BE YOU AND ME, where at some point dean'd almost try his 'it's the end of the world' line and stop himself to say some version of 'for a moment there I forgot you were a dude now', and then trying to explain to cas that some people are gay, like Bert and Ernie, and some ain't, like doctor sexy, trying to explain why he's not flirting with him anymore and cas totally missing the point of that conversation cause he hasn't been aware dean was ever flirting. cas saying he's indifferent to sexual orientation and that dean missed like a ton of human sexualities that are in between those two. dean in a crisis proposing to go to a strip club and then stopping himself cause cas used to be in Bela's body. cas saying Bela would probably enjoy that more than jimmy and dean deciding that in that case they're not going. they just end up sitting there quietly and watching some western on dean's laptop. then -

anyway yeah it'd be cool if the first time we saw cas it was someone we knew already and someone we KNEW dean found attractive.

i want to write this so bad but I don't have the time hahahah.

[exitpursuedbyasloth]

Alright, so I’ve had a week to mull over the “You know what every other version of you did after ‘gripping him tight and raising him from perdition’? They did what they were told. But not you, not the ‘one off the line with the crack in his chassis’.” and the metatextual implications thereof, and why it unsettled me a little bit.

[There’s always been a little something...off, about this whole recent Chuck/Meta on Writing plot they’ve been doing. It’s something I like in theory, but the actual practical application of it has left something to be desired, which I’ve had trouble putting into words. Almost like a lack of self-awareness, or accountability. I dunno, there’s a discordant note in there somewhere.]

Now, on a version of Supernatural where the writers/producers/showrunners actually LIKED and APPRECIATED Cas+Misha, this line would obviously be taken as a good thing. But we know that MANY of the people BTS don’t like Misha, treat him (and by extension, Cas) badly, and at best mildly resentful of his characters popularity. Anyone whose been in the fandom for any length of time has heard the stories. About how they ignored his request for time off when Vicky was due to deliver their baby, and then when she went into labor, told him the doctors should just cut the baby out so Misha can get back to work. About the ‘bullet with Cas/Misha’s name on it’ statement. About how Singer so hated anything detracting attention away from the brothers, he killed Cas off in S7 (and Bobby, and the fucking IMPALA). About getting in trouble for saying sometimes the show could be misogynistic. About how Misha has not really been in any PR material for the series finale promotion. And we know how the show treats characters it thinks are taking attention away from the bros, how after the show spent like 30 seconds focused on Bela Talbot, Kripke had an absolute snit-fit that it was becoming “The Bela Talbot show” and wrote her off by having her torn apart by hellhounds because she didn’t want to be raped by her dad anymore. About what they did to Charlie, having her gutted and dumped by Cajun Nazi Frankensteins, and how pissy they got being called out by that during SDCC.

We all know the sexist, toxic masculinity environment the Powers-That-Be have fostered on Supernatural over the years. How many times did cast/crew make an ass of themselves publicly for all to see? How many times did we hear of SPN folks being creepy towards young (including underage) female fans. And Misha REALLY does not fit into that work environment at all.

And we know that legitimately, Cas/Misha was not supposed to be a recurring character, that he was supposed to be killed off fairly early in S4, and not rebel. Anna was supposed to be the rebel.

So where am I going with this? Is that that line represents ACTUAL annoyance/anger/frustration about Misha on behalf of some of the people with the most power BTS (Singer, Bucklemming, and no doubt more). They don’t view it as a good thing. They’re resentful of Misha/Cas’s popularity and having to include him in their show. And they are not above being spiteful as shit, because they never have to face consequences for their actions. I can easily see them writing Cas deciding its better for Dean/Sam (ergo the Show/SPN’s Earth) if he were dead, or that the bros are better off without him. Bucklemming is writing the finale, I believe, and I absolutely would not put that past them. (ETA: Not sure about Bucklemming writing the finale; they were originally credited for it on IMDB, but now it lists Dabb for the finale and Bucklemming for 15x19, so...idk)

I know Misha said that Cas’s death is a ‘proud moment’, but Misha also spins the bullshit they write for him (not maliciously spin, but trying hard to see the positive), at least before the episode airs. I mean, in 9x03 when they wrote Cas/Human!April’s sexual exploitation/abuse as funny, sexy, and consensual, Misha was saying Cas was viewing it through ‘rose-colored glasses. Cause he couldn’t just say “Hey, they wrote a bunch of rape in their rush to No Homo Cas, and thought it was cool cause it’s hetero; they suck.”

On a better show, the line wouldn’t worry me. But this isn’t a consistently good show, this is Supernatural, The CW’s flagship dumpster fire.

[corelliaxdreaming]

SPN 3x10 “Dream a Little Dream of Me”

I love that this college student just offered a beer to what he believes to be a cop, and Dean’s just like ‘yeah, sure, haflway respectable cover isn’t that important anyway.’

Or we could not objectify strong, independent female character Bela Talbot. Since when is Sam such a creep anyway?

When Sam goes outside in the dream and it’s all technicolor. We need more of that. This show is so gray, and it’s exhausting.

Poor Dean being like “I lost one father, and I’m not about to lose another one.”

Maybe we should step away from the sexist tropes and have lessmale hunters who got into hunting because their girlfriends died.

LMAO at the drink Dean accepted being part of a plot. Told you it was bad.

Ah, dammit. Is that why Lisa is in this episode? Do we get to see her objectified in Dean’s dreams like Bela inexplicably was in Sam’s?

Now, you see, that’s interesting to me. Judging by Sam’s dream (and other stuff), this show fully had the capacity and would not have been shy about making Dean’s dream about Lisa sexy. But it wasn’t. It was more on the romantic side. Telling. (I still stand by the fact that I don’t think he loved/loves/ever will really love her. Not that he doesn’t care about her on some level, but what he’s really in love with is what she represents – a stable, safe, normallife.)

Oh, there he, Dean’s worst enemy: himself.

I’m no doctor or psychologist, but I’m pretty sure not being able to dream does not in fact make you “crazy.” But, you know, stellar mental health rep, show. *eyeroll*

Dean yelling about all the bad shit John did and what he put on him and how it wasn’t fair? THAT’S FUCKIGN CHARACTER DEVELOPMENT, BABY!

The fact that it takes so much just for Dean to admit that he doesn’t want to die and go to hell. Oof, this boy.

[lavellander]

more bc i am unstoppable now

I Am Thinking About My DA Protagonists’ Taste In Romantic Partners both their “usual” type and why they’re drawn to their canon love interest (and the hypothetical ones from other games). i expect no one to give a shit abt this except me lsdfjd but im on a roll and its a good exercise or whatever. i’m sure i’ll use it eventually?????

once again. i know no one gives a fuck but if anyone DOES happen to want to torture themselves and read this pls know all my ocs are bi except zaniyah, who is a lesbian<3

sarenan: 

general disclaimer that “in the circle love is just a game” etc etc etc so while she definitely is more inclined to romantic relationships, she only really had friends w benefits at most

she likes smart people! she likes fun people, she likes people who can get on board with her fucked up sense of humor. she’s witty and charming and loves to flirt just to flirt, and in the circle that wasn’t much of an issue lol. leliana is the first person she ever feels like...foot-in-mouth around, bc suddenly she likes and is attracted to someone and...that’s allowed? it’s all very foreign to her but she falls Real Hard, Real Fast

in a hypothetical da2 romance obviously isabela is extremely hot but also sarenan canonically has a foursome w her, leli, and zev so dLFKKDS it makes sense that bela’s the love interest of choice<3 (but also i think it would be like...friends-to-friends with benefits-to-lovers lol)

in a hypothetical dai romance once again josie is very hot and also so sweet and cute and delightful !!!!! idk if its just me but i see similarities bw origins leli and josie so again it just makes sense to me that josie is the LI for an inq romance :’)

(BUT for the most part. it is pretty hard for me to imagine sarenan w anyone but leli, bc they are the only couple i have that like. makes sense. lmfao)

maeve: 

actually doesnt often have romantic relationships? she has ~flings~ and rarely catches feelings. she describes her type as “anyone sexy” 

(her and isabela do in fact have a brief Thing but strictly no strings attached; this is bc i was very very adamant about romancing isabela when i played da2 and then anders fucking SNIPED me. so i incorporated it into canon i guess. lmao)

her attraction to anders is originally just “sexy tortured man” and then “sexy tortured man that gives free healthcare to poor people!!!!” and then - after it’s clear it won’t be a fwb situation - she realizes she has Actual feelings for him and is like well. its been a good run. guess i’ll die! until he reciprocates dflksdjf then they are kirkwall’s weirdest couple to everyone except themselves :’)

in a hypothetical dao romance her and zev would be classic fuckbuddies who accidentally start having a crush on each other, absolutely refuse to acknowledge it, then someone else in the friend group is like “oh my god PLEASE just kiss we are all going insane watching yall do this” <3

in a hypothetical dai romance im still torn bw sera and bull. maeve would just keep hitting on sera until sera did something about it; bull would be similar to zevran in the fuckbuddies-accidentally-caught-feelings dynamic

alani:

i feel like (depending on the size of the clan etc) alani was prob mostly involved w people she’d known almost all her life. she’s obviously attracted to other ppl who like to learn and stuff, but other than that it’s equal opportunity crushes ykwim. she doesn’t even Know she has a thing about people who are like. puzzles to be solved until solas lol

in a hypothetical dao romance she’d be drawn to alistair bc...who wouldnt be. hes adorable. they’re both warm friendly charming sunshines and i think it’d be natural for them to be drawn to one another. once she realizes he has Baggage she’s like oh. OH. i have to defend you against the world now

in a hypothetical da2 romance i thiiink it would be kinda similar to solas. like oh this bitch has a lot of emotional walls up, he’s got some real shit going on. I Like That. also mage rights, hes a sad sexy doctor, we love a revolutionary, etc. it makes sense imo

zaniyah:

similar to maeve i think she’s more of a fling person than a relationship person, but she has had a couple gfs. she’s not very comfy being super serious but she’s a good gf and is very devoted. generally speaking i think she just likes Hot Ladies but is esp drawn to quirky / weird ppl lol

in a hypothetical dao romance she’d like morrigan bc 1) she’s hot and 2) she’s standoffish lol. she’d take it upon herself to get morrigan to like her as like, a personal triumph, but then along the way realize she has a real crush on her and be like shit? fuck? (the same goes for morg. it would be an oh shit oh fuck moment on both ends)

in a hypothetical da2 romance i think her and merrill would be more like friends to lovers :’) zaniyahs immediately like “youre weird. i like you” also they bond bc dalish etc, and over time she starts liking her more and more. eventually zaniyah just cant take it anymore and kisses merrill, apologizes profusely, etc, and merrill’s like “oh. i thought we were dating?” sldkfjsLDKFJds i care them

(josie is kind of an outlier bc she’s so graceful, collected, knows what to do/say always, etc. i dont believe in love at first sight but if i did thats what zaniyah and josie would be<333)

ranae:

she doesnt like. have a type really. because she’s just been in love w her childhood best friend since forever and doesnt think of what she might like in other ppl bc well. he’s right there? she assumes they’ll be together forever, even if only platonically :( 

when she meets morrigan she’s like oh i like women too apparently. cool?? when she meets alistair shes a little put off by the fact that hes a golden retriever, then clings to him bc Trauma, then VERY begrudgingly realizes she has a crush on him but feels like shes betraying tamlen 

eventually she comes to terms w the fact that like. theres nothing she can do about tamlen unfortunately, and alistair is here and Loves Her and he’s been the only person to make her truly happy in a very long time. it takes a lot for her to think she deserves that, but she does, and the rest is history :’)

in a hypothetical da2 romance it makes perfect sense to me that she’d latch onto the other Elf Who Is Full Of Rage immediately. they are both very intense and it can put other people off sometimes but they dont really care! die mad about it, shem! etc

in a hypothetical dai romance she’d be drawn (platonically) to blackwall bc grey warden stuff, but subconsciously they both kind of feel like frauds, like they dont deserve happiness, etc; theyre both kinda brusque, at least at first, too. she just kinda sees him as a buddy til she watches him bonding w sera or with some kids or something and then shes like  😳 😳 😳 and then angry that shes like that lmao

[imagekeepr]

Songs for Halloween Parties

Halloween parties offer the most wide open subject possibilities of any type of celebration. Halloween is the one day of the year that lets you be any living thing or dead thing, any occupation, any human or non-human and any personality type. You can be a cartoon character if you like. Since Halloween can go hundreds of different directions, the playlist will likely be a diverse list of novelty songs. The Monster Mash by Bobby Boris Pickett Rock Lobster by The B-52's Creep by Radiohead Everyday Is Halloween by Ministry Space Oddity by David Bowie Dead Man's Party by Oingo Boingo It's the End of the World As We Know it (and I Feel Fine) by R.E.M. Planet Claire by The B-52's Mad World - Tears For Fears Hell by Squirrel Nut Zippers Wicked Game by Chris Isaak Phantom of the Opera Soundtrack by Andrew Lloyd Weber Bela Lugosi's Dead by Bauhaus Werewolves of London by Warren Zevon Black Celebration by Depeche Mode Video Killed the Radio Star by The Buggles Walking On The Moon by The Police The Fly by U2 Lola by The Kinks Long Cool Woman in a Black Dress by The Hollies I Wanna Be a Cowboy by Boy Meets Girl 2000 Light Years From Home by The Rolling Stones The Munsters TV Theme Not Afraid by Eminem Kryptonite by 3 Doors Down Enter Sandman by Metallica Superstition by Stevie Wonder People Are Strange by The Doors Evil Ways by Santana 1999 by Prince Revolution 9 by The Beatles Twilight Zone TV Theme Hotel California by The Eagles Season of the Witch by Donovan Psycho Killer by Talking Heads The Devil Went Down to Georgia by Charlie Daniels Band Highway to Hell by AC/DC Devil Inside by INXS Hungry Like the Wolf by Duran Duran Thriller by Michael Jackson Super Freak by Rick James Ghostbusters by Ray Parker Jr. Le Freak by Chic Rapper's Delight by Sugar Hill Gang Girlfriend in a Coma by The Smiths Dark Lady by Cher Scary Monsters by David Bowie Bad Moon Rising by Creedence Clearwater Revival Devil Woman by Cliff Richard Riders On The Storm by The Doors Runnin' With the Devil by Van Halen Sympathy for the Devil by The Rolling Stones Crocodile Rock by Elton John Godzilla by Blue Oyster Cult Pumped Up Kicks by Foster the People Frankenstein by Edgar Winter Group Nightmare on My Street by DJ Jazzy Jeff and the Fresh Prince Time Warp from Rocky Horror Soundtrack Rapture by Blondie She Said She Said by The Beatles Wanted Dead or Alive by Jon Bon Jovi Out of Limits by The Marketts Somebody’s Watching Me by Rockwell Bad Girls by Donna Summer Black Magic Woman by Santana Welcome to the Jungle by Guns N' Roses Welcome to My Nightmare by Alice Cooper Boris the Spider by The Who Jungle Boogie by Kool & The Gang Roxanne by The Police Back in Black by AC/DC Addams Family TV Theme The Blob by The Five Blobs Smooth Criminal by Michael Jackson Take the Money and Run by Steve Miller Band Mama Told Me Not to Come by Three Dog Night Witchy Woman by The Eagles Speed Racer TV Theme Let's Go Crazy by Prince King Tut by Steve Martin Another One Bites the Dust by Queen Erotic City by Prince White Wedding by Billy Idol Hells Bells by AC/DC Fly Like an Eagle by Steve Miller Band Bad Bad Leroy Brown by Jim Croce Don't Fear the Reaper by Blue Oyster Cult Tarzan Boy by Baltimore Rocket Man by Elton John Live and Let Die by Paul McCartney & Wings Genie in a Bottle by Christina Aguilera Copacabana by Barry Manilow Black Cat by Janet Jackson You Dropped a Bomb on Me by Gap Band Zoo Station by U2 My City Was Gone by The Pretenders Eye of the Tiger by Survivor 99 Red Balloons by Nena Spirits in the Material World by The Police Monster by Fred Schneider Union of the Snake by Duran Duran They're Coming To Take Me Away Ha Ha by Napoleon XIV Rebel Rebel by David Bowie State of Shock by The Jacksons Walk Like an Egyptian by The Bangles Freakazoid by Midnight Star Low Rider by War Church of the Poison Mind by Culture Club Rebel Yell by Billy Idol Valley Girl by Frank Zappa E.T. by Katy Perry and Kanye West We Will Rock You/We Are the Champions by Queen All Along the Watchtower by Jimi Hendrix Strange Magic by Electric Light Orchestra Burning Down the House by Talking Heads Der Komissar by After The Fire Dr. Heckyll and Mr. Jive by Men at Work Taxman by The Beatles Monsters and Angels by Voice of the Beehive Clint Eastwood by Gorillaz Spiders and Snakes by Jim Stafford Secret Agent Man by Johnny Rivers 2001: A Space Odyssey (Also Sprach Zarathustra) by Deodato Star Wars Theme/Cantina Band by Meco Kung Fu Fighting by Carl Douglas Ballad of Peter Pumpkinhead by XTC You Are a Tourist by Death Cab for Cutie The Joker by Steve Miller Band Run Through the Jungle by Creedence Clearwater Revival Bette Davis Eyes by Kim Carnes Head Like a Hole by Nine Inch Nails Jerry Was a Race Car Driver by Primus Clap For the Wolfman by The Guess Who Fear of the Unknown by Siouxsie & The Banshees I Ran by A Flock of Seagulls Centerfold by J. Geils Band Black Velvet by Alannah Myles Tears of a Clown by Smokey Robinson & The Miracles, also The English Beat You Be Illin' by Run DMC Criminal by Fiona Apple Shout At The Devil by Motley Crue Weird Science by Oingo Boingo Swing The Mood by Jive Bunny and the Mix Masters Wild Thing by Tone Loc Whip It by Devo Planet Claire by The B-52's Legend of Wooley Swamp by Charlie Daniels Band Purple People Eater by Sheb Wooley The Freaks Come Out at Night by Houdini The Road To Hell by Chris Rea Billionaire by Travie McCoy featuring Bruno Mars Devil With a Blue Dress by Mitch Ryder and the Detroit Wheels Rock Me Amadeus by Falco Tubular Bells by Mike Oldfield Space Cowboy by Steve Miller Band Gypsy by Fleetwood Mac I'm Too Sexy by Right Said Fred Ring of Fire by Johnny Cash, also Social Distortion Walk the Dinosaur by Was (Not Was) Funky Cold Medina by Tone Loc The Night Chicago Died by Paper Lace N.W.O. by Ministry Paranomia by Art of Noise Birdhouse in Your Soul by They Might Be Giants If I Only Had a Brain by Lee Marvin from The Wizard of Oz Pink Panther Theme by Henry Mancini Orchestra Smuggler's Blues by Glenn Frey She Blinded Me With Science by Thomas Dolby Runnin' Down a Dream by Tom Petty Axel F by Crazy Frog (You've Got to) Fight For Your Right (To Party) by Beastie Boys In The Year 2525 by Zager and Evans Major Tom by Peter Schilling Man On The Moon by R.E.M. Happy Days Theme by Pratt & McClain Send Me an Angel by Real Life Convoy by C.W. McCall Particle Man by They Might Be Giants Pinball Wizard by The Who Fire by The Crazy World of Arthur Brown It's a Mistake by Men At Work Synchronicity II by The Police Mr. Roboto by Styx Wipeout by Surfaris Evil Woman by Electric Light Orchestra King of Pain by The Police Just a Gigolo/I Ain't Got Nobody by David Lee Roth Twilight Zone by Golden Earring Rockin' Robin by Michael Jackson Spooky by Classics IV Jungle Love by The Time A View To a Kill by Duran Duran Rain on the Scarecrow by John Mellencamp Love Potion #9 by The Searchers Cult of Personality by Living Colour The Candy Man by Sammy Davis Jr. Authority Song by John Mellencamp Rainbow Connection by Kermit the Frog The Bird by The Time Lil' Red Riding Hood by Sam the Sham & The Pharoahs Canary in a Coalmine by The Police Octopus's Garden by The Beatles Maxwell's Silver Hammer by The Beatles Puttin' On The Ritz by Taco Livin' La Vida Loca by Ricky Martin The Streak by Ray Stevens Bat Dance by Prince Theme from Greatest American Hero by Joey Scarbury Fame by David Bowie Eye In The Sky by Alan Parsons Project Devil in Disguise by Elvis Presley Mommy's Little Monster by Social Distortion Deadman's Curve by Jan & Dean Creature from the Black Lagoon by Dave Edmunds Zombie by The Cranberries The Killing Moon by Echo and the Bunnymen Haunted House by Jumpin’ Gene Simmons It's Halloween by The Shaggs Dragula by Rob Zombie Witch Queen of New Orleans by Redbone I Was A Teenage Werewolf by The Cramps Eye of the Zombie by John Fogerty Halloween by Misfits Pet Sematary by The Ramones Horror Movie by Skyhooks The Raven by Alan Parsons Project Bloodletting by Concrete Blonde Feed My Frankenstein by Alice Cooper Don't Be Afraid of the Dark by Robert Cray Hypnotized by Fleetwood Mac The Scientist by Coldplay Run For Your Life by The Beatles Dig My Grave by They Might Be Giants Waltz in Black by The Stranglers I Put a Spell on You by Screamin Jay Hawkins, Creedence Clearwater Revival Ghost Riders in the Sky by The Outlaws, Johnny Cash Ghost of Tom Joad by Rage Against the Machine, Bruce Springsteen Dead Souls by Joy Division, Nine Inch Nails Swamp Witch by Jim Stafford I'm a Goner by Matt and Kim w/ Soulja Boy & Andrew W.K. Mekong Delta - Night on a Bare Mountain Nightmare by Brainbug In the Hall of the Mountain King by Sounds Incorporated One Piece at a Time by Johnny Cash Tequila by The Champs I Had Too Much To Dream Last Night by The Electric Prunes Nasty by Janet Jackson No More Mr. Nice Guy by Alice Cooper Backstabbers by The O'Jays Pets by Porno For Pyros Danger Zone by Kenny Loggins Ghost of a Texas Ladies' Man by Concrete Blonde Dr. Tarr & Professor Feather by Alan Parsons Project To Live and Die in LA by Wang Chung Pictures of Matchstick Men by Status Quo, also Camper Van Beethoven Gypsies, Tramps and Thieves by Cher Land of Confusion by Genesis I Fought The Law by Bobby Fuller Four Naughty Girls by Samantha Fox Jimmy Olson's Blues by Spin Doctors Nightmares by Violent Femmes I Will Follow You Into the Dark by Death Cab for Cutie 42 by Coldplay Haunted House of the Century by Tangent Sunset The Warrior by Scandal Pacman Fever by Buckner & Garcia Planet Earth by Duran Duran Skeleton River by Tangent Sunset Junk Food Junkie by Larry Groce Everything Is Broken by Bob Dylan The Gambler by Kenny Rogers Shark Attack by Wailing Souls Season of the Witch by Joan Jett Superman's Song by Crash Test Dummies Brain Damage by Pink Floyd Paranoid by Black Sabbath He's a Vampire by Archie King Mad Scientist by The Zanies

[shirtlesssammy]

3x10: Dream a Little Dream of Me

Then:

The show keeps reminding us that Dean’s going to Hell, so enjoy his pretty face while you can

Now:

Bobby stalks his house at night. He’s suddenly attacked ---and we flash to him in a motel room, unconscious. A maid wanders in and finds him. He’s inside his mind fighting whatever haunts him. 

Dean finds Sam getting day-drunk at a bar. Sam laments the fact that he tried saving Dean. Dean settles in beside his brother and orders a “whisky, double, neat.” 

Sam is beside himself thinking about where Dean’s going, and what he’s going to become. “How can you care so little about yourself?” Sam wonders. (WE ALL WONDER.) Dean’s saved by a phone call and the brothers rush to the hospital to find Bobby comatose. The doctors don’t know what’s wrong with him. 

(Ooh, I forgot that Cathryn Humphris wrote this episode. So good.) 

The brothers look around Bobby’s motel room. Sam finds his murder board in the back of the closet. They find an obit of a doctor that went to sleep and never woke up. Bobby must have been looking into the doctor’s death. 

Dean heads to the doctor’s office and interviews his lab assistant. Apparently the doctor was an expert in dream and sleep disorders. The lab assistant doesn’t really want to talk. She already talked to the other detective, the “very nice, older man with a beard.” 

Dean threatens the woman with a trip down to the station. The assistant swears she didn’t know anything about his side experiments. Dean bluffs his way into getting the doctor’s research. Good job, Dean!

He next heads to one of Doctor Greg’s test subjects. Dude offers Dean a beer, and Dean accepts. Hmm, I’m questioning your professionalism as much as the dude is Dean. Anyway, turns out the guy can’t dream. The study was the first time he had a dream since he was a kid. The guy didn’t continue with the study. 

At the hospital, Dean and Sam meet up. Sam brings research on the African Dream Root that was part of the dream study. This stuff has been used for dreamwalking (but not like Jack and Kaia dreamwalking…). It lets someone wander in someone else’s dreams. With enough of the root and practice, you can start to control things, changing dreams. “Killing people in their sleep,“ Dean suggests. YEP. 

The boys wonder why Bobby is still alive. 

We get a glimpse into Bobby’s dream. He’s barely holding on. BOBBY. 

The brothers theorize who the killer is --probably one of the test subjects. Sam laments the fact that they can’t talk to Bobby about the case. Dean suggests taking the dream root. They realize that in order to do that they need Bela.

Later, Bela arrives at the motel. Sam’s there alone. Bela almost instantly turns on the sexy time, and Sam is VERY responsive. 

Alas, it was just a dream and Dean wakes Sam and tells him he was making some “serious happy noises.” OH SAM. 

Dean wants to know who Sam was dreaming about but Sam wont tell. Let’s take a moment and add that Dean’s guesses are: One (1) Angelina Jolie. Two (2) Brad Pitt. DUDE, quit projecting so hard. 

Anyway, Bela arrives, much to the discomfort of Sam (and his pants). 

She’s brought the African dream root for Bobby. Dean puts the root with the Colt in Bobby’s safe and kicks Bela out of the room. Sam awkwardly bids her adieu. 

 The brothers concoct their dream potion to save Bobby. It includes some of Bobby’s hair.

They drink the concoction and feel no change. Sam then notices that it’s raining. It’s actually raining upside down --and they’re at Bobby’s house. It’s cleaned up. They start walking around calling for Bobby. 

Sam tells Dean he’s heading outside to look. He walks outside and it’s sunny and the birds are chirping. And when he tries to go back inside, the door won’t open. Dean can’t hear him from the inside either. 

Dean continues to wander the house. He wanders to the back closet and finds Bobby.

Dean tells him they’re using dream root to share his dream, but Bobby’s locked firmly in Dream Mode. He’s more focused on the flickering lights in his house. “She’s coming,” he pants. And his wife walks in, bloody and terrible. Oh Bobby :( She asks him why he stabbed her to death. He pleads for her to understand that he didn’t know about monsters back then. OOF. Hard stuff. 

Meanwhile, Sam’s walking through a laundry detergent commercial.

The doctor’s former test subject suddenly shows up, whacks Sam with a baseball bat, and then declares himself “a god” in the shared dream. Well, that ALWAYS ends well on this show!

Dean pleads with Bobby to let go of the nightmare Karen who’s pounding and wailing on the other side of the door. “I’m not gonna let you die,” Dean promises, because Bobby’s “like a father” to him. BRB WEEPING. Bobby uses the power of FILIAL LOVE to control the dream, and the pounding stops.

Sam, Dean, and Bobby snap awake at the same time (preventing Sam “Head Trauma” Winchester from getting another blow with a bat). 

Later, Dean asks Bobby about Karen. THIN ICE TERRITORY! “Everybody got into hunting somehow,” Bobby explains. Sam breaks into the soulful moment with an update on the dream dude. Jeremy Frost is a genius whose dad whacked him in the head with a bat as a child. Jeremy never dreamed after that - not until he started using dream root. Now he can trample into people’s dreams with a bit of their body - like hair, or in Bobby’s case, saliva. Bobby sipped some beer when he talked to Jeremy. Dean looks abashed. He….MIGHT have drunk a beer at Jeremy’s as well. Now that both Dean and Bobby are targets, the stakes are raised. It’s time for operation STAY AWAKE.

Two Days Later

Dean is EXTREMELY GRUMPY. It’s been two days, they haven’t found Jeremy, and he is missing his sleep desperately. #RELATABLE Bela and Bobby continue to work the case from the hotel with no luck. At the end of his tether, Dean pulls the car over and settles in for a snooze in the danger zone. He’s going to confront Jeremy on his own turf. Sam swipes one of Dean’s hairs and prepares to join Dean’s dream root nap.

They wake up in the car, still in the woods at the side of the road. Suddenly, Dean’s movie reel mind spins up a gentle song and soft autumn colors and THERE sits Lisa in a clearing. She’s wind-rumpled and gorgeous, dressed in soft yellow and waiting for Dean at a romantic picnic in the park. 

For My Heart Aches for Dean Science:

Excuse me while I cry in Dean’s face for thirty minutes. Sam did not expect his brother to be so damn soft. “I’ve never had this dream before,” Dean protests.

Lisa blinks out and Jeremy peeks around a tree. It’s chase time! The dream transitions to the hotel hallway, now papered in a forest print. At the end of the hallway is a door that leads to a dimly lit room. Inside the gloomy room, Dean sits at a desk. 

Other!Dean greets himself (very polite) and tells himself that it’s time to talk. “I’m my own worst nightmare,” Dean smirks. He GETS the symbolism, and it’s BORING. Except that Other!Dean immediately peels away Dean’s bravado. He tells him that Dean is dead inside and worthless (and we bundle this man up into blankets and plop him into therapy!)

Dean can’t make the apparition disappear, and Other!Dean quickly takes control. The door slams, trapping them inside the hotel room. 

Sam wakes up back in the Impala and tries to wake up Dean, but Dean’s turned into Jeremy. Jeremy explains that he killed the doctor so he can keep using dream root and DREAM. He binds Sam to the ground.

Other!Dean continues to say every terrible thing Dean thinks about himself and it is HARD. TO. LISTEN. TO. THIS. SHIT. Everything about Dean is patterned after his father, and geared towards protecting Sam. There’s nothing TO Dean, Other!Dean argues, other than being “Daddy’s blunt little instrument.” 

Dean snaps at last. “My father was an obsessed bastard!” he shouts. And the fight begins. “I didn’t deserve what he put on me, and I don’t deserve to go to Hell!” DEAN!!!! BRB weeping some more! Dean shoots his other self, but what should be a moment of psychological triumph quickly goes south. Other!Dean wakes with black eyes and Demon!Dean gleefully tells him that there’s no escaping his fate. He’ll die, go to Hell, and become a demon. 

Sam’s in dire straits. He’s still bound to the ground, with Jeremy hovering above him with a baseball bat. In a moment reminiscent of Princess Bride, Sam metaphorically switches the sword to his right hand and reminds Jeremy that he ALSO took dream root and has control of the dream. Jeremy’s dad barges out of the forest, a screaming terror of a parent, and Jeremy’s eyes go wide. Sam whacks Jeremy with the bat while he’s distracted, and both Sam and Dean’s dreams dissolve. They’re back in the waking world, in the Impala. Jeremy’s threat has been neutralized. 

Later, Sam and Bobby debrief in the hotel hallway. Bobby’s glad Sam saved them, but wonders if Sam’s psychic abilities came into play. Ummmm definitely not? Probably definitely not? Almost certainly definitely possibly. 

Dean’s having trouble tracking down Bela. Bobby wonders why she was helping them in the first place. “Flagstaff,” Dean explains. This doesn’t make sense to Bobby - he just cut her a good deal on a sale there, that’s all. It dawns on the Winchesters that they may have been played. They head to the hotel safe to discover the Colt missing. 

At the Impala, Dean asks Sam what he saw in the shared dream. UM NOTHING. Dean also says he didn’t see a damn thing! He was just focused on trying to find Sam. Bbys plz. Dean clears his throat awkwardly and confesses (in a tone one might use to confess to wearing ladies’ undergarments) that he doesn’t want to die. Sam promises to find a way to save him. Dean flashes back to his dream one more time, just so it’s seeped into our hearts. We see Demon!Dean taunting Dean about his fate. Demon!Dean snaps his fingers, a cruel grin on his face, and the episode cuts to black.

Mister Quoteman, Send Us a Quote:

No one can save you, because you don't wanna be saved. How can you care so little about yourself?

Thanks for the news flash, Edison!

Dean. I love you

What are the things that you dream? I mean, your car? That's Dad's. Your favorite leather jacket? Dad's. Your music? Dad's. Do you even have an original thought?

You can’t escape me, Dean. You’re gonna die. And this? This is what you’re gonna become!

Want to read more? Check out our Recap Archive! 

[house-of-booklr]

Castiel & Dean - He likes Boys (Song/Video Request)

[wazafam]

Ever since Bela Lugosi donned the cape to portray Dracula in 1931, vampires have become a symbol of sexy sophistication in film. As the decades passed, their wardrobes changed to fit evolving attitudes in cinema, with many designed to more closely resemble "creatures of the night" than charming sophisticates. Modern movies like Twilight shied away from making their vampires stuck clinging to the edifice of decadent pasts, instead reflecting the fashions of the day.

RELATED: Dracula & 9 Other Horror Movies From The 1930s (That Are Still Scary Today)

For all the fans who welcomed the changes to vampire aesthetic, others no doubt felt they lacked complexity. Vampires beyond Dracula were given a wide berth and a lot of creative license (like werewolf-hunter Selene from Underworld), especially as vampires in movies started to use fashion to convey not just their personalities, but the passage of time, and even their perspective on immortality. For every iconic vampire in movie history, there's another lacking imagination, and the most stylish are not stuck in time, but timeless.

10 Worst: Edward Cullen

Many vampires have blended in with their human victims - it's a perfectly logical way to maintain steady access to their food supply. Even so, elder vampires tend to find ways to retain a modicum of style, usually accumulated over their decades -if not centuries- on Earth. But that's not the case with Edward Cullen, the boyish vampire who's over 100 years old when Bella meets him in Twilight. 

Despite having several college degrees, Edward is forced to go to high school in an effort to maintain his cover as a human in every area his family moves to, which means he's a slave to the trends of teenagers lest he look out of place. While this makes him continuously on trend, it ensures he's completely lacking in style.

9 David

For too long vampires had been seen as sophisticated aristocrats stalking Victorian parlors, making lace-covered ladies reach for their smelling salts. With The Lost Boys, a new vampire was born; a bad boy bloodsucker in a leather jacket. No one personified this new incarnation more than David, the leader of a clan of creatures whose hunting grounds included the teenagers at the Santa Clarita boardwalk.

RELATED: The Lost Boys: 10 Hidden Details Behind The Costumes

Wearing a black trenchcoat and fingerless gloves, David sat atop his motorcycle, single earring glinting in the moonlight, like a king of chaos. His vampire was bestial, reckless, and modern, making him as iconic as the original Prince of Darkness.

8 Lestat

Whatever era he found himself in, Lestat was going to rule the night. Where once the Brat Prince dressed the part of a foppish dandy in Interview with a Vampire, pursued by pitchfork-wielding peasants, he delighted the world as a rockstar in Queen of the Damned, pursued by mall goths in every continent.

Lestat had fun with fashion and was narcissistic enough to know he looked good in whatever were the latest fashions, but no matter if he was wearing leather or lace, he was a truly dangerous hunter who could croon a power ballad at a fan and then rip their heart out without a second thought.

7 Maximilian

Eddie Murphy turned on the charm to play Maximilian, the royal who arrives in Brooklyn to find his queen (in a little homage to his other classic Coming to America). The horror-comedy Vampire in Brooklyn showcased Murphy at his most seductive and unhinged in a wardrobe that redefined modern gothic elegance, even if the movie itself wasn't well-received.

Blacula walked so Vampire in Brooklyn could run, and while there's reverence to the classic blaxploitation movie in its frames, Murphy wisely chose to make his vampire lover more dangerous, scintillating, and sophisticated.

6 Akasha

For being the very first vampire in existence and centuries old, Akasha looked amazing for her age in Queen of the Damned. When she was awoken from her eternal slumber and went on her mission to find Lestat, she didn't bother trying to blend in with the mere mortals around her.

RELATED: The 5 Best Movie Vampires (& The 5 Worst)

Akasha highlighted her reputation as the highest echelon of vampire society with her amazing costume, inspired by the royalty of Ancient Egypt, a beautiful ensemble that belied her true savagery as she destroyed anyone in the way of making Lestat her consort.

5 Barnabas Collins

Emerging from his underwater sanctum like some sepulchral member of high society, Barnabas Collins is a man out of time but not out of style when he comes to claim his ancestral home from a conniving witch. The dashing, mysterious figure from the '60s soap opera Dark Shadows appears in the Tim Burton movie of the same name with a dramatic entrance worthy of his long lineage.

While it may be the swinging 1960's and not the 1860's, no one can deny that the vestments and glittering accessories Barnabas wears aren't decadent. From his rings and brooches to the top of his walking cane, he cuts a fabulous silhouette.

4 Selene

Like Keifer Sutherland did in The Lost Boys, Kate Beckinsale's Selene changed what it meant to be a vampire for a new generation. In her sleek leather corseted catsuit, tall boots, and long leather trench coat, she redefined what it meant to be an elegant killer.

Selene wore beautiful clothing designed for form as much as function, and nothing about her attire hindered her ability to kick ass. Other members of her clan might have had more ornamental livery, but Selene's ensembles consistently met in the middle of stylish and utilitarian. Throughout the Underworld franchise, her outfit even received a few fashionable updates.

3 Eve

The ethereal Tilda Swinton has played an ageless entity many times throughout her career, most poignantly in Orlando and most divisively in Doctor Strange, but it's in Only Lovers Left Alive that she's at her most arresting. As Eve the vampire opposite Tom Hiddleston's Adam, she is a perfect amalgamation of timeless grace and reckless abandon.

RELATED: 10 Underrated Vampire Movies To Watch This Halloween

With her bed head hair, French tucked shirts, sweeping Bohemian robes, and pair of shades, she's a vampire who probably did the opulent Old World thing, did the contemporary thing, and now exists somewhere in the middle.

2 Dracula

Dracula is not only one of the most prominent literary figures of all time, but one of the most iconic figures in horror movie history, too. He has been portrayed as both an elegant lord and a lustful lothario, but in each iteration, he's always the most well-dressed person in the room. Part of Dracula's enduring appeal is the fact that beneath his refined persona lurks a bloodthirsty beast.

Whether he's seen as a gentlemanly count in Dracula and Dracula: Prince of Darkness, a bloodthirsty warlord in Dracula: Untold, or as a time-weary romantic in Bram Stoker's Dracula, he represents the apex of vampire fashion in any iteration.

1 Best: Miriam Blaylock

While it might be difficult to steal the spotlight from David Bowie, the inimitable Catherine Deneuve does just that in The Hunger, as an elegant vampire who has promised to turn him into a creature of the night but delights in his yearning.

Being a vampire has never looked as effortlessly sophisticated, ethereal, and dangerous as it does when Miriam Blaylock is on screen, a powerful creature that wields the power to control destinies in her gloved hand.

NEXT: Movie Vampires: Ranked From Least To Most Powerful

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