#shade comes from reading

[prowrestlingindustrialcomplex]

Drew McIntyre in Reading is Fundamental.

I did a thing with the iMovie.

With English Subtitles.

[totally-here]

3 times Phantom's Guardian was Mentioned + 1 Time He Showed Up

One

Phantom’s introduction to Young Justice wasn’t as dramatic as Empress’ or Slobo’s, or even Arrowette’s first introduction to the cave. No, it wasn’t during the Olympics, or on a battlefield, and he didn’t come in injured and looking for help. 

Impulse just brought Phantom in one day and insisted that he should join because he’s their age, interested in justice, and now that Greta’s human again they need another ghost member. So Phantom stayed, popping in and out for missions but never really sticking around all that long. 

Today is one of the days that Phantom’s with them on a mission, that being looking around a lab of the Brain’s that had an energy surge recently, despite it being presumably abandoned. 

Kon got paired up with Phantom to check the rest out first, since they both have better hearing than Anita and Tim, who were both still in the main room working on checking the computers for previous activity. 

The room is dark except for the light green ball glowing slightly above Phantom’s hand. He waves it around enough for it to reflect off of glass, then throws it up to the ceiling. The light expands enough to illuminate the room. 

Phantom mumbles about not knowing he could do that. Kon ignores him and moves closer to inspect the glass tubes to the side of several monitors set up. 

“Looks like cloning equipment,” Phantom says, casually. He drags a finger through the dust gathering on one of the monitors. “Don’t think they’ve been activated recently, though, so that’s good.”

“What? You got a problem with clones or something?” It’s a quick and defensive answer, and Phantom puts his hands up in surrender. 

“Not in concept.” He shrugs and joins Kon near the tubes. “But not a lot of people ask before making clones.”

“So I don’t need to sic Superman on you?” Obviously Kon could chew Phantom out himself, but few can do a “not mad, just disappointed” face better than Clark. 

Phantom scrunches his face. “Why would you need to?” 

Kon stops pretending to inspect the tube and stares at Phantom. “You do know I’m a clone, right?” The blank look on Phantom’s face tells him that no, he did not. “Well I am. Clone of Superman, though we’re pretty much brothers now.”

“Cool,” Phantom says, not a bit less friendly. He hesitates for a second before continuing, “Could I maybe ask you how you got there? Me and my clone have landed on cousins, but that was also, like, given to us by her evil dad. So.”

Phantom trails off. Huh, that makes three members of the team that have been cloned. Not a lot, but it’s weird that it’s happened three times. 

“You’re making sure she feels accepted, right?” 

“Yeah! Well, whenever she’s around. She,” Phantom waves his hand around, looking for the right word, “She’s a wanderer. Exploring the world and stuff. But Richard has a room for her at home, and I remind her of that whenever she does stop by.” 

“Well, first of all, don’t push it so hard,” Kon says. Phantom nods enthusiastically. “And second, who’s Richard?”

Kon doesn’t know a lot of Richards, and he doesn’t think that Phantom ever mentioned one before. Or even if he remembers his living life. 

“Oh, he’s my, uh, guardian? I guess that’s the best term. The guy I’m living with who forces me to go to school sometimes.” Phantom looks away and back to the tubes. 

Before Kon can ask for more details, Robin and Empress come in with a report of dead computers and wanting to know where they’re at with the cloning room.

They’re unimpressed with their lack of progress.

Two

Wally doesn’t really need to come by the Hamilton Lodge that often, not when that’s Young Justice’s territory and he doesn’t want to get involved in all of That.

But Red Tornado said that the team has a file on a planet that’s very quickly becoming a league problem, and he figured it might be a good time to try to check in with Bart, anyway. Make sure he hasn’t run any cars off cliffs again and all that. 

So he stops by Manchester to ask Bart about the file, then they both head East to actually find it. 

When they arrive at the hotel minutes later, Wally’s surprised to actually find it… clean? There’s no visible trash or overturned furniture or anything else he’d expect from an abandoned hotel filled with teenagers. Well, maybe not filled, lately. He doesn’t think anyone’s living here currently, with Greta at Elias’ for the school year and Slobo gone. 

Still, the room smells slightly of artificial pine scent, and Bart perks up before disappearing and reappearing rapidly, holding a teammate up by his armpits. Said teammate just accepts this, his legs folding into a wispy tail, and head rolling against his shoulders. 

“This is Phantom!” Bart holds him up higher. Phantom waves. Wally’s only heard of him through Max’s updates, the same way he would hear about Preston or Carol, but with more wariness about the supposed ghost. 

Actually looking at the pale face and glowing green eyes contrasting against the darker than dark jumpsuit, Wally’s a little more ready to accept his claim at being undead. 

“He stress cleans,” Bart explains, moving to carry Phantom under his arm. Wally bites down the urge to tell him to put him down, but only because Phantom doesn’t resist the hold, only moving to get into a more comfortable position. His hands are touching the floor. “So what happened?” 

Bart directs the question downwards, and Phantom heaves a very dramatic sigh. Definitely a teenager. It does raise the question of who exactly this kid’s mentor is. Hopefully he does have one. Maybe he’s the Spectre’s kid?

Phantom phases through the arm holding him only to lay on top of Bart’s hair. “I accidentally called Richard dad. And then fled.” 

Bart nods sagely. “Classic. One time I accidentally called Max dad, so I had to start a fire to distract him.”

Phantom sighs again, almost dreamily. “Genius.” 

Wally doesn’t have time to unpack all of that. Well he does, but he’s not going to, because there’s really only one Richard that comes to mind that might have the heart to take in a dead kid, even if he doesn’t go by his full name.

But surely Dick would have told him, or any other Titan, if he had adopted a kid. Right?

But there’s still a little shadow of doubt. Maybe Dick wanted it to be a secret, or it was really new or had a rocky start. Phantom doesn’t seem to hold himself like a Bat, but it’s not a guarantee Dick would have trained him. 

“The lodge looks nice,” Wally offers out loud, which Phantom shrugs at and wraps his tail around Bart’s head to keep secure. “Anyway, Impulse. The file on Myrg?” 

“Oh yeah!” Again, Bart disappears then reappears a few seconds later with a paper file. They really need to start digitizing more of these things. “That’s the planet where we played baseball so that they wouldn’t destroy Earth!” 

“You what.” 

The prospect of Dick following in his dad’s footsteps is forgotten in the face of what the hell Young Justice got up to on Myrg. 

Three

Tim may be in a…Predicament. 

It’s not his fault. Really. He knew what he was doing. He couldn’t let a civilian fall for the trap. But they were already so close, so he just, kinda, pushed himself into the rope instead. 

So there Robin is, tied upside down in a warehouse, with the Joker below next to an overly complicated control panel. The clown’s rambling about bombs hidden all over the city that Tim knows Batman is already tracking down with Batgirl. 

Tim’s not really paying attention to the rant because of that, more focused on wiggling enough to get the spare mini-birdarang out of his glove to cut the rope without notifying the Joker. 

“Yikes, bad time?” Asks Phantom’s voice beside him. Based on the source and accounting for the slight echo, he’s floating with his head near Tim’s, likely upside down. “Want some help?” 

Tim gets the birdarang out and starts sawing at the thick rope. They should be fine anyway, but stalling the Joker for extra time would be helpful. “Can you possess the Joker? Just hold him still.”

“The correct term is overshadow, but sure.” The voice disappears, and a few seconds later the Joker freezes. 

His body jerks forward, then backward, and a laugh chokes out of his throat. His hand claws over his mouth at the noise and he hunches over. All movement halts before he rights himself, shaking out his hands and rolling his shoulders. Phantom looks up at Tim and his eyes are glowing. 

Tim cuts through the rope, kicking and using the momentum to right himself and land on his feet. He brushes past Phantom in Joker’s body to handle the control panel. He turns off the radio broadcast and dismantles the bomb strapped to the panel.

Threat handled, he turns to Phantom and holds up some handcuffs. “Let me arrest you?”

Phantom obliges, turning the Joker’s body around and putting his hands behind his back. Tim lets him walk by himself out of the warehouse and moves the handcuffs around a lamppost. The Joker’s body jerks again, then slumps forward, just as Phantom reappears next to him, scowling down at the unconscious body. 

“That felt really slimy. Zero out of ten, would not do again,” Phantom grouches. 

“Why’re you in Gotham?” Tim asks. It’s not like Phantom makes a habit of visiting. The last time he came into the city, he complained about feeling the dead under the streets. Fortunately, that let Tim uncover a few tunnels that Talons travel through. Phantom, however, was unnerved by the Talons and left quickly. 

“Oh, Solomon Grundy’s back in our sewers. Richard said I should probably tell one of you Gotham heroes, since you keep track of those guys.” He shakes out his hands like they were cramped in the Joker. 

They hadn’t seen Grundy in a while. Tim assumed he was currently in a less violent personality. “What’s he doing?” 

Phantom shrugs. “Just chilling. Mostly underground. I tried to talk to him but he only grunted back at me. He also tried to pick me up, dunno what that was about.”

“Maybe because you’re both dead?” Tim guessed. That would be a surface level connection. Ivy and Woodrue have had more luck working with Grundy than anyone, and Phantom definitely doesn’t have the connection to the Green that’d help with that. 

Police lights turn around the corner, and Tim shoots a grapple to get to the roof above them. Phantom follows, but disappears as soon as they’re on the roof. Going back home, probably. 

Cass drops down from the roof she was listening on. “Richard?”

“Not the same one.”

They both stick around long enough to watch the Joker get put into the cop car. 

Plus one

A spaceship landed in the forests of New York, and Cassie’s team was the first to respond to it. Technically not respond, but check it out, since there wasn’t any alert or anything. 

Still, Wonder Girl has Empress, Robin, and Superboy on the other side of the ship, watching what looks like the back door, while she, Impulse, and Phantom watch the other door and main window. She has binoculars, but the windows are so tinted she can’t quite make anything out. 

No aliens have come out yet, and she hesitates to have anyone go in, in case whoever inside does turn hostile. 

Impulse has offered to run through a total of five times already, and it’s a testament to his restraint that he hasn’t, and a testament to Cassie’s that she hasn’t yelled at him yet. Phantom at least isn’t being annoying, but he’s not necessarily helpful, either. He’s not even watching the spaceship anymore. Now he’s trying to make a flower crown out of dandelions. 

“Door’s opening on our side,” Robin says from the comms. “But no one’s coming out.” 

“Alright, good enough to try to get in,” Cassie decides. She turns to Phantom, who’s closing off the circle of flowers. Beside him, Impulse has since pulled out a gameboy. “Phantom, go in invisibly through the open door and report back. Try to see what their plans are.” 

“Oh, sure. One second.” Phantom finishes the crown and tries to put it on Bart’s head. It doesn’t quite fit over his mane of hair, but Phantom shrugs and leaves it sitting there anyway before going invisible. 

“Maybe I should shave my head again,” Bart says as his game character dies. 

He gets a resounding no in response. 

Half an hour later they have a very annoyed Green Lantern lecturing them about league jurisdiction and knowing when to call someone else. 

Apparently, the alien ship was just stopping to complete some maintenance, and did not appreciate any spying on them, and especially did not appreciate who did it. Green Lantern was more than happy to explain that Wonder Girl’s team is not really a part of the Justice League and he can help with their maintenance. They denied his help and left to find a place with less people in it. 

“-and you!” Green Lantern rounds on Phantom next, but Cassie knows none of them are really listening. Sure, they messed up by freaking out the visiting aliens, and yeah maybe they should have contacted the league about it, but they’ve dealt with stuff worse than this! It’s not Cassie’s fault she thought that this would have stuck to the formula. 

“Who even are you?” Green Lantern runs a hand through his black hair, stupid green gauntlets shining in the sunlight. “Do I need to call your mentor?” He frowns. “Or do they know you mess up alien technology by just being around it?” 

Phantom scoffs and rolls his eyes. “How was I supposed to know their tech would go all fuzzy when I came in?” 

“You wouldn’t have to know if you just stayed out of the spaceship!” 

“Hey!” Cassie cuts in. “Technically that was my call. It’s not all on Phantom.”

“I still could've been more careful,” Phantom says to her, ignoring Green Lantern as they argue about blame. 

“Cut it out for a second, okay?” Green Lantern puts a hand between them and they stop to glare at him. He pulls the hand back. “Look, can I just talk to one of your adults about this?” 

Robin glares. “We don’t need an adult. We have this under control.”

“Only because I’m here now.” 

“I’ll call my mentor,” Phantom says. Kon opens his mouth, most likely to offer to call Superman instead in hopes of a lighter sentence, but Bart covers his mouth, smiling like he knows something Cassie doesn’t. Tim and Anita share a look, and don’t intervene as Phantom pulls out a phone from his chest. 

It rings once before it’s picked up. Cassie can’t hear the other side of the conversation, but Kon’s eyebrows scrunch in confusion. “Hey, do you think you can pick me up? Green Lantern wants to talk to you.” Phantom looks Green Lantern up and down then says, “No, this one doesn’t have a cape.”

Phantom says goodbye after rattling off their coordinates, hangs up, and stares at Green Lantern in silence for a few seconds. 

And then a swirling mass of black seeps into the space next to Phantom. The end of a cane steps out of it, followed by a leg, then the rest of the immaculately dressed man holding the handle of the cane that’s shaped like a bird’s head. 

“Phantom,” The man says. His voice drips with condescension in only a way a british accent can, yet Phantom smiles up at him. The shadowy portal behind him disappears. “What, exactly, happened?”

“That’s the fucking Shade,” Anita hisses to Robin, who shrugs noncommittedly at her. Green Lantern seems to recognise him too, taking a step back and clenching his hand that holds his ring. 

“Well, the team and I were staking out this spaceship–super cool, by the way–and I went inside to check it out, but my presence messed with their tech–which was an accident–and they freaked out, so I freaked out, and then we kinda got into a little fight until Green Lantern came to mediate.”

“Hm. Is that right?” The Shade asks Green Lantern, who nods slowly, still anticipating an attack. “It seems like the problem’s fixed, then.”

“Well, yes, but–”

“And it does seem about time for these kids to get home, doesn't it?” The Shade pulls out an actual pocket watch, chain and all, from his suit pocket and takes his time in checking it. “I’ll see them home.” 

Shadows grow from behind the team, swirling until they become a giant, gaping maw that swallows them up and spits them out in a different forest, or maybe just a different part of the same forest. 

Either way, Cassie has to take a moment to make sure she doesn’t throw up from the sudden vertigo the shadow portal caused. 

The Shade looks at Phantom, and raises an eyebrow. “You can’t expect me to always bail you out.” 

Phantom shrugs, looking guilty. “I know. Thanks, Richard.”

Oh, so that’s who Richard is. Annoyingly, neither Tim or Bart look surprised by this revelation.

[prowrestlingindustrialcomplex]

All those times Rock mentioning his strudel was a lie and Cody read him for filth.

IM CRYINGGGG

[jimmyclueless]

power went out 2daay ... here is day 4 tho

[kit-screams-into-the-future]

wanted to try my hand at a fake screenshot thing with a scene from one of the bttf fics of all time, Time Is a Flat Circle by @fourth-dimensional-thinker! i set in to draw only the "little canary" line but. as you can tell. my hand slipped and fell down a 6 story building

if you haven't read it already please check it out PLEASEEE it's very good. i read the whole thing in basically one sitting. the vibes are perfect for the spooky season too!

versions without the filter/subtitles under the cut:

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[mitchmotch]

i was commissioned by @achinga to draw vash and milly! they're so silly :)

[read-write-thrive]

how much would I need to fuck with Niko and Monty’s genders to ship them

[chibigalaxies]

Art piece for pride month

[krotiation]

every time i see a fifty shades of grey book i have to be reminded of the fact that rhys has the borderlands equivalent of it in his office

[prowrestlingindustrialcomplex]

[reyryz]

very unfinished but i was trying to do a series of the gom with normal hair colors and only got to do aomine + murasakibara lol

[bigcats-birds-and-books]

Books of 2023. VILLAINS by V. E. Schwab.

Time for a NaNo Prep Reread! I love Victor and this vicious little family with my whole chest. This'll be my second time rereading VICIOUS, but only my first time rereading VENGEFUL.

[machinel1ke]

Halsey's newest album is amazing and I love every piece of new music she gives us but honestly, she deserves some time to just live her life (and it seems like she desperately needs it), especially now that she has a family. Not every artist is gonna be like Taylor Swift pumping out two albums a year. If she decides to take a break from making music to focus on her own life and family that's great! Artists are people too and their mental health comes before our entertainment.

[age-of-moonknight]

“The Moon Warrior,” Marvel 85th Anniversary Special (Vol. 1/2024), #1.

Writer and artist: Yuji Kaku; Special thanks to Ken Kunito

[headroom-moods]

Rip Edmond dantes you would’ve loved fallout new Vegas