#she So Sad and I love her so much

[paladinbaby]

…but lensa has had mortals before and will have mortals again…

[image description: a drawing of my pc nettle and the npc lensa from the home game library of lensa. They are sitting against a surface that is not drawn in, lensa is sitting on top of it and nettle is sat on the floor in front of it. There arms are mirrored both have one hand in their lap and the other resting beside them. They have matching strained expressions, looking upwards and frowning. Lensa is a blonde elven woman, with her hair twisted off her face. She wears a long dark teal gown with gold cuffs and a skirt that pools on the floor. Nettle is a pale woman with white hair wearing a T-shirt and pyjama shorts. She is sitting cross legged and there are plasters one of her knees. Yellow flowers are scattered on the floor around them. Nettle is saying ‘i don’t think i want to talk to you right now.’ Lensa is painted in warmer and more saturated colours and seems to be giving off a faint light. End ID.]

[anthyies]

the thing about disco elysium is that it has women in it. what you see on the internet about it might lie to you about that but it has women, gay women even, very compelling women even, in it.

[sunhealings]

Blue Fairy Costume Appreciation

[watchfrog]

hiiiiiiii

[jazforthesoul]

every time someone reduces CAPTAIN !!! elizabeth "lizzie" lafayette down to "a sad lesbian" a fairy dies bc i shoot it with my gun. like you're telling me you were spoon-fed a character that has one of the most realistic and RAW representations of grief and perseverance in the series and all you got from that was "she's sad" ????

is she a constantly happy character? Fuck no! that's acknowledged!! but to take EVERYTHING that she is, which has positive and negative aspects THAT ARE BOTH SHOWN, to take the fact that she is THE DRIVING FORCE OF THE MAIN BACKGROUND PLOT, and reduce her down to NOTHING but her relationships?? ?what the hell!!!

[tanjir0se]

Zelda having a secret room for when she "needs to concentrate" carries with it the implication that it's Link that makes it difficult to concentrate, since they pretty clearly lived together between BOTW and TOTK. A lesser zelink shipper would turn this into something romantic but I'm operating on a higher wavelength.

"Zelda Zelda Zelda look at this cool rock I found don't you think it looks like a frog? Hey Zelda do you think I could climb all the way to the ceiling without falling hey hey Zelda listen to this *makes horse noise* doesn't that sound just like Epona I'm really good at horse noises hey Zelda Zelda Ze-

[pointlessjey]

There are christmas lights outside my house :)

My ferret (aka the best ferret to have ever ferreted) has no idea what Christmas is but waits for me every evening and we go see the lights together. She's fixated on them.

Merry Christmas!

[lefthandarm-man]

Steve Rogers & Natasha Romanoff The Avengers (2012)

matching each others freak

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[ultrainfinitepit]

Moon Cycle 2 - a redraw of this piece.

[iminmywritersdungeon]

Vi is possibly the most tragic character to me, if only in the sense that she always has the best intentions, and she always tries to do what she thinks is right, except for those few moments where she is clouded by grief.

She’s on the bridge with Powder, trying to keep her safe from this large man whose intentions they do not know, and then she sees her mother, and she just breaks down.

She tries to turn herself in, to right the wrongs that she has made, and then Benzo’s dead and Ekko is in her arms and she just grabs her siblings and goes after Vander without thinking it through, telling Powder you’re not ready because she’s just trying to hold onto the last good thing she has.

She’s standing over Vander’s corpse and she hears her little sister and she thinks you weren’t ready you weren’t ready you’re a jinx jinx jinx and then she looks down at her bleeding knuckles and she can’t do this she can’t be here so she walks away, and then she turns and she tries to go back. She tries to do the right thing and she’s taken away before she can take any action.

She tries to go back, to be the sisters they once were, she tries to keep things good between Powder and Caitlyn except too much has changed, she doesn’t know what’s going on, there’s people fighting them, and she just looks and she sees sweet innocent Powder mowing people down like it’s fun.

She’s tied to that chair with Silco’s body across from her and she’s grieving she’s mourning the loss of the little sister she knew and she’s trying to fix things with the little sister she has and all she can do is plead with Jinx that they can be ok, they can still fix this.

But Caitlyn is unconscious on the floor, and a rocket is fired across a blood red sky.

There is no fixing, only building anew

[itsthegirlinthebowtie]

ahsoka using only one lightsaber while fighting the inquisitor is so snips of her. like yeah you have a double bladed lightsaber well I have two lightsabers but I only need one to get your ass

[somewhereincairparavel]

a little thought to ruin your day: After Piper broke up with Jason, he had to deal with his heartache all by himself, isolated in a mortal boarding school with nobody to comfort him. No family. No friends.

[yudol-skorbi]

fave cringe fail loser girlboss

[trappedinafantasy37]

Sometimes I think about when Minthara first joins camp after you save her from Moonrise. She sits in her tent, alone at night, surrounded by strangers who she believes have every reason to kill her. She sits there paranoid, feeling that they will just kill her at any moment for any reason. You have earned a small sliver of her trust, but not completely. And she goes along with you and everyone because she really doesn't have much of a choice. And it's not like her fears are unfounded, some of the companions do state their reservations about her when she is first recruited (and one of the companions actually does want her dead if a certain datamine ever gets added to the game).

She only comes to completely trust you when you allow her to read your mind. But, it doesn't clear her of any paranoia with the other companions. She only trusts them because you trust them, and she trusts you.

In spite of this paranoia and fear, she is still willing to risk her life to protect them and save them from whatever trouble comes their way. Even if she won't admit it, she does care about all the companions in camp. Yes, even the wizard. But she feels that none of them will ever lift a finger for her and will let her die when she needs help the most.

One of the many reasons why Orin kidnapping her is so heartbreaking. Because ALL of the companions want to go and save her and get her back from Orin. And one of them is extremely outraged and pissed that Orin had the audacity to take her Minthara away from her. The one time the companions show unanimous love and support for Minthara, she isn't even there to hear it. If only she knew how much they wanted her back, she would probably stop being so paranoid of them.

And she attends the reunion party still thinking that nobody likes her and they all hang out without her. When in reality, they all love her. She is surrounded by people who love her, and she thinks they hate her and are still plotting to kill her. And it's all because she wasn't there to hear how much they do care about her.

[crumb-crumblet-s-crumbington]

resident evil village but ethan actually has rose with him this time and its a game changer