what do you think mulder thinks of diana fowley after biogenesis through amor fati? i don't think we really see anything on screen/in text (though i think it says a lot that he didn't have much of a reaction when scully came to his apartment & instead focuses on scully & their relationship lol)
yeah there’s basically NOTHING in the text but tbh i think finding out for certain that she was working with CSM really kindaaaa snapped him out of some things…mulder doesn’t give a fuck what people do to him, obviously, but it’s a different thing entirely to find out that your ex is involved in something like that. like there are MILES from “my partner makes me feel like shit and is maybe pretty abusive” and “my partner is like 3rd on the call list of a eugenics group that treats women like test subjects”
like, scully was right, diana was monitoring MUFON women and collecting data on them. she was heading up the tests on cassandra. she probably knew the truth about samantha the whole time. just nasty nasty shit.
she’s the villain in the amor fati dream: the dismissive symbol of abandonment that offers another path.
one of the most interesting scenes of diana’s character to me, is in the sixth extinction, when she comes to see mulder in the hospital. and she knows what the effects of the artifact are, that he can hear what she’s thinking. that, therefore, he knows who she works for and what she’s doing. (imagine your ex-husband/wannabe boyfriend/obsession finds out you’re lying to him because he can read your mind….shit is crazy!)
and she tells him that she knows he knows. but that he also knows that she loves him.
and she does love him. there’s no reason to lie about that then, she knows he would be able to tell.
scully knows it without hearing it, that’s how she gets diana to save mulder’s life, ultimately. she comes to her and begs. tells her to please just think of him, who he is, who he was when she met him, who he is now. in the end, because of scully weaponizing how diana feels, diana can’t go through with it. she gives her life to help him.
diana seems to be one of those influences on mulder that’s only really all that significant when she’s close by. it’s like how all the tension in the beginning builds up to him getting in her car when she tells him to, leaving scully, when diana is there instructing him.
i think being able to know who she truly was and her true intentions and allegiances, prior to her death, really goes a long way in the way he responds to losing her.
don’t get me wrong, i think he’s upset. you can kind of see the shock cross his face when scully tells him. but he stays focused on his goal, which is to express to scully how important she is to him, in the wake of how discarded diana always made her feel.
mulder loved diana and grieves that she was killed, he doesn’t have it in him not to, but mostly he…wanted something from her, right? he wanted that approval and “affection” and to please her. he wanted her to believe him. the first thing that she says to disarm him (in the end) when she can tell he’s uneasy, is, “hey. i’m on your side.”
learning who she really is, it’s easier not to crave her approval so badly.
(this is the crux of amor fati’s “last temptation.” it’s diana saying: you’re childish. you are going to fail. your path is not your own. “you have to let go, fox.” and it’s scully countering: we need you. this is who you are.)
(it’s why he responds in the end by telling scully that it’s her that’s the voice of truth.)
and then in death, diana’s not…there for him to want anything from!! so it’s like, again, yeah he obviously feels the loss, this was someone who meant a lot to him for over a decade. but also it’s likeeeeee freeing in a way? it makes things simpler in a way? (he’s able to communicate all of that to scully instantly after hearing diana is gone, after over a year of the tension hanging around it)
if you asked him about diana now, or even a year later, i think he’d be like…damn that’s crazy! 😭😭 mulder doesn’t have an awful lot of object permanence you guys sjdjsjfj
when scully comes to tell mulder that diana was killed, and he says to her, “you were my friend, and you told me the truth,” the language matters so much. that’s what scully called diana, “i know she was your friend,” and he turns it back onto her. you were my friend. you told me the truth.
in my opinion, it’s not that he doesn’t love and grieve diana, but that there’s a freedom in knowing the truth. knowing who someone is, and their intentions. knowing who has your best interest at heart. knowing where you stand in the world, what you want to do.
that’s really what allows for the openness and lightness of s7, in the wake of diana’s absence. mulder’s always seeking, always learning.
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Yall wanna hear a kinda funny, kinda sad story about my grandmother and hetero-normativity?
Ok, so... when my grandmother was in her 50s (I was an infant), she met a woman at the Unitarian Church. And, as can happen when you meet your soul mate, this event made it impossible for her to deny parts of herself that she had fiercely hidden her whole life.
All the drama- their affair being found out, the divorce with my grandfather, the court battle over who got the house, happened while I was a baby. Even in my earliest memories, it's just Mama Jo and Oma, and my grandfather lived elsewhere (first his own apartment, then a nursing home, then with us.)
But here's the thing- no one ever explained any of this to me. No one ever sat down and was like "hey, Rosie, so do you know what a lesbian is?" It was the 90s. It was Texas. I think my mom was still kinda processing all this, and just assumed that like... I was gonna figure it out. Don't mention it, let it just be normal. Like I think my mom thought that if she explained the situation, she would be making it weird? I dunno.
But like. In the 90s, in all the movies I had seen and books I had read, do you know how many same sex couples I had seen? Like. 0. Do you know how many "platonic best friend/roommates" I had seen? A lot. I had no context, is what I'm saying.
I literally thought this was a Golden Girls, roommates, besties situation until I was like...I dunno, 11? 12?
It was actually their parrot, an African Grey named Spike, imitating my grandmothers voice saying "Johanna, honey, it's getting late", that triggered the MIND BLOWN moment as I realized that *there's only one master bedroom and it only has 1 waterbed* when all the pieces finally clicked.
Anyway. I think it's a real important thing for kids to know queer people exist, for a lot of reasons, but also because kids can be clueless and it's embarrassing to have your grandmother be outted by a parrot because everyone just thought you'd figure it out on your own.
Anyway, here is my grandma and her wife, my Oma, after they moved to Albuquerque to be artsy gay cowboys and live their best life. They helped run a "Lesbian Dude Ranch" out there (basically just with funding and financial support. As Oma has explained "traditionally, most lesbians don't have a lot of money" so they wrote the checks and let the younger ladies actually run the ranch.)
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2 & 3 from section 1 for peri and 7 from whichever section has a more interesting #7 for diodore -moss
oooh these are fun ones!
2. Describe their tent set-up (outside and inside) (Peri)
I think Peri's tent is constructed similarly to Gale and Astarion's (boxy, fabric walls, little covered area outside). Deep blue fabric w/ golden astronomical embroidery, mostly the sort of thing you see on star maps. Little golden tassles around the edges of the tarp (?) and the doorframe. He'd have a small, circular, dark wood side table short enough that you can use it sitting on the ground, and a dark blue pillow next to it; there would be some parchment and a bronze miniature astrolabe on the table. The inside would be just. full to the brim with the gaudiest night-sky-themed pillows you've ever seen. No bedroll, no palette, just a nest that would put those cube pits in trampoline parks to shame. There would be two bird perches for his familiar Medani: one taller one next to his tent and one shorter one under the overhang. The shorter one would have a crow-sized bow-tie hanging from it. Rugs on rugs on the outside area ofc.
3. What would their character quest be titled? Why? (Peri)
This is a hard one! His tav ending involves taking over the Waterdeep arm of the Harpers, so I think his arc would have something to do with that. He'd be pretty bitter about being dropped into another near-apocalyptic mess when dealing with the last one a few years prior was supposed to be a one-time thing. Something-something ptsd in a world that doesn't have the words for that yet, something-something 'once a hero always a hero', something-something the weight of responsibility...he's a planeswalker so I think part of it would be whether he decides to stay on Toril long-term and directly help rebuild the Waterdeep Harpers or if he continues to run travel around afterwards, so maybe The Far Traveller/The Far Walker?
Harpson/Fae-son are also potential options. "Fae-son" nods to him being a changeling without it being super obvious (like Astarion's "The Pale Elf"). It would also mimic his backstory reveals from RoT ("oh he's not 'from here' so, like, the Feywild" -> "OH he's not from here").
7. Describe their arc. How would a player help resolve it? What choices can be made? Can your Tav be turned down a dark path, or pulled to a lighter one? (Diodore)
Buckle up because we're in for a long one here. I've thought about Dora's story arc a lot because she's the first of my tavs that I truly made for the game while having full control over her backstory, etc. (versus Corentin, who had their arc baked into the story as a durge). Dora's a paladin of Corellon (oath of ancients) and her story arc as a companion would have to do with whether or not she should accept capital-r-Redemption, the process by which a drow can be truly "freed" from Lolth and rejoin the ranks of the rest of elven society. It involves all of the Redeemed drow's memories being erased and them being reincarnated as a surface elf. The implication seems to be that without that, regardless of a drow's actions, they'd be thrown back to Lolth when they die? Or at least that their eternal fate is unknown (which is the way I prefer to think of it for. personal reasons). Under normal circumstances, Dora would be a long way from Redemption being presented to her at all (she's not even 200 yet and has only been on the surface for a couple decades), but like with the other gods' Chosen among the companions, near-apocalyptic circumstances tend to speed up those sorts of things.
Of course, you'd have the themes of faith & relationship with deity when they're all unequivocally real and are also mostly all assholes; maintaining or breaking generational cycles; facing the unknown; morality when none of your choices are "good" (and how that interacts with morality vs self preservation); power vs freedom; identity outside of the people who made you; etc. The choice would first be presented to her sometime in late Act I/early Act II, likely the first long rest after the group resurfaces from the Underdark and you've probably gotten some of her backstory already. I have no idea how Larian would have characterized Corellon, but he's considered one of the more benevolent/open-minded deities iirc, which could be interesting to see contrasted with Mystra, Vlaa'kith, and Shar. How much that open-mindedness would extend to a drow, even one who has been a faithful follower even before she escaped to the Surface (and who inherited that faith from her father), is unclear. At the beginning of the game she would be leaning towards accepting Redemption, despite her own misgivings about whether or not she would still be her in that case.
Her final decision (at the ending pier scene) would depend on the relationship she has with the PC and the other companions. Her best ending, imo, would be her not accepting Redemption but continuing to be a force for good. If she has a good relationship with the PC, she would have something to lose. I think seeing the House of Mourning would affect her too. After all, the thing Corellon is offering to her as a way to find peace is the same thing the Sharrans are using as a way to manipulate and control others.
She's viscerally aware of how she was socialized and very actively chooses "good", so pushing her towards a darker path would be incredibly difficult but not impossible. If you side with the goblins she'll leave immediately, and turn on you if she's in your party when you attack the grove. But if you decide to try and control the cult in Act II, depending on your over-all actions before then and how you've interacted with her, you could disillusion her to the point of convincing her to break her oath. That path would entail convincing her that controlling the cult is actually the best idea. I'm sure there would be other times that her oath could break that wouldn't necessarily lock her into an "evil" path, especially with how Oathbreakers are handled in the game. Knocking out Minthara instead of killing her outright and letting Auntie Ethel go in Act I instead of killing her are two things that come to mind.
If she doesn't choose Redemption she would be at the epilogue party, of course. I'm a bit undecided on what would happen if she does choose Redemption. She may not be there at all, w/ Jaheira, Halsin, Minthara, and/or Astarion mentioning running into her in her new, reincarnated state. Or she would be there, confused, and mention how the PC seems familiar in a way she can't quite place. In that case, she would ask them how they know each other and mention something about feeling a twinge of grief looking at everyone, but that she doesn't know why she feels that way. It would be up to the PC how much they tell her (if they tell her anything at all).
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I love to imagine Rebecca as trans like it just has become so ingrained in my mind it feels weird it’s not canon. She realized at a young age and her parents were supportive and let her present how she wanted and they used her name and pronouns, but they weren’t around enough to go the extra mile for her and make sure she was being protected. She was the target of some pretty bad bullying at school, both from the students and the staff, and Ashton was the first person to defend her. Ashton is cishet (cuz I think it’s funny) and hes kinda ignorant at first but he tries his best and he just likes Rebecca and wants good things for her and he’s so emo he scares away the bullies lol. And this was definitely a big part in Rebecca gaining feelings for him he just showed her this special kinda care that no one else ever did, and it’s what makes her extra insecure as the years go by. Cuz she wonders if maybe the reason Ashton never seems to reciprocate her feelings is because she’s trans and he just never thought to see her as romance material as a result. Which is a line of thinking that gets out of control really bad and she never gets to have the closure she wants with it either
She tells Isabella that’s shes trans just cuz they’re best friends and it sorta comes up eventually. Isabella was a tomboy growing up so she can definitely relate to the bullying shit pretty well and they are very protective of each other and vow to beat up anyone who talks shit about the other. They also just open each other’s minds a bit, Isabella helps Rebecca feel more comfortable in knowing there’s many different ways to be a woman, Rebecca helps Isabella maybe explore her feelings about her own gender and whether or not she’s really attached to womanhood. Zach finds out in a more casual way, it’s just something he learns cuz it felt weird that he was the only one who didn’t know and well. He’s a good guy, he wouldn’t mind. It’s not something the two of them ever talk about really, aside from bonding over a few shared experiences with having to deal with assholes. And really, being trans just isn’t something Rebecca wants to talk about too much, just because she’s gotten to a point where’s she’s experienced being stealth and she knows how quickly people can turn on you when they know, and she understandably doesn’t wanna deal with that shit. But because her friends are so supportive, she doesn’t exhale and let herself just exist naturally around them and it does help her feel less insecure about who she is
Sexuality wise I think she’s "straight" I think she’s spent most of her life looking at Ashton and just assuming she’d be with a man but once she finally gets to give up on him she has Moments with Isabella or like a certain fondness for Marianne and their shared love of history and other nerd shit and shes just like. Uh Oh 😟
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