#she started in about marriage

[fredorepetto]

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[canisalbus]

i've returned for 2 seconds to tell you that they're not leaving my head. (sort of unrelated but i've been thinking as well. what if vasco died before machete ? what would go down)

.

[ciderjacks]

Someone made a really well written post on chilchuck and misogyny, but its not able to be rbed so im just sharing my analysis of it here. Bc i love this topic. I love it so much.

[nanstgeorge]

NO ONE EVER DOES. NO ONE EVER LOOKED—NOT REALLY.

djklmnx / x / Gokstadt/Ganymede, Paisley Rekdal / cokegirl / My Love Mine All Mine, Mitski / You (2018–) / retroowl8 / Mariners Apartment Complex, Lana Del Rey / Castlevania (2017–2021) / Louise Gluck

[buttclench-ryugazaki]

picture this: after maya takes her position as master of the kurain channeling technique the kurain village elders immediately start pressuring her to get married and produce an heir, an idea she's opposed to. she'd already resolved to ascend to master years ago meaning she's thought long and hard about which traditions she'd work to keep and which to discard. she is not going to let things like established main and branch families tear her clan apart like it did with her mother and aunt. but maya is smart and knows that this is a matter of village politics that she must be strategic about. tradition doesn't change overnight and as the young and newly-appointed master, she doesn't actually have that much sway. outright defiance won't work. so she negotiates and goes along with taking a spouse so long as she alone gets to pick regardless of the elders' approval.

said spouse has to fit a number of criteria: 1) they would need to not have an ego and be secure enough in their own life to be okay with holding no power within the village. be it because they'd be a man living in a matriarchal community or because maya would always outrank them regardless of gender. 2) they would have to be keen on living in a rural, traditional japanese-style town in the mountains. 3) they are not precious or sentimental about the concept of marriage and would not be offended by maya's pragmatism. 4) loyal to maya and would not defer to the village elders; in fact, someone who isn't afraid to put foolish old people in their place, obligatory respect for seniors be damned, would be helpful. more importantly, the blatant disregard would be REALLY funny. 5) needs to be able keep up with maya's steel samurai obsession. 6) ideally they should be someone crazy enough to accept maya's proposal merely because she had the guts to ask

somehow, on maya's shortlist of eligible candidates from her and phoenix's inner circle, the most fitting one is the twisted samurai simon blackquill of all people. and thus on her next trip to the city, she plans to drop by the prosecutors' office to make one very odd request

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[vyeoh]

I'm rewatching all the Marvel Defenders shows on Netflix and as much as I mock the MCU now, I need non-Marvel fans to understand that I was and still am a fan of "Daredevil fighting the gentrifying assshole who bought out the police force because ACAB both as a lawyer and vigilante of the community" and "Jessica Jones fighting the man who mind controlled her into doing unspeakable things and forming a community of fellow survivors and allies while dealing with PTSD in a range of both healthy and unhealthy ways" Marvel. God I love these idiots they carried so hard

[leverage-ot3]

silly episode idea but hear me out

okay well the first part isn’t silly! so the episode is based around a con they are doing where a polyam triad wants to get married and have been writing to senators and stuff for years but nothing has happened. maybe there is a time element that leeway has to happen soon (not sure what that would be yet, maybe someone is sick???)

(obviously polycules aren’t only and are often more than just a closed three-person system, but I’m saying triad right now bc I feel like that would be an easier and more ‘socially acceptable’ gateway into more accepting legislation for diverse relationship dynamics)

the leverage crew, of course, can’t outright change the public perception of poly marriage, but they can use the ‘enemy’s’ tactics against them and slip stuff into legislation without people noticing like they do. it’s slimy and it’s not a permanent fix, but it’s a start, and it gives people the opportunity to see poly marriage in action and that it isn’t as terrifying or pearl-clutching-inducing as they think it would be. there’s a long way to go, but the seeds of change have been sown and they will make sure everything goes as smoothly as possible

this is one of the cases that they will monitor on the back burner over time. some cons can finish within a few hours (the bottle job), and some things they will follow over time and make adjustments when needed- amplify voices and expose corrupt politicians etc

and then it’s just after 3/4 of the way through but the con has been finished? what is going on? this is where the silliness comes in

the camera turns to the ot3 and…

hardison, pulling out three individualized rings: I know it’s not legal yet, and we have the necklaces, but I think rings would be a nice touch

eliot, pulling out an intricately carved box that also has three self-handcrafted rings: dammit hardison (with feeling and tenderness, and damp eyes)

parker, pulling out three very stolen rings from her pocket: does this mean we’re getting triple married if we all have three rings???

harry pops into the conversation (practically vibrating) excitedly just casually mentioning that he’s a notary and would be honored to marry them to each other if they wanted to

(they do)

wait, did I say silly? I meant unwaveringly tender and heartwarming

[wildstar25]

MiqoMarch Day 23 - Midnight

With their intended voyage into the void only a few days out, Arsay thought it the upmost importance that she steal her partner away to Kugane, that they might share one more fond memory together should things not turn out the way they plan in the thirteenth. It was as they crossed the very same bridge the miqo'te had once sat on together two years prior when Arsay gifted Y'shtola with a bracelet matching that of her own. A token of endearment which, Arsay confessed, she would have given to her fellow scion back then, had nerves not gotten the best of her. While their relationship has undoubtedly changed since the initial purchase of the jewellery, the sentiment remained the same. Y'shtola was someone who Arsay loved dearly and she will forever be grateful to have the seeker's life intertwined with her own. No matter where their free spirits took them, they would always hold each other in their hearts. A promise Y'shtola was more than willing to keep. She slipped the the string of beads around her wrist without a second thought. They were never to come off, not even when the two decided to delay their return to Radz-at-Han in favour of a private bath at the dead of night.

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[poorlittleyaoyao]

You're doomed--may you never fathom who you are!

Oedipus Tyrannus, lines 1167-1173 (tr. Robert Fagles)

[change-the-rules]

oh Wait A Second

Hang The Fuck On

Ive Got Another Thing Actually my beloved eloise Also came up with the dumbass plan to claim to be whistledown when she was backed into a corner by the queen it was a stupid plan then same as it was for cressida

the difference being eloise was confiding unwittingly To whistledown who immediately did everything in her power to shut that shit down for obvious reasons

ELOISE WAS IN DAMN NEAR THE SAME POSITION AS CRESSIDA WAS

at least in terms of personal desperation and impending doom closing in like for the love of fuck no one else could have possibly been in a better position to if not help then at the very Least EMPATHIZE

if everything went exactly as it had but *before* the dropping of the 'friendship soured' Out of Nowhere eloise had tried to comfort or reason with cressida Especially from this VERY RIDICULOUSLY SPECIFIC AND NICHE common thread but nuture and fear won out and cressida still went ahead with her ill-advised gambit?

and their friendship imploded accordingly

I would Not be nearly as annoyed as I am now because hey I like angst WHEN ITS GOOD STORYTELLING like damn

IT WAS RIGHT THERE Y'ALL ELOISE LITERALLY EXPERIENCED IT SHE HAD THE SAME THOUGHT WHY DID NO ONE USE THAT

[tiffaluvr]

hch mid-season finale how we feeling?

I wanna know if u guys still have theories and headcanons and anything else that u haven't seen yet in the story: plss drop them in the reblogs or replies!!! we need smth to fill these weeks of wait :3

[fighting-these-demons]

Divorce Saga Domon - A Haunted Honk Prequel

Hello Internet Stranger looking up G Gundam on Tumblr dot com!

This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.

If you are not looking for this content please scroll on.

If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -

Then go ahead and feel free to:

Check The Tags Of This Post For The Pairings

and click the Read More below!

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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....

For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon

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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.

The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like

Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.

He has Argo smuggle him out to avoid detection.

Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.

He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable. 

He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.

Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.

Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.

Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.

Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.

So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.

There's a bit of a twinge in Domon's heart as he leaves that he can't really place.

After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.

They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.

He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.

I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.

But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.

The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.

@thedragonchilde @amplexadversary @youreaclownnow

[razzle-zazzle]

wait what's the betrothal au??

I'm glad you asked! The premise of the Betrothal AU, in a single sentence, is thus:

Cole and Skylor are arranged to marry each other by a contract made before either of them were born, and they take issue with this.

Of course, there's more to the AU than just the premise—how the whole contract was made and how Skylor and Cole feel about it are major questions I wanna explore in the AU, so I'll do my best to summarize them a bit here:

The contract was made by Chen and Cole's Currently Unnamed Grandfather (I used to call him Shane but I'm not liking that name as much now tbh); Chen had the upper hand in those negotiations. Like it was clear from start to finish who was in control. He initially asked for Lilly's hand, but her father threw a fit and managed to change the terms to "Chen's child will marry Lilly's youngest child by the time both are 20" (but with. more legalese). Because surely, Unnamed Grandfather thought, Chen couldn't possibly have children as an exiled-to-an-island war criminal, and surely, if Chen did find a way to father offspring, Lilly would have multiple children and her eldest would inherit the power of earth, thus preventing the earth master line from getting tangled up with the likes of Chen.

Except then about six months after Skylor was born Chen sent several baby pictures to Unnamed Grandfather to gloat. And Lilly only had Cole because she and Lou only ever wanted one child. So Cole and Skylor are engaged from... not quite birth because Skylor was born almost a year earlier and Chen waited to see if Lilly would have any other children, but definitely since they were both young enough to toddle.

Sooooo... how do Skylor and Cole feel about this? Well, for the most part.. they're kids. Yeah, they meet when they're both five and they're given their halves of a pendant and told that one day they're gonna marry each other, but at that point they were literally just children. Marriage was more of a concept to them, a silly thing they could pretend to do and think about that otherwise didn't really impact them. Especially since they only saw each other once a year (and Lou & Lilly would always throw a fit when Unnamed Grandfather took Cole to Chen's island. But Unnamed Grandfather is going to honor his debts, dammit, even the ones that suck).

But even as they did get to be kids, even as Skylor would eagerly await the 2-4 weeks every year when Unnamed Grandfather would visit with Cole in tow, even as they would run around the labyrinth and into the jungle and all over Chen's compound like the kids they were... well, Chen's a dick. Oh, sure, he wasn't trying to make them feel bad about the engagement, but he definitely wouldn't let them forget it.

So the marriage became a sort of inevitability, for Cole & Skylor. When they were 11-12, they had these cute puppy crushes on each other that they would not have had were it not for the whole "you two are going to one day marry and then spend the rest of your life together" thing hanging over their heads.

And then Unnamed Grandfather dies, and Lilly's fallen ill, and Lou is absolutely not going to go to Chen's island under any circumstances. So Cole and Skylor haven't seen each other in person since they were 13, and wrote letters instead.

So they inevitably drifted. For Skylor, the marriage was an inevitability, but one that she could deal with later—being Chen's daughter gives her way more pressing concerns to deal with daily, anyway. And it was the same for Cole—the engagement, when he thought about it (which wasn't super often) was a distant sort of inevitability, like a project due at the end of the semester that you don't think about until then because you've got assignments due now to worry about.

When Chen invites the ninja to his tournament, when Cole and Skylor see each other on that ferry...

Skylor had been sort of vaguely aware that she wasn't interested in Cole that way. From her memory, he was sweet and rowdy, and her only childhood friend her age. Not the worst person to be tied to on the legal level of marriage, but not exactly someone she was interested in. Seeing Cole in person for the first time in years, and connecting that familiar face with the most recent letters—it crystalizes, for Skylor, that she's not into him that way.

But her father always gets what he wants, and the contract is airtight. So Skylor grits her teeth, swallows her venom, and sidles over to Cole to test the waters. Hope he's not as into her as she remembers feeling about him once, when they were younger and friendlier and liked to talk about what they wanted for their wedding together while digging in the mud for cool jungle bugs.

Cole hadn't thought about his engagement as often—sure, he used the new pendant half that Chen sent him after the monastery burned down to finance every meal the grieving ninja ate at Chen's, and sure, he sent letters monthly at least. But the notion of marriage has become so distant and unimportant in the wake of Garmadon, the Great Devourer, the Overlord, and Zane's death. When he sees Skylor, standing off to the side in a cloak but nonetheless recognizable, it hits him—they really hadn't seen each other in years, and he doesn't feel anything romantic for her.

But Chen has Zane, or might have Zane and be lying—and Cole can't chance that. He needs to know for sure if Zane is alive, so he hopped on the ferry alongside the others, pendant half in hand in case it'd come in handy. But now that the reality of his engagement is staring him in the face and sidling over to him—oh, Cole just knows it's going to cause problems. He's always been good at running away from problems—but he can't run away now, can he?

so yeah tl;dr chen's a little bitch and cole & skylor are gonna have to try and work around that