#she's wild i fucking love her

[wearetheunholyfamily]

WOOHOO more Ortega and Sidestep trauma let's gooooo

[stil-lindigo]

motherhood.

[bacchuschucklefuck]

prayer of the day:

[sheikfangirl]

Totk Angst - "I told you I didn't like this outfit."

Random Toxic Puppet Zelink I drew because I just missed my lady and Master Puppet Zelda so much❤️

And...I'm gonna tell ya a secret: I am a bad person who enjoys drawing Link fu***d up and suffering way too much😩 Also, if you are wondering, Link is wearing the Depth outfit. The front piece was removed and placed on his leg... I needed the outfit "sexified" 🤣🤷‍♀️

I'd draw this outfit way more often if the hood didn't hide Link's facial expressions so much. It's really REALLY is my favorite TotK Armor Set! So...GOTH!! Glory to Puppet Zelda!

[possamble]

for your consideration

BDHSJSJDJD THE SHAKY THUMBS UP IM,

[cradle-of-darkness]

live laugh lori

[starry-bi-sky]

DPXDC Idea: Mother of Monsters Dan(yal)

Specifically Fem!Dan because I made this in mind with my Fem Danyal Au bUT. The best part about Dan is that I get to play dress up with her, and Fem Dark Dany is gonna go by Layal (pronounced lae-el) because it means "the nights" and it sounds similar to Danyal, and I think she'd choose that name to mock Dany. ANYWAYS

Mother of Monsters Danyal. She may be evil but she's an Al Ghul at her core (even with vlad's soul merged with hers - however, considering that Layal looks and sounds like Dany, she considers that soul to be the more dominant one.) and loves animals. And she might be heartless, but she adores the monsters of the infinite realms.

Mother of Monsters Layal who hates everyone but utterly dotes and adores on every manner of beast she comes across. Stealing the eggs and infant young beasts of the Infinite Realms to raise as her own because she wanted them. Her own island full of monsters, a monstrous menagerie of her own. She steals most often from poachers or exotic pet keepers and other menageries -- the full grown beasties can keep their young.

And with every monster she raises, she can shapeshift their features onto herself, allowing her to change her shape from humanish to any matter of monster or hybrid creature. She calls herself their mother, and them her children. Her precious little babies, capable of incredible mass destruction and mayhem.

From little griffins the size of kittens, to stymphalian vulture chicks, and leviathan young hatching from eggs the size of her pinkie, to creatures native of the ghost zone that didn't even have names in the living realm. There really wasn't a limit to what or who she would take in and she didn't limit herself to any form of mythology. If they were beasts and they were unwanted, she wanted them. And as such, amassed her own mini army of "children" willing to listen to her any command.

Earth doesn't know what hit it when she attacks them.

There are many monstrous forms she could take on, the first one I've thought of is a combination of various serpentine/reptilian features. The body of a naga -- her lower half long and serpentine, her upper still human -- with spiked fins connecting from the bottom of her arms to her sides, ever seen Sinbad where Eris goes "you might have seen my likeness on the temple walls" and her arms do that fin thingy? Same concept. Her hands are webbed and taloned, perfect for slicing through the skin of the living, and her teeth are needle-sharp and shark like. Her hair can either be spiny and feathery-like like the spines of a lionfish, or frilled like a frilled-neck lizard. It's perfect for dealing and doting on her reptilian and amphibian-inclined darlings.

I'm more of a fan of aus where Dan is a sibling of Danny's rather than their kid, so Layal's redemption(..?? probation?) proceeds with her legally becoming Danyal's "twin" sister, who had been lost to the foster system before the Fentons adopted Dany, and was only recently reunited with her. The two of them look so alike that the lie is easy to take root and spread.

Layal is very indignant to the fact that she's now ten years in the past and has to restart her menagerie all over again. Do you know how much blood and sweat went into raising those children? How dare you separate them from their mummy. Although she'll admit she does miss their juvenile years, so she won't mind (too much) needing to raising them again. Dany is helping her retrieve all of them though, dammit.

long story short: epic the musical's "Scylla" has a CHOKEHOLD on me and this is the result of it

Unlike her Dan counterpart, Layal's voice is dancing and sirenic. It's purposely alluring and motherly, in order to lure people into a false sense of security until she feeds them to her "children." Echidna doesn't have shit on her. She almost seems friendly and reasonable, until you get too close and realize it was all an act and she drops it to metaphorically swallow you whole. She's like an anglerfish that way. She and Dany both sound like Scylla from Epic.

[waterlilyvioletfog]

See the thing is, you read HtN and like yeah, obviously lobotomizing yourself so a dead girl’s soul doesn’t get cannibalized is completely fucking wild and you probably have to love someone at least a little to do that, but Harrow has spent the whole book having tension with Ianthe and fervently claiming to be in love with the Body— and then you get to Act V and Harrow is literally weeping wailing feral about Gideon, constructing Prince!Gideon AUs (which, she doesn’t know about Gideon’s paternity!! She is simply drawing upon a (romantic!!!) genre trope!!!) and role reversal AUs and fucking coffee shop AUs about Gideon, and she’s refusing to go back to her own body, and Abigail and Magnus and Dulcie so obviously and completely believe that Harrow is in love with Gideon because they directly compare them to Abigail and Magnus, and she says she’s saving the last dance. Agh!!! Aggghhhhh!!!!!!

[ghostmaggie]

i am sooo setting myself up for hate with this but like...damn! y'all really hate epic calypso and i...really don't? i don't know if it's lack of background knowledge on one (or both) of our parts or just knowledge of different versions of the myth/character or different interpretations of love in paradise/not sorry for loving you but like...

calypso hurts odysseus. but not maliciously? he's a victim, and so is she.

i think possibly the lyric "under my spell we're stuck" is making people think she's the one keeping them on the island? she's not. she's a prisoner, too. hopefully the next saga makes that clearer? i think from the clips we've got of not sorry it might.

i don't think she's using the words of his dead friends to mock or trigger or harm him or even to try to manipulate him. it's possible she doesn't even realize what she's saying - how would she know the origins of those phrases? If she's hearing them as he talks in his sleep, even odds they sound like affirmations. they sound positive - i'll stay in your heart! greet the world with open arms! in the best possibility, she's trying to comfort him.

that is of course an optimistic view. call me polites, i guess. but even as she is hurting odysseus - and she is, i don't deny that! - i can't see it as because she's another example of an evil god. i think for better or worse - she doesn't know any better. it doesn't excuse her violations of boundaries, but she has a childlike, self-centered perspective because for so long she HAS just been herself. the world DOES revolve around her. it doesn't make it right. but it doesn't make her a villain.

i've already seen people complaining about how she refuses to apologize in not sorry for loving you. but she does. she apologizes for everything (say too little too late, fine, but she does) EXCEPT loving him. and her love has never been the thing causing harm. her actions have. she shouldn't apologize for loving him.

also also - within epic canon, as of what we know now, i don't think those aforementioned actions include sexual assault. there are differences between epic and the odyssey. that has been made abundantly clear. and other incidents of violence and sexual assault within epic are clearly articulated. if these aren't, i don't think we can assume they're there.

epic calypso isn't odyssey calypso. or pjo calypso. or any other calypso except: epic calypso.

[celestie0]

need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au need to write a hospital au

[dungeons-and-dragon-age]

Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)

[blueskittlesart]

maybe this is a kind of obvious answer but can you talk about the symbolism of the silent princess flower in botw?

YEAH. i can <3 <3 <3 <3

so the silent princess. this flower which is so pervasive as a symbol throughout this game. most of what we are told about it comes directly from zelda in the memory where she talks about it. in the english version of the game, she says "This one here is called the silent princess. It's a rare, endangered species. Despite our efforts, we can't get them to grow domestically yet. The princess can only thrive out here in the wild. All that we can hope... is that the species will be strong enough to prosper, on its own." in japanese, she (more or less) says, "this is... it's called the silent princess, and it's an endangered flower. I started artificial cultivation [of the silent princess] a while ago, but it's not going well. it's... a princess that might become extinct." that discrepancy is interesting, i think, with the english version being altered to give zelda a slightly more hopeful outlook on the fate of the flower, musing about its potential for survival instead of thinking more negatively about the prospect of its extinction.

So. the flower's actual symbolism. It's honestly kind of heavyhanded imo, but sometimes a heavyhanded symbol still works really well. consider the flower's name, the "silent princess." consider, then, the two characters who are most obviously tied to it--zelda, the princess, who is actually named in the flower's compendium description, and link, the silent knight who seems to find the flower at every important location throughout his journey. On a certain level, the flower is representative of these characters, hence why its name evokes aspects of both of them. more specifically, though, the flower is representative of the internal struggle these two characters undergo as pieces of the bigger puzzle that is the calamity.

both zelda and link suffer "in captivity" as zelda puts it--they find themselves struggling under the weight of their destinies, zelda unable to perform to the standards of her father, link terrified to fall short of the kingdom's expectations. neither of them are able to reach their full potential when "cultivated artificially" as it were; link is mute and subdued, never showing even the slightest hint of his true personality underneath the hardened exterior, and zelda is frustrated and depressed, convinced she will never be enough to win the love and praise of her father. On a certain level, being "cultivated in captivity," being forced to live under careful observation, with a clear purpose and clear, unshakeable expectations, killed both link and zelda. link literally died at the hands of the calamity, and zelda killed her adventurous spirit and scientific curiosity in an attempt to conform to her father's expectations. when zelda, in the japanese version of the game, muses that the princess may be destined to become extinct, she is expressing kinship with the flower, believing that she, too, has no meaningful future since she can't conform to the expectations her father and her kingdom have for her. She essentially feels that if she can't be useful "in captivity" there is no way for her to live in this world, and that the only other option is "extinction."

Her more optimistic english monologue, however, is closer to the truth of the silent princess's resilience. While we know that the princess was in dire straits a hundred years ago, post-calamity hyrule sees many of the flowers taking root, often in places that were once highly-populated but have since been abandoned. what we find in a post-calamity landscape is that the silent princess, once thought to be unsavable, is THRIVING in this new world, having been released from the expectations and interference of the people trying to cultivate it. Again, this is symbolic of link and zelda: in a post-calamity landscape, we see link begin to find his voice. we see his personality begin to return--he cracks jokes, he laughs, he cooks, he takes photos, he makes connections, he buys a house and decorates it. He thrives in a world where he is not confined by the pressure to be perfect, to grow in the way that others expect of him. the silent princess can't grow in captivity, but it CAN thrive in the wild, free of outside influence, allowed to just BE.

Also worth noting that there's a side quest in botw which involves a legend that if you swear your love on a freshly-picked silent princess, you and your partner will "live a charmed life." there's definitely something to be said about The Zelink Flower being the subject of a romantic legend. but that's not actually the point of this post. anyway

[wintergrofyuri]

izutsumi finally finding herself a group of people that respect her humanity and like. call her a young lady and shit. and at first being a little put off bc she's always been treated like a Thing. an It. and suddenly having people recognize her humanity being new and strange. but over time beginning to feel like. a sort of euphoria about it.

anyways izutsumi transgender allegory

[spacedlexi]

so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring

she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)

then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??

then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??

violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn

like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication

i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"

[raayllum]

was thinking about why the fandom focuses on callum's devotion to rayla more so than the other way around - even if they're equally nuts in a lot of ways and i do think the focus is 60/40 - and i think a lot if is really comes down to callum just being 'easier' to love than rayla like, objectively, especially in arc 1.

he's sweet and goofy and emotionally open, he can be insecure and get stuck in his head but that's very internal, he makes mistakes but never anything too major, at most interpersonal relationship wise he can be a bit pushy or momentarily cruel, he's a prince and wanted peace with the elves from the start, he never really causes massive disasters and when he does there was a 50-50 chance it was going to work out anyway or if he is taking a massive risk, thus far it's really only involved risking himself.

he's cute and caring and has never really broken her heart (as she maintains hope even throughout his bouts of cold shoulder in s4). of course she loves him. of course she'd risk everything and anything for him. and even in arc 2 when he's being cold, he's still caring and still knows when to step in and support her

rayla is like... a much more 'difficult' character and person from the start. she lies repeatedly, especially to cover up her failures, she can swagger without actual substance, she's snarky and stand offish and can be snappish. she breaks at the worst of times and often leads to other people being put at risk. she abandons him and breaks his heart. she showed up threatening to kill him. she blew up their lives together and repeats the same mistakes over and over again.

on a surface level and on an interpersonal level, she's far more of an overt piece of work, whereas callum's nastiness comes out more sparingly and is more hidden under the surface; it's not always so apparent. but rayla's typically is, she is a moonshadow elf who fundamentally cannot hide her flaws even when she's trying to so hard

and callum loves her anyway.

he's endeared by the snark, he persists past the standoffish, she pushes him away and he keeps coming back to try and help her, he gets angry but he ultimately (and always rather quickly) forgives her, he's had multiple people telling him that she's bad and cannot/should not be trusted and just flat out doesn't listen to them, because he believes so fundamentally in her goodness, even or especially when she doesn't believe in it because of all the reasons above. he knows she can be difficult and he either doesn't care or loves her not in spite of those things but because of those things. and that's what's so appealing about that aspect of their dynamic.

callum is a wonderful walk in the park when it comes to catching feelings with only a few hiccups, and so often rayla is a ditch with spikes, and callum just goes "challenge accepted" every time (and succeeds) because he knows/believes that she's worth it (and he's right)

[moe-broey]

Miwabiwis.......

I actually do like her official outfit! I just... had a deep need.... put that girl in a nightgown and slippers RIGHT NOW‼️‼️‼️‼️ Also it is admittedly so much easier to draw 🧍

I did try to keep in line with most of her official look though! Or add more emphasis to little details, like the red berries... other details I added, like the bloomers, keep the roundness of her og dress! BUT ALSO.... they are just so cutes.... I imagine they're made of rose petals...... I was also thinking angelic motifs. With the dress shape, and the smaller wings shaped as such!