#shes doing better now though

[kiadanta]

Kia is staying with my partner while I'm abroad on holiday and she's not best pleased, poor baby. She's safe, she's well cared for, she's with someone she knows and likes, and she's getting attention, she's just,,, in a weird place without me, and not really impressed about it.

She's starting to chill out and settle in though! Slowly.

Ft @rinnaden

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[ophernelia]

Melissa Thalia Howell, Lou's mother.

[artharakka]

So, how was your weekend? Rhiam met a shapeshifting god of forests who transed her gender 🌷

[marigraphia]

Hey remember when Kory was a Justice League member with a bangin' costume

[i-really-like-phrogs]

Re-design of my un-named Beetlejuice OC from back when I was thirteen

Original Reference under the cut:

[anghraine]

You'd think the worst part of being immunocompromised would be catching All The Things, but honestly, the actual worst part is not being able to visit very sick loved ones because they're afraid of you catching the sickness :(

[miraculouslbcnreactions]

It's weird to expect lb to be able to read cn mind and called her a bad partner for it. But it's even weirder for lb to ignore cn WHEN HES OBVIOUSLY IN DISTRESS and not called her a bad partner for it because I think called her a bad partner for ignoring it is understandable and justified especially since she consider herself as his boss.

Every time I bring up this conflict, I try to make it clear that I don't think Ladybug was blameless, I just think Chat Noir's writing was worse. Let's walk through the problem to show what I mean.

Season four stars with Marinette extremely stressed by her new Guardian status. In Truth and Lies, the first episodes of the season, we get this:

Ladybug: Will you cut it out with the practical jokes? I could have really hurt you! Cat Noir:(answering while hanging by the yo-yo) M'lady, the only thing that really hurts me is when you make me go on patrol by myself. (sighs, relaxing his posture) I even missed your little angry pout. Ladybug: Sorry, Kitty Cat, I'm a bit over my head at the moment. (pulling him up) Cat Noir: I bet! "Guardian of the Miraculous", big name, big responsibility!

This is also the start to Chat Noir communicating poorly. In this episode, he's straight up told that Ladybug is in over her head and he never once asks how he can help. In fact, we even get him saying this when asked how he feels about the change:

Truth: Cat Noir, tell me what- (interupted by Ladybug throwing a present at Truth) Ladybug: (covering her parasol with foil) ...do you think about my new role as guardian! Cat Noir: If it doesn't change things between us, then I'm good with it!

So not a great start to the season. I know people focused on Adrien's terrible treatment of Kagami in these episodes, but this Ladynoir dynamic was actually what rang alarm bells for me. I kept waiting for Chat Noir to offer his support since it was really, really obvious that Ladybug was in over her head since she was late to patrols, the last season literally ended with her losing her mentor figure, and, you know, she straight up told him that was what was going on?

The next episode is Gang of Secrets in which we see Marinette out her identity to Alya. I get why she did this, she needed support and her partner doesn't seem interested in giving it, but she can't say that for certain because she never asked him directly and she should have. Trusting Chat Noir over Alya would have allowed Ladynette to maintain the security of her secret identity - a thing she claimed was more important than ever - and to honor their partnership. At the very least, she should have told Chat Noir that Rena Rouge was now a full time holder so that he could account for that in battle and to minimize the fallout by owning up to her mistake asap. The longer a lie goes on, the worse the truth will hurt.

To Ladybug's credit, she does eventually acknowledge her mistake after the Scarabella incident:

Ladybug: You... must've been pretty surprised to discover there was another holder! (Silence. She sits beside Cat Noir.) Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings.

This is a decent apology. She doesn't try to absolve herself of wrong doing. Instead, she acknowledges that what she did would hurt her, too, if the shoe were on the other foot. The only thing she loses points on is the fact that she doesn't tell him about Rena Furtive.

However, instead of agreeing with her and telling her that she has hurt him, Chat Noir says that she did nothing wrong and never once brings up how their weakened partnership is bothering him:

Cat Noir: You didn't hurt my feelings. You did everything right. Paris will always need a Ladybug superhero to watch over her. It's just... I realized that if one day that hero wasn't you, m'lady, since we don't know each other's identities, that means... I'd never see you again. Ever. And now, I just don't know if I can bear it.

This is the thing that I hate about this arc. The reason why I say Ladybug is blamed for not reading his mind. Especially because, three episodes later, we get Rocketear, which gives us this:

Cat Noir: Everyone has doubts now and then, (looks down) even me... Ladybug: Is everything okay, Cat Noir? Cat Noir: Yeah, yeah. (prepare his fist) Pound it! Ladybug: (fistbumps) Pound it!

Rocketear is the episode where Nino outs that he and Alya know each other's identities while acting like Ladybug said identities weren't a big deal even though that is very much not what happened. You'd think that Chat Noir would want to know the full story, but instead he just lies and says that everything is fine.

So we have two situations where the show allowed Ladybug to give Chat Noir a chance for clear and open communication and both times he turns her down.

What's worse is that he clearly starts making up stories in his head, leading to Kuro Neko, which starts with Adrien avoiding a fight on purpose as some sort of shit test. He then gets upset when Ladybug... doesn't lament his absence on national TV?

Clara: (from TV) By the way, where's Cat Noir? You've saved Paris without him quite a few times recently. Are you two at odds with each other? Carapace, Pegasus, Vesperia and Pigella: (from TV) Pound it! Ladybug: (from TV) Of course not, it's just that... umm, he's a partner like any other! The most important is to pick the best superheroes for each mission, with or without Cat Noir. No matter what, we've got a great team and we'll always be here to save Paris. (Adrien is shocked.) Adrien: (turns off the TV and sighs) "A partner like any other..."

Dude, what did you want her to do here? Complain that you flaked on her? Make Paris feel less safe by saying she doesn't know where you are? Imply that the fight was barely won without you? What are you doing? Plagg, you are completely failing as a mentor right now.

The shit test continues as Chat Noir goes to meet up with Ladybug now that the battle is over, arriving just as Ladybug has finished instructing the team on what to do:

Ladybug: Come on, guys! Hurry up before you all detransform. I'll meet you at rendezvous points. (The heroes jump away in different directions, and Ladybug starts typing something on her Yo-yo.) Cat Noir: Hey! Meow are you, m'lady? Ladybug: Great, thanks, but I gotta go retrieve all these Miraculous. Cat Noir: I could lend you a paw to help save time. Ladybug: Thanks, kitty cat, but it's a guardian's job to do it. Cat Noir: I know who some of them are, remember? I was there when you first gave them their Miraculous! Ladybug: You don't even know where their rendezvous points are, I don't have time to— Cat Noir: Playing cat and mouse is my forte, you know— Ladybug: (yelling) If you wanna save me time, stop wasting it in the first place! (Cat Noir gasps. As Ladybug swings away, Cat Noir clenches his fist.) Cat Noir: And take my Miraculous back when you're done!

So Ladybug doesn't publicly chastise Chat Noir for missing the battle and rejects an offer to help because of very legitimate timing concerns, leading to Chat Noir quitting because she failed his stupid, petty, childish tests. Realistic writing? Yes. Writing that paints Ladybug as the one in the wrong? No.

Going into this episode, Ladybug has no idea that things are messed up between them even though she has actually kept communication lines open. She asks him if things are okay, but he lies. And when he's ready to quit? He plays stupid games and wins a stupid prize. It's really not shocking that the next scene sees Ladybug totally baffled by what just happened:

Plagg: For a while now, you've been neglecting this camembert— I mean Cat Noir, and going on adventures with the all other cheeses! Ladybug: But he should be happy about it, it gives him more time off. Plagg: Cat Noir doesn't wanna have time off, Ladybug! He is in love with you! And your persistent calling on all the other heroes has broken his heart.

And how is she supposed to know that, Plagg? Was she supposed to assume that her partner was lying when he said he was fine? Because she did ask and he said that nothing was wrong. But something was wrong and it lead him to build up a story in his head, reading nonexistent intent into her actions, all of which is toxic and unhealthy communication.

I cannot stress how common this shit is. I've seen it so many times and I will own that I've done it in the past and wound up getting no support when I needed it because I'd directly told people I didn't and they committed the heinous crime of... believing me.

Here's the other thing, there are times when I'm in distress and legitimately don't want or need help. Times when I just need to be alone for a bit. So if someone asks me if I'm okay during those times, I'm probably just going to say, "Yeah, I just need a people break" or something like that. That's why the Scarabella scene is so bad. Ladybug can see that Chat Noir is in distress and he gives her a fully plausible answer: I'm not upset with you, I'm just saddened by the idea of losing you. And she believes him because why wouldn't she?

Same goes for Rocketear. It's reasonable for Ladybug to assume that Chat Noir is just shaken by the fight. She has no idea about the bombshell that Nino dropped right before the fight. She doesn't even know that Nino and Chat Noir are actually close friends, making this fight a lot more devastating than it looks at face value. Her actions here are not objectively wrong. They're only wrong if you know the whole story, including Adrien's needs. Things that she cannot know unless Chat Noir uses his words to tell her things.

I cannot over stress how much season four is a textbook example of denying yourself support because you cannot communicate your own needs. Is it an understandable character flaw for a character with Adrien's background to have? Yes. Absolutely. 100%. But it's still a character flaw. This season desperately needed an arc about Adrien learning to tell people what's wrong. Not because he's the only one in the wrong here, but because things cannot get better when Ladybug has no idea that she's hurting him. (Nino has no idea either, but let's keep our focus on Ladybug.)

One of the most important things you can do for your own mental well being is to dismiss the idea that your needs are the same as everyone else's. Everyone needs different amounts of attention and values different behavior based on things like their upbringing and life events.

I get the feeling that I'm wired pretty similar to Marinette. At least, it influences how I write her because I can go months without talking to my best friends and still call them my best friends, a trait we all share because two of use are artsy introverts and two of us are moms to young kids, which allows for very little free time. Meanwhile, my SO and his best friend spend hours on the phone almost every week. I swear that those two go into withdrawal if they don't talk at least once every seven days. If months went by without them talking? Something would be very wrong, but the exact same time gap isn't even remotely concerning when it comes to my friends. It's something my SO and I had to figure out when we got together because I need a lot less attention than he does. But we communicated and found a balance that we continue to work to communicate about so that he doesn't feel neglected and I don't feel overwhelmed by too little me time.

What I'm trying to say is Marinette wasn't horribly wrong for assuming that Chat Noir was telling her the truth or that he liked having a larger team so he had less responsibility. Those are reasonable assumptions. Especially since he never actually indicated that he wanted more responsibility until he was ready to quit and decided to shit test her by pushing for more to do when she was stressed and on a timer.

I do think that she should have offered it to him before that or - at the very least - the show should have clearly stated why she didn't do that since it apparently had nothing to do with Chat Blanc trauma like we all thought it did. I'm not saying that she's blameless or perfect or that there weren't things she could have done better. It's just really hard for me to look at Chat Noir's behavior in season four and go, "Oh yeah, he's the injured party here. Ladybug holds all the blame and did everything wrong." She did many things wrong, but generally speaking, she owned her faults and tried to keep communication channels open. Chat Noir chose to ignore those chances to talk or otherwise try to express his needs in a clear and understandable manner.

We'll end with one final point to drive this home: You said that she's his boss. Well, if my boss asked me, "is everything okay with the project?" and I said, "yes" while freaking out about the upcoming deadline that I'm probably going to miss because he's given me too much work, the issue is not all on my boss. It's on both of us. Him for overloading me and me for not telling him I'm overloaded. You could even argue that it's mostly on me because I'm the only one who can properly gauge my own ability to do a given workload. As soon as it was too much, I should have said something. And if I don't feel like my boss is approachable? Then I should quit. But that isn't the situation I'm in and it doesn't appear to be the one that Chat Noir was in, either. He wanted to stay part of the team, he just totally failed to tell Ladybug how being on the team was making him feel.

People magically knowing what you need and how you feel is a myth. I promise you, most people in this world do not want to cause you pain, but if you cannot clearly express when someone is causing you pain, then you will continue to get hurt by people who would be very happy to not hurt you if they actually knew that their actions were causing you pain.

[muninnhuginn]

Keep thinking about how time in Frieren is measured in years since Himmel's death. The fact that at this point in the anime, he's been dead far longer than Frieren travelled with him, and yet, that's still how she relates time to this world.

[moonsidesong]

i generally dont have that many sexuality headcanons for bfdi characters and if anything i dont think 99% of them even think about that kind of thing themselves but i do think there would be a bit where announcer's like. Im So Disappointed, You Guys. It's June. And None Of You Even Wished Me A Happy Pride Month At All. and the other contestants are like 'announcer are you gay? i dont think you ever told us that' and hes just like. No It's Fine. Whatever. Sheesh . and then the scene just carries on like normal

[bonefall]

Do you have a design for Bright Storm? I'm fond of the wise older figure thing you're doing with her

I do NOW

Made her, as well as a revamp of my old Thunder Storm design (I last drew him like a year ago!!) in preparation for some character summaries I plan to bang out after finishing a couple drafts, but Bright in particular gets requested so much (anon you're like the 4th person) that HERE, lady girl and her son be upon ye

I'm thinking about doing the BB!DOTC character summaries in "family" posts, so they're all grouped together the way I plan them to act in the story. Every family is telling a little mini-story of its own, in a way, from the Frost family and their inventing prowess, to the Heart family and how the kits react to Bumble's exile, to the Storm family and how they grapple with Clear Sky's influence.

I wanted to make sure Bright Storm was very large and powerful looking, but in a round, kind of "humble" way. She downplays her strength, her intelligence, and even her better judgement.

So she has these big cheeks, fluffy primordial pouch, poofy tail, keeps her head low-ish. Tends to deny compliments.

I was commiserating with my partner the other day about how intelligent characters aren't allowed to be thick-bodied. So between my fat, beloved Bumble the translator and Bright Storm the wise woman battle strategist I'm feeding us both

I needed to "finalize" their stripe pattern, because I actually plan for TIGERSTAR to have the same one. I'm probably going to update my Tawnypelt and Bramblestar designs to have it too; if they don't look better with Goldenflower's.

I just like the irony and bitterness of it. That these ancient stripes, once so associated with compassion and righteous fury, turn into a "legacy" so divorced from what Thunder Storm and Bright Storm stood for.

Becoming a symbol for the idea of modern ThunderClan and the culture of the new times, not the principles it was founded on.

Also I HAD to do the design thing where Thunder Storm's stripes look like top surgery scars lmao, my beloved transmasc boy

Anyway, I've decided that Thunder Storm was a REALLY dark orange. It bugs me a little, especially in-canon, that he looks nothing like either parent. So in BB he's not too far off color-wise from his mama.

I also removed the old "mane" and replaced it with combination white chest + his father's shoulder burls. The mane is going to become a Forest Cat trait, which is why it's going to get so prominent in ThunderClan.

Instead, Mountain Cats have a REALLY high concentration of ear tufts in their genes. They're also huge and generally hairy.

Funny enough though they're also "oily." They come from the Lake Cat population which was pretty water-resistant because of constantly dealing with the lake, and they haven't lived in the Mountains long enough for natural selection to get rid of it.

It's going to become SUPER advantageous for those who move to the River Kingdom, but become less prominent in the other populations.

But for now, Mountain Cats are kinda... well, naturally 'stinky.' That's not a BAD thing to cats who are animals who LIKE strong smells, but it is a notable trait that I'd like The Wind Runner in particular to comment on.

Thunder Storm: "Well? What did she say?"

Bumble: "Ummmmmm......"

Thunder Storm: "be honest"

Bumble: "she says she smelled you coming when you were upwind. rudely."

99% of the time when I'm changing character eye colors, it's to make them NOT blue because there's too many blue-eyed characters in WC imo. BUT.

I think it was another tiny waste to have the narrative constantly stressing Clear Sky's blue, blue eyes, almost like they're hypnotizing, and then they never really comment on what Thunder's eye color signals to other people.

So I've got an idea; instead of amber, Thunder Storm has ELECTRIC BLUE eyes. Almost green, like his mother's minty ones.

Intense as his father's, but more focused. Sharp. Shocking.

Side note: in my research I actually learned it's easier for tripod cats to RUN than it is for them to walk. They can "canter" like a horse, but when they go slow they have to hop. Taking this into consideration.

I put a splash of white on the little bit of lower limb that Thunder Storm has on the leg, so it sticks out a bit more. I don't want it to be hidden I want it to be prominent

I also figured out a hilarious trick for Bright Storm to pull on Sky's Clan at some point lmao

Thunder's crew is in conflict with Sky's cats and the attacks are getting more and more frequent. They decide they need some extra time to carry out some kind of hunt or diplomatic mission, but Bright Storm only has a small group of cats to pull off a stunt with.

She knows she can't fight them head on, but she NEEDS to buy her son more time, so she hatches a plan.

Clear Sky values his intelligence and his ferocity very much. To a fault, even. He loves to outsmart his opponents and overpower them-- so Bright Storm gets all her cats to build a very large, very tall, nearly impenetrable wall out of briar thorns. There's only one way in; the well-guarded tunnel they've constructed in the front.

It would be a challenge for a lesser cat. But Clear Sky, clever devil he is, realizes they've made a fatal flaw; they've built their camp right next to the trees. His fighters don't need to jump over the wall or push through it, the oaks are their allies!

So, while Thunder's cats are all surely sleeping, he gathers his best men and come through the canopy. In well-trained patrols, they swoop down into the camp and prepare for battle.

and no one is there.

You see, there was only one way in... and only one way out.

And Clear Sky and his best fighters watch with HORROR as the tiny crew of guards seals that entrance up like the neck of a bag. There are no trees to climb INSIDE the wall, and it's too tall to hop out of. It won't hold them forever, but it will hold them JUST LONG ENOUGH.

Bright calls this little plan "Operation Timeout."

[tswwwit]

i have a counter argument to the 'only one person can boop bill' thing, mabel. she's the type of person to slap stickers on people, she would definitely be the type to also boop others occasionally and bill would be no exception. she probably doesn't do it to annoy bill like dipper would, but maybe as a form of a friendly gesture, kind of like those people who will lightly punch friends in the arm when they hang out.

You know what? Good point. Mabel would get away with more than most, as a fun-loving lady! Bill understands those impulses, and being a touchy person! He indulges in similar ones himself.

Though when Bill's not in the mood to be playful and gets booped anyway? The 'sister-in-law' status grants her considerable grace.

[bericas]

always an angel, never a god | the treatment of girls and women on teen wolf

[dubiousdisco]

ingrid, sweetie, i'm so sorry

[novelconcepts]

Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?

Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?

Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.

Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.