#so I don't know if this made sense

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[ohitslen]

*Vampirizes your Vashwood*

keep reading for more :)

If there needs to be much closer close-up please let me know!

[taxinealkaloids]

horrible children who are. so so mean to each other

[lost-in-fandoms]

"Tell me again."

Max hums, moving his hand in slow circles along Daniel's back, feeling his chest move against his side, his face hidden in the folds of Max's t-shirt.

He bows his head, pressing a kiss against Daniel's hair, shifting against the hotel's pillows until he's comfortable again.

"It's going to be sunny," he says, voice low, letting Daniel's curls tickle his lips and nose. "It's going to be sunset, orange, the trees all golden in the way you like."

Daniel's back shifts under his hand, his fingers twisting in Max's shirt.

"We'll be sitting in chairs, because you have old man knees, and would complain about sitting on the floor."

He twists away from the halfhearted poke in his side, then settles back.

"They will be those garden ones, the ones with the straw?"

"Wicker," Daniel corrects him softly, voice scratchy.

"Yes, wicker." He tugs Daniel even closer, not knowing how it is even possible. "With pillows, so you can curl in them like a little cat."

He smooths his hand down Daniel's back, like he does with Sassy, when she stretches out beside him on the bed, similar to how Daniel is now. Does it again when he feels Daniel's shoulders uncurl slightly.

"We will be drinking your weird beers, the expensive ones that taste worse than all the others."

"Craft beer isn't weird," Daniel argues, just like Max was expecting him to. He sounds like there's something stuck in the back of his throat, and Max kisses his hair again.

"It is weird, Daniel. Beer does not need to be that expensive."

He gives him space to reply once more, but Daniel doesn't.

"We will drink your weird beer, and we will talk about that time we ate pasta in your hotel room."

It wasn't just one time, but Max knows he doesn't need to specify. They're both thinking about the same one, illegal spaghetti ordered from room service, hidden from their trainers, sauce on the corner of Max's mouth, cleaned by Daniel's thumb first, Daniel's mouth later. And even if they aren't thinking about the same, it doesn't matter. Every plate of pasta shared, in every hotel room, would matter just as much, stepping stones in their story, just as important as that first kiss.

"And it will be rainy," Max continues, voice even lower. His t-shirt is damp, stretched by Daniel's tense fingers. Daniel's back is shuddering, even when he holds him closer and closer and closer.

"It will rain, and you will have a blanket, because you always get cold, even more when it is humid."

The thing that was in Daniel's throat is in his too now.

"We will talk about how stupid everyone was. We will say it was all unfair. But we will not be angry anymore, because it will not matter anymore."

Daniel's hair smell like Max's shampoo, even if he usually doesn't use it, because he hates how dry it makes it feel. Max can taste salt on the back of his throat as he shifts his head slightly, trying to at least keep his ears dry, now that his cheeks are a lost cause.

Daniel's breathing is a stuttered rhythm against his ribs.

"We will cook eggs," Max pushes on, pressing every word against Daniel's skin, hoping every one feels like the i love you that it is. "Because we will have chickens on your farm, like a real farm, so we will be good at cooking eggs. And you will drink your wine, and sing your songs."

His voice breaks, sudden betrayal, just as Daniel trembles in a sob, but Max pushes through. They've both always known how to push through.

"And I will ask are you happy and you will say yes," he says, making it sound like a promise, because it is a promise. "And we will not regret any of it."

He knows they won't. Not the angry moments, not the painful moments, not the annoying little moments they will never even remember. They will take all of them and throw them into the jar of their lives, little pebbles, and colorful marbles, and shards of glass smoothed out with time and love and distance, all mixed together.

"We will sit on your chairs, and they will have nothing, and we will have us."

He holds Daniel closecloseclose, because he's never learned how to let go of the things he cares about, has always clung to things with his teeth and desire bared, and he has no intention of starting now. He has no intention of starting ever.

Even if this is not the way he wanted things to happen, he doesn't believe in letting go, especially when it comes to Daniel.

He swallows, clears his throat to try and dislodge the tight knot of feelings there, raises a hand to swipe his thumb along Daniel's wet jaw.

"We will have chickens, and a garage full of dirt bikes, and I will ask Grace to teach me how to make the pasta sauce you spilled all over the carpet when you were five."

Daniel nods against his chest, fingers relaxing. His breathing is still uneven, Max's t-shirt is still damp, but he can feel him going lax against him, relaxing bit by bit.

"We will," Daniel murmurs, voice shaky enough it sounds closer to a question.

"We will," Max tells him, firm. Would be happy to tell him again and again, until Daniel's voice doesn't shake on it anymore. "We will eat so much food, and we will become fat, and we will be happy. We will."

Daniel nods again, then shifts, wiggling in Max's hold until he can properly climb on top of him, pointy elbows planted on the bed, above Max's shoulders, trembling fingers tracing the wet lines on his cheeks, red-rimmed eyes soft.

When Daniel kisses him, they both taste like salt, exhaustion and the future.

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[seaweedraindraws]

I was saving this for my fanfic but I liked the idea so much I had to draw it!

Bonus:

Here is a link to the fic this scene is from! (Only chapter 1 is up, so this scene has not yet happened)

[poorly-drawn-mdzs]

Wardrobe Woes

[First] Prev <–-> Next

[luna-loveboop]

Twi just found out that in Lu he IS a type of Hero's shade for Wild

Spirit of older hero that comes and goes in wolf form yep sounds familiar

The main difference being that Hero's shade was there to train Twilight, whereas Wolfie was there to simply be there for Wild

Twilight is over here avoiding telling Time anything about Hero's Shade and then Wild comes up like "haha I totally met a dead version of you in wolf form that helped me"

Fun times when you meet everyone with the same spirit as you

.

Art by Jojo @linkeduniverse au :)))

[starry-bi-sky]

more clone^2

snippet 21: Danny is Bruce Wayne's Clone and--

Star, with the rest of the A-List girls: alright ladies! it's time for our quarterly 'cutest boys' list! Now I'll get straight to the point, in our number one spot is--

All girls, in unison: Danny Fenton

Star, writing it down on a whiteboard: and for our number two spot--

---------- Snippet 22: clone meet clone

Ellie, dramatically: Danny!

Danny, equally dramatic: Ellie!

Ellie, pushing past him and looking around: where is he! i wanna see the little guy!

Damian, with a sword, brandishing it dangerously: *in arabic* don't come any closer, stay back!

Danny, wrapping an arm around Ellie's waist and pulling her back: woah, woah - he's still adjusting to everything

Danny, turning towards Damian with his google translate open: [please don't stab her. this is Ellie my clone.]

Damian, lowering his sword in disbelief: 'there's MORE of you?

-------------- Snippet 23: Ellie has the same epiphany as Danny

Ellie:...hey Danny

Danny, pouring over his arabic book: hm

Ellie: since I'm your clone, and you're a clone of Bruce Wayne, and Damian is a clone of Damian Wayne, does that technically mean I'm his mom - uh. dad-mom?

Danny:

Ellie:...its a fair question

Danny: .....*deep sigh* you're his cousin until further notice.

------------ Snippet 24: wait for me ii (hadestown, live vers.)

(i'm not sure of the context, but i've been thinking of Danny saying this to Damian during a serious moment for days. the snippet title is the song that the dialogue below is from)

Danny, fixing up Damian's wraith suit: the meanest dog you'll ever meet

Danny, zipping up damian's jacket: it ain't the hound dog in the street. he bares some teeth and tears some skin, but brother,

Danny, adjusting Damian's gloves, pausing to look him in the eye: that's the worst of him.

Danny, he holds a finger up to Damian's eyes and points it at him: the dog you really got to dread, is the one that howls inside your head

Danny, grabbing damian's mask and smoothing it over his eyes: it's him whose howling drives men mad, and a mind to its undoing

------------ Snippet 25: Danny is Bruce Wayne's clone-- (Battinson Vers*)

Ember, in the middle of a fight with Phantom + Wraith:

Ember, knocks off Phantom's mask for the first time: lets see what ugly mug you're really hiding under there, Phantom--

Phantom: *the wettest, most pathetic looking pretty boy on the planet*

Ember:

Phantom, dryly: what, did your mic die out or something? all that caterwauling finally make you lose your voice

Wraith, unsheathing his sword: *vibrating with baby brother rage bc he knows EXACTLy why Ember is silent*

----------- Snippet 26: Damian is finally starting to play nice :)

Dany: hey... guys.... whatcha doing

Damian, hanging out with Sam: Me and Manson are plotting ways to crush the Mayor's plan to cut budget funding for the city parks and cut down the native trees

Danny: oh, i see.... is this safe?

Sam: probably

Danny: hm.

------------- Snippet 27: digging up cold case

Danny: ....if Damian is out with Sam tonight with their plot against the mayor....

Danny, turning towards his desk: then that means I can work some more on Mrs. Witherbury's murder case that she asked me to solve without Dames guilt-tripping me into bed :)

Danny, settling down at his desk with a thermos full of coffee: i'm glad sam and damian are finally getting along

--------- Snippet 28: sparring

Damian, frowning: your reflexes are incredible but your combat is downright awful, brother. it's truly a miracle i didn't skewer you upon our first meeting

Danny, got his ass kicked by his 7yo brother: *groaning in pain* not everyone has super secret assassin training, Damian. And I don't really have time to actually practice anything.

Damian: Mrs. Fenton knows martial arts and her form is proficient enough, I'm sure she would be delighted to teach you if you asked. I will join since I need to keep my skills sharp and my training was unfinished when I arrived here.

-------- Snippet 29: daytime surprise

Phantom, fighting Skulker in broad daylight: *under his breath* at least Lancer's english test will get canceled for this...

Phantom, dodging a blast from Skulker: *in ASL, furious* don't you have anything better to do, you fuck!?

Skulker: foolish ghost child, speak! I know you're capable of it - speak before you lose the ability to

Phantom: *flips him off instead*

Wraith, sending back a ecto-blast with his sword: please pay attention, phantom

Phantom, doubletaking: *in a hissed whisper* what are you doing here!? it's a school day, you should be at school!

Wraith: Tt. If the boot fits.

------------ Snippet 30: guilt

Danny with his head on his desk, his elbows propped up as he massages his hands: hn

Damian, lurking to the side with a guilty look on his face:

Damian: can i....

Danny, silently holding his hand out to Damian: hrm

Damian, immediately taking it and doing the massages + finger exercises: ...im sorry

Danny: hm... I forgive you

[ace-and-ranty]

My one contribution to the Goncharov Phenomena is, I’ve seen people comment on how Tumblr only managed to have a nuanced conversation about a piece of media when the piece of media doesn’t exist, but...

I can’t help but think. It just isn’t the same people.

The people who bother to make memes examining the complexity of Goncharov are the same people who enjoy examining the complexity of actual media, who have been here doing that forever, who already knew how to handle a subtle take.

It’s just that the people who would usually come crashing in and derail the whole thing aren’t saying anything, because, well, faking nuanced interpretation is fun for its own sake, but faking moral outrage isn’t. 

I don’t think it’s so much that Tumblr finally learned how to handle a nuanced take, I think it’s more that the fakeness of Goncharov automatically filters out people who can’t  ¯\_(ツ)_/¯

[deadpoets]

How much of him is there in me?

[angel-hole]

SUPTOBER 02 - pumpkin patch

4 There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown.

— Genesis 6:4

[teaboot]

(I'm a security guard.)

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.