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#so I have to see him tomorrow
prettyviaa · 5 months
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realized that I should just keep my feelings to myself after this one guy (who I thought was my friend) took everything I said to him for the past 3 weeks and told her. She proceeded to make a gc with everyone (there's more to the story) and use my insecurities against me and blame me for her fucked up mind without mentioning the specifics. I had to be hospitalized for a day because of how bad my panic attack was and I got yelled at by my mom for "starting this whole thing" and making her miss work.
I can't even trust my own friends because they're still friends with her. I've resorted to only speaking when I'm spoken to and only sharing my personal feelings when I absolutely need to.
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keferon · 2 months
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Monster hunter au part 9
I wanted to cook a bit more fluff before I get back to drama hehe
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poorly-drawn-mdzs · 4 months
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Good morning, Sleepyhead.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#'WWX was asleep for 4 days' is an incorrect factoid.#The average WWX sleeps for 8 hours. The PD-MDZS WWX who was asleep for 40 comics and 4 months is an outlier.#We are back to present day! I have missed drawing them!#Ah...the contrast between how the flashback ended (cold and distrustful) to how wwx wakes up (warm and watched over)...#The gap between the past and present is very important. Not just in this story but in our lives too.#The past can still hurt and it doesn't just go away with time as some say. It is the power of realizing that things have changed.#We can't get the good back. The bad memories have concluded. Those live somewhere else now.#It is hard to realize that you have to live for today and tomorrow. The past is so loud.#For WWX it is realizing that despite the mistrust in the past - He really does have faith that LWJ will be there for him.#It is the reflection of knowing that you changed and will keep changing and that change is good and kind sometimes.#But more importantly...and this I really do mean with all my heart:#It will all end up okay in the end. Even after the worst day. The most painful losses. You will get through it.#What feels like a breaking point is truthfully just another step you have to take. You'll get through it even though it feels like the end.#There are wonderful things you have yet to see. Friends you have yet to meet.#Even if it hurts so badly...one day it just aches. Someday you'll go a few weeks not remembering that it ever hurt.#Oh and because my izutsumi comic revealed many people were in need of hearing this:#You are loved. Right now. You are so loved right now. We just forget to tell each other that.#Go tell the people you love that they matter to you. I'm assigning you homework!!! You are graded on completion.
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slavhew · 3 months
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boys cry. real men weep.
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jerswayman · 5 months
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LOVE THY GOALIE. GIVE THY GOOD BOY HEAD PATS.
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iizuumi · 2 months
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Side effects of wearing your Kaiju suit too often ,,,, Part 2
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bacchuschucklefuck · 2 months
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species medley ft. gorgug and riz
#fantasy high#gorgug thistlespring#riz gukgak#cw: body horror#tbh mostly for the goblin shark jaws lmao. the rest is like. fine I think#ngl drawing like snouts on a humanoid face is kinda awesome I enjoy it#it is kinda a little bit what I aimed for with how I drew riz at first but I pulled back on it#the elephant remix for gorgug I think actually feels a bit more like orc rather than half-orc#maybe the tusks wouldn't get the same lip closure in half-orcs. tho tbh saying that sharing human and orc heritages would result in#consistent physical traits across the board is already kind of a reach I think. I imagine there would be a Lot of variations#and well. at least in spyre we don't see non-human mixed heritages so far... Ive been in my dunmeshi brain lmao#getting to see ryoko kui's art of mixed humans (dunmeshi in-universe term not irl term) is like coming home. thank u ma'am#anyways uhhh I think. I will have refs for every class swap bad kid (at least the full like per-season sets)#fig I'll post separately and then riz and gorgug I'll just include in like a masterpost kinda thing I think#u already know tf is up with them babey!!! just expressing those designs again for convenience#its been really fun figuring these designs out! and necessary if I wanna draw riz bc its literally impossible to doodle him on his own lmao#hes with his friends a lot actually. theyre literally in each others pockets the whole time#anyways! now I sleep. tomorrow? chillin. waiting to watch new nsbu with friend again. see u!
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petrichorium · 2 months
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also on my hands and knees dying to know about ur divorce (and perhaps reconciliation maybe…) with sir croc
Firstly I wanna say croc is THE reason for the divorced tier I had everyone in the husband/fiance/bf (and cusp + complicated) tiers I had the list downloaded and then I looked at croc in the husband tier and I was like no. Divorced………
Anyway I think you’re a marriage of convenience at first. Crocodile needs a wife to look more like An Upstanding Citizen Ready To Settle Down for his plans in Alabasta, you need the stability and rapport for your own reasons. A deal was struck (including a nice shiny prenup and an easy way out for both of you), the wedding goes off without a hitch, and now you’re cohabitating.
You’re all but a stranger, truthfully, though he’ll admit you were one of the most beautiful brides he’s seen walking down the aisle. And he finds your presence in his home less distracting than expected—you stay out of his way mostly, though the pair of you eat meals together and sleep in the same bed and you are always expected to be on his arm for formal occasions. You’re more than decent company, slowly warming to him and growing more open; willing to give advice on occasion, even, and it’s good advice he’s prone to heeding.
Which is why he’s blindsided when you drop the papers on his desk. There’s little he can do—they were practically already signed before the wedding, and in the surprise he can’t compose himself enough to think up a proper protest. All he can do is fold his hands together as you turn to leave, clear his throat, and call out, “Might I ask why?”
You shrug. It almost seems sad. “I want something more. You’re a very busy man, I don’t think you can give that to me.”
And those words haunt him, all the more because every trace of you is gone in the span of a few days. He lays in his bed, alone, pondering how much you truly lived in his home and how much he truly had to give you. He thought he made sure you wanted for nothing—but, clearly, that wasn’t the case. And if he’d known you’d be gone in the span of a few years…
In hindsight perhaps he’d been a bit distant. His work took up the vast majority of his time. All those meals were more often than not spent in silence, with Crocodile leaving long before you finished your food; you were often asleep before he came to bed, still slumbering when he woke; he’d arrive to those formal events with you on his arm and part ways almost immediately, drawn to meet with some politician or another and leaving you on your own.
The bed feels empty.
And then he gets a report about Nefertari Vivi. It all goes downhill from there. The empire he spent years building crumbles beneath his feet, toppled by that godforsaken princess and the upstart pirate with a straw hat. And as he’s carted off to Impel Down… he still thinks of you.
It’s perhaps a good thing that you left when you did. In a certain sense it saved you, severing ties with him when you did. But foolishly he wonders about the timing—wonders if it would have happened at all if you’d stayed. Logically he knows the rationale is anything but sound.
Instinctively… whenever he gets out, whatever he intends to do next, he thinks he needs you at his side again.
So when the break-out happens, and Crocodile is given a freedom he’d nearly given up on, the first thing he does is begin to track you down.
It takes more than he thought it would. His web of informants isn’t half of what it once was, and his name no longer pulls as much weight, forced to remain in the shadows as he now is. You, meanwhile, catch onto the mystery person trying to keep tabs on you far too quickly for his liking—flighty thing, never quite setting down roots, quick to flee at the first sign of danger. A trait that has only seemed to worsen in his absence, it seems.
But it’s only a matter of time. He’s Sir Crocodile after all, back from banishment to the depths of the ocean, sure to see the sun again. His men close in on you within a year as he builds up his numbers again, but Crocodile ensures he’s the first to make contact.
He intends to show you immediately how things will be different this time.
You’ve made temporary home on a quaint little island, sharing a house with a little old granny who lets him in eagerly when he presents a bouquet and says it’s for you. There he waits, served tea and biscuits that he doesn’t taste.
And then the door opens. You pause when you see him, eyes wide—donning a breezy sundress you’d never have worn for him in Alabasta, your hair wind-tousled so unlike the meticulous updos he always saw you in, with a basket of produce under arm—and the sight of you has his chest unwinding. It’s like he can breathe again.
Not that he had any intentions to before, but the smell of your familiar perfume steels his resolve to never let you disappear again.
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varpusvaras · 3 months
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Fox is being punished. 
That has to be it. He had been a bad Commander, a bad soldier, a bad brother. All he had ever done had been mistakes, one after the other, leading up to his miserable end. 
But even after that, even after his body had been broken, even after he had had to lay there, in pain and numb, slowly choking out because no matter how much he had wanted to, his lungs would not draw in another breath. The only mercy he had been granted there had been the fact that he had lost consciousness before the end had actually arrived, so he had not had to actually see it. 
Fox had known when the end had come, though. There had been a flash of something, a landscape of rivers and lights he had fallen through, all the way back towards the hard ground beneath him. 
Then, he had stood there, watching himself laying on that hard ground, unmoving and cold. 
Fox had watched as his men had gathered around him, how they tried to find a pulse, even though Fox himself could tell it had been too late just by looking at himself. He had looked like a doll that had been played too harshly with, and then left behind, once his owner had grown bored with him. 
Fox had watched as his men had gathered his body and covered it, despite the fact that he had still had his entire armor on. He had watched them carry it away. 
Fox had not followed them. 
He knows what happens to all the bodies already. 
He did…he did not want to see himself go through it. 
It is selfish of him, he knows. He should’ve followed them, should’ve watched himself burn, like all of his brothers before him, who had been fortunate enough to make it back. It shouldn’t have mattered. 
He is already dead, after all. 
Still, he had not followed them. Instead, he just continues to stand there, at the foot of the Temple, where he had taken his last breath. 
He had thought he would see his brothers again. 
He had thought that he would finally get to apologise to Thorn. He had thought that Thorn would throw his arm around his shoulders and call him stupid for thinking that he had something to apologise for. 
He had thought that he would get to run to Ponds’s arms again. He had thought he would get to be held, and his older brother, always forgiving, would tell him that he still loved him, no matter what. 
Fox stares at the ground, where his body had fallen. 
It seems that once again, he had thought he deserved more than he was ever meant to. 
— — — 
Fox is being punished. 
That has to be it. He is being punished for all his failures, by having him witness the same things happen over and over again, but this time, he is even more helpless than ever before. 
He watches as his brothers continue to die. He watches as bolts that he could’ve warned them about hit them over and over again, because his voice doesn’t carry anymore.
He watches as his brothers continue to lose themselves, pulling the triggers of their blasters over and over again, because his hands are as much nothing as the air around them is. 
He watches as the Galaxy continues to fall deeper and deeper into the darkness. 
He watches it all, and he knows it is his fault. 
— — — 
Fox thinks about visiting Alderaan, sometimes. 
He misses it. It’s weird. He misses a place that he has never been to. He misses a place that was never his home, and never would be. 
He misses- 
Fox pushes the thought away from his mind, frightened of the possibility of what will happen if he thinks about it, thinks about them too much. He is not tied to the laws of regular travelling of the Universe anymore, and he is afraid that if he thinks too much, the next thing he knows, he will be standing there, looking right at them. 
He can’t do that. 
— — — 
Fox watches Bly die. 
His screams don’t reach him before he is gone, and they don’t reach him after. 
— — — 
Fox watches Stone die. 
He screams, again, even though he knows it’s pointless. He screams at him, orders him to get up, orders him not to leave Thire alone to this place. 
Stone doesn’t hear him. He dies, bleeding out in front of Fox, his blood flowing through Fox’s hands, no matter how hard Fox tries to hold it all in. 
— — — 
Fox watches his brothers die. 
He still tries, for some reason. Tries to hold them, tries to keep them from falling apart, tries to tell them they aren’t alone as they fade. 
He tries, because he has to. Because he didn’t try hard enough when he still had the chance. 
— — — 
He thinks of Rex a lot, whenever he sits by one of his brothers during their last moments. 
He thinks of Rex and the ARC Trooper in Rex’s arms and with a hole in his chest, and he sees himself holding the weapon. 
Fox is being punished. 
— — — 
Fox watches his brothers die. 
He stays with them until the end. 
All of them leave Fox after. 
— — — 
Fox surrounds himself with his brothers. 
He sits there, among them, the living and the dead. He listens to their voices, he watches their faces, he searches their eyes for recognition as they look towards him. 
It never comes. They can only look towards Fox, but not at him. 
Fox doesn’t know if he even wants them to see him. 
He doesn’t want them to leave him. 
He closes his eyes and listens to his brothers’ voices.
— — — 
Fox watches Wolffe. 
He follows him around as he goes across the Galaxy, and closes his eyes whenever he pulls the trigger. 
Fox watches Cody. 
He follows him around as he goes across the Galaxy, and holds his hand whenever he pulls the trigger. 
Fox watches them destroy themselves, and all he can do is cry silent, invisible tears. 
— — — 
Fox watches his brothers die. 
As he sits there, in a pool of blood that cannot stain him any further, he knows that he is being punished. 
He can’t take it anymore. 
Fox is being punished, and there is no place left for him that won’t hurt him further. 
He still goes, wishing for the reprieve of a different kind of pain. 
— — — 
The sun is setting when Fox arrives to Alderaan. 
He stands there, at the gates to the Palace, and watches the sun disappear behind the mountains and paint the sky with the colors of the warmth he can not feel anymore. 
He only has enough courage to enter through the gates once the sky has begun to turn dark. 
He remembers the stories Bail and Breha had told him. He remembers the terraces Bail had told him about, the ones where he would sit with Breha whenever he was back home. He remembers the halls Bail had described to him, the ones where he and Breha would dance in when they had the time, when they had a moment just for themselves to enjoy. 
He remembers the corridors and hallways Breha had told him about, the ones she had grown up running through, her shoes forgotten in the haste of seeing the ships leave in the morning. 
With the stories playing in his mind, he wanders through the Palace, all the way to the living rooms of the Queen and her Consort. 
Fox can hear them, through the door. He recognises the low, gentle sway of Bail’s voice, and he knows the melody of Breha’s voice as she speaks. 
He stands there, outside their door, and listens to them speak words he cannot make out. 
Bail says something. Breha laughs. 
Fox smiles. His tears don’t burn his eyes anymore. 
He sits on the floor and leans against their door, and he listens. 
— — — 
When the morning comes, Fox hides. 
He’s not hiding because he fears they will see him. He knows painfully well by now that he is invisible to the Galaxy as it is now. 
No, he hides, so that he can’t see them. 
So it goes. Fox hides in the halls and rooms of the Palace, living as a shadow in the house that was never his home, and he listens to the voices of the people he had once hoped would be his home. 
He knows the sound of Bail’s footsteps already, and he quickly learns Breha’s as well. Sometimes, he catches a glimpse of them, and he averts his eyes, no matter how much he wants to do nothing else than just look at them. 
There’s pain waiting for him in their faces, and there is pain here, where he doesn’t see them. 
Fox is being punished, after all. 
When the night falls, he sits by their door and listens to them talk. 
Bail says something. Breha laughs. 
There is silence. 
Breha cries. 
It’s an awful sound. 
Fox thinks that it’s his fault.
— — — 
Breha is not back to the Palace yet. 
Fox still sits in front of their door, even though there is no conversation going on on the other side. 
It’s silent, for a long while, but then there is noise. 
Bail is crying. 
It’s an awful sound. 
Fox thinks it’s his fault, too. 
After all, had he not ruined everything that Bail had worked so long for?
— — — 
They have a child, now. 
It’s impossible for Fox to not know that. Everyone around him is talking about her. 
The little Princess of Alderaan. 
Fox knows that they always wanted children. They talked about it often. So often, that sometimes, when Fox had been foolish enough for a moment, he had imagined a little girl himself, a little girl with dark eyes and dark hair, with a toothy smile and bright laugh. 
A little girl, just for them. 
He’s happy for them. He really is. He knows how much they wanted to have a child. A little girl, just for them. 
Fox had always known that he had been nothing more than a pawn on the board of war. 
Somehow, there is still a new pain to be found, from the realisation that the Galaxy and the lives in it would continue to move forward even without him. 
They have a child, now. A little girl, just for them, like it had been before Fox, and how it is now without him. 
— — — 
The little Princess has not been sleeping properly, lately. 
Fox doesn’t know a lot about babies, but he has heard some say that it is quite normal for them to sometimes go through periods where they seem to be doing nothing more than cry, day and night. 
The little Princess has certainly been doing that for the past week. 
Her cries always start the same. First as a few hiccups, that will eventually grow to sobs, and then to loud, demanding and shrill screams, that will go and and on, before she grows tired, and her little voice becomes hoarse, until she has the energy to just whimper. 
Fox hates the sound. He hates every second of every part of it. 
There is a need inside of him. A need that tells him that he must stand up, that he must walk through the door, that he must take the child and soothe her until she stops crying, that he must do so until she is happy again. 
He wonders if this was what the Prime felt like when he had been given his son. 
The little Princess cries. Fox listens to it, his teeth drawing blood that will not flow from his lip as he bites down on it, in order to keep himself composed. Breha and Bail sound both exhausted, as far as Fox can hear through the door, but still, they carry on, trying their best to soothe their daughter, as she continues to cry. 
Eventually, a silence falls. 
It draws on, far longer than it has in many days. 
Fox listens to it for a while, until it becomes simply too much. For a week, he has been holding himself together, and now, during a moment of peace, he has run out of any patience he had still had left.
He stands, and moves into the rooms on the other side of the door. 
He moves slowly and quietly through the dark living room. It feels appropriate, still, even though he makes no sound anymore for anyone to hear. He glances at the marks of a long life together, a life that he was just a small, brief moment in, and makes his way to the bedroom. 
Fox does hesitate for a long moment before he actually steps in. It feels like he is intruding, no matter how many times there had been promises, promises of this place, promises for his place exactly here. After all, those promises had never been able to come through, all because of Fox himself. There is no place for him here, anymore. 
Bail and Breha are both asleep. Fox can see them lay on the bed, turned towards each other in their slumber. Breha is curled against Bail, and Bail is curled around her, his back to Fox, like he is protecting her. 
Fox finally looks at them properly, now that they have their eyes closed. 
He feels like a stranger, stumbling upon a picture of a perfect life. It has been a while since he has wished for anything else than the final mercy of true death be granted upon him, but now, there is a longing for a life inside of him, burning him cold. 
He stands there and he longs, longs for two things he cannot have at the same time. 
Fox is being punished. 
There is a small, dim light on at the nightstand on the other side of the bed, and next to it, is a small cot. 
Fox tiptoes around the bed, and he slowly, so slowly and carefully, makes his way to the cot and looks in. 
She is sleeping there, the little Princess of Alderaan. She has a round face and small body, and tiny arms and legs with even tinier hands and feet. 
There is a tuft of brown hair on top of her head. 
Fox has a feeling that if her eyes were open, he would see that they were also dark. 
A little girl, with dark eyes and brown hair. 
A little girl, just for them. 
There she is, just like Fox had imagined her. 
There she is, now that Fox is not. 
She makes little sounds when she sleeps. Tiny gasps and soft sniffles, and even tinier whines every now and then as she shifts around a bit, her eyelids fluttering for a second before she settles back down. 
Fox cannot look away. 
He stands there, looking at her, at her round cheeks and tiny nose, at the tiny shadows her little eyelashes are casting on her skin, at the way her hair is longer at her forehead and curls ever so slightly towards the left side of her head. 
She whines a little, then again, a little louder. Breha shifts a little on the bed behind Fox. 
She needs her rest. 
Fox knows it doesn’t matter, but he hums. 
There hadn’t been any songs for them when Fox had been little. No lullabies or nursery rhymes. The only songs that had been sung to them had been the endless melodies of the ocean and its waves, and the songs of war, of bravery and brotherhood. 
None of them are suitable to be sung to a little Princess in the dead of the night, to lull her back to sleep. 
It’s a good thing, then, that she cannot hear him. 
Still, despite all of this, Fox hums the song to her, the song of his brothers and their hearts. He hums the song over and over again, with his voice that cannot tire anymore, as it is as soundless as it was eternal. 
The whines stop. She squirms around a bit, before she settles again, and stays there for the rest of the night. 
Fox flees when the morning comes and he hears Bail awaken. 
— — — 
Now that Fox has given a part of himself, he cannot take it back anymore. 
He goes in the next night, stands there next to the cot and looks at the little Princess, and he hums the song for her. She sleeps through night after night. 
Fox knows he is only deluding himself in thinking he is actually helping in any way. 
He still leaves every morning. 
— — — 
Babies grow fast. 
Fox notices it all by himself without anyone having to tell him. She seems to get bigger after every week. 
Leia. The little Princess. A little girl, just for them. 
She is five months now, Fox had heard Breha mention it the day before. 
Fox realises that she must’ve been born right after the Rise of the Empire. 
It feels like it has been a lot longer than that. 
— — — 
Fox hums. Leia had fallen asleep an hour ago, so it was still early into the night. Bail and Breha were also in the bed already, trying to catch as much sleep as they could. 
Fox had really thought they were asleep. 
Until he hears a quiet, choked sob. 
Bail pushes himself up instantly at the sound. Even though Fox could disappear instantly from where he stood, his mind had stopped working for a moment right then, and it’s already too late when the thought to do so finally crosses him.
“Breha?” Bail murmurs. 
Breha doesn’t answer instantly. Fox hears her draw in a deep breath that comes out accompanied by another sob. 
“I-” She says, and tries to breathe in deep again, but her voice just wavers more when she speaks after it. “I miss him. I miss him so much. He was supposed to be here.”
“I know”, Bail says. “I know. I miss him too.” 
Breha buries her face into Bail’s chest and cries.
“He was supposed to be here”, she sobs, digging a hot, burning blade of pain deeper into Fox’s chest with every noise. “He was supposed to be here, with us.” 
It takes Fox a moment to realise that they are talking about him.
He looks Bail in the eyes properly for the first time since before his death. 
They are full of tears, already making their way down his face, steadily and quietly as he holds Breha through her cries, steadfast and strong as always. 
Fox remembers how much he loves them again. 
He wants so badly to reach for them in that moment, he wants so badly for them to see him, to hear him, like he is still there. 
But he is not there.
He continues humming, through his own, quiet and weightless tears, and Leia sleeps through the night. 
— — — 
Fox stays when the morning comes. 
He cannot look away from them anymore, either. So he watches as they dress themselves and then dress Leia, and he follows them when they walk out of the Palace and through the gardens, down the hill and to a smaller garden, away from the main one at the central courtyard. 
Fox didn’t remember either of them ever mentioning it to him. They had both talked so much about all the plants and flowers of the Palace in detail when Fox had asked, in wonder of having living things in such abundance all around, even indoors. 
The little garden looks new, as Fox takes a better look at it. The stones around the flowerbeds have no weather to them yet, and the ground on which the flowers themselves stand is dark and loose and looks like it has just been placed there. 
There are young trees at the center of the garden, their blooming branches arching over white stones in the middle. 
It takes a Fox a moment to realise that it’s a grave. 
There are some petals that have fallen on the stone in the middle. Bail sweeps them away, before resting his hand on top of the stone. 
“Good morning, our love”, he says, and with air that he doesn’t need to breathe stuck inside his throat, Fox reads the writing on the stone. 
Where he lives now is in our hearts
Eternal, everlasting
Like love
Fox Organa
Remembered and lived by his wife, husband and daughter
Oh. 
Fox had thought- he had thought- 
Breha takes Leia’s little hand to hers, and she presses both it and her own hand on top of the stone as well. 
“Good morning, love”, she says. “Say good morning, Buir.”
Leia is five months old. Fox knows that she is too young to know how to speak yet. 
Still, she babbles happily, her little fingers curling against the stone, and Fox-
Fox stands beside his own grave and cries. 
— — — 
He looks at Leia that night as she sleeps. He looks at her round cheeks and tiny nose, her dark hair and tiny hands and feet, the way her chin is shaped and the way her mouth curves. 
He looks at her, and hums a song for her, to their little Princess. To their little girl, a little girl who is just for them. 
Fox sits on the edge of the bed once Bail and Breha are both asleep, and he feels like he somehow belongs, even though he is not there. 
— — — 
Leia is six months old. 
She is still rather small, as far as Fox has understood, but Bail and Breha are not worried by that. Fox trusts that they have a good reason. 
He is sitting on his spot on the edge of the bed, humming the song, as Leia suddenly scrunches her face, looking very much like she is about to cry. 
Fox stands up in a hurry and leans over the cot. 
“Shhh”, he hushes. “Shhh, it’s alright, it’s alright.” 
He only realises that he is trying for nothing, like all the times before, after he has already said the words. 
Indeed, Leia does open her eyes, her face still scrunched up and her mouth drawn tightly, and she blinks rapidly, and- 
She looks up, her dark eyes locking in on Fox’s. 
Fox freezes. 
No. No, she is not looking at him, he reminds himself. She cannot see him, since he is not actually there-
Leia’s face relaxes as she continues staring at him. Her mouth goes lax for a moment, and then it curls into a toothy smile, and she reaches her hands towards him. 
Fox cannot help it. Readying himself for inevitable disappointment, he reaches his hand into the cot. 
Leia’s hands reach for his. First they don’t seem to be able to grasp on anything, but then, all of a sudden, they curl around Fox’s thumb. It feels like there is static between them, as a layer on Fox’s skin, but he can still feel the pressure and a hint of warmth through it. 
Leia looks at him, and smiles. 
Fox smiles back, wavering and on the edge of tears yet again, but he smiles back at her. 
“That’s right”, he says. “It’s alright. Buir is here.” 
Leia falls back asleep that night holding onto Fox’s hand. 
— — — 
There are limits to what Fox can do. 
He cannot lift Leia up properly. He can put his hands under her and lift her maybe half an inch for a second or maybe two, at max. The static feeling is always there whenever she touches him, but Fox can let her hold onto him, and he can lightly brush her head to soothe her. Leia giggles every time Fox runs his finger down the bridge of her nose. 
Fox has no other option than to exist with the fact that there is one person in the whole Galaxy who can see him. 
He cannot touch her as much when she is being held by someone else. He cannot pry her away from Breha or Bail, not that Fox even wants to. 
Breha is holding her on her shoulder as she mixes her a bottle. Leia is a little fussy, hunger making her impatient. 
Fox calls to her, and when Leia looks up at him, he sticks his tongue out at her. 
The fussiness and the hunger are completely forgotten. Leia laughs and clumsily claps her hands together. She shrieks out a louder laugh as Fox does it again. 
Breha turns, and looks around the room. There is still a bang of loss in Fox’s chest as her eyes pass right by him. 
“Something caught your eye?” Breha asks. She is smiling as she looks at Leia, and Fox loves her immensely. 
— — —
Bail stands next to Fox at Leia’s cot. 
Fox had always leaned against him whenever they had stood this close to each other. It had been a habit, born from the fact that Fox had always run cold while Bail had always run warm. 
Fox misses that warmth. 
Bail looks at Leia, who stares right back at him. 
“The last time I checked”, Bail says slowly. “It was way past the bedtime for little Princesses.” 
Leia only grins at Bail, who looks extremely dejected. Fox cannot help but laugh a little. 
Leia’s eyes move to Fox, and she laughs back at him. 
Bail frowns, and turns to look. For a moment, it feels like he is looking straight at Fox, but his eyes never stop searching. 
Fox wants to just lean forward and fall against him. 
He stays put, until Bail’s eyes turn away. 
— — — 
Leia stands up against the couch. 
Carefully, she lets go of it. She looks at Breha, who is sitting just a few meters away from them, and then she looks at Fox, who is sitting on the couch. 
Fox smiles at her. 
“Go on”, he says. “Go on, Leili’ika, you can do it.” 
“Come on”, Breha says, extending her arms towards Leia. “Come on, you can do it!” 
Leia takes one, hesitant step away from the couch. Then another, and another, until she has made it to Breha, who catches her in a hug. 
“There you go!” Breha laughs, and kisses Leia’s cheeks. “There you go, I knew you could do it!” 
Leia giggles, and then looks over at Fox. 
Fox claps his hands. 
“Good job!” He says. Breha puts Leia back down, and Leia turns around, and makes her way towards him with small, wavering steps. She grabs at the couch right in front of Fox, and looks up at him, with a wide, toothy smile. 
Fox glances at Breha.
Breha is looking at Leia, but slowly, her eyes move up, following Leia’s gaze. 
She doesn’t see him, but she keeps looking, almost like she is expecting to see something there. 
She is not smiling anymore. Fox swallows, and turns to look back at Leia. 
Leia is still smiling, and Fox quickly smiles back at her. 
“Good job”, he says again, and runs his thumb over her cheek. “Good job, Leia.” 
Leia giggles again. Breha is still looking when Fox looks back at her. 
— — — 
“Sometimes, it just…” Breha trails off. “....it just seems like she’s really seeing something we’re not.” 
“I know”, Bail says. “But…she always looks happy, correct?” 
Breha nods. 
“Yes”, she answers, and then pauses. “...do you think it’s because of…” 
Bail takes her hand into his. 
“Maybe”, he says, almost whispering. “Maybe. Though I…I cannot imagine what she is seeing. I’ve never heard of anything like this. Obi-Wan or Master Yoda could know, perhaps, but…” 
He cuts himself off, and shakes his head. 
“It’s too dangerous”, he says. 
Fox stares at his hands as he listens to them speak, his mind trying to catch up with what had just been said. 
They aren't all gone. The Jedi are not all gone. 
Obi-Wan Kenobi is alive.
— — — 
Fox goes to see Kenobi that night, after Leia has fallen asleep. 
It’s the middle of the day there, with two suns blaring down on the desert. Fox finds Kenobi easily enough. 
He looks like he has aged several years in just a span of one.
Fox cannot blame him. 
He watches Kenobi for a while, looking for any sign that he can see Fox. 
When none come, Fox steps closer. 
“General?” He calls. “General Kenobi?” 
Nothing. 
Fox tries not to feel disappointed. 
There’s a strange feeling then, like he is being watched. Fox turns around. 
No one around him is looking at him. 
— — — 
Fox goes to visit Cody after. 
He watches as Cody cleans his blaster, just like he always does. He looks like he usually does as well, with his helmet off, and his brows creased in a gentle, concentrated frown. 
Fox wonders what Cody would do, if Fox could tell him that Kenobi is alive. 
Perhaps it’s for the best that he can’t.
Fox returns to Alderaan, and sits on the edge of the bed. Leia makes a sound, and he hums her song to her to settle her back to sleep.
— — — 
Kids are fast. 
Much faster than they have any right to be. Leia especially, because she is still tiny.
“Leia!” Bail calls after her, as she speeds off. “Leia, slow down!” 
Fox can move a lot faster than anyone else. In less than a blink of an eye, he is in front of her, and she hastily slows herself down to a stop. 
“You heard your papa”, Fox says. “Slow down.” 
Leia has the gall to pout at him. 
Bail has now caught up to her as well, and he scoops her up. 
“What are you pouting at?” He asks her, tickling her stomach lightly. 
Leia laughs.
“Buir!” She giggles, which makes Bail stop immediately. 
He looks at Leia, looking a bit confused for a moment, and then glances towards the small garden. 
“Do you want to go see Buir?” He asks her. 
Leia turns to look back at Fox. 
“Buir”, she says. 
Bail doesn’t notice her looking, because he just nods, and starts to make his way towards the garden. Fox decides it’s for the best if he follows them. 
Bail puts her back down on the ground in front of the grave. 
“There we go”, he murmurs. “Say hello to Buir.” 
Leia frowns at the stone, and then looks at Fox. 
“Buir”, she says. She sounds rather confused now. 
Bail looks at her, and then up, straight at Fox but straight past him.
Fox makes himself smile at Leia. 
“It’s okay”, he says. He brushes his hand across the top of her head. “It’s okay, Leili’ika. Buir is right here.” 
Leia looks at him, and then reaches her hand.
“Buir”, she says. 
Fox lets her grab onto his hand. He watches as Bail looks at him, still straight past him, with a lost look full of grief in his eyes. 
Once again, Fox wishes nothing more than to be able to speak to him, make him see, make him hear him, so Fox could tell him that he is right there. 
But he cannot. 
Because even when Fox has found his place, even when Fox has found happiness, even when Fox has found a home, even when he has been granted a reason to be here. 
Even then, Fox is being punished.
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xxplastic-cubexx · 17 days
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this outfit is very important to me
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buglaur · 11 months
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this is kit, please commission some art from them on social bunny 🙏
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I made some funny comics a little while ago about the potential effects of Fukuzawa's ability on Chuuya's, and how it perhaps could make it revert to a pre-Arahabaki state.
I realized later that some of you lack the context for where that came from, and that I might be creating confusion, so this is a (hopefully) comprehensive walkthrough of things we learned in Storm Bringer that lead to this conclusion.
tldr; The lab created "Arahabaki" by manipulating an ability into a destructive force. That ability existed before the lab, and the nature of that ability is heavily implied to be the power to enhance other abilities through touch.
Explanation and sources below (so you can judge yourself) ⬇
- spoiler warning for Storm Bringer, hopefully written in a way that you'd understand even if you haven't read it yet -
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In Storm Bringer, Chuuya meets the scientist that was responsible for Project Arahabaki, Professor N.
Project Arahabaki, N explains, was the Japanese government's secret project to create an ability singularity they could have control over and freely use as a weapon.
What are singularities? Singularities are what happens when abilities clash in specific ways and create a new, unforeseen reaction. The easiest way to create a singularity is to pit two contradictory abilities against each other to create a paradox; examples included the ability to always deceive and the ability to always perceive the truth, and to have two ability users who can see into the future (*coughs* Oda and Gide) try to one-up each other. The result is usually much more powerful than the original abilities on their own.
Some singularities are said to have been explained as god-like interventions, because of their often destructive nature. This is what inspired the name "Arahabaki", after the mythical being (here's a post of the subject and I'll it link at the end too) These events are described as very rare.
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Like mentioned in that passage, there is another way to create a singularity: to have a single ability user use their ability in a way that contradicts itself. This is what the lab was trying to do.
For that explanation, Professor N gives an example. He first shows a video of a child, whose face is hidden from the camera, holding a coin (described as having a certain melancoly to it), with a moon and a fox engraved on it. The video is from one of the lab's tests. The child is made to recite some activation lines, which are directly taken from one of Nakahara Chuuya's poems, Upon the Tainted Sorrow (which does mentions a fox, as a fun fact).
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The coin then starts glowing, the glow turns into a black mass, and from there the experimentation goes bad: the coin starts attracting things and absorbing them, the space gets distorted, the child's vitals flatline, panic spreads and someone calls for an emergency stop, we hear a scream. The video ends.
N explains that the child in the video had the ability to enhance the ability of others. That child then used that ability on themselves, effectively enhancing the enhancement which enhanced the enhancing, in an infinite loop. That loop created a lot of energy; the surplus of energy was so intense its mass deformed space (physics!) and it created a black hole.
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Here's where it gets tricky: N claims that child died during that accident, that the child was absorbed by the black hole created by their ability. We never actually learn their identity.
But N is a lying liar who lies; he said about one and a half truths the entire book. The only reason he was telling them any of this was that he thought he'd get rid of all of them within the next few minutes. His objective was always to regain control over Chuuya, his pet project.
Plus, during the epilogue, we learn that Chuuya was assumed to have died during the war. That's what his parents think. That's what is officially recorded.
Furthermore.
Project Arahabaki was based off French research papers; someone else had done this kind of experimentation before, and their result was Verlaine.
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Verlaine's gravity-manipulation is a singularity. Better yet: Verlaine also has a Corruption state, named Brutalization. Their abilities are the same, because the lab copied the techniques that were used to create Verlaine when they worked on Chuuya.
Here's a passage of Dazai nullifying Corruption, at the very end of SB:
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"The self-contradicting skill, which was supporting the energy of a singularity". This passage confirms that the source of Chuuya's ability is, in fact, like the child's and Verlaine's, if any doubts remained. "[...] weakening the singularity's output. It wasn't long before it returned to its normal state, and the Gate closed." The Gate refers to releasing Arahabaki, it's basically a limiter, just like the passage above when talking about Brutalization. When Dazai nullifies Corruption, he gives that limiter the opportunity to come back and seal Chuuya's power away again, but does not stop the singularity, only allows it to go back to its stable state.
From all that, we can say that Chuuya's ability wasn't always gravity manipulation, but that it was another, unconfirmed ability that was exploited in such a way that it became a permanent, stable singularity that allowed him to have control over gravity.
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Bullet point recap:
Chuuya's gravity manipulation comes from a singularity, like Verlaine, like that child;
You need a self-referencing/self-contradicting ability to create that singularity;
Such an event is rare;
There is a substantial amount of time spent describing a "random" child that was experimented on during the war;
That child created a black hole through their singularity;
That singularity was activated using a passage from Nakahara Chuuya's poems, while holding a coin that references it;
That child supposedly died;
Chuuya's parents think he died during the war;
N is a pathological liar with an agenda.
So no, there is no "confirmation" that Chuuya's ability was ability enhancement before the lab took him. But an author writes a story with an intent, so I am asking what Asagiri's intent was when writing all this, and if perhaps we weren't indirectly given the answer already.
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What is Arahabaki (Fifteen and Storm Bringer lore, with too many citations)
My own perceived timeline of the true events behind Storm Bringer (was originally gonna be part of this part, also with too many citations)
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myokk · 9 days
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my favorite bookworm
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benevolenterrancy · 22 days
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@hereticcryptid I appear to be slowly but surely developing an entire series about how Hensheng and Baxia apparently get fed up with their owners' inability to express their feelings and take matters into their own hands...
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in-kyblogs · 3 months
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Devil’s Minion hints - Iwtv part I and link to part II
Part I Ep 1
- the tapes. No postage on it, I remember noticing that they put emphasis on this when I first watched episode 1: Daniel turns the package in his hands looking for it. They were hand delivered. Of course it’s a stretch, but it seems probable to me that Louis or Armand are quite regularly hanging around Daniel’s house and not just making the trip for the first time when delivering those
- Literally the first shot of Daniel in the Dubai penthouse has Rashid (Armand) serving him tea. Both Daniel and Armand’s faces in the very first shot in there* might allude only to the Armand reveal but still. They put him in a shot with Daniel and not with Louis
- not dm related but fucking hell the shot of Louis burning his arm right in front of Armand’s face is sick so sick
- Daniel says the best drug he ever had was in Berckely, 1978. I remember people pointing out that in the books that’s the year Armand gives him blood (I didn’t fact check this)
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i am asleep much in the way that Wally is asleep. that is to say, I Am Not Sleeping
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