Tumgik
#so I think the reason I get so easily attached IS because it’s me. because it’s my true self. and I don’t. I don’t know how to not want that
yandere-daydreams · 2 days
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Title: Or Someone Finds The Lid.
Pairing: Yandere!Gojo x Reader x Yandere!Geto (JJK).
Word Count: 8.0k.
Commissioned by the very lovely @elsecrytt.
TW: Non/Con, Fem!Reader, Prolonged Captivity, Severe Infantilization, Forced Deepthroating, Double Penetration, Wildly Unhealthy Dynamics, Unbalanced Power Dynamics, Geto Suguru has an Oral Fixation, Gojo Satou has a Mommy Kink, and Nonconsensual Drug Use. Dead Dove: Do Not Eat.
[Part One]
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“I just don’t understand why you’re doing this.”
It had to be close to the hundredth time you’d in the past week, in the days since you woke up in a distressingly pastel bedroom, hostage to your two always worryingly possessive, but only recently deranged boyfriends. You knew, more concretely, that it was around the eleventh time you’d spouted that exact line today and the fourth time in the past hour, and as always, you were answered with a sympathetic glance, a patronizingly sweet smile. You could only be thankful it was coming from Satoru, this time. Suguru would’ve been much more condescending.
“Because we love you.” Another common sentiment, purred with just as much enthusiasm as it had been the first time you’d heard it, or the twelfth, or the forty-seventh. “And because you look good in pink.”
You sighed audibly, and Satoru pretended not to notice – only pulling you that much closer and resting his head on your shoulder. You were quickly learning that personal space, like many prior luxuries you hadn’t known to enjoy, was a right that Satoru and Suguru could revoke at will. Currently, your body was folded against Satoru’s – your back slotted against his chest and his legs spread on either side of you, the chain still attached to your ankle spread out over the mattress and the handheld console he was only partially focused on balanced on your lap. You tried to treasure the opportunity to stare mindlessly at a screen (a special privilege, considering your usual means of entertainment consisted of crayons, elementary-grade chapter books, and a plastic tea set), but for whatever reason, watching Satoru play Animal Crossing for three consecutive hours was just as under stimulating as it had been pre-kidnapping.
“That’s not a real answer.” You nudged your elbow into his chest, and when that didn’t work, pushed at his arm, just trying to get his attention. Yet another perk of your newly assigned position in this relationship – Satoru and Suguru had never made an exceptional effort to listen to you before, but now, you might as well have been speaking another language. “This is just—It’s just been so much, and it’s all so frustrating, and I don’t—”
And, just like that, you were tearing up – your vision going foggy as you struggled to hold back tears, to swallow down the whine building at the base of your throat. It was less that you’d been crying more easily and more than you were always on the verge of tears; your anger and frustration and confusion constantly at their peaks, just waiting for an excuse to spill over and leak out. Immediately, Satoru dropped his console, cooing softly as he scooped you up and turned you around. You moved to hide your face, but he was faster, more determined – his hands cupping your cheeks before you could swat him away. You weren’t crying yet, not really, but he took pains to hum and kiss away the few tears that escaped despite your best efforts. It was alarming, that crying was the only thing that consistently got them to hear you out. You tried not to think about the implications of that when paired with the pastel-pink aesthetic and the overall toddler-adjacent treatment.
“I’m really frustrated, ‘toru,” you repeated, melting into his hands. There was another coo, another peck to your forehead, before you went on. “I just— I need to know why you’re doing this. You can tell me that much, can’t you?”
“I’ve already told you, baby. It’s because we—” You cut in with a miserable, heart-breakingly pathetic sniffle, and Satoru pouted, shaking his head. Still, he broke quickly enough. “Look, you know that Suguru and I had it kinda rough before we met you, right? When we were growing up, I mean.”
Vaguely. You knew that Suguru’s parents died while he was in high school, that it’d been some kind of freak accident, but he didn’t like to talk about it. You’d met Satoru’s family once, but ‘met’ might’ve been the wrong word for it. Really, you’d sat in the antechamber of an estate the side of a small shopping mall for a little over an hour, answering questions asked by a woman who hadn’t introduced herself before being informed that, while you were not deemed a suitable partner for Satoru, you also weren’t dangerous enough to be worth the effort it would take to actively keep you away from him. Most of the time, you just tried to pretend that neither of your former partners, current captors had any immediate family.
Reluctantly, you nodded, and Satoru rewarded you with another kiss – this one to the corner of your jaw. “I know you probably don’t get it, but me and Suguru – we care about you, we care about you a lot. And the world’s a really, really dangerous place. If something happened to you out there…” He trailed off, laughing airily. An arm looped around your waist, pulling you into his lap, his chest. Instead of trying to resist, you curled against him, burying your face in his shirt as he rubbed slow, small circles into the small of your back. “You’re better off here. Getting to keep you all to ourselves is just a bonus.”
You wanted to scream, to bash your fists against his chest, to point out that they were the only people who’d ever isolated, assaulted, or kidnapped you, but he was doing what you asked him to, and the worst thing you could’ve done was give him a reason not to be as generous in the future. “…I don’t understand why you had to do—” You nodded towards your clothes – a set of bright pink cotton pajamas dotted with strawberries – then the rest of the room. “—this, though, if you’re trying to keep me safe. Couldn’t you have just… not?”
Another laugh, this one more sincere. “That part’s just for us.” This time, when he squeezed you against his chest, he didn’t let go until you were squirming against him, struggling to breathe. “Suguru does tend to let the roleplay get a little out-of-hand, but it really does help. There’s just something about seeing you all sweet n’ dressed up, surrounded by cute, soft things...” He trailed off with an airy laugh. “Makes me feel… secure, y’know? Like we’re keeping you safe.”
Something thick and jagged caught in your throat. “…this was Suguru’s idea?”
If he heard you, then that was a question he wasn’t interested in answering. “I meant the other part, too.” And then, with a slightly longer, more lingering kiss to the apex of your throat. “You look really good in pink.”
You felt it a second later – a familiar shape pressing into your ass, already worryingly stiff. You pulled away from him, your disgust too reflexive to hide. “…it gets you hard to see adult women dressed like first-graders?”
“No, princess.” A pause, a sudden nip to the side of your neck. “It gets me hard when you dress like a first-grader.”
Thankfully, before you had time to start to unpack that, you heard the bedroom door open and glanced over your shoulder to find Suguru leaning against the frame. Concern was written clearly across his expression, but it dulled to affectionate exasperation when he saw Satoru wiping away your non-existent tears. “I thought I heard a struggle,” he explained, unprompted. You hadn’t put up much of a physical fight yet, but they were both clearly concerned you would – the literal chain around your ankle was evidence enough of that. “Is it time for the little princess to take her medicine?”
You seized up at the mention of your ‘medicine’ – sedatives administered in the form of tiny, heart-shaped pills that left you exhausted and disoriented for hours at a time, if they didn’t knock you out entirely. It was what they’d used the night they’d taken you, and Suguru seemed to like to pull them out whenever you cried, or screamed, or did anything they should’ve known to expect from an acclimating victim.
To his credit, Satoru didn’t jump at the opportunity to drug you into oblivion. Not this time, at least. “She got a little overwhelmed. I took care of it.”  You slumped against him, letting yourself relax. That was your mistake, really. Maybe you should’ve had more realistic expectations, too. “But,” he went on, pushing another, sloppier kiss into your neck. “She’s still pretty fragile. A few hours off probably wouldn’t hurt.”
It was awful – how easily they could talk about you like some distant, abstract subject, how quickly they seemed to forget you were capable of listening when not addressed directly. With a smile, Suguru moved forward, resting one knee on the edge of your mattress while Satoru held you in place – keeping you from scrambling back as far as your chain would allow. You tried to grit your teeth, to keep your mouth shut, but Suguru only clicked his tongue, cupping your face with one hand while pressing something small and chalky against your pursed lips with the other. “Darling,” he drawled, infusing as much syrupy condescension into the pet name as was humanly possible. “You remember what happens to bad girls who don’t do what they’re told, don’t you?”
Instantly, your heart dropped. You remembered.
Driving your nails into your palms, you unlocked your jaw and hesitantly opened your mouth. Suguru barely waited for your lips to part before shoving the pill past your teeth and down your throat, keeping two lingers lodged in your airway even as you sputtered and gagged around him. It was less that you swallowed his pill and more that you would’ve had to choke down anything he all-but force-fed you, but whatever you called it, Suguru was satisfied – drawing back with a pleased hum only to tap his saliva-coated fingers against Satoru’s lips, instead. You shut your eyes, but it wasn’t enough.
The last thing you heard were the wet, stomach-turning noises of Satoru’s affection before everything went fuzzy.
~
You only really acted out once – about three weeks in, when the initial adrenaline was starting to fade and the slow, vicious dread of prolonged captivity had just begun to set in. You weren’t allowed to leave your windowless, ambiently lit bedroom, and by end of the first week, time had turned into something viscous and unforgiving, the endless hours only broken up by visits from Satoru and Suguru. It was hard not to be constantly on edge – unsure if you’d been alone for hours and minutes, simultaneously dying to see them again and hoping you never would. It was hard to tell what they were thinking, when you were so caught in in your own spiraling thoughts to try and guess at theirs.
Speaking of – their dynamic had become a little clearer, even if how things had spiraled out of control so quickly was still lost on you. You and Satoru had always been the dominant personalities in your relationship, with Suguru as the calming presence that leveled the two of you out, setting arguments and keeping you from tearing out each other’s throats. Now, though, the roles were reversed. Satoru was happy enough to spend most of his time treating you like an oversized, particularly uncooperative stuffed animal; something to cuddle and coo over, but not necessarily train or expect to reciprocate. Suguru, though…
Suguru had expectations.
“I need you to hold still, love.”
Suguru’s fingers brushed over your spine as he fiddled with the complex array of buttons lining the back of tonight’s nightgown. You’d seen your closest, knew they must’ve spent a small fortune on dresses and shoes and accessories, but Suguru still seemed to prefer you in sheer, cotton nightgowns and lacey lingerie and humiliatingly childish loungewear – nothing you would’ve been able to wear outside of home, even if you’d put it on willingly. It was a blessing that Suguru and Satoru were as busy as they were – Satoru with his classes and Suguru with his religious group. Most of the time, you’d find Suguru’s chosen outfit on the foot of your bed and be trusted to dress yourself. Most of the time.
Just not tonight.
“Someone’s a little antsy.” It was Satoru, this time, as unhelpful as ever. He was sprawled across your bed, toying idly with your chain while you sat in front of a vanity on the other side of the room, deliberately avoiding your reflection in the tri-fold mirror. “You should’ve let me play with her in the tub. Then, she wouldn’t have the energy to squirm.”
You felt your face burn. As if being forced to drink out of sippy cups and color with crayons wasn’t enough, bathtime was quickly becoming one of your most unbearable daily trails. Suguru always made sure things stayed above-board, but having to watch Satoru fuck his own fist while Suguru lovingly dictated where, when, and how roughly to clean yourself wasn’t much better than the alternative.
“Absolutely not. You’re too rough, and the last thing we want is for our princess to get bruised because you can’t wait another half an hour.” Fenagling the last button into place, Suguru straightened his back, sighing contentedly. “Can you turn around for me?”
Biting down on the side of your tongue, you shifted on the velvet-cushioned stool, your back pressing into the edge of the vanity’s counter as you faced Suguru. You’d made a point of not looking at yourself, but you could imagine what he saw – a thin nightgown clinging to your damp skin, your posture shrunken and your eyes downcast, every part of you made to seem small and helpless. If the feeling of his gaze burning into you wasn’t telling enough, the overwhelming delight audible in his voice would’ve given him away in a heartbeat. “Satoru, you have your phone, right? I want a picture. And—oh.” Your eyes darted in his direction just in time to see him pull a stuffed animal from one of the larger stacks; a large, white rabbit teddy, its button eyes an overly familiar shade of blue. He held it by its ears as he handed it to you. “Hold onto this for a second, love.”
You felt something tighten in your chest. You were in a bad position. You were in a bad place. You needed to be careful, and yet, when you finally managed to say something, you could only seem to spit out the one thing you knew he wouldn’t want to hear. “I… I really don’t want to take a picture right now, if that’s alright.”
To his credit, Suguru’s didn’t falter, his grin only wavering slightly. “Love,” He paused, sighed. “I didn’t ask if you wanted to.”
“I know, but—” Your breath hitched in your throat. Really, it was a miracle you weren’t already crying. “Please, Suguru. Not right now.”
His expression darkened, and yet, the gentle sigh that slipped past his lips was nothing short of tender. Still holding the rabbit, he reached out – catching the lace of your nightgown’s collar with two fingers. For a second, he just played with the delicate fabric, careful not to damage it.
Then, before you could think to react, his fist was around your neck and you were being slammed into the vanity.
There was enough force behind the collision to splinter the wood upon impact, to knock the air out of your lungs and seed an awful knot of blinding pain in the back of your head. You gasped, but it was too late – his fist tightened around your throat and you couldn’t breathe, couldn’t think, couldn’t move save what it took for your hands to find his and dig your nails into his wrist, his forearm, his knuckles, whatever you could reach. You never would’ve been able to pry him off, but you didn’t need to. He released you as abruptly as he’d lunged, and without his support, your body dropped off of the vanity’s now-dented desk and onto the carpeted floor, your dress falling into a limp heap around you. You were too shocked to cry, to sob, to scream. Suguru and Satoru had kidnapped you, dehumanized you, isolated you, but neither of them had ever hurt you. They’d never—
Except, that wasn’t true, was it? They had hurt you. The first thing Suguru ever didwas hurt you, bending you over his knee the second you disobeyed him, and Satoru helped.
For your own sake, you decided to consider this an escalation, a new development. Something neither of them would’ve been capable of, back when you still considered them your Suguru and your Satoru.
 You also decided, still for your own sake, that you couldn’t afford to think about this any longer. Suguru was already moving on, lowering himself to your height, pouting as he raked his fingers through your now-disheveled hair and evaluated your newly wrinkled dress. “I’m sorry, princess. I must’ve lost my temper. I know you must be upset – having your pretty outfit ruined and all.”
He waited a beat, then asked, “Don’t you have something to say to me?”
If you hadn’t been so scared, you might’ve slapped him. Instead, you just bit down on your bottom lip and mumbled an unsure “I… I’m sorry?”
“For what, exactly?”
“For—For talking back, and making you angry. I didn’t mean to.”
“I know, love, I know. You would never mean to do anything like that.” He was still holding onto that fucking rabbit. You felt its velvet-soft material brush against your leg as he placed it, almost carefully, on the floor next to you. “I’ll tell you what – there don’t have to be any pictures. Why don’t you take your medicine, and we can allgo to bed?”
“No!” It was a purely automatic response, as reflexive as lashing out and latching onto his arm. When you realized what you were doing, you pulled away with a jolt, forcing your hands back into your lap and staring wide-eyed at the floor. “I mean, I’m sorry, I just—” You swallowed harshly. “Isn’t there… uh, another option? Please?”
Suguru opened his mouth, but Satoru cut in before he had the chance to answer. “Think it’s time to break out her pacifier, Suguru?”
You perked up. No part of you wanted to suck on a piece of plastic for the entertainment of your captors, sure, but it was better than the alternative. Fuck, you were having trouble of thinking of something that wasn’t.
Suguru seemed to like the idea, too. He shot Satoru an appreciative smile before pushing himself to his feet, before turning his attention back to you, eagerly waiting for your next bout of psychological torture.
It was only when he reached for the waistband of his sweatpants that you realized your mistake.
You might’ve protested – or, whined, at least – but the back of your skull still ached, and you could still see Satoru smirking in your peripheral, and he was already forcing his boxers below his hips, already curling a hand around the shaft of his cock. Disgustingly, terrifyingly, he was half-hard; his bloated tip flushed a darker shade of red, beads of arousal leaking from his blunt head and dripping down his shaft. Your thoughts seemed to waver, then fry, then blot out altogether – like a video game glitching in the middle of a cut scene. Maybe you should’ve just sat still for the fucking picture after all.
“The poor thing looks so startled,” Suguru cooed, glancing to Satoru. “Why don’t you lend her a hand?”
You were vaguely aware of Satoru moving, shifting, pushing himself off of your bed and crouching behind you. His thumb pushed past your lips and hooked your lower jaw easing your mouth open with as little grace as you had remaining dignity. You tried to bite down, obviously, but Suguru took hold of your hair and pulled – the sharp spike of pain immediately dispelling any thoughts of disobedience. “He’s helping you,” Suguru chimed, his voice taking on a cloying overtone. “You’ll have to thank him properly later on. When your mouth isn’t full, I mean.”
It wasn’t, but that changed quickly. Suguru was kind enough (or cruel enough) to move slowly, easing the head of his cock past your lips first, letting it sit on your tongue as you fought not to cringe against the bitter, musky taste. Satoru pulled his hand away as Suguru eased another inch into your mouth, then another, then another – letting out a rough groan as his tip hit the back of your throat with more than half of his shaft to spare. You fought the urge to gag, tears pricking at the corners of your eyes. You’d given him head before, but it’d always been on your own terms, with Satoru waiting on the sidelines to bail you out if you ever got tired of choking on your boyfriend’s stupidly big dick. Now, though, Satoru didn’t seem to want to do anything but breathe down your neck, and you doubted your consent was a factor either of them would stop to genuinely consider.
Ultimately, your enthusiastic cooperation proved unnecessary. Suguru kept his fingers tangled in your hair, his blunt nails biting into your scalp as he manually bobbed your head – slowly, at first, then faster, with enough force to leave your jaw sore after less than a minute of being split around his shaft. Saliva and pre-cum drooled from the corner of your mouth, dripping down your chest and onto your nightgown, but if Suguru cared, the feeling of your throat convulsing around him was enough to warrant a momentary lapse in decency. “T-that’s it,” he muttered, mostly under his breath. “Good, good girl. See what happens when you’re well-behaved?”
You felt Satoru shift behind you, his hands skirting over your back as he skillfully undid the buttons Suguru had spent so much time fussing over. A pair of large, velvet-soft hands grazed over your waist, then your sides, before reaching your chest and cupping your tits – kneading the soft tissue like a pair twin stress balls fitted perfectly to his palms. “She looks better already,” Satoru laughed, thumbs swiping over your nipples. “You’re gonna thank mommy for being so nice with you, right?”
Suguru snorted. “I’m mommy?”
“Mhm. ‘cause you’re so pretty and you take such good care of our little princess.” He nudged you, propping his chin on your shoulder. “Go on, baby. Tell mommy how much you love him.”
You choked something out – more of a desperate whine than anything coherent – and Suguru threw his head back, cursing silently as his pace turned from sloppy to erratic. His cock battered into your throat with every thrust, your air supply constantly somewhere between minimal and nonexistent. It was only as the outskirts of your vision started to fade that Suguru hissed, gritting his teeth as he dragged your head into his hips, your nose pressing into his pubic bone and his cock so far down your throat, you could practically feel him in your lungs. A sudden twitch, a groaned exhale was all the warning you received before you felt something hot and thick fill your throat, your mouth, your diaphragm. He held you there for a moment, then another – savoring the sound of your fractured whimpering all-but drowned by his cum – before letting you go, watching through half-lidded eyes as you collapsed into Satoru’s waiting arms.
You lurched forward, moving to spit, to get him out of you, but Satoru’s hand was already covering your mouth – determined to keep Suguru’s taste on your tongue for that much longer. At the same time, you felt something small and soft being dropped onto your thighs, heard the shutter of a camera above you. Rather than trying to look at Suguru, you let your gaze fall to your lap.
Or, rather, the perfectly white, perfectly posed rabbit now resting peacefully on top of it.
~
It was two months before the chain came off – meaning, before Suguru and Satoru were happy enough with either your behavior or their security to let you roam freely (with heavy supervision, of course). It went without saying that you were ecstatic. You could barely sit still while Satoru undid the shackle, barely listen while Suguru told you their plans for the night – dinner and a movie marathon, not totally dissimilar to something you might’ve suggested when you still had the authority to be making suggestions. It didn’t matter. You were just happy to be doing anything, especially if it meant you got to leave that godawful room.
You only realized that you’d still been picturing your old apartment when you stepped out of the bedroom an abruptly realized you weren’t in an apartment at all, but a house – two stories with every window looking out onto a fence so tall, you would’ve had to be on the roof to see over it. It was decorated sparely, with what few shelves there were littered sporadically with Satoru’s gundams or parts of Suguru’s ongoing trinket collection, but minimalism was an appreciated change compared to the ongoing sensory nightmare that was your bedroom. You gawked at every empty surface, every plain white wall as Suguru herded you to the kitchen, where Satoru was busy plating what looked like udon. The seating arrangement was strange – there were only two chairs at the dining room table, but you were too caught up in your own euphoria to care. You grabbed a bowl and a pair of chopsticks, fell into a seat, and—
“Sweetheart,” Suguru started, his voice somewhat strained. “What do you think you’re doing?”
“Uh,” You glanced at your bowl, abruptly confused. “Eating? I think?”
“Almost, but not quite. I guess I can’t blame you for not knowing.” He rounded the table, coming to stand at your side. You tried to get up, but it only took a hand on your shoulder to stop you. “Even something as simple as using utensils can be dangerous for little ones like you. Me and Satoru will be feeding you by hand, from now on.”
It was strange, really – how many little deaths you could die before going numb to it. It was terrible, how many times you could hear one of the two men you loved most in the world say you were more incapable than a literal child before it all just turned to static.
You wondered, distantly, if Suguru was offended that you didn’t engage with this part of him more willingly. It was clearly sincere, if fucked-up, and if he’d ever bothered to ask, you probably would’ve agreed to try it – not that you would’ve had much of a choice, in the later stages of your relationship. It was different for Satoru – as long as you were trapped and at his mercy, he’d be happy. Suguru wanted something… different, more complex. Suguru wanted reliance.
Suguru wanted to break you down.
“If you say so.” You heard your voice, felt your mouth moving, but you weren’t talking. “Can I… um, would it be alright if I asked for something, first?”
Suguru’s satisfaction was almost palpable. “Of course. Anything for you.”
“I think I’d like to take my medicine, now.”
Suguru answered quickly, but not quickly enough. Out of the corner of your eye, you watched Satoru reach for the cabinet above the stove before thinking better of it and glancing over his shoulder, as if to make sure you hadn’t seen. It took everything you had not to react as Suguru responded.
“Of course,” he said with an airy laugh, nearly purring. “Not right now, though – we’ll wait until it’s closer to your bedtime. Try to focus on dinner.”
You only nodded eagerly, smiling sincerely for the first time in weeks.
~
It took two weeks for you to get your hands on their pills (you stole two, just in case), and three more to convince Satoru that a field trip – his description, not yours – wouldn’t be that big of a deal, not if you kept it short, not if Suguru didn’t find out. He’d always been ecstatic when you visited him at his university (a historic private school, so unlike the local community college you’d gone to, the one you missed with all your heart), and besides, what was worst that could happen? He wasn’t going to let you out of his sight, and the students were still on winter break. You could even wear your old clothes, just to make sure you didn’t attract attention. It’d just be the two of you, all alone in his office, with hours and hours and hours to kill. Really, how could it possibly go wrong?
You waited until you reached his office to slip both stolen pills into his coffee. He’d barely gotten his belt off before the effects kicked-in, but still, you waited until he’d been reduced to a drooling, half-conscious shell of himself before making your escape.
You’d been right – his campus really was deserted. You hurried past dark lecture halls and empty offices as you rushed in a direction you hoped would lead to an exit, glanced out of windows that looked onto lifeless courtyards as you thought about what to do next. The police weren’t an option. They hadn’t hurt you, not in any way you’d be able to prove, and even if you had the evidence, Satoru was rich, and to the law, there was no greater proof of innocence. You tried to think of phone numbers, of addresses, but you hadn’t had many friends before meeting Satoru and Suguru, and they’d made sure to whittle that unimpressive number down to zero over the course of your relationship. You cursed under your breath, even though there was no one around to hear you. You should’ve taken Satoru’s wallet after he passed out. You wouldn’t have been able to use to his cards, but it would’ve been nice to—
You rounded the next corner, then froze.
At the end of the hall, like an omen of death granted human form, stood Suguru.
You took a faltering step backward before breaking into a full, heart-pounding sprint. Suguru wasn’t close, but he was close enough. He let you get all of three steps away before fist curled around the back of your shirt, his muscular arm wrapping around your midriff, trapping you with as much effort as it might’ve taken to lift a kitten by its scruff. Still, you thrashed, struggled, fought – throwing your elbow into his stomach and kicking at his legs as he lifted you off the ground entirely, pinning your body against his chest. He wasn’t supposed to be here. You were told he’d be at his shrine today, all day, with a thousand little things to do that’d keep him distracted until you got away. This wasn’t fair. He wasn’t supposed to be—
“Calm down,” he muttered, his voice distant, cold. “You’ll only make this worse for yourself.”
Immediately, you went still. It was a vague threat, but it was a threat, and Suguru had never threatened you before.
Or, you didn’t think he had, at least. It was getting so hard to tell, after everything they’d done to you.
He didn’t sigh, or shake his head, or speak again. He only lowered you back to the ground and, after taking your hand in his, led you back down the vacant halls, past the abandoned classrooms, and to the door of Satoru’s office. He paused outside of it, his dark eyes falling to you in a way you could only describe as void-like. You had to wonder why you every thought you knew him.
“You were trying to…?”
He didn’t say it, but he didn’t have to. Reluctantly, you nodded, and Suguru turned away from you, shouldering open the office door.
Satoru was on his feet, but only barely. He was supporting himself on the corner of his desk, his pale face flushed red and his clothes noticeably disheveled. At some point, he’d lost his sunglasses, and you watched his sky-blue eyes go wide as Suguru crossed the threshold with you following shortly after. “Suguru, princess.” His voice was weak, breathy. You could only imagine how you’d sounded strung out on their sedatives. “How far did she get? She caught me off-guard, but—”
Suguru let go of your hand and closed the distance between him and Satoru. You heard the sharp crack before you could process what he was doing – saw Suguru raise his hand and Satoru’s head snap to the side without ever linking either action with the other. Even Satoru, always so resilient, took a moment to recover, his expression going blank as Suguru spoke, unphased. “If you ever leave me, I’ll break your legs so badly, you’ll never be able to walk again.” You didn’t have to wonder if he meant it. It didn’t matter if he meant it. The words alone left shaking too violently to move, let alone run. “And if you do anything to help her, I’ll gut you alive.”
Your eyes darted to Satoru, to his visibly swollen cheek. Somehow, he seemed even more flushed than he had seconds before, his eyes half-lidded and his lips slightly parted. If you hadn’t known better, you might’ve thought he looked—
Oh, god.
You should’ve gotten away when you had the chance.
Of course, things only got worse when he opened his mouth. “Yes, mommy.”
“Get on the couch and lay down. It’s not like you’re good for anything else, right now.”
“I will, mommy.”
He obeyed mechanically, collapsing onto the well-worn sofa that sat against the far wall. You’d always thought it was too big, too bulky, especially in such a confined state. When you asked Satoru why he bothered to keep it, he’d just laughed and claimed he liked to keep his guests comfortable.
You doubted you counted as a guest. Then again, you doubted you were going to be very comfortable, either.
Suguru glanced over his shoulder, his lifeless stare boring into you. “Straddle his waist and help him undress. You did this, so you’ll be taking responsibility.”
Fear was a surprisingly strong motivation. You were scrambling onto the sofa before you had a chance to think, planting a knee on either side of Satoru’s hips as you fumbled clumsily with his shirt. For his part, Satoru was either incapable of or unwilling to help you – a distant, careless smile soon painting itself across his lips as he watched you struggle. When he did move, it was only to bring a hand to the back of your neck and drag you downward, his mouth crashing into yours. It was less of a kiss and more of a sloppy attempt to choke you to death with his tongue, but Satoru still groaned as you separated, his face immediately finding the crook of your neck. “So glad Suguru got you back,” he slurred, nuzzling into you. “He’s so hot when he gets all jealous like that.”
You were only half-listening to him, already distracted. Suguru had moved, too – kneeling behind you, his hands finding your hips and dragging them into the air. Your skirt was pushed up to your waist, your panties to the side, and just as abruptly, three of Suguru’s broad fingers were pushed into your cunt. You whimpered at the sudden, borderline painful intrusion, but Suguru only scoffed. “Be grateful you’re getting this much prep. It’s already more than you deserve.”
That didn’t do anything to stop the pain, though. Suguru was merciless – sheathing his digits to the knuckle, spreading his fingers apart, making it clear that he wasn’t doing this for your pleasure, even if he didn’t seem to be getting much out of it, either. You tried to shut your eyes, to grit your teeth and bare it, but any attempts to ignore reality were swiftly cut short by the feeling of his unoccupied hand coming down on your ass with enough force to bruise. “Did I say could stop?”
He hadn’t, but Satoru was making things difficult – keeping you slotted against him as closely as you could. As Suguru’s fingers fucked into you, you managed to get an arm between your body and his, for the waistband of his jeans down just far enough to earn a satisfied grunt from Suguru. Strangely, the worst part wasn’t the strain in your cunt, or the heat of Satoru’s cock pressing into your stomach, but the feeling of Satoru’s wide, toothy grin pressing into the side of your neck – tangible proof of his euphoria. It was awful – just how clearly he was enjoying this. At least Suguru had the decency to go blank.
It was too much too suddenly with too little build up, but Suguru knew your body and, more damningly, your body knew him. Barely a minute had passed before you felt arousal stain the inside of your thighs, before the sound of his digits plunging into you took on a distinctive wet quality. You let your head lull into Satoru’s chest and dig your teeth into your tongue, willing away any embarrassing noises that would’ve added to your ongoing degradation, but if Suguru cared, you couldn’t tell. He soldiered on with that brutal, unyielding pace, ignoring your clit entirely in favor of beating his frustration directly into your pussy. Really, it was a miracle you felt anything at all. Well, anything beyond pain, anyway.
It was only when you tensed against Satoru, when you finally let a single, fractured moan slip past your haphazardly sealed lips, that Suguru abruptly stopped; pulling out of you before you could fully process what was happening. You glanced over your shoulder, misplaced disappointment softening the harsher edges of your fear, but Satoru was quick to catch your chin – redirecting your attention back to him. “Where do you think you’re going, princess?” he asked, rocking his hips into yours. “You’ve gotta stay on my good side too, remembered?”
As if you could forget.
Behind you, Suguru glowered. “I’ll deal with you when we get home.” To Satoru, and then, to you, “Do it. Make sure he doesn’t cum.”
Your instructions were clear, albeit unappreciated. Satoru let you straighten your back, his hands kneading at your thighs as you picked yourself up and, as mindlessly as you could, aligned the head of his cock with your entrance. You wanted to move slowly, to give your abused cunt time to adjust, but Suguru proved uncharacteristically impatient; taking you by the shoulders and spearing you on Satoru’s cock before you could so much as consider protesting. You went stiff, your brain too busy trying to make sense of your sudden fullness to order your body to move, but Satoru didn’t seem to mind – only tightening his vice-like hold and bucking into you from below, his cock battering into the deepest, most vulnerable part of you without the slightest trace of concern.
You were too startled to make noise, but Satoru had always been so much louder than you, so much more eager to pour out his every little thought. “She’s so fucking tight,” he breathed, grinding into you. “Been ages since I had her on top of me, too. Almost forgot how—” A slight gasp, a pitchy whine, “Almost forgot how pretty she could get, sitting on her daddy’s lap.”
Your sight blurred, and a few seconds later, you realized you were crying. Suguru didn’t respond, but you heard fabric shifting, felt one of his hands disappear for a moment before returning, now on the center of your back. With more force than he really had to use, he shoved you back down, pressing you flat against Satoru as he maneuvered himself behind you. Space was limited, availability even more so, but still, it wasn’t until you felt the head of his cock press against your stuffed slit that you realized what he was doing.
“N—no,” It was almost impressive, just how quickly you abandoned what was left of your pride. You tried to pick yourself back up, but Satoru was a snare – an arm looking around your waist while the other found your hip, holding you still for Suguru. “Please, you can’t, it’s not—It won’t fit, and—”
And, just like that, Suguru was pushing into you, bottoming out in a single thrust. As his hips pressed into your ass and he let out a quiet, almost inaudible groan, you could only wonder if either of them had ever really loved you.
There was a lapse – more for their sakes than yours – before Satoru started moving, already acclimated. “Such a good girl,” he drawled, grinding into you, seemingly unhappy unless he and Suguru were both fully planted inside of you. “See? It’s not that bad, right? I knew you’d be able to handle it.”
But you couldn’t. Tears streamed down your cheeks uncontrollably, hitched sobbed and agonized moans trickling past your lips every time either of them moved. Suguru sucked in a shuddering breath, then planted a hand on the small of your back, thrusting into you sharp and deep – his movements a stark contrast to Satoru’s. The stretch along was unbearable. Even on your best days, you’d struggle to take either of them to the hilt. Taking both seemed fantastical, implausible, fatal. It was genuinely surprising that you weren’t already dead.
It was doubly as surprising, then, that it felt so good.
 Most of it had to be your own fried nerves trying to make the best of it, to get you through this as quickly and as painlessly as was possible. You weren’t in control of anything; not your hands as they clawed blindly at Satoru’s chest, not your hips as you bucked pitifully into Suguru, and certainly not your cunt as it clenched even tighter around the cocks splitting it open. Satoru let out an airy laugh, two fingers dropping to your neglected clit. “It’s okay, baby, you deserve to feel good too,” he gushed, pushing lazy circles into the small bundle of nerves, drawing out yet another miserable sob. “Told you she’d like it.”
“She’s not supposed to,” Suguru grunted, digging his nails into your waist. Still, that didn’t stop him from burying himself inside of you, his cock twitching against the walls of your cunt. You couldn’t be sure what it was – the fullness, maybe, or the overstimulation, or your own desperation to just get this over with – but your vision burnt white, your body convulsing against Satoru’s as you came undone around them. Satoru followed shortly after, digging his teeth into the curve of your neck as he pumped something searing and vileinto you. Suguru let out a rough, throaty growl – throwing his head forward and hilting himself entirely inside of you. You shook your head, pleading silently, but he didn’t seem to care, didn’t seem to notice, and even if he had, you doubted it would’ve been enough to stop him from cumming inside of you, from ensuring that no part of you was left uncorrupted.
There was a short period of numb, thoughtless stillness – filled only by Suguru’s panting, Satoru’s mindless cooing, and the absence of your voice. Suguru shifted, and for a second, you panicked, convincing yourself that there was more, that he wasn’t done – but he only pulled out of you, fixing his clothes with his eyes focused pointedly on the point where your cunt was still stretched around Satoru’s cock, where it leaked and drooled onto Satoru’s lap. You weren’t so resilient, letting your eyes fall shut and slumping against Satoru.
For the very first time, as you lost consciousness, you felt the smallest, tiniest, most microscopic spec of relief that, at the very least, you wouldn’t be responsible for cleaning yourself up.
~
“Stay in the car. I’ll call when it’s time for you to bring her in.”
The ride had been near-silent, only occasionally interrupted by an odd comment from Satoru or a hissed warning from Suguru. Suguru drove while Satoru held onto you in the back seat, keeping you gathered in his arms, his jacket draped loosely over your shoulders. Satoru only nodded as Suguru let himself out, making no move to follow. Whatever this was, they must’ve already talked about it while you were blacked out.
You waited until Suguru had disappeared into the house before speaking, your voice hoarse and unsteady. “He hit you.”
“Mhm. You did a number on my chest, too.”
“But—” You cut yourself off and started over. “He hit you.”
He flashed you a smile, as careless as it was dismissive. “What do you want me to say, baby?”
“That this insane. That he’s insane.” You crossed your arms over your chest, curling into yourself. “You can leave, Satoru – we can leave together. All we’d have to do is—” The air hitched in your throat, but you managed to snarl something out. “—fucking go.”
“And why would we want to do that, exactly?”
“Why wouldn’t we?”
Satoru laughed, the sound breathy and light. “Because,” he said, nuzzling into your hair, “Suguru loves me. He loves us. You should know that – after today, especially.”
You opened your mouth, but shut it just as quickly.
This time, you had a feeling that he’d given you the only answer he was going to.
The next few minutes passed slowly. Satoru kept himself occupied, pushing slow, lingering kisses into your cheek and neck, while you stared mindlessly out of the window, trying to savor the last minutes of sunlight that you’d have for a long, long time. Eventually, Satoru’s phone buzzed. He didn’t even bother to check it before gathering you up in his arms and carrying you inside. You expected him to take you back to your bedroom, with its stuffed-animal lined shelves and bright pink walls and polished silver chain, but instead, he turned down a hallway you’d never seen before, into a bedroom that was distinctly not yours. Suguru was waiting for him, standing in the doorway to a dark closet. The edges of his lips quirked upward when he saw you. It wasn’t quite a smile, but it was the closest thing you’d gotten to one from him all day.
Satoru placed you next to him, and your attention turned back to the closet. Any clothes or shoes had been cleared out to make room for a single, silver dog crate, nearly big enough to stretch from one wall to the other. The bottom was padded with a light pink blanket that you recognized from your bed, and a white rabbit plush had been left in the far right corner. A deadbolt hung, undone, from the open kennel door.
You might’ve broken down entirely, if you hadn’t been so devastated.
Suguru’s voice was deafening and serene, as beautifully composed as it was unspeakably terrible. “Get in, love.”
“I’m not—”
“You should probably listen to him,” Satoru cut in, placing a hand on your shoulder. “This is just about the nicest thing he suggested.”
You swallowed, your heart failing to beat. Out of some ancient, primal, preservatory instinct, your body moved towards the crate, falling to its knees and bowing its head to fit inside. The kennel was big for a dog, not for a person. You had just enough room to huddle against the farthest wall as Suguru slid the door into place, the deadbolt locking with a sadistic click.
“It really is a shame,” he muttered, shaking his head. “I was hoping you could be our darling princess for a little longer, but I’m sure you’ll make a much better bitch.”
Satoru helped him back to his feet, and together, they retreated back to the closet door, Satoru casting one more lovesick smile over his shoulder as he shut the door behind them, leaving you in total, endless, solitary darkness.
Your wretched sobs echoed off the barren walls as you finally started to cry.
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chevvy-yates · 2 days
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Sending out kudos to everyone who has shown their love towards Ryder for the past two years.
I love u all very much and every engagement, be it even just a like, means a lot to me.
I've intended to sorta make a cool post of some older vp of him as of today, September 17th, exactly 2 years ago I have created Ryder,— back then as a supposed supportive character for Vijay, very unsure if I would like him as Ry didn't visually turn out as I wanted him to be in the first place and he never went that way either afterwards — yet I find myself writing those lines instead.
I've accepted his look and his imperfection started to grow on me with each picture I took of him. Unlike my other ocs he went his own way leading me along to discover his personality. That's what makes him so different compared to my other blorbos and has me so attached to him.
I did not plan to make him a raver (he was supposed to become an 80s goth punk, a total different style than he's got now) neither that he would end up with a rogue AI controlling him. Only his name, basic info and the toxic family story was planned right from the beginning but that's pretty much it – Ryder showed me the rest of it.
Within the year 2023 I noticed more and more that Ryder has slowly but surly turned out to be my main character.
He turned out to be the most expressive and photogenic one of them all. I don't see him as the prettiest looking either yet he's my most precious and I love every pixel about him.
He's the one thing in my life I am actually truly 100% proud of.
Almost all my ocs exist because of him. They are his support characters. Without him half of them would not even exist. There would be no Thyjs. Even Garnet exists so Ry can live out his passion (that was not really put into the game but exists as lore: Technoise).
I am beyond happy to have created him.
He helps me in a lot of rather personal ways too I do not need to address here.
I got so much to tell about him (also about my other ocs) yet idk if I should continue or not as I find myself stuck with overthinking about it bc of lack of public response literally everywhere (this excludes private chat talks with close friends). Maybe Ryder's too intimidating (not the first time I would read that), his lore gets overlooked easily, or it's to much (confusing) text.
I cannot make anyone force-like him. Tastes are different. Minority is into others oc lore. Less time to read it all. The list is long. I'm aware of it all.
But I cannot underline it enough: do never hesitate to ask me questions about him. He's on my mind 24/7 and my biggest wish is to get this story out and done some day (whenever it will be) and receive some actual feedback on it what was liked.
Just a tiny detail is enough. <3
Another wish I have ever since I joined the CP77 fandom: that people would go back to comment each other more. We all do have little time for it, we all think "oh no so much text to read", we all are in our own bubbles rarley coming out to explore another bubble within this universe. It takes a lot of effort to do. people do seem scared on top to write anything at all for numerous reasons. I have all those problems as well. But I try to sit down and read the one or other lore chunk others wrote down and give a tiny comment as best as I can to make the creator have a smile on their lips. I truly wish we all would do this at least once a week to one person. once a month would be also fine. But if we don't this fandom will be dead soon enough and all thats left is just liking vp with characters on it we know almost nothing about. And maybe even those characters won't have lore anymore bc people stop creating it.
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artemismatchalatte · 5 months
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I hate being obsessive over someone. I feel like I'm heading there and I don't want to be overly clingy either. Ugh. I don't know if it's a bipolar thing, a possible crush thing, a loneliness thing or a combo of all three. My medicine has been working pretty good so far but I'm a little concerned that someone is taking up a little too much room in my headspace. I like this person BUT I do not want to slide back into my weird obsessive loops like I used to when crushing. That's embarassing and unhealthy. Ugh.
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fellhellion · 1 year
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🚬….
#am going to exhibit mental illness in the tags as heads up shdhdjfjf also dw none of what I say is#abt or concerns folks here but#yeah. as a tldr very Gabrielcore of me haha but yeah#I wondered for a long time how I could go years without#when a crumb here awakens a voracious hunger in me for affection and approval#and there is simply an element of ego to it - to enjoying the idea that those I admire like what i say#but I think the larger part is simply that I’m myself here#in a way I’m not irl. I’m not…I can’t be vulnerable to people. I can’t let them see me. I don’t want to be rejected I think#but here I am simply. unaware to people who don’t click with me. no one interacts w me unless they’d like to#and there’s a certainty to that which just isn’t quite present irl#so I think the reason I get so easily attached IS because it’s me. because it’s my true self. and I don’t. I don’t know how to not want that#approval and affection beyond just letting the feeling fade with time. beyond removing myself from spaces where it occurs#because it’s not. it’s not fair to foist that onto people who didn’t enter that knowingly. I don’t#I don’t want to be too much. I always feel like I’m too much. too serious too intense feeling too deeply and on and on#I m want to be just enough. not too little or too much.#and yet that’s not healthy nor is honest to those you want to connect w#and people aren’t obligated to connect w you - it’s egotistical to simply think you can correct social step your way into someone’s regard!#but ah I don’t know. it’s been a night. I just wanted to say it plain and honest and finally get it out#but this isn’t like shdhdj asking for pity and such. I’ll be okay it’s all just part of it#vent.txt
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sxorpiomooon · 2 months
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What does your older self wants to say to you? A pac reading<3
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Pile 1-
you need to let go, this is so funny to me given the pile that you guys have chosen has a tattoo of "amor fati" which literally means this. If you've chosen this pile you might have an anxious attachment and some of you need to go off a relationship that you are holding. A japanese song is playing in my head? Sometimes you only hold onto things very tightly because deep down you know that the moment you let go they are going to leave you. Your older self wants you to let go of such relations one particular scenario that I'm getting is of someone being in a toxic relationship being completely dependent on their significant others knowing that the other person might not choose to stay with them once they let go or once they are given the choice to do so. Stop being dependent on people and allow them and give them the space for them to leave you if they wish to do so the only way to understand how much they love is by giving them the space to leave then only you know that they truly do love you. The other people in this pile need to know that all relations require space and time for both individuals to grow individually too. Only when you have enough space and time to grow individually you can contribute something to the relation. Some of you might have ashlesha nakshatra. Also take care of yourself by yourself your older self really wants you to take care of your hair lmao I keep hearing "wash up wash up" I'm also seeing fishes for some reason those orange ones I don't know what they're called? You might love them now or definitely own them in the future. Your older self also wants you to know that the cycle ends with you. Breaking off from the generation trauma cycle seems to be a very important theme here. I see y'all are already very cool but are even cooler in the future man I'm not gonna lie I also keep hearing alt for some reason whether it's for songs or fashion but y'all are gonna be fucking cool in the future man. Be resilient I have full faith in you pile 1 do it for the super cool you. I also see this pile moving out of this house if they haven't alr I keep getting japan again and again but y'all gonna live a pretty great lifestyle also reminded of lucky from the blue sisters novel? Thankyou!!
Pile 2-
this pile might have the tendency to overreact at that exact moment when they are faced with a problem. Their emotions at times might make it hard for them to actually get a good grasp on the situation. Your older self wants you to learn to differentiate between illusion and intuition lmao. I also had a vision of someone journaling so I think the older self might want you guys to write it down before reacting or coming to a conclusion on any sort of situation. I also think that writing it down might make it easy or better for you to feel and understand your emotions better and the problem as well. This pile also needs to focus on their unconscious mind? If you are manifesting something you might have some biases already that you need to pay attention to. This pile might also easily interpret things and get confused. Your older self wants you to follow your heart I heard "it will lead you to the right path" and right after this "sometimes to run is the brave thing" played in my head from its time to go by Taylor swift. You need to act on whatever feelings you have some of you might write and be confused about whether it's good or not or some confusion related to it here's your answer- it is<3 go ahead and follow your heart pile two it will never lead you to the wrong path in the long end. I also heard "beauty and art is everywhere" this pile needs to follow their passion. Lord this is ending on such a good note. Your older self also wants you to know that you should not fear bc all your hardwork will pay off<3 all your hardwork and sacrifices will pay off and you'll get the success that you desire and want. This was also a pile that I chose and I needed to hear this<3
Pile 3-
The time or whatever you are going through will not be wasted. The journey is there to prepare you and give you the experiences that you need to get to the level that you want to achieve in your life. This pile might be going through some hard things. This pile also needs to know that you cannot force anyone to grow early or to change early or hurry up some process everything has its own time be patient a delay does not mean a no. This pile also needs to come face to face with their problems and fear only then they'll be able to move past it. "The only way out is through" "change is the only constant thing in life" "no one else can do it for you" are the things that I'm hearing. This pile knows what's needed to be done but might fear the unknown. A big transformation that is much needed is coming after that I see a wonderful new beginning for you<3
thankyou!!
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lazywriters-blog · 3 months
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Aventurine with an innocent darling who's very vulnerable to his schemes and doesn't understand his motives for gifting her a ring, necklaces, expensive perfumes, and dresses that match his preference, finds it hard to believe that he's doing all this for her without a reason.
Doesn't say anything whenever he puts his hand around her waist and drags her along with him anywhere and everywhere he goes, when he leans close she doesn't move back, in a way Aventurine would find her daring and bold, which he would like. A lot.
Seeing as she never declines or rejects him, his advances, his gifts, his messages, their intimacy, and his touch, he considers her his best friend.
Which in time would soften his heart, they would play games that were to her liking (because he would always have her lose to his bets and wagers) but if you look at it from a stranger's point of view, she's playing a dangerous game and she's falling right into his trap, wearing his gifts, following him around, it wouldn't end well.
So of course, someone would eventually warn her and tell her to stay as far away as possible from the IPC executive, which to Aventurine's dismay, works. She's playing distance with him and doesn't laugh or smile as much as she would have before everything she was told messed up her mind, runs home after he keeps insisting that she stay the night and they could have a sleepover, however, they keep drifting apart every time he gets too overbearing.
Everything she does hurts his feelings and drags him further down.
Losing someone who didn't have ulterior motives, who didn't want him to be their friend for his money, influence, his looks, his luck, makes him all the more clingy and desperate.
He wants her back, so the first thing he does is make sure everyone keeps their mouths shut and never thinks about influencing his best friend. Which works, at least for a while.
He's attached to her, he can't consider losing her after everything they've been through, so even if she doesn't realize it, the damage has been done, and she can never look at Aventurine the same. Surely, he will learn about it soon enough.
He could try manipulating her, but what's the use? They've lost their genuine friendship, and it drives him crazy, makes him bitter, and makes him want to do things to whoever dragged his darling away.
He might resort to desperate measures.
So now, he's doing everything he used to do but ten times worse, giving her endless rows of gifts, and spending an unimaginable amount of money on her in hopes they can rekindle their friendship.
But something is still holding her back.
"You should stay the night," he said in his usual light tone, taking a glance to gauge her response. She smiled nervously, and he knew she would decline.
"No, I gotta get home but next time surely," promising him her next time had gotten old, even though she had only stated it twice. He looked away for a moment, trying his best not to squeeze her shoulder.
"You know, you've promised me that twice already and it still hasn't come true."
"I know, I'm sorry. It's just... I don't want to bother you." she looked down.
"I wonder if it is because of those people. You can easily be manipulated, I've already told you that so many times, so why can't you try to form your own opinion?" he didn't say it in a belittling manner, nor was his tone heavy in malice but anyone could tell something was wrong.
Aventurine has never been passive-aggressive, at least not with her.
"That's... Kinda mean." she tried to pull his arm, trying to shrug off his touch but that didn't stop nor discourage him because he just laughed and pulled her back to him.
"I was just kidding! Surely you would have known that by now sweetheart." he also never called her 'sweetheart'.
She looked at him, his wide grin and beautiful eyes peering down at her had always consoled her but now it was telling her to run away.
But with how tight he was holding onto her, she feared it would be impossible to get away now.
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linkspooky · 1 year
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Are You Satisfied?
As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.
The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?
As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?
The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.
Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?
Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.
The Protagonist of a Tragedy
So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.
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Excuse me while I fist pump for calling it!
The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.
In poetics Aristotle defines tragedy as:
"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).
To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.
The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.
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Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?
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Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.
Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.
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Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.
I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.
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Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.
I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.
If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.
Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?
Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.
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Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.
Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.
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Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.
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One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.
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Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.
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When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.
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We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.
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Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.
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Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."
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Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.
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Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"
There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.
"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "
All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.
All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.
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Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.
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Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.
INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.
Not living in the world with everyone else is the same as being dead.
A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.
Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.
This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.
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Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"
It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.
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There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.
Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.
Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.
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It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.
However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.
It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.
「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」
They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.
Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...
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"If you were among those patting my back... then I might've been satisfied."
Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.
Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast
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icarusallusion · 5 months
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One of the main reasons I've been so fond of Otasune since I first knew it was a thing was because I think they're genuinely one of the purest forms of love in Metal Gear.
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Throughout the series we see horrible relationships between horrible people trying to get by and then that relationship gets dragged through the awful scenarios they live with, be it war, internal struggles, infidelity etc. Despite this common place struggle with so many other characters, we see Otacon and Snake steadfast loyal and healthy throughout every struggle they go through.
They may not be an official couple, but they will always stay the most communicative relationship even outside of shipping. I see people joke about how Otacon kind of bosses Snake around (especially in MGS4), but I always saw it as refreshing. In the series, there is so many times where x character does something horrendous and y character just sits aside and silently sulks about it.
But this doesn't happen, like at all, with Dave and Hal. There are many times where Snake doesn't think about consequences to his actions as a general rule of soldier, however Hal has never been a soldier. So when these things happen, Otacon tells him off and it's something Snake genuinely needs to hear. It's something human, away from combat. Because Otacon is one of the very few characters that talks to Snake as a person, as a human, not as a soldier or fucked up clone baby.
Snake has gone his whole life scrapping the bottom of the barrel to stop feeling so lonely, he flirts with every woman he sees, he attaches himself very easily onto superiors, etc. Snake is a man who has spent his whole life trying to appeal to people, to get the praise he was never allowed as a child. Otacon gives him the comfort he never got. While any military superior can say Dave is the best of the best. None will look him in the face and tell him he has to live to just live.
Hal also opens a lot of doors to Snake's own discovery about himself. While this next point might sound a little cringy, stick with me. People may joke about the anime interest Snake and Otacon share, but it always came across so genuinely sweet to me. Snake's only interests up until he met Otacon have been, stop feeling lonely and war. I think even part of his musher life and interests within sledding can contribute to part of this. I mean come on, not even a regular musher keeps 50 dogs in their house and dogs are a natural remedy to loneliness. But in all seriousness, David refers to the huskies as his only family and I don't see him connecting with any other mushers he works with, it reads as him wanting to not be alone while also still being so lonely. As well as how mushing is considered a more normal interest than being an otaku, especially in the early 2000s. Mushing is a sport, and being an Otaku was pretty much unheard of or hated. Watching this guy who has been stuffed full of war propaganda scream a dorky "falcon punch" and "ninjutsu" with his best friend is so heartwarming in a way.
As well as Otacon's whole meme turned question of "do you think love can bloom on the battlefield?" Is something that I think Snake needed to be asked. It's probably been something he's been thinking about. It is also one of the most human things Snake asked throughout the game. About finding love in fear. Otacon constantly prods into Snake's heart and brings out the good in him.
Not only does Hal open up a space for Snake to have genuine unashamed interests and show true pure humanity. He also shows off their childhood. Both Hal and David never got proper childhoods. They connect that with each other through cheesy animes, talking about uncertainty in love, finding out what life is all about, navigating feelings, and through that damn cheesy handshake hug. It's all genuinely pure and wholesome love that connects what they didn't get to explore in childhood with one another. When Snake opened that piss covered locker and saved Otacon, he brought his own salvation into his life without knowing it. The very presence of Otacon saved Snake. It's why MGS4 felt so depressing for me especially, the strain between Snake and Otacon left a hole in my little heart and made Snake feel even more hopeless.
I also want to talk about how Snake benefited Otacon.
Otacon begins as cowardly and timid, he's an incredibly insecure character that struggles to connect with others, probably stemming from the issues in his younger life. When he meets Snake, he's faced with someone he could relate to that has an outward appearance that makes him seem so much more confident than he is. Snake is not this, he's as insecure as Otacon. Indirectly, Snake is the whole reason Otacon gets on his feet to take action against terrorism, takes action to become a better person. Snake shows Hal that he doesn't haven't to be strong to do the right thing. Throughout time, Snake helps Otacon come to terms with his own self worth and issues.
In MGS2, it has one of my favorite examples. The infamous bro hug scene.
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Before it, this is when Otacon allows himself to open up about his childhood, not even just Infront of Snake, Infront of Raiden too. This showcased such a development in his character because he's proudly talking about it, while even through tears he doesn't hide it anymore.
Did you know that during that scene if you pan the camera to Snake, you can see that he is crying too?
When Hal has a breakdown over his sister's death, Snake is there to comfort him as well as tell him how it is in bluntness with a hand on his back that he needs to save people. It isn't cold or callous, it's letting Otacon know that he has something worth fighting for after a loss like that. Then when they face one another, they embrace each other and Snake tells Hal that he believes in him. Hal spent a lot of time as a scientist, hoping for someone to believe in him, while Snake puts all of his belief into Hal.
I can never forget the iconic "You're the only god I can pray to, Otacon" line. Snake has a deep loyalty, love, and belief in Otacon that Otacon has never been truly given before.
They both, in turn love each other till the end of their lives. Their love was one of the most heart wrenching and beautiful things in Metal Gear Solid and it's no surprise it captivated so many people. Their relationship, whether you ship them or just see them as a bromance. There is no denying the love they feel for one another as friends or lovers is one of the most iconic and sweetest bromances out theres They have impacted so much pop culture and I love them forever, as I'm sure many of you do who read all the way to the bottom.
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artytaeh · 5 months
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can i disagree with some of this fandom's perception of tom riddle? surely he won't be a sweetheart like lorenzo, but...
┊ i also don't think that he'd be so intentionally rude, so cold towards his significant other. i honestly think that if tom ever becomes infatuated with someone, he would take pride into getting this someone to belong to him. willingly! 🌷
౨ৎ i guess i'll never know the reason why you ♡ ͡
love me like you do; that's the wonder of you . . .
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... tom riddle is a smart man, you see. love, romantic feelings, to act like a couple and all of those things— these might be the most confused that tom riddle will ever be, because otherwise, he's an extremely competent, capable young man.
tom riddle does get confused, a little lost on what to do; he'd torture himself by discreetly watching couples at hogwarts interacting, maybe make some research (= read novels. romantic novels. it was a discovery of a new medieval torture for tom, seriously, to waste his precious time reading some sappy crap like that.) to better understand how to handle you.
how to deal with you.
how to cherish you, so that you don't ever entertain the idea of leaving him. you see, tom is a practical man— he'd rather not commit mistakes, because to fail, means to spend extra time fixing his error and doing the same thing twice, so that this time, it's done correctly.
applying this ideology to you, it means: that 1) tom riddle prefers to always keep your heart happy, so that you don't have doubts about him; so that 2) he won't have to take twice the effort to conquer the city of your heart again.
some think that tom wouldn't like petnames. to be fair, tom would frown at many of those, at first— thinking that they were cringe, disgusting or a psychological way to acquire diabetes. however, when tom gets used to this stir on his heart, those loud heart beatings that cloud his rational thoughts...
... it's excused to say that tom's preferred petname to call you by, is 'my love'.
tom reasons that's because it isn't a lie at all. well, you're certainly his— and because of you, because of your existence, of this enchanting aura of yours; that's how tom riddle discovered love. there are few things that tom is attached to. even fewer that he shows to care about, to have affectionate feelings for; one of them is the basilisk. others are his favorite books, all of them first editions that were troublesome, but endlessly worth it, to get. nevertheless, at the peak of the pyramid, there's you.
you. oh, how your name sounds so angelic, so right, so perfect on his lips. sometimes, tom doesn't call you by any petnames, so that he can mouth each syllable of your name, tasting the acquaintance of the name of his darling on his lips.
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he might call you by other petnames, depending on the occasions:
darling; which, in his opinion, is fairly one of the best petnames to be shared between a couple. because you, reader, are endearing to his eyes— a darling, really, whose presence immediately softens (ever so slightly, because tom riddle still is tom riddle himself, and that mask of stoicism of his won't be broken without putting up a fight.) those previously icy, cold eyes of his.
dearest; if tom is trying to reason with you. unlike what many think, tom would take a deep breath, put on that handsome smile of his, and use a gentle tone to convince some words inside that pretty little head of yours. 'dearest', he calls for you— so gentle, so full of affection; as if reminding you that you are the object of all of his affections and desires. you, his dearest, the one he adores the most. the reminder of such a fact easily melts you in less than a few seconds, which tom sees as too perfect of an opportunity to lose to convince you much faster.
doll; if you look rather ravishing to his eyes, whenever you dress up even prettier than other school days, and wear such pretty clothes and many accessories to further optimize your beauty. beautiful, perfect, flawless; like a doll. a carefully made doll. a doll, that sits there quiet and all pretty, obedient, doing as she's told.
( i must warn you, though, that tom won't entertain silly nicknames from you. tom riddle will ignore you, march forward without sparing a glance at you, not even acknowledging your presence should you insist on the matter. tom won't answer you, should you refer to him by such hideous petnames. you could be about to fall from a mountain, and yet tom won't help you until you address him properly. baby? he's not a child, for salazar's sake! pookie bear? now that might make tom riddle himself throw you off from the mountain's edge— call him such a monstrosity like that, and tom will lose every drop of faith on you. you're a lost cause. )
if he had to choose; yes, tom would prefer if you were obedient. contrary to popular belief, tom riddle is quite fascinated with sweet personas. to have a sweet significant other, who's all smiles and considerate words— it's so, so much easier for tom.
between a brat that trashes around for his attention, and a sweet girl who gently tries to indulge (purely out of concern, wanting him to share his problems with her!)— tom would rather choose the latter.
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quite the darling you are. to boldly take tom's hands between your own, with that frown of yours. no, you're not being whiny; yet tom can see that there's consideration, there's time spent on that little brain of yours, that tries to find the right words to speak with him.
then, when you voice your concerns— that tom spends some time alone from time to time, seemingly hiding something from you, as if to shoulder all of those burdens all by himself...
tom takes a deep breath, swallowing his temper. trying to keep his composure, because tom hates having to justify his actions. with a smile, tom puts on a facade, with a too much convincing tone: "oh, dearest, no. i'm flattered that you noticed that i haven't been having the best days; however, your presence makes everything better. in fact, being with you now, makes all of my problems seem insignificant in comparison."
should his sweet words not be enough to keep your nose out of his business, then tom takes a step further. holding your hands, tom squeezes them between his fingers, gently at first, tightly when you're too stubborn: "my problems are mine to solve, my love. i would never put such a heavy burden on you; your smile is too precious for me to ruin."
sweet, sweet words; some that tom mentally grimaces at, but knows that are necessary and effective with you. talking as if he's doing you a favor on keeping you away from his PERSONAL thoughts and goals.
and that's how tom pushes you way. gently, smoothly— so that you'd have to rethink this moment over and over, for you to understand that once again, tom riddle has tricked you; tricked you into doing what he wants. because without a fight, without you daring to bother him further... tom riddle made you go back to your own business, and leave his alone.
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however, when tom is in a better mood and less stressed with his own goals, he'd find it funny, entertaining even, if his darling tried to be bossy. to pout, to want some sort of control. it's hilarious for him.
so, he indulges you. well, sort of— tom tricks you into thinking that he gave in to your commands. to your whims. in a sneaky way, tom makes you think that you're in control!
the one who's in charge is you. yes, darling, of course. he pats your head, gives you that charming smile of his. with such a serene expression, tom briefly raises his eyebrows, mocking you inside that devious mind of his, as he says: you are absolutely right, dearest.
tom riddle doesn't really mind that you aren't consciously aware that the one in charge is him. that's fine; no, seriously, go and brag about it!
because ultimately, tom knows that what he says, goes. that with some sweet words of his, a little touch here and there, that you'll soon see the reason and comply to whatever tom wishes you to say, to do, to behave.
he does is so smoothly, that even for the outsiders, well... it'd be hard to realize that all that tom riddle is doing to you, is nothing but manipulation. and you're oh so easy to manipulate— it was a challenge at first. now, it's more of a chore; tom barely blinks through it. he knows you so well.
however, so that you whining and getting used to think that you're having things done your way, tom throws some praises and compliments here and there.
touching you chin, gently brushing his thumb on your lower lip; tom's gaze intentionally softens, as he praises: 'you're just too good to be true, my love.', whenever you act accordingly. when you do as he says.
brushing a strand of yours away from your face, so that he can further admire the physical features of his beloved: 'i sincerely can't take my eyes of you, darling, when you are so good for me like this. pardon the way that i stare— you're too beautiful.'
and with even more sincerity, tom riddle isn't sure where his manipulation ends and his genuine care for you starts; tom isn't sure, whether his words are now a muscle memory of his, or if he truly means them.
but he never allows himself to discover the roots of this thought. to actually find out if he truly is such an emotionally shallow person, or if his weakness for his darling is deeper than he realizes. no— this is one of the few matters, in which tom would rather remain ignorant about.
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because tom is such a gentleman with you...
opening doors for you. walking two, three steps ahead of you as soon as the entrance is upon sight, tom will open the door for you; his arm keeps it open for you to enter or leave the room first, and so those grayish-green eyes of his watch you, as you pass by. then, tom will enter just behind you, following your lead, quickening his steps to go back to his rightful place by your side. he lies to himself, saying that he only does such a small gesture to effortlessly keep you by his side. tom would be telling the truth, if he doesn't interrupt the thought that he enjoys to escort you— because, deep down, tom genuinely appreciates your company. every step, every minute you spend together. 'here, love. please, continue; what did you tell your housemate, then?'
tom riddle refuses to let you carry heavy books. so, as if it was muscle memory and so smoothly that you can't do anything about it, tom will carry your books along with his, as soon as you leave the classroom. it's not that he finds you useless, incapable; rather, tom riddle perceives you as a... preciously delicate, fragile little thing. most of the times, tom does it so nonchalantly that you don't even notice; you're too distracted by your conversation, to notice how tom carries your stuff, busying his arms. however, should you notice or worry that you're being a burden to tom in any way; tom shakes his head at you, waving off this silly insecurity of yours: 'i know you can carry them, beloved. however, allow me to do it for you. i am your boyfriend, am i not?'
offering his hand for you to take, whenever there's a higher step to be climbed up, or tricky stairs on your way. tom will do it too, to give you some kind of support, should you jump off of a particular high edge. whenever you wear high heels, tom would be specially careful with you— he offers his arm or hand for you to take, walking in a much slower pace than usual, so that you won't overexert your feet. we can't have his darling getting hurt, now can we? no bruises, no pain, no redness on your skin undesired by him, nothing to interrupt the lovely time you're spending together. 'take my hand, my love; it's quite high for you. that's it, darling, good girl.'
whenever you're about to sit, tom grabs the back of your chair, pushing the seat backwards for you to take, then helps you settle closer to the table. only then, will tom take his own seat in front of you. it's something that becomes so, so common between both of you, that sometimes you find yourself taking a few more seconds to sit down, whenever you hang out with your friends; unconsciously, you'd wait for tom to gently guide you to your seat. oh, you're spoiled.
leaning down to get the material you accidentally knocked out; if he's not quick enough to notice, then tom will keep his hand on the edge of the table, so that there's no chance for you to hit your head. 'quite the klutz, aren't you, darling?' — with a lighthearted tone, so that he doesn't come by as mean, tom couldn't help but to tease you just this time, — 'next time, let me get it for you, dearest. now, careful with your head.'
⋯ ⋯ ﹒ 🪻 ’
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... and because he's always so soft-spoken with you, well, how could you listen to your friends, in case they notice that maybe tom riddle isn't as a good guy as he lets on? that perhaps, he is a little controlling. that maybe, he's too overprotective of you.
→ and of course, being the fool you are, you stroll to the lion's cage (or should we call it snake?) and deliver all of this information on a silver platter for him.
SAT SIDEWAYS ON HIS LAP, tom settles your thighs to rest on top of his, while a hand is respectfully kept there; caressing the smooth skin, rubbing circles on the bare skin of your thigh, just inches underneath the hem of your skirt.
tom riddle keeps up a serene expression, sometimes humming in acknowledgement, to show you that he's listening to this ramble of yours. if it's a topic that seems to have bothered or upsets you, then tom will keep another hand on your lower back; he soothes you with small movements of his fingers.
oh, how funny. so this ravenclaw friend of yours, told you that it isn't normal for tom, your boyfriend, to comment whether you roll up your skirt during summer? that such a thing is being controlling? now that's something tom will have to deal with. perhaps, he'll only have to frame this irritating ravenclaw girl; have you ever thought that maybe, she's interested in tom? that must be why the ravenclaw is filling your pretty little brain with such absurd exaggerations of his doings. how lucky you are, to have an attentive boyfriend that easily notices when a friend of yours has bad intentions.
( for obvious reasons, tom despises amortentia. he finds it disgusting, but more than that, tom riddle perceives amortentia has a rather pathetic tool to get someone's affection. tom will never use it on you— he doesn't need to! however, he will get his hands on one, to use it on that nosy, insufferable ravenclaw friend of yours. only to prove his point. so that this nosy girl acts disgustingly flirty around tom, so that you'll come running back into his arms, crying about such an awful friend and that once again, tom was right. you apologize to him, for doubting his assumptions. you end this friendship and cut ties with the ravenclaw girl. and tom, well, tom riddle has once again rid both of you from troublesome outsiders. )
ah, now this is entertaining! so these friends of yours, housemates, have noticed that tom has been keeping an eye on you. now, dearest, that's rather silly, don't you think? so what if you seem to find the same familiar faces in the same space as you? do you really believe your friends' theories? that he sends his followers ''friends'' to follow you around the school? darling, hogwarts is quite enormous and spacious, yet all of you study together in the same castle. it's inevitable, to see familiar faces, here and there.
( however, tom will blame his followers. how difficult can it be, to follow, to stalk a girl like you? and to go unnoticed as they do that? sincerely, tom stares at them with such disgust, such disappointment, that his followers tremble under his gaze— the future dark lord even mentions the idea of getting rid of them. of throwing them away. after all, why would he need such useless, such incompetent boys like them, if they can't follow simple orders correctly? it's excused to say, that you'd never suspect being stalked again. 1) because tom reassured you that such a thought is rather silly; and 2), because these followers of tom riddle do a much better job. out of fear. )
oh, darling, what silly friends you have! sincerely, it seems like you only attract observant delusional friends, or attentive paranoid companies!
in the end, it doesn't matter if your friends tried to alert you about tom's toxic concerning flaws traits. because in the end, at night, he will have you nuzzling on his lap, holding you so tenderly; all of these warnings disappear into thin air, when tom makes you laugh at such accurate ridiculous accusations.
in conclusion: no, tom riddle would never be rude or snap at you; not if he can help it, not if he can keep his temper in check. he believes that the best way to keep you so effortlessly devoted and infatuated, to keep you willingly by his side, is to treat you with care (even if sometimes he has to manipulate his way into it). how lucky you are, to have such a obsessive caring boyfriend!
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🪻 ; . . . fandom : harry potter.
— i'm endlessly faithful to theodore nott. however. the first to kick the entrance door to my heart was tom riddle. and what a man (i can't fix him. i would let him ruin my life him tho!), ladies and gentlemen.
the headers + gifs + icons aren't mine. credits to the respective creators ! 🌷
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sturncakez · 5 months
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𝐬𝐨𝐟𝐭𝐜𝐨𝐫𝐞 ෆ
contains: bsf!chris, plot, smut, oral (fem receiving), n fingering.
reader discretion is advised.
christopher owen sturniolo. your bestfriend, but also the love of your life.
you’ve known him and his brothers matt, nick, and justin ever since you were little.
your father and jimmy have been extremely close since they grew up with each other, and of course passing the tradition along, they wanted their children to do the same. despite you being an only child.
you loved all of the boys equally, of course. but you seemed to gravitate towards chris. growing up you couldn’t tell why, but as you got older it seemed to be more obvious. i mean, look at the boy. he’s perfection.
there were so many reasons why you used this word to describe him. but you couldn’t even wrap your finger around just one.
was it the way his beautiful blue eyes shined in the summertime? or was it the way he was so calm and caring, only when it came down to you? perhaps it was the way you guys treated each other, almost like you guys were soulmates, but with no real feelings attached.
you can go on and on about him. his soft and dark locks that seemed to shine with no effort, his listening skills, eye contact that could and always easily melted your heart away, the way it felt like you guys could talk for ages for hours, or even days. in your eyes he had zero flaws, and as you got older, you realized you were in love with your bestfriend.
ྀིྀི
you’re seventeen now. junior in highschool. you peaked quite early to say the least. you’ve had confidence ever since you were young, but as the years went by it’s gotten better and better.
what type of person would chris be to not notice that? he was your “bestfriend” of course.
you had your own sense of taste and style, and your personality wasn’t like the rest. the last thing you would want to do was fit in with any girl at somerville.
little did you know that this is what made chris fall inlove with you. but you being oblivious, you payed no mind to that. thinking that there was no way in hell that your best friend of 15 years would ever feel the same.
one thing you really liked about yourself was your music taste. you had at least 6 favorite artists, but the neighbourhood being your absolute fave. you listened to them all the time. getting ready, in your car, during class, whenever.
one of your favorite songs by the band was softcore. it was your comfort song growing up, and you felt like you could relate to some of the lyrics given the situation with you and chris.
‘..you’ve been my muse for a long time
you get me through every dark night..
i’m always gone, out on the go
i’m on the run and you’re home alone..’
the lyrics touched you physically when you listened to that song for the first time. it was true. chris was your muse. he did get you through every single dark night. when your parents were fighting almost every single night as a kid, or that time they were so focused on your grades instead of your mental health. you were way too young for all of that to happen to you. chris was the one that got you through all that. no one else. it’s almost like if you didn’t have him you would break.
another reason why you felt so touched by those lyrics is because you were almost always out of the house.
it was an escape from reality for you. whether it was walks in the park, going to parties, or sneaking out. chris on the other hand, was the exact opposite.
ྀིྀི
it was friday, but today was different. you weren’t in the mood for anything today. every few months your body gave out from all of the constant going out you would do. you decided maybe tonight was the night you would be an average teen girl and just stay home and watch movies. you were pretty tired anyway.
you decided to just binge watch 2000’s movies and fall asleep watching baylen levine. those plans seemed to be interrupted though, as you heard a ‘ding’ noise coming from your phone.
confused, because your phone always seemed to be on do not disturb, you checked to see who it was. forgetting that there was only one person that you allowed yourself to get notifications from.
it was chris.
chris: Hey
Was just wondering if you wanted to come over, nick n matt are gone for a bit and i’m pretty bored 😭
If not it’s fine tho
your heart began to pound in your chest as you stayed staring at the message. realizing you had your read receipts on you immediately jumped back into reality and began typing away a reply.
should you say yes? or should you say no? you told yourself you wouldn’t let your crush change anything between you guys but something felt different today..
a feeling lurking inside of you telling you that you couldn’t hold it back.
you started to type away.
you: ofc i’d loved to come over
just give me like 10 mins to get ready
chris: Alr np, just text me when you’re otw
you received a sick feeling in your stomach getting that last text. nonetheless, you got up out of your bed and began getting ready.
you threw on a cropped white tee and comfy sweatpants. it didn’t really matter what you wore around chris, and you didn’t think much of what he thought either. because of this you decided to not throw on a bra thinking it wouldn’t matter, but oh were you wrong.
after throwing on your outift and popping your gold hoops and remaining jewelry in, you put your hair in a low half up, got your belongings, and headed out while texting him you were on the way.
it wasn’t that far of a drive to chris’s, his house only being a few blocks away. you parked in the driveway and contemplated going in.
ྀིྀི
finally, you knocked. letting him know of your arrival.
you could hear his footsteps on the other end of the door, and the clicks and clacks of him unlocking it.
“heyyy! i missed you kid!” he exclaimed joyfully, pulling you into an embrace.
“i missed you too, chris! how have you been?” you replied back, feeling as safe as a baby in their mothers arms with him.
“bored outta my mind honestly man. nick and matt have been out for hours, and fortnite was started to get boring believe it or not.” chris said back as he pulled you in, shutting and locking the door behind you.
“surprised to hear that coming from you chris. so was hanging with best friend of fifteen years a last resort or what?” you said in a playful tone while taking off your shoes.
“kinda didn’t wanna bother you ‘cause i thought you had better things to do” chris replied.
you chuckled and looked up at him. “okay so what now?”
chris sighs. “movie?” he says with a cheesy smile on his face.
“gosh you know me so well” you respond back to him.
“kid i’ve known you since we were 2, ‘course i do.”
silence lingers in the air for a while as you both just stare at each other. a smile starts to creep up chris’s face as he full on lunges towards you and picks up right off of the ground as if you weighed nothing. you squeal “CHRIS WHAT THE FUCK PUT ME DOWN!” as he begins running up the stairs to his bedroom and throwing you down onto his bed. this was one of his many ways to mess with you. “calm down kid i wasn’t gonna throw you that hard.” he replies and starts to laugh his ass off as if it was the funniest thing in the world.
you just start to look at him as he laughs, loving the way his smile is, and adoring the sound of his laugh — which most may call obnoxious.
“you’re insane i hope you know that.” you reply.
after he calms down from his laughing fit that seemed to last ages, a moment of silence begins to brew again. lasting longer than the first time. this time was different though. the eye contact didn’t seem like ‘friendly’ eye contact, but at the same time you never really had that eye contact with each other in the first place.
you start to look down at his lips. and right now, in this moment, they looked as delectable as ever. something about them. the rosy pink color they had, the same one displayed on his cheeks. the way they were plump and looked kissable. so kissable.
a feeling started to brew in your stomach. butterflies.
you could tell chris felt the same way. he looked down at your lips, admiring the brown and pink colors. before you could even get a breath out, his lips collided with yours. the kiss was perfect, more than that. they fit so well together, like a mold. he held your the side of your face as you began to straddle on-top of his lap.
but suddenly, you stopped. “wait chris..i’m not sure if..we should be doing this.” you said as you catched your breath, realizing what had just taken place seconds ago.
“baby it’s fine, i’ve been wanting this, wanting you, for as long as i could remember. you’re fine, i promise.” chris replies.
something about the way he said that..his words. its like you could feel them in your heart. you replied a shy “okay” and smiled as you started to kiss him again. this time the kissed last longer, and began to get steamier and steamier.
chris quickly dominated the kiss, interlocking his tongue with yours. it was messy but you loved it. and it definitely made you wet. chris on the other hand was going insane. more blood instantly began flowing to his dick, making his already erect cock even harder. struggling to hide it, he knew he had to do something. he broke the kiss, making you whine in disappointment.
you got used to the feeling of his pillow soft lips. “i know baby, i know.” chris said as he instantly understood how you were feeling. he began to kiss the side of your lip, then your jawline, moving down to your neck. he started to kiss and suck the soft skin and went harsher and harsher as he went lower and lower.
“can i take this off baby?” he said, motioning to your shirt. “mhm.” you replied, making him frustrated. “i need your words mama.” “yes chris, you can take this off!” you said chuckling a bit. chris’s eyes began to wander and they immediately went to your nipples. them being hard as it was cold in his room. “such a fucking slut not wearing a bra around your bestfriend hm?”
as if you weren’t wet enough, his words immediately had your panties even more soaked. chris dipped his head down as he started to swirl his tongue around your nipples and suck. he began to leave dark purple marks all over your skin, letting you know you were his. a thought began to linger in your mind. were you too young for this? i mean, you guys were only seventeen.
but all thoughts were swept away as chris added stimulation to your clit, using one hand and using the other to massage your right breast. you’ve had only two sexual experiences in your life so far, the first one being a girl and the second a guy, neither being able to satisfy you right. but chris, chris was different. “take your pants off for me ma, panties too.” you immediately obeyed his directions and looked back up at him eager to see what was next “so perfect for me baby, all just for me.” your heart melted.
“lay down f’ me.” you laid down on the bed as you patiently waited for his next move. chris began to take his shirt off and started to kiss all over your body again. starting from your neck down to your stomach, and making the kisses slow and sensual, making sure you were blessed with the right amount of satisfaction. you began to let out whines and moans signaling you wanted more than that, the feeling already being beyond immaculate. chris started to kiss lower and lower and pried open your legs.
he stared for what felt like hours, but was probably only seconds. “oh my fucking gosh ma, you’ve been hiding all this from me?” chris said as he began to lick and suck on your thighs, devouring all the remnants of your arousal. you began to whine even more. that’s when chris ducked his head even lower and began to lick at your entrance. “mmmmm” he groaned at the taste, tasting sweet and saltiness.
he began to flatten his tongue against your clit, making you moan as loud as ever. before you could even get a word out he began to fuck you with his tongue. “h-holy fuck chris!” he started to slurp and suck repeated on your weeping pussy. you looked down at him seeing a mess of your arousal and his spit forming on his face. “yes yes yes! oh myyy, oh my fuck baby” you moaned loudly. “hmmm you like that ma?” chris groaned into your pussy, the vibrations immediately going straight to your core, making you wrap your thighs around his head.
chris instantly put his head up and stared into you. “keep your hips down or i’ll stop. understand?” chris said demandingly. you’ve never seen that side of him, but oh did it turn you on even more. “ ‘m sorry baby just please, please keep going..” your wish was his command as he immediately went back to eating you like he hadn’t eaten in weeks. like a starved lion. the dirtiest slurping, slushing, and gushing sounds could be heard from chris’s room. “ohhh my godddd” you moaned, feeling your orgasm start to build up. chris started to suck faster and faster, it was inhumane at this point. he groaned repeatedly knowing it would go straight to your core. “fuck chris i can’t- i can’t take it!” as soon as the words left your mouth and whipped out his fingers, stuck his head up and said “spit.” in the most devilish tone.
you spat into his hand. “good fucking girl.” chris said, as he stuck two of his fingers into your hole that was practically begging to be fucked with his fingers. maybe even his cock. his began to thrust into you slowly letting you get used to the pain, and then started to go faster, as if there was no tomorrow. you squealed and moaned out of intense pleasure not knowing how much longer you could take it for.
not even being able to think straight, chris added a third finger. he stared at your convulsing body and groaned “take it. take my fucking fingers in that tight fucking pussy of yours like the whore you are.” and that was it. those were the last words you heard before you saw flashing of your squirt exiting your body and your vision going white.
chris enjoyed seeing this, knowing that the pleasure he gave you was so intense that you couldn’t even signify him of when you were about to cum. letting you ride out your high, he slide out his fingers and sucked them, moaning a bit. you looked up at him with the most fucked out look in your eyes. “that was. the hottest. thing. i’ve ever seen.”
“i don’t know how i’m still alive after that. that was amazing chris.” you replied in awe. “you’re amazing.” chris said as he began to lean in and kiss you. “you like the way you taste huh?”
you moaned into the kiss signifying your answer. he broke the kiss saying “you did such a good job for me baby. so so good.” you looked at him and smiled. letting out a small “thank you.” “so..where does that leave us now?” chris says.
he didn’t get to finish yet.
- rosa speaks
hi guys this is my very first fic anddd smut. it is loosely based off of the song ‘softcore’ by my favorite artists of all time the neighbourhood!! this is for @annamcdonalds67 writing comp so when i saw this song up there i was so fucking happy. pls lmk what u think of this n if u want a pt. 2 i’ll happily make one.
- also sorry to all the ppl i tagged that don’t like 2 be tagged if they aren’t notified beforehand, i finished this way later than i was supposed to and i was supposed to dm ppl n ask if they wanted to be tagged but i don’t have time. sorry again but i hope u guys like it! ALSOOO COMMENT A PINK HEART IF U WANNA STAY ON MY TAGLIST FOR THE FUTURE 🩷🩷🩷
@musegyra @recklesssturniolo @stunza @sturnphilia @sturnsdoll @pinksturniolo @suyqa @thesturniolos @hoesformatt @mattscoquette @sturnrockwell @sturn777 @slut4chriss @thenickgirl @m9ttsverse @medilovesmatt @stars4chratt @slutz4sturniolos @mattbf
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mysi101 · 21 days
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Are Katara stans more likely to become Zutara?
To be fair: I also saw Kataangers, other- or non-shippers who care at least a little about Katara and did complain about the nerfing of her character. But still…maybe it is because of the communities I visit, but it appears to me that most Katara stans are more likely to become Zutara.
The reason I prefer this ship is that I’ve become a Katara stan first. I love every side of her, the loud one precisely, when she stands up for her ideals. And, as for Zutara: There is a deep understanding of each other’s needs along with mutual respect and a special bond those two share with no one else in the Gaang. They are equals—Zuko respects, accepts and loves Katara as a whole, and the same goes the other way around (canon-platonically or headcanon/ship-baiting-romantically doesn’t matter).
So, here’s what I don’t understand: if someone ships, I would assume they care about both characters and how they fit with each other. Yet, I’ve seen many Kataangers care only about Aang: What Aang wants. What his intensions are. That he is just flawed when he kisses Katara without consent…never how Katara feels about his actions, never how she is presented at the end of the OG, in the comics and in Korra.
Regarding The Southern Raiders in this case: I truly believe that Aang just wants to help, as many Kataangers argue in defense of his behavior. The teachings of the monks helped him during his dark times, plus, he is just a kid. He panicked, bc he thought Katara would follow the same dark path, and didn’t know how to express his worries. However, this is also my point against Kataang: He is just a kid. He still has so much to learn before even thinking about a serious relationship; especially with Katara whom he still sees through rose-tinted glasses—including that forgiveness to receive closure is not the right path for everyone.
If you mention this to some Kataangers, even very carefully, they immediately become defensive, saying that it’s just about making Zutara look better and demonizing Aang. And don’t get me started on the kiss by the end. 🙄 I’ve never read anything from them beyond “Katara is clearly happy.” But what makes you think she is happy? No explanation. People who agree with me, showing that they care about Katara, are mostly Zutara- or non-shippers.
Me, on the other hand: I can easily say that Katara has every right to hold a grudge against Zuko after The Crossroads of Destiny, bc he wronged her the most. Totally understandable that he had to go the extra mile with her to receive her forgiveness. I won’t sugar coat his actions to make him or Zutara look better, so much for their complaints—that isn’t necessary anyway. The difference: Zuko stood up for his mistakes, helps Katara to find her closure without asking for forgiveness, even if that is what he hopes. Let’s not forget how she opens up to him, even during this process; more than she did to anyone else.
Aang’s mistakes weren’t that huge, and it would take a scene of maybe a minute or two to truly show the regret of his actions towards Katara.
I believe that if you care about a character like Katara with such huge beliefs and intensions to create a better world, you wouldn’t be okay with reducing her to nothing more than an attachment whose world revolves around her boyfriend/husband—or her sweetie *ugh*. Yet, some Aang-stans seem not to care about this side of Katara and really consider her happy when her life is nothing more than pampering her partner.
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lua-magic · 8 months
Text
Intresting Astrology facts (Vedic Astrology)
When planets goes in your ancendent, whether you like it or not, you will get significance of that planet.
Venus in first house- Money and comfort will come to you easily, native gets attraction from opposite sex easily, and love to care or obsessed with self care.
Jupiter in first house- knowledge and education will come to you easily, native is morally strong and love teaching and counseling.
Mercury in first house- logic and sharp memory come to you. Many buisness person has this combination, they can remember names and face easily.
Mars in ancendent - Courage and energy comes to you easily. Native has fighting spirit.
Saturn in ascendant - maturity and work comes to you at an early age, since very young age such natives start their work.
Sun in ancendent - Ego and confidence comes to native easily, native is disciplined and attached to father and family.
Moon in first house- Emotions, writing comes to you naturally. Native get emotional easily, has motherly nature.
Rahu in first house - Multiple personality, native can switch his personality easily and has out of box thinking
Ketu in first house- Spiritual and detached, has connections with super concious or spiritual realm, has habit of talking to himself/herself, and always in imaginary world as ketu is connecting you to different world
Whichever planets goes in 🐟♓ Pisces planets loose their strength because it is sign of liberation and planets are going towards liberation.
So, don't be surprised if you have planets in Pisces and people leave you easily, it is because they are finishing their Karma with you, feel happy as you are getting liberation from Karma, only if you let them go easily, that is why ketu is exalted, because it can let go
Sun in Pisces - Problems with father, and boss, you will loose your ego slowly, and become more grounded, but here sun in Pisces is actually moving towards next sign ie Aries where it gets exalted, so sun is actually going towards exaltation, but, sun here will force you finish all your egos from your relationship ie Sunnis not considered melefics here, it just looses it strength, but it will make you humble and connect you to spiritual world and makes you spiritual.
In past life you had lot of ego in your relationship that is why one reason you got sun in Pisces
Moon Pieces - Problems with mother and balancing your own emotions, Pisces is actually your past life, planets in past life has past life karmic debt, so here you have lot of past life emotions attached to you still.
You have to let go all those emotions, though moon here makes you imaginative and gives deja vu, because moon here remembers your past birth.
Mostly native come back to same family after rebirth to finish pending karmas, native would be attached to roots and ancestors, as Pisces is sign of ancestors as well.
Native would be great healer and empath.
In past life native has some unfinished buisness or died suddenly hence, native comes to same family.
Sometimes, in some cases native has unknown fear it because past life sudden death.
MARS in Pisces - Problems with brother or problems in romantic relationships, here native energy will go mostly on bed pleasure as Piesces is bed pleasure, but problem is that more native goes back of bed pleasure more troublesome relationship he/ she invites.
Native would be skill full, and is multitasking, Mars here is telling you to preserve your sexual energy, I am not telling not to have sex or not to get involved in sex after marriage, but, don't run back of sex and intimacy instead use it to grow spiritually, transmute your sexual energy in your spiritual energy.
Mercury in Pisces - Problems with friends and sleeping issues because Mercury is fast moving planet, and Pisces is sign of sleep, Mercury placed in Pisces gives you sleep problems and somewhat makes you selfish as well.
Mercury is debilitated here,
Here, you need to come out of Me mentally and focus on how you can serve others, Mercury is your logic and Pisces is sign of subconscious, hence, native faces lot of confusions in life, and takes lot of wrong descision in life.
Jupiter Pisces, little tricky, because in its own sign but your relationship with your husband and kids will be karmic, don't be surprised if you get hurt many times by your soulmate, because it is your karmic debt.
Saturn in Pisces - Problems in work life, with your job, now, Saturn here has one work that is to liberate you, Saturn will give you here foreign travel as well as hospitalisation.
More, you behave like Saturn, means don't try too hard, more Saturn bless you.
Yes, Saturn here wants you to focus on your inner spiritual wealth rather than outer material wealth more you try hard more insecure you become, so start changing your inner first ie your belief, trying too hard simply means you assume that you don't deserve good things in life and it doesn't come to you easily, let things go easily, and work on your beliefs Saturn will bless you, don't try to hoard things nor get insecure when you loose, Saturn is dry planet, you have to be emotionally dry from material world, then Saturn will liberate you, hence, Saturn is both exalted, if you behave like Saturn but also debi because it will trouble you if you don't give importance to spiritual wealth.
Ketu and Venus both are exalted.
Rahu in twelfth House Rahu being shadow planet it has both good and not so good aspect, means it is your choice which one you choose, either you can choose bed pleasure and lot of relationship or you can choose spiritual growth it is up to you .
Rahu gives here foreign travel and astral travel as well.
In past life native would be associated with some kind of witchcraft or occult or black magic hence native would experience pull towards conspiracy theories, and occult.
Native also attaract spirits easily to himself/herself, and native has lot of karmic relationship with spirits, sounds suprising, but if you work with spirits in any form you establish connections to it, hence in this life they experience spirits visiting them especially while sleeping, as Pisces is sign of sleep .
They also has unknown fear of ghosts and spirits in their mind...
If you understand astrology more in details you will understand how, houses control our outer atmosphere.
If you have lack of energy and passion it is because your fire house is imbalanced ie one, five and nine
If you have emotional issues your water house is imbalanced ie four, eighth and twelfth
If you have problems with your creativity then your air sign is imbalanced ie, 3,7,and 11.
If you have 🤑 money problems then your earth sign is imbalanced ie 2,6 and 10.
To solve money related issues start from Taurus, that is your eating, hence moon is exalted here. Eat balance diet and more boiled (Sun)and green food(Mercury), avoid packet foods (Saturn) spicy food( Rahu) and unhealthy fast foods (Mars).
Then move to virgo your daily routine, start being disciplined and early riser (Sun).
Then move to Capricorn ♑ Many people know Capricorn as house of karma and duty but do you know why Saturn holds the lordship of 10thbhouse, because it also house of patience and dignity.
So in simple words many people will try to defame you you, critisise you, blame you, put wrong allegations, think you small but you have to rise above all and keep doing your work, that is why after Capricorn ♑ comes Aquarius that is house of manifestation, because only when you stay humble when people critisise you, you move to 11th house that is of wish fulfilment.
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thegettingbyp2 · 1 month
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Jess x Fem! Reader when it’s their first or second anniversary of being together and then just having loads of sex 😭
Happy Anniversary
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Jess’ lips were leaving a trail of red marks down your neck, chest and stomach, leading to your panties. Smirking when he saw you buck your hips up to him slightly, he hooked the edge of your panties between his teeth, swiftly tugging them down your legs and off of your body where he threw them somewhere in the pile of clothes that were currently littering your bedroom floor.
‘You know you could have at least folded the clothes up instead of throwing them on my floor,’ you protested half-heartedly as Jess began to trail a line of soft kisses along your inner thighs.
‘You know that if I folded the clothes up instead of throwing them on your floor that we would be wasting the precious time we have for hot. Anniversary. Sex,’ Jess replied, punctuating the last few words with kisses closer and closer to your pussy before slowly sliding his tongue through your folds, humming with contentment.
You and Jess were celebrating your first anniversary together, despite your parents disapproval of Jess. They thought that he was a bad influence on you and didn’t want the two of you together. The only reason Jess was at yours tonight was because Luke was in the apartment he and Jess shared so you’d had to sneak him up to your room. Not the most ideal scenario for what Jess had planned for you, it just meant you were going to have to be quieter than he would have liked.
A cry left you as his lips wrapped around your clit as he began to suck softly. As soon as the sound was pulled from you, one of his hands quickly travelled up your body to clamp one of his hands across your mouth, muffling your moans. ‘If you can’t be quiet like a good girl, I’ll just have to make you quieter, won’t I?’ Jess said, trying and failing to mask his amusement.
‘Yes,’ you agreed breathlessly, bringing your arms up to wrap around Jess’ neck, using your grip to pull yourself up to press a kiss to his lips. ‘Please, Jess.’ Jess groaned against your lips as he reached down to line his cock at your entrance, teasing you. Every time you felt his tip nudge against your entrance, you tilted your hips, trying to pull him inside of you. ‘Jess, stop tea - oh!’
You were interrupted by the feeling of Jess pushing into you with one deep thrust. Jess’ hand once again clamped down on your mouth, your moan still too loud. ‘Shh, baby,’ Jess teased lightly as he began to rock into you, trying to stifle his own moans. ‘Should’ve booked a hotel,’ he groaned quietly.
‘In this town? Everyone would know what we were doing within 2 minutes,’ you replied, laughing softly.
‘I think you were speaking a little too easily there, baby,’ Jess said, smirking as he began to pick up his pace, thrusting into you harder until the only sounds that were leaving your lips were small whimpers and whines whenever he ground his hips against yours, brushing against your clit. ‘That sounds better, don’t you think, baby?’ he asked, grinning as he lowered his head to your neck, attaching his lips to your skin and adding to the many marks that were already littering your skin.
‘Jess, close,’ you whined, struggling to get your words out due to his hips pumping into yours.
‘Yeah? You gonna cum for me, baby?’ he asked, slowing his pace slightly and making sure to grind his cock against your spot with every thrust. One of his hands moved down as he rest his thumb on your clit, rubbing quick circles, making your legs tremble.
‘Kiss me,’ you whined, tugging him down as you let your orgasm wash over you. The feeling of your walls tightening around him had Jess groaning against your lips as his orgasm crashed into him at the same time. Once both of your breaths started to go back to normal, Jess slowly pulled out of you, a whimper passing your lips before he lay next to you on the bed.
‘You okay, baby?’ he asked, his hand coming up to thread through your hair, scratching your scalp gently, making your eyes flutter closed as a content smile crossed your lips.
‘I’m okay,’ you sighed happily, eyes still closed. ‘Just wish you didn’t have to go, want you to stay the night.’
‘I know,’ Jess sighed heavily, rolling onto his side to hover over you slightly. ‘I don’t want to go either but your parents would kill me and as much as I’d do anything for you, I’d prefer if we had a load of other anniversaries.’
‘You do?’ you asked, opening your eyes and looking at him with nothing but adoration.
‘I do. Many more anniversaries.’
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melodic-haze · 4 months
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Personally how touched starved do you think Arlecchino and Furina are? Like one has been alone for 500 years and the other killed her best friend and probably doesn’t think she deserves love.
☆ — DEMO TRACK: Arlecchino x Reader, Furina x Reader
☆ — TYPE: SFW
☆ — CONTENT WARNINGS: N/A
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Oh I think they'd be VERY fucking touch starved, except the two are like. On two different sides of the scale
On one end, you've got Furina. On the other end, you've got Arlecchino. What they're on a scale of? How "vocal" they would be in terms of it
Furina would be on the VERY vocal side, and by that I mean she WILL monologue to you about how she needs your touch or else she will PERISH from a lack of you-contact
Furina puts the back of her hand on her forehead, "My beloved wants to leave me be! Oh, you torture me..."
"Babe, I'm literally only going to get a glass of water."
"You forget my domain over the element!" She moves to throw herself onto you, wrapping her arms around your neck and causing you to laugh as you caught her, "I can satisfy your needs easily!"
"At that rate I'll be better off taking a shower!"
"It gets the job done!"
But she's not vocal for no reason :((( 500 years spent in self-isolation in order to save her people takes a HUGE toll on you so the moment Furina had realised that she doesn't have to do the whole song and dance all over again, she just can't help the want—the need—to basically be attached to you
It's not just because she wants to make up for lost time after FINALLY being able to do so, but also because she's scared that one day it'll all just go poof and disappear in a distant dream. She doesn't speak of her troubles until either she decides it herself that she should or one of the members of her Salon Solitaire (Crabaletta lol) decides to conk her for it
Sometimes she'll ask if she's being a pain in the ass bc she IS aware that she's constantly wanting for you to at LEAST be near her which. If you say she is then I need to sit you down personally and slap you in NOT a fun way
Meanwhile, Arlecchino on the other hand, is VERY quiet about it. She won't say anything, nevermind doing anything. She'd restrict herself from clinging onto you as much as she'd like to
You were a vision to her, a lovely sight to see and a lovely voice to hear as you recounted your day's events. Even when you did something so mundane, something that isn't necessarily something special, Arlecchino still looked at you with such adoration.
She almost didn't notice her hand inching closer towards yours from her warm daze.
Almost.
Before she could draw it back unnoticed, however, you turned your head at just the right (or wrong) time.
"Arlecchino? Is there.. something wrong?"
..She shakes her head instead of admitting her desires, "No, my apologies, darling. I was rather captivated by your tale. Do tell me more about your friend's predicament."
And so you do, but you couldn't help but notice the longing look in her eyes.
It takes a while before she starts warming up to the idea of letting herself actually do SOMETHING. And that'll take a lot of time, patience and encouragement from her❗️❗️❗️ But trust when I say it's worth it bc she practically treats you with so much more affection and devotion than the literal archon she serves HAHA
She doesn't thinks she deserves to show physical affection, to touch you, to truly worship you and your body in every way she can—not when she has the power to hurt you, not when she's killed off the person she had cherished the most all those years ago :(
You gotta reassure her that everything's okay and that you won't disappear bc once you've done that? She's SO TOUCHY she will NOT go through the day without havign some form of contact with you
She won't do it as much in work though she has a reputation she wants to keep lmao
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sapphic-agent · 6 months
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Let's Talk About How Book 3 Ruined Aang
If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.
(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)
Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.
But for some reason, that aspect of Aang's character was completely flipped in Book 3.
The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.
(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)
The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.
One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.
For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.
(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)
And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.
So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.
But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.
(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)
I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?
Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.
Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.
And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.
I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.
The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.
He runs away when things get hard.
Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.
There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.
Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.
And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.
Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.
All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled
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ihopeiexplode · 3 months
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Random angst part 2 (continuation of this)
includes: G. Satoru . G. Suguru . R. Sukuna
A/N: was this an excuse to yap yes
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[⛩️] @: Likes & Reblogs R appreciated! ^^
Extra:
(this is what mitski songs the scenario is based off + why I choose it and my Interpretation on the song!!!)
Gojo[Eric]: I like to think Eric is based off a friends w benefits relationship where the guy is mistreating the girl but the girl is desperate for any kind of attention and gets attached so that's what I based on gojos part out off he might sound out of character so yeah!!!
Geto dies and gojo has been grieving his death ever since and hopped relationship to another till he experiences the feeling that geto made him felt but the closest one he got was you, but as hard as he tried to make the friends with Benefits thing work he just couldn't it felt different, so meaning he was badly neglecting your feelings but you on the other hand never had an ounce of attention so you took what you could get and grew attached to gojo despite him being neglecting (ik it doesn't make sense js bare w me 😞😞)
Geto[your best American girl]: I like to think the song is about being with someone who only sees you as another person and you trying to make the relationship work by trying to meet there standards
Gojo dies and the closest thing geto has to him is you, the whole reason geto was with you was just because you were so similar to geto, and of course you knew and well you tried being gojo but eventually became tired of pretending seeing how geto was only with you just to fill a hole gojo left, in getos eyes he'll only see you as someone who reminds him of gojo and never will see you as who you truly are (out of character once again, btw geto Nd gojos part R basically alternatives like instead of geto dying it's gojo get it get it)
Sukuna[townie]: I like to think townie is basically just rebellion like let's say y/n's parents badly neglected her and placed her into an arranged marriage but y/n doesn't want that so she runs away blah blah
Then she meets Sukuna and at first she thinks Sukuna genuinely wants to help her through whatever problem she has but in reality he's just manipulating her, Sukuna does not give a fuck about y/n the only think he likes is how y/n is easily manipulated and loves the power he has over her so he starts controlling her and manipulating her but in y/n's eyes she thinks it his way of showing his love seeing how she was neglected causing her to mistake toxic love for actual love
Mind you these are all just my interpretations and yes I'm aware how out of character they all sound
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