This holiday season I am thankful for Sect Leader Jiang, who would not hesitate to step on me if I was in his way.
Mean Sect Leader Jiang is now a thing I like to draw.
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love an ending that is 'happy' in that a desirable outcome is produced, but made complicated by the fact that the protagonist has given up something integral to themself in order to make it so. it's sort of uncool in some circles to admit you LIKE when characters give up something really cool for something pretty basic, but it's all about context and quality of storytelling, right? that sort of conviction - this is a part of my personality that i am permanently renouncing access to, and it's my choice, and i'm going to miss it, but i'm not going to regret it - that's compelling. ending in which a character who loves nothing more than the rush of finding the answer to a question is handed, one day, a puzzle they just don't want to solve. and that part of their life is over, but it's not a bad thing. maybe the answer doesn't need to be known. maybe not knowing it opens you up to a creative mindset you never had before. character who gains some kind of special power chooses to give it up not because they no longer love the ability, not because it hasn't improved their life, but because this thing they love comes with costs, is getting in the way of a life someone they love or loved and lost would want them to live. i'm glad it turned out this way. i miss the missing thing with all my heart. i would let go of it again if i was asked to choose.
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saw a post. thought 'crimson and dani would both say this. but mean it to different degrees.' accidentally got enamored with the idea of them awkwardly gravitating toward eachother during some fancy party at a casino that they're both having an agonizingly mid time at. you know how it is.
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Opinions on Dream? :^
SO many feelings about him omgg rant under cut please forgive me
okay so i don't really talk or draw him much cause honestly,,,most of the times i just think he's a bit....boring? or more accurately plain? not in a mean way either but just in a 'fades into the background' type of way like don't get me wrong!! he's a really nice friend to his peers, his feelings about his powers and aura making his relationships harder to navigate and trust along with his whole conflict with nightmare and morality about what's good and bad IS very cool!! and i love it whenever they write him to be complex and not on this black and white mentality or when he's just straight up following along his friends with no free will or with a dubious purpose without ever addressing his issues or feelings! it's just unsatisfying to me :')
or when they're making him the 'naive' and oblivious, (sometimes childish?) character being marked as the obstacle and villain along with the other star sanses from the fic's pov, always talking about doing good things while fighting his brother and not hearing him out about the balance, (and for weak reasons most of the time. like it's been so long and you STILL haven't sat down with him when he's, generally, basically begged you to just have a talk? guys please :'( ) or when they go for the victim sad dream always missing the old nightmare, where corrupted nightmare is the incarnation of evil, with no sympathy or emotion except anger and sadistic glee, killing and hurting everyone and dream's just trying to protect the multiverse and dream's always been in the right. such extremes!!!
LIKE!! i hope i'm not the only one that thinks a 500+ year old should have had enough time to idk. learn things? about people and manipulation and deceit? after knowing what the villagers did to night? about the bad things in the world and how there's a lot of grey areas in life and that he maybe reflected on his past enough to process and ask himself if there should to be a convo to settle his differences with nightmare (and you can make nightmare the stubborn one too! or have them BOTH be petty and imperfect and have some things wrong and some right at the same time like why do i always see the good guy vs bad guy cliché with these two when they're the perfect example of why positivity doesn't have meaning without the negativity!! as long as there's a satisfying evolution or growth that doesn't leave me empty i'm good yknow?)
plus i believe dream really isn't as dumb as people view him. i do get some of you saying he probably can't read or write since that's actually a pretty interesting idea to explore! but in general please let him have emotions other than pure sunshiny happiness or endless sadness like he's gotta have more depth than that! let him make mistakes, have flaws that don't just make him the bad guy that's always in the wrong by default, and be angry or suspicious or jealous or bitter or battling his mental health problems/depression or malicious or smart or witty or mischievous and silly or sarcastic or ANYTHING dude i just want him to be put into different scenarios where he can be serious or lighthearted like it doesn't even have to be long or perfect but make him feel real.
it could definitely be that i don't read or see much art about dream or really look for it hard enough but also i just. i feel bad for even saying this fr and i wanna be honest about why i don't enjoy most stories about him cause he always gets the worst treatment along with ink!!! especially ink omg the poor guy has it the worst i think like wow do they mess him up :'(
always one dimensional in non shippy fics, or too plain or easily replaceable by other, more entertaining people in the significant other's life in most of his ships like man. i have read fics out there that made me genuinely FEEL and root for him and love his character so much it restored all hope for me!!! but i can only name one on top of my head and the others? it's been so long i don't even remember their names i just legit feel terrible cause i love him still and i can't find many headcanons that fit my interpretation of him yknow?
not to say people who write him very happy, mislead or sad are ruining him like that's silly- if i see something i don't like i just. move on bro i wouldn't force people to feel or think the same way i do about him cause anyone can have whatever headcanons they want!!! just talking about what i personally look for in him and why i can't exactly find it since most of the stuff out there just isn't my cup of tea :')
hopefully i didn't set anyone off with this rambling opinionated essay i just pulled hhh xD i know i know he's a popular character and i know a lot of people like dream so *sobs* please please recommend me artists and fics about him that you think is good it's been so looong since i've read or seen anything new that makes me attached to this little guy aughg<33333
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I tried to write a fanfic just for the hell of it thinking it wouldn't be too difficult and that shit was so hard. I don't know how yall do it. It's so much to think about. I never realized how hard describing some things can be. And then there's the characterization part💀 Just constantly thinking "He would not fucking say that... or would he? Nah he wouldn't I gotta delete this shit"
you can do it anon!!!! with writing, you can only improve if you write more and read more... and sometimes, the most fun you can have while writing is just letting go and putting your silly thoughts on the page and not really caring about how good it is. it's totally fine to put "idk how to write it rn but the characters do this and this". even the best writers do this before they flesh out or practice things!!!
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for the first time ever. in my dirtbrain ideas Guy capacity. I’m thinking about sasamiya. like this is a very stream of consciousness thing but like on paper miyano is the character I have the LEAST to say about WHICH ISN’T A DISS OBVIOUSLY. love that fudanshi. but also his immense gender is SO INTERESTING. (and a little why I have like. so many opinions about depictions of him. different conversation)
HES SO BOY. MIYANO YOSHIKAZU IS SO BOY AND HE LIKES BEING A BOY like down to his hands becoming more masculine in shape he paid so much attention to that and LIKED IT. SOOOO MUUUUCH and the slowburn development of the ssmy romance is one hundred percent because of miyano taking his time to. Okay yes consider sasaki’s feelings for him BUT WITHIN THAT figure out how he feels about being a boy in this romantic situation context with another boy It’s all about miyano deconstructing the foundations of his ideas of queer relationships as a boy who liked and LIKES bl stories Without the like. self aware queer lenses on because miyano LIKES BEING A BOY SOOOO MUCH. and he’d HATE it if outdated bl logic was applied to make him like. the “girl” in the relationship. he’d hate it. and it’s not like he wanted SASAKI to be the “girl” in the relationship because like. miyano doesn’t want a girl in this relationship. not that he doesn’t want girls period obviously etc etc I don’t feel I actually need to defend my point here but miyano is a boy with so much PRIDE in his being a boy. who doesn’t want to be seen as feminine because he’s a BOY and like there’s complicated juvenile nuances here I’m cutting for length (especially since this is all off the top of my head) and so it’s not like he’s going into thinking about sasaki in the Ew, we’re both BOYS… way because he’s going into it with this biiig fourth wall separation between the existence of BLisms and his like. Life. that he lives. like he’s going into it very clearly aware of the things sasaki was doing (flirting, mostly) (blatantly) but he was contextualizing it like Hey we’re both boys you know people are gonna get the wrong idea right. and I don’t know if it’s necessarily an internalized homophobia as it is just. having this big neon sign sitting in his brain that has been there for so FOREVER that he doesn’t like. look at or think about. so he’s not so much thinking about whether he’s LIKING the flirting and attention in that capacity as he is thinking about how it looks to other people. because miyano is so used to having the reader third person perspective he’s not all that plugged into what it’s like to actually BE IN IT the way he very evidently is.
like I feel like maybe my point is getting lost in translation but it’s just so IMPORTANT to me how miyano’s capital g Gender interacts with his fiction-programmed brain to recalibrate when the way he lives his life shifts to accommodate sasaki shuumei. AND HE IS THE CHARACTER I HAVE THE LEAST TO SAY ABOUT. still trying to articulate sasaki feelings in context with third year friendshipisms and different facets of one’s personality and the joy of Boys Life but. like. I don’t know tfw you’re ssmypilled. etc
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plotted starter for whichever one of Erik's family members wants to pick up the conversation and explain that this idiot fell asleep and let his tea go cold @wcrriorhearts / @mxndwitch / @survivcrsguilt
Erik Lehnsherr does not get sick. It’s a statement of fact, an acknowledgement of the way the world is; the mutant has had injuries aplenty, but he could count on one hand the number of times he has been genuinely ill. Meaning that, when his heart starts to fail, he is quick to notice.
It’s to be expected really, at his age. Auburn hair has long since greyed, and the strands around his temples are most definitely heading for white. Muscles and joints are not what they once were, and on bad days it can be painful to work with his hands; his days of sewing are long gone. His limp is more pronounced now than it ever was, and he frequently relies on the manipulation of magnetic fields to move about the island with any kind of ease. Erik has reached an age that, to most, would be entirely unthinkable. He knows the time he has left is short.
And still, he goes on. The mutant is not afraid of dying – hasn’t been afraid of that since the age of sixteen – but dying means leaving his family, his loved ones, and he will take every moment with them that the universe will allow. He will wring as much time from this life as he can, will hold on with everything available to him, until he is forced to let go. In the meantime, he is determined that his family will have no cause to worry, or to fear. And if his heart needs a little encouragement from his mutation every so often, then what of it? Nobody needs to know.
The unexpected wetness on the back of his hand jolts Erik awake, confused gaze taking a moment to focus on the world around him. He’s at home, in his favourite armchair, and Persephone is sitting at his feet, licking his hand in a way that means she’s hoping for either food or a scratch behind the ears. The mutant blinks a couple of times. Did he fall asleep in the armchair again? How embarrassing. A quick glance towards the familiar voices he can hear in the kitchen. Hopefully they didn’t notice his little nap.
Calloused fingers receive another lick, and with a small smile Erik obliges the request, lifting his hand to rest it on top of Persephone’s head, gently scratching his thumb behind one of her ears. His other hand reaches out to retrieve his cup of black tea from the nearby table, but instead grasps only air – it takes a couple of attempts before he realises the mug is no longer there. Forehead furrows. “Did someone take my tea?”
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