#so how do you think they see the women and children they’re bombing now

[odinsblog]

Just so we are all really clear: Republicans are using the manufactured debt ceiling “crisis” as a bargaining chip, threatening to blow up the U.S. (and world?) economy unless Biden caves in to cutting things like food benefits for women, children, the poor and the working poor. Got it? That’s their deal—either eviscerate the social safety net, or economy go boom!

No doubt, a lot of liberals are pressuring Biden to acquiesce, because 1) the economy will absolutely positively go boom! and 2) because they will blame Biden if the economy crashes

BUT..! Here’s the thing: If Biden does cave in and give Republicans even a little bit of what they are demanding, I fuckn promise you that in October and November of next year, Republican ads are going to be like: “Vote for Trump! Remember how Biden cut food benefits for women and children? Trump won’t do that”

And it will not matter how many 8k high quality videos you have showing that it was really Republicans who took the economy hostage and demanded those cuts. By time the general election rolls around in ‘24, Republicans will be airing ChatGPT AI political ads where it looks like Biden was the one asking for all the cuts to SNAP and demanding ridiculously harder work requirements

Believe that!!

Did you even see those ignorant charlatans eating from Trump’s hands on CNN?? These are bomb throwers. They enjoy blowing up the economy, especially when it hurts poor people! You cannot in good faith make any policy decision about what to do based off of what Republican voters “might think” when it’s election time! They don’t “think” AT ALL, and even if they did, they still do not care! They’re unscrupulous deplorables. They will always always always find a way to blame Biden and the Democrats, no matter what, so Biden may as well go on and do what’s right while he can, and try actually fighting against these cartoonishly evil Republicans

AND..! Do I even need to remind anyone what happens when you cave in to bullies?? If Biden caves now, then Republicans will bully every Democrat from here on out, and the programs they take hostage next time will be Social Security, Medicare and Medicaid

Caving in to the whims of Kevin pickme! McCarthy and Marjorie Traitor Greene is bad politics, and it will only get worse in the future if Biden folds now

[jadelotusflower]

Stargate Rewatch: 1x01 Children of the Gods

After rewatching the original film I'm kicking off with the show's pilot - I actually watched both the original version and the "final cut" because there are aspects I enjoy of both. The final cut removes a few problematic elements and adds in some new material, but also cuts a few lines I really enjoy and the original version is really where my nostalgia lies, so... as always, my feelings, they are mixed.

Cold open with some redshirts - four men and one woman, sadly representative of the gender ratio the show will have going forward.

The unlucky Smurfette is Sgt Carol Weterings, not that I think she's ever mentioned by name in the episode.

"Probably the only thing it ever did was cost money." Heh.

I will say that Teal'c turning against Apophis at the end of the episode is nicely built - starting here where he examines the gun and identifies it as technology far advanced beyond the humans they’re used to dealing with.

When your name is above the title, you get introduced with an extreme close up.

The differences between the film and the show don't really bother me - I view the show as taking place in a very similar but alternate universe to the film rather than trying to squeeze them together - so O'Neil becomes O'Neill, Sha'uri becomes Sha're, Tyler becomes Charlie, Abydos is the closest planet to Earth, not the other side of the known universe, etc etc. But I consider the events of the film to be canon to the show universe unless directly contradicted.

But otherwise the pilot tries very hard to stick as close as possible to the film, to the point that Major Samuels states that General Hammond replaced General West.

Hammond says it’s been “over a year” since the events of the film, unclear exactly how much over.

The final cut has a longer version of the dead Jaffa, revealing one of them was a woman, and with all the changes to eliminate plot holes I don't know why Brad Wright put one back in. While we do see Jaffa women in the series, Goa'uld and Jaffa society is depicted as highly patriarchal and female Jaffa soliders are rare - we never see them in Apophis's ranks. It's an odd inclusion.

"What if the aliens get it?" "Well, they could be blowing their noses right now." hee!

"THANKS SEND MORE" Remember when Daniel had allergies? Give it a few episodes and the show sure won’t!

Amanda Tapping, doing her absolute best with some terrible dialogue. Brad Wright blames the "reproductive organs" speech on Jonathan Glassner, and it is terrible and thankfully removed from the final cut version, along with some other 90's era sexism from the bros. However there is one great moment, where Kawalsky asks "Have you ever pulled out of a simulated bombing run in an F16 at eight plus Gs?" and without missing a beat, Sam deadpans: "Yes." I love Sam.

"I'll give you exactly 24 hours to either return or send a message through - no Kleenex boxes, please." Hee, Hammond isn't quite the cuddly commander we know and love yet, but he has his moments.

It's very cute that Sam has a very similar reaction to the one Daniel had in the film just before going through the gate, although his was based in the wonder of something incredible and unknown, and hers is based in the physical manifestation of knowledge - says a lot about each of them and their similarities yet different perspectives - the marrying of these two points of view is what makes them such a good duo.

Michael Shanks, doing the James Spader impression that won him the role. He was only 26!

And of course Alexis Cruz, the only holdover from the movie (other than Erick Avari, who won't appear until season 2).

The original team sure did leave a bunch of weapons with the Abydonians, didn't they? I presume they taught them how to fire the guns because there's no way Daniel could/would have. He did however teach them very good English.

"Greetings from Earth, Doctor Jackson" - very cute, it's sad that Ferretti disappears into the ether by season 2.

Not the face of a woman who is shy, but a woman who knows how to make An Entrance. She even smirks a little as she walks over.

There is however a weird little moment where Sha're is reluctant to shake Jack's hand - maybe she wasn't impressed about his little joke brushing by Daniel? Both of these beats are removed from the final cut version which is probably for the best.

It's criminal Sha're doesn't actually get to speak in this scene, and in fact how few lines she has in the episode altogether.

It's disappointing, because Sha'uri was such an integral part of the film, and yet the show tries to get rid of her as quickly as possible to get Daniel on SG-1 and give him a core drive for the next three seasons. Her abduction is the precipitating event of Daniel's ten-year character arc and defining moment of transition from film!Daniel to show!Daniel, and yet she doesn't get a character arc of her own.

However I do think Shanks and Vaitiare Hirshon sell the relationship in the few scenes they have - they're very physically connected/protective of one another, perhaps concerned that Jack's there to take Daniel back with him (which is in fact the case). And of course Sha're, annoyed at being left behind while Daniel shows the others his discovery, gives him a very proprietary kiss.

I think show!Sha're gets a bad rap, she's spunky and I love her. I just wish there was more of her.

Sam and Daniel insta-bonding - Daniel making an intuitive leap to solve the puzzle and Sam filling in the gaps with science to make it work, they really are kindred spirits.

The issue with the cartouche though is that the symbols look like hierogyphs, not star constellations/Stargate glyphs.

Back in the pyramid, there's a scene sorely missing here - imagine if rather than ogling Sha're, Ferretti had a conversation with her, giving us more of a chance to know Sha're on her own terms rather than just Daniel's wife and the object of others desire. Especially when Ferretti was on the original mission so knows she's more than a "beautiful woman" - it would also give additional weight to him remembering the gate address where she's taken later on.

Teal'c clocks Skaara's gun as the same tech he saw on Earth in breadcrumb no. 2.

"Nothing good can ever come through this gate!" "You came through it , Daniel" I mean...I realise there are a lot of problematic white savior-y aspects to the show, but idk, this scene and the Abydonians all petting Daniel to say goodbye gets me. Sean Amsing as Tobay also returns in Full Circle which is a nice callback to this scene.

The final cut removes a reaction shot from Jack which I have mixed feelings about - I get that the focus probably needs to be on Daniel at that moment, but I do think it's important for Jack to appreciate how Daniel really found a home with the Abydonians and was appreciated and loved by them, and it's nicely played by RDA.

LOL, watch out for how many times Jack pats Daniel on the shoulder. Apparently that annoyed Shanks so RDA kept doing it, but it's also a nice little setup of their relationship going forward.

There's a second shoulder pat in the hallway.

Just two dudes, drinking beer, (not) talking about their feelings.

“She was the complete opposite of everyone else, she practically fell on the floor laughing every time I tried to do some kind of chore they all took for granted.” Underrated line, because it gives important context to Daniel and Sha’re’s relationship, and perhaps more importantly, how Daniel characterises her - she is the one who keeps him grounded, who teases him, there is balance to their relationship. There’s potentially an interesting parallel there to Vala in the later seasons, although it manifests in a very different way.

“I think she forgave me for what happened to our kid, she just couldn’t forget…I’m the opposite, I can never forgive myself, but sometimes I can forget.” This is a great scene.

The Final Cut removes all the “harem scenes” and while I can see why, we do lose a bit of context to Teal'c's involvement in the process as he is the one who chooses the women from the holding cell to go into the harem, and then from the harem to be presented to Apophis.

There was a missed opportunity to actually see Sha're interact with the other prisoners - she could have had a conversation with Weterings at least, find out she was from Earth, perhaps assure her that the others would be coming to rescue them.

To the surprise of no one I’m sure, this episode does not pass the Bechdel test.

But there is a hint of solidarity among the prisoners - first in the holding cell where the others hold Skaara back, and here in the harem Sha're squeezes the hand of another woman.

Weterings is killed by the hand device which keeps the electrical current aesthetic from the movie the show will later abandon - as Teal'c looks perturbed.

Daniel back on Earth immediately getting stuck into the coffee even though no one else is drinking, lol.

"Ra played a god, the sun god, he borrowed the religion and culture of the ancient Egyptians he brought through the gate and used it to enslave them." A bit of a change from the movie here, where it was the other way around - slightly less problematic!

Everyone is in dress blues except Kawalsky who is in camo, and Daniel, who is wearing Jack's clothes.

"Colonel I'd like to remind you that rescuing Dr Jackson's wife is a secondary objective." This line was removed in the final cut and I don't know why? It adds to Samuel's bastardry.

Has everyone forgotten about Weterings?

Shoulder pat no. 3!

In the second harem scene Sha're is now sitting isolated from the other women - did she argue with them? Just trying not to be noticed? What happened offscreen?

Also what's going on in the top left corner - it looks like the healing device! Maybe Sha're did throw down with one of the others and that's why she's on her own. I have to read into things, because the show gives us so very little of Sha're and it's a real shame.

She does get a good moment fighting against the guards though - earlier she was defiant and told them she wasn't afraid of them, here she bites one of them on the arm.

I understand from a narrative perspective why Sha're is the one who gets taken over, but it really is Schrodinger’s fridging - until she’s found Sha’re is both alive and dead for the purpose of the narrative, both Daniel’s primary drive and source of inner conflict.

Christopher Judge does so much with so little. Master of the cheek twitch!

Oof, the nudity. In isolation from everything else, it doesn’t bother me - it’s intended to be horrifying, not titillating, and is effective in conveying objectification and dehumanisation by the Goa'uld.

However, it was a studio request, Wright/Glassner regretted doing it, it doesn’t fit the tone of the show going forward, but most importantly Hirshon was pressured into the full frontal when she only agreed to topless, and for that alone it should be excised.

The puppet symbiotes are so much more effective than the cgi they use later. I don’t think there’s another scene in the show that really captures the menace of the Goa’uld like this one - the symbiote (who we'll later learn is Amaunet) slithering around on Sha're's body is just so visceral and horrifying. The glowing eyes before implantation is an effective touch.

Jack sticking Daniel in it with Sam by saying Sha're was a gift could be amusing, except the conversation gets cut off before Daniel can explain. It annoys me, because Daniel not "accepting" Sha're was actually the point? It's kind of important! I assume he does tell Sam the whole story later.

"Unless we want to get ourselves a really bad reputation, I just think we should avoid shooting the first people we meet on a new planet" is a nice follow up to Daniel's sarcastic "well that would have been an excellent reason to shoot everyone" from the film. At this point, Daniel doesn't appear to be carrying a weapon other than a knife. Oh, how that will change!

The Chulak priests speak "a derivation of Arabic" and something else - the Goa'uld language is meant to be similar to Abydonian, which is based on Ancient Egyptian. Of course modern Egyptian is an Arabic dialect that came much later, but perhaps we are to assume Goa'uld - or at least the Chulak vernacular - evolved along similar lines.

Jack unable to shoot Sha're when she stands in front of Apophis is a nice movie callback.

The final cut has a good extra scene between Sam and Daniel where he is quite delusional thinking Sha're might just be drugged, and Sam tries to talk sense into him. Daniel's blind optimism against Sam's pragmatic realism will be an important aspect of their relationshio going forward.

Shoulder pat no. 4!

Teal'c P.I. sees Skaara talking to Jack and starts putting pieces together - the weapons from the opening scene, the weapons on Abydos + Jack's watch, and Daniel helpfully supplying the Earth glyph.

Alexis Cruz is committed to the film pronunciation of Sha’uri, bless him.

“But you are a great warrior, we defeated Ra together!” Skaara’s faith in Jack is so pure.

Skaara gets a shoulder pat too.

"Another fine day on planet Kawalsky" - This line was removed from the final cut! What a tragedy. I get the sense Brad Wright feels a bit cringe about the campier aspects of the show, but it's part of the charm! To be fair Ferretti was more of the wisecracker in the movie rather than Kawalsky, but I love that show Kawalsky is a little goofy.

I'm sorry, what is this silver monstrosity? I guess a sliver of credit that after the nudity not going for a sexy alien outfit, but this is a hate crime. I also have a very high tolerance, and even affection for, silly Stargate headgear, but there's camp and then there's ugly.

Peter Williams as Apophis though: 10/01, no notes.

"They're going to choose...who will be the children of the gods." I do love it when they say the title of the thing in the thing.

The subtle moment where Teal'c motions that Jack should kneel is a nice setup - Skaara being very reluctant and angry about kneeling, and being the last to do so, is nice movie continuity. Skaara really gets shortchanged by the show after this episode.

"How much would I remember if you chose me?" I wonder if Daniel ever thinks that maybe him drawing the attention of the Goa'uld contributed to Skaara getting chosen. You know, just to really lay on the angst and guilt.

So the premise is that these Apophis underlings are choosing hosts for their children who are symbiotes ready for implantation, which doesn't really fit with what we learn about Goa'uld queens/reproduction later. We also learn later that Skaara is taken as a host for Apophis's son Klorel which doesn't sqaure with these two choosing him.

Headcanon time! This is actually Zipacna who we meet later arguing for Klorel at Triad - different actor, of course, but he wears a similarly silly hat. So Amaunet now has access to all of Sha're's memories of Skaara and she and Apophis decide that he will make a good host - maybe she also likes the idea of a family resemblance between herself and Klorel (I think we can assume he is also Amaunet's son?). But Apophis doesn't want anyone to know he's choosing a host for his offspring, so sends Zipacna out to do it for him.

This makes sense of Klorel later claiming that Apophis chose his host, and also gives backstory to Zipacna showing up in Pretense. And in the scene, the Goa'uld make a very quick decision to take Skaara, while the rest get very grossly examined people before choosing.

Shoulder pat no. 5!

"I have nowhere to go." Teal'c turning on his brother Jaffa to save a roomful of people, not expecting to survive himself, really hits.

"For this, you can stay at my place." hee!

Jack not wanting to hear it when Teal'c tells him Skaara is no longer himself is a turnabout of the earlier scene with Daniel. Not so flip now it's your Emotional Support Abydonian, are you Jack?

Kawalsky getting Goa'ulded doesn't seem to hurt as much as Sha're's - because the symbiote isn't mature, or because Amaunet is particularly sadistic?

Soon to be SG-1 posing for their album cover.

It was the late 90's when tvs were tiny, so everyone had to stand uncomfortably close.

And we end with shoulder pat no. 6!

[wonderlandleighleigh]

A follow up to this

Gordon Ford is not a man who is used to rejection. Not only is he charming and funny and handsome, but he is Gordon fucking Ford, dammit. Women love him. Women are impressed by him; want to be with him.

But, apparently, not Midge Maisel.

He drinks his drink distractedly as he watches her from across the bar, laughing at something Lenny Bruce is saying, her hand resting on his chest comfortably as she cracks up, and he looks...

He doesn’t even look smug. He just looks delighted. Smitten with this beautiful women.

Ugh. They’re in love.

“Look at them,” Gordon grumbles to Mike. “They look so...happy together.”

“Who?” Mike asks, looking confused, before following his boss’s sight line. “Oh. So?”

“What do you mean so? She’s supposed to be free-wheeling! Unattached!” Gordon complains. “Available!”

Mike frowns deeply. “Uh...”

Gordon huffs. “I’m going over there.”

“Why?”

“Because- because!”

“...Sure.”

*****

Lenny loves making Midge laugh, ad he has to admit that he’s missed it since he’s been away.

He misses her.

It’s so good to spend time with her like this. Even if it’s brief; even if he has to leave again in two days.

This feels...

Good.

Right.

He turns to order them another round of drinks from the bartender and when he turns back around, Gordon as standing there with Midge, a little too close.

“Seems like the party is over here tonight,” Gordon smiles.

“No, no party,” Midge tells him coolly. “We were just chatting.”

“What about?” Gordon presses.

Lenny hands Midge her fresh martini. “Apparently Midge’s father told her son about some of the horrifying events in human history to assure him he could sleep in his own bed instead of Midge’s.”

Midge laughs again and shakes her head. “I love Papa, but he is so fucking terrible with children sometimes. I have no business being as functional as I am.”

“Well, you’re not that functional,” Gordon tries to joke.

Lenny blinks as he sips his own drink. “Her dysfunction is your gain, you know.”

“She’s only had two jokes on the show,” Gordon points out, starting to look out of his depth.

Lenny just smirks and sips his drink. “That says more about you than it does about her, Gordo.”

Midge grins a little to herself as she sips her drink.

“You know what I think we need?” Lenny asks her, leaning in, officially ignoring Gordon now.

“What’s that?” Midge asks.

“Coffee,” he tells her. “Good coffee. And very good pie.”

“I think you might be right,” Midge nods sagely. “Good coffee and very good pie really sound like something we desperately need right now.”

“You makin it?” Gordon asks, obviously trying to be funny.

“He’s starting to sound like my ex,” Midge comments to Lenny.

Lenny grins behind his hand. “Didn’t your ex bomb on stage so hard he left you?”

She nods. “Yes, he did. Coffee? Pie?”

“Cafe Reggio?” Lenny offers. “They got that pecan pie.”

Midge sets her glass down and takes his arm. “Lead on.”

Lenny pats the hand that’s resting on his elbow affectionately and grins at Gordon. “G’night, Gordon.”

“See you tomorrow, Boss,” Midge smiles happily.

They head for the door, and he glances down at her, grinning widely. “How good did it feel to leave that guy in the dust?”

“So good,” Midge confirms. “Especially since I got to do it with you.”

He leans in and kisses her temple affectionately, and he works on getting them a cab to the Village.

[someoneinjersey]

I know you said you aren’t looking for debates but how else do people learn and broaden their perspective, especially for those who follow you who might be confused as to where to stand especially after your post.

This situation is black and white, if you know the history then it is black and white. I’m not talking about it starting on October 7th but 75 years ago when a part of Palestine was taken away to give to people to make the country of Israel.

And thats when the occupation, terrorizing and dehumanization of Palestinian people began. Can you imagine 75 years of oppression, not being able to leave your own country because they took away the airport, having to request from another country to leave.

Not being allowed to walk on certain streets , not belong allowed to go certain places, being forced out your homes for them to be given to citizens of Israel.

You’re right I can’t imagine what it’s like to be a Jewish person anywhere right now as this conflict continues. I can however imagine how it might feel as a black person.

You can say it I don’t know what their people went through with the holocaust. And I’m not even going bring up slavery, but the fact that black people were in the holocaust. It’s very hard to find records and picture but they’re out there.

Black people was also forced to leave their homes and go the concentration camps, they were even forced in the beginning to get sterilized so they couldn’t reproduce either with each other or when the nazi soldiers graped them.

I understand what it’s like for hundreds on years to be hated for no reason, I understand what it’s like to be discriminated and oppressed personally as a black women. I share and can understand the pain that Jewish people go through everyday.

But at the end of the day if my people was doing something that I know what bad I would have no choice but to speak up against it.

What Israels government is doing is horrific, bombing hospitals on purpose, blowing up food and medical supplies, playground. Having their drones play sounds of babies crying and women in distress so that they can lure people out to kill them. There’s honestly no word that exist that describes how horrible that is.

Israel’s government saying out their mouths for years (theres video documentation) about how much they hate Palestine, that they don’t even see them as human and they’re not going to stop till they complete their ethnic cleanse of Israel.

I could honestly gone on and on all day about the crimes that Israel’s committing, the propaganda that their spread, the death toll of children. I’m not but if you want to say you support Jon Bernthal because you just don’t give a fuck, then ok . But don’t say people aren’t thinking critically because you want to read and write fic about this man without feeling guilt.

By supporting him your supporting his message

And you can ignore this that’s you privilege as a white person.

But not all of us can live blissfully in ignorance.

Okay I guess I wasn't clear enough when I flat out laid out the boundary of "I'm not looking for arguments or debates" so good on you for ignoring that.

I suppose I wasn't clear enough in stating my personal stance on the situation although I did say Israel is committing genocide.

THE POINT I WAS MAKING is that Jewish people outside of Israel are in a tough place regarding how they feel because of how they've been raised and taught and all the misinformation and correct information being presented from all sides. That's what I said. I wasn't talking about Israelis or Palestinians, I was talking about Jewish people particularly in the US.

Thank you for the lecture and your announcement that you can empathize with the victims of atrocities but not the innocent people caught up in the mess of their "home country's" government and most of their peers supporting the war and committing said atrocities.

The situation is black and white but individuals aren't. That's my fucking point. Goodbye.

[fairyofthehollow]

just me screaming and yelling into the void.

i feel like i’m going crazy sometimes. specifically regarding the literal genocide of palestinians being documented and broadcast online right now. i don’t know how people have gone so long, literally nearly two months (!!!!!!), without knowing what’s going on. how? how is that possible? and let’s say they do know about it, they might say “well, it doesn’t concern me” or “i’m neutral” or “it’s too complicated”. WHAT? i’m so so sorry? what was that? what on earth is complicated about apartheid, occupation, colonisation or GENOCIDE. and it does concern you, actually!!! like it really does!! it should enrage you that the world is watching an occupying power murdering en masse. it should enrage you that human beings are being subjected to such horrific acts of violence. it should enrage you that children are writing names on their arms so people can identify them if a bomb drops on their heads. it should enrage you that palestinians have to scream and cry and shout and hold up their martyred loved ones to validate their suffering and get the world to even glance at them. it should enrage you that a group of children had to stand in front of the tv, say a speech in english, to get the world to listen. it should enrage you that nurses, doctors, and surgeons had to hold a press conference in front of the martyred to show the world what is happening — because telling the world wasn’t enough. it should enrage you that the president of the united states accused people in gaza of releasing false numbers of people killed, to which the palestinian ministry of health had to release tens of pages of names — entire families aged 0-100 — of the palestinians murdered. to justify their suffering. it should fucking enrage you beyond belief that even democrats and progressives in the u.s don’t give a shit about marginalised communities or brown people or arabic people or muslims because they just signed a bill declaring any condemnation or criticism of the “state” of israel is anti-semitic. the list goes on and on and on and on. so many people don’t care. they don’t care or they’re okay with it or they support it. from people in incredible positions of power to celebrities to the every day person — so many people don’t give a shit about what is happening in gaza and the west bank. people are refusing to hold any person with a platform accountable and for what? they’re refusing to boycott (such a simple thing to do) and for what? for WHAT? is your life going to end when you don’t get your overpriced starbucks drink? or your shitty mcdonalds? is it going to end when you put your critical thinking caps on and start looking at celebrities for who they really are at the end of the day: money hungry capitalists? is your life going to end if you acknowledge that people don’t want to vote for joe biden for committing genocide? is it???? is it???!!!!! when will people wake up. when will they open their eyes and pay attention and do the right thing. when will people have a backbone. when will people gain empathy for an entire people being erased from the planet. when when when when when when when.

like do people not see it? the terrorist occupiers are erasing an entire people. an entire group of people. they’re destroying their historical documents, their schools, their neighbourhoods, their olive trees. they’ve colonised their food for fucks sake. they’ve killed doctors, scientists, journalists. they’re targeting anyone who speaks up against them. they’ve taken thousands of hostages. they’ve berated and beaten and tortured those hostages. they’ve bombed mosques and one of the oldest churches in the world. they’ve raped women and left babies with pieces of their skulls missing. they’ve made parents carry pieces of their children in bags. they violated a “truce”. they didn’t let them have funerals or celebrate or dance when they were reunited with loved ones (freed hostages) they’ve arrested palestinians for throwing rocks at tanks. rocks at tanks. rocks. at tanks. they ran over rachel corrie with a bulldozer for protesting the demolition of palestinian homes in rafah. they shot and killed a nine year old boy for standing in the street. they beat orthodox jews for standing in solidarity with palestinians. they shot a jewish man pleading for his life. they’ve stolen they’ve murdered they’ve beaten they’ve colonised they’ve done nearly every unimaginable, horrific act of violence under the sun to palestinians. where is your anger. where is your grief. where is your empathy for palestinians. where is everyone? where is the world?

[joonberriess]

Out of curiosity, what is your take on these violent extremist groups that run many third world countries? i.e. ISIS, Hamas, Al-Qaeda, the Taliban, and all these terrorist military regimes and warlords that run a lot of African countries. The citizens are oppressed by these extremist groups. They kidnap people and teach them that it's okay to kill innocent civilians. But how are these innocent civilians supposed to rise up and overthrow their oppressors? They have the clothes on their backs and not much else. They're starving. They live in shacks or huts with no running water or electricity. The women have no rights and are sold like property. The children have no schools or any type of education. It's heartbreaking to see these children in third world countries with nothing. But how are they supposed to fight against extremist groups that have automatic weapons, bombs, etc.? It's great that you speak about freeing all these different countries in the middle east and Africa, but if the civilians can't fight and actually win against their oppressors, how will they ever be free? In order to break free and gain their country back, they need lots of weapons and training on how to use them. Who will do that?

As for Palestine, I fully support them. I think Israel is completely out of control right now. From what I've read and seen Hamas attacked Israel. But the problem is that Hamas (like any other violent extremist group) was/is using the innocent Palestine citizens as a shield against Israel. But now it seems that it's become Israel v. innocent Palestine citizens, which is completely horrible on Israel's part. I understand Israel wanting to remove Hamas, but I don't accept that Israel is killing all these Palestine people in the name of removing Hamas. But can someone tell me why the Palestinian people allowed Hamas in? Or did Hamas just come in and take over like other typical extremist groups? That's what I'm not sure about. How did Hamas come to basically overtake Palestine? And this goes back to the first paragraph of this ask, if the Palestinian people aren't strong enough to rise up and defeat Hamas, how are they supposed to be free? And if Hamas was not in Palestine, and did not attack Israel, would Israel be attacking Palestine right now? I don't know. I feel like Israel used the Hamas attack as an excuse to attack Palestine.

hamas is a direct result of YEARS of oppression. this to me r people taking back their land and fighting for their freedom. they r not using their own people as shields like what? im sorry but they r fighting against the colonization of their land and it so happens that their people are stuck DISPLACED mind you, you can’t just say “hey we’re planning on attacking and fighting back, we need y’all to evacuate.” evacuate where?? it’s like u said they got their clothes on their backs and that’s it. HOW CAN THEY FIGHT BACK? why do you think these militia groups exist? and as for ur other question on how do i think they can be free, the same thing we’re doing with Palestine. WE SPEAK UP. we shed light on the atrocities and keep going until action is taken. and as sad as it is, you realize that fighting back your oppressors OF COURSE people will be in the crossfire, it isn’t right but what can they do? they have nowhere to go and if they do they’re already dead the moment they try to leave. stuff like this is never a win win because while you can say they’re free but at a very high price bc there was no winner to begin with. now, why do you think Palestinians “let” hamas in? and no, israel has been committing this genocide since the early 1940s it’s been DECADES, israel just wanted to finally wipe out or should i say.. ethnically cleanse Palestinians.

[benbamboozled]

1, 3, & 4 for the ask game? >:)

Ohhh boy coming out of the gate HOT. I’m glad I’m wearing my rant pants.

Buckle up, it’s gonna get capslock-y in here.

1–How has DC/Marvel/publishing company wronged you, specifically?

HOLY SHIT WHERE DO I EVEN START???

Okay obvs I’m sticking with DC here.

Let’s see…I think the biggest way they wronged me specifically was that time when Steph, Kon, and Bart were ALL dead because my top 5 faves at the time were—

—Jason Todd

—Cassandra Cain

—Stephanie Brown

—Kon-el

—and BART FUCKING ALLEN.

DO YOU KNOW HOW HARD IT IS TO HAVE THREE OF YOUR TOP FIVE FAVES DEAD??? AND Jay was going through his super flop era, and Cass was ????.

LIKE—COME ON!!!

They Wronged Me Specifically SO HARD that I dropped out of comics for like 10 years and missed the entirety of the nu52. (I would literally check in to the DC sometimes and be like—ope, faves are still dead, that’s a big no from me dawg.)

3—Who is your most hated comics writer?

(Okay, I’m going to leave out the obvious “these guys are bad people IRL” answers and stick to my regular “YOU’RE TACKY AND I HATE YOU” beloatheds.)

JIM. FUCKING. STARLIN.

Okay, so, honestly—I really try not to hate writers.

Like, I can rant about bad decisions, and bad characterization, and so on and so forth all day long.

But for the most part, I think a lot of things that get blamed on writers actually comes down to 1) writers not being the right fit for a book/character, or 2) editorial not stepping in and being like “HE WOULD NEVER SAY THAT.”

I also think that even badly written books can have some saving graces. (Shit, I have Battle for the Cowl on my Jay-recs list, so you KNOW I am forgiving.)

HOWEVER.

However.

JIM FUCKING STARLIN is on my shitlist for a few reasons.

NOW…I don’t really blame him for being on-board with killing off Jason Todd. The dude shouldn’t have been put on a book where he hated *the very concept* of one half of the team.

But let’s talk about everything leading up to that and some stuff afterward.

First of all—Jim Starlin’s method of making Jason Todd out to be A Troubled Kid was by having Jason get particularly bothered by sex crimes against women and children.

NOT GREAT, BOB! For obvious fucking reasons!

Not to mention—as an inherently…uh…passionate person myself—I REALLY FUCKING HATE IT when “having emotions” is portrayed as a flaw. Guess what—sometimes “cool calculated stoicism” IS NOT THE ANSWER. Sometimes dismissing someone based on their feelings IS ACTUALLY A TOOL OF THE OPPRESSOR, JIM!!! HAVE YOU CONSIDERED THAT, JIM FUCKING STARLIN???

Okay so moving on…

Second…fuck him forever for having BRUCE FUCKING WAYNE, JASON’S DAD, VICTIM-BLAME JASON FOR BEING “RECKLESS” AND BEING MURDERED.

Like…okay, BRUCE, YOU DIDN’T EVEN KNOW WHERE YOUR FUCKIN KID WAS, BRUCE.

YOU DIDN’T EVEN KNOW WHY HE WAS THERE UNTIL HE FUCKIN TOLD YOU, O’ WORLD’S GREATEST DETECTIVE.

ALSO I HATE WITH EVERY FIBER OF MY BEING THE IDEA THAT YOU CAN PLAN YOUR WAY OUT OF BEING FUCKING MURDERED.

What if Bruce was there AND THE JOKER JUST BLEW THEM ALL UP??? HUH??? BECAUSE HE HAD A FUCKING BUILDING RIGGED WITH A GODDAMN BOMB!

You could just as easily turn around and say, “Damn Bruce, child!you was so reckless for making your parents walk around Crime Alley at night.”

(And like, obviously that is 1000% something Bruce says to himself BUT THE NARRATIVE ISN’T SUPPOSED TO AGREE WITH HIM!!! AND I maintain that BRUCE WOULD NOT THINK THAT ABOUT HIS OWN KID.)

Not to mention that THEY’RE ALL FUCKING RECKLESS! YOU’RE VIGILANTES!!! BRUCE WHY ARE YOU EVEN THERE IN THE FIRST PLACE????

Whew okay…I gotta cool down.

THIRD—the fact that he bragged about wanting to kill Jason with AIDS is EXTREMELY loaded and I hate it and I hate him.

4—Worst decision for (x]'s "new direction"?

Ooooh this one’s easy for me.

(Admittedly, I like the red guns. They have a fun Danger Days vibe, and they are what I imagine it would look like if Jason used his All-Caste powers to have Evil Shooting Guns.)

(But that’s it.)

I mean, there are probably objectively worse things, but this one wins for me because…come on.

[inlustrissss]

Last Time

“The woman was scared to die all alone in a foreign country”

SPOILER WARNING!! CHAPTER 138

Edit: Thank you for 200 notes 😊😚

Levi x fem!Reader

TW! : slight angst but also mentioning of death, dw, got some nice and bittersweet moments as well

Summary: Levi and his fiancé are part of the survey corps and on a dangerous mission to stop Eren Jaeger in his plan with the rumble. On Marleyan ground, right before everything crumbles down, (Y/N) sees her life flash before her eyes

As Falco had caught on to the Kirschtein man, Connie looked devastated, the scene before the strong soldiers of Paradis unfolding into a complete disaster as Armin was about to detonate the bomb right around where Erens nape connected to it's bone-ish body.

"We need to get out quick!! Armin's gonna blow those bones to pieces!"

Having held down on to Piecks cart Titan body, (Y/N) loosened her grapple-hook, the gravity pulling her towards the ground as the hook returned to it's place at the ODM-Gear. At the same time the black haired woman Pieck emerged out of the Titan form, letting herself fall and hugging the (H/C) haired woman tightly.

Facing the ground, Falcos wings caught the women: "The armored Titan should be able to withstand the colossus Titan explosion—", seeing Jeans concern of their fellow old comrade, she tried to ease his worries as she sweated, "And most of all: Reiner's prepared for all of the consequences. To let this opportunity get away would be to let that go to waste!"

As suddenly Falcos Titan body increased its speed and flew up higher into the sky, (Y/N)s reflexes kicked in, making her close her eyes in fear. She felt an arm hug her waist tightly. Caught off guard, her (E/C) orbs opened frantically and her head swinging into the direction of the arms owner: it was her fiancé, the very man who had asked for her to marry him right in the middle of the war. Gifting the strongest soldier of humanity a subtle smile as a thank you, and maybe even slight reassurance for herself, she seemed to melt at his touch, getting lost in the rare colour of his cool blue eyes. Sighing, his tense shoulders relaxed for a second: "You okay?" His deep voice almost hoarse as it came out as a whisper, "Don't do anything reckless, stupid." Nodding speechlessly the woman noticed the bright light from behind her-- the bomb had been detonated and a loud, ear piercing bang sounded throughout the trampled battlefield of Marley. 

Wide eyes glancing towards the direction of Eren whereabouts, hands covering ears, the ring on (Y/N)s finger sparkled whenever the warm rays of sunlight reached the beautiful material. 

Was the battle finally over?

There was no time to think of the answer to that question, there wasn’t even any time to think of the question in the first place. It was a bittersweet moment, when Falco finally landed on the ground in front of those Marleyans and Eldians who had survived the ramble up until now. Leaving his titan body Falcos eyes searched the crowd for his parents. The little yet brave girl Gabi doing the same, running up to her mother and aunt, hugging them tightly just as Pieck did with her parents. Carefully jumping off of the bird like titan body, (Y/N) and Connie took a hold of Levis weakened body, making sure he stood on his feet before Connie adjusting his arm and placed it around his neck. The engaged woman never leaving her financés side, she held him by his torso, looking at the children that had been with them for a long time throughout the war, finally reuniting with their parents. The sight of Gabi smiling made her forget all of her worries. With Levi close to herself, nothing could beat them now.

“It’s not like I don’t have any regrets but-”, Connie looking around, seeing all the crying faces, “we did the right thing, didn’t we?” “We stopped the rumbling..”

“Wait!”, Gabi suddenly called out, running towards the cliff, almost falling off of it if it weren’t for (Y/N)s reflexes to catch the impulsive girl, “Watch it Gabi!”, the woman said with concern lacing her sweet voice, “But Reiner is still fighting.. and Armin?!”, looking back to the battlefield, they saw Reiner on the ground with Armin walking over to the cliff where everyone had been.

“They’re okay.”, said Jean as he patted Gabis should, but something had caught their attention. 

It was the centipede- like looking creature, which had taken control over Eren when he had transformed into the founding titan: “Hey, look over there!!”, yelled Connie while pointing at the thing, “It survived the explosion?” “What the fuck is that thing..”, mumbled Levi with a disgusted look, “Who knows, love.”, said (Y/N), “But all I know is that we can’t let this thing survive.”, with a determined look she glanced to her comrades, tightening her grip on to Levi. A bright light emitted behind the colossal titan,  the place where Erens corpse had been. “I didn’t think it’d take that much to kill you..”, said Jean as he was looking towards the bright light, seeing a titan form in the distance.

Long brown hair dancing with the wind, it was Eren.

“We can’t let Eren get to that thing down there!”, yelled (Y/N). Right when she was about to turn towards Levi and possibly get him ready for another fight, she noticed him groaning and his head hanging low, “Levi? What’s wrong?!”, brows furrowing, she tried to take a hold of his eyes with hers. “Just a headache.”, he whispered.

 A headache- come to think of it, Mikasa had been having headaches throughout the fight with Eren too..

Noticing how Gabi had crouched down with the others, (Y/N) decided to let her finacés headache slide and see what was going on. “What is this smoke?”, asked Gabi, “Smoke?”, inspecting further, (Y/N) saw how the creature had deflated, leaving only smoke behind, which soon covered a large space and devoured almost all of the mountain where they had been seeking their cover. “Is that thing finally dying?”, Mikasa groaned as he raised his brow suspiciously at the thing. But Connie had another answer: “No, it doesn’t smell like a dead titan”, his hand covering mouth and nose at the smell. His heart dropping and hands growing colder with each second, he was under shock: “Isn’t it the same they did in...”, he swallowed, “..In Ragako?”

Only hearing the confused voices speaking in the background, it was completely silent among the group. No one dared to mutter another word, it had all come to an end.

She wanted to cry but she couldn’t, her heart stopped to fear it only started to clench in worry, “Levi you have to get out of here”

It only rung louder and stronger, it was like his head was killing him slowly, praising him with a painful dead, it was like his instinct was punishing him for his failure. No it can’t be instinct, he truly did love her, he was no servant. Yet his DNA was telling otherwise.

“No don’t do this to me-”, the Ackerman males murmurs were cut off by his beloved soon to be wife, “Pieck, Mikasa! Get on Falco and hurry!”

“Please oh god don’t do this to me-”

“Levi, it’s okay.”, softly touching his cheek, being careful not to hurt his injury under the dirty and sweat stained bandages, she held his paled face. This very face she saw all those years ago, when he was captured by commander Erwin with his fellow friends Isabel and Farlan, oh how she has missed them all.  Recalling their first interaction when Hanji ran off to greet them at their first expedition, praising them on their skill with the ODM gear.

She glanced at his eyes. Those eyes she first truly started to take in the night he was at his worst, crying under the moonlit night, cursing himself how he could’ve been stronger. Those seemingly cold eyes that would always watch over squadleader (L/N)s doings. Those very eyes that would always gaze at her with love and tender were struck with fear and disbelief now. She knew he was too weak, she was scared he wouldn’t be able to handle another death. 

Levis nose stung, his eyes burning, this is it, he was close to crying. But as he heard her sweet voice, it was as if there was no war raging, “It’s okay my love”, she said with an almost inaudible whisper, forcing herself to not break down and cry herself. “You need to get out of here Levi”, her voice calming his penetrating headache, “You need to survive” Foreheads pressed together, (Y/N) swiftly let go off of his face to look at her right hand, “Here quick, take the ring honey-”, sliding off the engagement ring, she took Levis weak hand and pressed the warm yellow gold into his palm, she smiled softly, not noticing a single tear slip, “I’ll see you again Levi”

Pressing her warm lips tightly against his cold ones, she took a hold of his shoulders and hugged him. 

He hesitated, needing to take in what just happened but hugged her back just as tight, patting down her messy hair, just like hed always do to keep his beloved tidy. As they slowly parted she whispered “You need to hurry.”

Their moment seemed as if took hours.

Seeing Falco take off with the one she devoted herself to, (Y/N) finally broke down. Her life flashing by her eyes and even all the talks she had with Levi about her future, she played it all out just how it could’ve been.

Remembering how he had asked her to be his wife in the middle of war, because he was scared he wouldn’t survive, thinking of all the reassurence they both gave themselves until now.  Dreaming of a future together, knowing it would stay one.

She cried.

Hot tears streaming down her flushed cheecks, she wasn’t even able to keep up with the flow of her tears anymore, (Y/N) just gave up on trying to dry them. The woman was scared to die all alone in a foreign country.

“So this is how it ends, huh?”, (Y/N) stopped.

It was Jean who was pulling her close towards himself, Connie on his other side, hugging the taller male as well. “Guess so..”, said Connie. Turning towards Jean with an indifferent expression he scoffed, “Remember the night of the entrance ceremony?”, Jean nodded, “This is your fault we’re here right now.”

At their bickering right before the end made, (Y/N) had to laugh, “Stop it you guys, now’s not the time” Connie groaned, “Come on, when’s ever the time..”, but Jean apologized, “I’m sorry Squadleader”

Growing only sadder at the title, (Y/N) sighed: “Drop the act Jean, we’re only human after all.”

“Right.. (Y/N)”

She wished she could look into Levis warm eyes again.

She longed to see, she would do everything,

just to see him one last time

 Closing her eyes, she let the sunrays hit her skin, making her look angelic with the golden glow. Will it hurt? Will it be quick? Her mind growing ever so slight when the worries ceased, she didn’t want those things to be the last thing, worry should not consume ones life.

So when the time finally came, she only thought of Levi Achermann, the man she had loved the most in her life.

Seeing his beautiful steel gray eyes in her mind set her at ease.  So she rememniced his lovely touch for one last time.

[kaizokuou-ni-naru]

The Voyage So Far: Whole Cake Island

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano

sanji is such a self-sacrificial idiot. and i know that’s not exactly a ground-breaking statement, but it does define the entire first half of whole cake island, so it may as well be reiterated here: sanji does not value his own life as much as he should, and fails to grasp that other people care about him outside of what he can offer them, which is why he’s so surprised when luffy later comes charging headlong into big mom’s territory.

zou is a really good little arc, and it also mirrors the themes of whole cake island in miniature. the minks collectively make a massive sacrifice and risk absolutely everything to protect raizou, and wci is essentially all about loyalty and sacrifice, whether its sanji giving himself up to protect the strawhats and zeff or luffy and the strawhats facing impossible odds to rescue him to pedro giving up his life to get them all out of there safe.

huge fan of this panel partly just because it’s cute and partly because it’s a great visualization of just how dysfunctional the heights are in one piece.

zou is one of my favorite settings in one piece just for the sheer creativity of it. zunesha is so massive and so mysterious and so strange. and she really looks unspeakably old just from how she’s drawn, looming over everyone and everything, eyes hollow and empty, an entire forest and an entire people growing on her back that have been there for thousands of years. it’s just so neat and so wildly inventive.

this applies to zou as a whole, but i think it’s really cool how all the little threads that will become important during wano are set up so effectively even before whole cake island starts. we get this shot here of kidd beat to shit and then forget it because so much happens between here and when he shows up again in wano, but then oda punks us into caring about him and killer so much and this retroactively becomes very important.

ever since his introduction sanji’s always been a character basically defined by his adherence to his principles: always feeding the hungry, never wasting food, never hurting women, never using his hands in combat. he’s probably the most firmly principled person on the crew, and that’s more obvious in whole cake island than in any other arc except maybe baratie.

sanji is very stubbornly good, which puts him in acute contrast to his siblings and their general cruel apathy. it’s something i really like about him.

i’m a huge fan of big mom’s introduction, which is also our introduction to tottoland in general. it’s cutesy and colorful and musical while simultaneously being deeply creepy, with lyrics about killing people for ingredients and making jam out of blood, which is a great summary of the core of big mom’s character. she’s an old lady all in pink who lives in a cartoon fairy-tale land- but she’s also a deranged cannibal, and all those singing trees and flowers are animated by the life she steals from her citizens as tax.

whole cake island draws on a lot of fairy tale motifs (especially with brulee), and the contrast that saccharine appearance creates with how fucked up the actual content is is super effective and memorable, i think.

honestly i find most of the content of sanji with the vinsmokes just plain upsetting, which i’m sure is intentional, so i’m not going to go into it a lot here, but i am including this panel of him kicking niji in the face.

sad as this scene turns out, luffy’s absolute thrill at finding sanji and the corresponding bafflement of the vinsmokes as to how the fuck he even got there always kinda makes me grin.

i always love seeing people’s underestimations about luffy get thrown right the hell out the window- because let’s be honest, he’s easy to underestimate, he’s like a five and a half foot tall rubber teenager and not very physically intimidating and all, and then he goes and pulls off the impossible without blinking.

the thing that makes luffy unique as a captain has always been his willingness to rely on his crew, and his willingness to openly admit that reliance, like he did all the way back in arlong park. most of the other contenders for the pirate king’s crown we’ve seen- big mom, kaidou, crocodile once upon a time- have been stubbornly individualistic people who explicitly shown not to care for their crew and allies, generally seeing them as disposable.

luffy is the opposite of all of them, because his crew are everything to him, to the point of being willing to sacrifice his dream for them. and the loyalty he wins from them in return is unmatched, as opposed to big mom and kaidou, who both get cheerfully betrayed not just by their own crewmates but by their own children.

brook is really cool in whole cake island, and honestly it comes at just the right time for him as a character. ever since his introductory arc in thriller bark until this point he hasn’t gotten a ton of focus, so it’s great that he gets to be the mvp here and demonstrate exactly why he’s a strawhat pirate and how much he’s grown over the timeskip.

oda is generally really good at introducing and handling characters contained to a single arc/saga, but i do think he absolutely knocked it out of the park with pedro. he has an interesting backstory, compelling motivations, and basically an entire sub-arc ending in his death that never distracts from the main plot, but only ever adds to it.

pedro really feels like a fully realized character who’s had a whole life offscreen, who we just happened to catch at the very end of his story. i think that’s super impressive.

i really love this moment, because for me, this is the moment where whole cake island becomes a tremendous arc, and where the tides begin to turn and the dominoes begin to fall, one after the other. this is sanji hitting absolute rock bottom. the one ray of light he pinned all his hopes on was a lie, and he can’t even light a fucking cigarette.

but one piece is, very often, a story about picking yourself up even when you feel like you can’t.

i think there’s something lovely about how much one piece emphasizes the value of honestly asking for help. luffy waits for nami to ask for help, and for robin to say she wants to live, and for sanji to admit he just wants to go home, and then says, “okay, i’ll make that happen.”

it just makes me so happy how happy the stawhats are to know sanji’s back with them. it reminds me a lot of how they all brush off robin’s thanks after enies lobby. sure, they’re going to have to crash the wedding and confront big mom directly and might all die, but who cares? they’ve got sanji back. i’ve said it before and i’ll say it again, i love how much they love each other.

i think the gangster outfits are super fun, and i love that oda is committed enough to his aesthetics to come up with an excuse to put them all in formalwear. it pays off, they all look extremely snappy.

i know i just said it in the dressrosa posts but i’m reiterating it here because this is my favorite example of it by far: i love when oda does this split-screen thing with his panels. the contrast between the two halves of pudding is so severe and yet they’re so clearly the same person i honestly just find this pair of panels fascinating to look at.

this panel also kind of gets at my favorite thing about pudding as a character, really. i know she’s a little controversial in fandom, but i’ve always found her entertaining (at least post-reveal), especially in the contrast between her unhinged evil side and her genuinely sweet romantic side and her post-wedding tendency to randomly ping-pong between the two.

i just always like reminding people that sanji is fast enough and his observation haki good enough to dodge a surprise attack, while thoroughly distracted, from katakuri.

sanji in this arc tends to get shit from a certain side of fandom for being ‘useless’ since he doesn’t have a big climactic fight despite being the focus of the arc, which i think is thoroughly missing the point. sanji is still plenty capable in combat, as demonstrated both here and later, with chiffon and oven. it just happens that his strength isn’t what saves the day ultimately, because combat ability isn’t everything, which is the entire point of the vinsmoke backstory/subplot. sanji saves the day just by being kind.

i’ll admit big mom’s flashback isn’t one of my favorites, taken in isolation- there are some parts of it that kind of unresolved (at least as of now- i still suspect they’ll be followed up eventually), and in general, although there is a tragedy to it, it doesn’t quite hit the way many of the other more effective flashbacks do. that said, i do think it does a really good job of succinctly explaining why big mom is the way she is in the present: she’s a child who was never told no, who never grew or matured past the disappearance of her adopted mother. that’s it, and that’s enough.

i’ve always been a little bit in love with how seriously and consistently one piece handles its themes of found family, and sanji outright disowning judge in whole cake island is maybe the most outright they ever get: family is found, not made. you owe nothing to your blood and are never beholden to your abusers.

and i just like that a whole lot.

i do think the tamatebako is one of the best uses of chekov’s gun i’ve ever seen. we’re first shown it at the end of fishman island, it’s revealed it got sent off to big mom rigged with explosives which is a minor “oh fuck” moment, and then it gets forgotten about, because the entirety of punk hazard and dressrosa happens in between! which is a lot!

i remember when i reached the moment in whole cake island where we’re reminded that that bomb still exists and is still waiting to explode, i just started laughing hysterically out loud, because i’d completely forgotten, and now that i remembered i was just delighted to know it was going to definitely go off at some point, almost certainly in a very satisfying way.

pedro is, if i remember right, the first time the imagery of the coming dawn that will become quite important in wano really has attention drawn to it in-text- the recurring motif is there before this, of course, dating all the way back to the names of the first chapter (romance dawn) and first island (dawn island), but this is the first time it’s actively addressed in-story.

in doing so, oda essentially presents a fresh mystery for us, but one that has been set up so consistently ever since chapter one that it feels like it fits perfectly into the world and story.

luffy’s been punching way above his weight class ever since crocodile all the way back in alabasta, fighting enemies who clearly outmatch him but always managing to win anyways, but his fight with katakuri is maybe the clearest the sheer differential in strength ever gets, because katakuri’s powers are similar enough to luffy’s that he can pull off pretty much all of luffy’s techniques, but better. so luffy has to fall back on the two things that have always been his greatest strengths, again all the way back to crocodile in alabasta: innovation and sheer fucking stubbornness.

one thing i love about one piece is how no character is immune to being clowned on. absolutely nobody. everybody looks like an idiot sometimes, and it makes everything so much more fun than if the series took itself more seriously. katakuri basically actively tries to avert this by building up a fearsome, flawless, and utterly no-nonsense persona, but it winds up failing hard because it actually only makes the contrast and surprise of his actual personality and vices that much funnier.

i’ve always loved this one panel of carrot going sulong, because she just looks so monstrous, like a true werewolf. the same goes for the shift in big mom’s design when she starts going truly mad with starvation and gets even more threatening-looking (below). i just think oda should let women be monstrously scary more often.

i do really love that the entire climax of whole cake island hinges on the degree of trust and faith the strawhats, and sanji and luffy specifically, have in each other. they’re all facing massive challenges that would seem insurmountable to an outsider- luffy facing down a yonkou’s commander with a bounty of over a billion and sanji remaking a massive cake that took months to plan and make in just a few hours, the others evading big mom’s full forces and big mom herself for a full night- but none of them have even a shred of doubt that the others can manage it.

i wrote a meta post awhile back about one piece’s concept of ‘honor in a pirates’ fight, and what it came down to is this: honor can never be expected between pirates, but the best of them will show it anyways, and it can be a very telling judge of character. nobody would expect katakuri to do this, and luffy even calls him an idiot for it, but he has enough respect for luffy as a strong opponent to do it anyways, and that’s how we know for absolute certain that even though he’s an antagonist, he’s also a good, honorable person.

i really like the gesture of luffy leaving his hat over katakuri’s mouth, especially because until this point, we’re never even given any indication that he’s really noticed it, let alone that katakuri is insecure about it. he never reacts to or comments on it (which is in itself kind of unusual from someone who tends to nickname opponents by their appearances as often as luffy does) one way or another.

and then he does this, confirming all at once that he did fully notice and understand, he just doesn’t care. which i think sums up one of the more under-appreciated aspects of luffy’s character- he’s generally way more observant than people give him credit for, especially when it comes to people, it’s just that he has a very different sense of what’s important and what’s not than your average person.

i love the sheer contrast between big mom’s delighted, rapturous singing as she devours the wedding cake against the violence taking place on screen as her army rains fire and hell down on the thousand sunny. it parallels her initial introduction at the start of the arc perfectly, and is just an excellent way to close out the arc with a bang.

i said it earlier but it bears repeating here, for a different reason: luffy is not very physically intimidating. he’s shorter than most of the other main characters, he’s a lanky teenager, he dresses casually and his most identifiable accessory is a farm hat.

but then there are times when he looks like a captain, like a future pirate king, and it just looks so natural on him. i can never get over it.

i really like that, after spending a whole arc demonstrating just how different (and how much better) sanji is than the vinsmokes, it ends like this- showing us just how similar he’s grown up to the man he’s chosen as his real family, and just how proud zeff would be of him.

[ofhouseadama]

could I dm you this? yes. but also asks are fun even though this question is mean so. how do Ed and Lorraine react to the Vietnam war?

Okay so my Ed and Lorraine are absolutely Kennedy Democrats, are both very excited and enthusiastic about the first Catholic president, but both are against the Vietnam War and US military intervention from the start. Ed's already fought in one imperialist proxy war, he's got the PTSD to prove it, and Lorraine just is truly repulsed by violence of any kind.

And also like, to go completely left field for a minute -- I've been thinking a lot about how teenage Lored were effectively trapped at 17-19 years old. Mostly financially, and in different ways. in 1951, Lorraine wouldn't have been able to have her own bank account. Women wouldn't have the right to open their own bank account until the 60s or have a credit card until the 70s -- her money would have been her father's, effectively. and while probably not maliciously, since she was a young woman she likely wouldn't have had much access to her pay checks unless she was cashing them directly. Ed, meanwhile, while trying to survive a negligent/abusive household, absolutely would have been spending money on things most teens wouldn't have to in order to survive... and that's before getting the draft notice from the Selective Service, which took away even more control of his own life.

So I see Ed and Lorraine getting married young (even for the 50s, they're a few years younger than the median, though the war was actively driving that age down) mostly out of making the most out of what they could together. Ed putting Lorraine on his bank accounts and asking her actively to manage them while he's away, and her depositing her paychecks into his account would give her more financial control in her life than most women of the era. Lorraine's engagement ring (the size of that goddamn rock) is even an insurance policy most women her age and demographic didn't have -- often when women fled marriages, it was only with their jewelry to sell. It's half about Ed's possessive streak, half him showing he's not afraid to give her the money to run, if she needed to.

Anyway -- the trauma of their late teens and early twenties is entirely rooted in the rising Cold War anxieties and the locus of harm done to women in the 50s and I fully see their pursuit of demonology and the supernatural as something Lorraine initially started while working as a secretary for the Diocese, something she did to stay late at work and help people she could physically reach while Ed was away at war. She initially started staying late on the days she knew Father Gordon would be bringing in a scared family or terrified couple or frightened soul in through the back door hours after everyone had left, staying to pray and keep herself nearby, to be an observer to a fight she could be party to. Father Gordon figures her out quickly, of course, asking what interest she has in demons and exorcisms, and figures out she's clever with records and archives, almost to an uncanny degree.

And then figures out to exactly what uncanny degree.

After Ed came home and became the husband instead of the boyfriend, it turned into something Ed could throw all his metaphorical demons onto and a healthy way to exercise his control issues and fear and anxiety that doesn't (generally) affect Lorraine because she's fighting with him side by side in this, when before they were separated by thousands of miles -- the beginning everyone's favorite Catholic battle couple very much rooted in Ed and Lorraine parsing out who brought home metaphorical demons from the war, and who brought home literal ones, and bringing them to Father Gordon when necessary. Rooted in Ed needing to be useful, to dusting off his Catholic school Latin and reading everything he could get his hands on so that he could continue to help, continue to fight.

Lorraine would have been pregnant with Judy during the heightening tensions with Cuba and as Kennedy is sending more and more military "advisors" to Vietnam and Cold War tensions flared the hottest they'd get in the 1960s and I can just see both of their control issues revving up, especially with a few-months-old baby in the mix. Just the two of them laying bed, looking down at their three month old baby girl, wondering if they'd all get nuked tomorrow. If war would be declared tomorrow. If they'd all be dead, if they brought her into the world just to die violently. It's like taking guns off the street. They can't control the White House, or the Soviets, or Cuba or China or or or -- but they know about demons, they know about spirits, they know about taking these bombs off the battlefield, in the war of good against evil, and this is a war they can be foot soldiers in together.

Lorraine would get a bit of relief in the March of '63 when Kennedy dropped married men with children to the bottom of the draft pool, and then dropped the age of the draft pool to 26, aging Ed out of the Selective Service entirely. And then in November, JFK would be assassinated, and the photo of Jackie Kennedy covered in blood, leaving the hospital hand-in-hand with RFK, would be on the front page of every newspaper in the country. It would be a jolt for both of them -- but it wouldn't fully hit Lorraine until seven years later, when she'd have her first vision of Ed's death and fully understand Jackie Kennedy's weary, "I want them to see what they have done to Jack."

After the Gulf of Tonkin Resolution in August of 1964, they fully throw themselves into taking cases almost full time. As the war heats up, Ed pulls back from teaching art classes at the VA. If he spends too much time there, he has to face how pointless the violence has been. If he spends too much time there, now, he has to face that he still doesn't know why he survived. Why he lived, and everyone else on board the ship with him died. Because he still doesn't know, he still is fighting to make his life matter in a way that makes sense to him. All he has is his sense of duty, a couple of college credits, and his hands. On good days, he knows that he's loved -- that Lorraine loves him so much it makes it hurt to breathe, that he's a good father to his daughter, who will never be afraid of him.

Ed has a complete PTSD relapse in 1966, with the beginning of the ground war and the full-throated resurgence of the American propaganda machine and military recruitment. He's back in the guilt spiral, the "I never had it that bad, I was only in the Navy for two years, I never had it that bad," just feeding into "why did I live when everyone else I fought with died," back and forth until he can't sleep, can only sleep when Judy sleeps, accidentally ends up adapting himself to her nap schedule and has to sleep with his hand on her chest, feeling her breathe.

Lorraine calls in Chief, after Ed can't get out of bed for 72 hours and misses mass for the first time in his life. Chief, who comes up from Brooklyn to remind Ed of the time their entire ship exploded and Ed treaded water for eight hours and everyone else died. How they spent the next six months getting drunk whenever they weren't on duty and picking fights they couldn't get out of, and that one time they got thrown in the brig because Chief struck a superior asshole and Ed just followed him into the fight. (No, Lorraine does not know about that time Ed and Chief ended up in the brig. She will never know about that time. Judy will at some point in her early 20s learn about that time, when she needs to learn about how her parents are people, who have absolutely made mistakes in their lives.) "You and I spent six months drunk," Chief says, bouncing Judy on his knee in the kitchen over a cup of coffee, Ed refusing to look at him as he deep cleans the stove. "And then your dad died, and your sainted wife handled everything for you, and we realized we couldn't send you home to her like that."

"I still don't know why I lived."

Chief shrugs. "It doesn't matter why, son. The same reason any of us live, and any of us die. It doesn't matter. You have a little girl now who depends on you. She matters more than any goddamn reason -- you live for her, and your saint of a wife, and for all the people that you help. So that you can look them in the face, say you've been down in the hole that they're in now, and you know the way out."

Lorraine calls in Chief, because she absolutely picked a fight after mass that day without Ed, with Judy on her hip. Overheard Dorothy O'Malley running her mouth in the pew in front of her sounding like a national security ghoul and didn't even think before she opened her mouth and unloading the full force of her anxiety and anger on her. Only stops because she feels a gentle hand on her shoulder and Father Gordon murmuring in her ear, "Okay Mrs. Warren, you've made your point," while leading her away. It's the "Mrs. Warren" instead of the familiar "Lorraine" that jolts her back to herself, kissing Judy's head as she tries to shake herself out of it.

"Thank you," she tells Father Gordon, defeated.

He shrugs. "You don't come to confession until before Friday night prayer service. I didn't want you stewing on this all week." Pausing, he takes a moment to fondly tug on one of Judy's pig tails, making her laugh. "If Ed's not... feeling well, I know about that."

Lorraine bites her lip, knowing full and well that Father Gordon served as a chaplain in World War II. That seeing the violence of the Nazis firsthand is what convinced him that the Devil was more than a metaphor, that evil truly walked the Earth. Sent him on his own path, chasing darkness.

Lorraine nods.

"I could talk to him," Father Gordon says. "But it would likely come better from someone he served with."

When she gets home, she finds Chief's number in their phone book, and calls Brooklyn for the first and last time. He comes up the next day, and shoos her out of the house to do something for herself for the first time in months, telling her that he's more than equipped to look after a single three year old.

Ed goes back to teaching at the VA a few months after that, teaching art to the new round of mentally scarred children returning from war. He concedes to group therapy, and a few sessions with the VA psychiatrist to get something to take the edge off. He teaches at the VA until the troop withdrawals in 1970, reducing his class load as he and Lorraine take on more and more cases -- verging towards a hundred a year -- for the Catholic Church, and the media attention that comes along with that, the publicity engagements that help keep their bills paid, the articles and academic talks.

Even still, Ed occasionally brings home someone for dinner, just to make sure that they've only brought metaphorical demons home from war with them, not literal ones.

Sometimes it's literal ones.

[megafrost4]

THE CRINGE ROARING SHARK ARC

YES, SHARKS ROAR NOW...THANKS FILONI

Season 4 Episode 1: Water War

When destiny calls, the chosen have no choice

Mon Calamari 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣 I'm sorry

Shark Ambassador, a Separatist: surprise, surprise 😒

CAPTAIN ACKBAR! 🙌🙌

Ambient opera music as Tamson talks to Dooku

“I do not believe the Quarren will attack” 🙃

Tamson: ATTACK! 🤣

Ackbar: IT’S AN ATTACK! 🤣🤣🤣🤣🤣🤣

Tamson growling is…weird, but his attacks are vicious 😳 SERIOUSLY THE SHARK IS GROWLING AND ROARING LIKE A TIGER. CAN YOU IMAGINE IF REAL SHARKS MADE THOSE NOISES? CAN YOU???? 😱😱😱😱😱😱😱😱😱😱😱😱

AHSOKA! ❤️

REX! ❤️

FISTO! ❤️

Convenient that the Separatists have red beams and the Republic has blue 🤔

Fisto shirtless 🙌

Ahsoka: saves Anakin from drowning

Anakin: I had…it..under control, Snips 😒

Wheeeeeeeeee underwater coaster 🙌

Shark roars like a BEAST 😱😱😱😱😱😱

Hydroid Medusas….ooooooooh 😳😳😳😳😳😳😳😳😳😳

Green and yellow lightsabers [again, idk why I do this]

Kit: Anakin, Go! I will hold them off! ✊✊

biggest grin ever after taking one Medusa down 🙌🤣

AKBAR: HOW TO LIVE TO FIGHT ANOTHER DAY 🙃🥺😭

FILONIIIIIIIIIII

Episode 2: Gungan Attack

Only through fire is a strong sword forged

Dooku: THE WOMEN AND CHILDREN TOO! SLAVES, ALL OF THEM LE GASP

PLO! OBI-WAN! YODA! ✊✊✊

Anakin: I just hope you’re a fast swimmer 😏

Padme: says the boy from a desert planet 😎 DAMN PADME! 🙌

Padme: I think I’m getting seasick

You and me both, hon 🤢

Fisto: back so soon? 😏

Anakin: yeah, the ship had problems 😒

Fisto: I can see that 😏

The animation of that ship arriving to the planet is gorgeous 😱🙌

Dang the Gungans are taking out these Medusas like they’re nothing 😱😱😱😱😱😱😱😱

Jar Jar: Ani! Meesa so happy to see you! ☺️☺️☺️

Fisto just broke his jaw and he snapped it back like ow! 😱😱😱

OK THE SHARK GROWLING IS SO WEIRD! 😳😳😳😳😳😳😳

Lee-Char talks a little too cliché 😒😒😒😒😒😒😒😒

Filoniiiiiiiiii

Prisoners Episode 3

Crowns are inherited, kingdoms are earned

Kit Fisto: ah, eels, very dangerous 😳

Tamson: now, tell me, where is Prince Lee-ChaROAR 🤣🤣🤣🤣🤣

HE JUST BIT PADME’S HELMET WTF 😱😱😱😱😱😱😱😱

JarJar’s spit saved Padme lol 🤣

Anakin: I think I’m getting the hang of this AH! 🤣

Fisto: less talking helps 😏

Anakin: good job protecting the prince

Ahsoka: all part of the plan, Master 😎

Anakin: I was hoping you would say that

HE JUST PUT BOMBS ON FOUR PEOPLE AND BOOM! 😱😱😱😱 THIS IS A KID'S SHOW??? LOL WHEN WAS THIS EVER A KID'S SHOW?????

HIS HEAD JUST FLOATING 😳…GO PRINCE LEE-CHAR 🙌

Filoniiiiiii

[the-phoenix-heart]

what about... top five sortings u would run away from? 🤔

Edit: Oops I accidentally posted this too early!! Now it’s finished!

Oooh interesting! Hang on, lemme just send this to @missbrunettebarbie and then we'll be golden.

5. Lion Birds - My own sorting, I know that we can be can often be terrifying and intense and as such it's usually best to stay away. Lion Birds are kinda like a ticking time bomb, they start out as affable and cool, but slowly you start to realize that they're one step away from going insane and doing something like burning their teachers, trying to enact vigilante justice...buying children and raising them as soldiers only called by numbers...literally freeing the devil from his cage. They're only number five because unlike a lot of these sortings I think I could take a Lion Bird in a fight. Fight fire with fire y'know?

4. Double Birds - Double Birds are mad scientists. They're gonna do weird experiments on me to try and figure out what makes me tick and, frankly, I'm not into that. It's like the old Mickey Mouse short where the mad doctor wants to sew Pluto's head onto a chicken's body and then have the dog chicken lay an egg to see what sound a dog chicken makes (never mind that that's not how that WORKS). Anyway, yes, I would absolutely run from a Double Bird although I still think I could take them in a fight.

3. Bird Snakes - Woo, They maybe sexy, but they are absolutely terrifying. They have a tendency to know everything going on and have this unwavering confidence that keeps you creeped out. They’re total fouth wall breakers and I think if I pissed one off I would run because they could use their creepy fourth wall powers to kill me. (Wait is that guy from the Mask a Bird Snake??) Of course when it comes to Bird Snakes I’m more drawn to them then creeped out so I would simply try not to piss them off.

2. Lion Snakes - We been knew. Lion Snakes are one of the scariest signs. Blah blah blah. If I pissed off a Lion Snake I would probably run, but I would always be looking over my shoulder. They’re so good at what they do they’re inescapable. And they also tend to some weirdly good karma that bites anyone who crosses them in the ass (I think it’s authorial bias). Again, like Bird Snakes I’m more drawn to be around Lion Snakes so I just try not to piss them off.

1.Badger Snakes - Badger Snakes are CREEPY!! I’m not drawn to Badger Snakes like I am Lion and Bird Snakes (sidenote, but for some reason Double Snakes aren’t scary despite that Snake sec). Badger Snakes, unless they’re like Lucifer or ACD Sherlock or Shaggy, always seem a little fake to me and I already have a hard time getting a read on people so Badger Snakes just mess that up even more. Yes I would absolutely run from a Badger Snake I’m not ashamed to admit that, they would kill me in a cold and impersonal way and I don’t like that. If you’re gonna kill me at least be passionate about it!!

Honorable mentions go to Badger Birds, since I think unless it was the women of Badger Birds I could absolutely take them in a fight. As well as Bird Badgers, because if a Bird Badger actually got pissed off at me I would not have time to run I would simply already be dead.

[lenawin4]

vincenzo & the godfather

okay okay so from someone who has watched/rewatched The Godfather multiple times for the past seven years, it is very easy to see why I loved Vincenzo so much. The Godfather has been my favorite movie ever since I watched it, so now Vincenzo is my favorite kdrama. because I literally cannot shut up about how much Park Jae-Bum drew from it, I will proceed to just write meta about this gd show. warning for an incredibly long post, where I’ve bolded the most direct parallels. listen to this while you read it.

What is The Godfather?

Well, the IMDB summary says this:

An organized crime dynasty's aging patriarch transfers control of his clandestine empire to his reluctant son.

Which is pretty accurate. It’s a modern Greek tragedy about the son, Michael Corleone: we see his descent from a kind-hearted veteran who wants nothing to do with the family business to becoming a corrupt, cold-hearted businessman for the sake of his family and his family’s legacy. After his father, Vito, is nearly killed, a series of events leads Michael to become the new Don.

Now the main characters are:

Michael Corleone - the youngest son

Vito Corleone - the Don, or in Vincenzo terms, the Capo (both refer to the Godfather/the boss)

Sonny Corleone - the oldest son (very brash + impulsive, which is why Vito doesn’t want to hand power to him)

Fredo Corleone - the middle son (seemingly sweet + clueless, the least business-like, which is why he never gets involved in any family business)

Tom Hagen - the consigliere

The Consigliere

The first incredibly impressive characterization Vincenzo gets right is the consigliere’s ruthlessness. In the first two Godfather movies, Tom Hagen:

Cuts off the prized horse’s head to convince a man to sign a document (yes, that famous horse head scene)

Orchestrates the assassination of the head of another family and a police officer under his payroll

Convinces someone to commit suicide by indirectly threatening his family

Not only that, but Tom Hagen himself is an orphaned Irish boy, adopted into an Italian Mafia family. He’s an adopted foreigner groomed to become the capo’s/don’s right-hand-man as the consigliere. 

In the first movie, Sonny (the oldest son) is angry after his father’s attack and wants to strike back at the other family who ordered the hit immediately. Because Tom is a lawyer and has advised Vito for years now, he advises Sonny not to act so impulsively. In response, Sonny yells, “Will you just do what I tell you to do? Goddamn it, if I had a wartime consigliere, a Sicilian, I wouldn’t be in this shape!” There’s a moment when Sonny cools down, tries to backtrack what he says, before apologizing. Tom isn’t having it.

Now watch Vincenzo battle racism and an impulsive, brash, violent brother. He is a lawyer, yes, but that’s most likely what they groomed him to be after he turned to the Mafia to torture and kill his foster parents’ murderer. It probably wasn’t his choice, much like it probably wasn’t Tom’s choice, to become consigliere: it was just the only option they knew, to give back to the Family that took them in. It was for their survival in a world where they’re outnumbered and ostracized for their race, and their advice (Vincenzo criticizing Paolo for killing women and children vs. Tom criticizing Sonny’s impulsiveness) is ignored by those who still see them as outsiders, even after the Don/Capo accepted them into their families.

The New Don

OKAY SO. I didn’t think Park Jae-Bum would go ALL out on the Godfather references - I thought it would end with the first episode/how they built Vincenzo’s character to become a direct mirror to how Tom Hagen was a foreigner adopted into the family. But the conversation with Park Seok-Do to get Vincenzo to call him hyung, Seok-Do calling him Michael Corleone, and the Godfather theme playing in the background - made me go absolutely insane.

So here’s the deal about Michael. First, Michael before his father’s attempted assassination:

Is a sweet, patriotic boy who just came back from the war (WWII)

Has a girlfriend named Kay who he promises he won’t get involved with the family business

The Lighter

Then his father almost dies, and Michael is pulled into the business. He protects his father when he’s healing in the hospital against hired guns from a rival family. There’s an excellent scene analysis on Youtube (1:15) about how just one simple two second frame shows that while one of his father’s friends nervous, and yet Michael — who has, arguably, fought in a war — isn’t nervous at all, which foreshadows his level-headedness and cold cruelty when he becomes the new Don. How, you ask, do we know? WELL.

The hired bodyguard can’t seem to ignite his lighter because of his nervousness. Michael, calm and collected, takes the lighter and ignites it from him.

*distant screaming*

Vincenzo’s lighter has always been his go-to tool to calm him down, to collect himself, to prepare for war. It’s the sound that makes him think. It’s poetic that it’s also Michael’s way of telling the audience that he is ready for a war between Mafia families.

The Lovelife

So after protecting his father, Tom Hagen and Sonny are discussing how to deal with the rival family. Michael himself volunteers to murder them by shooting them at point-blank range at a restaurant. He then flees the country, after taking care of his father’s business, much like how Vincenzo leaves Italy after Fabio’s death. Michael goes to Sicily, where his father was born, while Vincenzo returns to Korea.

In Sicily, Michael falls in love and gets married to a Sicilian woman named Apollonia. Like Michael, Vincenzo returns to his roots and falls in love with a woman who supports his position as a part of a Mafia Family and accepts him. (Side note, Michael’s marriage is problematic in and of itself, he literally didn’t say a word to Kay about anything, but anyway)

However, back home, there are problems in the family: Sonny is brash and arrogant, and gets killed by the rival family. Just when Michael is informed and asked to come home, Apollonia is also killed in a car bomb. You can imagine why I was concerned for Chayoung’s life at one point of the series before I realized Park Jae-Bum was too good for that.

But here’s where Vincenzo diverges from Michael, and what makes Chayoung superior to Apollonia and Kay’s characters.

Michael goes home a changed person. Apollonia’s and his brother’s deaths are the final nails in the coffin for him: there’s no going back and not taking part in the family business. He is the only option to become the new Don. When he gets back, he gives Kay empty promises about becoming the new Don to make his father’s empire clean and stop the corruption. She believes him and agrees to marry him.

Famously, the last scene of the first movie is Michael being crowned the new Don (people kissing his hand and asking for his favor) as Kay watches from the other room before the door closes in her face. His favorite line to Kay is, “Don’t ask me about my business.” (This scene always gives me chills!!!)

While Michael starts off kind-hearted and open, someone who sees his family’s business as corrupt and unapproachable, Vincenzo is already a hybrid of Michael and Tom when we meet him. It is, as SJK said in his recent interview, an opening and softening of his character: the complete opposite of Michael’s character development.

Apollonia barely has three lines in the movie and barely has any role but to be the woman Michael falls in love with and to represent the idea of him staying in Sicily and not moving back to take over the family. She is an ideal Sicilian wife who understands how the family business works. His American girlfriend Kay, on the other hand, can never accept this Sicilian part of Michael. He shuts the door on her and never lets her in on anything that he’s doing, and eventually, Kay wants no part in the marriage, either.

Chayoung is stronger than Apollonia in that she takes the center stage of Vincenzo’s masterplan. She is allowed more agency and access into Vincenzo’s world than Kay is into Michael’s world, because Vincenzo considers her his partner, while Michael considered Kay to be his subordinate. 

The fact that Vincenzo begins as post-Sicily Michael makes the show so satisfying to watch if you’ve seen The Godfather. Vincenzo is a story where a woman gains power and respect from her Mafia partner, and a man forced into violence and ruthlessness finds someone who accepts that part of him wholeheartedly. The Godfather ultimately ends in heartbreak and tragedy, but Vincenzo’s ending is hopeful and fulfilling for both of our main leads. They have an accepting, powerful love that Michael does not have with anyone.

Betrayals by Brothers

Last one (for now)! In the second movie, Fredo betrays Michael to a rival business partner, which almost leads to his assassination. When he finds out it was him, Michael keeps him alive until their mother passes away before ordering his men to kill him. (Also by now Michael and Kay have two children who are close with Fredo so like rip childhood trauma when your father murders your uncle ahahahahah)

SO ANYWAY this part has haunted me for days. When Paolo betrays Vincenzo the second time, why doesn’t he kill him? Is he waiting for Fabio’s wife to pass away? Does Fabio even have a wife? Did Vincenzo respect her as he respected Fabio? I HAVE SO MANY QUESTIONS.

Or maybe it’s because he’s different from Michael: the second movie confirmed that Michael has become so cold-hearted that he doesn’t think of his family when he makes decisions, whether that’s killing his own brother or divorcing Kay. For Vincenzo, family is the most important thing in the world. For Michael, the Corleone family becomes just a business to run.

In other words, it goes to show that Vincenzo’s worst self-deprecating thought — that villains don’t deserve to love, because love is just an asset to them — is proven wrong for him through his love for Chayoung, the Geumga Plaza Family, and even the Cassano Family, while it is proven right for Michael.

OKAY that’s it for now. Thanks for listening. Literally if you have any questions about the Godfather let me know because I could talk about it for hours.

[shadowfromthestarlight]

A woman's name came up in polite conversation recently. She runs one of the school boards of which I have been critical of late. That board has been doing a horrible job, a complete disservice to the kids at that school.

"She's perfectly lovely," I was told by someone who knew her. "Yes, lovely," someone else agreed.

Here's the thing: I'm sure she is. I know many of these people. They're all lovely. Boards everywhere are populated with delightful, successful people who would be wonderful table partners at a dinner party. Politically, they are largely centrists.

And yet, woke perversities and the insanity of Critical Race Theory are being institutionalized on their watch.

And it's not just school boards. It's institutions of all kinds - corporations, foundations, NGOs...all of them, really. And, arguably, they are overseeing the dismantling of Western culture, of the Great Experiment.

This is not an exaggeration.

How can this be?

This is a source of some interest to me, so I decided to talk to a number of people about it. There are several factors at play.

First, about a decade ago, boards made a laudable effort to diversify themselves. In the process, they got what they asked for, which was not merely skin color diversity but opinion diversity. At least, they thought they wanted that. Or perhaps they thought their new members would smile and keep to themselves, just happy to be there.

Some of the new faces were considerably more radicalized than anyone may have realized. It's also possible they became more radicalized, as was the fashion, post Ferguson, and in particular, post George Floyd. Either way, most boards now found themselves with one or two very different voices in their midst, voices pushing for radical change.

Normally, this wouldn't matter. Boards are usually twenty or more people, and an extremist or two would easily be voted down.

But this time was different.

You see, if the extremist voices are "of color," it changes the social dynamic entirely. Remember, we are dealing with Lovely People here. Lovely People are virtuous. Lovely People don't make a fuss. Lovely People embrace diversity, and they want to be sure you know that.

So much easier to go along.

Plus, these new advocates for social justice were just so damn passionate. They pushed their agendas with vigor.

This has long been a crucial aspect of the American polity. The left cares about what it cares for more strongly than the right. They write letters to the editor, they go to town meetings. They hashtag ad infinitum. If it's Tuesday, it must be a women's march. Or a climate march. Or a food justice march. (Not kidding, it's a thing.)

Conservatives don't do these things. Or rarely, anyway. They get outworked, out hustled, and outshouted.

Many of the radical changes that have happened in our institutions also happened during the Trump administration. This is no coincidence. You see, Lovely People couldn't be seen to be Trump supporters. In places like Manhattan it was social suicide.

Lovely People didn't approve.

So, if you stood in the way of these new voices, the others would be on to your scent. They would sniff a Trumpist inside their boardroom walls.

Like I said, suicide.

There's also the matter of board...comity? No board likes dissension, and they especially don't like it when word of dissension leaks out. Group dynamics create groupthink.

But lastly, with private school boards, there has been an entirely unique factor at play. Most school board members have enrolled children. Put yourself in their place. Assuming you even had qualms about having your kids labeled "supremacists" and "oppressors," you were all too aware there could be real consequences if you resisted the New Order.

You see, the administrators and teachers were all enthusiastically on board. Stand in the way of this train and that letter of recommendation to Yale might not have the necessary adjectives.

Don't think they're above it, because they're not.

You might even have to find another school, and that's certainly a hassle, and it might not be a brand, like Dalton or Brearley, and that will be an issue next time you compare familial notes at the club. So where's Taylor now?

So, you see, if you're a Lovely Person, there's just no incentive to raise your hand, no incentive to say, "but wait."

The Lovely People don't get ahead by throwing bombs.

The problem is, progressive movements are never sated. The goal posts are always moved. The Lovely People will go along and go along until one day the revolution comes for them.

[shimmershae]

My thoughts on Episode 3--Hunted.

 Most of you lovelies already realize this, but my thoughts tend to zig and zag quite a bit, lol.  So.  To save some of you the headache and spare you from seeing spoilers you’d rather not see yet, I’m again placing them behind a cut.  

First things first.  I have totally turned into Yvette Nicole Brown with her TWD notebooks, lol, and I’m not even sorry.  I just felt like it would be fun to go back when the final episode is in the books and see how well my thoughts from these early episodes line up with what I’m feeling when we say our (not-so) final goodbyes.  

But that’s enough about that. Let’s get to this thing.  

It really is insane how very much I love Melissa McBride.  Just hearing her doing the previously on TWD recap voiceover makes me ridiculously happy.  

Cole!  Dude!  We hardly knew ya.  

Not gonna lie.  That first shot of Maggie in all the chaos reminded of a shirt I’ve seen.  It says--”Well, well, well.  If it isn’t the consequences of my actions.”  

I have to hand it to Angela and the rest of her team.  These opening scenes--on all 3 episodes--have been BOMB so far.  They really hook you in right away.  At least IMHO.  

I realize I’m behind the game on this little tidbit, but how much do I adore the fact that Dog is now in the opening credits?  

Okay.  Alexandria might look like it’s been on some kind of post-apocalyptic bender but all our girls are looking beautiful as ever.  Maybe it’s Maybelline, lol.  

I love to see Kelly and Carol still gravitating toward each other.  It really speaks to each woman’s heart.  Carol wants to make amends so badly and Kelly just has the most lovely, warm, forgiving heart.  

Carol’s point about Alexandria still needing the horses to help with the heavy lifting and pointing out the walls and rebuilding won’t matter quite as much if they’re limited by their  hunger and what they can physically lift on their own isn’t wrong.  But I’m sure the same viewers that were okay with Daryl and Co. going out on Maggie’s suicide mission (using the same reasoning) and saying it made sense for the bigger picture will pretend not to recognize that the same element is there in Carol’s desire to go out there and look for the horses.  You know.  Because it was Carol’s idea and not that of their fave(s).  

Aaron, Man.  Or maybe I should say Angela.   You just had to put a pit of dread in my belly mentioning Buttons like that.  RIP, Buttons.  You deserved better.  I’m still traumatized.  

Look at all the babies bonding.  Look at RJ getting to sit at the big kid table.  

“My mom always comes back.”  She damn well better.  Those babies need her.  Until she does, though, Uncle Daryl and Aunt Carol (and Aunt Rosita and everybody else) are going to be there.  

Anyway.  Poor RJ.  He barely ever gets any lines, lol.  

Hershel and Judith are obviously the mini-adults in this group and baby Rhee is already more cynical and jaded than his sweet daddy was until they reached Alexandria and the wheels started to come off.  

So.  Does Maggie just think everybody’s already dead here or what?  Hmm.  

You know.  Any building can be creepy AF when the lights are off and it’s dark, lol.  Any building.  

So much darkness so far this season.  I’m going to have to invest in some blackout curtains.  I just know it.  

Where are all those stairs leading?  Why am I thinking of Hitchcock?  Am I mixing up my scary, suspenseful movies?  Probably.  

Of fucking course, Maggie dropped her flashlight.  Thank goodness she had that lighter at the ready just before Ghost Face Reaper took a swipe at her.  

Is that Father G with a screwdriver impaled in his thigh?  Listen.  These people deserve a Mega Bottle of pain killers and a week just vegging out in a soft, luxurious bed.  

All these horror movie tropes.  Some of them are cheesy, yes.  But I’m totally here for it.  

LMAO.  That’s it, Maggie.  A good old punch in the nuts works every time.  

Alden really is having a terrible, horrible, no good very bad day.  

Negan is still Negan.  Self-serving and looking out for number one.  But I believe the man really does feel the group is his group too.  He’s like that long lost, sketchy uncle nobody wants to acknowledge much less invite to the dinner table, but that bond?  However thin?  Is there.  

I am both hating that Maggie is being forced to work with the man that murdered her husband (my baby Glenn) and finding it fascinating the lengths she’s willing to go to survive.  This your plan, Angela?  

Rosita and Carol!  How sad is it that the last really significant scene I can remember the two of these women sharing was way back?  Before Rick and Co. attacked Negan’s outpost and Maggie and Carol were subsequently taken?  If only the show had done more of these kind of scenes.  

How much do I love all the girls working together?  Gimps would never.  They’d all be stuck back at Alexandria minding the kids and the community.  

Shallow aside--Rosita is so pretty in this scene.  

Rosita being worried about Carol honestly makes my heart hurt, because it’s about damn time more of them actually did.  Her saying Abraham is trying to tell her something in her dreams is interesting.  Angela sure loves her dreams, doesn’t she?  

Where are Daryl’s dreams, hmm?  No.  Seriously.  I guess they want to give some viewers plausible deniability until the bitter end.  

“Really?  We’re just gonna go toward the screaming?  Cool.”  Hahaha.  You know.  Even the smart people in horror movies sometimes bite it, Negan.  Just saying.  Maggie really does need to “stop running up the staircase” when she could just run out the front door though, lol.  

Poor Duncan.  I think you could have been another Tyreese, Jerry type for me.  

WTF does this show have against horses?  Those poor creatures.  

Kelly is totally me right now.  I’d be freaking inconsolable.  

Carol needed that hug.  Thank you, Magna.  From the bottom of this tired fangirl’s heart, thank you.  

Why give us that beautiful, golden shot with the horses when you’re planning to stab us through the heart later and twist the knife.  Oh.  Yeah.  That’s exactly why.  

Oh snap!  Father G’s delivery when he tells that Reaper “I’m not.  God isn’t here anymore.”  Cold as ice.  

Judas.  That the Reapers’ work.  Or.  Damn.  Either way, that’s harsh.  

Back to what Alden was saying.  All these oprhaned children.  Who’s going to take on Adam if he dies?  That poor kid has had a rough go of it.  Knowing that, makes you wonder what Alden was thinking volunteering for the suicide mission.  

Omigosh.  There went Agatha.  Terrible way to go.  Right, Beatrice?  

I’m sobbing.  Carol with the horse.  That hurt my baby so much but she hurt herself for her family the same way she has been doing since the Prison.  Melissa Mcbride?  When she cries, I cry.  Every effin’ time.  Aaron being there just made it hurt more.  But at least someone was there to see how and really take in how she continues to break pieces of herself off to keep her family as whole and safe and happy as she can.  

Rewinding a minute--that Magna and Carol conversation.  I get Magna’s reasoning too.  I do.  But Angela is just making everything so dire right now so that the sun when Connie is ultimate found shines a ltitle brighter.  

Those babies know they’re eating horse.  I could never.  

That’s got to be a different Coco.  She’s even smaller.  But she’s gorgeous.  

Fucking finally.  Angela having the other characters notice after an eternity of being blind to it, just how much Carol sacrifices of herself for them.  It’s so long overdue and I imagine Rosita’s even more worried for Carol now.  It’s a shame it’s taken 11 seasons.  My baby’s had blood on her hands trying to keep her family safe and whole and happy and fed for a long damn time.  So heartbreaking watching her try to scrub the blood away.  

Sweet, sweet hug that Kelly gave Magna.  She’s such a sweetheart kid sis to all of them, isn’t she?  

Interesting place of refuge.  A gutted church.  A visual symbol, Angela, of where Maggie and the rest of our people are now perhaps?  

“It’s easy for you, isn’t it?  Being reckless with sombody’s life...”  Maggie.  Maggie.  Those words would have hit so much harder if we hadn’t spent the majority of the last 2.5 episodes watching you ignore sound advice just because it came out of the mouth of somebody you (justifiably) hate.  

But will Alden be there when Maggie and Negan get back?  That is the question.  Or will he eventually Lucille himself?  

That little bit of lineup Negan music to remind the audience of Negan lovers and sympathizers that he once took great pleasure in murderously swinging a bag at people’s heads was a nice, subtle touch there.  Like agree with her or not, Maggie  is literally left to rely  on the hope, however small it is, that Negan has changed just enough that he won’t try to finish a job he taken on years before--killing what’s left of her.  

Oh lawd.  Next episode sees the return of a character literally nobody asked for.  How excited am I not?  

Dog better not be harmed or so help me.  

Now for Angela’s weekly explanations of WTF she/there were thinking because they been doing this plausible deniability thing so long some people out there watching with biased, muddy stan glasses can no longer separate head canon from canon.  

Is Maggie worried at all about Daryl or does she just assume his superhero powers are in full effect in this episode?  

“You can’t really say it wasn’t going to happen anyway.”  Not Angela pointing out that simply laying the blame for literally everything bad that ever happens at Carol’s feet isn’t the answer.  Say it louder for those in the back.  Alpha was going to do what Alpha wanted to do.  

“There is love there.  There is respect there.  However, there’s also frustration...”  You damn skippy.  Friendships and human relationships are complex AF.  Like Carol. She’s honestly one of the most complicated characters on this show and any show, IMHO.  That’s what makes her so memorable and such a lightning rod for discussion.  

I know I might be in a minority, but I really feel like they need more of those little scenes between the kids to keep things real.  

Kang saying she always feels like she’s going to get murdered in a staircase or parking lot is relatable, funny, and sad all at the same time.  It’s a girl thing.  

Why is Carol’s story giving me Dark Knight vibes?  Like I feel like she’ll gladly shoulder the burden of their distrust, their hate, or their judgment as long as the hard choices she makes keeps them safe.  And she’s still ultimately going to come back to save their asses even when they forsake her.  Just like Bruce Wayne/Batman.  Am I reaching too far, lol?  Because sometimes I do that.  

Anyway.  This is the third episode of the season and the third episode in a row that I mostly enjoyed.  I don’t know if I’m just so relieved and happy to have all the characters and my show back or what, but overall?  I’ve been pleased with the episodes and found something to love in all of them.  

There’s a much stronger horror vibe woven throughout Season 11 so far.  I feel like it’s a return to the roots of the show and I like that.  Literally none of the characters are making perfect choices and this viewer is here for it.  My only complaint so far is there hasn’t been enough Carol but what we’ve been given has felt like a gift and significant in a way that Gimps’ version was not.  Also?  I really hope the trend of the ladies working together and supporting each other continues because they rule the TWD world, lol.  

Hope you enjoyed at least some of my TWD word vomit.  

Until next episode.  

[darisu-chan]

Tbh I’m tired of listening about R*wling

Like, obviously it sucked she got doxxed and people shouldn’t come after her family. But I doubt actual trans people have been attacking her

I do think she poses a threat to trans people and that the language we use to talk about sexual assault should change. Cis women can totally r*pe other cis women and even cis men. You don’t need a penis to do it. Cis men don’t always use their penis for r*pe either, and have been known to use items such as glass bottles in brutal attacks. But even if there’s no penetration, the act of forcing someone to have sex with you should be considered assault everywhere.

Now, if we remove the penis factor, that means that anyone in the world could, potentially, be a rapist. And that’s true. It doesn’t have to do with your biological sex. Or even your age. Abused children often abuse other children. It has to do with other issues relating to how you were raised and it’s about power. Obviously when cis men who abuse cis women or people they perceive as women, it’s because of misogyny. But straight cis men have also been known to abuse gay cis men. Why? Not because they’re attracted to them. It’s a way to hurt them because of homophobia. It’s about power. About having the power to hurt, among other things, like seeing people as objects and the like. But again, cis women have sexually assaulted other people of any gender and any age. Maybe it’s less prevalent but it happens and we need to talk about it. We need to remove the idea that only those with penises are potential r*pists and accept anyone can be one.

Sure. Ok. There have been trans people accused of r*pe. But it’s idiotic to think every single trans person is an abuser. The same way we cannot think every single cis man is an abuser. And radfems do think this way. Don’t @ me I know because I used to follow several feminist pages and groups and the ones who were proudly radfem 100% believed every man was an abuser and that women shouldn’t be in relationships with them. I left every single one of those groups because of that and their transphobia. Was even called names and attacked when I didn’t agree. So much for sorority. But my point is that just assuming a person is an abuser because they have a penis Is an awful thing to think. And it’s counterproductive. We cannot treat every individual like a time bomb. We need to educate people. We need to do better. We need to learn how to live without hate. To treat others with justice and respect. Not accuse people of crimes just because of their genitalia.

R*wling and people like them are exhausting. Trans women are not my enemies. Cis Men aren’t my enemies either. The system which protects those who commit awful crimes is my enemy. The lack of consequences for those in power, the cover-ups, the way we educate children to believe some are superior because of their race, gender, age, social status, etc is my enemy. Stop pretending gender is the only reason for sexual assault. Stop reducing it to gender only. To your biological sex. It’s more complex and more deep rooted in society than we want to admit.

If you want to stop r*pe, instead of going on and on about gender, do something productive and demand sexual assault cases are taken seriously, work with authorities to make r*pe include more cases than only penetration (again, cis men who have assaulted cis women not always penetrate them with things). Demand greater punishment for r*pists. Help survivors. Educate your children so they won’t abuse others. Denounce r*pists. This is more productive than going on a tangent of poor me, and men suck, and hating on trans people who have done literally nothing to you.