Saw Back to Black (2024) tonight and I'm not going to lie to y'all. I actually quite enjoyed it like it was a decent film- not at all perfect and the most accurate or like. y'know. thing in the world obviously but I actually found it enjoyable for the most part
Also I saw it with my mum and she was sobbing literally five minutes in during that Fly Me To the Moon section
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Now that I know more about writing, I'm upset at all the writing advice that urged new writers to find the one best way to write stories, when they should be telling us to play with writing techniques like toys.
Don't tell us to avoid certain points of view! Don't box us into the one currently popular prose style! Let us play and see what effects different techniques achieve, so we can learn the best ways to make use of them! Give us a whole ton of possibility instead of one cookie-cutter template!
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holy shit i think i found a way to wriet (fake) commas in tags
‚
↑this thing, it looks exactly like a comma (a tiny bit smaller actually)
its called a "Single Low-9 Quotation Mark" (wut) and you can copy it and use it in tags and pretend it is a regular comma
(its very annoying to use bc u cant type it normally but its fun and probably no one knows about it)
(also i made a little script that can count posts and it says you've posted 243 times today so id assume youve already been post limited so let this ask taunt you for eternity (one day) >:333333)
WHAT AOH MY GOF HELLO ????? bro took one for the team and actually found this out ???? you have saved my life [i cannot write for shit without commas 🔥🔥]
YES I WAS POST LIMITED YESTERDAY 🙁🙁 literally dawg tumblr hates to see a queer loser living its life [doing nothing all day] 💔
idk about on ios but if you use android [im hoping all android phones ??] you can make a text shortcut thingy and have some shi like "comma" in the short ver and then that can autoreplace to the Single Low-9 Quotation Mark :333
THANK YOU FOR SAVING MY LIFE ????
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2023 reads
The Siren The Song and the Spy
sequel to The Mermaid The Witch and The Sea following many new & background characters
allies from across the seas are coming together to fight against the empire once and for all
two siblings from a community who’ve held back colonisation until now, and the rich girl who washes up on their shore after a shipwreck, a pirate spy in the capital, and various others
and the Sea and her daughters, the mermaids, and creatures who want to fight back
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I watched Rebel Moon: Part One – A Child of Fire and… it really doesn’t deserve the torrent of hatred I’ve seen it receive online.
It’s not a perfect movie, sure, but I’d say it’s an honest one; I feel like I saw exactly what I was told I would get. Even though it doesn’t have the most original story, it’s not bad, and it already has a very dense (but easily digestible) lore, as well as many creative and original designs. Plus, this was only Part One, and they said a longer, R-rated version would also be released at some point, so we’ve only seen maybe one-third of the story…
Creating an entirely new fictional universe that, although it’s inspired by many others (and this was never hidden), isn’t part of an existing franchise with an established lore, is hard and ambitious, and the film was clearly made with care and passion, so I for one welcome the effort.
Rebel Moon has potential, and I want to see more of it. When Part 2, The Scargiver, releases, I will be there!
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I just read a goodreads book review that made me angrier than any inconsequential thing has made me in a WHILE. I loved the book, and I'm not a good critic of novels (or anything); I'm decent at analysis to be fair, but I like a read or I don't (on a spectrum of course).
But good goddamn, this review reeked with pretension and was written like the most unbearable food or music critic's diatribes. Adult character is lost in life, makes stupid choices out of grief/running away from issues/thinking distance from community will help/doesn't act logically as a character in a horror plot? Childish and not very bright! A large bustling family coming together for a major cultural and spiritual threat and asking the same damn questions over and over again, repeating the same arguments, etc.? Tiresome and muddled! Bro is your family (bio or chosen) totally chill? Have you never at least seen (in media or in others' lives) annoying family members beating dead horses for days on end out of concern and love and lack of knowing how else to help???
Dude I dunno, it just felt like legitimate criticisms one might have if they dislike a book or parts of its structure, but then those criticisms were a molehill buried beneath a mountain of hating some super fuckin' flawed characters making wild and awful choices in a time of grief and isolation. Screaming!!!!
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also more odds & ends orville info & more not Not orville/phil info as well:
"In Steinkellner’s version of Summer Stock, Jane Falbury (Danielle Wade) and “Pop,” her father (Stephen Lee Anderson), are struggling to hang on to the family farm. Their farm is one of the few in the Connecticut River Valley that hasn’t been absorbed by the Wingates, whose holdings completely surround theirs.
The widow Margaret Wingate (Veanne Cox), whom son Orville (Will Roland) aptly describes as having eyes “as cold as death itself,” plans to absorb the Falbury farm by the simple expedient of having Orville marry Jane. After all the two kids had decided they were engaged in first grade!
Enter the prodigal younger sister Gloria (Arianna Rosario) who has been seduced by the lure of the Great White Way. She returns to the farm bringing along Joe Ross (Corbin Bleu in the Gene Kelly role), the director of the show that will make her a star, its composer Phil Filmore (Gilbert L. Bailey II), and the entire company. She has generously offered the company, which can’t afford rehearsal space in New York, the use of the family farm’s barn. Sister Jane reluctantly agrees to the intrusion with the proviso that the thespians will double as farm hands.
As rehearsals progress, Phil discovers that Orville, a bit of a doormat who has been raised with the understanding that he will never have to work, is a musical wunderkind. He is enlisted to work his magic on the show’s score and begins to blossom.
Widow Wingate takes umbrage with all this and vows to shut the enterprise down. Fortunately, the cold embers in her soul are stirred to renewed life by her encounter with Montgomery Leach (J. Anthony Crane), the has-been ham enlisted to give Ross’s show some cachet, so all might not be lost.
[...]
They make this Summer Stock a veritable feast of nostalgia. I was especially taken by the amusing way Steinkellner used Jackie Gleason’s theme song “Always” to further widow Wingate’s plot to get Jane and Orville hitched.
[...]
Orville, who has found personal liberation in show biz, is accorded a moment that reminded me of a similar scene in the musical version of The Producers. In a triumphant declaration of his emergence from under his mother’s thumb he exults, “I’m in the theatre! And I love it!” The audience loved it, too.
[...]
As director, Feore has elicited some wonderful performances, especially from subsidiary characters. Veanne Cox is splendid as Margaret Wingate as is J. Anthony Crane as Montgomery Leach, the faded matinee idol. Will Roland (Orville) and Gilbert L. Bailey II (Phil) both have wonderful moments and their intense professional friendship is one of the show’s highlights."
INTENSE PROFESSIONAL FRIENDSHIP you say....and also ofc everything about orville and wanting to be a musician and being in the theatre and he loves it sounds so good. i love it
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