#so it takes away from the scare

[ashtonisvibing]

7) Have you ever been to a corn maze?

10) Favorite horror movie?

24) What’s a perfect name for a black cat?

-pxppet <3

7) i have! i don't remember what year it was, but i'm pretty sure for an after school program i was a part of we got to go to a corn maze instead of doing school work. so y'know, t'was pretty fun :}

10) um... probably halloween? i dunno, i'm not big on horror movies admittedly, so there's not many i really like. much prefer watching someone talk about/play a horror game.

24) jiji, named after the black cat from kiki's delivery service. or maybe that's just cuz of my personal plan to one day own both a calico cat and a black cat, who shall be named juno and jiji :}}}

[assiraphales]

one of the funniest things is during all nine episodes luffy did not actively have one single plan except "become the worlds greatest pirate and find the one piece". he spent at max a month? less? at sea and everything he accomplished (taking down FOUR feared pirates in like a week, stealing the grand line map, finding a faithful and loyal crew, getting a bounty of 30 million on his head, etc) was mostly by accident. he stumbles into trouble and then proceeds to become the trouble

[kana7o]

at council meetings

[jorrated]

always wondered what STC would've been like if instead of just making Eggman evil on a single event, it kinda jumbled his brain a lot and make him have brief moments of lucidity as Kintobor. give him the ice king treatment ya know

[uncanny-tranny]

I just heard this ad that says therapy is just "learning how to love yourself," and quite honestly, I disagree with that sentiment. I think it puts uneeded pressure on people to "love themselves."

I don't think you need to love yourself to benefit from therapy, and therapy shouldn't just be "learning to love yourself." It certainly is beneficial for some people to learn skills that we call self-love, like setting boundaries, hygiene that works for you, eating full and balanced meals that you enjoy, for instance, but that doesn't need to include this air of being in love with yourself.

I think therapy is about learning how to live with yourself. You don't have to love your flatmates (for example), but you often respect them as people. So, you'll clean up after yourself, and you'll communicate with them, and you'll even make small talk with them. That's kind of how I see therapy. You don't have to love yourself, but you often need to learn how to respect yourself, and I think those are slightly different things.

[wispscribbles]

When I finish my ghoap Christmas oneshot that I started way back in start December, and have been struggling with since, then it’s over for you fools 🎅

[add1ctedt0you]

Jin Ling, protecting his uncles

[carnivalcarriondiscarded]

everybody stay with me im shifting back into speculation & analyzing mode, this time about everybody's favorite pair of besties. ill put this under the cut for everyone's sakes

and please, take all of this with a Hefty grain of salt.

so ive been... thinking about a thing. a maybe-possibility. which if this has some merit, the part of me that loves characters having a good time and feeling good feels is screaming in fear. but the louder part of me that loves angst and hurting characters is rubbing its little fly hands together.

short version: i think Barnaby is going to emotionally distance from Wally, if not outright grow to resent him. maybe temporarily, maybe not.

full version: *cracks knuckles* strap in folks. so.

first of all, an entire chunk of Barnaby's bio is dedicated to his character relation to Wally. everyone else only has one-off lines dedicated to their relationships to other neighbors - even Frank & Julie just have single sentences about each other (note that they're described as "partnered with" and "depicted with" respectively. more on that soon). even Wally's bio has his Barnaby mention tacked onto the end of his first paragraph instead of being its own dedicated section

and then there's their character designs - their bios explicitly point out that they share characteristics; color schemes, hearts on their soles, similar outfits.

they were made to be best friends. literally. this quote is what made me start turning this theory over in my mind (sourced from @ /theneighborhoodwatch's collected & absolutely fascinating livestream trivia)

it appears that Barnaby literally did not have a say in whether or not he and Wally are friends. their bios even say "illustrated pages note that they were best friends multiple times." they have to be best friends.

which brings us back to Frank & Julie. they briefly reference each other in their bios, but they aren't described as best friends. it's incredibly likely that they were meant to be a romantic couple - i briefly covered that theory in this post (dont read the first one i was going insane) but they managed to avoid that. Frank and Julie defied the script and chose to be best friends instead.

and then in the trivia document a few more character relationships are briefly touched on, like how Howdy considers Barnaby a close friend, and Sally considers either Barnaby or Poppy as her closest friend, etc.

everyone else seems to be choosing who they're close with. they're forming their own opinions and dynamics and relationships. & its interesting that Barnaby is stated for both of these - as if implying that he may return the friendship feelings, or at the very least he's developed enough of a relationship with them to earn their affection

Barnaby and Wally... i doubt they ever got that. they were best friends from the start, no development, no choice. it's written into them.

and then there's how their relationship has been portrayed so far. i believe i saw an ask where Clown stated that Barnaby is very polite to Wally, which struck me as odd. have you ever had a polite relationship to your best friend? have you ever seen best friends be polite? i'd be surprised!

best friends mess with each other! they tease and rib and roast! what is a best friend for if not mutual tomfuckery?! jesting around? playfully pushing boundaries? a Polite best friendship... that's a straight up oxymoron. no such thing. that sounds boring and exhausting.

not only that, but the fact that Barnaby is often used for Wally's painting segments, and is the go-to guy for teaching Wally something new, is kind of concerning. it gives me the vibe that a big part of Barnaby's literal reason for existing is to be Wally's friend & guide.

which would make the fact of him being described as polite to Wally make sense. of course he's not going to push their relationship or try to deepen it - he's forming his own dynamics with the other neighbors. with Wally... it's already established. that is how they are with each other. that is what they are to each other.

and it's not like Wally can be the one to introduce nuances. i don't mean that as a slight or anything - he's just the way he's been described and the things stated about him that make me think that he wouldn't really... know how to? it just wouldn't occur to him. he probably thinks his and Barnaby's relationship is what a best friendship is and is how it should be.

but they have to hang out. they have to refer to each other as best friends. and while i believe that Wally does wholeheartedly think that they're best friends, close as can be... i doubt Barnaby feels the same. like - yes, he probably does care about Wally. everybody likes Wally.

but it's gotta be frustrating for Barnaby, especially as time goes on and he becomes more himself as a person over just being a character playing a part. it probably stunts his relationship growth with others, since his ~best friend spot~ is already taken and who would want to encroach on that? especially since its taken by Wally mcfuckin Darling?

their friendship might become less of a role and more of a responsibility. Barnaby might grow to feel obligated to stick with Wally as his "best friend". someone invites Barnaby to hang out and/or help with something? sorry, he has to pose for Wally's painting. Barnaby is trying to do his own thing? sorry, Wally is knocking on the door and asking for help with something.

i wonder if Barnaby ever hopes that Wally will go to someone else, or feels relief when he does. and then does he feel irritation/guilt over that denied hope or that granted relief? then does he get angry at himself for those emotions?

how would this effect how he treats Wally and acts around him? this confusing muddle of emotions and this strange growing resentment for his painfully earnest friend who only ever means well, if he means at all.

it makes me curious whether or not this theory has merit. and how this could come to a head. what would Barnaby, in this situation, do if/when he discovers that they're puppets on a set, and he's literally written to be Wally's bestie while everyone else changed their scripts and chose their own relationships.

personally, i don't think he'd be happy, and i doubt he'd handle it well.

[core-cosmos]

I think one of my personal favorite Glenn tidbits is one that I don’t think some people have heard before.

When they went back and did talking dads for the first 7 episodes after the end of season 1 (I think it’s from ep 6 or 7) they talked about character creation and how you come up with the ideas for a character. They bring up this idea from a book that you first come up with what a character likes, what they hate, and what they want more than anything.

They then decided to do a retrospective one of these for their s1 characters. When it came around to Freddie the first 2 we’re pretty self explanatory, basically boiling down to like: weed and freedom dislikes: rules and the man.

That third question though

What Glenn wants more than anything in the world?

Is for everything to stay exactly the way it is.

And that, I think, is one of the most important parts in understanding Glenn

[ask-the-totally-real-peppino]

don't answer if you don't wanna pep, but who else do you wish could have seen it?

Pep: "Em ekil... Srehto eht... Yeht..."

"I'll be seeing you In every lovely summer's day In everything that's light and gay I'll always think of you that way I'll find you In the morning sun And when the night is new I'll be looking at the moon But I'll be seeing you~

Pep: "Lla meht naht reggib tol a saw I. Deracs erew tsom kniht I. Airezzip ym morf yawa deyats srehto eht fo tsom. Tsrif ta enola saw I, rebmemer nac I sa raf sa."

Pep: "Emit revo wef a fo tsurt eht denrae I tub."

Pep: "Rehtegot yalp d'ew. Rehtegot tae d'ew. Rehtegot peels d'ew. Ecin saw ti."

Pep: "Meht tcetorp dluow I."

Pep: "Deneppah thgif eht neht dna."

Pep: "Hcum rebmemer t'nod I. Yrgna os saw I."

Pep: "Enog. Erew yeht, sesnes ym ot emac I nehw tub..."

Pep: "Enog tsuj. Meht fo lla... Meht fo yna dnif t'ndluoc I."

Pep: "Em ekat. Ti tel tsuj ot gniog saw I, llaf ot detrats rewot eht nehw..."

Pep: "Meht tuohtiw tniop eht eb dluow tahw...?"

Pep: "Mih fo ypoc evitcefed a gnieb ecnetsixe ym etipsed dna hguorht tnew eh lla etipsed em devas Onippep tub."

Pep: "Oot tuo tog yeht epoh I... Oot tuo tog yeht ebyam dna..."

Pep: "Sesimorp ym peek ot deliaf I fi wonk ot deracs. Si hturt eht tahw fo deracs. Deracs. M'I tub, hcraes ot deirt ev'I..."

Pep: "Dna ssarg eht dna-a yks eht ees ot teg yeht sepoh em fo trap tub-!"

Pep: *sobbing*

[puhpandas]

Rabbit Burrow

(3,785 words) Part 1 (part 2 found here)

Tony Becker, one year after surviving the attack from GGY, tracks down Gregory post-SB. But he has to get through Vanessa before he can get to Gregory.

Tony likes to think his detective skills are pretty good. So when he swings a leg over the seat of his bike and wheels it near the entrance, he hopes it's the right place.

He'd tracked down Gregory to this apartment complex somewhere in Gale county. It's still in Hurricane, and Tony had been able to reach it with just a bus ride. The apartment is somewhat run-down, but clean enough to where you can tell it's well kept, just old. The air conditioning units he passes on the way to the front door are brand new.

He'd taken the closest bus to Gale county right after school let out. He'd been restless all day up until finally acting on his findings. Tony has been searching for Gregory for a year. Finally finding something and having to wait for his middle school day to end was agonizing. He just hopes his Mom and Grandma wont be too mad at him.

He'd wrestled his bike he'd ridden to school that day discreetly onto the bus and wedged it in-between his legs and the seat in front of him. The air had been humid and thick all day with the signs of a storm, and Tony had seen the dark clouds and heard the thunder peeking over the treeline outside the bus window on the way here. He ducks inside the front door and beats the rain by seconds.

"Can I help you?" The receptionist asks him, giving him a weird look when he steps inside. Shes a lady with long, styled black hair and covered in jewelry. Tony tries not to look too suspicious as he sends her a polite smile, heading to the elevator on the wall to the left. He would also be wary if someone he'd never seen walked into a resident building.

"Just seeing an old friend." He tells her. He presses the button to the third floor and tries to break her gaze by stepping behind the closing doors. The elevator shakes a bit before moving up.

He tries to take a deep breath. Theres some kind of excitement floating around in his chest at the fact that he's done it, but he pushes it down, lowering his expectations.

Despite his theories, he really has no clue what to expect. Theres some sort of worry mixing with the excitement, and all he decides is that if he escaped once, he can do it again.

It both took too long and not fast enough when he finally reaches the third floor. He double checks his crumpled sheet of notebook paper in his hand once, then a second time, something nervous but anticipating thrumming in his veins.

He steps onto the beige carpet of the long hallway, fresh vacuum marks in it, and follows the number plates by each door before coming to a stop near the middle of the hall.

3-05 The plate reads back to him. He quadruple checks his paper again. Its right.

He sighs out deeply, not even realizing he was holding his breath. Despite himself, his brows crease ever so slightly.

He shakes it away, pushing past it. Maybe digging too deep is what got him into trouble before, but its different now. Tony... Tony's learned things during his search for Gregorys location. If there was any point during his investigation that he would call digging too deep, it would have been months earlier from now.

Besides. Tony has always been bad at staving off his curiosity.

He thunks his knuckles on the white wood of the door quickly after that, three times in succession. He kind of bluescreens for a second when he realizes what he just did, then shakes it off. Waiting with wide eyes at the door, watching for a rattling of a doorknob or listening for incoming footsteps.

Nothing. He waits a few more minutes before knocking again, this time a little louder and harder.

Tony perks up when footsteps finally near the door, and his lips part prematurely when the doorknob rattles, not even put-together words yet on his tongue. They fall away immediately when a woman with blonde hair pulled back in a ponytail opens the door, one of those chain locks keeping it open maximum of three inches. "Hello?"

He stutters for a moment, words lost on his tongue, before he clears his throat, putting on a polite smile. "Hi, there." He says. "Um. Who are you?"

"I should be asking you that, kid." The woman raises a brow at him, never opening the door more than the chain lock allows it. She peers at him through the gap, and Tony tries as discreetly as possible to look past her head and shoulder into the apartment itself. "What are you doing here?"

When he looks back, shes still looking at him in a way Tony can only describe as cautious. The light in the hallway on the ceiling is flickering, and it casts split second shadows on the womans face that makes the bags under her eyes that much more prominent and her face that much more intimidating. "Well?"

Tony realizes he hasnt answered, and coughs slighty. "Oh. Sorry." He says, reluctant to continue. "I'm... I'm looking for Gregory."

Tony watches intensely to see if the name rings a bell or catches her attention. Just as he expects, her face twists ever so slightly in recognition. Tony catches something adjacent to panic or fear in her eyes until it's gone not half a second later.

"Who's asking?" She asks eventually, voice carefully even after a what appeared to Tony to be a mini conundrum in her head.

"His friend." He answers honestly. He ducks his head when the woman scrutinizes him, looking almost angry, but restrained enough to not show it. "I mean it," He says earnestly. "he and I... we were best friends. Last year. I came here to look for him."

Her eyes widen ever so slightly at that, and she studies him, eyes flicking back and forth over his face and his clothes and his hair. Tony doesnt miss the way her eyes linger for a millisecond on his scars. Its silent in the hall save for the two looking at eachother, and the buzzing of the flickering light on the ceiling is enough to save him from hearing his own heartbeat.

"Okay." She says eventually, and Tony subconsciously feels himself sag a bit at the relief that he won't turned away right as he was this close. She shuts the door without a word, and all Tony can do is stare at the peeling landlord white paint on the door as the sounds of the woman unlatching the multiple locks on the other side reach his ears. He waits patiently, until she cracks the door open not much wider than it had been with the lock, but just enough to fit his body in. "Come in. But no word to anyone. Got it?"

About what? Tony's about to ask, but then he steps through the door and the words die on his tongue.

"Oh." He says outwardly when Glamrock Freddy Fazbear sits on the couch. His body is adjacent to the patchwork quilt Tony has on his bed that his Grandma made him, and any of the makeup he had been painted with has long since scratched off.

His eyes are shut, and theres two jump cables attached to his ears that are plugged into a portable something. He doesn't so much as twitch when Tony enters the room.

The woman gives him a look after she re-locks only the deadbolt behind him and passes him into the apartment. "Oh." He repeats. "Not a word."

She nods at him, and it's only now that Tony can see the rest of her that isnt just her face. Shes in her twenties, if he had to guess, and she has a white tank top on with some sort of stain near the collar along with Hello Kitty fleece pajama pants. Her socks are mismatched and her nails are painted a purple color that could rival the deep bags under her eyes.

She collapses into an armchair (which hes pretty sure has a mismatched leg attached to it half-hazardously) and only looks at him silently as he steps further into the house, not so discreetly angling his body to get a peek past walls and open doors across the house.

Shes about to speak when Tony does first, "Wheres Greg?" He asks straight up. "Can I see him?"

Her lips twitch, and she just leans further back into the chair. The TV is playing some sort of Spring baking show, and the droning of the host mixes with the pattering of the rain on the window on the wall by the TV.

Anticipation and impatient-ness buzzes under his skin at being right here, and this woman undoubtedly knowing Gregory certainly doesnt help.

She only hesitates for a moment, but Tony can see the influx of thoughts that undoubtedly ran through her mind. She opens her mouth, taking a slow breath, before, "At school."

"He goes to school?" Tony gasps slightly, eyes widening. He moves to the couch, toeing past Freddy Fazbear as to not touch him even with just a brush of his jeans before sitting down, facing her. "What school?"

"He goes to Raindrop." The woman tells him, seemingly not hesitating this time.

It doesn't ring a bell, but it must be a middle school in Gale county. "...I go to Hailstorm." Tony says. "We both did. Or used to."

She stares at him after that, fingers drumming on the arm of her chair. She says nothing, just scrutinizing him, before, "You sure have a lot of cryptic ways of telling me how you used to know Gregory."

He wants to apologize, because it seems like what to do in response to that statement, but for some reason, that feeling in his gut he's learned to trust as his Detective sense tells him that he shouldn't.

Shes still looking at him intensely, and the rain outside pattering on the window somehow feels louder. There's some thunder outside that rumbles the floor, and the lighting casts a shadow on the living room. A few white lines across the coffee table caused by the blinds covering the window.

Her face doesnt so much as twitch, he notices, and she doesn't blink when she looks at him. Her green eyes bore into him, almost glowing in the shadow cast beneath her bangs. It reminds him of how he'd done to her not minutes ago. What he does to people he wants to analyze. To see how they react to something.

That's what shes waiting for, he realizes. He has a feeling that if he doesnt match her cryptic bluntness and instead apologizes and caves that easily, that it will somehow result in her turning him away.

Theres a glint in her eye when he becomes aware of reality again enough to look, and he thinks she somehow just came to the conclusion that Tony figured it out.

Then, he tries to sit up a bit straighter, and muster up that same glint mirroring back at him. "You sure have a cryptic way of letting me know you dont trust me."

Her mouth twitches slightly, but its all Tony needs to know he'd guessed correctly.

Its silent for a moment, and the woman grabs the remote on the next arm over and pauses the baking show she'd been watching. She shifts in the red velvet seat, as if getting comfortable, before, "Tell me how you know Gregory, and I'll tell you how I know him."

He has a feeling he isnt getting to Gregory unless he gets through this woman first, so he clears his throat, leaning his forearms on his knees.

"Me and Gregory met early last year at the beginning of the school year." He begins. "Right after summer ended in August. He was the new kid, and he sat at our table at lunch since it was mostly empty. Me and my friend arent the most popular, so there was room to spare."

She waves a hand, signaling him to stop. "Your friend?" She asks. He nods. "How many of there were you?"

"...Just me and E-- my friend." He says. "There were two of us, and when Greg sat at our table, we remembered how he looked a little lost earlier in class and we introduced ourselves. Then we just... clicked, I guess. He would partner with us in creative writing."

"Writing, huh?" She smiles slightly.

"Yeah." He replies. "Then, it was just business as usual for the months afterwards." He pauses, fidgeting with the hem of his jacket he loves so much that reminds him of the trenchcoats big city investigators wear. "Then... I had gotten wrapped up in this mystery."

She shifts, crossing a leg over the over and holding her hands together. "A mystery?"

Tony nods, remembering it like it was yesterday. He thumbs the part of arm where a scar is on his arm that his jacket covers. "The three of us would always go to the arcade in the Pizzaplex." He tells her. "And one day, I noticed high scores that seemed impossible to reach, and I became obsessed with solving who it was who had gotten there."

Tony thinks hes very good at reading people. So he doesn't think it's just his imagination when the woman in front of him goes a little rigid in her seat.

Theres some sort of creases under her eyes, Tony notices, that weren't there before.

"What did you do?" She asks.

Tony has a feeling that she somehow knows already. So he doesnt beat around the bush.

"I solved the mystery, eventually." Tony says. "Because GGY had been Gregory, and he'd invited me to the Pizzaplex and tried to kill me."

She sags a bit, looking somehow infinitely more tired, but no surprise detected. "But you survived."

"Not..." He shakes his head, picking at the skin by his fingernails. "I wouldn't have. If not for Greg saving me."

"Huh?"

"He--" Tony searches for the words, looking at the carpet between his knees and remembering that afternoon in every vivid detail he'd looked over countless times before. "He'd tried to kill me, yeah, but... he was almost fighting himself as he did it. He was like having a fistfight with himself."

He doesn't look up at her, he just keeps remembering how Gregory had gone rigid right before plunging the knife into Tony's gut a second time and stopped himself. How it had looked like somebody yanked Gregory backwards, but it had been his own self throwing his body. Just so he didnt hurt Tony again.

"He looked like he was a malfunctioning robot." He recalls. "He was like, hitting himself, and was making noises like he was fighting something. I was too frozen to move at the time, but then he threw me a really high security pass for the Pizzaplex and told me to run."

Then he had collapsed in front of him, like he was holding himself down. He doesn't tell the woman, though.

He looks back up to see her staring, eyes wide in suprise. She looks deep in thought for all but a few moments before shaking herself out of it. "So what did you do?"

"I ran." Tony says. "He had got me already. He stabbed me in the back, the first time. That was how I knew he was attacking me in the first place. But I ran away with the pass, and I went to a room with a ton of monitors and erased the security footage."

Her eyes blow wide as saucers, that time. "You got stabbed," she begins. "and instead of getting help, you erase the security footage?"

"Yeah." Tony nods. "Greg would have gotten in trouble if I didnt."

She's silent, after that. Tony just keeps picking at the skin on his fingers. "I somehow knew that Gregory didnt deserve to be. He just..." Tony trails off. "He didnt seem..."

"Seem like himself?" She suddenly cuts in, and Tony's eyes widen.

He nods, a small tilt of his head, and the woman sighs. "That's what being mind controlled will do to you."

A year ago, probably longer by now, Tony would have never believed that. He would have never thought something so outlandish that is only ever shown in fiction could be a possibility.

Not that he was wrong, to. Really, anyone in their right mind wouldnt think so. But things have changed since then.

And Tony has seen a lot of things during his search that probably nobody else has. Plus, This woman has been so cryptic up to this point. If she told him this straight up, and it's clear that she knows Gregory...

Suddenly, everything that day seems to make perfect sense. And everything he'd found that he'd filed away into his little mental Gregory crazy wall.

(He'd used to call it evidence wall, like normal people do. But, well, at some point, maybe Tony had thought the things he'd been finding were a bit too crazy to deem as normal.)

Theres been a stretch of silence while Tony had been taking that in, and he only breaks it to say, "Is mind control a topic you're familiar with in this house?"

Her eye twitches, a bit. And now that Tony is looking for it, he notices that same strange sheen on her eyes that Gregory had during their friendship. That weird red tinted film that makes their eyes turn a completely different color when the light hits them right.

Tony doesnt yet understand how the mind control Gregory had been under works, but all he can hope is that there are some side effects.

She stares at him, eyes narrow, and theres another roar of thunder outside the window.

"Who are you?"

"Tony." He answers. "Tony Becker. Ring a bell?"

She hums, and she looks at him in a way where he feels like he's being dissected.

"He didnt remember anything for a while." She says eventually. "But hes been having dreams, lately. Sometimes he talks about two kids he used to be friends with."

"Me and Ellis." Tony's eyes widen. It doesn't even occur to him that he shouldn't share Ellis's name.

"He worries about you." She says. "I've heard him say he hopes you're okay. You and that other kid. You must have been close if he remembers being that good of friends with the two of you."

"We were." Tony replies. Memories of him, Ellis, and Greg going to the Pizzaplex and trying to get the most dunks in the basketball hoops flash in his mind. He thinks about when Gregory would come over to Tony's little run down house that he shares with his Grandma, and they write graphic novels together for the fun of it.

Gregory liked to call them comics before he'd suddenly decided that stuff wasnt cool anymore and stopped coming over. It had been like everything Tony saw him enjoy that wasnt painfully average for a child suddenly didn't mean anything to him anymore.

And then Gregory tried to kill him in a dusty back room.

Everything hed given up seems to make more sense now. It wasnt willingly at all.

"He doesn't remember your names." She speaks up suddenly, ripping Tony out of his thoughts. "But he remembers more and more every time he has a dream. Something reminded him of you one day, I guess. That must have been when it started."

Tony opens his mouth, but the beeping of a digital clock interrupts him. He follows the womans arm as it reaches across the seat to turn it off.

The time reads 5:00pm.

He watches as she looks over at him, and nods to the door. "After school activity." She informs him, getting up out of the seat. His eyes follow her as she moves towards the front door. "I'm his ride."

Tony's eyes widen at the implications. "So I just--"

"Stay here." She tells him. She grabs a flannel off of the small coat rack by the front door and slips it on, sliding some Adidas sandals on top of her socks and reaching in the pocket of the coat to grab car keys. She pulls them out, and Tony notices that theres a keychain of a white rabbit dangling from the key ring.

The breath is suddenly stolen from his lungs, and he bolts off of the couch, a buzzing under his skin. "You're bringing him?"

She nods to Freddy Fazbear. "If you can wait." She smiles at him, and it's the first time Tony has seen her smile, instead of the carefully kept nonchalant-ness. "He'll wake up pretty soon once he's done charging. So you won't be completely alone."

Tony doesnt know what to say to that. Thousands of words spawned from the thousands of thoughts hes had about finding and tracking down Gregory are on the tip of his tongue, but he only gets any out when the woman begins to leave the house.

"Wait!" Tony reaches out a hand. She turns around, a brow raised. The door is still slightly ajar, and the sound of heavy rain reaches his ears. "What's your name?"

She smiles a bit at the question. "Vanessa."

"Vanessa," He asks, oddly desperate. "Dont tell him I'm here." He swallows. "I want to see him remember me."

Vanessa tilts her head, but nods after a moment. "Sure, kid."

She smiles one last time on her way out, and says, "Tony Becker."

The sound of the rain outside disperses when the door shuts and locks, and Tony doesnt move for a long while. He just stares at the landlord white door, electricity under his skin and something floaty in his stomach.

Greg. He thinks in his mind when he finally rips himself away and looks around some more, seeing a door propped slightly open down the hall with a bed and a desk with pencils and paper strewn all about. He doesn't dare go in, but stares at what he can see. Its been a while.

The silence is numbing, when he can only hear the faint whirring of Freddy Fazbear on the couch next to him and the rain on the window, he plants himself on the couch cushion next to the animatronic, grabbing the remote and resuming the baking show Vanessa had been watching.

He doesn't listen to a word. He just trembles with anticipation and bobs his leg up and down as he stares at a random corner of the screen.

ao3 link

[originalaccountname]

my evil thoughts say I kinda hope a vampire tries to bite Chuuya and it doesn't work in any meaningful way except now he's bleeding while trying to escape with Dazai + Sigma. Just to make sure everyone in their party is in poor shape. Even the terrain a little.

[ambyandony]

heres the limbo fusions with the rest of the vento aureo main protags

Limbo + Mista

Mimbo - any pronouns

"Are u lost bbygrl? :)"

(They give a weird stare if asked for a full name. They only use Mimbo, even though it’s a combination of Limbo’s forename and Mista’s surname.)

most stable Limbo fusion merely by virtue of Mista’s simple ability to just not give a fuck.

GET YOUR GUN OUT OF YOUR CLEAVAGE!

bitch gon step on my fuckin toe bitch with them fuckin cowgirl fuckin boots

VITALLY important that you know that despite being easily mistaken as fem on first glance, Mimbo also has the deepest voice of any Limbo fusion for literally no reason other than it’s funny to me. They also have sideburns

Stand: Mighty Wings - Redirects Signals. Still a colony Stand, looks like tiny little pastel fighter jets!

Limbo + Abbacchio

Lio Adkio - they/them

“Don’t say SHIT about my mascara or my eyeliner.”

“In fact, don’t fucking look at me or I’ll have to kill you or myselves.”

stable only because when Limbo started panicking in the mindspace, Abbacchio simply pointed and snapped at her to CALM THE FUCK DOWN. and she did so immediately.

nicer than Abbacchio. not by that much, though… but weirdly apologetic about it.

the eyeliner doesn’t appear to be due to crying, it seems that it just looks like that.

bazongas?

Stand: Keeping The Faith? Never Too Late? Shawty like a melody-

“rewinds” signals to previous states or connections and/or can do a “replay” of those signals’ succeeded actions (i.e. having a phone replay a prior conversation) Unfortunately, it’s pretty useless in combat.

Limbo + Giorno

Glimbo Giovadkins - she(?)/they/them

“Wouldn’t you like to hear one of my 765 fun facts about aerodynamics, animals or Air Bud?”

“I also have a few facts about botany, blood and birds.”

stable, until they’re not. they’re incredibly calm and delightful, but when they think someone’s mad at them they panic and start excessively apologising.

genuinely the softest cutest sweetest lil bitch you’ve ever seen. also traumatised with a guilty conscience and can flip on a dime in a terrifying way.

shortest Limbo fusion for no clear reason? shorter than both Limbo and Giorno.

Squalo’s worst fear.

sounds pretty much how you would expect.

Stand: Crystal Dolphin - can transform signals into life—by taking the signals out of something, typically disabling it, they can create life like Gold Experience can. The more complex the device, the bigger its potential creation.

Limbo + Buccellati

Bimbo Luno Adkellati - they/them

"...I've lost the conversation. I'm gonna go make pizza!"

Megan Thee Stallion?!

has no idea what’s going on for some reason? always looks a little confused and loses track of conversations very quickly.

very good with kids! practically unable to have a coherent conversation with Abbacchio. They don’t seem too distressed, but they just stop making much sense and seem to confuse themselves.

Stand: When Doves Cry? Perhaps Freewill? Uhm… I don’t know? Maybe it can sort of, ‘zip’ signals together, combining two or more functions into one sent signal? Bruno's ability is just so specific... I can't think of many ideas.

Limbo + Fugo

Fimbo (Pannalimbo Adkigo) - they/them

"STOP TALKING ABOUT FREUD BEFORE I KILL YOU WITH MY FUCKING BRACELETS!!!"

( Note: all currently depicted instances of Fimbo seem to be post-PHF, as Fimbo is almost always seen with the mouth scars hidden by the tattoo.)

enemy of the state. punches fascists. lovecore punk goth. in terms of authority figures they only respect Buccellati and Limbo’s dad.

AuDHD trauma poster child. Short fuse but very friendly until something sets them off and they start screaming and or burst into fucking tears.

Self-love in the sense that the fusionmates care about each other deeply and both sides are trying to look out for the other knowing the other won't look out for themself.

Stand: Cabin Fever - Terrifying deathly virus that, rather than being airborne like Purple Haze, is passed though signal transmission. Fimbo doesn’t know if the virus is the same as Purple Haze, a different strain of it, or something entirely different. It spreads most quickly through vocal communication between two people.

Limbo + Narancia

Nimbus Ghirgins - he/they/she

"tummyache... :("

Libby why does my stomach feel like it’s going to fucking collapse in on itself and why are my knuckles torn? aren’t they supposed to bruise when you punch?

bad relationship with food. Hanahaki disease, what are you doing here? (/ij)

sometimes they find Mista sitting around, sit next to him and fall asleep on him immediately

incredibly bad with emotions and doesn’t even get angry they just get overwhelmed instantly at any presence of significant emotion

Stand: Falling in Love/Hard on the Knees - who the fuck let this kid control CO2 emissions?? They can barely control themselves???

[tangledinink]

I can imagine the first cycle after moving. Probably Leo because Donnie likely has internal scarring, so leo goes through the process of laying his eggs, panics, his brother can't help, and finally, *finally* they ask for help. It's not willingly. It's not for fun. It's purely necessity. It's purely because there's *literally noone else* and the idea of telling anyone at all is so scary that the way they do so is in a note. Splinter sits them down and basically walks them through "You're safe, you're fine. We can handle this however you feel most comfortable, including getting you both on blockers if you prefer" and they just.... sigh. For the first time, there's *someone else* in their circle, and it's willing and it's warm, and it's *safe*. There will be tears.

Yes, except I'm not convinced that either of them could stand to tell anyone. Even if it was literally life or death (which it has been before,) I'm not sure if either of them could bear to give up that information. Donnie is finally, finally away from the people who hurt him when he got found out last time, and even though logically, he knows that it's different here, he's absolutely petrified of the thought that the same thing will happen again and it won't be over anymore. He's still horrified by the idea of anyone else knowing about Leo when he's gone to such lengths for so long to protect him, and Leo is likewise terrified in the same way. They've spent years with this being their more closely guarded secret, and that's going to be really difficult to give up.

But it's really not a secret they'll be able to keep for long.

They're in a completely different environment, with far less space and privacy. They're both stressed as hell and Donnie WAS on birth control and taking all sorts of vitamins and supplements to make sure he didn't eggbind again and now he's suddenly not and it's not only messing with his body, it's fucking scary. It literally keeps them both up at night. Neither of them know how to wash blood out of clothes or sheets. There's no private en suite bathroom they can sequester themselves away in. They're both literally making themselves sick with anxiety trying to deal with this, and they're used to handling this on their own, this is routine for them, but they're not used to all of this.

They'd probably metaphorically limp through a few cycles before their family puts it together and gently confronts them.

Venus probably figures it out first. She's pretty smart, and incredibly observant, and after all-- she quite literally experiences the exact same thing. April may not lay eggs, but I think she'd be able to get the idea after a bit as well. And while I think Splinter would realize something was wrong pretty quickly, Draxum would probably realize what was wrong first. Splinter has April, so he has a little bit of experience in this realm, but Draxum has Venus and so he has far more experience.

And so when they do sit them down and talk with them, it's going to be really scary at first. And then they get to, "you're safe, you're fine, we can handle this however you feel the most comfortable. It will be okay. No one will hurt you."

And then there's finally other people in the know, in the circle, people who will actually help them. And yes-- there will definitely be tears.

[nerosdayinanime]

midnight city(M83)

[moeblob]

Anyway they can change between being tiny and human sized. And when they're tinier they can only be seen by the other fae or their selected humans. So if you just passed Noll on the street while Shavuli was perched on his shoulder chatting away you wouldn't see or hear her.