#so my list to read is LONG

[dumplingsjinson]

List of “how about we get comfy and cozy with each other, in more ways than one?” prompts

(Warning: This list is pretty much an overshare in the form of a prompt list, because it is very much based on my personal experiences. A lot of TMI happens. 

If that makes you uncomfortable, please don’t read the list. If you’re okay with it, proceed on at your own discretion. 

Don’t say I didn’t warn you because… It’s a lot.) 

1. “I hope I’m not being too needy.” “Well, I like it when you’re needy. I like it when you’re like this.” (THE FUCKING AUDACITY OF THIS MAN WLEIFLEKWNKLEWFN) 

2. Character B groping Character A’s ass while they’re making out.

3. Character A moaning and whimpering into Character B’s ear while rubbing themselves against Character B’s thigh, desperate for release.

4. “I… I want you to touch me,” Character A admits, while staring up at the ceiling, cheeks reddening in an increasing show of embarrassment.

5. “Tell me to stop if it becomes too much, okay?” 

6. Character B dry humping Character A; hips thrusting into theirs, picking up with the pace when Character A whimpers in their ear and pulls Character B even closer in response because they don’t want any sort of space left between them; not even a sliver. 

7. Character B getting all sweaty and heated while they’re dry humping Character A.

8. Character B taking off their shirt to get more comfortable with Character A, and Character A subtly admiring their physique. (WHEN HE DID THAT?? THE DISRESPECT??? This guy’s gonna ruin me, I know it sjjsjs)

9. “Don’t be too loud,” Character B murmurs softly, planting a tender kiss on Character A’s face while sliding their thigh against Character A’s crotch, taking in the way Character A lets out a strangled sigh at that. (SIRRRR?? THEN DON’T FUCKING DO THIS TO ME?? WTF LWKENFWEK. Mind you, his fam came home after we were alone for an hour or two, so-)

10. Character A and Character B continuously checking in on each other every now and again to make sure they’re comfortable with the way things are going. 

11. Character B planting soft kisses all over Character A’s face and their neck, reassuring and sweet while things get very, very heated. 

12. “You’re going to make me not want to leave the bed if you keep doing this,” Character A warns in a low moan, as Character B continues to kiss their neck, their body pressing against Character A’s. Character B only chuckles in response, nipping at their skin playfully. 

13. Legs tangling together so they can get closer to each other. 

14. Character B fondling Character A, enjoying the noises they’re eliciting from Character A; enjoying the way they’re making Character A unravel at the seams, coming undone by their touch so easily. 

15. Character A hiding their face into Character B’s shirt because they can’t keep the noises at bay, and hoping to God they’re not being too loud. 

16. Character A and Character B’s hands roaming each other’s bodies, almost like they can’t get enough of each other (and they can’t. They can’t get enough of each other is the fucking problem here).

17. Character A desperately humping Character B’s thigh, chasing their high, shameless noises scraping at the back of their throat. 

18. Character B’s fingers speeding up in response to the sweet sounds falling out of Character A’s mouth. 

19. Character B letting their hands wander all over Character A’s body; slipping under their shirt, their pants, their undergarments, and Character A enjoying having their hands all over them like this even though they’re too shy to admit to that with words. 

20. “Do you want me to straddle you?” 

21. “How am I supposed to think about anything else while fucking myself now?” Character A questions in a rushed gasp as Character B continues to rub their thigh against their crotch.

22. “You’re so adorable,” Character B murmurs as they continue to thrust their hips into Character A’s. “How is me doing this adorable to you?” Character A questions, moaning a little at a particularly hard thrust of Character B’s hips against theirs. 

23. Character B leaving hickeys on Character A’s neck, on spots that make them pretty damn visible to the public.

24. “So… How do you like it on top?” “It’s uh… It’s an interesting experience.”

25. Character B’s body responding to the noises Character A’s making because of what they’re doing with them; to them.

26. Character B’s hand slipping past Character A’s pants to grope their bare ass while they’re dry humping each other.

27. Character B hitching Character A onto their thigh, pressing their thigh firmly against Character A’s crotch to tease them. 

28. Character B caging Character A between their arms while kissing them, and Character A’s arms wrapping around Character B’s neck to pull them closer, fingers carding through their hair; hands sliding down their neck; their shoulders; their arms; slipping under their tank top, palms resting against their bare skin; palms gliding along their spine and their back. 

29. Character B asking for consent whenever they want to do something a little out of the blue, and stopping when Character A isn’t comfortable with it. (BOUNDARY RESPECTING KING, PEOPLE NEED TO BE LIKE HIM!!) 

30. “Sorry if I went too far,” Character B says, and Character A shakes their head. “No, you didn’t go too far. You didn’t go far at all; you didn’t go far enough,” Character A says, flushing at the brazen admission coming out of their own mouth.

31. Character B trailing kisses down Character A’s chest/breasts. 

32. Character B pulling up Character A’s undergarment/shirt and taking Character A’s breast/nipple into their mouth, with Character A arching into them with pleasure at the unexpected gesture, a soft, encouraging gasp leaving them.

33. Character B slipping their hand under Character A’s shirt/undergarments to fondle with their nipples/breasts. 

34. Just Character A being a needy little fuck and needing Character B to be all over them because they’re so fucking addicted to the taste of them and the way their body rocks against theirs. 

35. Character A letting out little obscenities while they’re fooling around, which only fuels Character B further. 

36. “Well, now I’m really wet/hard.” “I see no problem with that.” 

37. Character A rocking back against Character B while they’re spooning and Character B shallowly thrusting against them in response. 

38. Character A biting their bottom lip to try and keep quiet (and failing pretty miserably).

39. “Yeah, you like that?” Character B softly murmurs into Character A’s ear as Character A lets out an involuntary sigh, arching up into Character B in response. 

40. “Well… I do fantasise being restrained by handcuffs.” “We can try that in the future if you’d like.” (WELL FUCK ME I GUESS LWKENFEWLKNF) 

41. Character A moaning into Character B’s mouth while they’re making out, which spurs Character B on, with the way they pull Character A even closer and kisses them harder; with much more fervour than before. 

42. Character B touching, teasing and feeling Character A up. (DID Y’ALL GET THAT WAYV REFERENCE OR WHAT—)

43. Character B caressing the side Character A’s thigh while they’re kissing.

44. “And you’re telling me this is what cuddling is?” “Mhm.” “Bullshit.”

45. Character A fucking themselves on Character B’s fingers, whimpering in a way they’d be embarrassed about if they weren’t so in the moment. 

46. Character A trying so fucking hard to control the soft little whimpers leaving them when Character B rubs against them with their fingers. 

47. “I’m all over the place and it’s all your fault,” Character A whines while Character B chuckles. “Mmm, it’s not all on me, you know,” Character B says, tone teasing. 

48. “It’s just me and you now,” Character B murmurs softly, planting a kiss on Character A’s lips, slowly rocking their hips against Character A. (onrwlfgnrekljng FUCK!! OFF!! ALKFHEWLKNF) 

49. Character B closing the blinds for privacy reasons. (He was struggling to close the blinds and I was giggling and teasing him about that lmfaofenlkfn)

50. Character B slipping their thigh between Character’s A’s legs with the intention of messing with them.

51. Character A grinding against Character B’s thigh and Character B responding by pressing their thigh firmer against Character A. 

52. The soft pleas and whimpers slipping out of Character A’s mouth as Character B quickens the thrusts of their fingers. 

53. “How are you feeling?” Character B would ask every now and then to make sure Character A’s comfortable and okay with what they’re doing, and the pace they’re going at. (This is ALWAYS so fucking sexy! Do this with your partner) 

54. Character B unbuttoning/unzipping Character A’s pants, in a tauntingly slow manner; slips their hand past the waist band of Character A’s pants whilst Character A squirms around a little, their heartbeat quickening in anticipation of what’s to come. (Uh, no pun intended???)

55. Taking a break in between each of their little sessions and cuddling with each other, and using those moments to check in on each other.

56. Character B stopping themselves from going further whenever they sense Character A getting a bit overwhelmed with everything that’s happening and making sure that they’re okay. (He just… He’s so caring and it’s so fucking sweet AHHHH) 

57. Character B’s ragged, laboured breathing in Character A’s ear as they fuck themselves against Character A, and Character A squeezing their biceps in encouragement; the soft pants from Character B and the whimpers and moans from Character A intermingling in the air.

58. Character A burying their face in Character B’s chest out of pure embarrassment after doing all of that, and Character B chuckling at them while cuddling them close to their chest, planting several kisses on their face. 

59. Character A’s clothing smelling like Character B’s because of how much they were all over each other, all day and night. 

60. Character A leaving Character B’s room with the messiest hair by the end of the night.

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[poorly-drawn-mdzs]

I haven't read these books at all, but your art is so fun and cute that I like seeing your comics a lot regardless. Fantastic Silly Little Guy energy.

Thank you for enjoying my silly little guys and my comics B*)

[lactoseintolerentswag]

when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]

I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!

OH HI

Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.

(wow putting this under the cut bc it got longer than I thought it would LMAO)

I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.

A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.

And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).

But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.

About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.

But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.

Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).

Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.

Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.

Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.

I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.

Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.

And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.

Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.

As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3

Hope that was satisfying!!

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[afterphantoms]

maybe its just me and my love of all things gothic, but i've been really surprised by the classification of saltburn as a (poorly executed) 'eat the rich' satire. i would've said it was primarily gothic fiction and that the class commentary was more a backdrop to that than the major thesis of the film, so it's interesting that a lot of people seemed to interpret it mostly or entirely through the lens of class satire. i'll be interested to see if the interpretation/reaction to the movie changes at all between the theatrical release and the digital one in a couple weeks; my perception is that a not insignificant number of people went into saltburn expecting something like parasite and were justifiably disappointed. not me though i'm a sucker for a fucked up gothic romance

[sugarsnappeases]

just had this thought of lily as a lit student volunteering at her local library and barty as this delinquent being assigned to do community service there. like she starts off with a bit of a ‘oh this poor criminal, i must save him’ mindset and then is constantly frustrated by barty as it’s clear that he just. doesn’t want to be saved. and he’ll deliberately mess up the book organisation systems and try to scam people by fining them when their books are nowhere near overdue so he can keep the money for himself. and lily is running around after him, huffing as she loudly puts the books back in their proper places, whacking him round the back of the head when she catches him trying to scam some old man. she’s screaming at him in the back room, leaning over him as he sits back unbothered on one of the chairs, shoving her finger in his face but he just grins and tries to bite it so she’s whacking him again and storming out bc he’s just SO infuriating. but then somehow he’s also going in depth with her about the motivations of iago in othello and whether the tragedy can be blamed entirely on him or if society itself plays a part in the plot’s development or animatedly discussing keats’ ode to a nightingale and the concept of negative capability and how it relates to the body. and she’s just completely fascinated by him, she wants to analyse him like one of the texts from her classes, she thinks she could write essay upon essay about his view of the world and the way his brain works and the tattoo she can always see just poking out of the top of his collar. and now she’s missing deadlines bc she wants to spend time w him, and laughing as he knocks over an entire bookshelf while trying to tell her about the book he’s just read, and really he doesn’t want to be saved but maybe he’s saving her instead…

[parmahamlarrie]

We are back! I was sick this month (boo) but it meant tons of time for reading and I've hopefully fallen back in love with it again! So many good fics this month, hope you enjoy!

Have Faith In Me || @stylinsoncity || 183.4k Age Difference, Fashion Assistant Louis, Baker Harry, Friends to Lovers, Slow Burn, Pining, Light Angst This has easily become one of my favourite fics ever. The dynamic between the boys is precious, the angst didn't wreck me (you all know I don't do well with angst) and it was just thoroughly enjoyable! Do note the age difference, if that's not your thing.

Flash Back to Me || @mason-conaway || 73k Amnesia AU, Therapy, Established Relationship, Falling in Love (again), College AU, Slow Burn, Fluff and Light Angst I have been such a sucker for Amnesia AU's lately and this one was just so lovely! A different take on the trope and so fun while keeping the seriousness such a situation requires!

now I think that I could love you back || @maroonmoonlouis || 42.2k A/B/O, Princes AU, Royalty AU, Regency AU, Courting, Mating Rituals This one has stuck with me perhaps more than any other recently! The world this author created has sucked me in and stayed with me since I've read it. I would easily read every detail of these two's life together!

put a little love on me || @larrydoinglaundry || 29.4k A/B/O, Paramedic Louis, Single Parent Harry, Neighbour AU This one is a lovely cosy neighbours story with the softest, touch starved Alpha I've ever seen! A pleasure from start to finish!

Somebody's Got Your Trainers On (It's You) || @greenblueish || 28k Hospital AU, Doctor Harry, Nurse Louis, Exes to Lovers I restarted Grey's Anatomy and had to read this one! It is, in my opinion, better than Grey's (less angst, more Harry and Louis) and wholeheartedly a wonderful read!

On Thin Ice || @neondiamond || 16.4k Hockey AU, Olympics AU, Established Relationship, Winter, Secret Relationship Why I decided to read this in the middle of May? No clue! How I somehow missed Jess' fic when I'm president of her fan club? Also, no clue! But, I loved this and you will too, even in May/June!

just one look (and I fell so hard) || @disgruntledkittenface || 15.2k NYC, Broadway, Theater Lover AU, Meet-Cute I think this officially becomes the fic I want most to happen IRL. However, not sure I will ever go to theater alone. That might throw a wrench in my plans to find the love of my life.

reckless behaviour || @nouies || 13.5k Strangers to Lovers, KidFic, Injury Recovery, Footie Harry, Single Dad Louis

[optimisticmosquito]

Imagine a liujiu AU where LQG returns from the dead to save SJ from the water prison:

SJ has been placed in the water prison to be tortured by LBH. The whole trial had been a disaster, but that wasn't particularly surprising. A deep part within him still stung from how none of his martial siblings had even been there to try and defend him.

No one is coming for him, that was simply a fact. LBH had removed his legs a few day earlier and had him write that cursed blood letter, but the joke is on him. YQY wont come back for him. Not after he told him not to return. He had set the man free, there was no reason for him to associate with trash like SJ any longer.

He hears steps come closer, most likely LBH coming back to gloat at him, and maybe to torture him some more. Perhaps he was going to remove SJs arms next.

Looking up he becomes momentarily stunned. He must be hallucinating, maybe the pain and loneliness of his acid filled cave has finally driven him to insanity.

In front of him is a man that should be long dead, the Bai Zhan war god, Liu Qingge. The man he was unable to save in those caves so many years ago.

But is it really him? SJ doesnt think he's ever seen LQG wear that expression towards him. Or, maybe once, during his last moments.

It's a pained and devastated expression. It is compassionate, something that would have made SJ bristle when the brute was still alive. It was many, many words left unsaid.

"Am I dead?" SJ asks with a hoarse throat.

"No." LQG answers bluntly.

Death hasn't changed the man, it is maddeningly amusing in a way. SJ lets out an huff "Then why are you here?".

"I'm here to take you back home" LQG answers with all the seriousness of his old living self.

Against his will, SJ feels his lip wobble, "I have no home, I brought this on myself." .

"Maybe you did." LQG says, "but you did not kill me. I won't let them use my death to falsely imprison you."

Ah, of course. SJ manages a wry smile "So you are here to defend your honor then?".

"No," comes the immediate answer. LQG bends down and hesitates a moment before he places his hand on the side of SJs head. His thumb hovering uncertainly above the skin under his removed eye, before softly brushing the dried blood from cheek.

He swallowed thickly, voice filled with emotions SJ couldn't even pretend he understood. "You tried to save me, more than once. You were never a lazy young master, despite everything I accused you of. And you never went down to the brothels to.. to do that.".

How could he know all that?

LQG took a deep breath, closing his eyes to gather himself. "It seems like I've always misunderstood you shixiong, let me make it up to you now."

SJ must truly have gone insane, question is, what part of his demented mind wanted LQG of all people to see the truth of him?

"Do whatever you want" he answers with apathy. None of this was real anyways, he'll probably wake up in a moment to an empty cell. The memory of LQG will have left him as easily as everyone else have.

Closing his eyes, he thinks he hears a soft "I'm so sorry" before exhaustion claims him. He should get some rest before that beast shows himself again.

Next that follows is LQG taking SJ out of water prison. LBH tries to stop them but YQY gets in his way him. LBH knows he can't beat him in direct combat, that's why he wanted to lure him into the trap in the first place. Seething with rage, he has to let them leave with his shizun.

At CQM, LQG meets up with the rest of their martial siblings, who are understandably shocked to see him. After extensive testing for possession, even taking out Hong Jing, they finally believe he has returned to the living. He talks with the other peak lords, telling them how SJ never tried to kill him in the lingxi caves.

Rather, it was LQG who almost killled him in a fit of deviation induced madness. LQG tells them how he had momentarily regained his sanity and saw how badly he had hurt SJ, who was begging him to come back to himself. And who didn't look far away from a deviation of his own.

He had known at that moment he'd end up killing the man if he slipped back under. So he did the only thing he could, he stopped himself from doing something unforgivable.

After all, the mountain losing only one peak lord was better than losing two. And even with their complicated history, LQG did not want to hurt SJ.

LQG then explains how he had spent many years as a ghost. Watching how SJ was accused of his murder, and how his little sister had suffered by the loss. Seeing how his death had deepened the cracks between the peak lords.

He saw the trial where SJ was accused of many things, including his death. He saw the demon torture SJ and take his legs.

At that moment of utter helplessness, he had been approached by an entity calling itself the System. It asked him if he had any regrets he wanted to mend, and what he was willing to do to return back to life. He accepted the deal and woke up shortly thereafter.

That was how he arrived at QDP at the same moment YQY went outside, eyes wild with desparation and fear.

YQY told him about SQQ and about the box and the blood letter LBH had sent him. Together they were able to form a plan to get him back.

LMY had been so shocked upon seeing him again, and upon hearing all that she had thought of her shibo was wrong, that she didn't refuse him when he asked her to take him to SQQ.

All the while YQY, instead of rushing in head first, asked for an official meeting between himself and LBH to distract the other man. Something he had barely managed without drawing his sword and killing the demon.

LQG and YQY manages to convince the other peak lords to agree to protect SJ. LQG then helps SJ recover, helps him get prostheses and to train up his strenght again.

He also helps SJ bridge the chasm between himself and the other peak lords. And makes sure they become a (somewhat) united front against the new demon emperor.

He constantly tells SJ he will not allow LBH to get his hands on him again. And slowly the former rivalry grows into something else as they learn to know and trust each other.

LBH on the other hand becomes increasingly desperate in his attempts to get SJ back into his claws. But with SQQ, YQY and LQG all protecting the sect, not even LBH can do anything against them.

[lovesickeros]

can.. can I ask for an affectionate reader with characters who aren’t normally like… used to the love? like, not just through words but physical affection like hand-holding, kisses, hugs, all that shebang. probably with a few people like yelan, ei, basically any character that is either cut-off from society or seems socially distant or isolated. 😞

☆ affectionate reader with yelan, ei, & furina

[ 4.2 Archon Quest spoilers ]

× yelan

Varies between how you display your affection, to be honest. Just like being affectionate with people? She's cool with it as long as you don't pop by while she's working (mostly because she'll end up dragging you into it for a bit of fun). I don't think she's all that touchy feely herself, but she'll absolutely get you gifts instead– like pretty knick nacks? She'll make sure to snag any she thinks you might like. Like a good meal? Sure, she'll take you out to one of the restaurants in the city, doesn't matter how expensive. Her treat. If you do prefer physical gifts rather then being taken out, you'll eventually get used to the random unmarked letters and packages showing up where your staying pretty often. It's obvious to know who it came from even if she never signs anything.

Flirty reader, though? Whole nother can of worms and now it's a challenge. The more confident you are the more interested she is. The other acolytes would absolutely seethe at the idea but she has no hesitation at just straight up flirting back– she's as charismatic as they come and she's got a poker face that's basically impenetrable. She'll probably also make a bet to see who cracks first (she always wins, unsurprisingly). Probably won't get dragged into any of her schemes this way but if you ask politely maybe she'll consider it, anyway.

The smell of freshly brewed tea and the clatter of dice across wood was a common sight at the Yanshang Teahouse– less common was the woman secluded in the far corner, her lips pulled into a grin that flashed fangs and a look that would scare off the most confident of men.

She'd normally try to scope out any new blood that'd made the mistake of stepping into her teahouse and was equally stupid enough to accept a gamble against her just for the thrill of it, but she was far too absorbed in the warm body at her side, one of her die clasped tightly in their hand as she guided them through the motions– they had a knack for it, she had to admit. The thought made her preen, the clatter of the die as it rolled across the table giving her that subtle, familiar rush.

Even if she knew exactly where it'd land.

"Six. Hm, maybe you're just lucky," She muses, plucking the die from the table and holding it up to her eye like a prized jewel, "Or maybe you're not as innocent as you'd have us believe." There's a sharp glint in her eyes at the prospect, but everyone else has the sense to keep their heads down and their words to themselves as she tosses the die herself.

"So why don't we find out and make a bet, just between you and me?"

× ei

Varies between Ei and the Shogun, because you'll probably be seeing either as much as the other. Sometimes you gotta really squint to tell who it is sometimes, but you get used to it. Both are fairly similar, though, in that their first instinct (especially in public) is to tense up like you're about to attack them or something. Difference is Ei eventually relaxes after a solid minute of trying to process your sudden affection and, if no one else is around, she might even reciprocate. Just don't tease her for being a little stiff and awkward about it, she's trying. That's what happens when your only company is a robot and uh. Nothing. For like 500 years. She's trying. Raiden, on the other hand, is just about as awkward as you can imagine. She's polite (blunt) about it because Ei is fond of you and also you are. The Creator. But she's not really built to deal with personal relationships and so she doesn't know how to deal with affection.

..Depending on what you do you may or may not blue screen Ei hard enough that she retreats back to PoE

Ei usually isn't fond of sitting still, unless it's to meditate. At least then she goes in with a purpose, something to achieve– but now, she's just focused on trying not to make a fool of herself. Her muscles are starting to ache from how hard she's tensing, though, in an effort to sit as straight and still as possible as their hands glide through her hair, weaving it into a single braid.

She can just barely hear the subtle lilt of their voice as they hum– and though it is soothing, it is also..very distracting. She can't focus long enough to try and meditate, too lost in the gentle rise and fall of their voice and the care they take to braid her hair. If she'd had a heart, she'd sure it'd be beating so wildly against her ribcage they could hear it.

But then it stops– their hands fall back to their sides and their humming falters. She freezes, too, racking her brain for any slights she must have committed. Instead, she is met with a calm, tender touch on the back of her neck, making her inhale sharply.

"Am I making you uncomfortable, Ei? You're so tense.." She has to grit her teeth to stop herself from bowing so low her head presses against the ground, her hands folded in her lap, clenching instinctively. "..No, Divine One." She answers simply, trying to contain the adoration swelling in her chest.

Yet as much as she tries to relax, to ease their worries, she finds that she cannot.

"Hm." That small murmur, a simple sound that nearly made her jump, was the only warning she got before they scooted closer, wrapping their arms around her stomach and resting their chin on her shoulder with a grin she would liken to Miko's, if she dared to make such a comparison. "Really?"

She swears she must've been feverish at the affection, lightheaded and dazed until she thought she might simply perish at the brush of their hands against her own.

Much to her embarrassment, however, she doesn't realize she's instinctively pulled back into Plane of Euthymia until she sees the familiar dull purples engulf her vision once again.

Though only a small solace, it seemed a little..brighter, this time.

× furina

Varies between pre 4.2 and post 4.2 archon quests to be honest.

Pre 4.2 she comes off as very vain– of course the most Divine would see fit to spoil her with affection! She deserves it, and is obviously their favorite! Just don't look too hard because she's terrible at hiding how flustered she actually is. Absolutely goes home right after and screams into her pillow for at least thirty minutes minimum.

Post 4.2 she's a lot more openly bashful and flustered. She's really not used to affection and even the smallest show of it has her folding immediately. Now that she doesn't need to worry about being found out she's a lot more receptive to affection. Cup her cheeks and compliment her and her knees are buckling. Like. Especially weak for compliments and praise (she deserves it. please spoil her).

She swears she must be hallucinating– she had been having trouble sleeping recently. But..no. The visage of the Creator was as real as the sweat beading on her brow as she stared at them for a long, awkward moment. Should..she let them in? But then they'd see the pathetic state she was in, and the last thing she wanted to do was make a fool of herself in front of them-!

Her choice was quickly made for her, anyway, as she let out an undignified squeak of surprise when they suddenly tugged her forward into their chest, enclosing her in a hug.

Her first reaction was to freeze– her second was becoming absolutely flustered, her cheeks flushing a soft pink and her mouth closing and opening as she tried to find her words.

"I– ah..um." She stumbled over her words instead, floundering like a fish out of water. Yet she felt a distinct sense of emptiness wash over her when they finally pulled back, looking a touch sheepish. "Sorry, sorry– you just looked like you needed a hug."

The silence spoke for itself, her shoulders tensing slightly. But the way the concern and affection bled through their voice made her waver, her hands trembling as she let out a shaky breath that almost sounded like a sigh.

"It's..It's fine! Fine, I'm fine." She repeated, trying desperately to ignored the way her voice cracked and how hot her face felt– though it was more an attempt to affirm herself that she was not thinking about how warm they felt, how much she..actually enjoyed the hug. She wasn't thinking about it all! Absolutely not!

..Maybe a little.

"Just warn me next time, please?"

[retrogradedreaming]

my least favorite thing is when people compliment someone's work by using passive aggressive comments about what they hate about other people's work. like please, just focus on what is actually in front of you

[littlefankingdom]

Everytime something happens in France in a comic, I realize how little researches comics writers do. And like, if they are this bad with my western country, how bad it is with third-world countries they talk about???

In Nightwing (2016), Raptor is from a circus that was near Paris during Mary Grayson's childhood, so more than 40 years ago at least.

In this flashback, they accuse the mayor of Paris of having given leprosy to the romani and of keeping away the meds they need. Already, with our healthcare's system, it's hardly possible, as they would be able to go to a hospital to get the help they need. Do they think "public healthcare" means the state has a direct control on medication, because that's not the case at all. The French gov control the money put into medication, how much is bought, but a mayor has no power over this. I just don't understand how something like this could happen. You can totally write a racist medical scandal in France, but makes it make sense with our system.

But also, Paris didn't have a mayor until 1977, so if it's before 1977, impossible. And, Paris' mayor from 1977 to 1995 is JACQUES CHIRAC, who was the PRESIDENT after. They wrote a story implying that a French President kept medications away from sick people, was discovered and was still elected President. And, yes, the French government is far from good and they have deeply harmed the romani, but like, maybe don't write shit like that. (Also, Chirac was really against the war of Iraq, and stood up against the US, which France is still paying the price for to this day. So I don't really like an USAmerican to criticize Chirac. Like, we can do it, others can do it, but not USAmericans, y'all have done enough) I'm pretty sure that wasn't the goal of the writers. No, what happen is that they didn't do researches about Paris' mayor and so, wrote that shit.

This may be inspired by the contaminated blood's scandal in the 80s-90s, which was worst in France, but no mayor was found guilty, it was doctors who knowingly contaminated patients with a deadly illness. And the French government was held accountable, even if they had no hand in it, as a matter of principle.

I understand it's a fiction, and they didn't literally wrote "Chirac did this", but it's kind of clumsy. (Especially because of everything I wrote earlier about Chirac's politics and how the US is still punishing France for being against killing civilians and destroying Iraq. France was doing the right thing, and the US worked so France would go back in line and treat Arabs like shit. Do not think western countries are free from the US' imperialism)

And in no way I'm saying that you cannot write France being awful, I know my gov's crimes (rn, they have deported homeless out of Paris for the Olympics, the President is refusing to acknowledge the left won the elections and to take a leftist prime minister so we have no prime minister since mid July and fuck democracy I guess, they support Israel's crimes against humanity, and are behaving like the colonizers that they are in New-Caledonia, sending the armies against the Kanaks that have not enough power on their own land), I'm just saying it should at least be believable enough to work. (Easiest way: make the cops racist. Boom. Also, French cops talk like vilains, it's insane.) And also, not about someone touchy like clumsily painting badly a president that was punished by the US for doing the right thing.

[i-may-be-an-emu]

Some of my favourite out of context sfth ao3 tags because these are so funny (also all of these are from different fics)

Disclaimer that these aren’t mine :)

[galvanizedfriend]

HIII if you don’t mind sharing, what are your fav klaroline fics? New and old, I’m in need of new reads 🙏

I'm probably not the best person to be doing new fic recs. 🥲 I have sadly not been reading that much Klaroline myself these days. When I do read fic, it's for other stuff. So my recs are either old or new-ish. 😂 But hopefully you can find something to your liking that haven't read yet here.

Buckle up because I took my sweet time with this list, nonnie.

. Inertia Overcome by @avari20

The first KC fanfic I remember reading the reason why I finally got pulled into the fandom after years of watching TVD as a reasonable spectator (so rly, if you guys can't stand to see me around anymore after all this time, it's this fic's fault for being so good). Honestly one of this fandom's statement works. If you haven't read it yet, please do.

. Timeless by @marvelouskatie

Same as the above. One of the most iconic KC fics of all time imho. The canon AU to end all canon AU. When I first decided to come out of the shadows and create a tumblr and actually start interacting with folks, this was the first fic that was recced to me. I was very grateful then, and now I'm here to pass this knowledge on.

. Picturesque by @supernutellastuff

Honestly of the sweetest, most heartwarming fics I've ever read! It's a human AU that's a How I Met Your Mother sort of adaptation, and honestly the first time I've ever enjoyed HIMYM. I love a good ensemble fic and this is just it! Supernutella is so talented.

. Quiet Light by @definedareasofuncertainty

This fic was WRITTEN FOR ME because of how much I pestered my friend Luiza about Carolijah and this will forever feel like a trophy to my heart. 🥰 It made me feel ALL THE FEELINGS. I hated Caroline, I loved Caroline, I loved my baby Elijah, I hated him, I also hated Klaus (he's such a fucking asshole omfg), but then the end was just DHAGHDDASAS!! You think you're in for a certain kind of story and it turns out to be so much more. It is, deep down, about the brothers, how selfish they are, how they can hurt each other more than anyone, but how they love one another above anything else, even when they want to kill each other (and fall in love with their brother's girl!!!). It's beautiful, like everything Luiza writes, and it genuinely made me cry.

. long limbs and frozen swim by @definedareasofuncertainty

I saw a discussion the other day about how whoever wrote this fic JUST GOT IT, and I have to say I completely agree with the person who made that comment. Luiza just NAILS Caroline's grief and loneliness after her mother's death, how isolating and gut-wrenching it is. Klaus being the person who finds her, who knows exactly what to say without her ever having to spell it out, the one who can truly see her, is so honest too. This fic is sensitive and absolutely beautiful. Luiza's writing is perfection and this is for sure one of my all-time favorites.

. Whisper to me, Help me remember by @lalainajanes

This story reimagines the plot with the "villains" of TO S3 in a way that proves my point that the premise of that season was good, but execution was absolute crap. All of the potential the De Martels had to be incredible antagonists was completely destroyed at the hands of the show writers - but explored to perfection by Laine's much more capable hands. Klaus is freed after 10 years in captivity to find that Caroline had been working with Tristan this whole time in order to take him down - except something is not quite right about that. While you're at it, please read all of Laine's fics! It's a delight.

. Into the Woods by @jinxedwood

I wept when I read this because it's the post-TO canon fic I didn't even know I needed. Caroline's search for a way to stop her twins' merger ends up leading her to someone who's been watching over her on the Other Side. 😭 I thought I'd always rather live in denial when it came to how TO ended, but this fic made my heart so full! Also, jinxedwood's use of fae mythology here was incredible.

. All I Need by @euvixen

This story is HOT. It taught me things about the werewolf AU universe I was not prepared to learn, but I am a much happier person after reading it. It's a canon mates AU that will leave you 🥵🥵🥵🥵 I speak as though the story was merely about the smut, but it's actually much more than that. A TVD S3 reimagine of sorts that is incredibly satisfying. That's my favorite season of TVD, but this is still even better.

. the birth and death of the day by @little-miss-sunny-daisy

Anyone who's known me for a some time knows how this fic was my entire personality for a while there. I'm obsessed with Kelly's writing, and I have this fic on a freaking pedestal. I first started reading it when it was on a six years hiatus, and I was *so* into it I didn't even bother me that it might never get updated because it was so good I was just happy I'd found it. But then my silly comments inspired Kelly to come back to it, finish it, and it has honestly been my greatest accomplishment as a part of this fandom because this is a masterpiece. It's a TVD/Supernatural crossover where Caroline is a step-sister to the Superbros. It's truly, truly epic, with beautiful writing. This could genuinely be a show. It's amazing, just read it.

. this is a harvest by @highgaarden

This, right here, is the perfect Klaroline-within-canon story. This is the story that put my revolt to rest and gave my spirit some much deserved peace where those two are concerned. This is exactly what canon should've been like. I'm not even joking, this is IT. If you'd asked me what I thought the perfect Klaroline development should be like I probably would've said something very vague because I couldn’t explain it, I’m not that great or creative a writer, but now I can just show you this story and let you bask in the amazingness of a fantastic read that will not only keep you thoroughly entertained, but will also be the answer to all the questions you didn't even know you had.

. Paradise Lost by Borzoi

When i grow up, I want to learn how to write like Borzoi. All of their fics are incredible novella-like reads. It's addictive. And this is probably my favorite (it varies though, sometimes I'm in a Parisian Deal era). What happens after Klaus and Caroline sleep together in 5x11, and how they eventually find their way back to each other. It's just one of those stories that you can't stop reading after you start. It's so rich, so deep, so perfectly IC. One of those fics to end all fics.

. The Stubborn Grace of Being Loved Regardless by @helpless-in-sleep One of the modern day classics, if you will. This fic is such a stunning, vivid and delicate picture of Caroline's mind as she was dealing with the consequences of the abuse she suffered at the hands of Damon. She's still human, but she's probably more IC than we've seen her ever on the show when it comes to this. The bond she forms with Klaus is truly incredible too, and speaks a lot of how the two of them really do have a lot in common (even with Caroline still as a human), but it's really the Caroline study part of the story that touches me. The writing is absolutely beautiful as well.

. it takes a while to settle down by theviolinist

This story is a punch to your stomach, but it is PERFECTION in 8k words. It's hot, it's bittersweet, it's SO in character and, in my head, I kinda like to pretend that this is what happened before Caroline married Stefan. lol

. Wanderlust by @bellemorte180 Anybody who was a part of fandom around the time this story was being published can tell you how much of an EVENT it was. There were discussion groups about the mystery. It was so entertaining. Erica's attention to detail and how she wove the little clues throughout the chapters made this a genuine thriller. I particularly some of the side-characters here. It's honestly another fandom staple I think everyone should read.

--

In terms of newer fics that I can rec you, I have two that are on my TBR. One of them is a WIP that I've been slowly going through, and the other one I know was recently finished.

. make them bow by @stars-and-darkness

This was recced to me by two friends recently and I started reading it a while back and thought it was incredible! I have sadly been awful with keeping up with stuff, but just based on the raving reviews and the five chapters I read, I fully believe it to be just as awesome as it seems to be. The writing was so good, and I was just in love with Klaus' voice in this story. It was so reminescent of early-days TVD Klaus, which is by far my favorite Klaus of all. Sexy and dangerous and so smooth. I loved it! Need to get back to it.

. Wolf Club by @Radioactive79

Listen, if you like kid fics, this is absolutely for you. The whole story is narrated by an eight-year-old OC, the daughter of Ray Sutton, the first werewolf Klaus kills when he's trying to start his mass-production of hybrids. She's a little wolf herself, and a while little thing who was subjected to her fair share of child trauma. Klaus has no idea what to do with her, but ends up taking her with him as continues on his journey, and ends up forging a bond with the little girl. I cannot tell you how delicious this story is. It has Klaroline, yes, but for me the little girl is the absolute star of the company. I usually hate OCs, especially children, in fics, but this one is AMAZING. Seriously. The way this story is written is glorious. I can't recommend it enough.

[hella1975]

does anyone have any book recs hiiiii i will honestly take any category if u give me a lil review/description to go with it but specifically i want to start reading fantasy again

[youwerethedefeated]

please reveal some of your favorite kagehina fic recs? I literally am in love with them and i cannot stop

Hi anon!!

Surprisingly, I haven't read a whole lot of kagehina fics yet 😭 I'm a slow reader and uni has been very stressful...

Still, here are some that I have read and love:

Better than firewhiskey - it's a Harry Potter/Hogwarts AU where Kageyama is chosen for the Triwizard Tournament and it's sooo good. It's got all my favorite Harry Potter tropes but this time with Kagehina!

Halcyon in chains - this is a Daemon AU and the writing is just gorgeous. It feels like being enveloped in a warm blanket. It's also by the same author of thirty three days of mist and mountains, a post time skip fic which I also LOVE and recommend lots!

Hunger Pangs - NSFW, Karasuno era, third year. I love love love this one!!

Arrhythmia - this one is VERY NSFW so beware. It's probably the most delicate A/B/O fic I've ever read tho, and it focuses a lot on the feeling of growing up and being left behind when everyone else seems to hit all the proper milestones.. everyone but you that is

(Also I recommend basically everything else by this author cause their writing is just delicious)

Hinata Shouyou's fucking face - a classic. Kageyama is SO stupid in this I love it.

Butcher with a Smile - again, NSFW (sorry I rec so much porn 😭) but anyway THIS is probably one of my fave fics ever. I keep re-reading it and it never fails to give me a tummy ache. Don't let the first person POV scare you away, the author's writing is absolutely entrancing. There's also something so... hungry about this fic. Kageyama and Hinata are absolutely feral in the best way possible

And a honorable mention even though I haven't read it yet: (because it's @kagehiner 's fave fic and he's constantly attacking me with quotes)

The fish who swallowed the sun - mature, post time skip, probably gonna tear your heart out

Hope there's something here you'll like :)