#so that's why i'll trust them

[gayofthefae]

When I doubt Byler I need to remember that people would have gone wild for and thrown their money at romantic Stobin. I would have. But they didn't. do it.

There is no "will they do it" because this isn't the first time they've done it. This isn't the first time they've told the audience "told but not shown" that the best way to make a fan favorite and main character happy is through a romantic relationship with another character only to not put them together at all and still have said character end up realistically happy very shortly after. Outside of queerness, this would be the THIRD time they've done it, actually. And Dustin was crying at the Snow Ball - still pulled it off.

Because they tricked you. They make the surface level romantic because they know the core is the relationship so that when they take away the romantic aspect, it reveals to the audience that the romance wasn't ever what they cared about either and that the it was never the core because look how character consistent their happiness without it is.

Repeating it to myself like mantra: this isn't me going out on a limb, blindly trusting them to subvert straight buildup into a queer character and powerful message about platonic love. They have done it before they have done it before they have done it before.

They have done it before when it didn't have the stakes it has now. They have done it before when support of the straight ship was more universal and enthusiastic. They have done it before when not doing it would have impacted no one negatively. They have done it before when they had no reason at all but their own love and knowledge of their characters.

This is not a risk for them anymore. This is a repeat in a different context. They aren't even really taking a risk themselves: everybody loved it last time. Robin was the risk: they tested the audience's receptivity to replacing a ship everyone was rooting for with a queer character and a friendship and we passed. They aren't worried about it. They're relaxed. They know it works, now they're just writing their story.

[adhd-merlin]

[stars-n-spice]

Ugh.

Sometimes I remember that Bad Batch gave us this badass Black woman who was a liberator of ancient wonders and was like Indiana Jones but fucking cooler and witty, charming, and FUN and so so so nice and caring and understanding and she befriended the Bad Batch and gave them a safe place in the galaxy to call home and then made her the love interest of the heavily autistic coded white-washed Maori man and thus made them an interracial couple

AND THEN-

they killed off Tech and then used Phee as an uber driver for s3 and didn't give her any closure or anything for his death.

[fallstaticexit]

Chapter Five Adie - Previous // Next // Beginning - Lore: A Day in the life of a Guardian

Links to references in this update below:

Daera and Aries have a silent alliance aka Daera for sure was mentioning Adie to Nora’s ex at some point

Daera has concerns about Nora

[triglycercule]

horror should NOT be physically strong he should be a weak asshole. that man has NOT EATEN JACKSHIT (except potentially a small bottle of ketchup made by aliza) in the past 7 years why the HELL would he be physically strong at all. where is that strength coming from. the air??? it can't even be the damn air in horrortale because the horrortale air is STRAIGHT UP POISONED 😭😭 (bro look at grillby) so where is he getting the strength to be the most physically fit of the mtt (and by extension bad sansee i GUESS).

ok MAYBE he's able to rip off aliza'a arm easily but all thing considered A. he was going through an episode and there was probably a lot of adrenaline B. aliza probably isn't a very hard child to hurt and C. she was fresh off the grill. maybe it was easier than it looked idk. but either way i don't think he should be strong. maybe like not weak enough to fall over in the wind like a stack of cards but like.... majority of the time we see of the guy he's using traps. he's scheming. he's ratty. he seems like the type of guy to play dirty and mess with you to get what he wants. i just think that the cheating lying does anything to survive type of guy horror is would work better with someone who's much more physically frail than people depict him to be. he's not as strong as he was 7 years ago (when was his eye removed again??? during the 7 years or right when. idk someone make a horrortale timeline) so he's had to resort to dirtier tricks and manipulative moves and he has to weaken the humans he meets just to kill them. he has his little hand drill thing to immediately put a human's hand out of condition so they can't fight with that. puts the humans through traps so he won't need to use strength to kill them. sends them to grillby's so they'll be mentally worse off after seeing the othe monsters. makes psychological jokes (not just because its funny to him) so that the humans will also be more worse in the head and scared. it just fits better to me idk. the guy in the rough situation should be weak as hell because then he'll have to claw and innovate his way to survival instead pf just instantly being strong

i never got how people could make horrortale monsters so strong physically when we very much so see that the famine has affected them to the point that theyre literally dusting on screen from no food and are skinnier than fucking twigs. if those are the other horrortale monsters then horror's probably not any better and is literally only alive out of sheer spite and his eye. make the guy weak its cool to break stereotypes

[hilacopter]

torn between not being able to trust goyim to not be antisemitc anymore unless they really prove me otherwise and going "I guess we'll get along" when they find out I'm Israeli and still treat me like a human being

[total-drama-brainrot]

TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽

Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.

I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.

Area 51:

Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.

I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.

When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.

Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.

The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.

Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.

Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained. (i.e. truth potion.)

Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.

Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.

Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?

Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.

Tyler's voted out, yada yada yada.

The Jet:

Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.

Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.

Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.

"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.

Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.

"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."

Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.

"Does that mean you don't like Al?"

"I never said that."

"Well, how do you feel about him, then?"

Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.

"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.

"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."

Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.

He's always been the type to play his cards close to his chest, so why...?

"I, uh, didn't mean to go off like that."

And he also didn't mean to admit it, either. What was going on?

The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.

"Sounds like someone has a cruuuush!~"

What? No? No! Not at all, where would Owen even get that idea?!

Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.

Alejandro has a lot to think about in regards to a certain cynic, it seems.

[spacedlexi]

so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring

she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)

then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??

then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??

violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn

like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication

i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"

[theonescreencap]

i'm serious when i say this is one of my favorite moments in all of fiction. i got to this part and i was like where has one piece been all my life???

i love the way luffy cares about people. he doesn't do good deeds or help people because "it's the right thing to do" but he fights with all his heart for others to have the freedom to achieve their dreams, if he feels like taking action when he's asked to step in. he doesn't ever want to get in the way of someone else's fight. but just because he doesn't go out of his way for everyone he meets doesn't mean he doesn't love and cherish his friends! he knows exactly what he wants to do and be and he values the people closest to him. not because they're useful to him, as he openly refutes a handful of episodes after this, but because they're kindred spirits who share the same drive to achieve their dream. he gives 200% always and he wants to know that you will too; a plea for help means you're still fighting and he fully understands that

and i love nami so much she is such a good character. even though she had to put up a mask for so long and stay detached and alone she cares so much and loves so fiercely. at her lowest point, she finally has the courage to ask someone for help, and it IS courage... that can be the most difficult fucking thing to do and the narrative doesn't treat her as weak for it. luffy is so strong and so unbothered by everything that she finally feels like this is someone she will not hurt by asking for help. he is the embodiment of freedom. help me. of course i will.

this is such an early arc and the stakes aren't anywhere as high as they get later on but the character stakes are still so intense. this moment is when i went "oh okay nami is fantastically multifaceted and interesting and i love her more than i ever knew i would" and when luffy's character first fully clicked for me. i think one piece really understands the "power of friendship" thing - it's not just some flimsy "well friends are good so i can do anything because i have friends" but instead "friendship and trust and loyalty enrich your life and give you the power to do things you can't do alone because everyone brings something to the table, and relying on others and taking up space is good actually" it shows this to you over and over and over again until you believe it too. i love one piece <3

[swinging-stars-from-satellites]

pray for me please

[asleepinawell]

basically do you prefer to play solo or do you prefer to get the story run with the scions and then play with others or do you hate support/trust etc etc

this occurred to me when I was making the least favorite dungeons polls and people were mentioning other players as reasons they didn't like certain dungeons which is something I didn't consider for my own choices in later dungeons since I always run them as trusts unless I'm with a friend

[samposillies]

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[sapphire-draw]

Here's some more doodles from my notebook. I never intended to publish them but I think the world deserves more Malroth nonsense maybe perhaps

so here's Tiny Malroth compilation. Drew on top of it for clarity.

Most of these are from little comics of my diferent playthroughs but I cherry picked the best drawings to show so no context.

[shannonsketches]

lays on the floor do you guys ever think about how in ResF Bulma falls for Vegeta's fake-out with Freeza and both she and Yamcha are worried about Vegeta's villain fake-out strategy in Champa and Beerus' mini tournament and how it's only been a couple of years since the Buu saga and how Vegeta straight up stopped using that strategy after that tournament

[sysig]

What if Peepers got left behind with the main duo tho (Patreon)