#solocast

[geiza2023]

Qual o MELHOR Microfone Gamer para comprar em 2025? Os 5 Melhores Microf...

12345678901234567890123456789  visualização  3 de mar. de 2025Menores preços que encontramos(🔒100% seguro) ⏬Microfones citados no vídeo: 5° - Microfone USB FIFINE A6V  (custo-benefício) ✅Amazon: https://amzn.to/4bFXitb ✅Mercado Livre: https://mercadolivre.com/sec/1znfxo5 4°- Microfone Condensador USB HyperX Solocast (bom e barato) ✅Amazon: https://amzn.to/3DgcRuz ✅Mercado Livre: https://mercadolivre.com/sec/1mTiDgp 3°- Microfone dinâmico USB/XLR FIFINE (com cupom de desconto) ✅Amazon: https://amzn.to/4i0XjKq ✅Mercado Livre: https://mercadolivre.com/sec/2bSzZbZ 2°- Microfone Gamer HyperX QuadCast S (entre os +vendidos) ✅Amazon: https://amzn.to/4kpGcU0 ✅Mercado Livre: https://mercadolivre.com/sec/2Z6skmv 1°- HyperX Microfone Gamer QuadCast (+bem avaliado) ✅Amazon: https://amzn.to/41G7Y7H ✅Mercado Livre: https://mercadolivre.com/sec/1LZYZJp 🎁 Acesse e Ative sua LOJA DE CUPONS: https://amzn.to/3AJoSqV 🎁 Teste GRÁTIS Prime por 30 dias: https://amzn.to/3T943eI 🎁 Ganhe FRETE GRÁTIS no Primeiro Pedido: https://amzn.to/3z1Inui ✅Várias Opções de Microfone: https://amzn.to/3QJjWae Qual o MELHOR Microfone Gamer para comprar em 2025? Os 5 Melhores Microfone gamer Custo Benefício 🎤 Qual o MELHOR Microfone Gamer para comprar em 2025? Descubra os 5 melhores microfones gamer com custo-benefício que vão turbinar suas lives, gravação e gameplay ! 🎮🔥 Se você quer um microfone gamer barato , mas sem abrir mão da qualidade, este vídeo é pra você! Vamos te mostrar microfones de mesa para PC , com ótima captação de áudio, designs incríveis (inclusive microfone gamer branco 😍) e funções que fazem a diferença no seu setup. Entre os destaques, temos o famoso Microfone Gamer HyperX QuadCast S , microfone de mesa Fifine e outras opções que oferecem o melhor custo-benefício do mercado. 💰 Quer saber qual o melhor microfone gamer para comprar? Qual o microfone gamer mais vendido e qual entrega áudio profissional gastando um pouco? Então assista até o final e escolha o melhor microfone gamer de 2025 para você! 🔔 Não esqueça de se inscrever no canal e ativar o sininho para mais reviews e dicas de produtos gamers! Não compre antes de conferir nossa análise! 🔥 🚫NÃO CLIQUE AQUI: https://bit.ly/3SjHNhI 🔴🔻Capítulos do Vídeo: 00:00 5 Melhores Microfones Gamer Custo Benefício 00:52 Melhor Microfone USB FIFINE A6V 01:13 Microfone com cancelamento de ruído externo 02:00 Microfone Condensador USB HyperX Solocast 02:25 Microfone gamer com pedestal 02:54 Microfone dinâmico USB/XLR FIFINE 03:04 Microfone gamer com conexão usb 03:49 Microfone Gamer HyperX QuadCast S 04:03 Microfone com sensor de toque bom 04:50 Microfone Gamer HyperX QuadCast 05:07 Microfone Gamer com som cristalino 05:42 Obrigada por Assistir até o Fim!!! ------------------------------------------------------------------------------------------ ➡️ Inscreva-se no canal: https://bit.ly/Inscreva-senocanalAQUI 🌟Compartilhe este vídeo:     • Qual o MELHOR Microfone Gamer para co...   ◾◾◾◾◾◾◾◾◾◾◾

[veryberrybunny]

I posted this in video format, but i figured I'd summarize into text. I got the hyperx quadcast S (using my money, not sponsored) to replace my solocast, and I've been using it for a couple weeks now. Thoughts:

Pros:

- sounds clearer than the solocast and much clearer than your average headset mic

- tap to mute is VERY convenient and easy to tell when you're muted (rgb turns off)

- gain wheel is very convenient to make easy adjustments on the fly

- headphone jack is great for monitoring

Cons:

- price difference between the solocast and quadcast (about 4x more) is hard to justify when it's not a massive increase in quality

- gain wheel is too easy to control, easy to bump it without noticing and blow out everyone's eardrums

So far I really like it and the sale made it easier to stomach the price tag!

[sersilentfive]

So, I've been nervous about doing more hypno-files because I'm always uncertain about my voice, but that was partially because of lung issues and my headset.

Sometime in December, I will be receiving a HyperX SoloCast microphone to augment my setup! This should allow me to try some new things out.

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer For video editors, streamers, and gamers looking for a USB microphone with great sound quality, the HyperX SoloCast is a must have. It’s Plug N Play, making it simple to use, with some of our fan-favorite conveniences like the tap-to-mute sensor and LED mute indicator. The versatile microphone has a flexible, adjustable stand and is also compatible with most boom arms, so it can either sit on your desk or work mounted. Certified by TeamSpeak and Discord and compatible with OBS, XSplit, Streamlabs OBS and a number of other programs, it’s an extremely streamer-friendly microphone. If you have any questions about the product, feel free to reach us through the following points, HyperX Support HyperX India Facebook page HyperX India Instagram page HyperX Twitter handle Customer Support - (Monday-Saturday 09:30–17:00) Plug N Play audio recording Tap-to-Mute sensor with LED status indicator Flexible, adjustable stand Boom arm and mic stand threading Multi-device and program compatibility Plug N Play audio recording Get quality audio recordings with this easy-to-use USB condenser microphone. The cardioid polar pattern prioritizes sound sources directly in front of the microphone. Tap-to-Mute sensor with LED status indicator Simply tap the top of the mic to mute, and the signature LED indicator lets you immediately see whether or not you’re broadcasting. Flexible, adjustable stand The easy-to-position stand swivels to support a variety of setups. You can even fit it under a monitor if your setup is tight on space. Boom arm and mic stand threading Versatile microphone fits 3/8-inch and 5/8-inch threaded setups, making it compatible with most mic stands or boom arms.

Multi-device and program compatibility Get great sound whether you’re connecting to a PC, PS4, or Mac. SoloCast is certified by Discord and TeamSpeak, and works on major streaming platforms like Streamlabs OBS, OBS Studio, and XSplit. Add to Cart Add to Cart Add to Cart Add to Cart Add to Cart Customer Reviews 4.3 out of 5 stars 70,284 4.3 out of 5 stars 70,284 4.3 out of 5 stars 70,284 4.3 out of 5 stars 70,284 4.3 out of 5 stars 70,284 Price ₹5,510.00₹5,510.00 ₹9,999.00₹9,999.00 ₹13,799.00₹13,799.00 ₹8,008.00₹8,008.00 ₹18,299.00₹18,299.00 Polar Pattern Cardioid Stereo/Omni/Cardioid/Bidirect Stereo/Omni/Cardioid/Bidirect Cardioid/Omnidirectional Cardioid Lighting Red Red RGB RGB x Bit Depth/Sample Rate 24-bit/96kHz 16-bit/96kHz 16-bit/96kHz 24-bit/96kHz 20Hz - 20kHz Connection USB Type C USB Mini USB Type C USB Type C Balanced 3-pin XLR male Condenser Capsules One 14mm electret capsule Three 14mm electret capsules Three 14mm electret capsules Two electret capsules

Gold Coated External Polarized Tap to Mute ✓ ✓ ✓ ✓ x Pop Filter x ✓ ✓ ✓ ✓ Shock Mount x ✓ ✓ ✓ ✓ Gain Control x ✓ ✓ ✓ ✓ Headphone Output x ✓ ✓ ✓ x Plug N Play audio recording: Get quality audio recordings with this easy-to-use USB condenser microphone. The cardioid polar pattern prioritizes sound sources directly in front of the microphone. Tap-to-Mute sensor with LED status indicator: Simply tap the top of the mic to mute, and the signature LED indicator lets you immediately see whether or not you’re broadcasting. Flexible, adjustable stand: The easy-to-position stand swivels to support a variety of setups. You can even fit under a monitor if your setup is tight on space. Boom arm and mic stand threading: Versatile microphone fits 3/8-inch and 5/8-inch threaded setups, making it compatible with most mic stands or boom arms*. * Microphone boom arm not included Multi-device and program compatibility: Get great sound whether you’re connecting to a PC, PS4, or Mac. SoloCast is certified by Discord and TeamSpeak, and works on major streaming platforms like Streamlabs OBS, OBS Studio, and XSplit. 2-year warranty with free techincal support [ad_2]

[timpac-capstone]

Spring Update 3: Sound and Voice Acting

Most sound effects that I used, or at least the good ones, came from splice.com. They are a paid subscription but they do have a 1 week free trial you can use. Just download a video & audio recording software like OBS and you can record the sounds from the website that way. I would use YouTube for the more popular and specific sounds that everybody has heard before, so a stock wipe transition or the Tickle Belt Theme from Sponge Bob. If you try to only download sounds from YouTube it may take a while to find something that is useful or to find a variety of the same sound that all sound good, such as the punch sound effects.

Sometimes it might be worth it to do some foley work yourself. I had the most trouble finding a good cloth sound effect for the blanket and the empty bags. At first, I tried using my actual blanket but it did not give the desired sound I wanted and my bedframe itself is really loud whenever I move. So I experimented with a few other cloth-based materials and finally, I grabbed my towel from the bathroom and it was perfect. It had the right amount of subtleness that I wanted and I could control the length of time I ruffled it. Other places I used foley work was sifting through the popcorn bucket by making my own bag of popcorn and then sifting through that, the crunching sounds of the popcorn were actually me eating Doritos cause crunches from chips are louder than crunches from popcorn, the VHS tapes moving around was me fidgeting with a VHS tape since I had 71 of those laying around and I asked my mom to bring our old VHS player up to Hoboken so I can record any subtle sounds it makes, and then Dillon washing his face was me washing my face with CeraVe Foaming Facial Cleanser.

The Zoom mics can pick up a lot of background noise, so did my HyperX Solocast, and many of the sounds from YouTube. This video shows a variety of methods you can get rid of background noise in Adobe Audition, highly recommend giving it a watch if this is what is bugging you.

It's also a good idea to record some white noise for your animation, this includes indoor scenes. Usually, when there is absolute silence between pauses when characters are talking it feels awkward or when there are only footsteps and clothes moving. It's also a great way to distinguish different settings from each other. Dillon's room uses the white noise from my own room while the white noise in the brain room is from the bunker. I tried using the same white noise throughout the animation but whenever we transitioned to a different setting it felt like the same place rather than two separate settings.

The one thing I severely regret not doing is not taking advantage of some of the Music Tech equipment Stevens has. They have an entire soundproof booth for voice recording in the back left of the studio on the third floor of Kiddie 350 and a bunch of professional microphones and headphones that sound 1000x better than the stuff I was using. I have a Music Tech friend who is also a monitor at the studio and I have known about this since the fall semester. The reason why I didn't do it earlier was because I was just shy about people looking at me trying to voice act. I also didn't know what was the policy about Vis Tech students using the Music Tech stuff but I'm sure if I just emailed some professor about it we could have worked something out, especially since the Music Tech people use equipment from the Fablab all the time. They can also help you out with sound effects as well, I had a tough time trying to find a music cue for the last scene when Dillon closes his eyes. I wanted it to be something like the Smiling Friends ding music cue when they get somebody to smile but I couldn't find it by itself on Youtube. That was until I showed it to my Music Tech friend and he plugged a bunch of things into the keyboard and I got exactly what I needed. However, I only used these good mics for stuff like grunts, snores, and screams. If I used my normal mic it would either peak past the point of it being fixable or it was too quiet and the background noise would always creep in. Also, since I was still unsure of bringing in other actors at this point it's going to be much harder to coordinate a time when all 3 of us, me, my Music Tech friend, and my actor, could be in the studio together at the same time. To keep audio quality consistent I decided it would be best just to use my mic for actual dialogue and the good mic for stuff my mic physically can't perform, also just to make my life easier cause it took a while to get some of these takes. For any future Stevens students that are reading this you 100% know at least one Music Tech major since a lot of them will take the art classes as humanities so it doesn't hurt to reach out to them and ask if they can bring you to the studio, the worst they can say is no.

Instead of the booth, I used the Fablab equipment room for recording the female Vis Tech/Theater Club student voice actor. It's pretty soundproof in there except for a vent that makes a tiny rattle noise but that can easily be taken out if you watch the YouTube video I linked, just record some dead noise as a sample and you'll be fine. However, I had access to this place because I am a Fablab monitor so I can't guarantee that the faculty will let you do what I did. Also, even though I did say this place is soundproof, what I mean by that is that it doesn't echo when you talk into the mic and doesn't pick up a lot of white noise. But the walls are thin so if it's an active day you can hear people from the teacher's offices or the laser cutter room. Also, Fablab people are constantly gonna walk in to get equipment and you'll just be in their way so it's best to go in there outside of their active hours which I highly doubt they would let you do. But again it doesn't hurt to ask.

For the actual voice acting part I'd say, just have fun with it. You obviously don't have the budget to hire one professional voice actor let alone several professional voice actors so the only way to get a good performance is just by experimenting. I have never done any voice performative work or any stage acting. The only actual acting I've done is in my videos and a lot of that acting is pretty much the same character so to play like 6 different characters and trying to make them each distinctive was a big challenge. And if it wasn't obvious from this post I do get very self-conscious whenever I do show my performative pieces. But somewhere in February I just said "Fuck it, I'm never gonna see these people ever again after this is over, I don't care if this is the most cringy shit anybody has ever seen, I need these voice clips for the critique". Once I stopped caring about people judging me the voice-acting part became a lot easier, obviously the first take you get from yourself or from others is not going to be what you want because your job as the director is trying to find that voice. Sometimes that means randomly moaning into the mic from exhaustion because you can't figure out how to sound like a fourth grader and then playing as an anime character cause you thought it was funny but eventually, you'll find it. Also if you get your friends involved try to make it fun for them too cause they are in an unfamiliar situation as well and they are pretty much doing you a favor even if you're paying for their time. This girl that I hired I was under the impression that she didn't like me so even asking her to be a part of my project was a bit nerve-wracking but as I keep saying it won't kill you to just ask and surprisingly she agreed. And then on the day of the recording, I just asked her simple questions like "How has your day been so far?" and then tried to have a mini conversation about that or show some of the funny bloopers from when I was voice acting. I believe it helped loosen us up a bit to each other and the further we got into the session the less awkward I felt. Also, doing all the voices on your own first, even if it's a really shitty voice, can make it significantly easier for your actors to understand what type of performance you want them to go for.

Finally, we move on to the actual sound mixing. Once you clean up all the audio in Adobe Audition you should then port all of those into Premier Pro, including all the takes you don't want. When you splice clips together you never know what take from one actor might work the best with another take from a different actor. With the female actor, I think we did like 5 or 6 takes to get the ending part of the teacher exactly the way I thought would work, and then I ended up using the 2nd or 3rd take because it flowed better when I cut it up a bit and played it back with my performance in context with hers. Other times I would speed up/slow down/reverse or pitch correct certain sound effects I thought were bad at first but then became what I wanted them to be when I did those manipulations. Something I would not recommend doing is leaving all of this stuff last minute, most of the sound mixing I did the day before the Capstone exhibition which drove me insane. I had to constantly replay the same clips and listen to the same sounds and jokes over and over again throughout the day to see if everything was playing well together and then obviously I would have to play everything from the beginning once it was rendered to make sure the sound was consistent throughout the whole animation. You don't want to force your audience to manually turn up and down their headphones as they watch your piece otherwise they won't watch it all the way through. Definitely give yourself a week because the sound in an animated short is just as important as the visuals themselves.

[hongkongmaono]

Choosing the Perfect Gaming Mic: A Comprehensive Guide

Introduction: A high-quality gaming mic is an essential accessory for gamers who want to communicate clearly with teammates, stream content, or engage in online multiplayer battles. With a myriad of options available, selecting the right gaming mic can seem daunting. This guide aims to simplify the process by highlighting key factors to consider and recommending top choices for every budget and gaming setup.

Types of Gaming Mics:

There are primarily two types of gaming mic: standalone microphones and headset microphones.

Standalone microphones offer superior audio quality and flexibility but require a separate mount or stand.

Headset microphones are integrated into gaming headsets, offering convenience and mobility but may sacrifice audio clarity.

Audio Quality:

Crystal-clear audio is paramount for effective communication and immersive gaming experiences.

Look for gaming mics with noise-canceling features, wide frequency response, and high sensitivity to capture clear and natural sound.

Connectivity Options:

Consider the connectivity options compatible with your gaming setup.

USB gaming mics offer plug-and-play convenience and are suitable for PC gaming.

XLR gaming mics provide professional-grade audio quality and are commonly used by streamers and content creators.

Directional Characteristics:

Gaming mics come with various directional characteristics, including cardioid, omnidirectional, and bidirectional.

Cardioid mics focus on capturing sound from the front, ideal for single-user setups.

Omnidirectional mics capture sound from all directions, suitable for group gaming sessions or streaming.

Build Quality and Durability:

Opt for gaming mics constructed from durable materials that can withstand long gaming sessions and occasional bumps or drops.

Metal or sturdy plastic construction ensures longevity and reliability.

Additional Features:

Some gaming mics come with additional features such as mute buttons, volume control, and adjustable stands or boom arms.

Consider whether these features align with your gaming preferences and workflow.

Top Gaming Mic Recommendations:

Entry-Level: HyperX SoloCast USB Gaming Microphone

Mid-Range: Blue Yeti USB Microphone

High-End: Elgato Wave 3 USB Condenser Microphone

Professional: Audio-Technica AT2020 XLR Microphone

Conclusion: Investing in a high-quality gaming mic enhances your gaming experience by facilitating clear communication, immersive sound, and seamless streaming. By considering factors such as audio quality, connectivity options, directional characteristics, build quality, and additional features, you can select the perfect gaming mic to elevate your gaming setup and conquer the virtual battlefield with precision and clarity.

For more info. visit us:

mic stands

usb condenser mic

podcasting kit

[smhaider]

Roll over image to zoom inHyperX SoloCast – USB Gaming Microphone, for P...

[sazzad23]

HyperX SoloCast – USB Condenser Gaming Microphone Review

[gazeta24br]

De hoje (29/8) ao final do próximo domingo (3/9), quatro headsets, três mouses, dois teclados e um microfone poderão ser adquiridos a preços promocionais; as 10 ofertas podem ser conferidos aqui Jogadores do mundo inteiro comemoram hoje, 29/08, o Dia Internacional do Gamer e a HyperX, equipe da HP Inc. dedicada a periféricos gamer e líder em produtos para games e eSports, entra no clima da data para celebrar junto com a comunidade. Até às 23h59 do próximo domingo (3/9), consumidores que quiserem turbinar seus setups de jogos podem aproveitar ofertas rotativas em dez periféricos HyperX. São quatro headsets, três mouses, dois teclados e um microfone que podem ser adquiridos com descontos de até 60% em varejistas parceiras. A lista completa dos produtos e preços promocionais pode ser vista na landing page exclusiva da campanha. Entre os principais destaques, o HyperX Cloud Stinger Core, headset de entrada da HyperX, focado no custo-benefício, está à venda com desconto de 59,9%. O produto que tem preço sugerido de R$ 369 pode ser comprado durante a campanha por apenas R$ 147,87. Jogadores de games dos gêneros Battle Royale, MOBA (Multiplayer Online Battle Arena) e MMO (Massive Multiplayer Online) também têm muitas oportunidades exclsuivas. Uma sugestão é o HyperX Pulsefire Raid, mouse ergonômico, de alta performance que conta com 11 botões programáveis e pode ser encontrado até 56,6% mais barato. O produto que tem preço sugerido de R$ 346 está à venda por apenas R$ 150. Outro periférico em oferta arrasadora é o HyperX Alloy Origins 60, um teclado mecânico com iluminação RGB em LED personalizável e que tem 60% do tamanho de um teclado padrão – layout ideal para facilitar o transportar e de ser utilizado em superfícies menores. O periférico, que tem preço sugerido de R$ 706,76, está disponível na campanha de Dia do Gamer da HyperX por R$ 399,90, um desconto de 43,4%. Por fim, o microfone HyperX SoloCast na cor branca, é uma excelente opção para streamers e criadores de conteúdo que buscam um equipamento de qualidade, com recursos práticos que otimizem e aprimorem suas gravações e transmissões. O periférico que normalmente custa R$ 458,81 está à venda por preços que chegam a R$ 339,99 - desconto de até 12,8%. A lista completa de produtos HyperX em promoção do Dia Internacional do Gamer pode ser vista aqui. Para mais informações sobre a HyperX e seus produtos, acesse o site. Sobre a HyperX Há 21 anos, a missão da HyperX tem sido desenvolver soluções gaming para cada tipo de gamer. A empresa é consistentemente reconhecida por fornecer produtos que proporcionam conforto, estética, desempenho e confiabilidade. Sob o slogan "WE ARE ALL GAMERS", os headsets, teclados, mouses, microfones USB e acessórios de console são as escolhas dos gamers profissionais ou casuais, entusiastas de tecnologia e overclockers bem como celebridades embaixadoras em todo o mundo, pois atendem às especificações de produto mais rigorosas e são construídos com os melhores componentes de suas categorias. Mais informações sobre a HyperX estão disponíveis no site. Sobre a HP A HP Inc. é uma empresa de tecnologia que acredita que uma ideia inteligente tem o poder de mudar o mundo. Seu portfólio de produtos e serviços de sistemas pessoais, impressoras e soluções de impressão 3D ajudam a dar vida a essas ideias. Mais informações sobre a HP Inc. estão disponíveis no site. HyperX e o logotipo HyperX são marcas registradas ou marcas comerciais da HP Inc. nos EUA e / ou em outros países. Todas as marcas registradas e marcas comerciais são propriedade de seus respectivos proprietários.

[aportesur]

HyperX lanzó el nuevo micrófono USB SoloCast

HyperX lanzó el nuevo micrófono USB SoloCast. #HyperX #SoloCast #Microfono @HyperXLatam

Este nuevo micrófono cuenta con luces RGB integradas. La gente de HyperX de Kingston nos trae uno de sus productos más novedosos, nos referimos al micrófono USB SoloCast, ideal para creadores de contenido y streamers. Este dispositivo nos ofrece la característica de grabación de audio a través de su función de Plug N Play, con un botón para mutear que nos indica esto a través de una luz…

[thesophiewhit]

On Writing My First Audio-Drama Podcast

A daring solo adventure with a big love for audio-drama (Welcome to NightVale. What’s the Frequency. The Enoch Saga. Raising the Dead (Again), The Byron Chronicles. Harlem Queen and more!) and absolutely zero idea how to work a proper editing program except for iMovie.

A recipe for disaster, you say? Or is it a daring adventure? 

I decided it was a little bit of both, mixed with a chaotic storm of utter, well, chaos. But, I went with it anyway. 

And what did I learn from producing? (Producing solo. Yes, that includes but is not limited to: writing the 200 pages for a first season, recording different voices like I’m Gollum, finding copyright free music, producing an original song cover even if I’ve never sang before, editing recaps, theme songs, setting up Twitter accounts, Instagram, YouTube channels. Email addresses. Websites. Blog tours.)

And on top of that, still waiting on getting approved by podcasting hosts? (Cries in impatience).

I have a little screensaver on my phone that says: write, finish things, keep writing from fave emo author Neil Gaiman. @neil-gaiman​ (the inside home screen says something about managing anxiety and is super sweet.)

So, I listened to virtual motivator Neil Gaiman and got to writing the audio drama. 

I am an indie producer who’s really new at this, so take my word with a whole lot of NaCl grains, but here goes...

AUDIO-DRAMA PODCAST TIPS FROM SOMEONE WHO’S STILL LEARNING THE ROPES

1. It is a non-universally acknowledged fact that a podcast episode goes for 20 minutes- 1 hour. My episodes hit the 20 minute mark. 9 Episodes = approximately 180+ minutes of footage. 

2. In script speak, a single page of a script runs for approximately 2 minutes of edited dialogue (leaving room for adding SFX and music). One episode for me (20 minutes), meant writing 10 pages of a very non-formatted script. (But it worked for me. What works for me might not work for you, vice-versa)

3. Music makes a podcast sound professional. I used FreeMusicArchive for a lot of my music. When I needed to produce an OG song for my season finale, I went with “House of New Orleans” and made it sound, you know, ghostly. It’s a horror podcast, it fit my theme

3.5. SFX also make your podcast sound so good. Yes, laugh at my for iMovie editing, but the SFX are free for use (iMovie encourages this). Aside from good dialogue, sound design really helps you build your world. (Outside of music, of course). Think of it like watching a movie. That sound of someone creeping along wooden floors in a horror movie, the background noise of traffic on a busy NYC street, even knocking on a door. These elements bring your audio-drama to life. I favored SoundBible and FreeSounds.

4. Speaking of themes! Pick a genre for your audio-drama. You can mix genres too, within general reason (this is for marketing purposes, you understand. And social media loves to limit how many characters you get to type. Twitter, I’m looking atcha). Comedic drama. Horror mystery. Romantic necromancy, whatever. Just find a branding theme and stay there. This will help you build a podcasting family! For example, I have a horror/paranormal podcast family. We’re tight knit. Lots of goth clothing.

5. Reach out to other podcasting peoples. You’re family, not dueling rivals. When I was starting out (heck, I’m still a pod-baby), I asked so many questions. I tweeted out into the void with my #PodernFamily #AudioDrama hashtags and asked about marketing yourself, sound design, podcast hosting etc.

6. Speaking of which, you’re going to need a HOST before you get your Podcast released onto iTunes, Google Play etc. I used Anchor, but I know others who used SoundCloud etc etc.

7. The host might automatically publish your show onto podcast providers (iTunes/Google Play etc), or you might need to manually submit your RSS feed. You can find it from your podcast host (Anchor you access settings, I believe), but this RSS is your ticket to distributing said podcast TO THE WORLD.

8. Set up a Ko-Fi or Patreon so you can have a lil nudge into buying equipment/funding your art. (Mine is https://www.ko-fi.com/sophiefae , what’s up? *winks*)

9. Make things. You’re the number one marketer on your team. Make trailers. Make graphics. Make a kickass cover for your audio-drama so people want to click on that badass-looking icon. I find this fun, some people might find this irritating. I’m just living my best life with PhotoShop even if I have no idea what I’m doing. What’s up?) 

10. Learn how to do sound design. Okay, I’ll admit, I’ve been using iMovie up until now because I’m a coward. But a very lovely podcasting community helped me learn how to use Audacity. We’re getting there, fellow new-programs-are-scary-and-have-demons learners. We’re getting there.

Edit together bloopers/ a highlight reel/ a behind-the-scenes interview, or a little season trailer to play before your episodes so people can just dive right into your drama of the audio.

My trailer for Grimm and Glitter, by the way: (sup *winks*)

Have any other tips for budding podcasters or audio drama makers? Leave them below! 

Social media for Grimm and Glitter Podcast if anybody’s curious...

Twitter: @GrimmGlitter @Fae_Sophie (like cheeky horror movie GIFs, me too)

Instagram @FirstAmongFae (fun if you’re into goth cosplay)

YouTube: Sophie Fae (trailers and episodes)

Website if you wanna listen to an audio-drama about goth and prep girlfriends battling demons together in a small beach town: 

https://firstamongfae.wixsite.com/grimm/grimm-glitter

Meet Grimm & Glitter- two superpowered teens who fight evil in an isolated beach town. Just don't look behind the red door...

In the middle of butt-nowhere called “Calamity Beach”, 16-year old Grim and 17-year old Glitter find a hole in the abandoned amusement park just outside the town. The tunnel leads to a locked red door that not even light can get through.  Things would all be fine and dandy (no questions asked) except for the strange noises seeping out of it.

That, and ever since going down there, Grim and Glitter suddenly gain mysterious powers. Grim can’t stop hearing people’s thoughts, and Glitter can see the ghosts of the dead.  

Can these two teenagers discover the secrets lying beneath Calamity Beach? Or will time run out before the summer ends?

[zoomtecnologico]

HyperX lanza micrófono USB SoloCast

HyperX lanza micrófono USB SoloCast #HyperX #SoloCast

HyperX, la división de productos de alto rendimiento de Kingston Technology, anunció el lanzamiento del micrófono USB HyperX SoloCast para streamers y creadores de contenido. HyperX SoloCast ofrece la capacidad de grabación de audio Plug N Play y una función de tocar para silenciar que indica el estado de silencio cuando el LED rojo parpadea. Debido a que utiliza un patrón de grabación cardioide,…

[train2game-news]

Train2Game News New SoloCast Mic For Streamers HyperX, the gaming division of Kingston Technology, Inc., today announced the release of HyperX SoloCastTM USB microphone for streamers and content creators.

[smhaider]

HyperX SoloCast – USB Condenser Gaming Microphone, for PC, PS4, PS5 and ...