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#some similar to the original trilogy and some all of it's own
nellasbookplanet · 1 year
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The more time I sink into andromeda, the more I suspect the biggest reason it ultimately failed commercially was because of the massive tonal shift I've already mentioned, and how there was probably a pretty big chunk of original trilogy players who simply no longer fit as a demographic, while the game failed to reach the people who might’ve enjoyed it.
The original trilogy, much as I love it, feels a little bit like a wishfulfillment power fantasy for a very obvious demographic. Almost all women are overtly sexy in design and the f/f relationship in the first game seems to be written along the guidelines of 'what would a straight man find hot'; you play as someone cool and confident and powerful, the most specialest human ever, and maybe you aren’t always respected but YOU and the NARRATIVE always know you're right and you get to be rude to and sometimes punch/murder people who disagree with you so it’s fine. The game then salvages all this by means of genuinely well-written characters and arcs, really cool sci-fi tech and lore, a fantastic story, and meaningful and hard-hitting choices and consequences (which also allow and often encourage you to steer away from that exact macho ideal).
Enter andromeda. Instead of being a super powerful supersoldier from the start, you're the kid of one. You barely know what you're doing. Everyone doubts you, including yourself. You don’t get the assuredness of knowing you are Right and Cool that you have as Shepard. You don’t demand that same respect. And I'm sure there are a lot of people who hated that.
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olderthannetfic · 2 months
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I feel like such a hypocrite reblogging all these posts about how people like male characters more than female ones even if they have similar personalities/roles/wtv, but I read about this stuff precisely because I relate to it. "People think everything men do is cool and everything women do is either weak or Mary Sue" -- yes, it's me, I'm people. It's not like I do it deliberately or I'm proud of it, but I can observe and acknowledge the empirical fact that female characters just produce a very different emotional reaction in me than male ones.
I guess I like the safe distance of projecting onto characters who 1. are more obviously not me and 2. are judged less harshly than me (bc everything men do is cool) and that's not my fault, it's the patriarchy's, but then I can't challenge it. I can't say "women can be just as cool and we shouldn't be judged more harshly", I can only say "yea women suck let me forget I am one" like I'm still in my 9gag nlog tween phase -- or well, I can *say* the former, but I keep *acting and feeling* like the latter. And btw I'm not just talking about consuming media, where all you can choose from is what's on offer; I'm also talking about creating my own fanfics, which are all about men.
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The reason a lot of those posts are so obnoxious is that they're just people wallowing in guilt and projecting.
The fact is, lots of people do like female characters. There's plenty of fiction about women. There's plenty of fic about women. There is not, in fact, some grand, existential problem where nobody cares about the ladies. If you aren't seeing this fic or original media, that's different from it not existing.
Two, your own fanfics? FFS. If you consume media that is a sausagefest, then of fucking course, your fic will be about dudes.
Just the other day, I spotted a story I hadn't read by a fantastic fantasy novelist. I hadn't looked her up much beyond buying her trilogy, and what do you know: she actually says who she is in fandom openly!
I was entertained to find out that her big thing is kylux. You really wouldn't guess based on her pro work, which is about a harried female doctor taking care of supernatural patients. I remember those books being a refreshing change from my usual diet of nothing but slash fic. It's not just that there's a female lead but that they take a nuanced look at female characters.
Personally, as a writer, I wasn't ready to write much about women until I was better at writing overall, and my more self inserty characters aren't usually going to be women anyway unless they're like Julia from the Hilary Tamar series.
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If you're uncomfortable with yourself, you can try to change, sure.
But fandom is full of this obnoxious plague where people think that it's the job of each person to make there be more female characters. This isn't necessary. Even if we want media or fic to be more balanced overall, it doesn't follow that each person needs to produce a balanced body of work.
Why should you in particular care about female characters?
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But beyond all that, oh my fucking lord, I am so tired of that species of post that's like "Gosh, why is slash fandom, where people go to be horny over dudes and/or have self inserty feelings about them, not more full of stuff about ladies? It's so tragic how we all want to get rid of our boobs and wear men's clothing and be addressed as sir, just like all the other girls. What's up with that? It must be misogyny."
With a totally straight face.
Every god damn time.
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roe-and-memory · 9 months
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every time someone says cars 3 is the worst cars movie another angel punches me in the stomach and pulls my hair.
this is probably just my intense special interest in the origins of nascar, but that movie feels like such a nice send-off for the main “trilogy”, and yes people can have their own opinions but i NEED to talk about how much this movie means to me
first of all, a major misconception is that lightning quit racing - he DIDNT! this is proven by both the end of the movie (where he says hes obviously going to keep racing) and cars on the road where, in the final episode, cruz and lightning wish each other “goodbye” and say they’ll see each other on the racetrack. he was only cruz’s crew chief for that one season, presumably healing from the trauma of the crash (because lets be real his ass did not mentally recover from that in FOUR MONTHS) and also waiting for a permanent crew chief to take his place.
second.. the sheer amount of detail put into that movie is INSANE. the racing center being shaped like grandstands at a track? fireball beach being both a direct reference to the daytona beach race course and also “fireball roberts”, a 1950s racer (he was actually the reason that firesuits were mandated in the sport), we meet a bunch of 1950s racers as well and just augh.. so good. also, the detail of thomasville being in north carolina is brilliant - N.C is the “racing state”, and thomasville speedway is based off of north wilkesboro, a track that was opened in 1949, and last used in 1996 (aside from the series of races in 2010), and it fell into disrepair. (fun fact, north wilkesboro is reopening in 2024 for the nascar all star race!! they fixed my bbg)
third. cars three brings so much more lore than the first movie did. yes, we knew doc raced in the 50s when the sport was getting its start, but in cars 3? they brought in characters based off of real 1950s racers (doc is based off of herb thomas, smokey is smokey yunick, lou is louise smith, junior is junior johnson, river is wendell scott, and leroy hemming is tim flock) (another reference in the movie is “jocko flockos party supplies” as macks disguise - jocko flocko was tim flocks pet monkey that was the FIRST and only co-driver in the history of the sport. he won a race with his monkey in the car with him :) )
as i was saying, the lore we learn is insane. we learn that lou and river had to fight for their place in the sport, which is similar to what both louise smith and wendell scott experienced in the 50s, they show us accurately how racing worked back then too - they didnt have fancy pits, they had a fence and a pit member with a sign that would tell them to come in the next lap for service. all of these cars are gen 1 nascar, which means that they were strictly stock - they had much more intense pit sessions than any of the other “built for racing” generations have ever needed. i recall watching a race wherein smokey yunick had to change the radiator of one of his racers vehicles mid-race due to a crash.
this isnt everything, but seriously for an animated movie about talking cars, they discuss grief and hardships and handle them so well its insane. i know cruz isnt everyones cup of tea, but (in reference to the flip scene at the end of the movie) watching cruz get shoved into the sport must’ve been insane for lou to watch. she saw herself in that girl. it wasnt some movie about lightning giving up, it was him sharing the torch with another kid who lost their way just like he had.
also i dont cry at movies but i literally bawl my fucking eyes out at the letters scene every time. its PATHETIC (its not im literally tearing up just thinking about it)
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virginiaoflykos · 1 year
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What to read after Light Bringer? (Series similar to Red Rising)
August 2023 update!
Red Rising is my favorite series of all time, and since I first read it, I have sought series and books similar in both spirit and execution. Some of these recs are books I haven’t read personally, but have often come up in discussions with other users!
1. The Stormlight Archive by Brandon Sanderson
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Status: ongoing, expected 10 books in total, 4/10 out at the moment
Book 1: The Way of Kings. The Way of Kings takes place on the world of Roshar, where war is constantly being waged on the Shattered Plains, and the Highprinces of Alethkar fight to avenge a king that died many moons ago.
2. The Craft Sequence by Max Gladstone
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Status: finished, 6/6 books out.
Book 1 (in publication order): Three Parts Dead. Comprised of 6 standalone books set in the same universe, the Craft Sequence tells the tales of the city of Alt Coulumb. The city came out of the God Wars with one of its gods intact, Kos the Everburning. In return for the worship of his people, Kos provides heat and steam power to the citizens of Alt Coulumb; he is also the hub of a vast network of power relationships with other gods and god-like beings across the planet. Oh, and he has just died. If he isn’t revived in some form by the turn of the new moon, the city will descend into chaos and the finances of the globe will take a severe hit.
3. Hierarchy by James Islington
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Status: ongoing, 1/3 planned books out
Book 1: The Will of the many. The Will of the Many tells the story of Vis, a young orphan who is adopted by one of the sociopolitical elites of the Hierarchy. Vis is tasked with entering a prestigious magical academy with one goal – ascend the ranks, figure out what the other major branches of the government are doing, and report back. However, that isn’t quite as easy as Vis or anyone else thought it was going to be…
4. Suneater by Christopher Ruocchio
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Status: ongoing, 5/7 books out
Book 1: Empire of Silence. Hadrian is a man doomed to universal infamy after ordering the destruction of a sun to commit an unforgivable act of genocide. Told as a chronicle written by an older Hadrian, Empire of Silence details his earlier adventures and serves as an introduction to the characters and the setting.
5. Dune by Frank Herbert
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Status: completed, 6/6 books out
Book 1: Dune. Set in the distant future amidst a feudal interstellar society in which various noble houses control planetary fiefs. It tells the story of young Paul Atreides, whose family accepts the stewardship of the planet Arrakis. While the planet is an inhospitable and sparsely populated desert wasteland, it is the only source of melange, or "spice", a drug that extends life and enhances mental abilities.
6. The Expanse by James S A Corey
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Status: completed, 9/9 books out
Book 1: Leviathan wakes. Set hundreds of years in the future, after mankind has colonized the solar system. A hardened detective and a rogue ship's captain come together for what starts as a missing young woman and evolves into a race across the solar system to expose the greatest conspiracy in human history.
7. The First Law by Joe Abercrombie
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Status: completed. 3 books in the original trilogy + 3 standalone books + 3 books in the newest trilogy
Book 1: The Blade Itself. The story follows the fortunes and misfortunes of bad people who do the right thing, good people who do the wrong thing, stupid people who do the stupid thing and, well, pretty much any combination of the above. Survival is no mean feat, and at the end of the day, dumb luck might be more of an asset than any amount of planning, skill, or noble intention.
8. Cradle by Will Wight
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Status: completed, 12/12 books out
Book 1: Unsouled. Lindon is Unsouled, forbidden to learn the sacred arts of his clan. When faced with a looming fate he cannot ignore, he must rise beyond anything he's ever known...and forge his own Path
9. Hyperion Cantos by Dan Simmons (one PB’s favorites)
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Status: completed, 4/4 books out
Book 1: Hyperion. The story weaves the interlocking tales of a diverse group of travelers sent on a pilgrimage to the Time Tombs on Hyperion. The travelers have been sent by the Church of the Final Atonement, alternately known as the Shrike Church, and the Hegemony (the government of the human star systems) to make a request of the Shrike. As they progress in their journey, each of the pilgrims tells their tale.
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alexcollix7 · 1 year
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Sarah J Maas: plagiarism or inspiration
In this post we are going to discuss the various and stricking similaries between Sarah J Maas series TOG/ACOTAR with original books she admited to consume, as well as the use of direct lines from movies, books and tv shows in her books, and where do we draw the line in what we consider to be inspiration vs plagiarism.
As some people know, SJM is a big fan of Anne Bishop's work, especifically her Black Jewels trilogy. Some people already noticed similarities between the two series (and in her TOG books as well) in terms of storyline, races and characters, but it's not nearly talked about enough.
It's good to make clear that the first book of "the black jewels" was published in 1998 and the last one of the trilogy was published in 2000, over 12 years before acotar and TOG was even launched. So Bishop's work was around a long time before sjm started to publish her books.
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That being said, let's start with the fact that the beginning of her first series TOG is pratically the same as the beginning of the second book of The Black Jewels, Heir to the Shadows, but with a different character:
"After a year of slavery in the Salt Mines of Endovier, Celaena Sardothien was accustomed to being escorted everywhere in shackles and at sword-point. Most of the thousands of slaves in Endovier received similar treatment—though an extra half-dozen guards always walked Celaena to and from the mines. That was expected by Adarlan’s most notorious assassin. What she did not usually expect, however, was a hooded man in black at her side—as there was now" (TOG, 2012)
"Surrounded by guards, Lucivar Yaslana, the half-breed Eyrien Warlord Prince, walked into the courtyard, fully expecting to hear the order for his execution. There was no other reason for a salt mine slave to be brought to this courtyard, and Zuultah, the Queen of Pruul, had good reason to want him dead. Prythian, the High Priestess of Askavi, still wanted him alive, still hoped to turn him to stud. But Prythian wasn't standing in the courtyard with Zuultah." (Heir to the Shadows, 1999).
So, Sarah's first work begins with a paragraph that is already really really similar to the first one in Bishop's second novel.
Now, let's then move on to the part that shocked me the most and made me sure of doing this post: The extreme and undeniable resemblance between the Illyrians with the Eyriens, a race portrayed in Bishop's Black Jewels books, who one of the main characters, Lucivar (coincidentally or not, Sarah's favorite one) is a part of.
The Eyriens are described to be warriors with tanned skin, gold eyes, and "batlike wings". Eyrien males are trained in hunting camps as children, and the females are forbidden to touch weapons. They are often found in a mountainous territory called "Askavi Terreille", and carry prejudice against half-eyriens. Does all that sounds familiar?
The Illyrians are so much like the Eyriens, it's not even funny. They have bat-like wings, the males are trained in camps, live by the mountains, have their own personalized weapons, and the females are usually mistreated and not allowed to fight. And what does Rhysand suffer from them? Prejudice, because he's half illyrian. Even their physical characteristics are the same: golden brown skin, hazel eyes, black hair. What mainly sets on them apart is their names (which still sound pretty similar) and the fact that the illyrians have tattoos.
"He spread his dark, membranous wings, trying to ease the ache in his back." ( Daughter of the blood, page 12)
"Indeed, it was still Rhysand’s face, his powerful male body, but flaring out behind him were massive black membranous wings—like a bat’s, like the Attor’s" (ACOTAR, page 348)
"Still, it was home, and centuries of enslaved exile had left him aching for the smell of clean mountain air, the taste of a sweet, cold stream, the silence of the woods, and, most of all, the mountains where the Eyrien race soare" (Daughter of the blood, page 16)
"The Illyrians … We love our people, and our traditions, but they dwell in clans and camps deep in the mountains of the North" (ACOMAF, page 165)
"He had never felt this weary, this beaten. Not as a half-breed boy in the Eyrien hunting camps, not in the countless courts he'd served in over the centuries since" (Heir to the darkness, page 13)
“When I turned eight, my mother brought me to one of the Illyrian war- camps . To be trained, as all Illyrian males were trained" ( ACOMAF, page 168)
”She kept resisting because Eyrien females traditionally didn’t touch a warrior’s weapons" (Queen of the darkness, page 151).
“Some camps issued decrees that if a female was caught training, she was to be deemed unmarriageable. I can’t fight against things like that, not without slaughtering the leaders of each camp and personally raising each and every one of their offspring.” (ACOMAF, page 434)
”There are reasons why Eyrien males are the warriors— Lucivar said, his eyes skimming over the women as he paced slowly down the line and back again.— We’re bigger, stronger, and we have the temperament for killing. You have other strengths and other skills. Most of the time, that works out well." (Queen of Darkness, page 156)
“The  Illyrians— Rhys smoothly cut in, that light finally returning to his gaze — Are unparalleled warriors, and are rich with stories and traditions. But they are also brutal and backward, particularly in regard to how they treat their females.” (ACOMAF, page 166)
"She wanted to cut the wings off, raise the boy as Dhemlan maybe. But he said no, in his soul the boy was Eyrien, and it would be kinder to kill him in the cradle than to cut his wings" (Daughter Of The Blood, page 138)
“I banned wing-clipping a long, long time ago, but … at the more zealous camps, deep within the mountains, they do it." (ACOMAF, page 434).
"But they’re good boys, and they’ll carry their weight. And they are full-blooded  Eyriens — he added.
— So they don’t carry the stigma of being half-breeds? — Lucivar asked with deadly control." (Queen of the Darkness, page 39)
"He gave Rhys command of a legion of Illyrians who hated him for being a half-breed" (ACOMAF, page 136)
"Then he called in his Ebon-gray Jewels and the wide leather belt that held his hunting knife and his Eyrien war blade" (Heir to the shadows, page 257)
"I went from physical defense to learning to wield an Illyrian blade, the weapon so fine, I’d nearly taken Cassian’s arm off." (ACOMAF, page 367)
Some people can look at this as simple inspiration, but others consider the races to be almost identical. Their prejudices, the place they live, the place where they train and how they train being the same, with only a few minor key points being changed.
In Bishop's work men and women are adressed and divided as "males" and "females". Their society is based the existence of jewels, where the darker someone's jewel is, the more powerful that person becomes.
The jewels are close to what SJM called siphons, used by the illyrians. They are a representation of the powers of members of the blood, serve as containers, and vary in colors. Siphons, however, are literally jewels who filter Illyrians powers, manipulating magic. Members of the blood can have more than one jewel, and illyrians can have more than one siphon.
"An uncut Jewel is a rare thing, little Sister —   Titian said, removing something from the box.    — Wait until you know who you are before you have it set. Then it will be more than a receptacle for the power your body can't hold; it will be a statement of what you are." (Daughter of the blood, page 71)
"He held up his hands, the backs to me so both jewels were on full display.— They’re called  Siphons . They concentrate and focus our power in battle.” (ACOMAF, page 162)
"The Black-Jeweled ring on his right hand glittered with an inner fire." (Daughter of the blood, page 39)
"Siphons atop his scarred hands flickered like rippling blue fire as he reached for the Attor." (ACOMAF, page 262)
" Your fingers clenched around that Jewel. There was a flash of Red light, and the guards were flung backward." ( Daughter of the blood, page 136)
"Cassian lifted his hand into the air. Red light exploded from his Siphon, blasting up and away" (ACOMAF, page 543)
"Her strength was gone. The Jewel hungaround her neck, dark and empty" (Daughter of the blood, page 399)
"Azriel’s blue Siphons were dull, muted. Utterly empty."  (ACOMAF, page 554)
The Blood possess some ability to sense and mask their psychic scent. The conception of "scent" not only acts as a way for them to recognize each other, but also sense their emotions, and seems to be highlighted between couples, with Daemon for using it in order to fantasize or look for Jaenelle. That matches perfectly SJM's universe where the Fae are able to feel each others scents, sensing their emotions through it, it being stronger between mated couples:
"The psychic scent was almost gone, but he recognized it. A dark scent. A powerful, terrifying, wonderful scent. He breathed deeply, and the lifetime hunger in him became intense".(Daughter of the blood, page 178).
"Like the body that housed it, a witch's psychic scent had a muskiness that a Blood male could find as arousing as the body—if not more so" (Daughter of the blood, page 184)
His  scent  drifted to her, darker, muskier than usual. She’d bet all the money she didn’t have that it was the scent of his arousal. (ACOSF, page 235)
"A room where she had slept would still be strong with her psychic scent, even if it had been cleaned"  (Daughter of the blood, page 182)
"Cassian had flown back up to the House. And found the oak door to the stairs open, Nesta’s  scent  lingering." (ACOSF, page 99)
"No psychic scent of emotions for the guards to play with as they put the sobbing man into the old, one-man boat." (Daughter of the blood, page 149)
"He didn’t need to use a psychic probe to know who was on the other side of the door. The scent of her fear was sufficient." (Queen of the darkness, page 120)
"Their faces were vacant. Not a trace of fear in them, or in their scents." (ACOSF, page 344)
"Those of us who have would notice the similarities in your psychic scents and reach the correct conclusion" ( Queen of Darkness, page 114)
"He didn’t believe me. So he grabbed Catrin, because our scents were nearly identical, you see" (ACOSF, page 652)
The basic unit of Blood society and government is a Queen and her Court. To create a Court, she must be at the age of majority and have twelve males who agree to be in her First Circle. Jaenelle creates hers in the second book, who is  denominated as the "dark court". How is Rhysan's court called? The night court. How is his unity of power named? "the inne circle". Rhysand's court is also referred as "the court of dreams", and Jaenelle is called "dreams made flesh".
"He hoped she'd be pleased to have the use of this place. He hoped he'd be invited when she established her own court. He wanted to see whom she selected for her First Circle" (Daughter of the Blood page 92)
"They’re Rhysand’s Inner Circle.The ones I’d heard mentioned that day at the Night Court—who Rhys kept going to meet." (ACOMAF, page 135)
"The living myth— Saetan whispered.— Dreams made flesh— His throat tightened. He closed his eyes." (Heir to the shadows, page 459)
“And what is this court? — I asked, gesturing to them. The most important question.
It was Cassian, eyes clear and bright as his Siphon, who said — The Court of Dreams.”
Remember Lucivar? The main Eyrien character? Well, it doesn't help sjm's case that he's incredibly similar to Cassian:
Because he's an eyrien, Lucivar was raised as a warrior and has bat wings, together with gold eyes and tanned skin. He also has long black hair and is considered to be well-built. Initially his jewels are birthright red, and later they descent into being ebon grey. Just like his father, he is known as having an explosive temper who often lead him to trouble. Thanks to him not being recognized by Saetan initially, Lucivar is seen as a bastard. This is not at all far from how Cassian is written.
Let's also keep in mind: Lucivar is also responsable for recruting and training Eyrien warriors in the Dark Court, later training the women who live in Ebon Askavi (which, as I will show later, is almost identical to the House of Wind).
Cassian's tragetory is marked by him being underlooked as a "bastard" and not being able to control his temper, and that is further developed in acosf. His appereance is carbon-copy of Lucivar (the only difference being that his eyes are hazel), and his siphons are red. He also happens to train illyrian warriors, and later Feyre, Nesta and the other priestesses from the library. Like Lucivar has a brotherly bond with Jaenelle and waits for her to be his queen, Cassian has a brotherly love for Feyre and respects her as his high lady:
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"Unlike the other slaves who couldn't contain their misery or fear, there was no expression in Lucivar's gold eyes" (Daughter of the Blood, page 13)
"Like their High Lord, the males—warriors—were dark-haired, tan-skinned. But unlike Rhys, their eyes were hazel and fixed on me as I at last stepped close" (ACOMAF, page 155)
"She looked so pale against his light-brown skin, and he knew it wasn't simply because she was fair-skinned" (Daughter of the blood, page 19)
"She watched his light brown fingers play against her pale skin" (ACOSF, page 367)
"The man wore a leather vest and the black, skintight trousers favored by Eyrien warriors. His black hair fell to his shoulders, which was unusual for an Eyrien male. [..] A wild joy filled Daemon, even as his heart clogged his throat and tears stung his gold eyes. Lucivar." (Queen of the Darkness, page 45)
"Cassian surveyed Rhys from head to foot, his shoulder-length black hair shifting with the movement" (ACOMAF, page 155)
"Because he was a half-breed bastard, he had no hope of attaining a position of authority within a court, despite the rank of his jewels" (Daughter of the Blood, page 17)
"I can tell you how I hear Eris and Devlon and the others talk and, deep down, I still believe that I am a worthless bastard brute. That it doesn’t matter how many Siphons I have or how many battles I’ve won" (ACOSF, page 434)
"Tears stung Lucivar's eyes. Why, Daemon? What did she do to deserve being hurt like that?  His voice rose. He couldn't stop it. She was the Queen we had dreamed of serving. We had waited for her for so long.  You butchering whore, why did you have to kill her?" (Heir to the shadows, page 31)
"He’d thought about that painting a great deal in the days afterward—how it had made him feel, how close they’d all come to losing their High Lady before they’d ever met her." (ACOSF, page 43)
"Because he was a trained Eyrien warrior and had a temper that was explosive even for a Warlord Prince" (Daughter of the blood, page 16)
"Cassian was lounging in his chair, a glass of wine in his hand, staring at nothing. A brooding warrior-prince, contemplating the death of his enemies." (ACOSF, page 275)
"He could have caught him on the first pass. The young one will have to concede the battle, but it’ll stay in his mind that he put up a good fight. No, Lucivar understands how to train an Eyrien warrior.” (Queen of Darkness, page 103)
"Cassian prayed that the gods were watching over him as Rhys sipped from his tea and said,    
—You’re ready?
He leaned back in his seat. — I’ve gotten young warriors in line before." (ACOSF, page 43)
There's even a line when Lucivar is training the women in ebon askavi that hits very close to one used when Cassian is training the priestesses:
”If you can become half as proficient with this as she is, you’ll be able to take down any male except an Eyrien warrior —  Falonar said slowly. — And you’ll be able to take down half of them as well.” (Queen of the darkness, page 158)
"Cassian continued to train Nesta, Emerie, and Gwyn. The rain didn’t let up, and they were all soaked, but the exertion kept the bite of the cold away.— So this can really down a male in one move? [...] He concentrated on the females in front of him. — This move will knock anyone unconscious if you hit the right spot.” (ACOSF, page 385)
Daemon, his brother, is too very similar to Rhysand. He has the reputation of a sadist, after being tortured and used as slave in the hands of Dorotothea, close to how Rhys was known as a cruel fae who had to serve Amarantha (the way they a called is also pretty much the same, as well, being referred as their "pet" or "whore"). Daemon believes to be destined to Jaenelle, even before meeting her, sometimes feeling her touch, and dreaming or her, just like Rhysand talks about knowing Feyre was his mate, and dreaming of her before they met. He, like Saetan, Jaenelle, and Lucivar, is a black widow: which means he can access people's minds and thoughts, as well as communicate telephatically, exactly how daemanti in acotar have the ability to do.
"His face was a gift of his mysterious heritage, aristocratic and too beautifully shaped to be called merely handsome. He was tall and broad-shouldered. He kept his body well toned and muscular enough to please. His voice was deep and cultured, with a husky, seductive edge to it that made women go all misty-eyed. His gold eyes and thick black hair were typical of all three of Terreille's long-lived races, but his warm, golden-brown skin was a little lighter than the Hayllian aristos—more like the Dhemlan race." (Daughter of the blood, page 24)
"I stepped out of the shelter of my savior’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen. Everything about the stranger radiated sensual grace and ease. High Fae, no doubt. His short black hair gleamed like a raven’s feathers" (ACOTAR, page 193)
"I had no answer to that—to the tenor in his rich, deep voice. So I examined the tattoos on his chest and arms, the glow of his tan skin , so golden now that he was no longer caged inside that mountain." (ACOMAF, page 289)
"Daemon smiled that cold, cruel smile. "Now you know what it's like to get into bed with Hayll's Whore." (Daughter of the blood, page 77)
"Lucien interrupted — What do you know about anything? You’re just Amarantha’s whore.
— Her whore I might be, but not without my reasons.” (ACOTAR, page 239)
"In his soul, he knew her. In his dreams, he saw her. He never envisioned a face. It always blurred if he tried to focus on it. But he could see her dressed in a robe made of dark, transparent spidersilk, a robe that slid from her shoulders as she moved, a robe that opened and closed as she walked, revealing bare, night-cool skin. And there would be a scent in the room that was her, a scent he would wake to, burying his face in her pillow after she was up and attending her own concerns." (Daughter of the Blood, page 27)
“Three years ago, he said quietly,  — I began to have these … dreams [...] The images were foggy, like looking through cloudy glass. They were brief—a flash here and there, every few months. I thought nothing of them, until one of the images was of a hand … This beautiful, human hand. Holding a brush. Painting—flowers on a table.” (ACOMAF, page 504)
“I saw you through your dreams—and I hoarded the images [...] I’d wake up with your scent in my nose, and it would haunt me all day, every step." (ACOMAF, page 505)
"There was a bitter taste in Daemon's mouth. The ashes of dreams. After all, he was Hayll's Whore, a pleasure slave, an amusement for the ladies no matter what their age, a way to pass the time" (Daughter of the blood, page 267)
"And he would be at that table in the town house, roaring with laughter—never again cold and cruel and solemn. Never again anyone’s slave or whore" (ACOMAF, page 497)
"You're my Queen,he thought fiercely. His body ached. She was his Queen. But with her family surrounding them, watching, there was nothing he could say or do to help her" (Daughter of the blood, page 360)
"My equal in every way; she would wear my crown, sit on a throne beside  mine. Never sidelined, never designated to breeding and parties and child-rearing. My queen." (ACOMAF, 598)
"He caught her wrists, holding her off with an ease that made her scream. He hit the Black shields on her inner barriers hard enough to make her work to keep them intact, but they wouldn't keep him out for long." (Daughter of the blood, page 302)
"My innate talents allow me to slip through the mental shields of anyone I wish, with or without that bridge—unless they’re very, very strong, or have trained extensively to keep those shields tight." (ACOMAF, page 59)
At some point Daemon is even called Jaenelle's mate:
"He’s here! Jaenelle’s mate is finally here!  Daemon felt as if the wind had been knocked out of him" (Heir to the shadows, page 117)
His position and title of highlord is parallelled a lot by how Saetan is decribed:
"High Lord of Hell, the Prince of the Darkness, the most powerful and dangerous Warlord Prince in the history of the Blood" (Daughter of the darkness, page 266)
"For what it’s worth, I’m the most powerful  High Lord in Prythian’s history" (ACOMAF, page 145)
Moving on to other similarities, Ebon Askavi, known as the black mountain or "the keep", who is put as a sanctuary, keeping a library containing the history of the blood, matches the form in which the house of wind is developed in sjm's books, with the palace also being embedded into a mountain. The Keep is a safe place where the high lord of hell reserves for the demon dead to rest, same as Rhysand turning the library into a home for the priestesses. And the whole Bryaxis situation? A creature who lives in the pit of the library? Well, Ebon askavi used to be the home of the prince of dragons: Lorn, who guess what? Used to reside beneath it. Finally, Bishop literally describes the palace as the place where "The winds meet".
"Saetan limped across the empty courtyard to the huge, open-metal doors embedded into the mountain itself, rang the bell, and waited to enter the Keep, the Black Mountain, Ebon Askavi, where the Winds meet. It was the repository for the Blood's history as well as a sanctuary for the darkest-Jeweled Blood. It was also the private lair of Witch" (Daughter of the blood, page 59)
"Draca led him through the corridors of  Ebon Askavi  toward a large stairwell that descended into the heart of the mountain." ( Daughter of the blood, page 431)
“Her throat closed at the surge of memories and at the sprawling view—the glimmering ribbon of the Sidra far below, the red-stoned palace built into the side of the flat-topped mountain itself." (ACOSF, page 49).
“I made this library into a refuge for them. Some come to heal, work as acolytes, and then leave; some take the oaths to the Cauldron and Mother to become priestesses and remain here forever" (ACOWAR, page 212)
"She still served the Keep itself, looking after the comfort of the scholars who came to study, of the Queens who needed a dark place to rest" (Daughter of the Blood, page 61)
"—  Who was here before them?
  —  A few cranky old scholars, who cursed me soundly when I relocated them to other libraries in the city. They still get access, but when and where is always approved by the priestesses.” (ACOWAR, page 213)
“There is a creature beneath the library. Do you know it?
Amren shut the book.
— Its name is  Bryaxis.
— What is it.
— You do not want to know, girl.” (ACOWAR, page 452).
"Mother Night, Saetan — Geoffrey said, his breathing ragged.  — The Keep is his lair.
He's been here all the time.
He hadn't expected Lorn to be so big. "(Heir to the shadows, page 476)
As for Amren being a unknown creature who was tuned into a faerie and lived centuries before everyone else? Same thing as Draca. She lived by the time Dragons ruled the world and was later turned into something "human", assisting the high lord of hell:
"When only the Queen and her Prince, Lorn, were left, the Queen bid her Consort farewell [...] When the last scale fell from her, she vanished. Some stories say her body was transformed into some other shape, though it still contained a dragon's soul" (Heir to the shadows, page 375).
  "— Why won’t Amren go in here?
  —  Because she was once a prisoner.
  — Not in that body, I take it.
   A cruel smile.
  — No. Not at all.” (ACOMAF, page 185)
"Spiraling? — Geoffrey thought for a moment and shook his head. — No, but that doesn't mean it can't happen. Ask Draca. Compared to her, you're still in the nursery and I'm just a stripling." (Daughter of the blood, page 243)
"In the countless millennia they had existed here in Prythian, Rhys—Rhys with his smirking and sarcasm and bedroom eyes ...And Amren was worse. And older than five thousand years." (ACOMAF, page 145)
"When they had first arrived at the Keep, Lucivar had given him a cryptic warning: Draca is a dragon in human form.The moment he’d seen the Seneschal, he’d understood what Lucivar meant. Her looks, combined with the feel of great age and old, deep power, had fascinated him." (Queen of the darkness, page 252)
"Because even though the short, delicate woman looked like High Fae … as Rhys had warned me, every instinct was roaring to run. To hide. [...] But Amren’s eyes …Her silver eyes were unlike anything I’d ever seen; a glimpse into the creature that I knew in my bones wasn’t High Fae. Or hadn’t been born that way."  (ACOMAF, page 158)
"Draca asked. Her unblinking reptilian eyes revealed nothing" (Daughter of the blood, page 431)
You can also find some of the names of characters and places of Anne Bishop's books in Sarah J Mass ones. For instance: Sarah admited Prythian was a trick on Pryddain from the chronicles of Pryddain but that she couldn't put the original name because it belonged to Phillip Alexander, so she choose Prythian. But one of the high priestesses in Bishop's trilogy is indeed named Prythian.
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"Prythian, Askavi's High Priestess, couldn't leash his temper enough to serve witches he despised" (Daughter of the blood, page 16)
If you look at the titles of some of the TOGs books, you realize they are alike Anne Bishop's as well:
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The thing is: where do we draw the line when it comes to inspiration in books? It's common to have some similarities between author's works, however, to have that many in lines, places, plots, on top of races and characters who are nearly identical to the ones someone created fourteen years before you? I don't know.
I don't appreciate Bishop's work, in fact, I suffered a lot to go through the trilogy, for problems like: explicit sexual violence, mutilation, and worst of all grooming (Daemon meets his so called soulmate when she's a child, and he kisses her when she's 12), which literally made feel sick, but, is clear Bishop came up with a lot of things a long time before SJM did.
Because her series of books came out by the 2000, most of sjm's target audience doesn't know Bishop's work, making it very easy to avoid comparison. This is one of the reasons why this situation becomes a big problem, because most of her fans think SJM work is totally original, and that she came up with 99% of the concepts by herself.
Besides the black jewels, Sarah was said to have taking scenes, plots and quotes from other original productions/books, like the lord of the rings (which she's also a huge fan):
For example, The White Tree of Gondor and Kingsflame.
The White Tree of Gordon only blooms when the rightful ruler sits on the throne. Coming to later bloom in Aragorn's coronation:
"And so the kingdom of Gondor sank into ruin, the line of kings failed, the white tree withered and the rule of Gondor was given over to lesser men."
Kingsflame, however, it’s a magical flower that first bloomed when Brannon arrived, proof that was a good king:
 "since those ancient days, only single blossoms had been spotted, so rare in their appearance that their appearance was deemed a sign that the land had blessed whatever ruler sat on Terrasen’s throne. (KOA 686)"
Similarly, the flower also blooms after Aelin’s Coronation:
Across every mountain, spread across the green canopy of Oakwald, carpeting the entire Plain of Theralis, the kingsflame was blooming. (KOA 984)
We also have the scene when Haldir arrives at helms deep:
"I bring word from Elrond of Rivendell.  An alliance once existed between Elves and men. Long ago we fought and died together. We come to honor that allegiance."
While Manon says this in KOA:
"Long ago the Crochans fought beside Terrasen, to honor the great debt we owed the Fae King Brannon for granting us a homeland."(KOA, page 693)
And don't forget, Aragorn saying:
"My friends, you bow to no one"
While Rhysand says this in ACOWAR:
"You bow to no one, was all he replied"
Don't forget, the conversation between Theoden and Gamling in the Two Towers movie:
"Theoden: Who am I, Gamling?
Gamling : You are our king, sire.
Theoden : And do you trust your king?
Gamling : Your men, my Lord, will follow you to whatever end.
Theoden : To whatever end... "
Followed by this conversation between Rowan and Aelin:
“—To whatever end? — she breathed.
Rowan followed her, as he had his entire life, long before they had ever met, before their souls had sparked into existence. —“To whatever end, Fireheart.”
We also have other examples, like treasure island:
"Look at you! Glowing like a solar fire. You're something special, Jim. You're gonna rattle the stars, you are!"  (Treasure Island-2003)
"You could rattle the stars," she whispered. "You could do anything, if only you dared. And deep down, you know it, too. That’s what scares you most. "( TOG page 385, chapter 54)
ASOIAF:
A quite similar phrase to "Queen that was promised" was used in GRRM’s ASOIAF,  where an ancient prophecy talked about a "Prince who was promised",  later it being reveleaded that they expected a boy, but the title was said to fall to Daenarys Targaryen (a queen). This is mentioned in " A dance of dragons" which was published in 2011. This prince is also mentioned as being “the Heir of Fire”.
"Westeros must unite beneath her one true king, the prince that was promised, Lord of Dragonstone and chosen of R'hllor" ( A dance with dragons, 2011)
"Perhaps it had all been for nothing. The Queen Who Was Promised" (KOA, page 121, 2018)
"He is fire made flesh, she thought, and so am I."  (A dance with dragons, page 949, 2011)
"Fire - he reminded her of fire made flesh."  (ACOWAR, 2017)
Harry Potter is added to list, as well:
Dumbledore: Do not pity the dead, Harry. Pity the living, and, above all those who live without love. (HP and the deathly hallows, page 705, 1997).
Rhysand: Be glad of your human heart, Feyre. Pity those who don’t feel anything at all. (ACOTAR, page 418, 2012).
"Happiness can be found, even in the darkest of times, if one only remembers to turn on the light." (Harry Potter and the prisioner of Azkaban, 2004)
“Light can be found even in the darkest of hells” (ACOWAR, page 577, 2017)
The movie spirit:
Little Creek: Take care of her, Spirit-who-could-not-be-broken (Spirit, 2002)
Nehemia: I name you Elentiya, ‘Spirit That Cannot Be Broken.' (TOG, page 44)
Shadow and Bone:
The quote "like calls to like" explains one of the most important plot points in shadow and bone, the first book was published in 2012, and Sarah was mentioned in Leigh's acknowledgments as the person who gave her first review. She had used "magic calls to magic" before in throne of glass in 2012, yet the book was published in august, while Shadow and Bone came out before, in june. The principle of "like calls to like" in her books was mentioned by the time ACOMAF came out, in 2016, four years later. It was also used to describe attraction to objects of power, which follows Bardugo's concept.
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Shadow and Bone: The grounding principle of the Small Science was “like calls to like" (page 113)
ACOMAF: The box—the Book—was silent. Then it said, Like calls to like  (page 350)
“The Grisha claims the amplifier, but the amplifier claims the Grisha, as well. Once it is done, there can be no other. Like calls to like, and the bond is made.” (page 130)
The movie troy:
"Menelaus : Prince? What prince? What son of a king would accept a man's hospitality, eat his food, drink his wine, embrace him in friendship, and then steal his wife in the middle of the night?
Paris : The sun was shining when your wife left you." (Troy, 2004)
“If you hadn’t stolen my bride away in the night, Rhysand, I would not have been forced to take such drastic measures to get her back.
I said quietly, The sun was shining when I left you.” (ACOWAR, page 396, 2017)
The Land before Time:
"Some things you see with your eyes. Other things you see with your heart." ( The Land before Time 1988)
"Some things you hear with your eyes. Other things you hear with your heart."( Crown of Midgnight, page 168, 2011)
Mulan:
"Shan Yu: How many men does it take to deliver a message?
The other Hun: One.
The Hun proceeds to shoot one of the imperial soldiers with an arrow." (Mulan, 1998)
“But it seems like tonight isn’t really your night, Elide said to the ilken, lifting the hatchet again over a shoulder. The ilken might have been whimpering as she smiled grimly.—Because it only takes one to deliver a message. And your companions are already on their way.
The axe fell.
Flesh and bone and blood spilled onto the stones.” (Empire of Storms, page 455, 2016)
There's more to show about the black jewels, but this posts is already huge, so I'm going to finish by talking a little bit about her new series: Crescent city, which people already pointed out to be similar to another series she also talked about before: The Fever series by Karn Marie Moning, published in 2007. Now, I don't think is the same case as the black jewels, because crescent city does follow a much more different story, but is still have matching characters and main storyline.
Darkfever tells the story of MacKayla, a girl who seemingly had a perfect life. After the murder of her sister, she sees herself obligated to make an alliance with the mysterious Jericho in order find her killer, whilst exploring her sidhe-seer powers. Crescent city, on the other hand, is also about a girl losing people close to her: her best friend and her crush, then deciding to solve their deaths by teaming up with the fallen angel Hunt.
Mackayla is a sidhe seer, a person who can see fae, and ends up in the book series as their queen, while Bryce is half fae. They are both extremely attractive girls, who love to party and take good care of their appereance. Jericho, however, is a handsome, tough supernatural being who resources to Mac in order to find answers, ending up getting involved with her. Lastly, Hunt is a fallen angel, who needs to make sure Bryce cooperates with the investigation, and develops feelings for her.
"My sister's whole body had holes in it, Inspector! Not just her arms! The coroner said they looked like teeth marks! — Not of any person or animal he'd been able to identify, though.— And parts of her were just fora!— I was shaking. I hated the memory. It made me sick to my stomach" (Dark Fever, page 71)
"She knew in her bones it was not a hallucination, what lay on that bed, knew in her bones that what bled out inside her chest was her heart. Danika lay there. In pieces" (Crescent City, page 74)
"Grieving wasn't going to bring her back, and it sure wasn't going to make me feel better about whoever'd killed her walking around alive out there somewhere, happy in their sick little psychotic way, while my sister lay icy and white beneath six feet of dirt" (Dark Fever, page 10)
"Briggs planned to hurt people, and he deserved to be in jail, but—he’d been wrongly accused of the murder.Danika’s killer was still out there" (Crescent City, page 145)
"I think I just finally expelled the last drop of moisture from my body that wasn't absolutely necessary to keep me alive. And rage watered my parched soul. I wanted answers. I wanted justice.I wanted revenge." (Dark fever, page 11)
"She didn’t know where to start.But she’d do it. Find whoever had done this.[...] She ground her teeth. She’d find whoever had done this and make them regret ever being born." (Crescent City, page 164)
Once again, Hunt has the exact same appeareance as Jericho, and their personalities are also pretty much alike.
"He studied me with his predator's gaze, assessing me from head to toe. I studied him back. He didn't just occupy space; he saturated it.The room had been full of books before, now it was full of him. About thirty, six foot two or three, he had dark hair, golden skin, and dark eyes. His features were strong, chiseled." (Dark Fever, page 36)
"An angel who reason and history reminded him was an ally, though every instinct roared the opposite.Predator. Killer. Monster. Hunt Athalar’s angular dark eyes, however, remained fixed on the window. On Bryce Quinlan." (House of earth and blood, page 80)
"Hunt nodded once, his golden-brown face betraying nothing." (House of earth and blood, page 81)
"Then the male leafed through Quinlan’s thin file, his shoulder-length black hair slipping over his unreadable face." (House of earth and blood, page 81)
Darkfever presentd V'lane as a third character, an attractive seelie prince, who rules the Tuatha Dé Dannan, and happens to go after Mackayla as revenge against Jericho. In crescent city, there third main character is Ruhn, Bryce's half brother, and who is he? A crowned prince of the fae. And what is his last name? Danaan.
"Even today, after all that I've seen, I couldn't begin to describe V'lane, prince of the Tuatha Dé Danaan." (Dark Fever, page 134)
"Thinking she’d get a nice, sweaty ride with a Prince of the Fae, she’d be sorely disappointed. He was in no shape for fucking right now." (Crescent city, page 199)
“I got a phone call, Naomi said. From Ruhn fucking Danaan. He’s livid that we didn’t notify Sky and Breath about bringing in the girl." (Crescent city, page 96)
The scene where Hunt goes to watch over Bryce in her apartment follows the exact same patterns of the scene Jericho goes to visit Mackayla in her home:
"A moment later, her phone buzzed on the coffee table. Right as her show began.She didn’t know the number, but she wasn’t at all surprised when she picked up, plopping down onto the cushions, and Hunt growled,
— Open the curtains. I want to watch the show.” (Crescent city, page 84)
"Someone knocking at my door awakened me [...] I glanced at my watch. It was two o'clock in the morning. I was sleepy and grumpy and didn't try to disguise it.
—Who is it?
— Jericho Barrons." (Dark Fever, page 40)
“Open the curtains.
— No, thank you.
— Or you could invite me in and make my job easier.
— Definitely no.
—Why?
— Because you can do your job just as well from that roof.” (Crescent City; page 184)
"Do you intend to open this door, Ms. Lane, or shall we converse where anyone might attend our business? [...]. If he was willing to trade, I had to open that door. Unless…
— We can trade through the door, I said.
— No
— Why not?
— I am a private person, Ms. Lane. This is not negotiable." (Dark Fever, page 41)
"His dark eyes didn’t so much as blink. Striking—that was the only word Bryce could think of to describe his handsome face, full of powerful lines and sharp cheekbones. — You can make this investigation easy, or you can make it hard.” (Crescent City, page 187)
" When I said nothing, he said softly — If you are not with me, Ms. Lane, you are against me. I have no mercy for my enemies.  
I shrugged." (Dark Fever, page 46)
So, I do believe SJM is the type author whose actions we need to discuss. Even if you see the whole thing with " The black jewels" is just an inspiration, you can't deny the fact there some exact lines of movies and books in her work. Plus: it's not just one quote or just one plot, but many.
If you ever try to read The Black Jewels trilogy you'll notice much more than what I brought in this post, and I do hope more people are able to research it. However, if you have any triggers regarding SA, mutil*tion, abuse, gr*mming, or torture scenes, I strongly recommend you do not read these books. They are not easy to go through, and the same thing goes to Dark Fever, although is a lot lighter.
Now, you can find more about the "Lord of the rings" and "Harry Potter" situation in here:
This is not a post trying to "cancel" sjm or simply attack her without reason. But I do believe we have to talk about her work and the problems with it, especially when it involves the work of other writers. If anyone has any more examples, or articles about this matter, quote this post with them if you can. I couldn't put more because you have a limit for tumblr posts, and it would be way too much. Anyway, thank you sticking here until the end.
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twinsunstars · 5 months
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What if the Imperials Were the Rebels?
So I was thinking about if Star Wars had a “What If?” series like Marvel does, and I starting thinking about how some characters part of the Empire would be the rebels in another universe. I found it pretty interesting (and Star Wars should really do a “What If?” series), so here are my own versions of what roles I think the Imperials would play if they were the ones fighting in the Rebellion (and Palpatine is still Palpatine). (I didn’t include Kallus because he did defect to be a rebel in canon, so in my AU he would possibly remain an Imperial, as this focuses more on people who never defected and stayed loyal in the canon universe.) I’ll discuss just a few characters below and my thoughts on them.
Feel free to let me know your own thoughts and ask about any Imperial characters I didn’t discuss! I'll write small fics for them one day!!
Darth Vader: He would remain Anakin Skywalker in my AU, helping to lead the rebellion. Also being one of the Jedi part of the Rebellion, he helps to fight against the Inquisitors and lead the Rebellion towards the right path. The Empire had taken his master, padawan, son, and daughter away from him years ago and had assassinated the love of his life; he would do anything to bring them down. Is also one of the strongest pilot fighters the rebellion has.
Wilhuff Tarkin: I imagined Tarkin as like an individual similar to Commander Sato from Rebels and General Dodonna from the original trilogy/Rebels. He leads one of the main rebellion fleets and is highly respected as a commander. Was offered a position in the Empire but had immediately refused in its early days, not wishing to serve under this new regime. Has led many of the rebel attacks against the Empire with many success rates.
Thrawn: As a general and a pilot fighter in the rebellion, Thrawn leads one of the powerful squadrons in the rebellion. Often comes up with many of the attack strategies when preparing for an ambush, and is ready to command and attack when the Empire gets a level up on them. Often feuds with Hera Syndulla, one of the most powerful admirals and TIE fighter pilot in the Empire.
Orson Krennic: An engineer and a rebel commander, Krennic has helped design many of the weapons and starfighters the rebellion uses against the Empire. Has led many rebel fleet attacks while stationed in the base, helping to direct the fleet to their target.
Inquisitors: I viewed them as the Jedi of the Rebellion, as characters like Ezra, Kanan, Cal, Ahsoka, Obi-Wan, and other Jedi alive during this time would be the Inquisitors. They would be spread around in the galaxy, continuing to help keep up the fight against the Empire and protect young Force-sensitives from the hands of the Inquisitors. Have all met Anakin Skywalker and would follow him into battle any day.
Morgan Elsbeth: I felt like thinking about her and how she would potentially fit into this AU, as she did basically design those TIE fighters that Thrawn adores so much while she worked inside the Empire, as seen in Tales of the Empire. Morgan would be an engineer like Krennic, focusing her designs primarily on the starfighters for the rebellion to help them succeed. Has worked with Thrawn and designed the fighters for his squadron, watching the fight from the ground. The Republic was responsible for the execution of her native people, and now that it had become the tyrannical Empire, her only wish was to destroy it.
Edmon Rampart: I based this off some of the theories I would read about Rampart potentially becoming like Kallus and turning around to become a rebel, but we saw where that went lol. I see Rampart as one of the rebels part of the Alliance who had escaped the Empire after being caught by Hera Syndulla, conveying a lot of important information to the rebellion while remaining in an Imperial position. He has helped lead many rebel attacks and add successful strategies in the fight.
Royce Hemlock: You may be thinking, how does someone like Hemlock become a rebel? When I was thinking about this AU based off his skills and use to the Empire, I thought of him as being a lead medical doctor in the rebellion and partly an engineer, using his skills for healing and designing useful assets and weapons for the rebellion to take advantage of. Had not gotten expelled from the Republic Science Corps in this AU, but was forcefully kept in a secret facility for Palpatine’s wants after the fall of the Republic, and managed to escape. Not much of a direct fighter but knows how to handle a blaster, would rather stick to the base instead of being up with the pilots, but would do anything to make sure the Empire meets its demise.
Eli Vanto: A commander of another rebel fleet, and Thrawn’s partner in many of the rebel attacks and strategy meetings, Eli is respected for being the one to find out many of the Empire’s secrets through his spies scattered around the galaxy and his own aspirations to perform deep research into the Empire’s hidden goals. Used to only be a minor commander in the rebellion until Thrawn took note of his skills and Tarkin found him worthy of promotion to do more for the rebellion’s military.
let me know your thoughts and hopefully you found this interesting!
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one-squash-one-end · 7 months
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I wrote a giant Raven Cycle analysis
Hi! Over the last year or so I've been working on a sort of essay about various themes in the raven cycle series, and I finally finished it a few weeks ago.
It is titled: "Why I love The Raven Cycle - An excessive analysis of the themes of friendship, queerness and growing up".
And since tumblr loves its meta (and bc I love peer validation) I've decided to start uploading it bit by bit here, making this the masterpost (if I can figure out the logistics of the linking lmao, bear with me)
(beware of spoilers up to greywaren starting at like 3b!)
Introduction
What even is the Raven Cycle?
Trust me, the characters are queer as fuck and I can prove it a) Blue Sargent b) Gansey c) Adam Parrish d) Ronan Lynch e) Noah f) Henry Cheng g) Honorary mentions
The Gangsey is a polycule
Analyzing the reoccurring themes a) Friendship b) Being a teen/growing up c) (Found) Family d) Magic (as a metaphor) e) Further themes I appreciate
Drawing a conclusion
Click here to start with the introductory parts!
1. Introduction
So here’s the thing: I love fiction almost as much as I love my friends. There’s something deeply comforting about the escapism, even if the book actually makes me want to scream and throw it on the floor (only one book has been thrown so far, I promise!).  Fiction is a healthy thing to occupy my thoughts with: headcanons! Quotes being on loop in my brain! Just fandoms!
And for me, if I am hooked on a book (series), it does not even need a good plot where a lot of things happen. In fact, I would say that my enjoyment of a book is made up of 30% plot and about 70% characters and vibes. If the characters are bland, if they do not make me feel much emotion, it likely won’t be more than 4 stars (additional info: I am way too nice rating books!). I really, really need to love the characters, to be able to relate to some aspects of them, or it just won’t become an obsession.
Since I have already started explaining that a bit, let’s look at this question: What is important to make a book special to me? 1. I need to cry reading it. 2. I have to think about it often, even weeks to months after having read it. 3. Obviously, I need to love the characters. 4. I need to be in the fandom! This can be hard with some books, but the internet is a whimsical space allowing you to find at least a small number of people who are obsessed with a work of fiction to a similar extent as you are.
Now, why am I elaborating on this so much? It’s because The Raven Cycle did all that for me. It is my favorite comfort book series at the moment, for all those aspects mentioned, but of course I cannot just leave it at that. No, I wrote a whole-ass analysis on headcanons and some of its themes. You’re welcome.
2. What even is The Raven Cycle?
The Raven Cycle is all I adore and live for (next to my friends). So, naturally, it’s a book series, specifically a four book young adult contemporary fantasy series by American author Maggie Stiefvater. The books in question are: The Raven Boys (2012), The Dream Thieves (2013), Blue Lily, Lily Blue (2014) and The Raven King (2016), and yes I will admit that the publishing dates are a bit of a red flag. There is also the very relevant follow-up series called The Dreamer Trilogy (Call Down The Hawk, Mister Impossible, Greywaren), but it’s a lot less easy to get into that here as I do not know these entire books by heart, so I’ll stick to the original tetralogy here.
To stick to red flags, the books are set in the fictional Henrietta, a rural town in non-fictional Virginia, US, in the 2010s. However, that doesn’t really say *that* much about the plot, so let me summarize that really quick, because I can do better than the official synopsis! (Or let’s pretend I can.)
Blue Sargent comes from a family of psychics, yet she does not have any powers of her own. Even worse, she is a bit of an amplifier for the others, meaning she is always somehow but never directly involved in the business. As if that isn’t enough for an identity crisis, every psychic she has ever met has told her that her kiss would kill her true love. Yikes.
But because she is that amplifier, she comes to a church watch on St. Mark’s Eve, where psychics see the spirits of those to die within the following year. It’s important business, but to her it’s really just staring into the dark. Until she does actually see a spirit: That of Gansey. Of course this is not a coincidence. No, to add to this teen’s mount of problems, there are only two reasons why a non-seer would see someone’s spirit: They are their true love, or they killed them. Or, in Blue’s case, maybe both.
The aforementioned Gansey is Henrietta’s Golden Boy, the son of politicians (read: he’s fucking loaded). He does not run with the Republicans though, he runs with dead Welsh kings, meaning he has been searching for the probably dead, presumably sleeping Welsh king Glendower (*1350; †1416; yikes) for the past like seven years. Why the fuck would he do that? Well, legend says that he will grant a wish to whoever wakes him, and our favorite PTSD-ridden guy really wants that favor.
Aiding him are fellow Aglionby students Adam Parrish, Ronan Lynch and Noah Czerny, plus Henry Cheng, though only a lot later in the series, but I really did not want to leave out that menace (affectionately) here. The paths of Blue and the boys cross because of Gansey’s search for Glendower, plus the fact that Blue works at a popular pizza place, but that’s a lot less whimsical. And, well, there’s the implication that Gansey might also be her true love, but perhaps she just kills him because of his bad fashion sense, it would be justified. Anyway, in true Famous Five fashion (Ronan is the dog; I won’t elaborate, the girls that get it, get it) they are of course not the only ones searching for the king, so it’s not completely a wholesome friend bonding activity all the way through.
Be prepared for: friendship and growing up, lots of treasure hunting, family mysteries, magical forests, illegal and slightly distasteful activities (our favorite of course), but most of all, heavily queer-coded (or even canonically queer) characters. Be Gay, Do Crime.
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david-talks-sw · 11 months
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When 'Star Wars' dilutes the impact of a "Kurosawa samurai standoff"...
It's no secret that one of the major inspirations for Star Wars was Akira Kurosawa movies. The Hidden Fortress influenced the basic structure of the first film, was a basis for Lucas' character archetypes and his use of narrative POVs.
But, really, all of Kurosawa's films were an influence on the making of Star Wars. Including the duels seen in his and other samurai films from the 60s.
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Dunno if you've seen a kendo fight, but they're pretty similar.
The duelists size each other up, and there's a lot of mind games going on before the strike actually happens.
If you hold your sword this way, the other guy adjusts his stance.
You move your foot that way, the adversary responds accordingly.
Cinematically, this process allows you to play with a whole treasure trove of elements to build up the drama and suspense. We see this slow-yet-tense approach to dueling reflected all over the Original Trilogy. And we've seen it again in recent Disney-released content.
The perfect and first real example of this in Star Wars is the fight between Ben Kenobi and Maul, in Rebels.
The tension increases more...
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... and more until the two fighters move, the music swells...
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... and then it reaches its climax.
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Beautifully executed.
Dave Filoni's done his homework, it shows, and while it's an awesome homage, narratively it also holds weight. There's a reason why this fight is so quick:
This time, Obi-Wan isn't fighting to avenge the death of his master, he's not fighting to save his own life... he's fighting to protect Luke's. And that means there's no time to fuck about. He'll end the conflict swiftly and decisively, he won't let it come to a prolonged acrobatic fight. So he lures Maul in by making him think he's taking Qui-Gon's form, and strikes true when Maul, increasingly consumed by his own rage to the point of blindness, falls for it.
Again: a wonderful fight and an excellent homage.
Then we get to Luke's stand-off with Kylo on Crait, in The Last Jedi.
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An interesting take on the trope, also with meaningful narrative impact. As Rian Johnson writes in the TLJ screenplay:
"This is not like a saber fight. This like an old-fashioned samurai duel."
Here too, the tension gets built up...
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... and every time we're close to getting that climax, Luke dodges.
It leaves a feeling of dissatisfaction, which is exactly what Kylo is feeling as he boils with rage.
Suddenly, we do get the climax...
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... and a twist. Luke was never actually there. Boom. Those inserts during the build-up phase? If you look at them again they're clues (Luke doesn't leave a mark on the ground, salt doesn't land on his clothes, etc). Luke wasn't engaging because he wasn't actually there, he was buying time for the Resistance to escape.
Okay. Cool.
Next time we see a "Kurosawa" duel... it's here, in The Mandalorian.
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Again, a lot of posing, slow movements and patience, as is expected from the trope.
But we know nothing about the opponent Ahsoka is fighting other than her name is Morgan... so no emotional impact, there.
At some point, Ahsoka loses a lightsaber. The apprentice to the Chosen One is struggling against some rando.
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We find out later on that Morgan is a Nightsister from Dathomir, and that's cool... but we already know how Jedi-trained folks fare against the Dathomiri.
If you ask me, it feels like manufactured stakes. But that's beside the point. In fact, y'know what? It's fine.
Though the impact of this duel isn't as great as its predecessors, the whole episode is filled with visual homages to Kurosawa's work.
It makes sense that the duel would be too. Also it's the first time we're seeing Ahsoka in live action, in a lightsaber duel, the hype is real. Let's cut 'em some slack.
So we come to the series Ahsoka... where almost every duel in the the show has the Kurosawa posturing and tip-toeing and... I dunno. I was bored?
Like, the primary purpose of this approach to duels is that it's meant to be suspenseful and intense... and now it's not.
Because we know Ahsoka is gonna beat the crap outta these droids...
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... so why even bother faking some semblance of "what's her next move gonna be?" suspense? There's a hole right behind her, gee, I truly wonder.
Oh, you think putting her against an Inquisitor's gonna make us fear for her life, wonder if she's gonna get outta this situation unscathed?
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She was wiping the floor with two of them at the same time, a decade prior. At 17, she was killing Inquisitors while disarmed.
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Do you really expect your audience to fear for her life in a fight against Marrok?
So we get to the fight with Baylan, and the posturing and studying opponent's next move would be welcome here (two Order 66 survivors, knew Anakin, both well-trained former Jedi)...
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... if we hadn't literally seen that same dynamic with Marrok who, again, we knew was gonna die.
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No tension was built in either moment, the only thing it achieved was me pressing >> on my keyboard.
It's not captivating anymore, it's just slow and un-dynamic.
Bottom line:
Tributes to Kurosawa are nice. They're part of what makes Star Wars what it is. But c'mon, we get it already.
Lightsaber duelists don't need to tiptoe around each other and change poses at every fight. Because when the actually meaningful duels come up (like the one with Baylan), the impact will be lessened.
The "Kurosawa samurai duel" is artistic and interesting, but it should be used sparingly in order to maintain its charm and not get old and trope-y. AKA too much of a good thing becomes a bad thing.
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lineycantdance · 10 months
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For all the people clamoring for a book/movie/prequel about Haymitch's Games, why is there virtually ZERO fanart of the 2nd Quarter Quell? Young Haymitch who was canonically a baddie? Maysilee Donner, the OG owner of the Mockingjay pin whose death Katniss explicitly compares to Rue's? Where y'all at?
Suzanne dedicates 3-4 pages in ch 14 of CF to describing Haymitch's Games. We know what the arena was like, how most of the tributes died (bloodbath killed 18, volcanic eruption killed 12), we know how Haymitch outlasted 47 other tributes, we know how he won and why the Capitol was unhappy with his victory.
PLEASE the fact that the arena was designed to look picturesque and enticing but every temptation, from the flowers and fruit, to the butterflies and even the water itself, was toxic like some kind of twisted Garden of Eden???? Gotta hand it to the Gamemakers, that's so scrumptiously evil!
Also, I'm sorry to bring this back to my girlie Maysilee, but the fact that she wasn't killed by another tribute but by flamingo mutts minutes after she broke off her alliance with Haymitch and just as soon as he figured out the force field... Ohhh the Gamemakers did her so dirty!
Honestly, for a character with connections to many established characters in the trilogy, (she was Madge's aunt, Katniss's mom's best friend, AND Haymitch's ally) and who is the originator of an object which was both a testament to the intergenerational dynamics in the series and whose symbolic significance is central to the entire HG franchise, we know very little about Maysilee.
Maysilee's family ran a sweet shop, she owned a pet canary (a songbird used to detect poisonous gas in coal mines) which was bequeathed to Katniss's mother after her death, and she had a twin sister who eventually married the Mayor but suffers from chronic pain, presumably because she remains devastated by her sister's death.
These details establish Maysilee as someone distinctly of the well-off merchant class of D12, and they evoke notions of frivolity, excess, and indulgence. Arguably so does the pin which is described as a family heirloom made of solid gold in the book. And yet, these details also speak to the simple joys in life that should be luxuriated.
Katniss's mother receiving the songbird foreshadows her falling in love with Katniss's father as well as his eventual death in the coal mines. Similar to the cakes in the Mellarks' bakery that Prim so admired, sweets represent joy, beauty, and pleasure, even if rare and fleeting.
Candy as both a source of temptation and pleasure, the canary as both a melodious songbird and detector of poison, plus the fact that the 2nd QQ arena was a poisonous paradise, I feel like these dualities had to be intentional! Maysilee's weapon of choice was poisonous darts. She was both beautiful and lethal.
I would like to imagine that Maysilee had something of a rebellious streak as the original owner of the Mockingjay pin. I would like to imagine that she probably had some important things to say given that the last thing the Gamemakers did to her was rob her of her voice.
Maysilee stuck her neck out for Haymitch and rescued him from a Career tribute before their alliance was formed. I would also like to imagine that, even though she died in the arena, her legacy lives on in the little and big acts of defiance exhibited by the other characters around her.
Her spirit lives on in Katniss's mom who moved from the merchant sector to the Seam to be with Katniss's father. In Madge who brings Gale her mother's medicine after he's whipped for hunting illegally. In Haymitch who becomes a key figure in the rebellion. And obviously in Katniss who risks her life for Prim, Rue, and Peeta.
We're all familiar with the origin story of the Mockingjay as a crossbreed between the mockingbird and a Capitol muttation—the Jabberjay which was intended to gather rebel intelligence but backfired. The Mockingjay thrived outside of the Capitol's control and thus became a symbol of anti-Capitol resistance.
It's called a MOCKINGjay because it made a mockery of the Capitol's failings. Sometimes mockingbirds are called nightingales but Suzanne intentionally used the former in the portmanteau of her fictional bird species because she literally spells things out with her naming conventions!
Thus, any character who acts in defiance of the Capitol's expectations or designs is akin to a Mockingjay. It's Haymitch avoiding other tributes as much as possible and only winning by exploiting the arena's forcefield—the D1 girl's axe backfires, and she's taken out by her own weapon. It's Katniss holding out the berries and refusing to win on the Gamemakers' terms, forcing their hand to let both her and Peeta live. It's Reaper using the Capitol flag for his makeshift morgue.
It's all the tributes who gave solace, comfort, dignity, and respect to other tributes in their deaths (this happens A LOT but notice that all the D12 Victors do this). It's Thresh sparing Katniss for taking care of Rue. It's Peeta playing with the intent of helping Katniss win. It's Mags volunteering for Annie, it's Finnick resuscitating Peeta, etc. It's anyone risking their life or livelihood for someone else's sake. It's care, compassion, and even love persisting in the most brutal of circumstances.
For me, taking risks to care for others is what flies in the face of the Capitol ideology that people are inherently prone to war, violence, and destruction. This is especially true when it happens in the Games which are premised upon an "every man for himself" and "kill or be killed" mentality.
For me, taking risks to care for other people is the power of the Mockingjay symbol. It's also the meaning of the Hanging Tree song; risking everything for the chance of love and true freedom, even unto death. And that kind of hope is what rebellions are built on.
I just think that the Mockingjay pin means so much!!! I didn't even mention how, when Katniss pins it on her green shirt, she associates it with the freedom of being in the woods. It reminds her of her father whose singing voice was so beautiful that the mockingjays stopped to listen. The pin grounds her and makes her feel like she's taking a piece of home, a piece of her father into the arena.
Also, the pin is what makes Rue want to trust Katniss! For Rue, music is the one thing she can't live without, and back in D11 she sings to mockingjays to communicate that the working day is done. Katniss offers to give the pin to Rue, but Rue says she likes seeing it on Katniss better.
Also, let's not forget that the pin is a parting gift from Madge, Katniss's friend who truly cherishes her. As with the crowd who offers her the three fingered salute which she attributes to D12's respect for her father or Prim's loveableness, Katniss has difficulty recognizing that people like Madge already respect, admire, and care for her in her own right for her tenacity and bravery.
Madge is very insistent about informing Katniss that she's allowed a district token and implores her to wear the pin into the arena. This is likely a way of honoring her aunt who presumably also wore the pin as her district token. If so, then it's likely that Haymitch would have recognized the pin which may have given him an extra push to do his utmost to save Katniss because it reminded him of the girl he couldn't save.
Anyway, I feel like the intricacies of the mockingjay pin, its original owner, and its connection to the 2nd QQ are a little underappreciated. Like, this isn't even getting into the everlark parallels that write themselves... Please, Haymitch and Maysilee paved the way. They were the blueprint.
Personally, although I'm just as intrigued about the 2nd QQ as the rest of y'all, I'm fine with it being left up to the readers' imagination. There have been some great fan interpretations both in the form of fanfiction as well as the fan film by mainstay pro: https://youtu.be/7mUjssn86h4?si=PNH1rblPBp1Us5pg
I just find it kind of strange that, given how much interest there seems to be around Haymitch's Games, there isn't that much fan content, discussion, or analyses about them. Please feel free to contribute any thoughts, corrections, or reactions to this post!
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altocat · 2 months
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Random thought here but do you think they’re going to do anything with Lucretia in part 3? I know the creators mentioned there being a lot of loose ends they couldn’t tie up in OG because of technical and time limitations and to me Lucretia’s felt like one of the biggest ones. I mean supposedly she was frozen in ice not too far from where Sephiroth’s physical body was and he should know who she is- since he took in the knowledge from the Lifestream- but he never sought her out? I know he’s not supposed to have human attachments or whatever but come on… it seems like his raging mommy issues followed him into the after life as well. Wait as I’m typing this out another question pops to mind: wouldn’t Sephiroth also have figured out that he’s not actually part Cetra? Wouldn’t the knowledge from the Lifestream also include knowledge of his own parentage?
Just to clarify, while Sephiroth has canonically become aware of what he and Jenova really are as well as the fact that he's not a Cetra, there is no evidence to suggest he ever found out the truth about Lucrecia's existence. Some argue that he had to have. But he never ever mentions it. Ever. Even when Vincent speaks of Lucrecia in Opera Omnia, Sephiroth just brushes him off. His locket certainly made him aware of her face, but I think it was deliberate since recent entries have designed Jenova to look similar to Lucrecia. Sephiroth has never found out about Lucrecia, nor has he said or done anything to suggest he is aware of his birth mother's presence.
They could retcon this, of course. After all, Rebirth!Sephiroth shows up in all sorts of places he wasn't originally before. It's possible he follows the group to the crystal cave as well. Personally, I'd rather that they never meet, or that Sephiroth never finds out. It's infinitely more tragic that way. And him rejecting Lucrecia for Jenova, while completely in character, sort of leaves a bad taste in my mouth, though I'm not entirely sure why. It would feel anticlimactic I guess. I think it's just sad to have them separate from each other. Or at least not have them reunite until Sephiroth reaches his final endgame death. Idk that's just personal preferences.
As for Lucrecia, idk if there's much she can actually do in the plot beyond the purpose she served before in the OG. It's not like she can really escape her prison. The trilogy will supposedly link up to Advent Children, which leads me to believe it will do the same for Dirge, in which Lucrecia is still in her crystal. I really think it's going to be the same as before, with some added lore possibly thrown in, especially in the incredibly lucky chance they retcon Sephiroth's paternity.
This is all spitballing. It could go many ways. This is just where I currently stand. The separation of Sephiroth and Lucrecia is one of the more underrated tragedies of the Compilation. One could loosely argue that it was the literal centerpiece that staged the entire plot of the story. I want to see it done justice if they actually cover it, or at least not make it too predictably lame with Sephiroth being your typical scornful villain. It would be a huge moment. And I think that deserves something better than Sephiroth evilly monologuing like usual while rejecting his mom.
Lucrecia is flawed AF and is 100% responsible for what she did to her son. But it's like kicking a sick dog. I get no pleasure watching her continuing to suffer without a proper conclusion. I want to believe they'll do more with her, or at least make what was already there more tragic than before.
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bornwholocker · 5 months
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Ok people wanted to hear my thoughts about Phoenix wright characterisation and I am very down!!! So here take this
Just a fair warning, I know a lot of people haven’t played the aj trilogy, I’m gonna talk about spoilers for aa4 in this
Mainly I just hate when people make Phoenix stupid. He’s a lawyer, he passed the BAR EXAM, he’s not some oblivious little stuttering twink. It especially pisses me off when people act like he relies soo much on his bluffing. Yeah he bluffs, but he knows they’ll stick because most of the time he’s figured it out, he just doesn’t quite know how to get there. He’s smart about it. And he’s not always bluffing! Most of the time he knows what to present! It’s just when it gets to peak ace attorney trial insanity that he has to try his luck. Also, he tells people to die in his mind guys lmao. He’s not outwardly mean, but also he’s not some innocent little uwu smol cinnamon roll.
In a similar vein, and I’ve only started noticing this recently cus I’ve been reading a lot of college au’s, but people write Feenie like he’s a damn toddler. He’s an 18(?) year old man studying for a law degree. Yeah he’s gonna be a bit immature, but he’s not some bumbling idiot who just smiles all the time. I sort of get it because we didn’t get a lot of time with him but STILL! He acts stupid during the trial yeah, in no small part cus dahlia/iris(I’m sorry iris ily) had been manipulating him and he couldn’t believe she would try to hurt him. Which is a little dumb! But also understandable for an 18 year old who’s just been told his girlfriend was trying to kill him/frame him for murder!!! And after the trial when he’s talking to Mia, he gets serious. For most of the trial he is a little bit of a Larry, but the end shows that he’s not an idiot!!
AND THIS ONE PISSES ME OFF THE MOST, and it also involves mischaracterisation of Kristoph. So many people who write krisnix, which I’m all for tbh love some toxic old man yaoi, write it like Kristoph was an evil manipulative abuser and Phoenix was some oblivious smitten victim. Guys. In like one of the first cases of aa4 I’m pretty sure, Phoenix talks about how he knew who Kristoph was and what he did, he only kept him around for so long to get proof. Again, he’s not oblivious!! Plus, he was manipulated by Dahlia in a pretty similar way to Kristoph(which is something else I could talk about forever), so he knew what to look for. And yes, Kristoph was a piece of shit, but he wasn’t obvious about it. That’s how he got so many people to trust and believe him, he’s charismatic and he knows how to make people like him. And only once they do does he start his bs.
Granted, Phoenix is a little hard to get right, especially because originally Shu Takumi designed him as a sort of self-insert for the player, with his thoughts being based on Takumi’s own thoughts about the trials. But a lot of people just take a single trait and run with it and it annoys me so bad anyway I hope u enjoyed
@chateauu
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antianakin · 8 months
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Ok but in thinking about it very hard, while Anakin is an interesting and complex character etc etc, why would anyone chose to Stan him as the "Ultimate Jedi" when Obi-Wan "Elegance and Sarcasm Incarnate Who Will Kick Your Butt in A Duel While Politely Insulting You" Kenobi and Luke "Ray of Sunshine Who Drinks Hot Chocolate For Fun and Is Ridiculously Force Lucky" Skywalker are right there? Not to mention the myriad of other Jedi who are all interesting in their own right!?
(Also I know the hot chocolate Luke thing is technically legends but it's real to me, darn it!)
Because people hate the Jedi. Literally, though, people HATE the Jedi and view them as the antagonists of the entire story, the thing that had to be defeated in order for the happy ending to even happen, the thing that destroyed Anakin in the first place. And Anakin, as the poor victim of their abuse who has to rise above them to save his own son in the end, perfectly encapsulates all of their views about the Jedi and their interpretation of the story. The "Ultimate Jedi" to them isn't the character who actually best embodies the Jedi philosophies we hear about in the Prequels, it's the more POWERFUL Jedi, and that is generally considered to be Anakin (you can make arguments for some of the others like Yoda or Mace, but they explicitly state that Anakin's midichlorian count is supposed to be higher than anyone else in history so).
Anakin is also the main protagonist of the Prequel trilogy which allows for a lot of protagonist bias, and became the primary villain of the Original Trilogy, one of the characters a lot of people really were into because he was cool and scary. Anakin is a memorable villain as Darth Vader and then is a tragic protagonist as Anakin Skywalker. Those two things combined make for a potent attraction to the character.
Luke is certainly a more complex character than most people realize, but he is often interpreted as a "sunshine boy" kind of character who always does the right thing and barely has any flaws and is always kind and happy blah blah blah. Obi-Wan sometimes has a similar perception by fans of just being TOO perfect. And so Anakin, by contrast, FEELS more nuanced and complex as a character with all of his flaws on very obvious display for fans to connect to and sympathize with. It makes Anakin feel more human and relatable than Luke or Obi-Wan or the other Jedi. (This is ironically kind-of why people seemed to hate the Kenobi show so much, Obi-Wan was suddenly the main character and got shown with a lot more of those obvious flaws and that's NOT how people interpreted him and so they just RAGED against the show for writing Obi-Wan "wrong" and "ruining him" etc. So even when characters like Obi-Wan GET more of that complexity and relatability, they're condemned for it in ways Anakin is not because that's not the way fans have interpreted them.)
So, yeah, fans just hate the Jedi because they've chosen to interpret them as the villains of the story and relate a lot more to Anakin as the emotional mess of a protagonist whose tragic story causes him to become a very memorable villain that gets "redeemed" at the end. I get the attraction, I just don't share it.
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skyefeys · 9 months
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so fun fact, i'm playing the aa trilogy with a friend right now, and apollo justice with another friend. and second fun fact, i love voice acting. anyway here's a fun little breakdown of ten of my favorite voices to do, in no particular order!
1. cody hackins
i've been told i do a very good young-boy-in-anime voice. it's just very fun! originally he was very back-of-throat and kinda fucked up my voice to do, so i moved it forward more to not kill myself. it sounds virtually the same!
2. dee vasquez
i love the badass, cold woman archetype for voices. i gave dee a lower, vaguely gothic, vaguely transatlantic voice. she's one of those characters who changes tone as she gets mad and lets her demeanor slip, so that was interesting! typically i had her speak slowly and quietly, so when she's worked up, she gets faster and louder, and goes from that low-throat crooning to a more full voice.
3. alita tiala
i made alita vaguely russian, for some reason, but i went with it, because i fucking love accents. this fact will become clearer as this ranking continues. anyway, alita is another character who talks differently as her facade slips. initially, she has a timid, hesitant voice, with a very faint accent. when she gets angry, her voice becomes more stern and confident, and her accent comes out more!
4. lotta hart
accents, man. lotta's especially fun because you can just go fucking crazy with her, there's no restraint on her accent she's so extremely southern. her voice's pitch is pretty regular, so if i were to ever voice nicole, i'd probably give her a slightly higher voice for contrast - and because nicole has a sweeter personality, while lotta is more rough-around-the-edges.
5. olga orly
again: accents!! i literally didn't think i knew how to do a russian accent before her, but then i jumped into it and found out i do, somehow?? anyway, olga's fun because she has two completely different voices. her fake identity is higher pitched and timid, and thickly accented. her regular voice is just a bit higher-toned than my regular speaking voice, and she talks in a much faster and rougher way.
6. truly wright
truly just has a higher, cute voice, and that's fun! hers isn't complicated to do, either; i just pitch up. it's good that she's easy and fun, considering she's around all the time. maya is harder, mostly because she's a delicate balance - i don't want to give her a voice as high as trucy's, but i don't want to give her a voice as low as the one i do for ema. speaking of which...
7. ema skye
i haven't gotten to ema's case in the trilogy yet, but most likely, her voice will be a smidge pitched up from my regular talking voice. as for apollo justice ema, i gave her a lower-toned voice - similar to my own talking voice, maybe a bit lower. this is a nod to not only the fact that she's far more cynical than when she was younger, but also the fact that she can do a CONVINCING impression of kristoph gavin, so her voice must be in the lower range. i think about that a lot. aa4 ema also has a tone to her voice like she's not trying to put up any niceties - she just says what's on her mind. in that sense, she's a bit monotonous - but VERY emotive when she talks about science.
8. miles edgeworth
proZD has a video where he describes the voices he does for every ace attorney character, and he describes edgeworth as "not british, but he wishes he was". this is something i have in mind whenever i voice him. i'm not great with guy voices, since i can't go that low, so i focus on things like intonation and accents. edgeworth doesn't have an accent, per se, but he has one of those vague ways of speaking that i can only really describe as "fancy accent".
9. will powers
i like will's voice because i gave him a pretty unique way of talking as compared to everyone else. i'm self-taught, so i don't really know a lot of vocal terms, so bear with me while i explain this as best i can. will's voice comes from sort of closing my throat, and talking from the bottom half of my mouth. it creates this gentle, shyer, and nasal voice. and speaking of nasal...
10. wendy oldbag
now, i wouldn't say i'm GOOD at oldbag's voice, i could use some practice, but it's fun as fuck to do. it's EXTREMELY nasal, it sits right behind my nose. i find myself scrunching up my face whenever i have to voice her! and as a fun little detail, she's one of those people who pronounces the h first in words like what, why, and of course whippersnapper ;]
bonus: the judge
i don't get to voice the judge a lot, since he's one the three characters my friend has claimed, lol. however, this is my apollo justice friend, so they're not always there for me and my other friend playing the trilogy. my friend does a judge voice that i can only describe as slightly more civilized goofy from nicky mouse. now, i can't recreate perfection, so i went in a completely different direction with my judge's voice. i leaned more towards his anime voice - slightly husky, but not to the extent it is in the anime.
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naughtygirl286 · 4 months
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So yeah this week we went to see the new Planet of the Apes movie Kingdom of the Planet of the Apes, Now there might be some spoilers below to you have been warned.
First off I was kind of surprised that there wasn't any cups or buckets or anything for this I thought there would be but I was wrong.
anyway as for the movie itself I was excited to go see this being I have seen all the "Apes" movies and we recently gotten the original 1974 TV series and animated series so I'm looking forward to watching them being I never seen them before, but like I said I enjoy the movies especially the recent Prequel Trilogy that started with Rise of the Planet of the Apes I thought those movies were excellent but anyway about this one like I said I was excited to go see it although it wasn't what I thought it was going to be about.
This one starts with some opening text that kinda quickly describes the previous movies and sets this one up and it opens pretty much where War for the Planet of the Apes ended and you witness the funeral for Cesar but after that scene you get a time jump where it says something like "Many generations later" and I did have to look up kinda the time frame of this movie and on many sites it ways close to Three hundred years have past from the death of Cesar! I original thought this movie was going to be about Cesar's Son but its not it is actually about a young ape name Noa and his group who are falconers and they call themselves the "Eagle Clan" and the journey that he goes on to rescue his people from an megalomaniac Ape named Proximus Caesar and how finds out the world and its history is much bigger and more then he would every imagine
Now there is nothing wrong with that new characters means all new stories and we are introduced to plenty of new characters like Raka (played by Peter Macon) who is like this disciple of Caesar who is spreading the gospel/word of Caesar. Thats right Caesar has become like this almost mythic religious figure that right he is "Monkey Jesus!" lol but seriously though he one who knows alot about the "time of Caesar" and the one who first starts teaching Noa of the world beyond his village and I really liked the character of Raka I thought he was a little weird, interesting and funny and I was kinda sad when he dies because he felt like an important character and important to the story but I also feel that his death wasn't in vain because it motivates Noa.
Another interesting new character is Nova aka Mae (played by Freya Allan) who is the main Human character and she is special being she is highly intelligent and can talk!! unlike the other humans in the series I was surprised just as much as Noa and Raka where in the movie but I believe this is because she is completely immune to the Simian Flu which is interesting on its own and she has a very important mission throughout the movie in which Noa helps her with and in turn she helps free his people. I did find her an interesting character also while watching this I was watching her and I was thinking maybe she could play the new Live Action Lara Croft? That is what was running through my mind maybe it was partly because of how the character was dressed? What she wears in the movie makes her look very similar to the 2013 Lara and I was thinking that when she was up on the screen.
also you are introduced to a megalomaniac Ape named Proximus Caesar who is the villain of this movie and who I thought was a very flamboyant character who has taken the teachings of Caesar and twisted them to his own selfish needs and wants to take all the human knowledge and use it to make himself the king of the world. like I said I feel that he was a very flamboyant and bombastic character and you kinda can't help but like him even though he is the villain of the movie
other then that all the other characters and performances were awesome and I thought everyone did a amazing job.
Now much like the previous movies this one is built on an impressive visual scale the visuals do what to wow you especially with the scenery of the abandoned cities and "human world" which I did think was impressive in its scope and production design. Visually the actual Planet of the Apes is really well done and shows how time as passed in the surrounding as well as the technology that is used to create the Apes through the motion capture it is amazing the animations is perfectly done especially for a wild character like Proximus Caesar. I personally would think this would be nominated for best visual effects next year and maybe even some of those other technical awards you don't see on the Oscars.
but yeah in the end it is an awesomely amazing movie and if you loved the previous one you'll probably love this one too. and if you didn't see any of the previous ones this is a whole new story and can be a jumping off point for anyone who wants to try it it has plenty of action and excitement and I would totally recommend it.
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tropical-lycan · 1 year
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The Foxhole Camp (All for the Game slasher movie AU)
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BIG UPDATE : Some concepts art are out you can find them on my Tumblr account! ALSO CHAPTER 1 IS OUT
AND WE GOT AN OFFICIAL PLAYLIST
WARNING -> Spoilers for All for the Game trilogy and dark themes (horror)
I GOT SO INSPIRED BY THIS FANART BY @kururusti, the horror atmosphere coming from that fanart gave me literal chills, I love it.
I just had a crazy idea : what if AFTG wasn't about sports and mafia, but was a 1980s/90s slasher horror movie?
I thought of this because when I was younger I went to a French Summer Camp called "La Renardière" (literally meaning something close to "The Foxhole") and also because I'm a big fan of classic horror movies taking place in summer camps, such as Friday the 13th and Sleepaway Camp.
So, my plot idea is that in this universe, all of the Foxes are not sports player, but summer camp councelors, and they have to take care of kids. And Neil's dad is a slasher coming after them (let's keep his nickname "The Butcher", it's perfect for a slasher).
My plot idea is that Neil is the son of a murderous man (who is not a mafia boss in this version, he's just some crazy dude with an axe) and he ran away with his mother because the Butcher tried to kill them (think of movies like The Shining). They're still on the run because the Butcher really wants to finish the job (not sure why tho I have to think more about it). Like in the original story, Neil's mother gets killed and he is still chased by Nathan. One day the Butcher attacks him in the forest and leaves him to die (well I guess Nathan thought he had killed Neil or something like that, but he was just badly injured and survived). The councelors of the Foxhole Camp find him wounded in the forest while doing camp activities with the kids and decide to take care of him. Wymack who is the person running the camp offers him a job there after he recovers from his injuries (and I 100% imagine Andrew taking care of his wounds ❤️‍🩹). The Butcher will somehow discover that Neil isn't dead and he will try to murder all of them.
Now I'll do a quick summary of how I imagine each character's role with pictures from horror movies to illustrate the vibe (I might do my own concept arts later!!).
Note that the gifs I picked are NOT actor headcanons, it's mostly characters or concepts that inspired my ideas. I'll give the name of each movie/TV show if you're interested.
Also, I forgot to mention, but I imagine this AU taking place in the 80s, with a similar vibe/aesthetic to Stranger Things.
NEIL JOSTEN
(gif is Tommy Jarvis from Friday the 13th)
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As I said, the Butcher was originally after Neil, meaning that in that AU he has the role of the Final Girl. Well...Final boy? Let's say final babygirl. He is the character who knows the killer personaly and has a deep childhood history with them (like Laurie Strode from the Halloween saga). Like in the original, he is very secretive and pretends to be someone else because he is afraid his father might find out that he is still alive. He becomes a camp councelor with the other Foxes and loves to play Exy with the kids (Exy still exists in that AU as part of the camp activities). I also imagine that he has no clue how to take care of kids and is still oblivious af. I mean...imagine that guy looking after children it's the funniest thing ever. I'm sure a lot of them ask him about how he got his scars.
At first he doesn't tell the Foxes what really happened to him and pretends he was attacked by a wild animal.
ANDREW & AARON MINYARD
(gif is JD from the Heathers movie, and yes...Heathers kinda is a horror movie???)
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Okay maybe I was wrong when I said Neil taking care of kids would be the funniest thing...ANDREW DOING THAT IS EVEN FUNNIER. I kinda imagine him to be like a councelor helping Abby Winfield in the Infirmary (and yeah he steals meds and alcohol). He still has his dark and mysterious vibe (and I kinda imagine him dressing in a similar fashion to JD from Heathers, hence my gif choice). He would also be the guy suspected to be the killer (like Eddie Munson in Stranger Things 4), because he still has his mental health issue in that version. I also think it would be interesting to keep the backstory he has with Aaron and their mother, except they end up in a summer camp and not in an Exy team (it makes even more sense for people to think that he is the killer because of the rumors he killed his mom). Most of the kids find him terrifying, but i'm sure most of them see him as a rockstar or living urban legend. As in the books, he really doesn't give a fuck about his job. He will also be the one to discover Neil's secret, and I want a scene where he directly fights with the Butcher. I also imagine a cute romantic scene where Neil and him will go swimming in the lake at night (i'll probably make a fanart of this <3).
Aaron wouldn't change much compared to the books, I just think he would be really pissed when people accuse his brother of being the killer (while not being sure himself that he isn't). He would often leave the camp without telling people in order to see Kathy (who doesn't work there at all), leading people to believe at some point that he might be dead. I also want a scene where he pretends to be Andrew (who is chased by people who think he is the killer) in order to save him.
Drake, who knows that Andrew is working at a camp councelor, will try to trespass the camp at night in order to get to Andrew. And well...I guess Aaron will kill him as well and it will add more tension within the group (as if there was not enough murders happening there).
NICKY HEMMICK
(gif is Xavier from American Horror story season 9 : Camp Redwood)
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Nicky would stay true to himself: proud to be gay and flirty with the male councelors, even though it must be harder for him since this AU takes place in the 80s. I imagine to be the funny guy of the bunch, throwing one-liners at the killer. I think that he would be more invested in the job than Andrew and Aaron.
ALLISON REYNOLDS + SETH GORDON
(I almost wanted to put a gif of Allison Reynolds from Breakfast Club as a joke but well...It's Chris from Carrie, I'd love to see Allison with that haircut)
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She would be the stereotypical bimbo, but with more personality when you get to know her. I think Seth would be the first one to die and it would impact her character development and make her wanna take revenge on the Butcher. I imagine Seth to be like the stereotypical jock, still a jerk. This time he is killed by Nathan's axe and not because of Riko. I don't have much more ideas for them yet, but I love to imagine that Allison starts as a typical bitch and then she learns how to survive and becomes a badass character (like Emma Mountebank from the horror game The Quarry).
I think that Seth would be killed while the two of them are...Well...Doing... what camp councelor couples do in 80s horror movies... Allison somehow manages to escape the Butcher and to tell the others that Seth died.
RENEE WALKER
(gif is Robin Buckley from Stranger Things)
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I don't have much ideas for Reenee yet but I'm open for suggestions if you guys have ideas. I think her story would stay similar to the original books as well. I just love to imagine that she tries to teach Andrew how to act more friendly with the kids, and making fun of him when as fails miserably to be a sociable human being (come on Andrew, the kids are freaked out by your crazy medicated smile). I also think that in their freetime they like to hang out and throw knives on the camp's archery targets. She is probably one of the most loved councelors.
DAN WILDS
(gif is Deena Johnson from Fear Street)
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Dan is trying to do what's best for the kids. Her group would still be divided with the monsters on the other side because she is part of the ones who believe that Andrew might be the killer. She is sceptical when Neil tries to tell the Foxes that there is a murderer running around. Wymack puts her in charge when he has to leave the camp (not knowing that Kevin...well, you know their secret) and she takes that role very seriously, as the leader of the gang and "the rational one".
MATT BOYD
(gif is Chris Washington from Get Out)
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I think that Matt would often try to play the role of the hero, fighting the Butcher many times to protect his friends. I don't have much ideas for him either but I'm open for suggestions!
KEVIN DAY + THE RAVENS
(gif is Kurt from Fear Street)
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In this version I think that Kevin has something to do with the Butcher too. I'm not sure what, but I'd like to keep the idea that he knows Neil from his former life as well. Maybe he was another victim that survived, or one of his relatives was killed by the Butcher in front of his eyes. In this AU the Ravens are camp councelors from a rival Summer Camp (Evermore Camp). Kevin used to be part of them but he ran away because they have questionable methods when it comes to taking care of the kids (Riko put that fucking knife down, will ya?). Riko would be a psycho bully and a minor antagonist. He would also attack the Foxes and use the Butcher's murders as a cover-up.
Kevin and Riko take the rivalry between the Foxhole Camp and Evermore Camp very seriously. They often battle against each other in events such as Exy competitions and Capture the flag. The Foxhole Camp is considered to be a shitty and dangerous summer camp while Evermore Camp is for rich kids (in a similar vibe to the rivalry between Shadyside and Sunnyvale kids in Fear Street).
THE BUTCHER A.K NATHAN WESNINSKI
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Our slasher!! As I said before he would be obsessed with the idea of killing Neil and the Foxes in the most gruesome way possible. The chemestry between the two will be very personal, like most killer vs final girl dynamic in slasher movies. I'm sure he will have some second winds... As for how he will look I don't know for sure? I like the idea that he is wearing an Exy helmet, in a similar fashion to Jason Voorheese's iconic hockey mask.
So yeah that's my idea for this AU. If you guys want to add ideas you can always contact me!! It'd be so cool to see what you think of it :D
I will do fanarts based on that AU if you're interested enough 🫵🫵🫵 I mean we need Neil and Andrew in summer camp staff uniforms...
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borrowedtimeandspace · 4 months
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A Reader's Guide to the Multiverse
Hello! Welcome to my sandbox!
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Artwork by the lovely @abookishweasel
Though I still write long-form stories collaboratively with @neonthewrite [ Ao3 | DA ] and @nightmares06 [ Ao3 | DA ], my own writing has become more short-form and sporadic. This can make things a bit confusing for the blog, since there isn't an easy way to organize everything. That's what I use Ao3 for (user The_Raconteur_24601). And even there, it can be a bit complicated.
Under the cut is a guide to the stories you'll find featured on this blog; my attempt at organizing them here, and links to their counterparts on Ao3. My asks are always open for any questions this post doesn't answer!
Borrowed Time (and Space)
A Doctor Who/The Borrowers Crossover
[Ao3 Series] | Meet the OCs
Doctor Who belongs to the BBC, The Borrowers belongs to Mary Norton, and Zepheera and other borrower OCs belong to me.
It's the name of the blog, the OG, the one that started it all. The primary premise for this series is: The Doctor (usually Ten) takes on a four and a half inch tall borrower named Zepheera as a companion. It's all a bit wibbly-wobbly, but let me set things straight.
Common tags for the stories (and various posts) are #doctor who gt or #doctor who g/t (which stands for giant/tiny and indicates the involvement of drastic size difference, for the uninitiated) and #BTaS AU
Episode 1 | Minisode | Episode 2 | Episode 3
Originally there were ambitions to try and make the series episodic, like your typical season of Doctor Who but with a borrower tossed in. As such, the first three stories in the series are titled as 'Episodes'. These were among the first long-form stories I'd ever written and posted, so they predate the blog. That, and my writing style and ideas for the canon of the series have changed drastically since then. See this post for more details on that, and this one if you're not worried about spoilers.
The tl;dr of it is: These Episodes are the basis for the AU, but I don't consider them canon enough to impact any other stories in a meaningful way unless I say so.
Zepheera's Origins - In which I started cracking down on my borrower companion's characterization and backstory, compiling a number of prompts set during the time before she met the Doctor.
Zepheera-Visions - These were a fun writing exercise for me during this blog's early years! I would come up with shorts based on Doctor Who gifs that feature some low or high angle shot, imagining Zepheera as the point of perspective in them. If I were at all good at making gifs myself, I might have kept it up. A lot of the AU that ultimately came about branched off from these gimmicks, and still feature them in their stories. Here, they can be viewed under the #Zepheera-Vision tag.
Tales from the Vortex - A compilation of various prompts and shorts that take places in the BTaS-Verse, but don't have any major stories attached to them. These span different Doctors other than Ten, and feature a few other companions in some of them. Sometimes, enough stories accumulate with a similar theme to expand into their own AU, which leads me to...
Borrowed Time and Space AU
The Donna Trilogy - This was originally called the Donna AU, and the original shorts were tagged with #DonnaAU or #Donna AU. Nowadays, I've started to give AU their own titles and tagging them on blog posts. And recent events in Doctor Who have inspired this to span more than one story, making this the first multipart BTaS AU!
Part 1 - A Patient, and Time. [tag] [Ao3]
Part 2 - If I Could Turn Back Time [tag] [Ao3]
Part 3 - TBD...
To The Nines - One of the first AU created in which Zepheera is companion to a Doctor other than Ten! Despite titling the story later on, I must have had the idea for it earlier because a lot of the early shorts are tagged #To the Nines AU. Other tags include #nine AU and #To the Nines.
Time After Time - This AU, while it is NOT a sequel to any existing story, assumes that Zepheera and the Tenth Doctor went on their adventures in the past, and got separated at some point. Then Zepheera manages to find the Twelfth Doctor while he's at St. Luke's and meets Bill Potts. This was one AU that developed slowly over time once I realized I could get a story arc out of it, so a good chunk of the shorts are in the tag #Time After Time.
Borrowed Magic - co-written with neonthewrite
The first and so far only BTaS crossover! The wonderful neon lent me her boi Bowman from her story "Bowman of Wellwood" ( Paperback EBook Amazon ) to join my little TARDIS crew.
Lost in Flight - The inaugural story to introduce a tiny winged guy raised in the woods to all of time and space. It's so far the only complete story we've written, but we're absolutely open to prompts and suggestions for shenanigans for the crew to get into!
Brothers Apart AU - co-written with nightmares06
A SuperLock/Borrowers Crossover
Brothers Apart Ao3 | Meet the OCs
Supernatural belongs to the CW, Sherlock to the BBC, Brothers Apart to nighmares06, and listed OCs to me.
Brothers Apart is a borrower AU of Supernatural written by the inimitable nightmares06. We have collaborated on a few of the various AU based on that story, in which I bring the BBC Sherlock angle.
I don't post nearly as much here about BAU (Brothers Apart AU) since most questions about it are fielded at the dedicated blog @brothersapart; most of what can be found here are miscellaneous prompts and character tidbits. Brothers Apart AU posts made here get filed under #BAU.
More AU exist than listed below, and will be added as they're posted.
Brothers Consulted - Cursed Winchesters end up in London and join forces with the Baker Street crew to solve mysteries, as they do. #Brothers Consulted
Brothers Chosen - Canon Winchesters find a borrower during a hunt and have to figure out what to do with him.
A Tale of Two Sizes - Part of an unannounced BAU, featuring Stan and his family in a universe where Stan is a size-shifter. Finally compiled these into one collection. #size shifter Stan
Misc. Tumblr Prompts - A less clever name for a similar compilation of prompts that don't (or don't yet) have their own story, that have nothing to do with BTaS and/or have to do with my cowritten works.
Miscellaneous
The Brave Little Baker - In which I toss Stan and Nate into a fantasy world of giants and giant slayers! Also based on a series of prompts, revised and compiled into their own story once I had enough of them.
GT July
These prompt challenges have done wonders to keep me writing and inspired!
2022 Masterpost | 2023 Masterpost
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