#song;; if you have ghosts - the band ghost

[ghost-proofbaby]

SO SCARLET (IT WAS MAROON)

CHAPTER FOUR: CASTLES CRUMBLING

AND HERE I SIT ALONE, BEHIND WALLS OF REGRET. FALLING DOWN LIKE PROMISES I NEVER KEPT.

☆ pairings: rockstar!eddie munson x fem!reader

☆ warnings: no use of y/n, strong language, angst, mentions of RUMORS of workplace sex scandal, minors dni

☆ WC: 5.4K+

☆ A/N: if you would like to listen to the song that eddie is recording at the end - it is an actual, real life song. :-) it is called "blood sport" by sleep token (one of my favorite bands i get to see live next week!!), and i highly recommend listening to it during your reading. especially the latter half of this chapter.

thank you to my love @hellfire--cult for the divider!

masterlist

“Alright, so – anyone care to fill me in on what the Hell that was?” 

Matt stands like a disapproving father figure as the band lines up opposite of him just outside the building. Eddie had hoped nothing would be mentioned until they were in the car, but the driver was clearly running a few minutes late.

Three of the boys glance at each other, worried expressions immediately giving up the hoax even as Eddie only shrugs and says, “What do you mean?” 

“Cut the shit, Munson,” Matt had never appeared so livid, so undone by irritation. His usual patience with Eddie is nonexistent, “What’s going on between you and that girl? Is she a past groupie?”

The insinuation gets a scoff out of Gareth. Jeff side-eyes him in warning, but Eddie couldn’t care less, “No, she’s not a past groupie. This was the first time I’d ever-”

“Don’t lie to me,” Matt points an accusatory finger at Eddie, narrowing his eyes, “I am your manager. If you have any unsavory connections with that girl, I need to know so I can decide if we need someone else to organize the event. We are not having another repeat of the Lewinsky scandal.” 

“I knew it! I fucking knew you called it that, too!” Gareth cheers, but he’s quieted by one look from their furious manager.

The Lewinsky scandal had been their code-word for when the tabloids had become convinced that Eddie was fucking an assistant at the label. A girl had even come forward and claimed to have had sexual relations with Eddie, and he had taken heat for it for a full month before the buzzing novelty worn off.

Eddie had only spoken three words to the girl. No, thank you when she’d offered him a mug of coffee during a late night at the studio. He wishes now he’d been less polite. 

And he also finds himself wishing that’s all this was. He wishes you were just another scandal, another terrible rumor spread around. If all the accusations between you two were false, if all the hatred was based on misconstrued circumstances, it would be so much easier. He can talk himself out of that. He can confess to those sins and get off with no more than the order of one hail mary from Matt. 

But you? The reality of all that had happened, both all those years ago and just thirty minutes ago? He can’t find the words. They choke him up, unwilling to leave the cavern of his chest and enter the world, just like all the songs gathering dust as demos. 

“It’s not going to be another Lewinsky scandal,” Eddie scowls, feet shuffling against the concrete below him. Can’t be another Lewinsky scandal if she wants nothing to do with me anymore, “Maybe she just doesn’t like me. I am allegedly a very polarizing public figu-”

The car pulls up, and Matt is quick to grab Eddie’s shoulder before glaring at the boys, “Get in, I’m not finished with our polarizing public figure yet.” 

Grant and Gareth only let out low whistles, following instruction without lingering as they clamber into the back row of seats in the SUV. Jeff takes his time, though, going as far to pause beside Eddie and place a hand on his back.

“Just tell him the truth, Eds.” 

It’s the final nail in his coffin. Eddie is cursing Jeff’s retreating figure as he climbs into the vehicle and shuts the door, leaving him alone with Matt. 

“Explain,” Matt demands, “Now.” 

Eddie’s eyes focus on a gaping crack in the sidewalk, jagged and uneven, right down the center. 

He has two options. He could continue to lie, insist he knows nothing about you until Matt just gets bored of not being offered the truth. Or he could admit it all, reveal the muse behind the art he had been fiercely protecting over these last few months. Every line, every chord, every broken note that had left his lungs during those witching hours in the studio. 

On one hand, it’ll rip away the opportunity that has been offered to him on a silver platter – the opportunity for closure. Selfish, bloody closure that neither of you had gotten, it seemed. But on the other hand, it might grant him some sympathy. Matt, the label, the producers – they had all grown tired of the dance Eddie led them in every time they’d inquire about the music. But if Matt knew-

It’s a dead end trail of thought. He knows he won’t admit to the worst of his atrocities he’s committed. No scandal, no late night ending with him in handcuffs, no fraudulent headline is going to compare to what he did to you. What you did to him.

It’s a little too late for damage control, anyways.

“I went to high school with her,” the lie works well enough, easing some of Matt’s frustration, “I was just shocked to see her. All of us were shocked to see her. No big deal.” 

Eddie knows the people around him have come to learn that they must pick and choose the battles they engage in with him. And he can see that decision flash across Matt’s face as he decides that this is not a battle necessary to the war.

“Alright. But if you’re lying to me-“

“I’m not lying.”

“If you are, that’ll be one of my last straws, Munson.”

It won’t be. Eddie knows it won’t be. Everyone, every single goddamn person in this world it seems, is capable of giving Eddie Munson unlimited chances — except you. You, it seemed, were the only person who had come to their senses. 

You always were smarter than people gave you credit for.

—

“Run the track again.” 

They’d spent a few hours in the studio already. It was an odd hour for them to be haunting the space, more used to visiting in the dead of night rather than the middle of a weekday, but it was down to the wire now. Vocals needed to be recorded, instrumentals fine-tuned, tracks properly mastered. Eddie could no longer hide in the night when it came to recording the haunting melodies stained with the blood of his past — no matter how wrong it felt to see a sliver of sunlight breaking through one of the windows, just through the top of the blackout curtains.

“I really think that was the one, man-“ the producer starts, probably just tired after repeatedly running in circles with Eddie’s perfectionism.

He doesn’t care. He’s paying them, they can stand to let him re-record as many times as necessary to satisfy Eddie, “Run it again.” 

The silence only continues to buzz in Eddie’s headphones. He’s ready to cuss out the producer as he angrily shoves them down, off his ears and hanging loosely around his neck, the wire a leash as he whips to face the one-way glass wall. The lights are off at the main board, guaranteeing that they can see Eddie but Eddie can’t see them.

Until suddenly, the light comes back on, and the reason for the absence of the repeated track Eddie had requested becomes obvious.

Gareth.

He stands at the center of it all, a few paces from the seated producer with a deep scowl on his face. 

“What the fuck?” Eddie says, mouth just close enough to the mic for them to catch his overflowing annoyance, “I said-“

“We heard what you said, Eddie,” Gareth interrupts, his voice just loud enough to be faintly heard even as the headphones curl around the nape of Eddie’s neck, “But I need to talk to you.” 

It’s the strictest tone that Gareth has used on their lead singer in an unfathomably measure of time. Probably because it’s the most words he’s said to Eddie in a very long time, as well.

Eddie finally removes the headphones, hanging them carelessly on the mic stand and moving towards the door — surprisingly, without putting up a resistance.

The control room is warmer than the fairly large area that served as a ‘booth’. Smaller, as well. Cramped with a low couch and one too many chairs available to trip over, the control board spanses the entire wall that holds the oversized window into the recording room. A plethora of small lights twinkle like stars, and numerous switches that Eddie had come to know better than the back of his hand alternate positions to guarantee the clearest sound. Only Gareth and the producer occupy the room, the rest of the band having taken off around the fifth time Eddie had requested a redo of his vocal tracking.

“This better be good,” Eddie complains, furrowing his brows, agitated at the interruption. 

But Gareth shows no remorse, “We need to talk.” 

“Yeah, you said that already.”

“We need to talk,” Gareth repeats, eyes flickering to the poor soul still seated at the controls, “Alone.” 

Eddie hardly has to open his mouth, the man jumping out of his seat the moment the lead singer flicks his wrist to signal for him to leave.

Whatever Gareth was about to say had to be important, and it’s that thought rather than the difference in temperatures that has sweat building on Eddie’s brows.

Is he about to quit the band? Is he about to tell me he’s had enough? Maybe he’s done with my bullshit — I would be.

“Speak, Emerson,” Eddie flatly insists, grabbing a small water bottle out of one of the mini fridges in the room before he throws himself onto the worn leather of the couch, “And make it quick. We’re on a time limit, you kno-“

“We’ve gotta talk about her, man.” 

Her as in you. 

For a moment, Gareth sounds like a friend again. He’s dropped all the persistent perturbation he’s taken to defending himself with when it comes to  Eddie, his voice pleading as he stands before the distant man. All the rueful power plays that had developed over the last year vanish. It’s just Eddie and Gareth, bandmates who started out in the latter’s garage in some small Indiana town. Not Eddie Munson, infamous rockstar with a chip on his shoulder. Not Gareth Emerson, passionate drummer overshadowed by the ego of his lead singer. Just Eddie and Gareth.

 “We all know you didn’t tell Matt the truth.” 

“I did tell him the truth-“ 

“Not the whole truth, then. There’s no way he’d let it slide if he knew that she was your ex-girlfriend.” 

The defiance vacates Eddie’s body quickly. He doesn’t even attempt to prowl his mind for a quick quip in response. All he does at the words is drop his shoulders, the defeat creeping up on him as he deflates. 

Ex-girlfriend. The title feels so pitiful to truly describe what you were to him. 

But to be fair, even when he had been in your good graces, girlfriend had also never felt significant enough.

“Did-“ Gareth starts after a beat of silence, noting the way Eddie couldn’t quite hide his wounds on the topic, “What did you guys talk about? When you went after her, what did she say?” 

“Nothing important.”

Eddie turns into a shell, a zombie as he stares straight ahead and tries to compartmentalize. That always worked; with meetings, with arguments, with lectures. Even before the fame, it worked.

It doesn’t work quite as quickly when it comes to you. His brain, it seems, is incapable of uncrossing all the wires you twist within his brain.

“You two were alone for, what, ten minutes? And you’re telling me she didn’t say anything important?” 

“What the fuck is there to say?” Eddie laughs soullessly, “Oh, hey, stranger! Remember me? The guy you up and left without a word?” 

“Yes!” Gareth shouts unexpectedly, “Yes, that’s exactly what you should have done! She left. Not just you, but all of us. We never even really knew why. And now- what? Are we just supposed to pretend we don’t know her?” 

Eddie knew why. She’d never had to say it, and that was the issue. He always thought about all the answers he swore he craved, and always let every question he claimed to have haunt him during the waking hours. But when the day turned to night, when he was left to nothing but his own devices in a dark and empty apartment during the witching hours, he knew. The question of why had been answered since the first phone call cut short with you during that goddamn tour.

The songs knew, too. He supposes it had been an arrogant assumption to believe the band had read into his lyrics and put the pieces together. 

“That’s exactly what we’re going to do,” Eddie nearly whispers, throat tightening and fighting him on the words. It’s the opposite of what he wants and needs — but it’s what you want and what you need. And so he plays the messenger, even as it kills him, “We are going to completely disregard my past with her. We are going to treat this entire situation as professionally as possible. I’m talking the full nine yards: you will not mention the fact that we know her, you will not question her about anything from the past, and you will not, under any circumstances, ask her why.” 

His own set of rules he’d privately set for himself in his own mind during the car ride over. 

Gareth squints his eyes in disbelief, “You’ve got to be fucking kidding me. Are you serious?”

“Deathly so.”

“This isn’t just about your past with her,” the boy nearly passes, starts to reach up to tug on his hair before he thinks better of it, “This is about the way she left all of us. Not just you. She was a friend to all of us. She was the one who taught me how to tape my drums when I’d bust a hole in them, she was the one who helped us design our first merch, she was the only person any of us would let be in the room during practices. And not just the band stuff, either,” Eddie watches tears form in Gareth’s eyes, “She was the only one who had the patience to help me with my fucking math homework back in school, man. She was the one who nearly curb stomped Jason Carver the week he sent Grant home with a black eye. She was the first person Jeff called when his parents broke news of their divorce, for fucks sake. Not me, not you, not any of us — her,” Gareth’s breaths come out as pants as he stops his pacing and stands before Eddie. The tears continue to lace his bottom lash line as he heaved silently at the end of his rant, his pained expression completely unexpected to Eddie. 

This is the part Eddie chooses to forget. He’ll let himself swim in the memory of you late at night, he’ll indulge in vices that always amplify his pain rather than succeeding in his attempt to numb it, he’ll stare down the mirror each morning and curse the reflection he finds with all the blame in the world he is capable of holding in the palms of his hands. But in all the ruptures of his own old scars, he fails to consider that he is not the only one burdened with loss. 

They all lost you. When Eddie lost you, so did the band. You’d become a ghost to more than just your abandoned lover — you’d become a tired haunt to boys you’d known, boys you’d befriended and burrowed your way into the lives of, just as well. 

“She was our friend,” Gareth chokes out, fists curling at his sides, “Jesus Christ, I- I get it. She was everything to you. Whatever. But she meant a lot to the rest of us, too. Whatever happened wasn’t just some isolated event — you two didn’t just hurt each other. You set off whatever bomb erased her from our lives, but it left the rest of us with some damage, too. Don’t forget that.” 

This is the part where Eddie should apologize. This is the part where, once upon a blissful time, he would have said his repentance. 

He doesn’t.

“I don’t care how hurt anyone is,” he lowly responds, eyes unable to meet Gareth’s any longer, “I’ve told you the rules, we’re going to follow them. End of discussion.” 

Gareth throws back his head, and Eddie winces at his scoff, “She’s not your fucking property, Eddie! She isn’t solely yours to keep or whatever the fuck you think you’re doing!” 

Eddie can’t even deny the action of keeping you. All the demos, all the songs laid to the grave because he couldn’t stomach the thought of releasing them for others to experience. 

But that’s not what this was. This, the cataclysm that was sending Gareth to finally release all this pent up frustration, was him following your rules. You’d made your wishes for this project very clear, and he needed to at least try to respect them. They all did. 

So he takes on the role of the bad guy. He lets them paint him as the villain if it means no red will stain your ledger. 

“Oh, I think she’s made it very clear that she isn’t mine,” the mask slips on far too easily for Eddie. Cool demeanor, compartmentalizing. Not you, but his emotions towards his friends, if he could even still call them that. His bandmates that he had once seen as brothers. “Doesn’t change what I said. Don’t push it, Emerson, or there’ll be Hell to pay.” 

“What are you going to do? Disappear on us?” Eddie finally looks back up to meet Gareth’s fiery gaze as he spits out hateful words, “Hate to break it to you, but you already left this band behind two years ago. And if you ask me, you should start leaving the vanishing act to her. At least she doesn’t make us pay for her mistakes.” 

Eddie is by no means done with the conversation, more than willing to continue fighting with Gareth, but the other boy clearly feels differently. He leaves his words hanging in the air as he spins away, storming out of the door, the air in the studio now several degrees hotter now with the irate fuel of the fight.  

It was all a blood sport. All of it. It didn’t matter if Eddie was fighting with the band, the management, with you. It was all bloody and fruitless, and it all left him the same awful type of hollow in the end. 

He stares blankly at the wall as he makes a silent decision.

By the time the producer has timidly returned to the room, Eddie has already set up his laptop to connect to the studio's system, prepped so that any recording would automatically copy into his personal hard drive. A way for him to listen and ruminate in the privacy of his own apartment. 

The sheet music torn from his notebook already lays at the table besides the entrance to the booth. 

“Do you… want to run the track again?” the man, the stranger, asks. He clearly heard the fight. Eddie and Gareth hadn’t been exactly quiet in their screaming match. At least, Gareth hadn’t been. 

Is it really a screaming match if only one side fights back? 

“I want to lay a new track,” Eddie’s voice is deadpan as he clicks a few buttons, finalizing everything. He only needs the man to click record, “A raw piano and vocal demo. We can add the rest of the band later.” 

“I-“

One look from Eddie, hardly passed over his shoulder with a glimmer of unbridled determination, and the man quiets as he takes his seat. 

Eddie storms into the booth without another word, fist curled around the page of lyrics and terribly hand-drawn music clefts. 

She isn’t yours to keep.

Eddie was aware of that. Painfully, painfully aware. But it had never been about his claim to you. 

Gareth was right. Eddie never wanted to own you. Keeping you, however, had been something he should have taken more care with.

The chill of the small room to record in does little to lessen the flames eating Eddie up as he bypasses the assembly of various instruments all crowded in the space. Gareth’s drum set, Jeff’s guitar, Grant’s bass — he storms right past them, eyes locked on the grand piano in the fair corner. It took up the most space, far too large to have been forced to be contained within this compact room. 

Eddie drags the mic from where it had been stationed previously with him, quickly and recklessly resetting it at the piano. 

Once he’s seated on the bench, crumpled pages thrown up onto the music desk of the piano and headphones snug over his ears again, the producer finally clicks on his mic to speak.

“Hey, uh… Does this demo have a name by chance? Or do you just want to label it as an unknown for now?”

It certainly does have a name.

“Blood Sport,” Eddie spits out. “Just name the file Blood Sport.” 

The hum that would indicate to Eddie when those on the other side of that glass window were speaking clicks off, and he takes it as his cue.

He’d written the song a while before. There were some gaps in the lyrics, some notes he’d played with on his personal piano scribbled over and never replaced. He’d never played it in its entirety before. 

It starts slow. His fingers hold the ivory keys delicately, arranging for the first opening notes as if he were slotting his knuckles against your own for the first time over again.

She isn’t yours to solely keep. 

Were you ever his to keep, ever? 

Even the ivory keys of the Steinway are more solid than you ever were. You were nothing more than water, than blood, destined to slip between Eddie’s fingers. He never stood a chance in having you, in holding you, in keeping you. 

Not just now, but before all the blood shed, as well. He should have recognized Cassandra’s curse the first day he looked into your eyes. He should have known the twist in his stomach was only Fate sinking its claws into the two of you. 

A tale fit for a Shakespearean stage — a tragedy always meant to be.

“I want to roll the numbers, I want to feel my stars align again.” 

Eddie’s voice is soft to match the steady beat of piano notes that emit from the crooked curl of his hand against the keys. A soft thump, a gentle lull. And instead of losing himself in the music, he finds himself wrapped up in one of the many memories he’d chosen to lock away for the last two years.

Something was off. 

Eddie’s stomach had twisted with anxiety of something being wrong for weeks. You stopped answering his calls, his texts, every form of connection with him. But as he stood in front of the door to your shared apartment, the bile rose even higher in his throat. 

He smelt the decay of what he had done before his key had even entered the lock. 

“Would you invite me again? Won’t you pay for your arrogance? Won’t you show me your weakness?” 

You were never his to keep. 

His voice nearly cracks as he approaches the first chorus, not finding the strength behind the vocals he’d always envisioned for the song.

The click of the door opening echoed through the apartment. It felt empty the moment he’d crossed the threshold – you could have just been tucked away in the bedroom, or even in the bathroom, but he knew. 

You hadn’t been returning his phone calls. You hadn’t been returning his texts. He knew something had happened, something had changed. Irreversible damage had been done, and he would now have to face the mess he’d created to return home to. 

“I made loving you a blood sport.” 

He repeats the line until it rings in his head, over and over. Until he swears the words could crack his bones, and the stars that will show in the night sky will do nothing but mock him for the self-inflicted pain.

At first, he convinced himself you just weren’t home. You’d gone to the store or to see friends. You’d be home soon enough and then, the two of you could scream at each other all you wanted. You were angry with him, rightfully so, but he’d rather you yell and scrap with him than the alternative. He didn’t care. Because he was here, back in the flesh and willing to take any and all cruel words you had sharpened for him. The two of you would fight, yes, but at least that meant there was still something there worth fighting for.

After the first three hours, he realized with a sinking stomach that the alternative might just be his reality. 

“I want to be forgiven.” 

He recalls the look on your face when you’d first seen him today. The fall of your act, the discarding of grace and composure.

The look that told him that he can want all he’s capable of. He can want, he can crave, he can yearn, he can tear himself apart bit by bit with his feeble yet shattering cravings — it won’t change a thing. 

You were never his to keep.

After the clock struck the fifth hour of his return, he started his calling.

Over and over and over, he was met with your voicemail. Endless messages spoken and sent alike. Every single one trying to be gentle as they inquired where you were. Letting you know he was back. Going as far as to ask you if the two of you could talk. 

He wanted to fight. He wanted to fight, because it meant you still saw something worthy within him.  

But even more than Eddie wanted a fight, he wanted you to come home. He wanted you to be there, to welcome him into your safety and remind him he was human again. It was selfish – he was so goddamn selfish – but he needed to feel your skin against his and remind him that he was still a person beneath it all. Beneath the demand, beneath the unwarranted adoration from strangers, beneath all the fractures the sudden traction had left him with – he was still a breathing, living person. He was still your person. 

Eddie’s fingers begin to slam against the keys with increasing urgency as his chest heaves out with every syllable. Repeating, and repeating, and repeating the chorus as if it changes a single thing. He loses himself in it all; in the music ringing in his ears and the memories now drowning him as he confesses all his sins to the microphone. 

You never came home. 

There was no fight, and after the hours reached double digits right along with his ignored phone calls, he had to accept the truth.

You weren’t just at a friend’s, or the store. You were gone. Truly, truly gone.

The drawers once filled with your belongings were vacant. The smell of your perfume was nothing more than a whisper across the pillows. Eddie scoured the entire apartment for signs of you, turning every single piece of furniture over looking for clues. He never thought to check the counter until he’d already ruined the space, terrorizing it in a frenzy before his eyes landed on the letter and the key.

He had approached them both hesitantly. All his denial drained from his body, like the blood pumping through his veins, as his fingers pinched that silver key so gingerly.

A past he can never return to. A home he will never hold the key to again. 

The joints of his fingers ache and his lungs begin to burn for all that he lost — all that they all lost — because of him. His  own foolishness, his own downfall. He did this. 

The aftermath is blurry.

He read the first few words of your letter before promptly crumbling it with his tortured fist, knowing exactly what it said without needing to fully swallow all the words just yet.

He never fully read the letter. He skimmed it, a week later, but not that night. 

Then came the flashes of the pain. The way he’d swung his fists at air and menial objects alike. A vase holding wilted carnations met its demise on the kitchen floor, a hole in the wall appeared that he later had to patch up, one of the coffee tables ended up across the living room with a leg splintered half off. 

He never dropped the key. 

Even as he dropped to his knees in the center of the broken glass, bleeding shins to match his bruising knuckles, he still held that small piece of silver fiercely. He pressed it so tightly, dug it so deeply into his palm that it later left a scar. And not even the way he had grabbed at the broken glass surrounding him had the capability to mar it away as he let it slice his skin, crying out, hopeless and devastated. 

You were gone. He had lost you, and he had been arrogant enough to never even notice it.

“You say it doesn’t matter.” 

The headphones had long since slipped off his head, and he makes no move to adjust them. He hadn’t even noticed that his body had begun to fall forward and curl into the piano until he’s weakly choking out the final lyric that he hadn’t even written down onto the page. 

He hadn’t noticed the tears falling, either.

What were meant to be gasps for air as his fingers fly across the keys in a haunting melody are only sobs. Cries of pain as he no longer can see mere inches ahead of him, a scar of the center of his palm stinging as if brand new, his heart and head pounding in sync. He isn’t even sure if the producer he’s forgotten the name of is still recording. He lets the sobs slip out as he continues to play. 

He can’t quite end the song yet. The moment he does, he’s terrified of the version of him that he will have to face once more. All those surface blemishes from the beginning of the end had run deeper beneath his skin. He was nothing more than rubble and fractures now, splintered every which way until he had become unrecognizable. When he looked in the mirror, all he could see was a creature of destruction.

“You set off whatever bomb erased her from our lives, but it left the rest of us with some damage, too. Don’t forget that,” Gareth’s voice echoes in the silence beginning to gather between the notes.

Another wrecked sob leaves Eddie as he finally finishes off the melody, playing entirely unaffected up until that point. Reality crashes down. His body shakes, shoulders hunched as his forehead connects against the freezing wood of the piano and he pinches his eyes shut tightly enough to be left in total blackness. 

He couldn’t play another note if his life depended upon it.

The memory fades with the final note before his head rattles with a new image. The smile, the grimace, you had offered him before you two parted ways today. An effort at professionalism that Eddie had seen right through. 

Pain. That’s what had twitched in the corners of your mouth. The same pain, if not worse, as the one that now radiated through every atom of Eddie’s broken figure on the piano bench. 

He can’t fix it. Not your pain, not Gareth’s pain, not his own pain. The time for damage control, for sincere apologies and any reconciliation has passed. Just like watered-down blood through his fingertips. 

Eddie hopes that the producer has had half the mind to stop the recording when he stands and slams the drumset behind him into the wall. Destructive, just as he had been the night he returned to an empty apartment. Just as he had been when he’d been the one to rot and wither away all that you two had once held between you. 

They can replace the drum set. Surely, he has a person for that. 

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[copias-juicebox]

THIS GHESTIE HAS JUST FOUND OUT THEY PERFORMED BIBLE LIVE AND NO ONE TOLD ME ABOUT IT!!!!!!

[fallenangelvexed]

The song that introduced a lot of people to Ghost

Links under the cut:

[discordantcomic]

Margaret “Maggie” Ann Spengler

Age: 17

Birthday: September 10th

Nationality: American

Height: 5’8”

🩷💜💙

One night, when Maggie was 8 years old, she awoke up on the steps of a police station with nothing but the clothes on her back and no name to her memory

The rest of her childhood would be fraught with strange occurrences that kept her bouncing from foster home, to foster home. Maggie brought an atmosphere of unease to the various homes she was placed in as she could speak to people that no one else could see, and move objects with her mind

Each rejection caused her to become more cautious and withdrawn. But, eventually, Maggie found herself in the home of the Spenglers. Her new foster-parents, Warren and Nadine were able to break down these barriers Maggie had built up to protect herself and the family soon became a tight-knit unit. When her strange abilities manifested, they did their best to be understanding and tolerant of them. Eventually, the pair adopted Maggie as their own and they’ve been a strong and loving family ever since

[thee-babbo]

bro this album. .. .

[tova666]

why is it impossible for people on tiktok to accept the actual meaning of the song ”mary on a cross” like you’re listening to a band that dresses up like an evil clergy, did you expect the songs to be wholesome?

[waugh-bao]

Keith: “Suck On The Jugular” is Mr. Watts again. I mean, it's all drums. The arrangement is all to do with the drums. Charlie laid down that beat and I said, 'Well, if you can keep that up for several minutes, we've got a track. 'Hey, no problem.' And he always makes it look like it isn't.

Charlie: It used to be called 'Holetown Prison' and we did that in Barbados near Holetown. That's what we would loosely term a groove song; I like those a lot. We did a whole bunch of those type of songs, but a lot of them didn't get on the record because it wasn't the right time to use them. I like those songs more than our ballads.

(1994)

[willows-goat-farm]

Thinking about Life Eternal again and just like

The song asks you, the listener, hey, if you had the chance to live forever, would you?

Do you think your answer changes if you were a medieval peasant, scared to death for the bubonic plague? Are you afraid God will despise you if you take the offer, or are willing to slight him after the damnation he has called upon everyone you love and care about?

And also, if you do take the offer, how do you think it changes you? Does letting longer let you become more human because you get to experience more of life? Or does the absence of death remove the core of what makes us people?

Are you willing to outlive all your loved ones? Will they know that you are always thinking about them? Can anyone ever love you as much as your current partner? Does it hurt more or less to see them go, knowing that you will never experience death?

If someone walked up to you tomorrow and offered you immortality, and they ensure you that there are no strings attached, would you agree? And if so, what would you do?

What would you do...

...if you had Life Eternal?

[forlorn-crows]

Been listening to a lot of Chappell Roan all day, especially Naked In Manhattan, and now I am thinking about the ghoulettes first time having sex together after a show 😊💙

An inch away from more than just friends

Touch me, baby, put your lips on mine

Could go to hell but we'll probably be fine

I know you want it, baby, you can have it

Oh, I've never done it, naked in Manhattan

Their first show is a whirlwind; full of excitement, nerves, shared moments of reassurance. Truthfully, it goes better than either Cirrus or Cumulus could have imagined—they both hit all of their marks, got special recognition from Copia, and bowed to the loudest applause either of them had ever heard. The crowd rings in their ears long after the show is over, all the way up until they reach the door to their hotel room.

Cirrus pulls the key from her pocket, nearly dropping the card in shaking hands. She laughs as she fumbles it a bit, but eventually she slides it in, releasing the lock. Cirrus enters the small, dingy room and holds the door open for Cumulus, who follows behind with both of their overnight bags. Cumulus flashes her a fangy smile as she passes. It makes Cirrus’ heart hammer in her chest.

The shorter ghoulette drops their bags into a random corner, turning back to Cirrus with a smile on her face.

“That was the best night ever,” she says, bouncing on her heels.

Cirrus shuts the door and sags against it, trilling contently. “It was, wasn’t it?”

Cumulus walks closer to her. “And you did so well, Cir. That keytar solo was the best you’ve ever done it!”

Cirrus blushes and laughs. “Please, you were the star. Just like a songbird with those vocals.”

Cumulus covers her face with her hands, a twin rosy blush creeping across her cheekbones. “Stop it!”

“I mean it,” Cirrus pushes. She pulls Cumulus’ hands away from her face, gently cradling them in her own. “You did great, ‘Lus.”

Cumulus stares at their joined hands, going silent. Her eyes flick back up to Cirrus, who’s looking at her with complete admiration. The shorter ghoulette can’t help the gasp that escapes her lips, suddenly taken aback. Something softens in her expression as Cirrus’ eyes search her own, caught in their own little vortex.

“Cirrus?” Cumulus whispers, unconsciously leaning closer.

“Yeah?” She almost misses the way Cirrus’ eyes flicker lower on her face; a blink-and-you’ll-miss-it movement, but perceptible with how they linger suspiciously on her mouth. Her thumbs rub little circles into Cumulus’ palms. It’s dizzying how quickly it pulls her in.

“Can I . . .?” Cumulus lets the sentence trail off, the question hanging in the air between them.

Cirrus’ heartbeat hammers in her ears. “Please,” she breathes, lunging towards Cumulus before she even finishes the word.

Cumulus pulls her against her body, slotting their mouths together easily. “Fuck,” she gasps, roaming her hands over the taller ghoulette.

“Yeah,” Cirrus moans back, already backing her towards the bed. The mattress is hard and the sheets are scratchy against her skin when they land on it, but she doesn’t care. All that matters is Cumulus’ body finally beneath hers and Lucifer does it feel right.

“Do you have any idea how long I’ve wanted this?” Cirrus says between kisses. She wraps her hands in Cumulus’ long curly tresses, sighing as she moves to kiss along her jaw.

“Ages,” Cumulus answers for her, for herself. “Oh, ages, Cir.”

“Wanna worship this body, worship you,” she babbles, continuing her descent to her warm neck.

“Please,” Cumulus whines. She yanks Cirrus’ hand out of her hair, guiding it down to her crotch. Cirrus gasps as she rolls her hips into her hand, clothed cunt hot against her palm.

“Fuck, baby,” Cirrus groans, already sitting up to shuck her clothes. “Off, take ‘em off.”

Cumulus doesn’t think she’s ever gotten undressed faster, pulling Cirrus back on top of her as soon as the last of the fabric is yanked from her body.

“Gorgeous,” Cirrus mutters. “Absolutely beautiful.” She kisses every part of Cumulus’ skin delicately, like its something of reverence.

“Oh, your mouth, Cir. Your mouth, unholy—” Her words are cut off with a groan as Cirrus takes one of her nipples in her mouth, sucking and rolling it against her tongue. She palms the opposite breast, grinding lightly against Cumulus’ plush thigh. She’s hot and wet already against her skin. The shorter ghoulette grabs her ass with a moan, pushing her harder against her thigh.

Cirrus tosses her head back. “Yes, fuck yes.” The friction is divine against her clit, quick and dirty in all the best ways.

“Satanas, look at you, oh.” Cumulus guides her to grind harder against her thigh, just as Cirrus slips her fingers between her folds, rubbing over her clit. They moan in tandem, melting further into each other.

It’s messy and over far too quickly, but it’s perfect in ways that matter only to them.

[adhdari]

If you have Ghost...

[spllwys]

the organs and choir of monstrance clock really sink into that small god-shaped hole in me and make it sting

[majikdog]

If I see one more “Cirice is overrated take” today, I might actually resurrect Papa III myself and behead him again in front of y’all

[fallenangelvexed]

Maybe (probably) my fav track of IYHG...

Links under the cut

Song:

Original song:

[dandyshucks]

I've listened to so much of the music tapes and orbiting human circus that i can pick out a singing saw in a song immediately. just listened to this random band and heard a singing saw and went "IS THAT JULIAN KOSTER???" and lo and behold... i check the credits.... YEEEUP THERE HE IS SOMEHOW

[go-go-devil]

I've been grooving on Ghost's new EP Phantomime for a few days now and it has inspired me to create a tag game! For this one, you need to list 5 of your favorite cover songs of all time 🎶

Here are my top picks:

"Song to the Siren" by This Mortal Coil (ft. Elizabeth Fraser)

"California Dreamin'" by Eddie Hazel

"Horse With No Name" by Michelle Branch & Patrick Carney

"Forever Autumn" by Justin Hayward (though this is the singles version; the original form of this cover was composed by Jeff Wayne for his War of the Worlds musical)

"Hurt" by Johnny Cash

I'll go ahead and tag @pinkiepiebones @slugs-at-midnight @silenthillmutual @slenders1ckn3ss and @illusionaryneil

Can't wait to see all your favs ;)

[chloelouygo]

Bakuratober day 14 - Ghost, in which the thieves cosplay as Ghost

Yesterday’s prompt from Twitter!

I have @zorcskhakis to thank for having Mary on a Cross on their thief playlist, otherwise I might not have associated it with these two, so thank you! 🖤

I took liberties with Nameless Ghoul Marik okay, I didn’t want to make him completely anonymous, I don’t think he’s really the faceless type