#sorry that this is so ominous

[khaire-traveler]

You can become so used to the darkness that you mistake it for the light. What feels safe, feels familiar, is not always as it appears to be.

[branwinged]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[witchkittymeow]

to be honest i had this idea since i started listening to twice i just never did anything about it until now

[menlove]

[egophiliac]

HOW WE FEELING ABOUT THE UPCOMING NEWSS 👹👹👹

man, it's a good thing they stopped doing the episode 7 SSRs, because I'm really low on keys and gems right now and --

OH NO

[dafry-shenanigans]

I have no idea wth is happening but i want in-

Randy: Uh... Is he okay...?

Jake: Yeah don't worry, he'll be fine... I think...

[lyinginthesnow]

something about childhood in succession.. the way it casts its shadow over the entire narrative, the rotten root of the roy siblings’s pain, all wrapped up in Logan’s power and abuse and love. The opening credits are filled with images of them as kids, beginning every. single. episode. by emphasizing the importance of their childhood: the siblings posing for a photo, playing sports, standing on a manicured lawn, riding an elephant, etc. and then the shots of logan, in which he is always shown from behind, or far away. It is a childhood the viewer never gets to see in any other context, since there are no flashbacks in the show, and therefore as integral as it seems, we know almost nothing about it. What exactly happened? What are the details? We feel its presence, we can tell how it informs their relationships, we can put together the pieces of incomplete and contradictory memories expressed through dialogue, and if we trace their struggles and dysfunction back far enough we know it leads there, to when they were kids. But there is so much empty space we can’t fill in. It’s almost like their childhood is presented in that horror technique where you never get to see the monster clearly straight on. It’s always in darkness, and chopped up into close-ups so that the viewer’s imagination is forced to invent something, however vague, and that is far scarier than it would be if we could actually see it — a monster that is terrifying BECAUSE it’s unknown. The roy siblings’s childhood is a major force behind so much that happens on screen, but what specifically occurred is out of the reach of our understanding. We are shown the monster’s shadow but not the monster, we are shown the frightened faces of the characters as they look at something behind the camera we never get to see, we are shown the running or the fighting or the blood but never the true, bigger-picture, clear details of the horror itself

[cowboy-competition]

FINALS!!! 🐎

[piquuroblox]

more whiteboard doodles

[homophyte]

its an episode about the many ways morty fears rick.

its about being afraid of rick and being afraid of his sadness and his callousness and his power. its about morty knowing the power rick has over him and being afraid of that. and knowing that ricks decisions are fickle and often Bad and that morty is going to be beholden to them. when rick jumps morty is forced to follow after and pay the same price for no crime. and the fear that for his loyalty and obedience there is no reward . Morty Is Afraid Of Being A Dog.

if rick is in a simulation where hes given everything he wants and hes too selfish and cowardly to leave when it threatens his life, morty will have to die with him.

if rick is in a simulation where he has the option of pretending nothing is wrong and everything is fine and hes too selfish and cowardly to admit its a lie even when it threatens his life, morty will have to die with him.

if rick is forced to admit he cares for morty or die he would die before saying it. and morty knows it. and Im Going Crazy

[starflungwaddledee]

If you could give Bandee any alt appearance for powers like kirby gets, which power would you choose and what would that appearance look like?

kirbytober 2023 23 + 28 : copy ability + katfl [ prev || next ]

wooohooo oh boy i am so glad you asked anon!!

here's my mini thesis on how bandee could have easily had extremely cool upgrades in katfl and worn many hats and yet still have been totally recognisable!

no more "is that one waddle dee supposed to be him or not" (i'm looking at u, official art + merch. give my boy his hat!!!), because as it turns out he's actually got plenty of reoccurring motifs that you can use to make it clear it's him no matter what he's doing or wearing!

each of these would also have a specific move-set and gimmick, enhancing his existing abilities or giving him a totally refreshed playstyle (yes i have thought about this a lot).

in this essay i will-- [1/348]

[medicalunprofessional]

fascinated with this creature (though i don’t think he wants me to be)

[cconfusedkat]

I wouldn't say low effort but shamura doodles for fun yay yay 🕸🕸

[kaiiscottage]

Little Matakara and his brother since i haven’t seen anyone post them yet <3

[geraskierfanficprompts]

Prompt 21

This past winter, Geralt grabbed a tower of books from the library and holed himself up in his room for practically the entire season. Eskel walks in one night, intent on just checking in on his brother, only to poke around and find that every book that Geralt is painstakingly studying is medical books, from how to deal with a sore throat to the most rarest of diseases. Eskel asks Geralt why he needs to know all of this, worried Geralt might be losing his mutagen-induced healing factor?! Is he getting sick!? Are his wounds not healing over time!? Oh GODS! Oh nvm- Geralt says he's fine :) He's reading all of this because... He met a human bard he wants to keep safe? Odd... Especially for Geralt... But whatever makes his brother happy! I just want a scene after some nice gay brotherly teasing that's like "Ow- Oh no.. Geralt, my arm was scratched by a branch. Hold on, I need to-" And geralt is like FROTHING and is like "WE NEED BANDAGES, THREAD, A NEEDLE, DISINFECTANT, NUMBING SOLUTION, AND I KNOW FOURTEEN DIFFERENT NATURALLY MADE POULTICES I CAN MAKE, AND I KNOW A HELPFUL SPELL A HEDGEWITCH CAN CAST AND-" "It's just a scratch, Gera-" "SHIT, SIT DOWN, I GOTTA FIX MY HUMAN BEFORE HE DIES AND I LOSE ONE OF THE ONLY GOOD THINGS IN MY LIFE"

[frosteee-variation]

Posting here as well because why not!! Shout out to (and rest in terror 😔) Alan Curupen of Providence Al Dente. Your soul may have overflowed on lore but.

actually no yeah we don't know what terror a. ball's deal is yet so. this may or may not go poorly for us. but at least we're plot-relevant /lh

( honestly I don't know what the quality's going to be like because mspaint but uhm. I miss you alan :[ )