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panelshowsource · 6 months ago

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random things to watch over the holiday break

happy holidays friends (⸝⸝^ᴗ^⸝⸝)❄️ as many of us have time off from our normal schedules, are taking long-haul flights or car drives, and will be spending hours in broom closets to avoid our terrifying families, i figure this is the perfect time to look back on the year and put together some watch links for over the break ❄️❄️❄️

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panel shows

the christmas special of never mind the buzzcocks is always...something else

speaking of, icymi in a panel show miracle earlier this year an anonymous source provided beautiful archival copies of the first 12 series of nmtb — so this is the perfect time to revisit its classic era!!

junior taskmaster just wrapped up its first season! very wholesome, for the whole family (don't forget to check out the taskmaster podcast discussions for each episode, hosted by ed gamble!)

there were some great eps of cats does countdown this year but this one was probably my standout<3

because this series is on sky so we have to be careful circulating it, not everyone got a chance to watch rob beckett's smart tv when it aired this year! some of the panel guests include natasia demetriou, nicola coughlan, david tennant, romesh, and alan davies, among others

idk if this is controversial but i think the australian guy mont spelling bee MIGHT be better than the new zealand version... i'm not sure yet... i need someone else to watch every single episode and tell me what my opinion should be. i also want to thank this show for teaching me how to spell vinaigrette

this, this, and this were some of my favourite episodes of wilty this year!! btw the 2024 christmas episode just dropped!

there were a lot of wild lineups on mel giedoryc: unforgivable this year, but i'd recommend just starting with the first episode of the latest series because..well you'll understand when you see it

this year i made three big lists of random panel show moments that, in my humble opinion, you will love wasting your holidays hours clicking through: part 1 / part 2 / part 3

misc. tv

the royal variety performance 2024

the completely made up adventures of dick turpin was renewed for s2 so make sure to catch up!!! it's SO stupid hahaha

on a similar, less stupid note, ludwig will also be back for s2!

we're all still missing sean lock, who passed away three years ago, so it's never a bad time to revisit 15 storeys high — especially now that we have upgraded rips!

listen jon and lucy may be divorced but that doesn't make meet the richardsons any less iconic and the last two episodes just released!

s2 of alma's not normal is out this year and doing such amazing things for our sophie willan!!

this was a bit under the radar but backstage with katherine ryan was really fun! i love the mostly-documentary concept and it's one of my favourite things to see the backstage culture between these random comedians (judi x ivo killed me)

rhod gilbert's stand up to cancer documentary was really beautiful ;;

am i being unreasonable? (written by & starring daisy may cooper, from this country) is one of my underrated scripted comedies of the year

paddy mcguinness on who do you think you are

in the new jimmy carr-hosted game show battle in a box, pairs of celebs (mostly comedians) are trapped in an empty box for 24 hours, forced to play a series of mental and physical challenges. if you like the lineup then it's worth checking out!

it's christmas. just follow tradition and watch fry & laurie.

standup

ahir shah – ends (2024)

fern brady – austistic bikini queen (2024)

harriet kemsley – everything always works out for me (2024)

lucy beaumont – live from the royal court theatre (2024)

john kearns – the varnishing days (2023–4)

rhys james – spilt milk (2024)

suzi ruffell – snappy (2024)

tony law – the law also rises (2024)

films

monty python and the holy grail (1975) dir. terry gilliam, terry jones

withnail and i (1987) dir. bruce robinson

gosford park (2001) dir. robert altman

the personal history of david copperfield (2019) dir. armando iannucci

how to have sex (2023) dir. molly manning walker

rye lane (2023) dir. raine allen-miller

scrapper (2023) dir. charlotte regan

kneecap (2024) dir. rich peppiatt

youtube

been enjoying the dish podcast this year!! some of my favourite episodes include claudia winkleman, jordan north & william hanson, saoirse-monica jackson, gordon ramsay, sandi toksvig, richard e. grant, matthew macfadyen, and stephen fry

sandi toksvig hugging guests (2024 edition)

obsessed with this house tour with richard e grant

phil wang was on jolly?? it was fun to see his house

don't sleep on the taskmaster outtakes content!

radio & podcasts

green wing came back for a 6-part radio series and warmed all of our hearts<3

some of my favourite episodes of off menu this year: elis james, john robins, sam campbell, frankie boyle, lucy beaumont, jess knappett, joe wilkinson, tommy tiernan, ardal o'hanlon, huge davies (one of the all-time clips), danny dyer (this one is truly crazy on the ears can't recommend it enough)

the horne section podcast was back for a few episodes!!! if you've never listened before, start with this classic episode you're welcome

susie dent and phil wang have adorable chemistry on this new radio game show

david o'doherty and max rushden started a new podcast about what people did yesterday that has had lots of fun guests! start here if you need to give it a taste

a few RHLSTP episodes worth giving a listen: lee mack, bob mortimer, armando iannucci, rob brydon, peter serafinowicz, ade edmondson, fern brady, among others. if you find your patience waning, he's doing a couple of 'best of 2024' eps! richard's really been focused on his book podcast this year

books

frankie boyle & charlie skelton – a short history of the apocalypse: the vital guide to your future survival (2024)

miranda hart – i haven't been entirely honest with you (2024)

richard osman – we solve murders (2024)

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i could go on forever but i've got to stop somewhere heh... looking forward to big fat quiz and more mindless telly in 2025! have a wonderful holiday x sarah

PANEL SHOW WATCH LINKS • NON-PANEL SHOW WATCH LINKS ♥ https://ko-fi.com/panelshowsource

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queer-ragnelle · 4 months ago

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Arthurian screen adaptations on a competency scale of theme comprehension through transformative works as it intersects with recognizability and cultural resonance.

Paint By Numbers Arthuriana

Watered down content designed to pander to a wide audience with surface level understanding of the legends. Thoughtless changes made in the interest of mass appeal and profit. Disrespectful to the history and themes of the original. Misogynistic and racist.

First Knight (1995)

Quest For Camelot (1998)

BBC Merlin (2008-12)

The Winter King (2023)

Arthurian Wiki + Other Media = Good?

Adds shallow interpretations of Arthurian elements or characters to an existing IP in an attempt to capitalize on both markets. Misinterprets or simply doesn't care about the history and themes which makes Arthuriana resonate. Misogynistic and racist.

Fate Series (2004-now)

Shrek the Third (2007)

Transformers: The Last Knight (2017)

Scooby Doo the Sword and the Scoob (2021)

Make It Your Own (Affectionate)

Reimagined Arthuriana in a way which transforms the legends into a fresh story, genre, tone, culture, or all four while maintaining the core characters, themes, subjects, values, and appeal to long-time Arthurian enthusiasts. Respects and uplifts women and minorities.

Monty Python and the Holy Grail (1975)

Excalibur (1981)

Knightriders (1981)

Shadow of the Raven (1988)

New Adventures of a Connecticut Yankee in King Arthur's Court (1988)

Who Even Is That?

Utilizes a character name while failing to realize the character's potential or outright slanders them and the others around them. Drastically worsens the source material narratively and through poor characterization. Misrepresents the original. Misogynistic and racist.

The Black Knight (1954)

Guinevere (1994)

King Arthur (2004)

Perceval (2007)

"Arthurian" Coat of Paint

Stories so abstract they butcher or scarcely resemble the source material. Fundamental misrepresentation of the Arthuriana. Disrespectful to the history and themes of the original. Misogynistic and racist.

The Fisher King (1991)

King Arthur: Legend of the Sword (2017)

Netflix Cursed (2020)

The Green Knight (2021)

#arthuriana #arthurian mythology #arthurian legend #my post

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youryurigoddess · 1 year ago

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Aziraphale’s secret investigation and overlooked Clues

Remember this frame from Good Omens S02E06? Apparently Aziraphale had been using the empty carton box brought by Jim to store things in. It became a new home to at least two out of three “Lost Quartos” — the supposedly lost Shakespeare plays briefly but hilariously mentioned in the Good Omens book — as well as a very mysterious legal document.

Thought probably half of the Good Omens analysts here, including the ever so wonderful @fuckyeahgoodomens, who managed to find some information about the deceased John Gibson from New Cumnock (1855 - 1905).

Unfortunately the most interesting thing about this early 20th century provincial postmaster was his youngest child James (1894 - 1973), a quite famous stage (West End!) and film actor immortalized on screen in The Master of Ballantrae (1962), Witch Wood (1964) and Kidnapped (1963).

After that particular discovery the fandom-wide search seemingly led nowhere and the topic died a premature death.

And I almost figured it out seven months ago.

“But Yuri, you’re so clever. How can somebody as clever as you be so stupid?”, you probably want to shout across a busy London street at this point. Well, let me tell you. Much like Aziraphale, I'm blindingly intelligent for about thirty seconds a day. I do not get to choose which seconds and they are not consecutive.

Only tonight the stars have aligned in an ineffable way.

For those of you who don’t follow this account, some time ago I’ve realized that John Gibson isn’t the only testator whose estate was being investigated by Aziraphale right before The Whickber Street Traders and Shopkeepers Association monthly meeting.

If you watch S2 finale closely enough, you should notice that Crowley not only stress cleans Aziraphale’s bookshop — he also goes through the books and papers on his desk between the last three angels leaving the bookshop and Maggie and Nina’s intervention. A seemingly permanent arrangement of the props post-shooting, visible in detail both on Radio Times tour and SFX magazine photo shoot, sheds even more light on this detail.

The close-ups published after S2 release are legible enough to refer us to a much more prominent historical figure, Josiah Wedgwood (1730 – 1795) — an English potter, entrepreneur and abolitionist. Founding the Wedgwood company in 1759, he developed improved pottery bodies by systematic experimentation, and was the leader in the industrialisation of the manufacture of European pottery.

Long story short, I transcribed the handwritten pages abandoned on Aziraphale’s desk, found out the source and the full text of what could be identified as Wedgwood’s last will and testament, took a walk to visit his Soho workshop, and proceeded to write a lengthy meta analysis about it.

I was today’s years old when I realized that there’s something else connecting those two dead British men.

The Scottish Post Office Directory of 1903 recorded John Gibson from New Cumnock as a “stationer and china dealer” (above) operating from the shop located in the town’s post office building.

Indeed, a close look at his post office shop window in the Henderson Building (below, bottom left) reveals an artful display of fine china and pottery next to postcards printed by Gibson.

There are multiple ways to connect this surprising link with possible S3 plot points, obviously, but it’s getting late, so let’s just name the two most important ones.

You’ve probably heard of the Holy Grail, maybe from Monty Python or Good Omens S01E03 1941 flashback. Depending on the version of the story, if can be a cup, a chalice, a bowl, or a saucer — but almost always a dish or a vessel connected personally, physically and metaphysically to Jesus (unless you’re partial to Wolfram von Eschenbach’s idea that the Grail was a stone, the sanctuary of the neutral angels who took neither side during Lucifer's rebellion).

A slightly more obscure dish related to the Son of God appears in the sixteenth chapter of the Book of Revelation as a vital part of His Second Coming. The Seven Bowls (or cups, or vials) of God’s Wrath are supposed to be poured out on the wicked and the followers of the Antichrist by seven angels:

Then I heard a loud voice from the temple telling the seven angels, “Go and pour out on the earth the seven bowls of the wrath of God.” So the first angel went and poured out his bowl on the earth, and harmful and painful sores came upon the people who bore the mark of the beast and worshiped its image.

The second angel poured out his bowl into the sea, and it became like the blood of a corpse, and every living thing died that was in the sea.

The third angel poured out his bowl into the rivers and the springs of water, and they became blood. And I heard the angel in charge of the waters say, “Just are you, O Holy One, who is and who was, for you brought these judgments. For they have shed the blood of saints and prophets, and you have given them blood to drink. It is what they deserve!” And I heard the altar saying, “Yes, Lord God the Almighty, true and just are your judgments!”

The fourth angel poured out his bowl on the sun, and it was allowed to scorch people with fire. They were scorched by the fierce heat, and they cursed the name of God who had power over these plagues. They did not repent and give him glory.

The fifth angel poured out his bowl on the throne of the beast, and its kingdom was plunged into darkness. People gnawed their tongues in anguish and cursed the God of heaven for their pain and sores. They did not repent of their deeds.

The sixth angel poured out his bowl on the great river Euphrates, and its water was dried up, to prepare the way for the kings from the east. And I saw, coming out of the mouth of the dragon and out of the mouth of the beast and out of the mouth of the false prophet, three unclean spirits like frogs. For they are demonic spirits, performing signs, who go abroad to the kings of the whole world, to assemble them for battle on the great day of God the Almighty. (“Behold, I am coming like a thief! Blessed is the one who stays awake, keeping his garments on, that he may not go about naked and be seen exposed!”) And they assembled them at the place that in Hebrew is called Armageddon.

The seventh angel poured out his bowl into the air, and a loud voice came out of the temple, from the throne, saying, “It is done!” And there were flashes of lightning, rumblings, peals of thunder, and a great earthquake such as there had never been since man was on the earth, so great was that earthquake. The great city was split into three parts, and the cities of the nations fell, and God remembered Babylon the great, to make her drain the cup of the wine of the fury of his wrath. And every island fled away, and no mountains were to be found. And great hailstones, about one hundred pounds each, fell from heaven on people; and they cursed God for the plague of the hail, because the plague was so severe.

#good omens #good omens meta #good omens analysis #aziraphale #aziraphale’s bookshop #set design #good omens props #the good omens crew is unhinged #john gibson #josiah wedgwood #fine china #pottery #holy grail #seven bowls #second coming #yuri is doing her thing

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qiu-yan · 10 months ago

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#mdzs #lan wangji #wei wuxian #wangxian #yanyan polls #mo dao zu shi

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callmearcturus · 1 year ago

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okay so PC Gamer just scattered a bunch of catnip for me with an article about What If Each Fallout Game Were A Movie, Who Would Direct It and I am going to read this live and judge it

because I'm having a relapse, we all understand this

A focused, mature, pressure cooker of a movie that is short and stylishly violent? Better call the director of John Wick to take the directorial reigns. Personally, I find Leitch's movies tend to have rather underwhelming final acts, too, and also have a penchant for ending abruptly when you feel more could have followed, so he's the perfect fit for a game that's incredible until it very quickly ends without much fanfare. John Wick movies don't tend to be very wacky either, often depicting the hero's world as very serious (despite the ludicrous premise of the fiction), so again this feels a strong and apt choice for the OG Fallout. A Friday night action movie.

HMMMMMM. I feel like I disagree on the mode I would want FO1 to be in. Like, yes, you can play it that way, but FO1 is famously one of the first games to make Speech arguably the most important skill to have in a video game, so I dunno. I love Leitch and feel like while his sense of realistic-yet-stunning action is a trademark, I think the use of locations is even more of his thing, and when I think about memorable locations, I think more of FO2 than FO1.

I feel like I would give FO1 to some hyper-realistic scumbag who is more obsessed with Process than Enterta-- oh. Nolan. gdi I'd give FO1 to Chris fucking Nolan, him whomst I loathe.

Who better to direct this expansive and often wacky depiction of the Fallout universe than the director responsible for epics such as Fear and Loathing in Las Vegas, 12 Monkeys, Brazil, The Imaginarium of Doctor Parnassus, and The Man Who Killed Don Quixote? Gilliam loves a good road trip in his work, too, which fits with Fallout 2's Highwayman-based exploration, and his penchant for vast vistas with wacky and absurd details feels perfect. The combat scenes wouldn't be as slick as Leitch's Fallout movie, but characterisation and a more rambling, philosophical, off-beat narrative would deliver. Plus, Fallout 2 even has a Bridge Keeper encounter that directly references Monty Python and the Holy Grail, in which Gilliam starred. Watch on a Saturday night for a bit of everything.

......... I straight up cannot argue with that. No notes.

For a movie based on a game that is focussed almost entirely on squad-based combat in urban environments, combat where soldiers die in terrible ways and the horrors of war are all too apparent, I feel the director of The Hurt Locker, Kathryn Bigelow is perfect for this. Fallout: Tactics would be a war movie with a very tight focus and strong characterisation for just a handul of lead characters. Tense and at times adrenaline-inducing due to the flashes of extreme violence, but interspersed with soul-searching dialogue from its grizzled, war-scarred leads, this would be an erudite and focused Fallout war movie. Watch on a Monday or Tuesday night.

Looking at Bigelow's list of works is how I just now learned she also did Strange Days, so I think it's fair to say that this is giving her way too small of a pick. Give her FO1 and give Leitch FOT.

It would be so bad. Forget about A-bombs, everyone in the movie would drop an F-bomb every other line. Don't watch on any night.

Fucking weak-ass pick. Think about the history of how FO:BoS happened, i.e. they were trying to slap the Fallout license onto a completely different style of game without any respect for the source material. They swapped out Nuka Cola for Bawls product placement.

Give it to Zack Synder.

As the game that properly introduced V.A.T.S. system slow-mo to the Fallout universe, with kill shots shown off in glorious bullet time, there can be only one director for a film version of Fallout 3: the master himself, John Woo. Woo's stellar action movie work in titles such as Hard Boiled, Broken Arrow, Face/Off and Mission Impossible 2, among others, means the action in this game is off the charts. Slow-mo radiated doves and all! Woo handles the post-apocalypse war vibes well, too, thanks to his work on Windtalkers, while he communicates the hero's awakening into the future thanks to previous on Paycheck. A good fit for Friday night, thanks to the action, or midday during the weekend due to a longish, war movie-style runtime.

.....................

holy shit i cannot argue with that, that's genius. absolutely fucking yes. i think that's a perfect fit.

also, like, FO3 and Woo have the same "problem" for me, in that they know exactly what they are doing, it's just not my cup of tea, but there is a solid identity there.

yeah, fucking do it, give FO3 to John Woo.

SHUT THE FUCK UP

WHO WROTE THIS ARTICLE, AND DID THEY WRITE IT FROM MY FUCKING ATTIC?!

Casinos, gritty environments, extreme violence and heist movie vibes mean I think of Guy Ritchie for this film adaptation. Ritchie's also a fan of slow-mo combat shots, too, so we've got the game's V.A.T.S. system represented well, too, while the game's macho factional warfare as undertaken by factions like Caesar's Legion and the NCR, is right in keeping with Ritchie's love of gang-based conflict. There's not much romance in New Vegas, either, which is a weak spot for Ritchie, but as shown in movies like Sherlock Holmes, Snatch, The Gentleman, and Lock, Stock and Two Smoking Barrels, he's good at holding together movies with various interconnecting narratives. His work on Aladdin also shows he can handle the comedic and wacky aspects of New Vegas, too. A mid-week action-comedy treat.

/rubs face

I am unfortunately a massive fucking fan of Ritchie movies. this is so powerful.

i think........... Ritchie is so thoroughly uninterested in saying anything philosophically profound, you cannot give him The Most Profound Fallout Game. like, I want to love this idea, I really do, but no.

....................... You need someone with snappy dialogue that actually means something, who is willing to veer into borderline magical realism, who loves an overdressed set, and who can manage a lot of different characters with well-reasoned motivations.

I think you need Rian Johnson.

OR DO I JUST WANT RIAN JOHNSON TO MAKE A VERSION OF "DEAD MONEY" THAT DOESN'T SUCK? WHO COULD SAY.

I feel Ang Lee is a good choice for a Fallout 4 movie adaptation, having good form in handling large and sprawling fictions with plenty of characters and side-stories. Just look at films like Crouching Tiger, Hidden Dragon and Life of Pi as an example of this. He's got some form with action, too, thanks to his work on Hulk. There's probably more romance/relationship offering in Fallout 4 than in any other Fallout, and Ang Lee has form here too. The result, though, is a movie that ends up being a bit flabby and unfocussed at times, despite technically bringing more to the table than Fallout 3, and being funnier and lighter overall. Watch on a day off due to a chonky runtime.

what are you fucking talking about, Ang Lee's best movies are Brokeback and Sense & Sensibility, and his worst are probably Hulk and Gemini Man. Fallout 4 is the one where Bethesda just stopped pretending to give a shit about story and roleplaying, instead pivoting the game into a skinner box of tightly-honed but ultimately soulless mechanics.

I'm not even trying to mock Marvel, but I feel like the MCU's Design-By-Producer-And-Executive-Oversight is actually the answer here. It doesn't matter who directs it because the main voice will be a board room.

oh shut upppppp

Fallout Shelter would in some ways be the most obvious setup for a movie: the self-contained story of a vault-dwelling society, interspersed with the surface adventures of random dwellers. Sounds a bit like the TV show when you put it like that, which is why there's only one Nolan for the job: Christopher! Yes, fresh off Oppenheimer it is time for Oppenheimer 2, focusing on the aftermath of all-out nuclear war (hell, Cillian Murphy can even have a cameo as a brain in a jar, I'm that generous). Moody, intense, riven with twists you didn't see coming, and with all special effects done for realsies, this movie could only ever be rad. The only downside is that, like the TV show Silo, you'd spend an awful lot of time indoors.

absolutely fucking not. the thing about Nolan is that his shit is so meticulous, it like.... pitches past hyper-realism and lands in this weird uncanny valley of "he wouldn't fucking say that" but it's for a character you've only known for ten minutes.

FO: Shelter is about emergent storytelling that feels almost accidental rather than arranged or scripted. you need someone who is hands-off the script but can capture a.... good moment..............

oh god, it's JJ Abrams, isn't it? god dammit. or, frankly? Spielberg. so I'm saying no to the director i hate and offering instead two other directors i dislike, but for different reasons.

yeah. yep. that's what i'm doing.

SPITTAKE

As an MMO that takes many aspects of the Fallout universe to the extreme, it feels a movie version of Fallout 76 would be akin to a huge-budget, climatic MCU movie where it really helps if you've had previous with the series to get most enjoyment. As such, I feel the Russo brothers would take the reigns for Fallout 76. The result would be a jack-of-all-trades action-adventure that borrows bits of every previous Fallout to make something that appeals to a lot of people but, after watching, doesn't go down as something you'd rewatch for most all of them. Big, bright, wacky and action-filled, there's no doubting though that you get a spectacle and fun, though. Watch in two sittings over two nights (as the movie's runtime is 3 hours 47 minutes).

no. fuck you. i reject your premise. the Fallout game that shipped with no NPCs and expected the story to be entirely conveyed by set-pieces, environmental design, and audiologs?

resurrect Tarkovsky and give us FO76, desolate and beautiful with environmental shots that last seven minutes without a cut. because the only good thing about FO76 is the setting, the amount of effort put into building the actual space, so I want 90 minutes of film and seven pages of script.

Russo Brothers, get tf out of here

#fallout #fonv #THIS SURE GOT LONG AND SURE HAS SOME OPINIONS IN IT HUH #WHOOPSIE DAISY

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