#stewing in my mind

[grainlord-town]

if square has an annihilate variant, does blixer has a till it's over variant? I need to know within the next 5 minutes/lh

unfortunately i think this is reaching you a little later than five minutes, but nope :] till it’s over for ‘blue energy’ = annihilate for ‘pink energy’ in my hc

basically it was a roll of the die that cyan decided to murder annihilate instead of, you know, everything else LMAO

will be trying to design annihilate soon though!

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[ministarfruit]

this is my non-spoiler review of the doppelgänger routes

[dungeonmechoui]

What are you still doing here ? The shop is gonna close soon. (Come closer)

[wizardofgoodfortune]

HOB GADLING in 1989

won't you ever set me free? this waitin' 'round's killin' me she drives me crazy like no one else she drives me crazy and i can't help myself —fine young cannibals, “she drives me crazy”

[crabussy]

IS ANYONE ELSE FEELING KIND TODAY!!! IS ANYONE ELSE FEELING GENEROUS TOWARDS OTHER PEOPLE!!! IS ANYBODY ELSE BEING KIND AND TRYING TO UNDERSTAND EVEN WHEN ITS HARD!!! IS ANYONE ELSE ASSUMING THE BEST OF OTHERS INTENTIONS AND RESPONDING IN KIND!!!! CAN ANYONE HEAR ME

[flockdog]

the man who must leave

[coochellati]

Hi! Could you share some favorite Bruno headcanons? Love your blog ❤️

Aweee, thank you so much!! ❤️

Of course!! Here’s a list!! :)

My Favorite Bruno Headcanons!!

He’s got a tan line on his chest from his suit! Lingerie!Bruno also has tan lines from the lace. 😭

Bruno takes pride in his grooming habits. He’s got a whole skincare routine that gives him the softest, glowiest skin that radiates this godlike, ethereal aura. 

He smells like freshly-washed sheets and nice cologne. The cologne he wears is softer on the nose—contains notes of vanilla and lavender. (I imagine his cologne smells like Le Male Le Parfum. If you haven’t smelled it—you need to.)

His zipper charms jingle when he walks.

The place he lives is covered in his signature print. His bedspread? It’s that upside-down pull tab pattern. Towels? Absolutely. His walls??? Covered in wallpapers with his print. 

As much as he enjoys taking you out on dates, he prefers nights in at his place. Staying in is much more intimate—the two of you can hold each other close while sipping on some nice wine and enjoying each others’ favorite media.

Speaking of which, Bruno loves sharing his favorite media with you.  Whether it be listening to the music of Miles Davis or cuddling up to Il Postino, he’s honored that you take interest in his favorite things. And of course, he loves hearing about it the things you like. It warms his heart when he watches you get all excited and happy as you infodump. 

He’s a romantic lover, but not a cheesy one. His acts of love are genuine—he’d do anything just to see your beautiful smile.

It’s stated he enjoys Miles Davis, so it’s evident he enjoys Jazz Fusion. I believe he’s also into prog rock and classical. He has a nice vinyl collection.

Bruno is pretty knowledgeable when it comes to wine. He appreciates the art of it and enjoys wine tasting.

Bruno doesn’t drink a ton of wine—a glass with dinner is usually the extent of it. He likes to keep his mind clear and sharp in case a situation arises, prepared for anything. He doesn’t use any substances other than alcohol. (As much as I like the idea of taking bong rips with Bruno, we all know it wouldn’t happen. MAN I wish it would though.) If he were to get drunk, it would take him about 4 drinks.

In a world where nobody died, Bruno was promoted to Underboss after Giorno took over.

Bruno takes a lot after his dad; he’s got that protector complex. Children pick up and model behavior from their parents. His dad wanted to protect his family from the cruelties of the world, so it’s no doubt he would feel the need to protect you too. He’ll sacrifice his whole self just to keep you safe. (I go into a lot of detail about this in this post.)

He has a fuck ton of money (he is underboss, after all), but he’s still a reasonable spender. Growing up poor, he likely inherited some of his parents’ spending habits. It’s not that he won’t get nice things for himself every once in a while (nothing too egregious,)—I just don’t believe he’d buy himself a mansion.

…you did ask for a list of favorites, and my favorites happen to include some NSFW ones. They’re under the cut ;)

Bruno Bucciarati isn’t shy with his tongue. He loves oral sex—and he’s damn good at it, too. (all that sweat-licking has given him practice 😂) Tasting you is his biggest turn-on to him—it’s as if he’s tasting your arousal.

He’s a switch, able to play the role of a tormenting dom, or a discomposed sub.

Dom!Bruno revels the power in-balance between the two of you. He’s a highly ranked member of Passione, for one. He wants to make sure you know your place—maybe he’ll make you call him by his last name instead of Bruno as a way to “respect” him, giving you an even greater sense of subordinancy. He also happens to be the wielder of Sticky Fingers, which, come on—he definitely uses his ability in the bedroom. Sticky Fingers is the best stand for sex. (And I am willing to bet money on that.) His ability can be used to separate things, attach you to things, dismantle your body, etc, etc, etc…. You can get incredibly creative with those zippers. And come on, he tortures people. No doubt he’ll wanna carry some of that freaky attitude into the bedroom with him.

Bruno is always in control of everything, so relinquishing his authority and letting someone else take control can be an incredibly freeing sensation. Sub!Bruno becomes intoxicatingly high off your touch, slowly unraveling until he’s a complete mess, having lost all sense of composure.

[rintinningvt]

Do not talk to me, I'm not over the fact that Betty's existence really revolves around Simon. They both love and care for each other, and grow obsessed when separated, but goddamn- When he told their love story to Fionna, she asked him "So you got on the bus with her?" and he replied in surprise "Why would I-?" Betty Grof's life revolved around Simon, before and after they started a relationship. Heck, even before they officially met. She dropped everything to be with him, losing her sense of self in the relationship. Simon loves her but he didn't (and still doesn't, debatably) have her wants and best interests in mind. They could have gone on that trip together, she could have gone alone but they could've shared some time together on the bus and gone long distance for a while. But they didn't. They were both so enamored with each other and both lost themselves in different ways to their relationship. They were doomed from the start.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[neilphen]

the last waltz (1978) pride flag anyone

[divinelasso]

having thots about my pony dragon ball au again...... i forget if zamasu was born from a gold fruit or a regular one, but i decided that core ponies born from normal fruits are usually (but not exclusively) breezies, and the thought of little breezy zamasu along with Normal Earth Pony goku black was super cute lol

hes so tiny he cant wear his potara as an earring, so he wears it as a bracelet, but it kinda weighs him down bc its almost as heavy as he is

also some info abt the time ring under the cut if ur interested :)

so the time rings are all dual ear cuffs/rings. they have a hinge and clip on them so non-unicorn/alicorn core ponies can wear them on their ears instead, even tho the only ponies that should be using them should be an alicorn. theyre mainly worn on horns tho. this is just a sort of work around intended for supreme kai apprentices to be able to use the rings temporarily, or the occasional kai who is in a dire situation or something to that effect if the standard procedure of alicorn ascension isnt undergone. tho ascension is rare since most kais in training were already born alicorns, this is only for lottery kais. so again in the case something bad happened lol

[vixscribs]

despite benrook being a decently popular ship I can't seem to get behind a lot of fan content I see. Those are coworkers. There's no way they're snuggling and shit that's highly unprofessional.

[welcometoteyvat]

@apologems asked for wanderer & furina (among others) for the random characters prompt. I was gonna post all the pairs in your ask together but I love instant validation so they're getting split up lol. here, have too many words. feedback deeply appreciated!! <3

———

Furina opens her eyes to blank, vast emptiness. The cream tiled floor of the Palais Mermonia stretches on and on beneath her, the white-veined marble mirror smooth. It reflects the dismal cloudiness outside—if there even is an “outside” in this strange space. She wonders idly whether she could ask Neuvillette to cheer up a bit, to make the dreary grayness go away, or whether he would even listen to her requests like he used to. Rain seems likely.

She supposes she should walk around and find a way out of this place, even though it doesn’t seem very urgent. Nobody needs her to take care of anything now—they won’t be waiting for her return. Her footsteps echo against the marble—one, two, three—one, two, three. Is it possible to dance a waltz with just herself and the empty silence? Oh, but there’s someone a ways away, over there. Maybe they could dance with her, and it won’t be as lonely.

The figure in the distance is dressed all in blue, wearing a wide brimmed hat with strips of fabric dangling from the edge. They turn when she comes close, and their eyes meet; it’s a young man, with red eyeshadow, a bored glare, and puffy cheeks on a pretty face. It’s rather striking how he looks so sharp yet soft, swooping curves and hard angles, all at once.

“So, whose funeral is this?”

“What? Where?” A funeral? But she didn’t see a coffin…

“The dead body’s right there. Are you walking around with your eyes closed?” He sneers, and gestures carelessly to the bare floor in front of her.

“There’s… nothing there.” That catches the hat-guy off-kilter. He narrows his eyes, and his gaze is like a quick knife.

“Don’t play dumb, idiot. It’s quite obviously you, isn’t it? Look at that white vest and suit.”

“I—what?” There’s really nothing there. She’s definitely alive, too—no dead double in sight. But—what is he saying about a white vest? Unless… this is one of those fantasy children’s novels where everything is just a rabbit-hole dream? Just in case, Furina blinks a couple times. She opens her eyes, and—huh?!

“Same stupid rooster-frill tailcoat, small blue top hat, frivolous accessories, mascara eyelashes; the only thing different is the long jellyfish h—”

“Wait! I can see someone, but it’s not me. It’s a child, wearing all white with a purple veil.”

And she expects him to scoff again, because maybe she really is seeing things, maybe her acting has gone a little too far, but instead, Hat-guy blanches. He throws her another sharp, piercing glance, seems to find nothing—and then—and then, a terribly familiar smile creeps onto his face. The sight of it makes her bones ache and her eyes fill with inexplicable tears.

“Well, if that’s what you see, I suppose this is a funeral for both of us. Hah, how curious.” His voice has turned into sandpaper and tea's bitter dregs, scratchy with loathing and cynicism and absurdity. Now he's turning towards her, and in his fierce gaze she sees... her old self, lying there on the cold not-Palais floor. Her eyes stare unseeingly at nothing, and that horrible, wretched smile is frozen on her lips. Furina flinches. She wants to throw up, to pluck out her eyes, to claw at her face until it bleeds. She looks away instead. She knows that Hat-guy is watching her and is grateful he doesn't comment, and when she finally meets his eyes again, she is grateful too that his face is carefully blank. He simply offers Furina his hand and says, “Shall I do the honors?”

She nods, and takes his hand.

A fire blazes up immediately, engulfing the dead child and his purple veil. Furina watches as its clothes disappear in licks of flame, as its doll joints are exposed, then stripped away, until nothing remains besides a pile of ash, and a small, blackened kernel that might have once been a heart. She wonders what Hat-guy saw—a little Oceanid, evaporating into nothingness at the final curtain call? Perhaps it doesn’t matter. It’s past now, regardless.

Furina doesn’t know when it starts to rain. The last embers have long since blackened when she realizes that the downpour is soaking her clothes, running down her cheeks. Water drips from the edge of Hat-guy’s hat, dampening his knee-high socks. Yet he makes no move to leave, so neither does she.

They continue to stand there, long after their clothes are soaked all the way through. Two false gods, drenched, alone.

———

a/n: idk whether I handled their emotional states correctly please give feedback if ooc. this entire thing is just "it's about THE NARRATIVE PARALLELS" and i dont even know whether it's the interp I wanted. extra ending thoughts include this wouldn't happen in canon bc i think wanderer is already at a place where he's partly fixed. maybe emotional closure. idk idk. people who think more about furina and scara should give me your theses on them. and of course, if you're wondering What Even Happened In This Fic, don't worry, so am I. didn't stick the ending but that's ok

also on ao3 ig

[ceruleancattail]

Hey!! I've said it before and I'm saying it again I adore your writing sm!!!

Saw your requests are open sooo could I ask a little fluff Cater x reader? Maybe something relating to him having to carry the reader for whatever reason. Just been wanting to read some Cater fluff cuz apparently I've spent a worrying amount of time on tumblr reading all the Cater x reader fics I could find and am currently lacking Cater fics to read.... I need to touch grass.

Melt

Cater x reader

Ever since the birth of time, humans have been obsessed with the idea of flight. The legend of Icarus sprung out as a result, along with a thousand other fables.

So when Cater offered to teach you how to fly, you jumped at the chance. Excited, you particularly leaped onto a broom, zooming off into the unexplored.

What had Cater told you before the lesson?

Don’t look down.

Unfortunately for you, your glance just had to wander off the horizon. Staring at the field, watching a million blades of grass blend into one giant patch of green, swaying with the breeze.

The students little specks of colour, wandering the campus like little toys. Night Raven College. How long have you cursed its winding halls and dusty old mirrors that distorted all sense of space and time? You spent so much time lost in its vastness, running past its stone walls.

Now it looks so small.

Swallowing back your saliva, you pursed your lips. Your fingers tighten around the handle of your broom, wooden grooves biting into the palm of your hands. Slicked with sweat, your shaky grip did little to ease your mind.

You were rather far from the ground. Your toes barely grazed the shingles of the roof, far too high up to reach for anything solid. Stuck in the air, with no one but the clouds for company.

As soft as they looked, you were sure you’ll plunge right through their embrace, spiralling to the ground. Gravity never let up, not even for a second.

You’ll be nothing more but a splat on the field.

Your heart thumped wildly within its cage of bone and flesh. Pounding at a frenzied pace, trying to rip out of its prison. Gritting your teeth, an acidic taste nudging the back of your throat. Vomit, threatening to spill over at any second.

Your fingers trembled. A sole leaf, thrown apart by the wind. Arms shaking, all you could do was to hold on.

“Hey!”

A voice, words muffled by the wind. You’ve heard that voice for years. In laughter, in anger, in tears, you know them all.

You would recognise it anywhere.

Raising your head, your gaze meets his. Eyes of emerald, wide open with concern simply oozing from them. A red diamond was painted under his eye, a bright scarlet. Curls of ginger fall from his head, fluttering like ribbons in the breeze.

Cater Diamond.

Despite yourself, your lips creep up into a smile. He’s here. Here just for you.

With one hand, he manoeuvres his broom, lining it up with yours. A weight on your shoulders, his arm snaking across them. His hand grips your shoulder firmly, yanking you closer to his side. Clutching onto you, he shoots you a comforting grin. Slowly, shakily, he tips the handle of his broom. Cater slowly lowers your broom along with his.

His mouth is open, chattering away.

Trying to comfort you, the only way he knows how.

“Geez, you really went really high, y’know? If I didn’t know any better, I would have thought you hated me!”

A laugh slips from you. Instinctively, you loosen your grip on the broom. A mistake, as you soon realise. A sudden jerk has you falling right off the side, plunging towards the ground.

Wind howling in your ears, hair tousled around. The very ends of your locks reaching for the sky, praying for salvation. There was nothing but the sky, the ground, and you.

Out of the corner of your eyes, you could spot a glimpse of orange dripping into a steep dive, a desperate attempt to match your speed. That blur slips underneath you, your back soon crashing against something.

Something solid. A chest, pulsing with warmth. Arms wrap around your torso, holding on for dear life. Cater’s clutching onto you, staring at you like you’re the only one he sees.

You feel his arms shudder, shaking wildly. The cold sweat that slicked his skin, bleeding into yours. Throwing your arms securely around his neck, you drag yourself closer.

Cater only shakes his head, sighing. A sigh of relief, if the way his lips slipped upwards was any indicator. He holds you for awhile, hovering five feet off the ground. Lost in the warmth of your embrace.

Icarus had to fly to the sun for his wings to melt.

Cater only needs to be in your arms.