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purplesurveys · 1 year

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What were an average day’s tasks at your favorite job you’ve had so far? Working with big brands/clients = campaigns around the clock, all year long. That said I’m constantly brainstorming for and conceptualizing PR proposals for consumer campaigns; looking for 50-100 influencers at a time who can best fit my running campaigns; I write a lot and cover stuff from press releases to event scripts to lifestyle articles; working with suppliers for stuff like PR kits, mounting events, brand sponsorships; and I help in handling even financial aspects like ensuring talents are paid after they fulfill their contract. The work is very 360º in nature, is fast-paced and you can usually tell early on if a new hire is gonna last or not depending on how fast they can adjust/keep up.

Does your house have an separate laundry room? Idk if it counts as a room...but we did erect this makeshift ‘room’ at the rooftop for laundry stuff. It’s basically a super tiny customized room we had made to fit the washing machine because those things just take up so much space indoors and usually end up being an eyesore.

Do your parents still help you financially? Technically, yes. I never ask for money anymore (unless I have to borrow) and I always make a transfer every payday, but they do remain in charge of managing the bills and buying groceries. I imagine whatever I contribute becomes absorbed in the bills and whatnot, but for the most part it’s fair to say they still support me.

List 3 things you can see from where you’re sitting? I can see my phone, the TV, and my earphones.

Do you go by any nicknames? I just go by Robyn most of the time, but I have a few relatives who call me Byn.

Are you a very talkative person? Depends on the crowd.

What stereotype about your age group do you definitely live up to? I’m obsessed with social media and it’s a must for me to check each of my feeds on a daily, hell hourly, basis. Except for TikTok I guess as I find that shit annoying and most edits cringey for the most part.

When was the last time it rained where you live? Thursday. Such a refreshing sight, too; it hasn’t rained in months.

Where is your local polling place for elections? My village’s clubhouse.

What was the topic of the last documentary you watched? It was that new MH370 documentary that came out on Netflix a month ago. Around that same period I also started on In the Name of God which is about Korean cults, but found it too upsetting to be able to finish it.

Does your car have a backup camera? I’m not sure what a backup camera is but I do have a dashcam in case some idiots mess with my car and pretend to get run over.

Have either of your parents ever been in trouble with the law? My mom for some minor traffic violations. I don’t think my dad’s ever run into an issue; he’s barely in the country anyway HAHA.

What was the last restaurant you ate at? It’s a local coffee shop called Daily Habit.

Are you in the same mood most days or are your emotions all over the place? The only time I’m all over the place is when I’m nearing my period; otherwise I can manage my emotions quite well.

Have you ever had a pet that lived to be really old for its breed/species? Kimi lived to be 14, which was way longer than I ever expected. I thought that little dude was going to last forever with how he always bounced back from every single health scare. 14 years is above average for a dog, but I’m still very impressed and amazed by him.

Do you have a preferred brand of bottled water? I avoid bottled water whenever I can since all of them have a ~taste.

Have you ever spilled food or drink in your car? Once or twice. My bigger issue is when the dogs throw up in the car hahaha. Much harder to handle and clean up.

Is your skin more oily, dry, or combination? Dryness is a major problem for my skin at the moment.

Have you ever been in a relationship that was progressing faster than you wanted it to? I don’t think so. My previous one had an okay pacing for the most part, but it was the rapid crashing and burning towards the end of it that really threw me off-guard and messed me up mentally.

What kind of flooring is in the room you’re in? Hardwood.

Pop quiz! Who is the prime minister of Germany? Germany doesn’t have a Prime Minister. < Ok there you go then, haha.

What was the last strong scent you smelled? My black forest-flavored coffee. Not the biggest fan of this variant but it’s the only kind left in the pantry (and it’s the only one left since I avoided it this entire time hahaha), and I wanted to drink coffee before sleeping so here we are.

Are you more prone to overthinking things, or being too impulsive? I’m a very toxic combination of both. Overthinking makes me impulsive. When was the last time you wore an article of clothing that wasn’t yours? A month ago when I borrowed my sister’s sweatpants for an event.

Which one of your friends do you see the least often? My college friends BY A MILE.

Do you know anyone with a life-threatening food allergy? A number of them have food allergies but idk they themselves don’t seem to concerned by it?? Like all they need are antihistamines and that’s all I ever hear about it.

When was the last time you were outside? This morning when my family went to Sunday mass.

Who was the last person you sent a birthday card to? How old did they turn? I don’t send birthday cards...not a practice here.

[A/N: another two-in-one just because]

- Past -

Are you happy with your upbringing? No. I know my elders tried their best, but sometimes the best still isn’t good enough. I grew up in a very crowded half of a duplex; my parents were barely home (something for which I hold no grudge – they were just working to make us as comfortable as possible back then); I had relatives who drank and smoke on a sickeningly regular basis – sometimes leading to embarrassing, loud, public, and physical fights that the entire neighborhood would be witness to; and there was rarely a platform to be a kid. We never did anything during summer vacations and I can’t remember most of my childhood birthdays because there had been no plans for them.

I’m not resentful and have moved past that shitfest, but I imagine I’d do everything in my power for my hypothetical kids’ childhood to be entirely different.

Who was your first best friend? Someone in kindergarten named Kaye. Who was your first love? Not naming any people we’re trying to healthily move past :)

Did you ever attend any school dances? Like...prom? Yeah I had to go to my school’s own prom because it was required (ew), then I got invited to be a date at another school’s senior ball.

Did you play any sports growing up? Table tennis. I’m pretty sure I had potential in football/futsal because we had to take up a few sessions in school and was surprisingly an ok goalkeeper lol – even the PE teacher pointed it out – but I never pursued it.

Did you have a special blanket when you were younger? I didn’t.

What movie reminds you of your childhood? Toy Story, Shrek 2, and Finding Nemo.

Were you a picky eater as a child? Very picky. I only liked eating eggs and hotdogs. Took hours to finish anything else.

What’s your favorite memory with a family member? Growing up with my eldest cousin on my mom’s side. He’s always been an older brother rather than a cousin.

Did you ever have to share a bedroom? Yes I shared one room with my parents and siblings until I was 10.

Are there any smells that remind you of the past? There’s a very specific coffee smell that would hurl me right back to my childhood if I ever smelled it again. My maternal grandparents always drank coffee together in the morning, and they always used the same combination of brands (instant coffee, creamer, etc) that would result in the same aromatic smell every day.

Did you play outside or inside as a child? Outside. Indoors was crowded enough with more than 10 people squished in three small rooms, so if we wanted to run around and be kids we had to ask permission to play outdoors.

What was your first favorite song? Continued from last weekend. Idk man, something from Hi-5 maybe? Or High School Musical? Were you ever pranked at a sleepover? Hmm, I don’t think so.

- Present -

What’s your favorite color to wear? I like olive green, burgundy, and mustard yellow.

Who is your favorite musical artist? Currently and has been for a while, BTS.

Do you have any pets? I have two dogs. Kimi also hangs out with them in the living room, just as an urn on the coffee table hehe. :)

If so, how many and what kind? I have a beagle and a Yorkie.

Do you live with your parents or on your own? I live with my parents and siblings.

Are you in school? Nopes.

Do you have a job? I do.

If so, do you like it? I don’t love it, but like I’ve also got no plans to leave it any time soon. I’m still learning and I work really well with everyone; there’s really no reason for me to leave.

How often are you on the internet? Everyday...this survey must be quite old, because I think a good majority of people have at least one reason to go online at least once a day at this point.

On average, how much time a day do you spend on your appearance? 0 minutes, 5 minutes if I have to show up to work or at a work-related event.

Do you have any children? I don’t have any, no.

Are you in a relationship? Nope.

Are you subscribed to any streaming services? Spotify, YouTube, Disney+ yeah.

What time do you usually go to sleep and wake up? These days I’ll sleep anywhere between midnight to 2 AM at the latest; I usually wake up at 7.

- Future -

Do you have any long-term goals? Sure, but they’re all leisure-related – like going to Wrestlemania or traveling to a different continent and experiencing jet lag for the first time hahaha. I’m not a fan of making work/career-oriented goals; it brings in unwanted pressure more than anything.

Do you want children? (Or more if you already have any) I used to want to have kids, but ever since my failed relationship made me stoic I’ve been emotionless about the idea of having a family. I’m just not interested anymore; and kids annoy me these days lol so.

Where would you like to be in your career five years from now? In a higher position, with an even higher salary. Only time will tell if I’ll still be on the agency side or actually make the switch to the brand side by then haha.

Do you think you’ll ever move from the city you’re in? For sure. I have plans for that anyway; I’ve stayed here for more than 20 years and I know that eventually I’ll crave a new environment.

How do you hope your life will look in 10 years? I hope I’ll be more independent by then.

Do you think you’re heading in that direction? Bit by bit, yeah.

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katyobsesses · 3 years

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Katy my darling <3 I have a very fun ask for you!! What method of arts do each glee characters prefer and what is their favorite thing to create?

oooooo this is a fun ask!

I'm gonna do S2 New Directions for now, but may add S3-6 ND or other characters later 💛 (warning... this is LONG)

Artie: Film. 100% film. He loves using visual media to tell a story, he also really gets into the sound design side too when he learns it in College. He loves making music videos and after Uni that's mostly what he does. He also directs a lot of movie musicals and musical TV shows. Basically he loves making visual media for songs.

Blaine: Performing - mostly singing. He also love writing songs, which we never see in the show but I can imagine him learning about songwriting in NYU and loving it as a way to express his feelings. it's like a step up from using someone else's words to express them.

Brittany: Obviously dancing! I like to think that after marrying Santana she either goes to college for Dance, or maybe owns a dance studio/goes on tour with Mercedes a lot (with Santana as a guest singer) She really loves teaching little kids how to dance, she knows how to interact with them on their level and the kids love her.

Finn: Singing? I honestly can't think about what he likes. Like singing is the closest thing. He sings in the shower a lot and obviously he loves singing on stage. But he's not that much of an art person outside of that. He likes consuming it but not making it.

Kurt: Sewing, obviously, as well as sketching clothes. He loves making accessories for friends - scrunchies for the girls, bow ties for Blaine, a dog bandana for Sam's golden retriver (because you know he gets one) etc. - but he also loves designing and making costumes for small productions. Maybe he volunteers/works with a small theatre troop and makes & designs all of the costumes while also performing.

Mercedes: Mercedes likes making cards for everyone for Christmas and Birthdays. It started because she'd forgotten to buy a card for someone but had some card and pretty pens on hand and it spiralled from there. She now owns a fancy die pressing kit and lots of card toppers and pretty glitter pens and washi tape and all of that. She has a small kit she brings on all of her tours, it helps relax her after a show - making cards for the crew as a thank you/maybe selling some for charity because she makes so much? When she finally gets back together with Sam they both work together to make Christmas cards from them with cute pictures of themselves in terrible christmas jumpers and their golden retriver in a Kurt made bandana and later their kids in matching outfits.

Mike: Like Brittany he's a dancer first and formost. That's his art. He later goes on to be a professional on Dancing With The Stars where he reconnects with Matt on set (maybe they even get together in the end and the DWTS fans love their relationship and their jokingly competative instagram stories) He loves creating a story with only movement and music. Mike also really likes doodling.

Puck: Photography. I don't know why but I see Puck loving to take pictures of places he visits in his travels. He also scrapbooks but only Quinn knows that - he has a whole scrapbook of pictures of Beth that Shelby sends them and later makes them for all of his other kids too, and he has, like, travel journals and scrapbooks of roadtrips he's been on. Basically he's a Bullet Journal guy. He really likes washi tape and pretty papers and stickers and what-not. He will never admit this.

Quinn: Quinn's a writer. In my head she goes on to write a book that's losely based on her high-school years and it becomes a best seller and is later adapted into a Netflix series directed by Artie. I just like the idea! Maybe Rachel plays, like, the Miss Pillsbury character... or Terri! Or maybe Shelby? I dunno one of the adult characters.

Rachel: Obviously her art of choice is performing. It's singing and acting and standing on a stage or a set and making the words in her script her own. Also scrapbooking/moodboard making.

Santana: Santana likes knitting. She won't admit it but she likes knitting little plushies for Brittany, her favourite is a little bi flag coloured bunny. She makes knitted plushies and blankets for all of her friends when they have kids but she never tells them she made them - everyone knows though, they're too perfect for the couple/person (a cat in a scarf or a toy poodle in a bow tie for Klaine, a teddy adorned with gold stars for St. Berry etc. etc.)

Sam: This could be an essay for me (and kinda is opps). Sam is the Art nerd of the group and tries every type of art he possibly can. Macaroni art, illustration, digital art, traditional art, crafts, pumpkin carving, glass blowing, handlettering, graphic design, knitting, crochet, rag rugs, sewing, card making, pyrography, etc. He will try everything he can in terms of visual art. He doesn't, however, write because dyslexia, and he can't wrap him mind around, like editing and film stuff - he does try though because why not. He also really likes songwriting and music arranging.

All of this i'm trying to do as close to canon as i can but going off of canon let's say Sam goes to Parsons for illustration because he's so good at art, he stays with Mercedes in her brownstone and they never break up, after graduating he becomes a comic book illustrator (which i believe is literally a minor at Parsons, so let's say he does a Major in Fine Art/Illustration with a Minor in Comic illustration) and illustrates a run of Young Avengers comics and becomes a fan favourite artist.

In canon, however, he loves teaching the new generation of New Directions but he misses art because he doesn't have that much time anymore (because being the teacher of the new directions is a full time job, apparently, judging by the lack of adult friends or hobbies Will has lol) he loves loves loves arranging music, however, and that becomes the type of art he does the most. He does doodle a lot during faculty meeting (also he does a music teaching certification during his first few years of coaching the nNDs) and goes all out with pumpkin carving at Halloween, and loves decorating his apartment and the choir room at Christmas. He loves doing sets for the musical (and has a lot of fun staging it too) and helps out with the decorations for Prom.

Basically Sam loves to be creative in any way he can. He loves making things, whatever they may be.

Tina: Tina writes fanfiction and draws fanart. She's a nerd 100%, she watched Supernatural, she was a SuperWhoLockian, she loves Merlin, she's loves Twilight but more ironically than, say, Mercedes, and prefers books like Morganville Vampires or PC Cast's series that I've forgotten the name of. She loves the Hunger Games and Firefly and Star Trek and Star Wars. She definately has a tumblr. She mostly writes all sorts of fanfiction and is a huge name in the Supernatural fandom. Only Sam and Blaine know about all of this becuase they found one of her Star Wars fanfictions and in an authors note she said something that they recognised - idk she ranted about Santana or Rachel or something.

This was so much fun omg, thank you for the ask Myle 💛

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slippinmickeys · 2 years

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Not really related to the GA/Netflix deal but I didn't know you were a screenwriter! It's something I've considered looking into but I don't have a clue about whether it's actually worth it - would you mind sharing a bit about what you do and how much freedom you have over the writing process?

That is a simple question with a complicated answer! My husband is also a screenwriter (far more successful than I) and when anyone comes up to us and says something like “my son wants to be a screenwriter, what’s your advice?” Our first answer is always “Don’t!” We all have a laugh, but you have to go into it knowing that is an extremely tough business and you will hear “no,” 95% of the time.

But you asked me to explain what I do. Assuming you have representation, there are two ways of getting jobs in features (I don’t know TV as well, so I’ll focus on film): writing a spec script - your own original idea - and taking it out to sell to a studio (you can either do this yourself or work with a producer) - and you can either write all 110 pages or take it out on pitch, where you have a very detailed explanation of the film and you sit in a room with studio execs and hope they don’t get up to take a call. This is a multi step process either way you do it (which I can detail if anyone actually wants to know), but at the end of the day, you either sell it (yay!) (another multi-step process, which I can explain if anyone is interested), or more likely, all the studios pass and you have a nice writing sample. The “easier” way of getting work is pitching on a project that already exists. Like say, a studio bought the rights to YA novel and they bring in you and five other writers to come up with a take on how you’d adapt/write it. You pitch, if they hire you, yay! They have to pay you to write it (I can explain steps if you want). Sometimes they go with another guy. Or a prod Dr has the rights to, say, a NYT article and he wants you to work with him to flesh out a story. The two of you would work out a detailed treatment and take that to studios on pitch. Hopefully you sell it (the only time you will make money for all that work you did). Usually they don’t.

How much freedom do you have? Well, if you write your own spec: a lot! Your agent/manager will give notes and then you’ll try to take it out and sell it. If you work with a producer, you’ll have less freedom because you both need to agree. Once a studio buys something or hires you, you have very little freedom. Your studio executive will say jump and you’ll say how high. But there are no regular paychecks. You only get paid if you sell something or get hired. Selling something is fun! But it’s usually an option for low money with steps for rewrites. Getting hired is great too, as you’ll get steps, but you almost always get replaced at some point, which is why there are always so many names on a movie. (From there I could get into arbitration and why sometimes they use “and” and sometimes they use “&”, and all that jazz.) that’s sort of the gist.

Does that answer your questions? It is… VERY complicated and nuanced. Happy to answer specific questions, that’s generally easier.

If you decide to go for it, good luck to you and any work you turn down, please tell them I’m available.

#anons #the industry #screenwriter

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thepapergirlandthespiegelman · 3 years

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Castlevania Season 4: I’m not mad, just disappointed

Season 4 is poorly written fanfiction, which is...better than a lot of things could be, I guess.

Spoilers below the cut.

Content warning: trauma, sexual assault, psychological manipulation

The Gods Have Had a Change of Heart

Or, “Season 3 Blocked and Ignored”

Season 3 felt like the fabric of the universe had been twisted just to inflict additional pain. Season 4 overcompensates in the other direction; trauma evaporates, and good things happen for no other reason than to make our favorite characters happy.

The Season 3 finale left two characters in particular totally devastated: Alucard and Hector. Alucard is violently betrayed in a horrifying sexual assault by the first two people he’s spoken to since Trevor and Sypha left. He ends up killing them in self-defense and puts their bodies on stakes outside the castle, alluding to his father’s habit of doing so and potentially hinting at a turn toward evil. Hector is seduced by Lenore and then enslaved using a magic ring.

Yet at the start of Season 4, it’s as if these things never happened. Alucard is troubled, but not totally devastated, certainly not evil. Taka and Sumi are referenced in exactly one conversation with new character, Greta, in which she says the rather tactless throwaway line, “I had a boyfriend and girlfriend at the same time once. But they never tried to kill me.” Hector is nominally imprisoned, but immediately seems highly agentic, perhaps even more so than before. He studies, lays traps, and makes secret plans with other people. Furthermore, his relationship with Lenore is completely transformed. From falling to his knees in abject horror and despair at being enslaved, he suddenly switches to light banter, in what is apparently a basically okay, mutually enjoyed romantic/sexual relationship. Manipulative, selfish Lenore is now a sympathetic character struggling to reconcile her own role and feelings with Carmilla’s plans.

The events of season 3 happened, remaining canon in the most basic, literal sense. But the emotional weight attached to them has disappeared into thin air.

Not gonna lie, I did breathe a sigh of relief when I saw that Alucard and Hector were okay. I’m soft-hearted! I don’t like seeing characters I like suffer! I mean, conflict is important, and I can deal with (or even enjoy in a certain sense) seeing characters suffer if it makes sense and serves a narrative purpose. But as far as I can tell, the season 3 finale was nothing more than lurid, meaningless violence. I probably wouldn’t have continued watching the show if it devolved into nothing more than finding novel ways to torture the characters.

Still, it doesn’t feel quite right to pretend like nothing happened either. Or, really, not that nothing happened, but that those things didn’t matter, didn’t hurt, didn’t leave lasting scars. That’s...almost kind of worse.

But, I thought, I can sort of forgive this sudden shift in the stars, given that there may have been some sort of change in creative direction relating to Ellis’ decreased involvement with the show.* Plus, season 3 was insanity. It’s not like it was full of great writing choices, so if we quietly ignore some of them, maybe that’s for the best.

*I only later learned that Netflix actually chose to continue with Ellis’ season 4 scripts. It is not lost on me that maybe Ellis doesn’t know how to write about the lasting effects of traumatic sexual experiences or how power dynamics can make a sexual relationship problematic because he doesn’t understand that those things exist.

Characters Being Nobody and Nothing Happening

Pretty Pictures, Not Much Else

Unfortunately, the disconnect between seasons 3 and 4 isn’t the only problem with this season. Although I felt that season 4 was a bit less boring than season 3 (I particularly enjoyed some of the earlier episodes of season 4), it suffers from the same basic problems of Characters Being Nobody and Nothing Happening.

None of the characters experience any significant development, let alone any sort of coherent arc. Sypha has changed slightly, becoming more rough and jaded. I did really like the scene where she talks about becoming the kind of person who says “shit.” I think it really speaks to how entering into a relationship with someone means taking on aspects of their lifestyle, and how that can change you in ways that you can’t predict and therefore can’t exactly “agree” to. Sometimes those changes are good, sometimes they’re bad, sometimes they’re neutral, and sometimes it’s difficult to know. But you have to accept that you’re sacrificing some aspects of the person that you could have been if you chose to live completely independently, or with someone else.

Trevor really hasn’t changed since season 1 when he first decided to take up the mantle of hero again. Likewise with Alucard. Hector and Lenore change, as previously noted, but that change is sudden, jarring, and occurs completely off screen in between seasons 3 and 4. Carmilla dies as exactly as she lived: bitter, angry, and violent. Saint Germain just kind of...gets fucked over in a nonsensical subplot, which is its own whole can of worms.

We also get several new characters in season 4, none of whom have developed personalities or motives, nor do they develop any of those things over the course of the season: Greta, Zamfir, Varney, Ratko.

And nobody. Does. Anything.

Trevor and Sypha spend the entire season trying to explore and aid Targoviste, which comes to absolutely nothing. They’re unable to help anyone, Zamfir dies, and they end up just jumping through a magic portal to the actually relevant subplot in the finale. Carmilla literally does little more than draw maps until she’s ultimately killed. Hector plays a minor role in Saint Germain’s extraction of Dracula from Hell; otherwise, he and Lenore basically just exchange banter. Saint Germain does sort of do some stuff? But it’s often unclear how he’s made his connections, who the people who are helping him are, or what exactly he’s doing in terms of his magic beyond “whatever it takes to get back to his lover.”

Sure, there are fight scenes, but they feel meaningless. There’s no context, no stakes. There’s also a LOT of dialogue, and it is. Not well written. Exposition is embarrassingly clumsy at times, and the philosophical musings are cliche at best, muddled and confusing at worst. There’s just not all that much going on.

That is, except for Isaac. But more on him in a second.

What Kind of Show Is This?

When the plot line adapted from Castlevania III: Dracula's Curse ended with season 2, the show struggled to establish a new identity.

Despite nominally dealing with themes like whether humanity is inherently good or evil and how to cope with wrongdoing and loss, seasons 1 and 2 ultimately boiled down to a pretty generic action-adventure/fantasy plot with found family/power of friendship elements. Main characters Trevor, Sypha, and Alucard don’t really wrestle with big philosophical questions or suffer any major defeats. They know that they have to take down Dracula for the good of the world, and they work together as a team to do it, with a little character development relating to their various backstories sprinkled in.

Then season 3 happened, and things got weird. The trio is broken up for what feels like a pretty trivial reason—Alucard has to protect the castle and Belmont hold, I guess? And the result of that decision is that the dynamics for the three main characters are completely unbalanced.

Ellis openly admits that he basically went feral with the writing of season 3, and it shows. The messaging in seasons 1 and 2 was cliche, but consistent. The message of season 3? Anyone’s guess.

Season 4 reversed the darkening of tone from season 3, but shares its inability to pick a story and tell it.

Isaac is the Main Character

Always has been.

While I can’t say that his character or arc are perfect, I can say that he actually has a character and an arc. He starts off motivated by his fierce loyalty to Dracula, then has to struggle to find his purpose once Dracula is gone. He goes from subservient to agentic. He goes from fully endorsing the genocide of humanity and not caring about his own life to seeing some worth in humans and genuinely wanting to live. He has an interesting moment that deepens our understanding of what night creatures are, while also serving as an exploration of the meaning of one’s fundamental nature. Most importantly, these changes happen naturally over the course of the show. They never feel forced or out of the blue, and while I feel like even more could have been done with Isaac’s character, there’s a lot to appreciate about what is there.

If there’s any thread holding Castlevania as a single, coherent work together, it’s Isaac. Not only is his character the best executed and the most coherent over the course of the show, his character explores themes that are larger than himself and relevant to the show as a whole, like those mentioned earlier: misanthropy versus a belief in the value of humanity; the ability to go beyond one’s “nature” or initial circumstances; and how to respond to being wronged or losing something important to you. Exploring the individual lives of characters is great, but really good writing usually requires going beyond that to reflect on broader questions and ideas. Isaac is the only character here that serves that larger purpose.

Sorry...I Just Don’t Buy It

The season 4 finale is crazy, although in a different way from season 3′s.

Varney being Death makes no sense on several different levels. I’m not going to spend a lot of time picking that particular plot twist apart, but I will talk about why I think it doesn’t work at the largest scale, and how I think season 4 might have been done better.

Last minute twists with zero foreshadowing are rarely a good idea, and this is no exception. Why introduce this “Death” entity at the last minute to be the most important battle of the season? The finale of the entire show, even? Besides the lack of logic or emotional buildup, this robs the show of the opportunity to make use of the antagonists that it already has. Since Dracula died, Carmilla has been the obvious choice for a new big bad. Why hasn’t she done more?

Season 4 feels crowded with characters and plot lines that amount to nothing. Why not bring some of these characters together? If Carmilla is the main antagonist, how come she never meets any of the protagonists (except Hector, who is a pretty minor player in this ecosystem) or even affects them in any way?

Season 4 feels like maybe it was trying to make something out of season 3 and the model that it presented, but it ultimately fails to do so. The writers throw the trio back together at the end anyway, so why not have them rejoin sooner and work together? Maybe Sypha and Trevor’s past experience with Saint Germain could have helped Alucard and Greta piece together what he was plotting sooner, rather than all four of them being completely blindsided by it in the penultimate episode. (Sypha and Trevor know that someone is trying to resurrect Dracula, but they fail to find out any actual detail about the plans, despite their supposed attempts.) Have characters actually do stuff, figure stuff out, advance the plot!

Likewise, maybe Carmilla becomes aware of Saint Germain’s scheming, sees it as a threat, and tries to take him down. Maybe she tries to get involved and somehow use alchemy or the Infinite Corridor to her own benefit. What does it look like when power-hungry Carmilla, who wants to rule the world, finds out there’s an entire multiverse out there? That could easily set her up to be a foil to Saint Germain, causing him to realize that what he’s doing is wrong.

What actually ended up happening in the show feels disjointed and often empty. In particular, most of the events that happen in the last two episodes just don’t really work for me. I didn’t like Trevor suddenly sacrificing himself to this random, new, super powerful enemy, or how the gems and dagger that he found just happened to be the perfect weapon to kill this new enemy, or how he inexplicably returns from the dead.

This kind of thing is what I mean when I say that this season feels like fanfiction. Trevor comes back from the dead for no discernible reason other than that it would really suck if he died. Greta as a character seems to literally only exist to be Alucard’s girlfriend and support him so that he doesn’t have to continue to be alone and potentially turn evil. Alucard’s trauma from Taka and Sumi and Hector’s trauma from Lenore are both conveniently erased. Even Dracula and Lisa are resurrected somehow and get their happy ending. And it’s like, I guess I prefer deus ex machina to the opposite (Does that have a name? When everything is going well but then something terrible happens for no reason other than to make things worse for the characters?), but they’re both bad writing.

God. This isn’t even getting into what happened with the Council of Sisters. And I don’t even really like those characters, but that doesn’t mean I want to see their characters handled poorly.

I’m not sorry that I watched until the end, but I can’t in good faith recommend the show as a whole. If you’ve yet to watch Castlevania, just stop at the end of season 2. While there are some shining moments in seasons 3 and 4 (4 more than 3), it’s just really not worth it.

#review #thoughts #television #animation #adult animation #video game adaptation #fantasy #Netflix #Netflix Original #Castlevania #storytelling #writing #characters #plot #character development #vampires #Isaac (Castlevania)

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fbfh · 4 years

Text

nico di angelo relationship and intimacy headcanons

As with all steamy/nsfw works, the characters are aged up to 18+/college era

let’s get started ‘,:)

(1.1k words ooooh boy get ready)

Clingy cat boyf

If he’s dating you he already feels really close and comfortable around you

Do not be surprised if he gets really physically affectionate really fast

I’m talking jump your bones after a week of being official

Pun intended

He loves when you kiss his neck

Blushes so easily

Tends to mutter things in italian when he gets overwhelmed

Which is often

but that doesn’t stop him

Believe me

Okay he’s an old fashioned fella

He still has a lot of internalized dating and courting etiquette rules from the 30’s

and you’d think it makes him wanna take it slow

But nah son

During the 30’s no one had any goddamn time for taking it slow

Don’t worry about that

It was also common for soldiers to get gifts like gum, candy, flowers, chocolate, and nylon stockings for girls they liked

Nico subconsciously falls back on this a lot

You end up with a small collection of fuzzy socks

You don’t automatically get the connection, but when you realize how important nylon stockings were in the 30’s because of the shortage, and that he was getting the present day equivalent of that for you

You appreciate your little collection of socks even more

All that being said we can come to two conclusions

His love language (amplified by the whole son of the God of wealth and death thing) is gifts, physical contact, and quality time

Especially with how much mortal danger he and the gang have been in the past few years, he does not want to waste any time, especially if he really likes you

Which he probably does

Really really likes it when you take off his clothes

Especially his shirt

That’s up there among his favorite parts

Absolutely an any time any place kinda guy

Thinks of it exclusively as making love

Finds any new slang or euphemisms hilarious

You call it banging once and he laughed for like 20 minutes

“So, are we banging or what?”

“Nico?”

“Nico why are you laughing?”

He has a lot of trauma obviously

His problems aren’t magically instantly fixed by you but he’s noticed how drastically your presence helps him feel better

Can barely sleep if you’re not there

Like he has some of your cologne/perfume on him in case you get separated and can’t sleep next to him

If he does have nightmares

Which thank gods are getting fewer and further between

A little light making out and netflix can usually solve the problem

Or like

Riding him

That usually works too

The faces he makes are,,,,,,

Very nice,,,,

he’s also very vocal

You one time deleted a happy birthday voice mail from a childhood friend to make room on your phone for an audio recording he sent you

And like be real

If your friend had heard it they would have deleted their message themselves

It takes him a while to get the hang of technology

As soon as he does

He sends you a voice text

You’re like aww

So you listen to it

“Hello, cuore mio…”

Oh shit

Your face got very red

You were really lucky you were alone

Every time you see audio messages from him you know not to listen to them without headphones

You also try not to listen to them until you’re on your way to somewhere you can be alone with him

There have been a lot of “meet me in the janitor’s closet” texts between the two of you

aLsO play with his hair

You did it once cause some hair fell in his face

He moaned

“… will you do that again?”

The answer is yes

Yes you will

Write him love letters and his heart will explode

Everything from “thoughts of you get me through the day” to “truly astonished by how much I want you to rail me”

All are super effective

He absolutely 100% has a locket with a picture of you

He just gazes at it sometimes when he needs a little extra hit of serotonin

Okay okay we all know a certain Mr. Jackson who is king of surprising you in the shower

Nico is a close second

Honestly you and him probably break the intimacy ice first of any couples in the demisquad

Stamina for dayyyys

Never gets tired???????

Even you find yourself laughing “are you actually hard again?” Way more than you’d expect to

Also expect a lot of…. Private photos and Polaroids

You never would have expected to have a shoebox buried in your closet full of pictures and love letters that are very much not suited for general audiences

Much less three or four

K i n g of quickies

“Any time, any place” -Nico Di Angelo probably

Likes buying you underwear and lingerie

A whole lot

He’ll sometimes surprise you with a bunch of shopping bags

You look through them equally excited every time

You do a little fashion show of all the stuff he got you

You usually don’t make it past three things before they’re on the floor

His kisses are so gentle and tender

They have all the soft fierce passion of Shakespeare plays and jazz vinyls

At one point pretty early on you started to feel bad that he was spending so much money on you

“Don’t worry, vita Mia, it’s a non issue."

After you’re done shopping he pulls out a black credit card with gold accents from a bank you don’t recognize

It says "bank of afthonos”, and in a fancy, minimalistic script below, “palladium select”

He sees you looking at the card and a smile plays at the corner of his lips

“Birthday gift from dad,” he answers without you having to ask

You can tell the cashier wants to roll her eyes, but he always makes a point to tip very generously

He hands her a few big bills and the irritation falls her face

he holds you close as you leave the store, still a little surprised by everything that had happened in the past five minutes

“Anything else you want?”

You think back to when you two first got together

“I’ve had everything I want for a while now,” you tell him, giving his hand a squeeze

He smiles and presses a kiss to your cheek

He pulls you into a small family bathroom and locks the door, pulling you close and kissing your neck

“I think we can be a little late to our lunch reservation…”

#Nico di Angelo #nico di angelo x reader #Heroes of Olympus #heroes of olympus x reader #nico di angelo headcanon #heroes of olympus headcanons #hoo #hoo x reader #HoO headcanons

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gthreepio · 4 years

Text

i’ve been thinking about the future of the mcu and realized there’s a LOT that i didn’t know/didn’t remember in terms of where things are going so i figured i’d sum it up incase anyone else was in the same boat!!

quick recap of (unresolved) mid-credit scenes:

doctor strange: mordo (a sorcerer that is one of strange’s mentors, who by the end of the movie becomes disillusioned with magic/the ancient one and quits) confronts pangborn (the paraplegic who healed himself with the mystic arts, who tells strange about mystic arts in the first place) and steals his magic because according to mordo, there are “too many sorcerers." of note, this guy is typically a villain in the comics but hasn’t been thus far...

gotg2: ayesha (leader of the sovereign, a golden skinned alien race obsessed with genetic purity), after spending most of the movie chasing the guardians for stealing some stuff, is revealed to have created an artificial being named “adam” which is presumably, adam warlock. (other stuff that is less relevant: kraglin appears to take up yondu’s mantle; the ravagers regroup and several old and obscure comic book characters are introduced [charlie-27, aleta, martinex, mainframe]; the watchers are watching things.)

far from home: j jonah jameson basically tells the whole world spider-man’s secret identity, and frames him for what happened with mysterio....making him public enemy #1. ALSO, turns out nick fury and maria hill in the movie were ACTUALLY the two skrulls from captain marvel (talos and soren) attempting to do their job, while the real fury (and presumably hill) is ... up in space on some spaceship!!!

wandavision: monica (who we can assume is photon) is called by “an old friend of [her] mother’s,” up in space, which presumably means fury, talos, or carol. ALSO, wanda sits in the middle of nowhere reading the darkhold and hears the voices of her children who.. by all accounts, should not exist.

aaaaand what we know about future movies (i’m not even going into the tv series.....):

black widow:

takes place after civil war

nat confronts a “dangerous conspiracy with ties to her past,” likely has to do with taskmaster who has apparently taken over the red room where nat was trained as an assassin

prominent new characters: yelena belova, who will take over the mantle of black widow after this; alexei shostakov aka red guardian, an ollllld marvel hero analogous to captain america except for the soviet union.

tony stark will make an appearance... SOBS

shang-chi and the legend of the ten rings:

shang-chi has never been seen in the mcu before, but he is, essentially, a superhero that is a master martial artist, and in some adaptations can also create duplicate (fake) versions of himself to confuse opponents

main villain will be the the mandarin who we have *sort of* seen before... he is the leader of a terrorist organization called “ten rings” whose main goal is to destroy world peace. brief history -- in iron man 1: one ten rings cell kidnaps tony stark and tries to force him to make weapons (he of course, makes his suit instead). stark and ten rings become enemies and fight a bunch. nat and nick fury fight them too. in iron man 3, the villain aldrich killian hires a dude to pretend to be the mandarin and claim responsibility for a bunch of stuff, but its not the ten rings or the mandarin at all. this makes the mandarin v mad and he has a dude kidnap the faker to punish him. they also briefly show up in ant-man, when a ten rings agent tries to buy the yellowjacket suit that darren cross is selling. BUT IN SHANG-CHI....... looks like we are FINALLY going to see the real mandarin after over a decade!!

the villain razor fist will also show up, he is lesser known... he has no superhuman powers but he has surgically replaced his hands (1 or 2, depending on the version) with a steel blade, and is highly skilled at hand to hand combat.

besides the presence of these characters, the only bit of plot we know is “shang-chi is drawn into the ten rings organization and forced to confront his past.” so... yeah. we don’t know much at all.

eternals:

quick explanation: the eternals are an immortal alien race who have been secretly living on earth for thousands of years. they were created by the celestials, who are most prominently in gotg2.

more entirely new characters!!! their names are: thena, who can form any weapon out of cosmic energy; gilgamesh, who can make a super strong exoskeleton out of cosmic energy; ikaris, who has superhuman strength, flies, and can project cosmic energy out his eyes; kingo, who can shoot cosmic energy projectiles from his hands; makkari, who creates sonic booms, has super speed, and is deaf; phastos, who has enhanced intelligence, and is also gay (and married with a kid!); ajak, who has healing powers; sprite, who can project illusions; sersi, who can manipulate matter; druig, who can mind control; and dane whitman (black knight), a human with a mystical sword.

regarding the plot... it seems the eternals have kind of dispersed, but have to come together again to fight the deviants, who are their “evil counterparts” (also created by the celestials, though i’m unclear on why). thena and gilgamesh have apparently been in exile, unclear why; sersi, who is posing as a museum curator, has apparently been in love with ikaris for centuries and it seems as if their love story may be central to the film; and kingo is a bollywood film star in his spare time. aaaaand that’s pretty much all we know.

directed by chloé zhao of nomadland fame!

spider-man no way home:

based on the post-credits scene in far from home, peter parker will now be known as spider-man to everyone. unclear if he’s going to be seen as a bad guy due to mysterio framing him, but i guess we’ll see!

jamie foxx is electro, and alfred molina is doctor octopus; which is VERY interesting considering they played these roles in other spider-man franchises, once again stirring up excitement for possible multiverse.

there have been *multiple* reports that andrew garfield, kirsten dunst, tobey maguire, and emma stone will be in the movie but tom holland has repeatedly denied this... so... who knows.

there are also rumors that matt murdock / daredevil (from netflix) will be in several scenes! not confirmed though.

MJ is still his girlfriend and i hope it stays that way!!

doctor strange will be featured in the movie, taking on the mentor role now that tony stark is gone :( this will be interesting as i.. haven’t really seen them interact much before. because of this inclusion some people speculate that the film may draw inspo from some comic storylines where peter’s secret identity is restored with magic.

doctor strange in the multiverse of madness:

scarlet witch is essentially co-starring!!! it’s going to be really interesting to see if they bring vision or the twins into this at all, though i’m not counting on it.

seems like mordo will be the main villain -- recall the ds1 post credits scene where he is apparently running around trying to steal people’s magic.

america chavez will make her debut!!!!!! i have no idea how this plays into anything but i am so excited!!

regarding the plot, all we really know is that strange has been researching the time stone, mordo messes with him, and this results in him accidentally unleashing “unspeakable evil.” presumably there will also be heavy involvement of the multiverse, and who knows what kind of craziness that will bring!!

initially was going to be directed by scott derrickson who did ds1; however he stepped down to being just EP due to “creative differences.” i am presuming this is because derrickson really wanted to make this more gothic and horror than disney was comfortable with. i REALLY hope they keep some of those elements though and don’t erase the idea entirely! anyway, it will be directed by sam raimi now (of evil dead and spiderman 2002 fame).

the film also reportedly ties in with the loki series (will loki show up!?) and spiderman 3 (which is obvious enough, given that strange is in that movie and those curious electro and doctor octopus castings...)

thor: love and thunder

directed by taika waititi again, hell yeah!!! and he has stated, the film will be “so over the top now in the very best way" and would make ragnarok look like a "run of the mill, very safe film" .... so.... oh god

so many great returning players!!! including.... valkyrie (now the king of new asgard), jane foster, lady sif, korg, star-lord, mantis, drax, nebula, and kraglin (takes up yondu’s mantle after he dies in gotg2)

in this movie, thor isn’t thor anymore.... it’s JANE!!! she gets cancer :( and is undergoing treatment while simultaneously being thor. i’m a little nervous how this will be handled, but i’m excited. (it’s based off an amazing comic series by jason aaron)

the big bad: gorr the god butcher, played by christian bale! the gist of it is, this dude HATES gods because nobody helped when his family was dying and in need. his weapon is “all-black the necrosword,” forged from the head of a celestial, and allows the user to create wings and fly at extreme speeds. honestly, he sounds cool as fuck.

valkyrie is going to be made canonically bisexual!!!

it will explore more of korg’s backstory, and also include... space sharks!?!?! an alien race from the comics.

taika has called the script “very romantic” so take that as you will

black panther 2

will again be directed by ryan coogler

not much is known at this point, does not have an official name

t’challa will NOT be recast (which i’m happy about) so..... honestly no idea what to expect for this one. i think we can probably expect shuri to have an expanded role. all we know so far is they will be “exploring the world of wakanda.” not clear to me how this is different from the upcoming wakanda D+ series.

tenoch huerta has reportedly been cast as a villain, but no one has any idea who. there’s also rumors that donald glover is in “informal talks” to play a role. note all of this is unconfirmed.

captain marvel 2

will be directed by nia da costa (candyman!) and written by megan mcdonnell, who is one of wandavision’s best writers!

will take place in the present day

will feature kamala khan / ms. marvel, monica rambeau / photon!!! this will be so interesting.... kamala is a huge fan of carol’s in the comics, she is her mentor/idol. the ms. marvel series will also resportedly lead into cm2. and monica, well, monica knew her when she was a little kid. wandavision implies that there’s some bad blood between carol and monica though, not sure why. maybe because carol left and never came back? (until endgame)

post-credits scene of wandavision appears to tie into this, having monica go up into space at the reqeust of her “mom’s old friend.” again, not clear who that is. this could also be a tie in to secret invasion though, so we’ll see. or both.

zawe ashton has been cast as an unknown villain... a lot of people are actually speculating that she may play rogue? which would be fascinating, as there’s a comic arc where rogue steals her powers and memories. BUT there’s still no confirmation that X-men exist in the MCU so for now i remain skeptical.

they are looking to cast a ‘john boyega’ or ‘michael b jordan’ type which makes me wonder if they are going to create a new character, a “younger” war machine to be her love interest? (note: carol and rhodey are a huge thing in comics!) carol obviously does not look her age but her and don cheadle.... that just doesn’t work. which is why i wonder.

ant-man and the wasp: quantumania

in addition to scott and hope, pretty much all the major players are returning including: luis, hank pym, janet van dyne

cassie lang has been recast with an actress 5 years older, which is really making me wonder if they are going to make her stinger in this movie! (aka one of the main young avengers)

the villain: kang the conqueror! this dude time travels. original name nate richards. in the comics, kang travels back in time to rescue his younger self (nate) from an attack that would help shape him towards a life of villainy. kang also gives him some fancy armor. his younger self actually is like, what the fuck dude? and renounces his destiny, becoming a hero. and he makes his armor look like iron man, calling himself iron lad. who is a young avenger. which also makes me wonder about cassie lang.

otherwise not much is known!

guardians of the galaxy vol. 3

james gunn is returning, i’m mixed about this...he really does *get* the guardians though.

based on the gotg2 post credits scene, i think we can assume adam warlock will be a HUGE part of this. there are multiple versions of him, some villainous and some heroic, but no idea how this is gonna turn out.

no word yet on whether thor will be involved, or if those ravagers they introduced will be involved.

fantastic four

will be directed by the spiderman guy, john watts.

otherwise we know literally nothing.

aaaaand that’s the roundup!

#mcu #marvel #black widow #shang chi and the legend of the ten rings #eternals #smnwh #spiderman: no way home #doctor strange in the multiverse of madness #dsitmom #thor: love and thunder #tlat #black panther 2 #captain marvel 2 #ant man and the wasp: quantumania #amatwq #guardians of the galaxy vol. 3 #gotg3 #fantastic four #mcu thoughts

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glass-rose-paperweight · 4 years

Text

The Mysterious Case of Queerbaiting

BBC Sherlock

There’s one thing about BBC Sherlock that has never made sense to me. As I’m sure many of you are aware (and something I’ve talked about before), BBC Sherlock has been accused of Queerbaiting, of intentionally setting up John and Sherlock as being attracted to each other but never following through with that or even intending to do it. And it’s one of those things that has just always baffled me; I can’t make it make sense. A lot has already been said about the way things are portrayed in the show and what the subtext behind a million different things could mean (seriously, I love that I am part of a fandom with so many perceptive and intelligent people; watching the show is only half the fun) and how none of it makes sense. Today, I would like to use my powers of deduction get to the bottom of this mystery.

The way I see it, there are 3 possible explanations.

1. The Producers of the Show Queerbaited

I have to admit, this seems unlikely given that one of them is literally a gay man. Why would a gay man knowingly and intentionally engage in something like this? Why would a gay man write a script that constantly pokes at Watson’s sexuality if the only point was to make it into a joke? To say ‘oh, no, the poor straight guy is constantly mistaken as gay. Look at how defensive he is getting, hahaha, what a funny joke’. That just makes no sense. It makes no sense for Mark Gatiss to have gone to the lengths he has gone to within the show, from whatever direction he gave the actors so that they portray an obvious chemistry between Sherlock and John to having a jealousy trope at John and Mary’s wedding except it’s Sherlock getting Jealous over John’s ex commander to this interesting thing about the best man speech to Mary saying ‘neither one of us were his first’ or ‘the man we both love’ or ‘I know what the two of you could become’ to Sherlock putting John Watson face on The Ideal Man to all the gay artwork in TBB (I could not for the life of me find this meta even though I know I saved it, and I am so distressed) to a thousand other things that the fandom has discussed over and over and over again. Who puts that much effort into queerbaiting? Especially when you would have a vested interest representation? So, it just doesn’t make sense for those directly involved with the show the be the reason.

2. Higher Ups at BBC Told Them No

This seems much more plausible to me, however I still doubt it. I can’t say I know just a whole lot about BBC, but I do know they have tended to be on the more progressive side of things, and I just really can’t see any of the higher ups just flat out refusing to allow the writers to make Johnlock canon. The first season gets a pass because I’m pretty sure that openly same sex couples weren’t allowed in media at the time (I think it was allowed in 2011, but I’m honestly not sure. I’m in the US, not the UK, so if I’ve gotten this detail wrong, please correct me). But they had 3 other seasons and another 7 years to make it happen, and I just don’t think that the higher ups at BBC would have just flatly said ‘no’. So, that leaves the last explanation.

3. Someone Other Than Those Involved With The Show Stopped Them

The majority of the Sherlock Holmes stories are in public domain. Copyright expired in 1980 in Canada and in 2000 for the UK (X). This would seem to make it a pretty cut and dry case: in the UK, you can do pretty much whatever you want with the Sherlock Holmes stories. But it’s no quite so simple. The US works a little different because copywrite law isn’t the same (isn’t he US just great?). As it stands, there are still 6 stories today that the Conan Doyle Estate still has the exclusive rights to in the US. If I understand how the copywrite law works correctly, that would have been 14 stories back in 2010. But, that shouldn’t have affected anything going on in the UK, right? Theoretically, no. The Conan Doyle Estate wouldn’t have had any legal rights to coveting the characters and the stories in the UK. However, that doesn’t mean that those involved with the show wouldn’t have been extremely apprehensive of the power that the Estate wielded, especially considering the previous decade of legal battles. Only 3 cases are listed here, but the Conan Doyle Estate is very protective of its copyright of the work (as evident by the fact that they are literally trying to sue Netflix, among others, for portraying characters in a way they supposedly weren’t portrayed until later books). There were other court cases after 2010, however. A decisive court case in 2013 declared once and for all that the stories written prior to 1923 were completely in public domain and that a license wasn’t needed to create things based on any of the stories prior to those dates (something the Estate had convinced BBC of when they first created BBC Sherlock). However, an appeal by the Estate was later made, stating “Sherlock Holmes is a ‘complex’ character, that his background and attributes had been created over time, and that to deny copyright on the whole Sherlock Holmes character would be tantamount to giving the famous detective ‘multiple personalities.’” The appeal was, thankfully, thrown out. But it’s the attempt that matters.

Oh, and here’s a fun little tidbit, the 2 stories that have, perhaps, the strongest evidence of there being more than just friendship (this quote, this quote, and this quote (which was said after Holmes stated that, if he had hypothetically loved someone, he would kill the person that killed the person he loved)) come from the stories The Problem of Thor Bridge (the first quote) and The Adventure of the Three Garridebs (the last 2), which both belonged to the Estate in the US until after the final season of the show.

So, let’s get into the minds of BBC, for a moment. Someone has decided they want to reimage Sherlock in a new and unique way: modern day. The Holmes Estate has been fighting legal battles in America for the past decade and has won all of them, and has also issued the verdict that to make stories, you need a license. You say ‘okay’ and go along with it because you’re a big corporation that can afford to do such a thing. When the first season of the show airs, it isn’t legal to have openly gay characters, so everything has to be regulated to subtext. You outright state that being gay is okay because you want to let people know you are in full support of homosexuality, even if it isn’t legal yet. The writers and producers of the show are huge ACD fanboys and BIG fans of The Private Life of Sherlock Holmes, so, yeah, there’s some gay subtext. By the second season, hey! Homosexuality is legal! Except the 2 stories with the biggest indication of Sherlock and John’s attraction towards each other are still very much in the hands of the Estate, who has spent the past decade fighting legal battles. You may be able to pay for a license, but a lawsuit really isn’t something you’d like to go through. Whether the Estate has any legal standing to do such a thing or not, a lawsuit would be a long, messy battle. By the third season, a court case in America has decided that anything written prior to 1923 doesn’t need a license (damn, that’s 2 seasons of being successfully intimidated into a license). However, the two stories with greatest evidence still belong to the Estate, and the Estate tried to weasel their way into owning more of Sherlock than they should by arguing about his character. They probably wouldn’t take well to an openly gay Sherlock, would they? By season 4, the same problem still exists. Cut to 2020. Both of the stories with those quotes have entered public domain. But, uh oh, a month, a month before the 10th anniversary of your show, the news breaks that the Estate is filing yet another lawsuit, this time against multiple different parties, one of them being the mega corporation of Netflix (god, that’s some balls right there) that what they did broke copyright law because it portrayed characters in a way they supposedly weren’t portrayed until later stories, stories the Estate still owns (that is some balls right there). So you might feel the need to cover your ass a bit. Despite the past decade of saying that they characters you have portrayed are nothing but platonic, the fans don’t seem to buy it, and, in hindsight, there’s a lot of reasons not to. Maybe something needs to be created that subtly tells fans that they really are just looking too far into it. And, what great luck, a YouTube channel is asking you to make something for the 10th anniversary.

Is this what happened? I don’t really know. I have nothing more than circumstantial evidence and guesswork here to go off of. I’m not privy to the private thoughts of Mark Gatiss or Steven Moffat or any of the head honchos at BBC. I don’t know what kind of executive decisions are made in the best interest of the company. All I know is that the Conan Doyle Estate is hanging on to whatever copyrights they can possibly manage, that they are willing to level lawsuits on, quite frankly, ridiculous terms, and that having a lawsuit put against you is no laughing matter and that those whose work revolves around Sherlock Holmes and creating stories about him would want to tread carefully. This explanation is, admittedly, far fetched. But it’s the only one that really makes sense. It’s the only one that would explain why a gay man and a generally progressive company would have a show that has layer upon layer upon layer saying that there is more between John and Sherlock than just friendship, as well as a rabid fanbase that they know ship it, and still not deliver, even attempt to squash such mindsets.

There is, however, one final note I would like to end this on. I have talked before about how I think there will be another season, if the stars align and schedules allow such a thing. The best estimates of when another season might come out is 2022 or 2023, and I’m inclined to think the later year (god, that seems so far away). The year that the last story will become completely open to the public and the entirety of Sherlock Holmes will be public domain is 2023. So, maybe there is hope.

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blxetsi · 4 years

Text

modern sasha braus dating headcanons

lowercase intended !

college!sasha braus x gn!reader

had to write something for my queen 😌✨

- she shares her food with you. I Dont Care She Does

- also since this is a modern au i dont think she would have such an obsession with food as she does in the canonverse (if we can even call it an obsession) i still think she would have a big appetite (and she'd be proud of it tf 😏🙏) but i just dont see her always being hungry as the fandom makes her out to be

- really likes to hold hands with you

- i think itd be really cute if she was studying to become a baker ?? maybe taking a culinary course at the university you two attend ?? maybe you somehow met there or through a friend

- i think she'd still be insecure about her accent (ig if this is au is set in america she'd be from the south 😐🤚) and would speak kind of like a robot to people she didn't know that well

- connie and jean ALWAYS bring out her accent tho,, like with them she can really be herself

- i think when you were starting to get to know her she would be speaking very formally, and youd take it like shes being kinda stand offish or like,, just doesnt wanna talk so youre thinking "okay maybe she doesnt wanna be friends 😁👍" and would back off

- now sasha's upset because you are so cool and unique and she just wants to know so much about you but youve been very distant lately ?? like did she do something wrong ??

- she tells connie, jean, marco, and niccolo one night and connie and jean are on the side of "find y/n and demand to know why their behavior has changed" while marco and niccolo are on the side of "respectfully dm y/n and ask why they havent been wanting to see sasha recently"

- sasha goes with the latter of the two and dms you after passing you in the dining hall, you two literally keep glancing at each other, texting while you sit with your respective friend groups

- after everything gets cleared up sasha is immediately inviting you to hang out with her crew, and even getting some of her other friends like eren, mikasa, and ymir and historia to come join too

- if she has all the people shes comfortable with there, itll be less scary talking with her accent !

- You Love It. You Think Its Adorable.

- you guys would definitely have a friends to lovers type relationship

- like friendly hugs turn into slightly longer hugs, and now sasha will constantly ask to sit next to you during movie nights

- loves to rest her head on your lap while she spreads across the couch

- i think you two would have your first kiss in niccolos apartment

- you two were sitting in his kitchen, with sasha munching on the leftover food he made that night for your get together

- his mom had called him so he decided to leave to go to his bedroom to answer it

- and slowly you guys just kind of,,,, leaned in 🙈✨

- it was slow and really romantic, kinda rough with the crumbs that were around sasha's lips but you didn't mind

- niccolo barged in and ruined the moment 😐🤚 good going pal 😁👍

- you two were so shocked that you two tried to leave

- ended up just walking down the road in silence like wtf i thought yall were trying to get away from each other 😭😭😭😭

- sasha ended up staying the night 🤩‼️

- NOT in a sexual way

- but in like a,,,, rue and jules kinda way where jules comes in through the window (but only sasha didnt come in through the window she came in the front door with you) and you two held each other and gave each other smooches for the rest of the night

- sasha woke up late and missed her morning classes 😐🤚 didnt even care and went back to sleep with you

- i think for the most part you get along well with her friend group

- youre definitely closer to connie, jean, niccolo, marco, and historia

- ymir teases you guys a lot and you cant tell if what she says is just jokes (it always is) or if shes completely serious

- eren, mikasa, armin, annie, along with reiner and bertholdt are more of aquantances to you, just because you dont see them as often as you do the others

- she has such a weird relationship with her english professor

- will literally complain how much work he gives his class and then the next day will gush about how great he his bc he gave her a granola bar for her effort in her assignment

- girl pick a script and stick to it 😐🤚

- has a collection of stuffies on her bed. i dont make the rules.

- anytime theres a carnival in town she drags EVERYONE there.

- you all agree to split up into groups so you can all check out what you want, but you always agree to meet up and eat funnel cake together 🥺

- sasha tries to get you to win her new stuffies

- if you cant do it, or just want some for yourself, shes calling connie and niccolo up PLEADING with them to come find you guys,

- then she claims theres been an ACCIDENT and that you two need help

- niccolo is zooming bc he cares abt his besties 😌✨

- connie texts jean and marco to come find you guys too 😭😭😭

- who gets a kick and a lecture for lying courtesy of niccolo ? sasha. but who also gets a bunch of stuffies won for her courtesy of niccolo ? sasha.

- for your anniversary i think she'd want to do something really fun with you

- she'd set up a pillow fort and have a bunch ot string lights and stuff, have all of her favourite stuffies (which are the ones she thinks of you when she sees) in there too.

- she has chips, she baked little pastries and cookies, and she ordered your favourite takeout

- you guys just watch whatever you want on netflix or whatever and its such a nice night

- it becomes a tradition for you guys, but you two always take turns with setup

- one year sasha did all of the planning, baking and whatnot ? okay now its your turn 😁👍

- you guys even started doing themes now 🤩

- if you guys play board games with your friends youre on sasha's side whether you want to be or not.

- shes also the kind of person that says "i can win fair and square !" but then when bertholdt starts kicking her ass in monopoly her script changes real quick 🙄

- now its "y/n,,, give me some of ur money" and "y/n, buy this property for me" like girl,,,, what happened to playing fair 😍⁉️

- will try and do all of those s/o pranks you see on tiktok

- its hard to get a genuine reaction out of you bc you can TELL SHES RECORDING but she tries anyways

- we love a perservering queen 😌✨

- will call you at random times of the day asking if you guys can see each other

- "y/n ??? are you there ??" "sasha its 2am wtf do you want 😐" "do you wanna ride your bike with me down to the park 🥺"

- also is very observant, knows when youre overworking yourself

- will try and pull you away from what youre working on like "lets go get you something to drink, or maybe we can watch an episode of that show you like before you continue working !"

- if youre persistent that you just HAVE to finish it tonight and cant stop and take a break she'll respect that, until you stay at your laptop for over an hour 😐

- just softly pulls you away like "no lovebug, lets get some sleep okay ?"

- is also very protective of you

- overheard someone making fun of you ?? talking shit ??? her besties better hold her back before she gets suspended 😤‼️

- and since connie and jean absolutely ADORE you, you better believe theyre helping their girl sasha out

- those three are the LEADERS of the "protect y/n club"

- it just becomes niccolo and marco trying to dissolve the situation before it gets physical, and then reiner and armin joining when they walk directly into the chaos

- armin tells you what happened and as much as youre thankful that sasha cares about you so much that she'd defend you like that, you lecture her, jean and connie on not making scenes like that again

- sasha's love language is kind of like,, a mixture of quality time and physical touch

- she just really loves spending time with you, but also very much enjoys being in your arms

- she doesnt shy away from it, and is usually the one to initiate those things

- will hold your hand PROUDLY down hallways or on streets

- always hypes you up too, shes very much so your personal hypeman

- "oh lovebug you look SO GOOD rn oh my god" "sasha pls im in my pyjamas" "and you look like a model baby !"

- sasha is very stubborn however, and if you guys ever fight she is NEVER the one to apologize first, or seek you out to talk about it

- even if shes in the wrong she cant bring herself to admit it, she dug herself into such a deep hole with the stance she took that she doesnt want to take the walk of shame in admitting that she wasnt right

- this can cause a lot of problems in your relationship, but after you explain how much it affects you, shes trying to change

- will always work on her stubborn-ness and pride

- and it actually makes her feel a lot better being able to admit defeat, or being wrong

- she really likes being communicative and honest, especially with you

- i think overall your relationship with sasha is very very fun, filled with good memories, good food, good friends, and most importantly, love.

no bc i really do love her 😐🤚 lemme marry miss braus rq 😏✨

hope u guys enjoyed !! remember requests are open so if you have anything youd like me to write DONT BE SHY ❤️‼️

#aot #aot imagines #attack on titan #attack on titan headcanons #attack on titan x reader #sasha braus #sasha blouse #sasha braus x reader #sasha blouse x rease #shingeki no kyoujin imagine #shingeki no kyojin #shingeki no kyoujin fanfiction #niccolo aot #connie springer #marco aot #jean aot

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calzona-ga · 3 years

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Since 2005, Shondaland has produced groundbreaking television. And over the course of 17 seasons, Grey’s Anatomy has made more than its fair share of bold choices. From the killing off of Patrick Dempsey’s beloved McDreamy to the still-controversial ghost-sex story line, the ABC series has seen, and done, it all. But perhaps no episode was riskier than turning the popular medical drama into a musical for “Song Beneath the Song,” the infamous season-7 hour in which a pregnant Callie (Sara Ramirez) gets badly injured in a car accident and, while her fellow doctors work to save her life, sees her hallucinatory self burst into song — with the rest of the characters quickly following suit.

Coming from the mind of series creator Shonda Rhimes, a vocal fan of both Broadway shows and TV musicals like Buffy’s “Once More, With Feeling,” the Grey’s musical episode was a monumental moment for the show and for television. Many viewers praised its audacity and swooned over the vocal chops of stars like Ramirez and Chandra Wilson.

“Song Beneath the Song” made for one of the most memorable hours of television, earning strong ratings and leading the soundtrack, particularly Ramirez’s show-stopping rendition of Brandi Carlile’s “The Story,” to Billboard success. A decade later, its impact is still growing, thanks in part to the countless teenage Grey’s fans who’ve only recently discovered the series via Netflix. Like the show itself, the musical has become an indelible part of TV history — and so, 10 years after its premiere in March 2011, we spoke to the episode’s cast and crew to get the story of how it came to be.

Featuring thoughts from Rhimes; writers, producers, and co-showrunners Tony Phelan and Joan Rater; and actors Wilson, Kevin McKidd, Jessica Capshaw, Kim Raver, and Eric Dane, this is the oral history of “Song Beneath the Song.”

Finding the Inspiration

Inspired by a 2008 benefit concert in which several stars of Grey’s and its spinoff show Private Practice performed songs to support out-of-work Hollywood workers during the 2007-2008 writers’ strike, Rhimes decided to turn her long-held desire to make a Grey’s musical episode into a reality.

Rhimes (series creator and writer): I remember thinking to myself at a certain point, I have this sort of murderers’ row of Broadway people. Like, Chandra had been on Broadway and singing; obviously, Sara Ramirez had won a Tony on Broadway [for Best Featured Actress in a Musical, in 2005], which is how I first met her; and then I knew that Kevin could sing. There were so many people in the show with beautiful voices. ... It felt like it was leaning in that direction in a good way.

Rater (writer, producer, and co-showrunner): The first iteration for, like, two days when we first started batting around the idea was that we would write original music. It was all gonna be original music. And then we quickly realized that a) who’s gonna write that music?, and b) no, it doesn’t feel like the right thing. And then Shonda, I think a day or two later, came in with the idea that we would use these iconic songs.

Wilson (Dr. Miranda Bailey): But the studio wasn’t quite on board with this whole idea.

Convincing a Skeptical Network

After coming up with the episode’s plot and deciding that the characters would sing classic songs from the Grey’s soundtrack, like Snow Patrol’s “Chasing Cars” and the Fray’s “How to Save a Life,” Rhimes pitched the idea to the network — but, in a surprising first, she was told that they were going to pass.

Rhimes: By that point, I wasn’t getting notes on anything; nobody was saying no to me about anything. So it was really bizarre to me that there was all this resistance to doing a musical episode. And I remember somebody at the network saying, “Can’t you just do one of your love-triangle thingies again?” And I thought, my head’s gonna explode, because the show is not a bunch of “love-triangle thingies.” You guys have missed the point entirely. I felt like, no, every year of the show is a completely different show, and this year the show has a musical episode. And that’s the story.

McKidd (Dr. Owen Hunt): Tony, Joan, and Shonda basically said to us, “We are trying to convince Disney to give us actual money to do this musical episode, and we feel like we want to do a show-and-tell to show them what this musical episode could be. Are you guys willing to give your time to help us create this show-and-tell?” And we were like, “Yeah, of course.”

Wilson: So we gave them a concert. Sara, Kevin McKidd, and I, along with musicians, got together, and we performed this script that Shonda and Tony Phelan put together. Shonda did the narrating. And we went through what the entire episode would be, based on those iconic songs.

McKidd: I remember Sandra Oh came to the concert for the execs just to be moral support for us. And she became like our groupie — she would stand and cheer and whoop and holler in between all the songs.

Phelan (writer, producer, director, and co-showrunner): Once [the executives] saw it, and saw it could work, then they gave us the okay to do it.

Rhimes: I still feel like they thought we were crazy. But you couldn’t deny the talent in the room.

Getting the Cast on Board

Once the episode was greenlit, the team began the task of persuading a cast full of non-singers to simultaneously sing, act, and — in some cases — dance on screen.

Wilson: The offer was put out on the table from the beginning from Shonda — anybody that’s not interested in singing, you’re not required; you don’t have to do it.

Rater: I think Sandra from the beginning was like, nope.

Rhimes: She looked at me — it was her very deadpan face — and she was like, “I’m not singing.” And I was like, okay! If that’s not your thing, that is not your thing — that’s completely okay. And it didn’t feel like she was afraid to sing or push past this barrier. It felt like Cristina Yang doesn’t sing. And that made sense to me.

Rater: Ellen [Pompeo] has a great voice. She could’ve done more. ... Ellen was very gracious about, like, “I’ll doo-wop in the back; don’t worry about me. Let’s hear Chandra, let’s hear Sara, this is theirs.”

Capshaw (Dr. Arizona Robbins): In addition to Sara having this powerhouse voice, she was always very generous about others and never made anyone feel smaller because of her giant power. But singing with her was like, “Aw, man [laughs], how about you get this one? You got this leg of the race.”

Wilson: Probably the most frightened person was Kim Raver, bless her heart.

Raver (Dr. Teddy Altman): It was super-exciting and terrifying at the same time. We all love singing, but unless you’re Sara Ramirez or Chandra Wilson.

Dane (Dr. Mark Sloan): I don’t fancy myself a singer, so I said, “Shonda, in this particular episode, I want the least amount of lines.”

Rhimes: Eric Dane surprised me, because his voice had this lovely quality to it that was really nice.

Dane: I set her up for a catastrophe, so she had very low expectations.

Starting Rehearsals

For months leading up to the episode, the cast embarked on a grueling series of rehearsals and voice lessons, adding hours onto their already long daily schedules.

Capshaw: I had just had a baby, and I was really taking my life one day at a time. I knew it was going to be a big episode, but, timeliness-wise, it was a tough time. I think I was still breast-feeding.

Phelan: Usually in the writers’ room, you’ve got maybe six-to-eight weeks from the time you come up with an idea to the time that it’s shot. This we needed almost the entire season to plan for.

Raver: It was like riding a bike but then adding, like, six more wheels to it, and you had to kind of figure it out.

Capshaw: We were all bringing our A games. In normal days, it feels like there’s a familiarity, you can feel a little more casual, a little more off-the-cuff, but there was nothing off-the-cuff about this. It was all very high stakes because it was life or death, literally.

There were some silver linings, though.

Dane: We had these little earbuds in our ears, I guess like how you film musicals, so you can sync what you’re mouthing with the music in your ear. And so I went to the sound operator and said, “I can buy one of these earbuds, right? And I can create a content-receiver pack and connect it to an iPod and pipe music into this too theoretically, yes?” And he said, “Yeah, you could do that if you want to.” So I said, “So when I’m performing surgery in later episodes on this show, and I don’t have very many lines, theoretically I could be listening to music, and nobody would know?” And he said, “Yeah, theoretically, that would work.” So I had one made, and I shot many episodes in the surgical theater, sometimes with lines, listening to music, many times.

Filming the Episode

“Song Beneath the Song” revolved largely around the seriousness of Callie’s condition, but there were also some light moments, including a sexy, dance-filled take on “Running on Sunshine” featuring several of the show’s couples.

Capshaw: When Sara and I are in the car in the clouds — oh my god, I’ve never felt so goofy in my life [laughs].

Raver: Scott Foley [who played Teddy’s love interest Henry] and I had so much fun working together. He’s so funny, and so choreographing that dance singing number was really fun.

Wilson: Debbie Allen sent in Eartha Robinson, one of her choreographers from the Debbie Allen Dance Academy, who I knew from Fame, the television series. So this is who was coming in, teaching us how to twirl. And I was like, oh my god, I’m on Fame!

Early in the episode, McKidd’s Owen sing-shouts at his crew of doctors to “calm down” — a moment that, years later, became a widely shared meme for its over-the-top nature.

McKidd: In the scene, I think it was Kate Walsh — she’s brilliant; she’s a prankster — and Patrick and Eric Dane. And they were all arguing. And I’m sitting there and [the cameras] push in on me and I go, “Calm down.” And they couldn’t keep a straight face. Every time we did a take, they just would fall over laughing. And they were on camera giving me the eye line, and I had to sing this song seriously with those two actors just doubled over, like sidesplitting. It just tickled their funny bones so much. That was one of the hardest acting days of my life [laughs].

Capshaw: For sure, many, many, many shots were taken at Kevin McKidd for his “calm down” [laughs]. ... He really took on the rock-&-roll part of it.

McKidd: My daughter, who’s big on Twitter, she said that “calm down” thing’s like a serious meme thing now, which I guess is an honor. I don’t know.

The biggest moment of the hour came at the end, when Ramirez, a Tony winner for Spamalot, sang “The Story” as Callie fought for her life.

Phelan: When Sara came to Grey’s, she had this idea that she absolutely wanted to be known as an actress not a singer. And so for her first couple seasons on the show, she kind of left that side of her behind. Then, here was Shonda and I coming to her and saying, “No, we want to re-engage that part of you and put it on the show.” And so I think that she got nervous about that ... but to hear that amazing, magical voice come out of her ... that was the moment that was going to be able to sustain the music [of the whole episode].

Rhimes: When she sings “The Story,” I mean — I wrote the episode; I know what’s gonna happen. I’ve seen it a thousand times. It has nothing to do with me. But I always tear up a little bit because of her extraordinary voice and extraordinary performance.

Wilson: What a showcase it was for Sara Ramirez. I’m so glad that she got to share that part of herself with our audiences.

Reading Those Reviews

On March 31, 2011, the episode aired. While it garnered strong ratings, viewers’ reactions to “Song Beneath the Song” were mixed.

McKidd: I think we all went into it with our eyes open, and we knew there was gonna be mixed reviews. Because some people are gonna love it, and some people aren’t. But that shouldn’t stop people from taking a few risks in what we do, you know?

Rater: I remember being shocked that there were people who didn’t like it. I was like, come on!

Capshaw: It didn’t feel like [the reviews] were gonna affect anything either way. It wasn’t gonna be like, “Oh my gosh, that was too silly, and I’m never watching Grey’s again.” It had already found its place in people’s hearts.

Rhimes: I learned very quickly [on Grey’s] that if you’re gonna believe the good things people say about you, you have to believe the bad things people say. So there’s no point in paying attention to any of it. ... Nobody’s gonna like everything that you do.

Phelan: I know there are a lot of people who don’t like it, who felt like it bent the show too much, but it’s season 7 of a show, and if you’re not taking big swings when you’re on season 7 on a show, something’s wrong.

Creating a Legacy

Despite the critical reactions, the episode has developed something of a cult following over the years, thanks to live benefits and TikTok memes. A decade later, its creators all look back fondly on the hour and its impact.

Wilson: [The cast] watched it together, and I remember feeling like, wow, look at what we did!

Capshaw: When we showed up to do that benefit concert, I remember coming out onstage ... and being completely, completely overwhelmed with the people that responded to Arizona in that episode, and to the love story between Callie and Arizona.

Phelan: As a director, it was the biggest challenge of my career to do that, and it’s one of the things that I’m most proud of.

Raver: I’ll be in my car singing along, or at work if we’re in the hair-and-makeup trailer and we’re listening to [the soundtrack], it’s just an immediate flashback. It kind of feels like yesterday.

Wilson: The soundtrack is on my playlist on my phone [laughs]. So I will pop that thing out in a minute, because it’s just absolute happy memories.

Rater: If I’m cooking, that is what I put on. That’s what I tell Alexa to play for me.

Rhimes: I feel like that episode just always reminds me of having so much fun. That was what was really great. We had so much fun. And how much do you get to say that about just being at work?

Dane: As a cast, contrary to what some of the entertainment media might have speculated, we were all very close. We all spent a lot of time together, and a lot of that stuff felt really real to us. It was easy to access because of how we felt about each other off screen.

Raver: I just remember it being such an incredible experience, being able to work with all these incredibly talented actors and creators.

Rhimes: It’s right in my top 10 of episodes we’ve ever done.

Dane: I don’t particularly want to do it again, but I’m glad I did it.

#grey's anatomy #7x18 #jessica capshaw #eric dane #chandra wilson #shonda rhimes #kevin mckidd #kim raver #tony phelan #Joan Rater

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incarnateirony · 4 years

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I get Chaos Machine has a deal with WB. But they are already following the CW too. Kinda bumps in a wrong way..

I mean, there’s been a lot of misinformation about things, and there’s a lot of truth to things here.

There’s rumor, for example, that Jensen was signed on to do a mini series directly for CW a while back. This came from a misinterpretation of a recording someone heard. At the time he was actually discussing a pod-cast-esque thing he was prompted to work on by one of the CW execs as a general encouragement from being career friends, but that never manifest.

On the other hand, yes, Jensen *is* following CW. And I have zero surprise, beyond the fact that he isn’t also following HBO; he’s able to work with both. Which tells me what he’s working on is, in fact, something that’s likely being geared to the CW--which isn’t actually to be mistaken with the first piece of information at the time.

But considering Jensen--and even Kim lately--have been speaking about SPN reboots/revivals recently, I can tell you right now--those are likely fated to go to the CW. Even if their licensing technically lapsed for things like their digital platforms (hence the removal of all their stuff from YT, etc), nothing stops them from trying to grab anything in the works--and they’re the most likely candidate. After 15 years of content (or like 14?) being on CW (before it was on WB before the merger), logic dictates HBO isn’t gonna get in a slapwar with its own sister company to get the rights, as much as we’d all love HBO Supernatural.

I’ve been meditating on this a lot, actually; any of these details alone wouldn’t mean much. These details together though--following CW and still not other WB affiliates by now; Jensen’s comments about rethinking it; certain details I’ve heard about that I literally can’t talk about in public without burning sources; Kim’s mention of it on the stream; CW moving public-- it would indicate they are, in fact, working on something.

The interesting thing though is if CM is the production studio, it changes the handling to some extent even if it feeds through CW.

For example, you’ve heard the script draft process:

Writer Draft

Studio Draft

Network Draft

Production Draft(s)

So let’s imagine, I don’t know. Bobo still works on a CM reboot. That means Bobo’s script would go through CM this time, and Jensen’s studio would be the one with fingers in it. Then the only fiddling would be with the network itself, but the studio can actually pitch a bit back against the network depending on its position--eg, it’s also a WB contracted entity, Jensen has pretty solid clout, etc. Especially since he’d also probably end up working Production end, meaning he could look at something he passed at Studio level, see something butchered at Network level, and go “What the hell?” to his own corp pals.

Keep in mind--while there’s the boycott against the CW, this is in essence a boycott against both of the parent companies: WB and CBS. They use the CW as a vehicle for a lack of accountability. This fandom has a lot of power, but taking WB or CBS head on would be like kicking water uphill.

At current, we can actually shake down WB pretty directly if SPN fandom actually onboards #IStandWithNadria (check my pinned post, reblog if you can), because we basically built an alliance with wider non-CW comic book fandom, the word spread like wildfire because of the nature of Superman, meaning we have diverse support. If you want to actually kick WB directly in the shins right now, please, PLEASE consider joining #IStandWithNadria. Personally I’d prefer people join because they actually are mad about what they did to her, but even if it’s pure gay petty spite, we need every hand on deck we can get.

CBS is a different beast, and also has its bullshit, but right now we can only dump ice on them proxy of the CW.

Breaking down the CW’s value and ad space depresses their ability to draw revenue and basically causes a chain reaction up the ladder where if the network is going to recover, it’s going to have to tell mommy and daddy to stop instead of just protecting them. CW is an LLC with no stocks, and difficult to hold accountable, and smokescreens for the larger corps. But crush out their ad value and suddenly, CBS and WB have to consider how to keep this vehicle for their content delivery alive--they’ve already lost the netflix deal that came by proxy of it, which is why CBS shows are even getting vaulted onto HBO Max now.

Now this is a very LONG aside from Chaos Machine following CW but a very necessary one to understand why, for example, things might be different if it went by way of Chaos Machine. The IP would still belong to WB (which is why an exclusive contracted studio would handle it) and Kripke (duh), but the studio standards would be different. They aren’t the same sort of accountability issues that we’re protesting by rocking the CW boat.

It will leave an interesting question on ethical consumption/boycotting: would one give it a chance knowing the CW/WB would still profit from it to show support to the individual studio, or would we still stay walked away until results happened that showed they learned from their errors? Would Chaos Machine alone even be enough to reinstill trust, or would we need to see it from more WB studios and works (and CBS?).

Personally, I lean towards the latter end of that rather than buying in right away, but that’s a long horizon away. Just a lot to think about.

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smokeybrandreviews · 3 years

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Smokey brand Movie Reviews: Super Green

The Green Knight s finally out and i can see it without having to wait a month and a half! I thank A24 for this rather quick turnaround because this thing has been on my radar fr what seems like forever! I’ve written about this before but A24 is my favorite studio releasing content. Neon is a close second and Netflix is making a real charge, but A24 releases classics. Some of my all-time favorite films are A24 products. Ex Machina, Hereditary, Under the Skin, The VVitch, Uncut Gems, Zola, Midsommar, Lady Bird, Eighth Grade, The Lighthouse, High Life, The Monster, Enemy, Climax, Room, The Killing of a Sacred Deer, The Disaster Artist, and Under the Silver Lake have all impressed in one for or another, all of them A24 offerings. This studio is f*cking amazing and i cannot sing it’s praises enough. They’ve been around for less than a decade, A24 was founded in August of 2012, and they’re brought this level of quality consistently. The Green Knight has all of the workings to slide right into my all-time list, just like Ex Machina and Hereditary did before it. Let’s see if i really love it as much as i think i will.

The Exceptional

The first thing that hits you is how f*cking gorgeous this film is. Seriously, i was immediately captivated by that opening scene with Gawain rushing for Mass. It definitely opens up as the film progresses and you are treated to one of the most visually striking films of the year. This movie could give Denis Villeneuve, Ari Aster, or Robert Eggers a run for their money. Seriously, you can frame several shots in a museum and no one would know the difference between that and the Van Gophs on display.

I r0aely mention this but it’s absolutely necessary that i do in this particular review because it was just that memorable. The sound design made this film. I’m not talking about music choice or score, but the actual sound effects for specific scenes. That sh*t was some of the tightest I've ever hear on a film and it really added to the overall experience. Just the way the Green Knight creaked and popped as he moved was more than enough to get this mention but there is so much ore than just that. I hate that i had to see this at home because, f*ck, this thing would have sounded like god in a proper theater.

I mentioned that you can frame these shots in a museum before and a lot of that shine belongs to the cinematography. The shots chosen for this film are breathtaking. I imagine a lot of that has to do with location but even the scenes filmed in dank castles and murky bogs popped with that same, meticulous, shot composition and it really gave those scenes life. The were ties when my jaw dropped at the majesty of a scene. The one with the giants immediately comes to mind. Like, f*ck, was that beautiful to witness.

In that same breath, you have to know when to pull back. Editing is just as important to a film as anything else and The Green Knight is cut with a precision I've rarely seen. This thing has no fat whatsoever. It presents to you exactly what you need and little else. I love that. I love that this film has a story to tell and it tells it with extreme prejudice. These cuts were made with intent. That’s rare nowadays.

I also have to give a nod to the use of color and lighting. Again, it’s not something i ever really focus on but goddamn is it necessary for this review. Light plays a very important role in how this story was told. Certain scenes absolutely need it and others are perfectly accentuated by it. It takes a deft hand to juggle such a nuanced aspect of film and The Green Knight has done that the best this year. So far.

This film has a very real, very potent, atmosphere. It’s not tension, not like Uncut Gems of Good Times, but there is this unrelenting sense of dread that runs through this entire film. It’s measured and restrained but it’s always there. I appreciate that. For a film to illicit such emotion out of me is testament to the mastery of it’s visionary.

All of the praise I've given to the technical aspects of this film would be for naught if i didn’t recognize the director, David Lowery. This dude is fast climbing the list of my favorite directors. I actually listed bunch above but, after seeing what he’s gone with this film, dude is really making a case for himself. He did the Pete’s Dragon remake which i hear as pretty good, and A Ghost Story but i haven’t seen either. Not really my cup of tea. But if they’re as good as The Green Knight, i might have to revisit that thought because, holy sh*t, this dude can direct the f*ck out of a film.

The writing is on point. I legit hesitated to put this on here because it is the weakest aspect of everything else in this film but that is misleading. The writing is exceptional. There is no way this film could be as good as it is, if the script was dog sh*t. The material given to these performers had to the top tier in order for them to give the performances they did and and they definitely f*cking did that!

This whole cast really f*cking delivered. Sarita Choudhury as Mother and Sean Harris as the King were easily the best of the supporting cast but everyone else brought that same energy. Joel Edgerton, Kate Dickie, and Barry Keoghan, all deliver powerful performances. Hell, this is the best I've ever seen Erin Kellyman act and i have to give a lot of credit to the overall quality of this cast delivered. That said, there are three individuals who put everyone else to shame and i say that knowing exactly how much praise i just heaped upon them all.

Alicia Vikander comes in and delivers on two roles, Essel and the Lady. This isn’t surprising at all because she always delivers. I’m never disappointed by her performances. Admittedly, i haven’t seen many but that’s because she is very particular about the characters she signs on to portray. That said, it’s weird the two performances she’s done that immediately jump out to me, are both with A24 films. Her Eva in Ex Machina, and that film in general, is what made me even take notice of both her and A24 as a studio. Here we are, seven years later, and she’s still blowing my mind. F*cking exceptional.

Ralph Ineson is almost unrecognizable in the Green Knight make-up but the second he opens his mouth, you immediately recognize that gravitas. There is a weight to this character and you f*cking feel it with every move Ineson makes. Dude isn’t in it much but the scenes he does appear in are absolutely stolen by this big, green, maestro of his craft.

More than anyone, this is Dev Patel’s film. This dude is a great actor but it’s rare someone gets a part where they can really bite into the content but that is not the case with this role. No, sir, this sh*t was tailor made for Patel and he definitely digs right the f*ck in. His Sir Gawain is just as good as his Jamal Malik from Slumdog, if not better. Seriously, this film would be nothing without Patel. As outstanding as every other aspect that i gushed about in this brilliant goddamn film, the very best is Dev Patel’s performance. Seriously, that sh*t, alone, is worth the watch.

The Verdict

The Green Knight is f*cking exceptional and exceeded all of my expectations. This year long wait was more than worth. It's the best film of the year so far, leap-frogging into my top twenty all-time and I've seen thousands of films. This thing is a masterpiece on all levels. Narrative, plot, lighting, performances, sound design, composition, editing, score; It's the closest thing to a technically perfect film I've seen in quite some time. If Dev Patel doesn't get an Oscar nod for this, there is no justice in the world because he f*cking carries this movie. Patel is easily the strongest force driving this incredibly compelling watch, but Alicia Vikander, Erin Kellyman, Sarita Choudhury, Ralph Ineson, Sean Harris, Kate Dickie, and Barry Keoghan all match that energy with f*cking gusto. I was absolutely mesmerized by the way these absolute masters in their craft, embodied and gave their respective characters life, particularly Vikander. She never disappoints.

The only issue I see that would hinder someone actually getting into this film is the fact that it's a little long in the tooth. You never really feel it, as long as you buy into the fact it's a character study and not a high concept fantasy film filled with dragons and sh*t. If you think Michael Bay and Zack Snyder are the pinnacle of cinematic excellence, pass on this. You won't make past the first tn minutes. Also, make better life choices. No, this is about Gawain and it never deviates from that core drive. Weird sh*t happens, sure, but it's nothing as fantastical as Smaug or a Balrog. Even so, this f*cking movie kept me glued to the edge of my seat. I loved every second of it and cannot sing it's praises enough. My only regret is that I didn't get to see it in a proper theater. This f*cker would have been a real experience to see on a proper cinema screen, especially that shot with the giants. The Green Knight is outstanding and deserves all of the praise it's gotten and so much more.

#Smokey brand Movie Reviews #The Green Knight

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rudystree · 3 years

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sis, i'm nosy lol but: favorite... obx scene? fictional character? actor? actress? color? band? artist? book? country to live in? country to visit? tv show? thing to wear? brand? do you prefer... long hair or short hair? wine or champagne? brussel sprouts or broccoli? netflix or hbo? to meet taylor swift or rudy pankow? 🤎🤎🤎🤎🤎🤎🤎🤎🤎🤎

THIS IS SO FUN ajsksjsk i love you anon but brace yourself

This is very hard & I’m sorry but I simply cannot do just one for most of these

Favorite….

OBX scene: ugh there’s way too many. when the pogues first find the gold, hot tub scene (both s1 AND s2) , jj being saved from drowning , jj & john b hugging in s2, that scene where jj is scrunching his nose when they congratulate his good idea, jj spitting in rafe’s face, jj visiting john b in jail, jj pope and kie finding out john b is alive, … you know what, every scene featuring jj is my favourite scene i’m sorry 💀

Fictional character: jj and pope in obx, five in umbrella academy, steve and robin in stranger things, osman in love 101, the whole weasley family in harry potter, jack sparrow in potc, and tyrion lannister in games of thrones. can you tell i have a type

Actor: ✨rudy pankow✨ want him to be in literally everything until i get sick of his face (won’t happen)

Actress: margot robbie, anya taylor-joy, zendaya, jennifer lawrence or hoyeon jung i cannot choose for the life of me

Colour: blue 💙 so gentle and calming and pretty no matter what mood i’m in

Band: probably coldplay. or the script. or one republic. or ABBA… or-

Artist: for musical artist… damn… lewis capaldi, måneskin, taylor swift, ed sheeran, robbie williams and adele come to mind but i cannot narrow it down (sad girl core✨)

Book: i’ve read the hunger games trilogy more times than i can count so probably that. also was obsessed with the outsiders. any george orwell book is great for existential crisis

Country to live in: depends on so many things tbh. if i was super rich i’d run to london or chicago, otherwise portugal, spain, austria or new zealand

Country to visit: way too many to list omfg. italy/albania/greece are my ultimate happy place though

TV show: used to be game of thrones (rip), currently it’s obx, the umbrella academy, stranger things, and bridgerton. criminal minds, the queen’s gambit, alrawabi school for girls, squid game, how to sell drugs online, behind her eyes, who killed sara, lupin, le chalet, love 101, fatma, maid, and stay close are also top tier

Thing to wear: hoodies!!!!!! forever the coziest

Brand: honestly cannot think of any in particular 😅 i’m not loyal, i just buy whatever from wherever

I prefer …

On myself, definitely longer hair. But I do have the occasional urge (especially in summer) to just chop it all off

Wine (but I’m not a fan of either tbh - if I have to drink alcohol I’d like it to be a fruity cocktail)

Broccoli 🥦

Netflix

Ok see…. I love Rudy and care about him way more than Taylor, but … idk what I’d do if I ever met him 🙈 I’m sure he’s lovely but I’d just awkwardly stare and feel overwhelmed. I’d love to meet Taylor so she can sing to me my fave songs while I’m cuddling her cats.

#thank you!!🥰#i wanna ask everyone these questions #ask

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blorbosexterminator · 3 years

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Ah yes, I understand your point. Nairobi's death really helped giving Gandia some personality, that's pretty cool to also give the villain some depth. Also, a few minutes before I sent the last ask, I noticed that the alternative story I wrote for Raquel is probably what Alicia does when she tracks down Sergio by herself after she is fired for telling the truth about Rio's torture. We'll have to wait to see if her motivation is indeed revenge, though I have no idea why she would want to do that.

I don't think this is an unpopular opinion but I, for some reason, believe that the entire berlermo kiss scene was improvised by Pedro and Rodrigo. The kiss part was probably the only improvise they actually did, but I just can't imagine Alex Pina and the other writers sitting on a table and writing the dialogues, even though the mitochondria line seems to be their idea. I can see them like "Ok so there is one thing that doesn't make Berlin feel the same as Palermo feels for him but we don't know what it is" and then someone says the first thing that came up to their mind "what about a small mitochondria?"

Oh I don't think it's revenge for Alicia. With Raquel, it was different. But with Alicia, everything she lost was because of her own-self and the system she was willngly a part of. I think it's just pure determination, she wouldn't have done all of that just for nothing. She's super fixated on this case and she had already went beyond all limits with Río and Axel, she won't stop lmfao, that's just who she is. Like she also doesn't have anything else, she too lost her husband, her public place, and her job. Let her go after them lol.

HAHAHAHA this is so random and 100% fits how those writers apparently work. You know, I generally believe that Pedro has A LOT to do with the berlermo storyline in general. I think the writers initially were going for just a normal unrequited storyline, but Pedro (and Rodrigo) had a role similar to the role Pedro and Alvoro had with the hermanos storyline and made it this complex, not-truly unrequited story. Pedro, from what I've seen from his interviews, seems heavly interested in this aspect of his character, that he's not truly straight, that he did return feelings to Martín. Also from how he played him, it seems to me very intentional how Pedro played Andrés in the scenes with Martín. In the show, he had been with two women on screen and yet there was a huge difference between that acting and his acting with Martín in the scenes. How he touched him, how he looked at him etc etc. The writers seem pretty flexiable with the actors putting on their own marks as well (hence the hermanos storyline) so I just honestly give a lot of credit to Pedro generally. So I do think the kiss scene was a product of that work (and he did say he spent a lot of time working with Rodrigo on the dynamic between their characters, and what it means, how it's different from other dynamics etc.) and also the improvisation of that scene. I don't really have much of an idea of what was improvised and what wasn't. I think the script was probably already written (with probably Pedro's additions/remarks/talks with the writer beforehand) and maybe the Martín kissing him part. It might be that the part where Andrés pushes him against the wall and kisses him back in the improvised one, with the additional 'I love you, Martín' after. The mitchondria thing I believe is a product of a closed road they all put themselves in. Like let's say my guesses are right, and the berlermo storyline changed significantly from its initial concept, and yes, now we all agree that Andrés returns his feelings, so now we have a much more interesting story, but also a bunch of heavy questions on the first two seasons, if he did return his feelings, why did he leave? If he was completely in love with him, then why did the whole Ariadana and super straigtness of Berlín in the first part? If he did love and want him, then why was this character not there in the first part and first heist? Metatextually, we know. There was never any intention for a second part, Martín didn't exist until Netflix decided to buy the show and now they had to come up with something. We get it. But in narrative itself, looking at the story as a whole and revisting the first part with the second one in mind, those questions need to be answered. So the 'mitchondria' thing had to come up. You know this meme with that man trying to stop the overflow of water with this little plaster or something, lmfao.

#I'm sorry for not being a fun person and taking every word and running away with it like that lmfao #lcdp #berlermo #pedro alonso #rodrigo de la serna #unpopular lcdp opinions

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iohourtime · 4 years

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Kiokuya (The Memory Eraser) Review - With Spoilers

Since I read the book, sort of followed the filming progress, and read a bunch of interviews (that all sounded the same after a while), I should finish off by writing a review for the movie itself!

Thanks to the pandemic, I was stuck at home watching Netflix for 7 months, so I’ve watched all sorts of movies & TV; sadly most are in the average to crappy category. To me, Kiokuya was probably in the average to slightly above average category. In other words, there are elements I like and there are things I feel the movie can improve on.

The review is a bit long since apparently I have a lot of thoughts about the script.😅 I pretty much summed up my thoughts in the “theme” section. If you are interested in the book / movie differences & things from the DVD visual commentary, I included those in the script & characters section. (Movie Walker included highlights from the visual commentary here.) . If you want to discuss the movie but don’t want to put spoilers on Twitter, leave me a message.

Theme:

The movie’s main theme is obviously about memory. If a memory is making your life miserable, or even stopping you from living, is it better to erase it? Or do all memories, even bad ones, shape you as a human? If someone’s memory of you is gone, are you killed in their minds? If you think someone is better off forgetting you, do you have the right to ask Kiokuya to erase their memories of you? Are the memories gone forever? If you have the power to erase someone’s memory, what are your responsibilities? And to some extent, what are the criteria to evaluate each request and what due diligence should you do before you accept this task? These were the questions the movie wanted you to ask. You know because the movie kept hitting you on the head through the dialogue! That’s probably my main complaint about the movie.

I didn’t study film so I don’t know the theories, but I think being heavy handed at telling you what you should be thinking is like listening to a textbook; it robs the audience of the chance to experience and internalize what they saw, and as a result, they are less able to connect emotionally to the film. That’s not to say people are not moved by the movie and empathize with the characters. I feel that it had more to do with the actors than the script though.

I think the cinematography was generally nice. I liked how they used the drone shots to film the beautiful Hiroshima scenery. The sunset scene was beautiful. The music did not seem intrusive. Other than that, I’m not sure I have more to say. (Fine. Yamada looked good in the plaid shirts and his hair was on point.)

Script vs Book: (Spoiler alert from here on!)

Kiokuya, the movie, was an adaptation of a “horror” novel of the same name. Although there were horror elements, mostly because Kiokuya was kind of a shadowy figure, even the novel itself was focused more on humanity. The original story was divided into 4 parts; the first 3 parts were really 3 separate short stories that explored different reasons people have for wanting their memories erased. The final part was about Kiokuya herself. The Ryoichi character simply served as a bridge between the stories. Here’s a brief description:

Kyoko - A while ago, she was attacked in a dark alley but was saved at the last minute. Even though she was unharmed, she developed a crippling phobia of the dark, so she locked herself inside her home at night and was not able to live a normal life. She and Ryoichi were kinda but not really dating, and Ryoichi, being a typical guy, figured he could fix her. Kyoko tried everything but as a last resort, she asked Kiokuya to erase her memory of the attack. Since her relation with Ryoichi was based almost entirely on overcoming the phobia, she forgot him too. Through this incident, Ryoichi remembered how Maki had her memory erased when she was 5 or 6 - she saw her mom confessing to her dad that she had an affair with her uncle. Kiokuya might have erased Maki’s memory a second time when she was 10-12. Finally, he realized he “forgot” about his year-long investigation of Kiokuya with Takahara & others. It seemed like he was doggedly pursuing Kiokuya because he felt violated more than his undying love for Kyoko. In his own words, he didn’t try to rebuild his relationship with Kyoko again after she forgot about him. There was nothing stopping him, so his feelings towards Kyoko were not that deep.

Takahara - He was a 30 year old ikemen lawyer, though like the movie, he was dying. The chapter focused on his touching friendship with his assistant. Takahara was also close with Nanami, a suicidal, 17-year-old daughter of a client who became very attached to him. When Takahara found out Nanami planned to kill herself after he died, he asked Kiokuya to erase her memory of him so that she would live on.

Misao & Kaname - They were childhood friends and Misao started crushing on Kaname. She confessed and was rejected, but after that, they were not able to be friends like before. She figured if she erased everything about Kaname, they may be able to start over and become friends again without the awkward feelings.

Maki - Ryoichi thought Maki was looking for Kiokuya to erase some unpleasant memories. Then he found out she was Kiokuya, who inherited her ability from her grandfather. In the end, Maki confessed to the burden of being Kiokuya and Ryoichi told her he would support her and that she didn’t have to do it alone. Maki decided to erase anything Kiokuya related in his memory, but their friendship remained intact. Oh, Maki was 17 in the book and also had a crush on Ryoichi. She erased his memories many times before. Like in the movie, she also would like Ryoichi to love her just once, although he never ever saw her as anyone other than his annoying little sister. 😅

The director of the movie, Hirakawa Yuichi, also wrote or co-wrote the script. While the movie stuck to the themes of the novel, the motivations were completely different. Kyoko and Misao were both rape victims, Takahara now wanted to protect his young daughter from the sadness of his death, and Maki was herself kidnapped by a psychopath when she was a kid. I guess Hirakawa needed to pump up the drama and felt the stakes were not high enough for a 2 hour movie? There is always some uneasiness with using rape and trauma to move the story along. I guess there is a difference between this and the usual example of “fridging a female character”, i.e. kill a love interest of the hero to motivate him on some journey. Ryoichi was motivated by being erased and he actually gradually realized he should not push for restoring Kyoko’s memories if it was her wish. He only found out what happened to her at the end of the movie. Considering their relationship in the movie was a lot more serious, they couldn’t really use the phobia of darkness reason. However, it would also take something really big for Kyoko to want her memory erased while not talking to Ryoichi beforehand. Anyway, I really don’t see a way out of this.

For Misao though, I didn’t think they needed to make her a victim of the same serial rapist, especially when they use the same reason as the book for erasing Kaname. I suppose they need to explain why Nanami (and later Ryoichi) was looking into them? But they could just have the doctor referred the case (who appeared to be breaking doctor-patient confidentiality?! Just me?) In fact, the whole Misao / Kaname storyline didn’t really do much other than allowing Ryoichi to find out from Kaname that Kiokuya was a young girl.

Maki’s childhood trauma was also a bit excessive. I can’t see it as anything other than to get Ryoichi out to Hiroshima to talk to Grandpa. While finding out mom was “dealing with” uncle would be traumatic for a young child, it might not be dramatic enough for a movie.

Ryoichi & Maki’s origins were also changed. They were now raised in Hiroshima and moved to Tokyo to attend university. The only reason was to place Grandpa-Kiokuya in Hiroshima after the bombing. While I liked the grandpa scene, was it necessary? They already covered the “Kiokuya after WWII” with the interview with the elderly woman. I think they could still keep Grandpa, since he was Kiokuya (and ironically suffering from Alzheimer’s) but maybe just skip the elderly woman part and use those minutes to build Ryoichi & Kyoko’s relationship!

Upgrading Ryoichi & Kyoko’s relationship to being engaged gave him more incentive to look for Kiokuya, but all we got to see was 1 proposal scene and some snapshots, which made it harder for us to understand the loss Ryoichi experienced when Kyoko forgot him. Ultimately, I feel that more time should be given to the “before” times. They don’t even need that much. If done effectively like the movie Searching with John Cho, 5 minutes or so of clips would be enough to get us to care more. I’m not saying people won’t care, but it’s true that there are people who didn’t quite feel it. Yamada basically had to sell it with longing looks at Renbutsu, so how deeply you feel for them depends on whether you buy it or not.

Takahara’s story might have been changed because of who they cast. Also, Takahara & Nanami’s relationship in the book was kinda weird, considering Nanami actually loved him and she was 17 while he was 30. I definitely cannot agree with how Movie Takahara wanted to erase his daughter’s memory to spare her the pain of losing him. It reminded me of that Black Mirror episode where the mom put in a blocker to shield her daughter from bad things. It ended up messing up the girl & broke their relationship. Young children are resilient and the sadness would eventually change into something else, which would shape their characters. Also, just because she forgot her birth father didn’t mean she would suddenly get along with her stepfather. I won’t even get into the whole consent thing. It was a good thing Maki did not follow through.

Less good was what Movie Maki did to Ryoichi & Kyoko though. When I found out Movie Ryoichi & Kyoko were engaged instead of “pre-dating” like in the book, I was quite worried they would have Movie Maki erase Ryoichi from Kyoko’s mind for selfish reasons. I was hoping that maybe he got erased by mistake, but unfortunately, the script did go with the jealousy angle, which made Maki extremely unsympathetic.

In the visual commentary, they said they rewrote the ending because it didn’t fit. Maki erased her entire existence from Ryoichi's mind as penance for what she did. (I think initially, they were going with the book ending where Maki just erased Kiokuya from his head.) In the end, the actual cut used in the movie was more ambiguous - they “left it to the audience” to decide how much Maki erased and whether Ryoichi & Kyoko got a second chance at happiness. (The director said it ended on a hopeful note. Take it how you want.)

It’s unclear if Movie Maki erased Ryoichi’s memories more than once, but Book Maki had done it many times. Even though Book Maki seemed more responsible with her powers and didn’t slip up like Movie Maki, she did wipe part of Ryoichi’s memories without his consent. Ryoichi said that she didn’t have to do this alone and she could lean on him, so why didn’t she? Also, losing all that memory got to have some long term effect on him, right? In the movie, it was worse because Maki took the “easy” way out by erasing herself. Yes, she was punishing herself, but shouldn’t the more courageous thing to do was to own up to what she had done and work for Ryoichi’s (& Kyoko’s) forgiveness?

Speaking of Ryoichi’s forgiveness, I actually saw some viewers calling Ryoichi a cad for telling Maki that he would always protect her and be by her side to protect her. Apparently they seemed to think he was in love with Maki and forgot all about Kyoko. Well, I think in that moment, there were 3 things going on: 1) Takahara told him that it was better to forgive and that there will be justice in other ways, 2) he understood why it was devastating to Kyoko to remember what happened and 3) Maki was like his little sister. His immediate desire to comfort his friend overrode the anger and betrayal he might have felt. Had Maki not erased his memory around 2 minutes after, who knew if they would have a more substantial talk? He didn’t even have a chance to talk to Kyoko. (I suspect Maki would have tried to “spare him” by erasing his relationship with Kyoko as well. He still ended up at the cafe because he could remember physically going there a lot.)

Overall, I think the movie was a bit unfocused due to some extraneous storylines and having too much exposition, which was a disservice to some of the characters. It failed to show how their relationships build, like Ryoichi & Takahara became buddies over what seemed like a week! I wish they trimmed a couple of the minor stories and used that time to go deeper on the main lines.

Characters / Actors:

Yoshimura Ryoichi (Yamada Ryosuke)

I was watching the movie and halfway through when it hit me… Yamada’s Ryoichi was… normal? I mean obviously quite good looking in the boy-next-door kind of way, but Ryoichi was a regular, run-of-the-mill university student, who was normally an optimistic and forgiving but happened to be dealing with heartbreak at the moment. Seriously, if you’ve watched Yamada’s other works, his characters are usually kind of comedic, sort of pathetic, occasionally brilliant, psychotic, or… non-human. (Very odd roles for a Johnny’s actor.) He probably has not been this normal since the 24Hr drama. He still cried a lot, so that’s familiar.

OK, let’s get back on topic. Since Book Ryoichi functioned more as a character that connects the short stories rather than a real character, I didn’t have hopes for the movie version. Surprisingly, Movie Ryoichi came across as a real person and I did care what happened to him. While we didn’t get to see how Ryoichi & Kyoko were in happier times, he was able to convey the longing and slight awkwardness in their interaction when he tried to talk to her after. Similarly, in the scene where he learned of Takahara’s death, you could tell what was going through his mind even though he said nothing. Same with the final “confrontation” with Maki. Even though he didn’t say much, his eyes conveyed the emotions subtly: the longing, shock, confusion, etc. Overall, he was quite subtle and natural. As the articles say, he managed to “suppress his aura” and played an average guy. I hope he can play more of these subtle types of roles in future. (It is unfortunate that a lot of people have preconceived notions about Johnny’s actors, to put it politely. It’s like the reverse of the “fan blinder” that we sometimes get accused of having.)

Now there are some discussions as to whether he overacted in the crying scenes. The main “crying” scenes were probably 1) confession to grandpa in Hiroshima, 2) in the rain, and 3) reading the letter. I’ve seen people say he overacted in either 1) or 2).

When I first watched the Hiroshima scene, I did feel that his crying may have been a bit much because I was watching the movie with just Japanese subtitles, so I missed an important detail: Ryoichi told his mom he was going to Hiroshima to confront his past. When you consider that Ryoichi had been carrying the guilt for “causing” Maki’s kidnapping for 15 years, it was totally reasonable for him to prostrate himself in front of Grandpa. He would also be relieved when Grandpa told him the statute of limitation was over and he should forgive himself. As an aside, according to the director in the visual commentary, Yamada cried in the first take of the scene. Hirakawa said “Aren’t you crying too much?” Yamada said “OK, I’ll do another take without crying.” However, when the Director was cutting the movie together, he suddenly saw Ryoichi’s mental journey and ended up using the first take because it was the logical conclusion to the closure he got.

In the rain scene, he just learned about Kyoko’s attack. Knowing how much hurt she endured and how he did nothing to support and comfort her, he was still in a state of shock when he got knocked down. Then the dam burst and he cried hysterically. That seemed quite reasonable to me. I was more shocked that nobody checked on the guy who fell on the pavement and was crying. Pedestrians were cold! So I don’t really understand the objection to that scene. Maybe they thought this was something that happened a while ago and/or he didn’t love Kyoko that much, so he wouldn’t be that emotional?

I don’t think people have issues with the letter scene? Narratively, it made the most sense since he was close with Takahara, who was literally speaking to him from the grave via the letter. Oh, they talked about filming the letter scene in the visual commentary. Yamada was just reading the letter in silence and they added in Takahara’s narration in post production. Since he wanted to save the emotional outburst for the real take, he did not dare to look at the letter during the rehearsal.

One last thing, Yamada and Yoshine spoke in Hiroshima-ben when they were talking amongst each other. I have horrible listening skills and while I think he used some slang or phrasing, his accent still seemed mostly Kanto. It’s like if I call a bunch of people “wankers” with a Canadian accent; it doesn’t make me sound English. Maybe someone can tell me just how well (or not) he did.

Kawai Maki (Yoshine Kyoko)

I have only watched Yoshine in the drama Stay Tuned and I liked her there. She played this airhead character who could be super annoying if the balance was off, yet she came across as likeable. I think she portrayed Maki very well in this movie. Of course, I knew she was Kiokuya going in, so even at the beginning, you could see some of her subtle reactions to the Kiokuya discussions. I really liked her chemistry with Yamada - they felt like they could have been lifelong friends. While she played the annoying little sister part quite well, you could also see the pain she felt when she had to make difficult choices like erasing Nanami’s memory. Throughout the movie, you could sense her regret for what she did to Ryoichi. Her emotions in the final scene were also very raw. While Maki’s characterization was problematic, Yoshine was really good at playing that character and you might even be sympathetic towards her. Also, I feel that her Hiroshima-ben might be more on point? Some people didn’t buy that she was in love with Ryoichi the whole time. I thought the flashbacks made it pretty clear but I’ve also read the book, so there’s that.

In the visual commentary, they were talking about their various acting styles. Yoshine said she carried her emotions with her even after the director shouted cut. So when she was shooting the last scene, she was still crying furiously afterwards. Yamada said she was like an acting monster - she could get right into the emotions even during the table read. It was funny how different she is from Yamada and Renbutsu. They are the flip-the-switch type - when the director yells cut, it was like they woke up from a dream into a different world. She also apologized to Yamada when they were watching the scene where she confessed to selfishly erasing Kyoko’s memory of Ryoichi.😅

Takahara Tomoaki (Sasaki Kuranosuke)

I have not seen Sasaki’s other projects, so I had no idea what to expect. His Takahara came across as pretty charming, easy going, and playful, though you could feel his love for his daughter and the hard decision he had to make. He also had a natural chemistry with the other cast and was very believable. While I disagree with what Takahara wanted, Sasaki’s acting as Takahara made sense. I don’t know what more to say. It is probably expected since he is a veteran and is generally well regarded as an actor.

Sawada Kyoko (Renbutsu Misako)

I have only seen Renbutsu in Hagaren. I liked her character there. I also liked how Yamada decided to break the ice with her back then by asking if she has any friends. (She had more friends than him. 😅) To be honest, there wasn’t much for her to do in this movie, although I think she was believable as the very confused Kyoko. She was apprehensive about Ryoichi in the “after” scenes, who was honestly coming across too strong. I don’t think Ryoichi & Kyoko really had crackling sexual chemistry based on the proposal scene, but they seemed like a cute couple. They were pretty cute together in the behind-the-scenes featurette when they took the “dating photos”. I wish those dates were included in the movie.

Conclusion:

As you can see above, I have some general issues about the script but I think the actors elevated the story. The movie could have been better if it streamlined some of the storylines. Right now, it was trying to go for a deeper message but the stories themselves were a bit too superficial to accomplish that. I suppose the problem was that the original novel was more like an anthology of short stories dealing with memory, so it was hard to create a through line for a movie.

#Kiokuya #anata ha wasurenai #yamada ryosuke #yoshine kyoko #sasaki kuranosuke #renbutsu misako #review #spoilers #the memory eraser

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fangirlingincamouflage · 4 years

Text

Blind Hope Chapter Six

Title: Blind Hope Author: Rosie Dayze Word Count: ??? (I can’t remember) Pairing: Nick Jakoby x Reader Chapter Rating: PG-13 Themes: Angst, Plot, affectionate frustration Disclaimer: I do not own Nick Jakoby, he is the intellectual property of Netflix Originals. I make no money from this fanfiction. TW/CW: Descriptions of pain, long term hospital stay Previous Chapters:

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

You Are Here

Chapter 7

Looking back, it was easy to ignore his messages for the first two weeks. You had work to get lost in and pain meds to dull everything. Between your cracked ribs, the stitches in your head, and fielding calls from people who meant well but took up too much energy to talk to, it was pretty easy to act like you had every intention of responding to Nick, without ever actually getting around to doing it.

"I'm awake," his first message said. "They said you already were released. What happened? Are you okay?"

It hurt. It hurt to read. It hurt even more not to respond. But you did it. You told yourself it was for the best. Being with you is what got him hurt in the first place. Sure, you could blame bigotry, and you'd be right, but that doesn't erase what happened, and that you were at the core.

"I know what happened was scary. Please, just talk to me." Another message says. "I just want to know you are safe."

You don't respond to that one either. You know what you'll say. You will tell him that you are perfectly okay. That it's fine. Just a scratch. Sure, your head got busted open and you are on some impressive pain killers. And yeah, you have to change the bandage twice a day because stitches are no joke, especially those on the head. And sure a chunk of hair is missing from where they shaved it to put said stitches in place. But does any of that really compare to what he went through?

"I'm okay if that's what you're worried about. It looked worse than it was."

You know exactly how bad it was. It wasn't like you just gathered your stuff and left after Nick's mother stopped in and delivered her bomb of truth. In fact, once the shock of her words had worn off you'd gotten yourself pretty riled up with a lot of thoughts that centered on how-dare-she. You'd gathered up[ all of your things, and stormed up to the Intensive Care Unit, you'd argued with a nurse, you'd begged and pleaded until they let you in to see him. And, if you are being honest, compared to Nick all you had was a scratch. Tubes were shoved up his nose, forcing him to keep breathing while needles fed him medication and hydration. The natural blue splotches on his skin did their best to hide the bruising, but it was too easy to see that the damage had been done. Gone was the coppery vest, all he wore was an ugly hospital gown and medical tape. One eye was swollen shut, one hand looked like it had seen the wrong side of a hammer. Or, more likely, a boot. He'd whimpered when you'd touched him, in pain despite being pumped full of who knew what.

That's when you had decided that Elizabeth Jakoby had been right. Being with Nick would have been selfish. Yes, he made you happy. Yes, his kisses made you light up. But was any of that worth the pain it put him through? No. Of course not. You needed to leave. And you needed to cut the relationship off. He'd get over you. He'd find a nice orc woman to settle down with. He'd be happy with his garden and his badge. He didn't need you. And he certainly didn't need another trip to the hospital.

So you called June and let her mother you into bed, and promised yourself that no matter what messages Nick Jakoby sent, you'd just ignore them. Sure, you knew it was bad form to ghost him. But you also knew that if you tried to actually break it off, it would kill something inside of you. Some tiny glimmer of hope that there were still good people in the world.

Those first two weeks were easy. They came before the new flower delivery, and the card that only had "I'm sorry," written in his hasty, blocky script. And then came the uber eats driver delivering from the Indian place you'd had your very first date. And then came the movie tickets and a little notecard saying "I'll be here, at seven this Friday. I hope you will be too."

You made yourself sick throwing the ticket in the garbage. You'd even poured week-old leftovers on top of it to keep yourself from digging it out. That night you invited June and her wife over and the three of you watched cheesy movies until dawn, if only to keep you from dwelling on where you rather would have been.

You got your stitches out. You were given a clean bill of health. Your hair grew back. Two weeks turned into two months, and then into half a year.

You went on dates. Some weren't too bad. Somewhere horrible. But no matter how nice the date was, or where you went, all you could think about was sharing a loaded waffle with a guy who saw the greatness in the universe. All you could do was reach up and feel that scar on your forehead and wonder 'what if?'.

"This is ridiculous." June flopped herself down on the couch. She was wearing her favorite orange and yellow pajama set. She had a plate of chocolate cake in one hand, and a fork in the other. She was eating her feeling since the love of her life was out to sea again. It made for a good excuse to buy a cake and have a sleepover. You are pretty glad that you have a best friend who still likes sleepovers. "You should call him."

"Listen, June, I know you thought we were perfect for each other but-"

June's demielf eyes narrow to cat-like slits. "Oh please."

"June, it was just two dates."

"And?"

"How much can you really know about a person in two dates?"

"You know when I decided I was gonna marry Em?" she asks.

"Well, you proposed on-"

"Date one."

You pause. "What?"

"I knew before the end of date one that she was the person I wanted to be with for the rest of my life. I knew it like I know the sky is blue and Versace does bold prints." She waves her hand through the air.

"That's not possible."

"Oh, it is. I realized I was doing everything I could to make her laugh because the sound of it was the best music I'd ever heard."

You can't help but remember Nick's laugh, and the way it came out too loud and honest. Your heart sinks into your stomach.

"And I wanted to keep ordering food, just so we could stay there longer," June continues.

After your first date, you and Nick just walked, walked until the only place you could go was home. You'd never wanted the night to end.

"But what really sealed the deal was how bad I wanted to see her again, even when we'd just said goodnight."

"But," you say, trying to ignore the feeling in your chest. "Couldn't it have just been an infatuation? Wasn't it just potential? Time and effort are what made it love, not your first date."

June shrugs. "Sounds to me like you are trying to convince someone in this room, and I'm pretty sure it's not me."

You lapse into silence as the words ring in your ears. Who are you trying to convince? You know that you had an amazing time with Nick. You know exactly what it felt like to laugh with him, run your hands across his shoulders, kiss him. You know that it was the exact mix of easy and heart tingling. You know that if ever there had been potential for something great, it existed in those two nights with Nick Jakoby.

"It doesn't matter," you say. "I wont get him hurt again."

June sets her plate aside and takes your hand in hers. "Sweetie, I get that. I do. But..." She takes a deep breath. "Listen, I don't know if you are ready to hear this but I'm going to go ahead and say it anyway."

She shifts her place on the couch until she is facing you, your hands cupped gently in her own. The look she gives you is one of kindness, but no-nonsense. It's a mother's look.

"I feel like you are about to ground me for doing something dumb," you say, trying to be light-hearted.

"Kind of. I mean, I do think you did something stupid."

You start to pull away. "June-"

She takes your hands again, more firmly. "You did. You did do something dumb. I love you, hun. I really do but this time? This time I think you screwed up."

"How? By protecting him? By making sure he never has to be in that hospital bed again? June, you didn't see him it was...it was-" You can't even bring yourself to say how bad it was.

June's hands tighten ever so slightly. "I know, sweetie. I know. It sucked. I know how seeing you hurt made me feel, and I can only imagine that it was worse seeing Nick like that. And I can only imagine how guilty it made you feel. But honestly? None of that matters."

"Why not?"

She blows out a soft breath. You can see a hard line of tension in her shoulders. She closes her eyes and when she opens them they are filled with a steady resolve. "Because you didn't even give him a choice. And hun, that was shitty." Since you rarely ever hear June curse, you know exactly how much she must mean this. "I know why you did it. I get it, but I don't really agree with it. You hurt yourself, which was your choice. But you hurt him too. You didn't give him an explanation, and you didn't give him closure." She holds up a hand before you can interrupt. "I'm not saying every person you go on a date with deserves a point by point explanation for why you don't want to see them again. But we both know that Nick wasn't just some date."

"I knew he'd try to talk me out of it."

June shrugs. "Maybe. Probably. But after getting hurt the way that he did, don't you think that he deserved the chance to try?"

Guilt drags at your stomach. You shake your head and pull your hands out of her grip. She lets you.

"I don't know that I'd have been strong enough to tell him no."

June shrugs. "Maybe because you shouldn't have."

You make a sound in the back of your throat and reach for the remote. "Come on, the show is-"

The words you were going to say die in your throat. The screen is filled with a news broadcast. A pretty woman you barely notice is talking about a fire downtown. The words Bright, officers down, possible magical terrorism hang like an ugly miasma in your ears. A picture of Nick superimposes itself over the fire.

You don't even remember getting up. You don't remember grabbing your coat. All you hear is the jingle of keys as you head to the hospital you ought never to have left him at.

#nick jakoby fanfiction #fanfiction #bright 2017 #nick jakoby #nick jakoby x reader

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