#terrible movie honestly

[hattersarts]

that was a bad movie but giving lilith mummy issues and then projecting them onto tannis was actually a very high iq move and it keeps making me laugh when i remember it

[katabay]

Robin Hood and Little John walkin' through the forest--

alright! so! early robin hood ballads and narratives don't have an origin story for little john, but a later ballad (robin hood and little john) does. they fight on a bridge in it, but I like looking at illustrations, so I've swapped out the bridge for that tree peaking out of the panel in the first panel bc I enjoy louis rhead's illustrations a lot.

this is some kind of introduction scene after they fight and climb out of the river!

Robin Hood & Little John (edited by Stephen Knight & Thomas Ohlgren)

[ex0rin]

Danny Ramirez as Andre Winner (2024)

[lilaccatholic]

Complex feelings about copyright and Disney's appalling ethics aside, it does unsettle me how quickly people jump to make and monetize the most unnerving, depraved content imaginable about characters created for children the second it hits the public domain

[godmademeinmspaint]

Going to say this now even though I barely post here::::: Adaptations are never meant to be a 1:1 recreation of the original source material. The goal is never to recreate the exact same experience in a different format, the whole point of remaking something in a different format is to make something new.

I don’t understand why people are out here acting like the new Netflix ATLA walked onscreen, shot the original with a 44 and declared itself the new ATLA. I’m not saying you can’t criticise anything about it or any other adaptation, I just think a lot of people need to remember that an adaptation that gives you the same experience and explores the exact same themes and doesn’t elaborate on or look at things in different angles would be utterly pointless.

[rainintheevening]

Okay, here goes.

The unicorn...

His name is Erah, or at least that's the most easily spoken version of his name

He can't talk, not human speech at least

He was born mute

He can talk horse, or the more complex dialect common among Talking Horses anyway

This is how he communicates

When they meet in Aslan’s camp, startling each other around a corner, Peter is honestly more struck by a creature who doesn't talk than he is by any of the ones that do

In all the fuss and hubbub, and with a sword hanging at his hip, Peter doesn't mind the unicorn's quiet

His eyes say plenty

Oreius translates for him

Philip also does this for Erah

Anyway Peter learns the unicorn's name, and that he thinks it would be the highest possible honour to be Peter's mount both in training and in battle

Unicorns do not let their riders fall

Except Erah does

He is horribly ashamed of this after the battle

Peter is desperately reassuring

"You got shot! You almost died! Lucy had to heal you with her magic cordial!"

Peter's never really ridden before

But on Erah's back he feels safe and strong and steady

On Erah's back he feels a lot more like the king he needs to be

When Erah first joined Aslan’s camp, along with his friend Philip the Talking Horse, he was planning to ask Aslan why he was born mute, why he'd been cursed in this way that had led to so much pain in the death of his dam and the sorrow of his sire

He wanted to ask Aslan to fix him, to make him like a normal unicorn

When Oreius brought him to Aslan, Erah could only whicker an approximation of the Lion's name, before he fell silent and trembling under the weight of that gaze, that saw every thought, and every suffering, and every way he felt inferior and broken, and... loved him.

And suddenly he didn't need to ask, he only knew that he was loved, exactly as he was, and oddly, that was quite enough of an answer

It became a blessing in one way, he later told Peter, as he would likely have left if Aslan had healed him, and then not met Peter

Peter learns him, learns every little way he communicates, the thousand different snorts and whickers and whinnies, the tilts of ears and head and back hooves, the shake of mane or swish of tail, the volumes read in his liquid dark eyes

They make their own language in a way, and Ed is fascinated by it, but can never really parse how they speak without words

So Erah the mute unicorn becomes High King Peter's battle horse

Legendary, iconic, the boy king of Narnia in his red tunic with the gold lion rampant, the silver sword called Rhindon, and the white unicorn he rides

No, riding a unicorn is not normal, but Erah doesn't care one whit, he wants to do this for Peter, his High King and his best friend, and Peter quickly comes to trust no other mount like Erah

Peter always leads the charge in battle, riding with the cavalry and the great cats

Edmund prefers fighting on foot, and often marches out with the foot soldiers

Philip is actually not fond of combat, and prefers it when Ed leaves him behind

Philip trains the girls to ride as well

Philip is also a great debating partner, and there is a running joke that Ed honed his conversation skills with his horse

Erah and Peter save each other's lives many times on the battlefield

Erah often takes Peter for a gallop when the High King is tired or discouraged or worried

Often Ed and Philip will join them, and the four are a beloved sight

Erah also likes being ridden by Lucy

She often tells him how beautiful and handsome he is until he would blush if unicorns could do that

Eventually Erah gets married to a sweet unicorn mare

Her name is Pearl

He still rides out to battle with Peter but doesn't live at the castle anymore

He doesn't want to have a whole herd like stallions normally would, one mare is enough for him, and he has to be there when Peter needs him

They've had three foals by the time the kings and queens vanish

No one knows exactly what happens

Philip is lost, uncertain, he spends days scouring the woods

Till he sees Aslan in a dream, and the Lion asks him why he mourns, asks Philip to trust, and tells him to 'be always ready for the coming of your king'

He comes home to Cair Paravel, and the worst part for him is having to tell Erah that Peter is gone

And Erah looks at him, and his eyes shine when Philip repeats Aslan’s words, because he'd heard the exact same thing in his own dream

'Be always ready for the coming of your king'

Back in England, the new school the boys get sent to has stables, and Peter is down there on the second day, talking to all the horses

He rides every chance he gets

The schoolmasters and boys who knew him before are surprised by how good he is

He's oddly regal in the saddle

Even more he often rides bareback

Ed rides too though not as much and only one particular horse

Edmund is a one horse boy

Peter gets very good with horses

They are much easier to talk to than his classmates

If anyone's having a problem with a horse, someone's gonna yell 'get Pevensie!' and more often than not, Peter can settle the animal down

But though he gets to know some of the horses quite well, nothing ever comes close to the bond he had with Erah, and as time passes and he misses Narnia more fiercely, sometimes riding is a painful reminder of what he has no longer

Now unicorns live long, and Erah lived near twice as long as most, saying farewell to many in that time, including his mare Pearl, and his beloved friend Philip, who also left many decendants behind

He never stopped waiting, never stopped looking for his king's return

Sometimes he would watch the sun set at the end of another day, and in the blaze of glory he would see Aslan’s face

He always wanted to ask 'why' but then he never did

He didn't understand why Aslan would take his beloved friend away, but he would never forget that he was loved, and Peter was loved, and they were all held between the great paws of the Lion anyway

Perhaps, he thought, near the end, King Peter had already gone ahead to Aslan’s country, and really it was Peter who was waiting for him

Erah did not see the Telmarine invasion

His great-grandsons fought in those bitter battles, and they suffered greatly in the losses

Unicorns were heavily persecuted as very obviously magical creatures and most of them fled north

North to the land that had been High King Peter's special domain

The legends of the high king and his white unicorn remained

It was a terrible blow to Peter, to return to a Narnia so changed, and to discover his old friend so long gone

Glenstorm knew the old legends, retelling several of them one night around the fire, while tears slid down Peter's cheeks, and Lucy curled close under his arm, and Caspian turned his head away, feeling like an intruder

Later, in a private moment with Aslan, Peter asked only one question: 'did he die at peace?'

Aslan said only (but very very gently), 'he waits for you still, son of Adam. Be at peace'

After they go back to England, Peter treasures his memories of Erah's friendship and loyalty, even writing a little memoir about the unicorn

He still rides whenever he can

He hopes he will see Erah again some day

In the end they are both rewarded

Erah finds he is mostly right for it seems he has no sooner arrived in Aslan’s country than there is the sound of much joy and the laughter of reunion

He sees two tall men, and he calls the blond one's name and Peter laughs, because, well, it's actually not surprising in the least that Erah should speak aloud, but it is still wonderful, and they run together

Peter wraps his arms around the warm neck, and Erah wraps his chin around Peter's back, and then Peter is up, astride him

Philip is talking next to them, and Ed is laughing and there is a whole wide open stretch of green in front of them, and the sweet smelling wind is singing their names with the Lion's breath

So they ride fast, and they ride free, and Erah and Peter are a king and a unicorn belonging to each other, and they follow the Lion wherever he goes

[retvenkos]

every movie i watched in 2022  ⇢  eclipse (2010) dir. david slade

“you have a choice; i didn't; none of us did. but you do, and you're choosing wrong. ”

[hadesknockedupintheunderworld]

"We need more messy/awful/cringefail female characters!"

You guys couldn't even handle Wanda Whipple...

[greenerteacups]

hi GT!

Lionheart had me the moment you kicked it off with “it’s a nice day to start again.” Might i ask why you chose that particular line?

And, if you havent already answered to this emoji:

❄️

P.s: you have my eternal gratitude for creating the most brilliant piece of writing i’ll ever read. I shout about it from the rooftops, share it on my socials, requested my spouse to read it so we may discuss it together (in lieu of a present for my 30th birthday), et cetera.

I see from your URL you are a fellow lad of taste.

There's a couple things going on in the epigraph for Book 1. On one level, it's a lyric from the first muggle song I picture Draco listening to on his walkman at the end of the book, so there's a cute full-circle thing there. The second layer is the theme of change and redemption, which, in Lionheart, doesn't so much come from major moments or self-sacrifice, but from the slow, grueling, everyday work of living, and living better. It's a nice day to start again because every day is. You always have the opportunity to start making better choices, no matter what lies behind you. That's the thesis of any Draco redemption arc, right? You have to imagine that he could have chosen to be better.

And then thirdly, there's the audacity of doing a full Hogwarts canon rewrite, a good 30 years after the original books came out, millions upon millions of words of fanfic later, and basically asking everyone to read the same story they did the first time around, only different. So it's a kind of winking entreaty. It's saying to readers, many of whom are understandably wary of doing it over, zeroing out the characters to starting positions, and starting from the beginning with 11-year-olds all over again. It's going: "hey. That was fun, right? Why not do it again?"

[turtleblogatlast]

I’m gonna cause many people some psychic damage by saying that the beginning song of Chicken Little, called One Little Slip, is an entirely accurate representation of the Rise movie.

[uncanny-tranny]

I watched Lily Simpson's analysis of the trans Two-And-A-Half Men episode, and I'm sorry, but it's hilarious and iconic that Bill's old name was Jill... like it sounds so absurd and completely unrealistic if you're trans, but honestly, that's just a power move 😭

[tothesolarium]

how did my professor recommend me The Color of Outer Space

and I found the whole ass wrong book

its about a farm??? I was reading space travel what did I do

[partywithoutsmiling]

Is there any way to turn Branch back into a troll? Do they need to destroy strings or is Branch stuck in beast form forever?

Of course there is~

There are tidbits of the AU I havent shared (things like what the Strings are actually doing and why is Branch affected, though there are hints alluding to it in my previous lore dumps) and one of those things is the ending of the AU itself

For Branch, it will get worse before it gets better, but dw, he will not be staying a bat-beast forever.

Is the destruction of the Strings needed to turn him back? No

Will they get destroyed anyway? Yep

There is a plot point and consequences wrapped around that event; but it is worth mentioning I am treating the Strings UNITED as an extremely dangerous Artifact; as in, nearly Ark of the Covenant dangerous, though the effects of them are not as immediate and sudden as with the Ark XD

Naturally, none of the Troll tribes know what they are 'playing' with.

Take from that what you will~

[dawn-sunlight]

I absolutely despise Day of the Diesels, but it is really good for art.

[haxus9]

sooo..... we're just not doing the apocalypse timeline... ok

[wundrousarts]

Hey, Owl House fans that are looking for other media to get into now that the show has ended: check out the Nevermoor series by Jessica Townsend!

The series is about a young girl named Morrigan Crow, who is whisked away to the magical city of Nevermoor the night she is supposed to die. Once there, she has to navigate her new home in the whimsical Hotel Deucalion, her education at the prestigious Wundrous Society, and the truth about the mysterious and powerful legacy she belongs to.

The series is categorized as middle grade/~YA, so it's similar in how it can appeal to an all-ages audience. Like The Owl House, it balances lighter moments with darker, more sinister revelations (and they're just getting started!). The author is queer herself and openly expresses her thoughts against + directly confronts bigotry and hatred while also being just an all-around wonderful person.

It contains some classic tropes such as a magical school, found family, and corrupt authority figures, all in unique and fresh ways. There is a diverse cast of characters, including a sapphic couple where one of them works at a magical library (sound familar...? 😉). There are several multi-dimensional antagonists, and they all work to challenge Morrigan and the story in their own unique ways. Also: there's a giant talking cat! Love that.

The series has an interesting magic system + worldbuilding, with tons of lore and history to dig your hands into and theorize if that's what you like. The character development is so fun and interesting as Morrigan and her friends grow up and find their place in the world. The world is so fleshed out that you can easily pick a minor side character or a location that's briefly mentioned, and extrapolate on how and where they fit into the story and themes as a whole.

There are three books out already, out of nine planned books. The fourth book Silverborn comes out in October, so there's plenty of time to get caught up until then! I highly recommend giving it a try.