⎙ — 𝐉𝐎𝐘𝐓𝐎𝐘.𝐓𝐎𝐑
› WELCOME TO THE RED ROOM... RESERVED FOR GUESTS OF PARTICULAR TASTES
› toji x f!reader
› word count : 2k+
- ̗̀໒ warnings : sex work, on camera, choking, my spit kink shining thru again, biting, backshots, (1) ass smack, fingering, cervix fucking, reader has hair long enough to pull, squirting, rough sex, full nelson, creampie
You take a drag of your cigarette, bleary sleep deprived eyes doing their best to focus on the obnoxious flashing neon sign. WE'VE GOT A DOLL FOR EVERY TASTE. It makes you scoff as you grind the but out beneath your scuffed shoe, that's all they think of you all as, dolls. Props that just so happen to moan and squirt.
For the most part you keep your complaints to yourself, money is money. Not that this was what you ever pictured you'd land on as a career but it could always be worse.
Exhaling the last of the crisp night air from your lungs you pull open the sleek silver backdoor to Cloud Nine. The back hallways are made up of dim, twisting corridors. Some lead to the back offices, to security, but as you hook a left to brush past a tinkling bead curtain you're met with the large open dressing room you all share.
You prefer to spend as little time back here as possible, doing the bulk of your prep at your apartment before you're on for the night. You can't stand their mindless, giddy chatter. It also prevents you from getting attached to any of them, or taking on a puppy so to speak.
Before you can finish tucking your bag and coat away in the dingy locker your floor manager is waving a piece of paper in your face.
It makes your stomach flip.
"You got swapped, Angel can't do the red room and you're the only other experienced girl in tonight."
The red room was only ever offered on nights an experienced doll was on the floor, since the people reserving red rooms always have a... particular taste in mind. Newer girls wouldn't be able to handle it. As much of an annoyance as it is to be switched with so little notice, you don't mind. It can get dull shaking your ass for run of the mill patrons all night, plus the red room is where the real money is.
"One or-?" You ask vaguely.
"One guy, don't keep him waiting alright?" She says dismissively.
You grab the piece of paper, the list of what you will and strictly won't do for a red room service. It was standard fare: creampie, light sadism, degradation, ect. Since it wasn't too extreme you didn't bother filling it out, it's easier to just tell the guy.
It's not far to the private rooms, and part of you is more than a little eager to see just who reserved one of these eye wateringly expensive sessions.
Even bathed in the dim red lights you could tell he was attractive, dark hair and eyes that held something elusive even though he kept contact with your own.
"I didn't bother filling this out, nothing you requested is off limits for me." You smile as you let the paper flutter to the floor, taking the seat beside him on the plush lounge.
Out of the corner of your eye you see the blinking light on the camera, he already set it up to record. It makes you quirk a brow at him, usually even the most gutsy ones are a little camera shy.
He smirks at you. "I'll be gentle."
With the way he says it you know it's a lie.
With a grin you lay back, propping a pillow under your head and trying not to focus on that little green recording light in your peripheral. The worst part is being filmed, but that's part of the rooms appeal. These guys pay for the ability to record the entire session not just for being able to fuck someone with no holds bared, but the catch is the club also gets to upload it.
The feeling of his skin brushing against yours cracks your train of thought. His fingertips are calloused, hands rough but he doesn't have the look of a working man. As those fingertips caress a trail down your inner thighs you shiver, letting out a quiet gasp.
"Puttin' on a show?" He purrs.
You give a breathy giggle, winding your arms around his muscles back as he leans over you between your legs. "Isn't that what you paid for?"
He pushes against you, lips brushing experimentally against yours, and deepens it to something harsh and hungry when he feels you start to squirm beneath him. His touch feels like fire, scorching a path across your skin with every grope and fondle of your body. You feel a familiar sensation of dizziness, of lightheadedness; every movement is skilled and purposeful, a deliberate attempt to steal the breath from your lungs and leave you choking on your own spit.
His lips begin to make their way down your neck, sucking hard against the delicate skin and making you groan with every nip of his teeth. In a daze you help him undo the straps of your barely there top, head tipping back when his mouth finds one of your nipples. They get the same rough treatment as your throat, and he gives a particularly sharp graze of his teeth clearly just to hear you yelp.
Your hands cup your breasts, kneading them, as his mouth dips marks a path down your stomach. Caught up in your own eagerness you wiggle your hips slightly, anticipating what's coming only to feel him grip your legs and yank you down further. The suddenness makes you wince, propping on your elbows to see just what he has in mind.
The way he's looking at you, with such debauched hunger it sends butterflies off in your chest. You don't even know his name but you know this is the kind of man a red room was designed for. As he leans forward again between your legs you feel his erection press hard against you, making the fabric of your panties slide against your clit with delicious friction.
Before you can ask, beg, for more his thick fingers glide up the column of your throat and press hard against the sides. Squeezing against your carotid artery and making your mouth drop open. As soon as your lips part you see the shimmer against his bottom lip, watch in fascination as a thick clear string of spit comes down to meet your tongue.
Sucking his lip he brings his face barely an inch from yours, through the fuzz of your restricted blood supply you notice a scar on the corner of his mouth.
"I didn't pay for you to look at the fuckin' camera." His voice is low, gutteral.
The second he lets go your body is automatically sucking air into your lungs, hard and sputtering as you lift your hips up to grind against him. In one smooth movement, before you can even process it properly, he's got you flipped on your stomach and pulling your ass up and back.
Your cheek presses against the plush fabric, eyes squeezed shut feeling his fingers run over your damp panties. There's not even enough time to relish in the contact before two fingers have the fabric pulled to the side, his knuckles sliding past the ring of muscle makes you moan against the lounge seat.
Hearing the soft shuffling of clothes you know he's undressing, even while his other hand is occupied with keeping his fingers scissoring against your slick walls. The sudden emptiness of his fingers withdrawing was quickly replaced by the head of his cock sliding through your arousal, making you suck in a sharp breath.
Just from that little contact you can feel he's got girth and heft, excitement makes you dig your nails into the lounge and press your chest down against it, keeping your ass higher.
You hear him scoff and the sting of his hand coming down hard against your skin makes you cry out, but it's nothing compared to the biting pain as the swollen head pushes against your soaked hole. The stretch is agonizing, you're not sure any amount of prep would've been sufficient. You groan, bottom lip caught in your teeth as you feel the fabric against your face getting wet with the spit seeping from the corners of your mouth.
He doesn't wait for you to adjust before slamming his hips against your ass, hard enough to make your breathing hitch in your throat, and you can feel him brushing against your cervix. The pace is brutal, making your body jostle and shake with each thrust.
Slick squelching mingles with the sound of skin smacking skin to form a perverse melody that only heightens the tension building in your gut. Frantically you slide one hand down to rub you neglected, aching clit but before you can make contact he's got you pulled up by a fistful of your hair. The sting of pain makes tears prick in your waterline as blubbering moans spill from your lips.
The way your body rocks forward with every brush of his cock against your cervix, the way his girth makes your cunt feel overstuffed, it all makes your head spin. His grunts join the obscene cacophony of sounds along with your whines when he lets go of your hair to support your body with one arm while his other hand catches your jaw in a bruising grip.
You squirm, feeling the hot tracks of tears slipping down your cheeks but his hold is steadfast. If you had more presence of mind you'd swear you could feel your heartbeat not just through your entire body but in your cunt too.
As you dissolve in his hold, a crying whimpering mess, he pushes you back down face first into the lounge, holding you by the scruff as he repositions to hit deeper. Your moans fracture into gasps and hiccups as you clench down around him, finally able to rub frenzied circles around your clit and feel that compressed coil snap inside you.
The lounge becomes incredibly damp around your knees and your brain feels as if it's coated in sticky, thick honey.
You whimper pathetically as he yanks you up again, never breaking his pace, forces you to look straight into that ever blinking green light.
"Not all you can take is it?" He sneers, hooking fingers into your mouth and whatever reply you had gets lost in the garbled sounds you choke out around them.
When he suddenly pulls out you groan, body feeling exhausted and boneless on the comedown from your orgasm but he isn't done with you yet. He lays on his back, supporting you on top of him as he makes sure your pussy faces the cameras lens and slips back inside you.
Your eyes roll back as you struggle to help support your own weight. It catches you off guard when pulls you down so your back is pressed against his chest, both of your bodies slick with sweat and various other fluids. His arms loop beneath yours and his fingers lock together behind your neck, making your breaths come in wheezed yelps and your legs automatically rise up.
The muscles in your thighs are screaming from the strain and your lungs burn again, you feel yourself camping around him, walls throbbing and sucking his cock back in with every thrust.
You can't help but sob and blubber hoarsely, begging to cum again with every sharp upswing of his hips. His pace breaks up quickly the tighter you squeeze him, devolving into sloppy thrusts until you feel his cock throb inside you. Warm, sticky heat spreads inside you and you sigh brokenly in his hold.
The cameras unfeeling, fish eye lens catches the creamy white rings forming on his cock, the way his cum drips out of your sore pussy when he slides out of you with a throaty, satisfied groan.
You grin, slow and lazy up at the ceiling. Red room sessions aren't just about the money, they're the most... fulfilling.
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i spent quite a bit of time thinking, considering my options and wondering if i should even respond to the 'apology' to begin with, but i feel like i've been here before, in this exact same position (i didn't respond to his original 'apology' because it felt off how he omitted the fact that he pretended to be the victim for a whole week, but even then i decided to not say anything and just let the dust settle and give him a chance to learn and do better) and doing nothing eventually just caused more harm. even if i can't reach the other side and find common understanding, i wanted to at least express what's been on my mind for such a long time.
i always try to approach people and situations with understanding and try to assume ignorance instead of malice when someone says or does something i consider questionable or wrong. but i also know we all have our limits. we are all human. and you can't take the heart out of the equation.
one thing in this 'apology' that really stood out to me was this:
how is it not malice to completely disregard another creator, hell, another person and their wishes and feelings when they have made it very clear that your actions are causing them harm?
how is it not malice to outright lie and misrepresent other people and situations in order to portray yourself in a better light?
how is it not malice to disrespect the people you've stolen from and then, after they (by your own words!) rightfully address it and try to bring your actions to light, you then turn around and vilify them to your friends and followers? portray them as bullies and gatekeepers?
all while repeating again and again how the whole experience made you stop creating? as if your actions didn't force people out of this space, this fandom? have you ever sat down to think how the person that made you a 40 minute video tutorial on gif making, the person that taught you so much, no longer makes anything at all because you turned your back on her and copied her sets? kept doing it after she blocked you? after she made text posts expressing how upsetting your behaviour was? you didn't care and kept doing it anyway. even saying things like 'i always credit where credit is due' in response to copying numerous sets from @minthara, down to the caption without ever crediting her.
and if that wasn't enough harm, you then took it a notch further and straight up lied to the people around you, trying to vilify petra and i by saying how the whole thing should've been dealt with in private. how is it not malice to omit the fact that I DID, in fact, reach out to you privately. that i did it in a civil manner. that i tried to explain to you how your actions were wrong and were rightfully upsetting other creators. how you ignored everything i've said and when i expressed that your response (or lack of it) made me uncomfortable and that because of it i couldn't give you permission to 'recreate' (copy) my work, you then insulted me and told me that it didn't matter what i wanted? that you would do as you please and there was nothing i could do about it? how you then immediately blocked me so i couldn't even respond? how is that not malice?
and then this was from your apology back in march:
and you insist that after this 'apology' you've learnt and were never doing anything wrong again and yet you are saying the same thing again in your new 'apology'. how after the march events you went to @galedekarios anyway, asking for permission, didn't wait for her response and posted your copy of her set anyway. which just makes me think that you've never learnt. it just makes it seem that asking people for permission never stemmed from a place of respect and understanding, but from the need to cover your ass in case someone brings the fact that you're still copying up. which someone did, apparently.
at the end of the day, this is my opinion and i might be wrong, but following all of your words and actions, it just seems like you chose notes and attention instead of people. that you kept lying and misrepresenting things and throwing us under the bus for your own gain. and that you only stopped because enough people eventually found out, not because you suddenly felt remorse. and this 'apology' was just another 'ask for permission from a creator', all just for optics. you couldn't even bother to unblock us before posting the 'apology' which just shows how little you were actually thinking about any of us.
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I read GRRM’s interview regarding book vs show canon and I thought the way he was approaching an adaptation of his own story, and fiction as a whole, was very interesting. I do wonder though - does the concept of having a separate show canon kind of become like a cop-out? Because in that case, any TV/film adaptation can just decide to change the plot as they see fit and go “oh, well, that’s our canon, the book is a different canon.” Doesn’t it cease to be an adaptation after a point, or at least become a loose one? In the HotD context, a lot of the changes being made I actually quite like because I can see them fitting in the canon, because there’s nothing suggesting otherwise.
But say, Sansa marrying Ramsay (or, alternatively, the moment that show was dead to me) we can say with absolute certainty did not take place and will almost definitely never take place. D&D knew that too but they went ahead with it anyway; it’s not quite like the Scarlett example where it makes no difference to the story because this change does. I feel like the whole point of adapting written words into something visual loses some of its sanctity if we just accept TV changes a whole separate canon, as opposed to simply a change made by the writers (good change or bad change is up to personal opinion).
I have followed your blog for almost a decade so I’m really curious to hear your thoughts on the subject.
GRRM's "Scarlett example" -- his question of "how many children did Scarlett O'Hara have?", because in the book Gone With the Wind she had three, one with each of her three husbands, whereas in the movie she only had one -- has been his go-to when asked about the difference between book and show canon since at least 2012. Or to quote him from 2015,
How many children did Scarlett O’Hara have? Three, in the novel. One, in the movie. None, in real life: she was a fictional character, she never existed. The show is the show, the books are the books; two different tellings of the same story.
This is IMO one of the most sensible ways for an author to look at adaptations of their work (even if I have gotten rather tired of GRRM using the Scarlett example specifically, pick something different George, we've seen it before lol). There is book canon and there is show canon. They are different parallel universes. They're separate canons because they contain changes made by the writers, and also because the very process of moving from the written word to visual media must involve some kind of change.
And this applies to all adaptations. That's why I brought up X-Men comics vs the Fox X-Men movies vs the X-Men cartoon (original 90s and 2024's '97). For example, there's 4 different versions of the Dark Phoenix Saga between those canons, at the very least. Wait, sorry lol, I forgot the Ultimate canon version. And the various in-comics alternate universe versions. And god knows when they finally bring the X-Men into the MCU they'll probably do yet another DPS there too. And that's only one of many storylines that are radically different between the various canons.
Or look at the various Interviews with the Vampire. Is the new tv show "not an adaptation" because its Claudia is a teenager rather than 5 years old as in the book or portrayed by an 11 year old as in the movie, thus resulting in extremely different relationships and a reshaped plot? (Among many other changes?) No. IWTV has book canon, movie canon, and show canon.
And I can't speak that well about Transformers since it's not a major fandom of mine, but go take a look at their various continuities if you want some more perspective about just how very far the meaning of "adaptation" can stretch.
Or hell, look at Stephen King, where among his many many many adaptations, some of which just barely resemble the original text, the only one he sued to have his name removed from was The Lawnmower Man, because they literally used an entirely different story and just slapped his title on it.
And then there's the movie Adaptation, which is a wildly meta-adaptation of the non-fiction book The Orchard Thief (it's a story about the process of adapting that book and involves a fictional version of the writer, the screenplay writer, and an entirely invented screenplay writer's twin brother)... and it was nominated for Best Adapted Screenplay for multiple film awards (and won a few times), and the original writer even said it kept to the book's themes.
Suffice it to say, HOTD has a long, long, long way to go before it could ever "cease to be an adaptation after a point". Changing the timeline to make Alicent and Rhaenyra the same age, or doing Blood & Cheese differently, do not even compare to what some book-to-visual media "loose adaptations" have done. Even GOT, as wildly terrible as their non-book storylines could be, both their changes to the text and after they had no actual text to work with, never became a "loose adaptation". Certainly it became a less than faithful adaptation -- and let's be real, it always was unfaithful for both themes and the essential elements of so many characters -- but it also always was a remarkably accurate adaptation of the whole span of Westeros (in geography and breadth of characters) and the general (not specific) book plot. (Consider previous attempts at adaptation that GRRM rejected, such as a single 2 hour movie, or eliminating Jon and Dany for being "irrelevant", or only making a Jon movie with none of the other storylines, etc.) Which is why, when GOT was different (and awful) it was such a betrayal, like a zombie or evil alien wearing the skin of your best friend or beloved child, and worse, that this twisted lookalike was the only version millions and millions of viewers ever saw and believed to be true.
But again, this just underlines what GRRM has said. "The show is the show, the books are the books." There is book canon and there is show canon. They are separate things. Parallel universes -- very close parallels, often touching in many places, but sometimes they're quite different. Sometimes the differences in adaptation enhance the themes of the original canon; sometimes the author may even consider certain adapted characters (Shae, King Viserys, Helaena) to be better than his original canon; sometimes you know there's only those tricky NDAs (and payments of lots of money) that prevent him from expressing his disappointment in more ways than dropping the Sansa TWOW preview chapter only days before the release of GOT S5. But perhaps if we're lucky, maybe one day we'll have yet another parallel canon to compare to the others.
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