#that scene was literally both the “my source is that i made it the fuck up” and astronaut “always has been” memes 😭

[aroaceleovaldez]

Every description about Nico (especially the canon ones) describing him as “cold” can personally fight me. Nico is jaded, yes, and often closed-off and sometimes stand-offish and defensive but he is not "cold”. He cares SO SO SO MUCH about EVERYONE. He loves and cares with his entire heart constantly and that is a core part of his character. He doesn’t often make public shows of his affection but he takes care to be kind when it matters and doesn’t hide that he does care (usually, the only exception really being him being in the closet, but even then he only hid his crush specifically and not the fact that Percy is important to him). He fine with hugging his friends in front of a crowd and will sit with strangers at a campfire just so they’re not alone. I mean, heck, he’s an extrovert! We know this! He actively seeks out people and gets lonely very quickly and easily! If he can’t talk to living people he will chat with the dead! That’s how much he thrives on being social!

The only time Nico has ever been actively “cold” was the couple of months between TTC and BoTL when he was actively mourning Bianca. Nico is not “cold.” He loves so much and he does show it, just in his own way.

[christine-ye]

Keiwa: Wait, your source is that you made it the fuck up?

Ace: Always has been.

[apocalypse-shuffle]

HOBIE BROWN | SPIDER-PUNK (atsv)

─────────────────

─────────────────

“Brand New Metal” (Hobie Brown & Fem!Reader)

| Hobie helps you pierce your nose.

| SFW, piercing description, needles

| Featuring almost the entirety of my own piercing experience. (Pic source: Spider-Man: Across the Spider-Verse (2023) movie)

You pull away for what feels like the hundredth time in five minutes and Hobie’s hand moves outta the way even faster, barely a blur of movement before it’s back within his bubble of space.

“C’mon, Mama, I can’t do this if you keep jumpin’ away from me.”

You shift in place where your butt is planted beside the hard water stained sink. Shoulders dropping you rub your hands down your face.

“I know that,” you grumble.

Problem was, knowing barely qualified as a quarter of the issue, and whoever said knowing was half the battle clearly hadn’t been staring down the point of the thickest needle you’d ever seen in person.

You wave your hand to the metal rod with a grimace. “But look at the size of that thing, Hobes. That’s gotta be overkill.”

Hobie’s accent seems to get thicker as he hits you with a deadpan tone, full brows shading his eyes.

“This’s a twenty gauge needle. I’ve seen you ’old your guts inside you and still make time to bash in some fascists, this’s nothin’.”

In response you flip him off but Hobie - perfectly unfazed - only starts twirling the needle around two latex glad fingers.

His own piercings - of which there were plenty - glint off of the dim yellow lighting of his bathroom like a taunt. Or at least it feels like that to you.

“Look, I already told you piercings ain’t some crucial part of the scene, Mama. You don’t have ta do any of this. It’s all just boxes and labels, the lot of it,” Hobie points the blunt side of the needle at you. “And you know I hate labels.”

“Yeah, Hobes, the whole of Camden knows. Besides, I want it cause I think it looks nice not cause of capitalism’s agenda to make us buy shit instead of looking at whatever human right of the day they’re doing away with,” you shrug and Hobie’s mouth twists to the side for a second before he’s shrugging too.

“Great. Point’s been made then. Pick a struggle.”

“Fuck your struggle,” you frown. “It’ll hurt.”

“Hn,” he scoffs and shakes his head. He’s giving you this narrow look like he’d let you keep this back and forth up for the rest of the day without any complaints though. “Fake ones exist for a reason.”

“Fake ones won’t give me the satisfaction of a real piercing though.”

“The lie that we need to feel pain in order to be worthy of livin’ is also capitalistic propaganda, Luv.”

Now it’s your turn to give him a look; face dropping and one brow rising.

Hobie chuckles.

“Fine.” He grins, sharp. “We both know I know exactly what it is you’re sayin’. I just can’t tell if being an accomplice to yer masochism is fair to me.”

“You wouldn’t deny a woman her creative outlet, would you?”

“S’pose not,” Hobie agrees, taking another alcohol swab and disinfecting the needle again for extra measure.

He eyes you up and down and you smile, fluttering your lashes at him and kicking your heels into his cabinet doors. You needed Hobie to be the one to do this. For one, because you were not going to be able to do this yourself, and for two, because he was really the only person you trusted to puncture a literal hole in your body.

You take a deep breath, now if only you could chill the hell out.

Hobie shakes his head, wicks flopping around and knocking into each other languidly.

“Yer one ‘elluva reluctant participant to this for someone agreein’ they’re a masochist,” he nods to the needle while brandishing it like a knife. He knows you're full of shit, but he’s not about to make your decision for you. “You gotta stop flinching every time light just glints off the needle if you really want this.”

You lock eyes with him, sitting up to your full height and trying not to back away from the metal rod. “Maybe I’m just waiting for the adrenaline rush to kick in.”

“Pretty sure that happens after the pain, yeh?

A huff and your fingers curl over the edge of the counter and squeeze.

“Just…get it over with, Hobie.” You take a deep breath. “Please?”

“Alright alright, don’t get your knickers in a twist,” Hobie eases a hand around your jaw and raises the needle. “You know I’ve got you. Now keep still.”

Another deep breath from you and Hobie meets your eye for a second time.

“On three,” he grunts. With your head in his grasp you can’t physically nod so you use your eyes to convey your agreement.

Hobie takes a breath to start the countdown and you inhale with him. You’ve gotten your ears pierced before, you could do this. It was fine. Plus you’ll have a few seconds to prep yourself before he gets to number three. You got this. You both exhale.

“Three,” he states.

Without a second to spare the needle pierces through the squishy cartilage of your nose and your breath catches in your throat. Instantly tears well in your eyes and your face heats up something fierce - like somebody’s holding a blow dryer on the highest setting up to it with zero mercy. Your joints pop, grasp on the counter growing tighter in your attempt to keep yourself from jerking out of Hobie’s hold. The sheer need to not garner an actual injury from the metal is almost solely what keeps you in place.

This wasn’t like an ear piercing at fucking all. Fuck this septum piercing and fuck Hobie too. What the fuck?

“Ow! You motherfucker!”

NOTES: Hope you enjoyed!! I only wrote his accent clearly some of the time; you’ll have to forgive me. I was confusing my damn self, okay? I did my best.

Also what I said about how adrenaline works isn’t really correct so don’t take that as gospel.

Edit: Had this labeled gn!reader on accident at first y’all, that’s my bad. Sorry for any confusion.

btw: if you’d like to leave a comment I’d very much appreciate it. this is a sideblog tho so I won’t respond.

[neoflect]

sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production

my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!

with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.

sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.

just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)

wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.

the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable�� and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!

which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing.  i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)

in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.

okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here

musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.

the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.

if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.

i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain

[archeolatry]

Go take a look at this beautiful trove of old SparkSound magazines someone is selling on eBay. For the price they might as well be made out of gold, but the seller's been nice enough to take big, largely readable photos of so many of the issues. Is there a similar digital hoard of scanned versions? I'd love to see more! (I've seen photo pages in full but only snippets of the rest.) The absolute like... raw, sloppy, fanzine chaos of these as as official publications from a major label band is blowing my fucking mind, even if it is just for the fan club. It's literally their mom cutting and pasting and cramming mentions from both Melody Maker and TV Guide onto an A3 sheet of paper, layouts be damned. The apostrophe on her typewriter is broken for a couple issues but she carries on with an asterisk. She's also around 60 by this point and banging this out to an audience of hundreds or thousands like it's a local Kiwanis club newsletter. But she's doing it with gusto, by gum, and it's punk as hell. The best thing about it is that the lack of style is made up for by the absolute top-tier access to the band, and her being surprisingly on top of pertinent details.

For those of you who weren't in a fandom before the internet, those behind-the-scenes photos were like your favorite band's proof of life. There was no Instagram or Twitter, or anything that proved they existed between national TV appearances and touring in your area (besides those mentions in Melody Maker anyway). If you were lucky, your fandom had the capacity to trade videotapes and people in Scranton could see local TV appearances in Los Angeles and vice-versa. If you were really lucky they weren't all copies of copies with potato quality sound and video. Likewise, if you wanted the 12" extended European dance mix of a song with a B-side unavailable in the US, you had to either special order it somewhere and pay through the nose, hope it was in the imports section of a record store (and still pay through the nose), or you had to trade cassettes or burned CDs and hope the other person didn't flake on you. The fact that she's saying "Don't go running to the import section yet, the single will be out on ____ record label on this date with this track listing" is WAY more info than we usually got from our official sources. All "Mary Martin" needed to do for exclusive content was take pictures of her sons on vacation. On one page she's absolutely dunking on Russell them in wry cut-and-paste captions and on another she is the perfect hype man, telling people shows at The Greek Theater are gonna sell out so get your tickets early (but hold your horses on travelling- they're working on Japanese dates for September so you may not need to fly to the US). The personal thank-yous! The CARE! *slams fist on table* If any other band had their mom as the head of their fan club it'd be the most contrived shit in the universe, a complete lie, or both. I fucking love these guys.

[dumbass-duo-showdown]

DUMBASS DUO SHOWDOWN ROUND 1 BATTLE 11

Rui Kamishiro & Tsukasa Tenma aka Ruikasa (project sekai) vs Zuke & Mayday aka Bunk Bed Junction (no straight roads)

REMINDER TO CHECK OUT THE PROPAGANDA UNDER THE CUT BEFORE VOTING!

Ruikasa

look rui is a smart dumbass and tsukasa once tried to comfort a little girl by yelling “HEY GIRL!! I AM WORLD FUTURE STAR!! DANCE!! AND!! SING!!!” and can you guess what happened. it. it didn’t work.

I don't know a lot of the Project Sekai lore actually but from what I've heard from my mutual these two are both absolute fools.

they're so stupid and silly (affectionate) I love theatre kids

Bunk bed junction

Zuke has a masters degree, but the moment he's paired up with Mayday literally all his braincells go on vacation. They lose a music competition and find out it was rigged and unfair so they decide to care of the problem at its source: by taking out the entire government. They are so blinded by hate for unfair power imbalances and love for rock music and fucking shit up they ask 0 questions and follow some shady guy's orders to break a bunch of stuff, including a 6yo's piano. no thoughts heads empty.

Because they are different types. Zuke is socially a dumbass and Mayday doesn’t know what Pluto is

Mayday said ass on public tv, Zuke has a really long annoying rap battle which made 100% the game a pain in the ass. WHY IS DK WEST 2 9 MINUTES LONG?! ZUKE YOU ARE KIDDING ME RIGHT??? Mayday gets sad that a boyband became ugly (they were robots) and Zuke said "good". Mayday destroyed not one but two TVs. I made this a clip btw. This one scene

[disco-troy]

I feel like people who don't watch titans don't understand what its like to watch titans. like "its bad" no you don't understand

Jason kills a man and then roleplays with prostitutes to apologize

amazing ms anne diop STEALS THE SHOW

You get to a scene where you're expecting a big final confrontation and then Dick's just hit by a car. end scene. he spends 5 minutes in the hospital, moving on -

made me sad about HANK FUCKING HALL dying not ONCE BUT TWICE!! HANK HALL!!

raven leaves for an ENTIRE season to bring Donna back to life, has an episode where she comes to term with Donna death THE B-PLOT OF THE SAME EPISODE IS DONNA DECIDING TO COME BACK TO LIFE

The reason Donna decides to go back to life is that Tim's mad his death wasn't cool enough he wants to try again

Tim proceeds to spend every other fight scene curled up in a corner or hiding behind a strong woman preferably both

The have the literal most comic accurate Joey I've seen in my life in an adaptation an extremely relatable version of Kom that is super sympathetic to her, they work with themes like family and shared trauma and change things to make parallels between characters

Gar turns into a bat and dunks Dicks body into the lazurus pit

superboy mpreg

The cutest possible DickKory and THE BEST GAR I LOVE U SO MUCH

15 year old pretending to be the red hood and its funny but its also so sad

we interrupt this show to tell you that DICK IS A BOTTOM WHO WAS IN A MASOCHISTIC DOM/SUB RELATIONSHIP WITH JINX. okay u can continue

Babs and Joey are played by disabled actors

Donna dies by an electrical cable falls on her. Amazonian strength? never heard of her

They hype up trigon for all of season one and then spend 5 dollars on his CGI

Deathstroke comes back as a zombie and gets decapitated ❤️🥰🥰. Proceeds to stick his head back on 👎👎

Dick's legal name is Dick. Richard? never heard of her

an incredibility nuanced view of Kom and Kory's relationship in a way that pulls from the comics and changes a lot while keeping much of the same themes in a way that makes this show act like an excellent foil that enriches the original source material, especially in relation to their parents and mirroring countless side plots

at some point scarecrow gets jason high and dances an u just... watch i guess

Gar can only turn into a tiger for 3 seasons but then the show feels bad so he turns into a virus

There is no god or coherency in titans, the quality fluctuates widely from seconds of the show, its the best adaptation of the titans that has ever come out they tease a road trip EVERY SEASON and we have not had A SINGLE ROAD TRIP EPISODE

AND PEOPLE SAY ITS A BAD SHOW????? HOW CAN YOU CALL THIS BAD U DONT UNDERSTAND U DONT UNDERSTAND

[bellamer]

Just woke up sweating from my nap because I was feeling weird about some portrayals of Pavitr and did the whole Alex The Lion Madagascar 2 Escape from Africa "De Ja Vu Like I've Been Here Before" scene realizing where I've seen this before and why I don't particularly like it

In my own words:

They're doing to Pavitr what they did to Kakyoin which is turning him into a yaoified feminized skinny bottom twink who's only there to make sassy remarks and be the manic pixie yaoi boy, they're gonna do what they did to Jotakak with Chaipunk because I mostly see this happening in Chaipunk fanart and fanfiction

It's the typical case of a character being hyper feminized by the fandom, like how it tends to be in a lot of yaoi series because someone always has to be "the girl" in the relationship because the "bottom" is always portrayed as small, skinny with hyper feminine features or traits and the "top" is always portrayed as some dark, hyper masculine, tall, looming figure

And it tends to bleed into most mlm ships even when the characters in the source material are completely portrayed as being opposite as this like say for instance idk another JoJo ship like Josuyasu where just because Josuke takes pride in his appearance like Pavitr, fans automatically label him the "feminine one" or the "girl" in the relationship and tend to draw him smaller and skinnier than he is and by default draw Okuyasu bigger and taller when Josuke is actually taller than Okuyasu by an inch and the two more or less have the same build but I know you've had to seen it somewhere before because it runs so deep when it comes to MLM ships that I've seen it happen in the fucking OSMOSIS JONES FANDOM (don't ask, you don't wanna know. Unless you do want to know, then I'll share with you the shitshow of what I saw)

And this isn't about the people who may have headcanons of Pavitr being transfemme, ya'll keep doing what you do.

This is about the people who will look at a mlm ship and force hyper feminine and hyper masculine traits onto both of those characters just because they need someone to be the "girl" in the relationship and they choose who's the "girl" based on traits they might consider feminine, example, Pavitr takes pride in his appearance, he's typically cheerful and happy go lucky, he's short (shorter than Hobie at least) and he's "sassy" (Y'know the whole chai tea rant which wasn't really him being "sassy" it was more so him ranting about western cultural appropriation and people using words they don't even understand incorrectly but I digress)

And of course Hobie is given the hyper masculine traits because he's a tall black man which is a whole other problem I'd have to make a whole different rant about of how whenever black men are in mixed race mlm ships they're always automatically made out to be the hyper masculine ones because black men have always had hyper masculinity pushed on them and they're never allowed to be the "soft" ones in the relationship, even if a black male character is canonly portrayed as being not being typically masculine the fandom will still write them or draw them as having some secret " aggressive dominant dark side"

In ChaiPunk's case ? It's literally just feminized asian person and masculainized black person with all the shit I said before about how fandoms always need to make someone the "girl" in the relationship and yeah

Y'all get the point

[thelittlepinkwitchblog]

THE SEAGULLS OF WATERDEEP - A ONESHOT

First off, hello I am not dead just inactive.

I don't usually post much of my writing but here I am, and I'll be 100% honest, this idea has been bouncing around my brain since i made that initial post I dont know when (idk how to link posts but its there somewhere), about the Seagulls of Aberdeen by Scottish comedy group Weegie Hink Ae That? With respect to the source of my setting (the person whose story has me in a vice grip), this one-shot takes place in sort of the “in-between-scenes” of a story like @galebrainrot2024 ‘s on-going series, a former school rivals to friends to more (?) Kind of story. Come into my mind scape, where Tav went to Blackstaff with Gale as kids, they were rivals, and for whatever reason Tav went on to multiclass as a Sorcerer-Bard in order to make a better living or fulfill a passion or whatever, I didn't really think about that until I'm literally writing this intro thing. I like my Tav being F personally but I wrote this as an genderless Tav so I hope everyone can enjoy ^_^

Setting - the party camps in a relatively safe area for the night, allowing everyone to relax a bit from the Ilithid problem, along with the array of personal quests to be fulfilled. Gale made a hearty stew and everyone decided that they should have a little bit of wine as a treat for their weeks of steady hard work. Karlach was the first companion found by Tav after the crash, and so she requested a song the bard had played before meeting the rest of the party. Takes place after the meeting with Elminster.

***

“Oh, oh, sing that funny one about the seagulls!” Karlach almost vibrated from excitement, the heat of her skin radiating more than the well tended campfire. Tav looked around, at the reactions of their companions. Halsin and Wyll both nodded at them encouragingly, Astarion shrugged nonchalantly. Gale had been quiet for days, as quiet as one could expect from him; ever since Elminster quelled the orb with Mystra's blessing, so that he could, well, never mind. Tav observed him as he ran his fingers over the hem of his purple linen chemise, a silent glimpse into the torrent of his mind. “You'll love this one wizard, it's about your home turf.” Having caught on to her friend's gaze, the teifling deliberately brought the wizard from his thoughts and into the circle of conversation.

“Honestly, I would love to hear it.” He did his best to smile, to seem like his usual self, but Tav could see a forlornness deal within his eyes, having taken root in his heart since the orb was silenced.

“Yes, Tav. Do indulge us.” Shadowheart added, taking another sip of wine.

Tav waved their hand, silently summoning a lute with their Bardic Arcana, an act of casual magic that made Gale's heart skip, though for a moment he thought it was the now slumbering orb. Checking the tune with a single strum across the cords, Tav's lips curled into a cat's grin, obviously pleased to have been asked to provide entertainment during their rest. “Alrighty then, if you know the words, sing along.” Playing a simple intro, Tav began to sing, their accent, what dear readers would recognize as Scottish, clearly audible. “Oh the seagulls o'er in Waterdeep, have you seen the fucking size of the seagulls in Waterdeep?” Expecting a ballad that was aforementioned funny, Gale surprised himself when he burst out laughing with everyone else after the first crass line.

“Oh the seagulls o'er in Waterdeep, I watched one fight a granny at the Harbour in Waterdeep.”

Karlach joined into a rough harmony, Tav altering their pitch to accommodate the joyful teifling. “I thought I must be Water-dreamin’ up I wasnae, the big ol' bastard's devil eyes staring right through me. I thought I must be Water-dreamin’ but I wasnae, the big ol’ bastard chased me down and tried to kill me.” Shadowheart, Wyll, and Halsin all joined in with the chorus, Astarion enjoyed the spectacle too much to join, Lae'zel had left to train, and Gale was too busy marveling at how easily Tav smoothed over any friction that may have arisen during the day; any disagreement or tension between comrades was quickly forgiven or forgotten the moment they sat by the fire with their lute and vocal chords. As the bridge came and Tav's voice easily shifted higher, their eyes met for a single moment before the bard turned to Karlach, saying something quickly between verses. “Oh the seagulls o'er in Waterdeep they scream. Karlach, make the seagulls noise! Oh the seagulls o'er in Waterdeep they scream,”

“Wawa wawawa wawawa wawawawa!” With her whole chest, Karlach did her best seagull impression, flapping her hands to imitate wings.

“Oh the seagulls o'er in Waterdeep they scream,”

“Wawa wawawa wawawa wawawawa!” Shadowheart had joined Karlach's impression, her cheeks red from the wine most of them had consumed with the dinner Gale had prepared.

“Oh the seagulls o'er in Waterdeep,” Slowing the tempo, none knew the final line the Bard would deliver, the final blow to a song that almost had tears of laughter flow. “I watched one bust a nut at the Harbour in Waterdeep.” Shaking his head as Tav flourished on the lute in finality, he struggled for breath as his fingers clasped the bridge of his nose.

A moment of applause rang through the clearing as Tav said their thanks and seemed to humbly accept whatever praise or criticism came their way. Though no complement could surpass Gale’s; Tav's heart swelled almost painfully at his breathy laughs as he muttered to himself with a half smile, almost hiding his face in his hand to suppress himself. “Oh sweet Gods above, I needed that.”

***

please be kind to me with criticisms, be constructive but I'm sensitive k thanks

Okay, I love you, Gods bless ♡ bye ♡

[fumifooms]

Marchil crumbs part 5

Part 1 - Part 2 - part 3 - part 4 - part 6 - part 7

The anime has come and since I have my shipping goggles on I am going to notice so much. This part will be less spoilery for anime onlys (tho if you want to see me talk about why I ship them and why they’re complementary this is not a good part to start with haha). Edit: After completing this part I can confirm it’s fully anime-onlys friendly and spoiler-free! For manga veterans though there are still some fun tidbits to be found, some recontextualisations and new extra content.

Holy shit guys they’re mirroring each other in the mural and reaching out to each other AND looking towards each other?!!!! Their pose is so striking and like perfectly align?! Which means it was so intentional and the staff wanted to highlight them (for an aesthetic and/or narrative purpose I’m sure but it happened)! I will never let this go we won so fucking hard let’s goooooo we are so back

Character foils!! Dynamic duo!!

Soulmates!!

In the opening at 1:16 he looks at her to see if she’s really going to it as the most critical of monster food & muster up courage to dig into it himself lmao… "Marcille doesn’t look too grossed out, she’s picky so this food must be fine then" Aka treating her as a poison taster/good cuisine judge lmao

Doodle from the animation director (source). I should translate it but I’m procrastinating on it so uh director’s brotp? Anyways they hanging out look at them :]

Laios is thinking to himself there (he’s the one saying the subs), and in the meantime Marcille and Chilchuck talk, likely figuring out the money situation. Strategizing duo back at it again not wasting a second

In the beginning of ep 1, when Marcille is rambling about where they could go to get food and what to grab, Chilchuck listens with a big smile & even closes his eyes as they walk. The implication is that he’s thinking about food, but man the scene hits different now that it’s voiced and I remember that indeed Chilchuck is closing his eyes to her voice and enjoying hearing her talk and ramble. I may be too far gone into the marchil pit

I feel like already they’ve come far from when Chilchuck dreaded being alone with Shuro and Marcille, waiting for the Toudens and Namari to arrive.

Ok this might actually be smth I’m gonna complain about but I feel like blushes have been drawn too vividly so far. Why does Chilchuck look like he’s confessing when he tells her she’s not a burden and he didn’t mean to make her feel that way. It almost comes across as "Woah she cares what I think?" 💀 The banter ensuing is of course also great

Ep 2 was an episode centered on them both that had the "Magic/Traps are my domain, don’t interfere!" parallel… And now with ep 3 we’re back to them being haters together. That’s her emotional support man

In ep 4, it doesn’t show well with a screenshot but when Senshi talks about his unmanned vegetable stand with a treasure chest, while in the manga Marcille and Chilchuck both think the same thing, "That’s why that treasure chest akways had money in it…", but in the anime instead they literally finish each other’s thought. Talk about being on the same wavelength.

Ep 5 is a marchil goldmine actually, it showcases perfectly how much of a package deal they are lol. Always sticking close to each other. Glancing at each other during meals… They literally nod at each other before they try a bite to steel themselves. They exchange a serious thoughtful glance when Laios talks about Falin truly being gone atm. They argue a bit but they go right back to sitting right next to each other after the meal <3 My god I can’t deal with them they are so…… "Hate this bitch, not my friend" 3 secs later "Heyy bestie!!" Also he’s worried he brought her mood down after mentioning Falin. Made a post about ep 5 collecting even more screenshots.

Episode 6 my hero my beloved… Again I made a post about the ep collecting all my screenshots here, and even a clip! But this IS the marchil crumbs masterpost thus I must collect the major ones here as well. First of all, fun staff drawings for the first screening!

I already posted a screenshot from the trailer of when Chil had his head on his knees sitting next to her, but after seeing episode 5 I think it’s a fun and interesting trend to notice that they sit next to each other way unnecessarily close wow. They continue to banter a ton, she continues to be very casual with touch, and they’re really cute! I love just how much Marcille blushed damn- It’s really cute too when you remember with the bicorn chapter that Chilchuck teases Marcille BECAUSE he enjoys getting a rise out of her, flustering her and seeing her reactions. I support the teasing -> laughing because her reaction is over the top all-Chilchuck economy. Also she apologizes for having let him go alone and be gone for so long by helping him with sewing his cowl… Cuties

She looked so happy when he opened up about his age!… And then seemed… Disappointed? When he "truly was just a kid". "So you really are a kid! How boring…" This implies that her intent was to tease him for funsies… Ok lads we reached 30 pics see you next post, I’m gonna cover the "wake up clumsy head" manga-anime differences and we’re gonna go back to our usual spoilers yummy schedule.

Here’s Marcille cosplaying as a succubus in the newest Daydream Hour… She may not be a half-foot or have deep-set eyes but let’s be real I think he’d explode

part 6 here!!

[sporesucker]

what i think the mercs got put on death row for

(please keep in mind that i couldn't find much info about death sentences in New Mexico in the 60s-70s but the info i did find is being used to make this as realistic as possible)

(also emesis blue lore states that they were put on death row, idk if this complies w/ canon or not but whatever its a cool concept)

Demoman: aircraft piracy resulting in death. him and soldier thought it would be good ol' fun to do this to celebrate a victory after a battle. only reason solider didn't get caught for this too was bc he jumped out of the gottamn plane and demo was too mf wasted to flee the scene as well. now its something they both look back on fondly. good times.

Engie: murder related to a drug trafficking offense. idk why but i hc him as being a recovering addict. he stopped once he saw what it made him do and how it was affecting his loves ones (i am projecting) the team celebrates the anniversary of him going sober every year.

Heavy: alr heavy is a fuckin badass so he definitely did some fucked up murder but it was to protect his family. could possibly be involved with solider's 1st charge too. aka solider involuntarily got him wrapped up in it because he wanted to show heavy some good old fashioned american fun. heavy did not approve

Medic: bffr we all know what this bitch was in for. bro got a lil too loosey goosey with his intentional medical malpractice resulting in multitudes of murder. he does not care. he will do it again.

Pyro: terrorism. they didn't mean to tho.

Scout: i firmly believe he has killed. he just fucking lost it at one point and beat someone to death in a public setting. he freaked out afterwards and it messed him up for awhile after it. nobody brings it up and scout pretends like it never happened. my source? i was there i was the one he beat to death.

Soldier: kidnapping the president/treason. he tried to represent himself in court which didn't go over spectacularly. his reasoning was that he thought if he beat the other potential kidnappers to it, the president would be safer than ever. he doesnt understand how this is betraying his country, he literally was protecting its most important member????? heavy was involved in this as well because solider told him that they were going on a little boys night outing. heavy was confused why this boys night consisted of only 2 men and took place at the whitehouse.

Sniper: tbh simple murder charge. i think this guy has a lot going on and he just genuinely enjoys killing. hes the quiet, reserved type and used to working on his own which is part of the reason why he doesn't care as much about winning as he does killing. nothing else gives him the same pleasure.

Spy: you saw this one coming. espionage. idc if its basic or lazy but all the other capital punishment-worthy crimes are too low-down and dirty for him to take a stab at them. he sticks to what hes good at. also there was that one guy who was executed who made the "french fries" joke but im making it again bc its my post. french fries lmao.

[lu-lus-duckies]

Hi~

I made part 2!

I never wrote sex scenes before so it's probably pretty bad but I tried my best 😅

Alastor's tentacles tear both of his captives' clothes, neither of them has time to take a breather as his tentacles grip Lucifer's head and smash his mouth (still dirty with worm mush vomit) on Vox's dick.

The radio demon approaches the tvhead and uses a needle, given to him by a wild Nifty that jumped out of his trashcan, to make a hole in both of his nipples.

The tv lets out a static-y scream and tries to wriggle away as he put one worm in both of the newformed wounds.

Lucifer seems to not have received the memo so Alastor uses his tentacles to force his mouth open and shoves Vox's dick in it.

They wriggle, moan and keep a steady pace unsure if they're in pain, turned on or grossed out.

One of the tentacles chokes his majesty, forcing him to suck Vox harder to try and gasp for air feeling all the battery acid taste of his precum.

Suddenly the tentacles separates them and pull them up in a standing position, squishing their parts against each other's.

Out of the shadows Alastor pulls out a jar, like the ones where his grandma used to put jam, and it's so filled with worms that they barely have any space to wriggle.

He opens the lid and one of his tentacles shoves it on both of his captives' dicks, like a living and slimy fleshlight.

It brings it up and down in a faster and faster pace overstimulating the hell out of them.

"I-I...I'm cloOse!" says Vox gasping for air and bucking his hips against the King's.

"Ah ah ah, not so fast" says the radio demon removing the jar.

"You asked to be filled with more worms afterall, didn't you?" he says grinning maniacally.

"Y-yes?"

"Good boy"

Vox hasn't finished elaborating what his archenemy just said as he feels an awful pain in his lower regions and starts screaming.

He looks down and sees with horror two tendrils keeping his cockhole open as another one pushes a worm inside of it.

The Tv head is overstimulated and he doesn't even know in which way.

Once the worm's completely in, wriggling its way further inside, the tentacles bring back the jar where it was and pumps it faster and faster.

At some point Lucifer deems the pace not quick enough so he takes the matter in his own hands, literally, and pushes Vox on Alastor's chair while pumping the jar at a quicker pace.

They're arching their backs, biting each other to the bone and grinding faster and faster trying to reach satisfaction.

Vox's the first to reach it as he lets out a long and loud autotuned moan that could rilval Angeldust.

The King screams in pain as Vox's cum is literal sparks of electricity, it's as strong as a taser and yet this gives Lucifer the best orgasm of his life.

The both of them pass out.

They wake up hearing their own voices screaming and moaning.

Nifty's sitting on the ground, phone in hand watching again and again their sextape.

"Delete that! Delete that immediately!"

"Hell no, this will bring me the Diamond Play Button!"

"IT'S ON YOUTUBE?????"

"Yeah, and it already has thousands of views!"

"YOU LITTL-"

"Where's Alastor?"

"Oh, he went to take over Voxtec over an hour ago"

"HE WHAT????"

Vox pushes the King off of him and tries to sprint towards the door, he fails miserably and tumbles down the stairs

Btw, I made a sideblog.

Nothing is posted yet but it exists.

https://www.tumblr.com/notsafe4worms?source=share

Again, tagging the hoes @nunalastor

Secondly, followed. Notsafe4worms is so fuckin funny

I just woke up by the way. This is a treat to read. I love your twisted little mind <3 hot af, will reread this multiple times.

Also, you used vox cums in autotune and I am going to fucking orgasm on the spot rn. I love when people make shit for me like that

[spacedlexi]

A little while ago you said that you have nuanced feelings on Clem x Louis, and I think that’s how I’d describe my opinion on the ship as well. I was just wondering, what makes you feel that way? Personally, I think they’re romance scenes are cute and sweet, but the whole situation with Marlon makes me unable to see them as anything other than friends. I think they both mean a lot to each other, but the idea that they’d want to date so soon after that whole ordeal’s a bit of a stretch to me.

putting this under a read more so if anyone even Thinks they might get upset about mild louis opinions they can move on and stay happy. seriously people take this stuff too seriously sometimes and i dont want to stir anyone up but also im allowed to have my own opinions OKAY. none of this means i dont like him or them OKAY??

okay

thats pretty much where my opinions are too

the stuff with marlon and the vote is Definitely the biggest thing that influences my opinion about their romance. i always forget just how Cruel he is in EP2 😭 like im on your side dude what aj did was wrong can we just talk about this 😭 but he votes to kick them out. like his reaction about marlon doesnt bother me, its his insistence on kicking them out that does 😔 my clem will always forgive him for it, i believe him when he says he regrets it, but its gonna take some time for trust to build again. for both of them

having only one scene between his apology and the lock in was just not gonna happen for my clem. she was mad at him for it. aj almost died because of it. she might be doing better now but she still has trust issues and her trust was broken just as much as his was. he was fine with never seeing her again, sending her and aj out to their deaths because he struggled to accept his confused feelings about marlon. that pissed my clem off shdfksd she is barely keeping this child alive let alone herself. her face when ajs kicking the wall bro she was like "its so fucking over" 😭 cmon bro look at her shes dead inside have some compassion. and he still hits her with the "i dont know [if i want you to stay]" even after aj gets shot like cmon man...... Cmon.........

and while shes waiting for louis to finally be ready to talk about what happened with marlon (which my clem apologizes for in the dorm, she does genuinely feel bad about it), her and violet are only growing closer, focusing on preparing the school together for the bigger problem. clem knowing vi has her back is a huge source of relief in everything thats going on, and that means a Lot for my clem, who appreciates the idea of having a partner she can rely on. my clem is already sure of her feelings for vi by the time louis apologizes. but she appreciates his apology, and is looking forward to being friends again, because she did genuinely appreciate his friendship at the beginning. but her heart was really truly Broken about everything with marlon and the vote and i think thats gonna take more time to heal. depending on player choice some clems might not even forgive him (some others might say he was right and that clem didnt stop it but... i do not agree with that.. like how could she have... aasim calls mitch a hypocrite for saying the same thing)

the other less important thing is just his general blasé attitude. my clem takes things seriously, but that doesnt mean she doesnt know how to have fun. she Wants to. she just Cant. she has a child to take care of first, and she cares about the survival of the group. its why my clem is looking for someone she knows she can rely on. she never wanted any of this, and she just wants a little support, someone to help take the weight off so she CAN relax. shes so tired 😭. playing with louis while aasim hunts by himself made me feel Dirty 💀 (i literally couldnt do it the first time i felt so bad AASIM WAIT UP). and while i can understand and appreciate his "there might not be a tomorrow so enjoy today" outlook, it cant come at the expense of the group. louis i feel eventually learns this, finding a balance between the two, and Becomes someone clem can rely on. but his change doesnt begin until like.. after the raiders take everyone (because we have to get through the marlon stuff first). and if you save vi, you dont get to see any of it 😔

the thing about these two problems is that, if you were to take them out of this setting and throw them in like, a modern au, suddenly these are not issues anymore. no more life or death. the stakes are a lot lower. so i can see them dating in that scenario and having fun together. they do have cute moments!! but also due to less stakes, theres less to motivate louis to change. and i think they would fundamentally just not click on their worldviews. clem while she can have fun, ultimately takes things seriously, and louis doesnt. that doesnt mean they dont care about each other, and clem definitely appreciates his energy, but its why i see them still ending up as friends instead of romantic partners (esp if vi is around IM SORRY 😭 they just Click too well for me 😔 this is why my messy au exists 💀)

i also understand this is mostly personal preference and some people might like them for these reasons 😭 but the dynamic that they have i prefer as friends personally. theyre supportive of each other and deeply care about each other, just not romantically imo. especially not after the stuff with marlon. and thats ok!!!! i see it a lot like louis' relationship with vi. not romantic. but they Love each other regardless. honestly the reason why i like clem vi and louis as a trio so much is that clem slots between them really well. louis who doesnt take anything seriously, and vi who takes things Too seriously. clem exists between them. knowing having fun is important but also understanding the weight of responsibility. she helps louis become more responsible, and she helps vi chill the fuck out. she brings balance :)

i will say tho louis' "nothing wrong with short and sweet, right?" line was cute he got me there

[e-glyde]

Why do people think adhering to lore will make a good story?

Why do you rely on "respecting the lore" to be your reason for disliking something? Maybe the lore needs to be disrespected. Perhaps what you respected from the original set of writer's had PROBLEMS. Could be the new writer's want to do something different in this world of rehashes or something.

It could also go wrong, and even kill the reason you love the story. So let's look at two different examples of adaptations of video games. Sonic and Halo…not perfect I know but stick with me.

I should also mention I enjoy the Halo show and the Sonic movies irritate me with it's changes.

STICK WITH ME HERE.

Let's take a look at the similarities of the both:

Produced by Paramount

Major Changes from it's source material

It's own timeline separate from their games and extended lore

Live Action when it probably shouldn't be

More likely to use/keep intact deep cuts from the source lore

More likely to change up key aspects most everyone knows

Let's take a look at the differences now:

The Sonic movies are beloved by many of it's fans

The Halo show is just discourse town and hated by many of it's fans (The tide of this is turning. I might come back to this.)

The Sonic movie's demographic is children

The Halo show's demographic is adults

The Sonic movie is allergic to the game's music

The Halo show has used several themes and music styles from the games

Halo is military sci-fi

Sonic is shonen

We can ignore those last two. I'm just salty the Sonic movies don't really use any of the game's AMAZING music or hire any of those composers to help out or EVEN JUST, HOVER AROUND THE VIBE OF THOSE OSTs! Actually let's not ignore it, because that's a good point to start with. Despite such an annoyance in my eyes, the Sonic fanbase hasn't made much a stink about it. And we take a look at Halo and throw many different fires that the show doesn't use the OST. Now how could that be? Didn't I just mention they actually use themes from the games?

Oh yes, the Halo show even uses THE Halo Theme in several key moments. So why are the complaints brought up? Well so I can go to sleep at a decent time I'll get to the point, or a point. I've noticed many different aspects going for and against each franchise adaptation into live action. One being the audience each genre brings, military sci-fi usually brings in those wiki types who act all high and mighty like they've read the extended lore but all they've done is quote a wiki. Or worse, a youtube video. Shonen can run quite hard on cool factor, and less on lore trappings. Even if people fixate on power levels, a story can move in and out of an establish power scale and still keep an audience…if it's fucking cool.

Halo by and large, has a pretty consistent quality. With an aged fanbase who from day 1 hates anything new.

Sonic I've noticed has changed a LOT, and has varying quality and all the fanbase begs for is something good.

That point isn't too good. Let's go back to Halo :3 The point from before was speaking to how despite the consistent quality the fans would have you believe the current company has killed Halo and never made a good game ever. Then you play them and see that even it's worse is still a fine game. And then you wonder, "Why do y'all act like these games are the worst thing ever? Do you not know worse games or can you not see your bias and act accordingly?"

The same goes with the show, while, not perfect…is fine even at it's worse. But they'll have you believe it's literal unwatchable dogshit. You look at any popular tweet about the show and it's probably going to be something changed from the lore and people acting like the sky is falling.

I see the Sonic movie show up and people are just enjoying the goober. Or quoting Idris Elba's knuckles. rip Tails Or Jim Carrey's eggman chewing the fuck out of the scene. Despite ALL OF THIS, being different. Because this audience isn't lore heavy sci-fi fans, they're shonen fans. It's cool factor, it's Knuckles stopping Sonic and taunting him. It's Super Sonic wiping the floor with a giant mech, it's Eggman being a charismatic confident jerk. Who cares i-oh wait, I'm getting a phone in…Sonic fans do not enjoy the human subplot….yea…yea. Okay. Makes sense, if you came from epic anime hedgehog moments, the comedic human subplot would probably do that. But it's not enough to make every Sonic movie tweet inevitably show up going, "Erm, but the movies suck though!"

Yes the Halo show has that. It's very annoying. But honestly sci-fi especially military sci-fi just has the problem. I don't know why, but it is annoying as hell. The mass demands lore, no not that one, no not that one; yanno the good lore. The one the audience liked as a child. The original one. The never changing lore; except the one that changed things but it was good!

Getting side tracked. There was a point here. Eh who cares, but I'll leave you with some wild shit I've seen.

"The Halo show is a Mass Effect show in disguise."

Evidence:

A Commander Shepard cameo in the dialouge in one scene referring to a Commander Shepard.

The show has Romance.

That's it. From what I've heard from Mass Effect fans, this take is even worse because you'd have to be media illiterate to relate the both. Or it's self admittance you know nothing of Mass Effect except it has romance.

"The Halo show disregards the games. The writers said so!"

The very first episode had several references to Halo CE. And the actual quote was more like, "We looked beyond the games." Which is extremely true because the more books I read, the more I noticed the inspirations for their choices.

For example in the first book the Main Director for the Spartan 2 Super Soldier program mentioned that she rejected the advice of wiping the Spartans memory. (or something to that effect). Her reasoning being that if they were to find out they were stolen from their parents, it won't bold well for their caretakers. So she went with just indoctrination. The show doesn't listen to this advice and guess what happens. A Spartan finds out about his past and doesn't take it well. This is used as evidence the show doesn't know the lore.

Taking a "what if" moment and exploring it. It's annoying. One can critique the pure indoctrination angle is a more psychologically interesting one but well, that's not what this post is about. This is more about how people act like the lack of KNOWLEDGE of lore is the fault.

And with Season 2 taking a different direction and even more characters more in-line with the extended lore depictions of themselves….this still happens. "The alien ship looks bad because they don't know the LORE man. Do they not know the lore???"

"I will act like choices I don't like are because of ignorance or arrogance from the writers, and not a creative decision I disagree with."

-Sci-Fi fans or something.

Patch Notes: Captain Shepard has been change to Commander Shepard Added a "Keep Reading" Marker

[uh-oh-its-bird]

Naruto x Genshin crossover idea,,, save me naruto × genshin crossover idea,,,,,,, , , , ,,

Wedding of the Century

After a famously long and complicated courtship dance witnessed by the entirety of Liyue Harbor, Ningguang and Beidou are set to be wed. It's sure to be the wedding of the century, the great lady of the jade chamber and her her uncrowded lord of the ocean drawing in guests from across the nations.

But when the abyss order strikes before the happy couple can say "I do," several of the guests are launched through space and time and into another world entirely.

Ft.

Zhongli "the contract is set in stone" vs the web of lies and back stabbing that is shinobi politics

Chongyun's positive energy making Zetsu go "what the actual fuck is wrong with that kid" every time he gets within a 5 mile radius

Beidou "where the FUCK is my wife— oh hey is that sake" and Tsunade gambling together

A Xingqiu and Sai friendship that's sure to ruin just so many people's days

Xiao violently picking up Gaara and going "this one is child shaped" both at him and Shukaku individually, then deciding he should totally go on a quest to look at the other bijuu and maybe get mistaken for one himself along the way.

Kazuha getting to live up to that wandering samurai title and maybe accidentally join Akatsuki without fully knowing what he was signing up for just because it'd be really funny. He finally gets the full mission statement once he's joined and just kind of goes "Ah."

Venti, literal god of freedom, taking a good long look at the shinobi world then taking an even bigger, longer gulp from the nearest source of alcohol and going "alright baby time to get to work."

Ningguang and Keqing vs the absoloute fucking garbage disposal cranked up to full power that is the Konoha political scene (they are going to throw a hammer into it. That is a threat.)

Qiqi mistaking Orochimaru for Baizhu long enough to stick around, and accidentally dragging Orochimaru through what may pass for a redemption arc if you squint because of it

Childe having the time of his fucking LIFE somewhere out there in Kiri. There are horror stories being made as we speak about that guy losing his shit over there, he's absoloutley the first out of anyone to get his own super special corner of the bingo book out there

And the grand finale of the story where Ningguang and Beidou finally say I do and everyone claps

As always; will not be writing this! I don't have that kind of attention span! Feel free to pick this up or smthn I'd lose my mind (in a good way) if someone did actually. Just @ me if you do bc I'll eat that shit UP

[minijenn]

Jen Tortures Herself With Every Dreamworks Animated Movie Ever: Prince of Egypt

Papa Bless (literally) its time for me to talk about one of my favorite animated movies, nay, one of my favorite MOVIES ever made. Prince of Egypt is a work of art. Hands down, it is one of the most incredible movies I have ever seen. I'm not even religious (I did grow up Christian and am now a Filthy Heathen but that's beside the point). The real point is that this movie is one that I think can be enjoyed by anyone reguardless of religion. At its core, they took a simple biblical story and turned it into something with raw passion and emotion and art. And I simply adore it.

Every time I watch this movie, its such an experience for me. I always fall in love with new things, from the fantastic character designs, to the insanely lovely animation to the beautiful songs and score to the way the story is told and the emotions the characters go through with it. Everything in this movie feels huge, weighty, and important. It's very respectful to its source material while making changes that make it work better as a film, particularly the brotherly dynamic between Moses and Rameses that adds a whole new layer of drama onto the story.

As for that story, we all know the Exodus story by now so I'll spare you on that and discuss the things the movie does on its own. That dynamic between Moses and Rameses is at the heart of the movie and it really is just a devestating tragedy to watch them break apart and become enemies because of the huge responsibilities thrust onto both of their shoulders. The fact that tragedy ends on such a heartcrushing note too its just... god. (literally god, get it? cause this is all his fault lol jk ok)

Moses is fantastically written, a great main character to follow who has compelling drama, at first about his true identity and how he struggles to comes to terms with it and then grappling with having to oppose Rameses to set the Hebrews free. Rameses himself may just be one of Dreamworks best villains, you really do feel bad for him but you also know he's bringing so much of this suffering on himself because of his own stubborn pride. The rest of the cast is also fantastic, Tzipporah is lovely and really fun, Miriam is an absolute sweetheart, Aaron is a sassy little loser but I love how he comes around in the end, and well, God is God (the burning bush scene tho, can we talk about that? fucking INSANE)

The MUSIC man, each song is SO damn good its hard for me to even pick a favorite. Deliver Us is such a strong opening, a wonderful way to set the stage that makes the stakes feel high right from the start. All I Ever Wanted is a great way to show the life Moses always knew cracking from the inside out. Through Heaven's Eyes is just a bop with a lovely message about change and growth. Playing with the Big Boys is delightfully sinister and the Plagues, oh GOD THE PLAGUES???? INSANE MAN SO DRAMATIC AND INTENSE AND THE IMAGERY IS JUST??!?!?! BRUH! When You Believe might be my favorite though, it starts out somber but grows into this hopeful triumph of excitement and relief and its absolutely beautiful.

This movie is so beautiful to look at too! The composition of some of these shots, the storyboarding, the facial expressions, the set pieces, the movement of the animation, its all so expertly crafted, so entrancing to watch every second of it. Like I said at the start, this movie truly is an utter work of art in every sence of the word.

I've been gushing about this movie for long enough I think, but I can't help it! It's honestly that good! And its so hard to believe that it came hot off the heels of a trash heap like Antz. Like bruh how were they cooking that shit and the godsend that is Prince of Egypt at the same time??? Insane, utterly insane. This studio is ridiculous.

Anyway, Prince of Egypt is the GOAT and I will fight you if you disagree.

Overall Rating: 10/10

Verdict: Tzipporah marry me pls

Previous Review (Antz)

Next Review (Road to El Dorado)