Image from The Annual Report of the New York State College of Agriculture at Cornell University and the Agricultural Experiment Station // Call Your Mom – Noah Kahan
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Dear Bridgerton season 4 writers, please let Benedict flirt with Penelope in a completely harmless way he means nothing by so we can cut to Colin, across the room, planning fratricide.
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In the daytime Pearl E. Moon is a caretaker at the beloved family theme park, Scarland. At night she dons her mask and her hard hat and becomes Hermit City’s very own superhero, THE CLEANING LADY. But trouble is brewing in the seedy underbelly of Hermit City, the likes of which THE CLEANING LADY has never seen before. Old foes return, but this time it is neither THE CLEANING LADY nor Hermit City in their scopes, but rather each other. The mad GOAT seeks revenge on HOTGUY and his partner-in-crime, POULTRY MAN. The stakes are raised when the GOAT calls on his old ally, THE RED KING, and the dastardly duo of POULTRY MAN and HOTGUY form an alliance with the equally eccentric and explosive TATMAN.
There is only one thing standing between Hermit City and the impending war of the villains: THE CLEANING LADY!
Based on the idea of this post!
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LIBERTINE !
Fuck the rushed dogshit ending, Wee John and Izzy continued to do drag together, sailing on the revenge from town to town. Don't miss their new "libertine" show !!
[PRINT] - [COMMISSIONS]
Ok after more than a week of reflexion, and a chat with my evil advisor @quijicroix (who is a genius)... Izzy Hands should have sang "libertine" by mylène farmer instead of la fucking vie en rose. Why ? 1) mylène farmer is a very famous french queer artist 2) her songs (especially libertine) are used all the time in drag shows in france 3) la vie en rose as taken other the years a very bougie parisian conotation, so to have a PIRATE sing it ?? Wtf ? 4) she often performed with drag queens on stage- and I could go on.
But all I have to say is, please please please if you've never heard it or seen the clip- Go watch it right now ! It's so fucking good !!! (cw nudity and a bit of blood. Also old ass guns)
Wee john gets to be cunt and play the vilain, Izzy (who is more of a drag king) gets to play the gender protag <3 the show of course include a choreographed fight scene at the end
Process + other famous french songs rec vvv
VERY rough colors
Sketch
And just to be petty, here are other famous french songs that would have been way better than la vie en rose :
- Le bien qui fait mal (Mozart l'opera rock) ("I have joy in pain, I get drunk on this poison until I loose my sanity". The most izzy ass song you can get, it's horny kinky angsty BDSM themed song what more do you want ? Ok to be fair it's more s1 Izzy, but still !)
- Mourir sur scène (Dalida) ("I want to die on stage". well it's less a love song and more foreshadowing for the end, but if Izzy's death had been better written, less rushed, or happenned in an hypothetical s3 (I really don't think they'll have one tho-), it would have been so good.)
- Les demons de minuit (Images) (sillier for sure, but horny and iconic. Alas it's very het)
My final note on this will be, why french ?? Because Abba Lay all your love on me or the winner takes it all would have been so fucking good-
PS : I did most of the rendering very tired and a bit drunk after a party hfrifgruigfrui I had so much to correct after that what a nightmare
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I have a new essay for everyone its called "OFMD S2 is an insult to Con O'Neill both as a person and his legacy in his acting career as a queer man"
Like, this man did not spend his ENTIRE FUCKING CAREER playing almost exclusively openly queer or heavily, heavily coded queer characters to be treated like this??? In fucking 2023??????? He got better, more queer happy endings in the 80s and 2000s, the fuck?
I think it's incredibly telling that David felt like he had to hide what he was doing with Iz' character arc from Con till it was too late in filming. Hey, hey David? What did you think he was gonna do if he knew beforehand what was happening?? David? David do you think he would've walked? Do you think he would've used his leverage both as the fan favorite and integral part of the story to demand BETTER from you and everyone else writing the show?
Con has been making queer art since the fucking 80s when he was in his 20s. He has openly talked about trans rights and the fight against homophobia that we have been fighting for years and decades. I can't imagine what kind of push back he had to deal with to get all the gay shit he was doing to come to fruition. I can guarantee that at least part of the reason he doesn't have as big of a career as he absolutely deserves is because of how openly queer he has been since the start. I think if Con had been allowed to have some input in the direction of Izzy's character that something like this wouldn't have happened, at least not this messily and uncompassionate.
I legit can't imagine how fucked he must've felt after being given the genuinely very beautiful Unicorn scene and then be casually taken aside and told "lolol anyway Izzy is gonna die now, without love and without the acceptance he had already been given". But at least he was given a cuddle????
Anyway watch Dancin' Thru The Dark. Its on YouTube and it's about an openly genderqueer/bi man who goes on a sad but fun music adventure and it's actually really really good. Con sings and its a fucking bop AND he doesn't die at the end or watch Bedrooms And Hallways, it's a fun romcom about a found family of all queer people doing stupid gay shit. Also you can see Hugo Weaving's entire dick and balls in one scene and if that's not better gay rep then ofmd s2 then idk what is
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Using @polinsated gifs to point this out because they’re beautiful ❤️
But it’s always going to be so wild to me that these two need two episodes from this kiss to figure their shit out. I know what is going on in both of their minds, I really do. He’s being hit by a 10 years worth ton of bricks and his world is shifting on its axis and it’ll never be the same from this point forth. She’s thinking this is the end of her little girl fantasy and the door is closing on her hopes and dreams and she will sacrifice those in order to be practical. In some sense too she’s growing up, she’s making what she thinks will be the mature choice. Someone once said that they’re standing on the door’s threshold and it’s symbolic, representing the threshold these two are on, swapping for each other’s place in some ways.
I know all of this. But you cannot deny the absolute softness that is in that kiss. It’s so delicate and they’re so careful it’s as if there is a spell on their kiss and this moment and it would break if they were any more forceful in their kiss. Yet there’s so much passion. Passion which is bursting at the brim, passion which they can barely hold back from it’s so strong. So they stay rooted into place, giving each other the gentlest of kisses lest the spell breaks and they give into each other and their wants. And the fact that they do not address this. That she pushes it under the carpet as soon as it’s brought up. That she decides to leave the dream, their kiss in that garden on that threshold locked away with a spell in a deep deep corner of her mind. That on the other hand he’ll never move on from that threshold, that spell which he will come back to time and time again in his dreams. The fact that she gave up on her dreams of him and he’s chasing his dreams to be with her. The fact that from this threshold they move in total polar opposite of each other and the doubts linger despite how soft and world altering the kiss was for both of them, it will never not be wild to me.
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