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#that there is a allusion
mayasaura · 9 months
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your post about Harrow thinking it’s only been 3 days since Gideon died….you know someone else famously resurrected after 3 days too…
Omg who???
Jk! I know it's ya boy Jesus. Our best girl is walking around now with her death wounds out too, just like a certain gentleman was said to do.
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toyogamii · 2 months
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pt.1
shoko has never seen satoru gojo; the strongest, look quite this weak. he’s sprawled across his office desk and the smell of vodka hits her so hard her eyes water.
“what are you doing?” she drawls, eyes flitting around the room as she tries to make sense of the man’s pathetic state.
“y/n?” he slurs and struggles to raise his head up.
shoko sighs.
“not quite.”
she drops her cigarette to the ground and crushes it with her heel as she walks over to him. he finally meets her eyes and she frowns. he looks… dead. the look reminds her of someone long ago… and for a brief moment she’s terrified of the sorcerer in front of her.
“what’s going on gojo?”
he shakes his head and mumbles incoherently, laying back down on his desk. shoko has to force herself to not roll her eyes and she clenches her teeth together.
“you think this is gonna help you?”
she picks up the nearly empty bottle of alcohol and smashes it on the ground.
“you’re fucking pathetic,” she spits, “get yourself up. you’re not… you’re not going to turn out like him no matter what. you’re gonna man up and fix whatever has caused this.”
satoru stares in drunken shock at the smashed bottle. he sighs.
“i can’t… i can’t fix it,” he mutters, “messed it up to bad.”
shoko sighs again.
“did something happen with, y/n?”
he sniffles at the sound of their name coming from shoko’s mouth and gulps.
”i had to protect them,” he whispers, staring emptily at the ground, “i’m dangerous. being around me is dangerous.”
shoko doesn’t know what to say, she watches him as he watches her.
“… you’ve never been the smartest, have you, satoru?”
he scoffs and swings his arm up wildly.
“you’re so mean to me,” he pouts, the momentum from his arm causes him to slide and stumble out of the chair and onto the floor. he groans and flops defeatedly around.
“you’re a mess. stay right here and try not to hurt yourself please.”
— —
satoru doesn’t know when he blacks out or how long he’s been asleep before he hears muffled voices outside the door. his head is pounding but he feels sober enough… unfortunately.
“i don’t know shoko… after what he did…”
“at the very least talk to him, it may give closure for both of you if nothing else.”
there’s silence. then the wooden door creaks open and he winces, flinching away from the light. your blurry form comes into vision. god you’re just as beautiful as the day he left.
“satoru,” you say.
your voice is like honey to his ear, so sweet and soothing. he lifts his head, his blue eyes shining. it’s been weeks but it’s felt like years. your hand comes done to touch his cheek and he shivers, his eyes almost rolling back at the feeling of your skin on his again.
“what’s going on?”
“i miss you,” he mumbles, nuzzling into your palm. you instinctively stroke your thumb along his cheek bone.
“you cheated on me. you… you left me.”
he shakes his head.
“no.”
you raise an eyebrow and cup his chin, forcing him to meet your eyes.
“what do you mean, no?”
“i could never cheat on you.”
the way he says never almost makes you swallow hard.
“you told me you did.”
”i… lied,” he admits, shame in his voice. you freeze.
“you what?”
he groans and pulls away from you, finally sitting up fully and facing you properly. he wants you in his arms so badly.
“i lied,” he sighs, “i thought it would be better… I thought i was protecting us both.”
he feels the sting of your slap before he can fully process what happened.
“that’s for fake cheating on me.”
he gapes at you, hand coming to his cheek.
“you hit me?!”
“you deserved it.”
“… you’re right.”
you sigh one last time before leaning in and kissing him. you still taste just like strawberries and mint, he thinks.
“and that is because i’m stupid enough to still love you after all this.”
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starry-bi-sky · 8 months
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There are two things that Damian knows that he knows Father doesn’t.
He has an older brother
He was dead
(And a secret third thing: Damian was glad he was dead. They did not get along.)
Well. No, correction, they were two things that Damian knew that Father didn't. Past tense. Strange magic swirled through the air and created a mirage before his eyes, and immediately a scowl forms across his face.
The mirage shifts and shimmers like the light hitting a slowly turning prism, and then it settles into a memory. One that Damian does not recall. Like looking into a tv screen, it shows, faintly, a room, with most of the magic going into the image of a crib.
His mother was standing on one side, and next to her, standing on his tiptoes was a small five year old boy looking up at her. With dark hair and skin that was only few shades lighter brown than Damian's, the little boy's resemblance to Damian was undeniable.
However, his eyes were blue. Not green. Damian's scowl deepens, and he sinks back. "Danyal." He mutters, and feels eyes turn on to him.
Danyal Al Ghul. Damian's older brother. A prodigal swordsman like Damian, and five years his senior. He'd be fifteen if he was still alive. His memory of the last time he saw his brother was still clear in his mind.
(A sword to Danyal's neck. Stars were glittering through his window. Damian was five, Danyal ten. He is not sure why Danyal had snuck into his room, all he remembers is hearing a sound and on instinct reaching for his sword.)
(His brother had intercepted easily. But had not shoved the sword away. Moonlight hit his blue eyes, and Damian remembers seeing the pupils shrink to let the light in. His eyes looked almost silver.)
(His brother bares his teeth at him. Damian wants to slice his neck more than anything, and he bares his teeth back. "Good." Danyal says, his voice low in a hiss, "Your reflexes are good, little brother.")
("Of course they are," Damian remembers snarling, and presses the sword closer. But it does not budge. "I am an Al Ghul.")
(Something unrecognizable passes through his brother's eyes, and his mouth twists into something like a smile. "I know." He says, and tilts his head downwards at him. "And you will be great.")
(His brother shoves the sword back, causing Damian to stumble. And like the wind, he is gone.)
(The next morning, he goes on a mission with mother and a few others. Mother is the only one to return with Danyal's sword, and a red-eyed look in her eyes. Damian does not mourn. Now there's only one of them.)
"Momma." The little Danyal-mirage speaks, a furrow between his childlike brows as mother lowers a bundle into the crib. His blue eyes watch her, and lifts onto his toes to peer into the crib as she sets the baby down. "Who is this?"
Their mother's hand comes to rest along his back. "This is Damian, my son." She murmurs, voice low. "He is your little brother. Protect him well."
Damian scoffs internally -- not likely. He remembers every spar he ever had with Danyal, every harsh word and insult. His pushing, pushing, pushing for Damian to get up. To try again. Do it again. The only kindness he ever showed him was when his fingers bled. And even that was harsh, firm. Rolling gauze around his wrist and scolding him, telling him how to wield his weapon better.
(It was the same as everyone else, but somehow it hurt worse coming from his own brother.)
But he watches his older brother's youngest self tilt his head to the side, and then reach his chubby hand through the crib's bars. He runs small, blunt fingers over the baby's arm, and the baby jerks. Through the crib's bars, Damian sees himself grab Danyal's fingers.
And he scowls even deeper.
And Danyal's eyes... widen. He lets out a little gasp, and a small smile Damian's never seen him wear tilts at the corner of his mouth as he looks up at their mother. "Mother," he whispers, "he grabbed me!"
Damian... his scowl falters, for a moment.
He doesn't wait for a response, he looks back to the baby with sparking eyes. His expression melts like sugar as he bounces the finger being gripped tight by the small hand. "Hello, little brother." His brother says, voice its of usual firmness, but there's more fondness underlying it than Damian's ever heard. "My name is Danyal."
The mirage shifts before Damian can comprehend his older brother's voice. It shows the crib again, appearing as if a few days had passed. There is night lilting through the nearby window, and a creek of the door. The baby doesn't stir.
Danyal sneaks in, still wearing his training clothes and a sword strapped to his side. Damian's scowl returns, watching him creep over to the crib. Of course -- the last night he saw his brother wasn't the only time he'd snuck into his room.
Would he go so low as to attack an infant? Damian wonders, watching his brother cross the room to his crib. But while his fingers rest against the hilt, they never curl to unsheathe.
His brother peers into the crib again, and there it is again, that smile wider in the corner of his mouth. It's not a full one, but its as uninhibited as it gets. Dripping honey-sweet with awe. "You are so tiny." Danyal whispers, and pokes a finger back through the crib. It wriggles, then pokes Damian's cheek gently. "Was I as small as you when mother gave birth to me?"
There is no response from the baby. Not a coherent one anyways, the little thing snuffles and turns his head, mouth open to latch. Danyal stills, his eyes grow ever wider again.
Danyal says nothing else, just rests his cheek against the crib and watches the baby sleep in silence. The affection never leaves his young face.
Damian feels unsettled. Off-foot. This Danyal is foreign to him... He wonders what happened to have changed his brother's mind on him.
There's a scuffle, quiet, but there. Danyal picks up on it just as Damian does, and his head pricks up like a deer, head already turning away from the crib. The affection leaves his face, falling away like water into something serious. His blade is already slightly unsheathed.
Two assassins, belonging to grandfather, burst out of the shadows. Their swords swinging into the air and ready to strike.
Danyal kills them both, his back to the crib. It's not without struggle, and when the two assassins lay dead on the floor, the baby is wailing at the top of his lungs. Danyal has a laceration cleaving down diagonal of his cheek. It's close to his eye, just barely missed blinding him.
Damian never knew how he got that scar. He does now. (He doesn't know how to feel about it.)
His brother clutches his bleeding face, sheathing his sword as tears well up onto his face. But he turns towards the crib, and hurries over. "You're okay, you're okay, you're okay." He hushes rapidly, the League-drilled seriousness fallen away to reveal a panic-stricken five year old. He sticks one hand into the crib, the one not clutching anything, and grabs little Damian's hand.
Their mother comes bursting in that moment, and Danyal turns his head towards her. "Mother." He says, his voice cracks un-wantingly. Their mother steps over the bodies of the assassins easily. "They tried to kill Damian."
"But they did not." Talias says, kneeling down next to the crib to inspect Danyal's face and Damian's well-being. When she finds nothing of concern beyond the injury, she continues. "You killed them before they could, Danyal. Well done."
The mirage of his brother nods, his eyes teary and red.
Damian... is discomfited. he never thought Danyal would kill assassins for him. He would have thought his brother would sooner look the other way. The mirage shifts again, and it quickly shows time passing.
Danyal sits in Damian's nursery every night, after that. He lays at the foot of the crib with his sword, a pillow and a blanket with him. Some nights there is nothing but peace -- or as close to peace as a baby could achieve -- and some days assassins break in.
Danyal kills each one.
The mirage shifts again, and it shows more memories of Danyal interacting with Damian during his youth too young for him to remember. His first steps, his first words.
"Danya." The small toddler of Damian says, arms reaching for Danyal.
A frown curls across Danyal's face, and pulls Damian into his lap. "No, no, little brother." He scolds, voice firm but.. softer. "It is Danyal, Damian. Danyal."
"Danya!"
Damian's brother sighs, but there is that same-small tilt at the corner of his mouth. A glimmer in his eyes. A glimmer... that Damian is finding he recognizes.
(He always thought his brother got that look in his eyes when he was mocking him. Was he wrong?)
The mirage shifts again, and this time it shows only mother and Danyal, alone. Danyal is older, taller. Seven, if Damian had to guess. Mother has a stern look on her face, her hands tight on his shoulders. "Damian will be starting training soon, my son."
Ah, then close to eight then. Training starts, always, at three years old. He watches Danyal nod, his expression mimicking their mother's. His arms are folded, always folded, behind his back, always neat.
"You can no longer have the relationship with your brother as you did before." Mother says.
Danyal's expression... falters. It shifts, it fluctuates. He looks surprised, thrown off. Like he isn't quite sure he heard what mother just said. His brows furrow. "What... do you mean, mother?"
"I mean what I said, Danyal." Mother says, stern, "Ra's will be keeping a closer eye on Damian now that he is of age to begin his training. He will not like if he sees you both getting along."
"I am sorry, my child. But your relationship with Damian ends here. You are rivals now, not brothers." In a cruel form a gentleness, mother raises her hand and tucks a stray curl out of Danyal's face.
Of course. Damian never had a relationship with his brother because of Grandfather. Of course. No, he's not feeling a little bitter. No. There's not an inner child that still, like a candleflame, wishes that he'd had a bond with his only flesh and blood.
Danyal is dead now. So it's not like it matters. He's happy about this.
Danyal frowns, and he steps back. He looks lost in thought. "We are still brothers, mother," he says, argues, and looks up to meet mother's eyes. "Let me train him, I will make sure he gets the skill he needs. If we must be rivals, then I will teach him how to defeat me. If he can defeat me, he can defeat anybody."
Their mother, and Damian, both blink in unison. Then mother smiles something sharp, calculated. She folds her hands behind her back. "Then do it. But you will make him hate you."
"...So be it."
Damian.... Damian is silent. His world axis has been tilted on its head. He is sliding, and sliding, and sliding down. Spinning. Many things click into place at once.
More memories from the mirage show. It shows Danyal training Damian. It shows their arguing, their bickering. It shows Danyal going to their mother to praise Damian and his skills, how fast he is picking up on the sword. How one day he will surpass even him.
It shows Danyal sitting outside Damian's bedroom door every night, listening in for anyone who dares to break in. His knees drawn to his chest, his sword at his side. Sometimes he sneaks in, sword drawn, when he hears a sound.
Some nights, Damian wakes up. He remembers those nights. Danyal standing over his bed with his sword unsheathed and tight at his side. He remembers the instant terror as he immediately reached for his own weapon.
His brother always scolded him for his lack of vigilance. That had he been anyone else, Damian would have had his neck cut. He would've been dead already. It only made Damian's hatred of him grow.
But he understands now. Because there were assassins in the room that Damian, four years old, three, did not notice. Not until later. He always assumed the attacks on him after Danyal's death had been because now there was a new heir to target.
It had been the only lesson he'd been even somewhat grateful for.
Then finally the mirage shimmers, and it shows Danyal, ten years old, in one of the training rooms, mid-spar with Mother. It's fast, sharp, impressive and like a blur. Damian is unsure if at ten which one of them was the better swordsman. Some of the assassins who have never met Danyal said Damian was, but the ones who had said it was Danyal. He'll never know.
In a lull in the fight, when their swords are crossed, mother speaks. "Ra's wants you and Damian to fight." She says, teeth grit into a deep scowl. The cross breaks and Danyal jumps back, he frowns.
"We have fought, mother." He says, and dives in first, swinging for mother's feet. Mother dodges, and slices at his arm. He swerves out of the way, twisting on his feet like a dance. "We are always fighting, doesn't he see our spars?"
"Not a spar like that, my son." Mother says, a snarl in her voice. She lunges, and Danyal blocks her blade. "A fight to the death. Father has grown tired of having two heirs."
That gets Danyal's attention -- or, more accurately, it distracts it. His eyes widen, and his sword lowers for a single moment. A mistake. "What?" Is all he gets out before mother has him on his back, her blade pressed to his throat.
He freezes. As does Damian. Danyal's brows furrow, then unfurrow, only to knot up again. "Mother, what do you mean a fight to the death?" He flips to his feet when mother removes the sword. She walks over to grab her water.
"Must I repeat myself, Danyal?" Mother snaps, rubbing her forehead before swigging from her canteen. "Father wants to find out which one of you is the stronger heir, and so you will fight to the death after your training in a few days."
Danyal's tan face loses a shade of color, he looks ashy. "There must be some mistake!" He exclaims, his arms gesturing out as he peers around mother. "There is a five year disparity between us, Damian has only just started training two years ago. It would be an unfair fight!"
"Do you think me unaware?" Mother whirls on him, and there is a grief-stricken look on her face. Like she is already mourning Damian's death. Damian feels ill. "Your skill is far beyond what Damian can accomplish right now, and there is nothing that I say that can convince Father otherwise."
Danyal wears an expression like he is scrambling for answers. A white knuckle grip on his weapon. There is a long silence, and his lower lip curls up. His throat bobs, he swallows. "Is there really nothing we can do?"
Mother makes a frustrated sound, pushing her loose hairs out of her face. "Not unless Father changes his mind, or I send one of you away. But Father would surely send someone to look for you or Damian."
"What if one of us faked our death?"
Mother stills. As does Damian. No, he thinks, stiff as a rod, no way. These mirages were lying, nothing but figments of an imagination. Of some quiet what-if that Damian had not yet stomped out.
Mother's expression shifts, and then turns contemplative. Danyal notices, and keeps pushing, he looks as hopeful as he could get beyond his usual unwavering, stone-like expression. "One of us could go to father--"
"No." Mother cuts off, voice sharp. Danyal wilts, confusion flittering across his face. Damian, from the corner of his eye, sees Father tense as stone. His white-slit eyes have not left the mirage. Nobody's has.
"Father will undoubtedly check there first, it would not be a good idea. You or Damian will have to go somewhere where he would not think to look. Someone unaffiliated with the League."
Danyal's face falls, shutters, and then closes up again into stone. Mother begins to pace, and Danyal's blue eyes follow her. "So a stranger?" He asks, and there is disgust lilting into his voice.
Mother nods, and she looks just as offput as Danyal.
The mirage of Damian's brother rolls his shoulders back. "Then I will do it, mother." He says, voice unwavering. There is a stubborn note behind it all, one that Damian recognizes. "I will fake my death, and Damian will stay here."
Mother's eyes turn sharp on him, and she stops in her spot. She pivots. "Are you sure?" She asks, eyebrow raising, "There is a chance you will never meet your Father if you leave. Nor will you see I or Damian again, if you do this."
Something like fear flickers across Danyal's face, eyes widening momentarily -- as if that very thought had not crossed his mind. But then it smooths over to sharp determination. He nods. "It would be the same for Damian if it was him instead. I will do it, Mother."
Damian feels ill again. Father has a strong set in his jaw, his teeth grinding.
Mother stares at Danyal, and then her expression softens. And like before, it is grieving. "In a few days time, I and another member of the League will be going on a mission to the American States. I will tell Father that you will accompany me, once there we will dispose of the other member and then orchestrate your death."
The American States. Danyal was here, in the country. He was out there somewhere -- but no this was fake. It had to be. Danyal was dead. A fool who got himself killed on a mission with mother and left the title of Heir to Damian.
Or maybe it had been his plan all along. His and mother's both.
...Was mother ever going to tell him?
The mirage of Danyal nods, sharp. Understanding. There is a gleam in his eyes that is not pride, it is tears. And when Mother leaves the room and leaves him alone, the stone-like expression on his face crumbles and falls.
His brother, ten years old, curls up his lip in an ugly way. It wobbles as the tears in his eyes do, and he brings up his hand to slam it over his mouth. And sinks to his knees, a yell-like sob muffled behind the skin.
His brother, ten years old, looks smaller than Damian remembers him being, and cries.
Damian has never seen Danyal cry. Not once in the mirage of memories, nor in his own.
The memory holds for a minute, and then disappears. And no new one shows up. The magic is gone, and it leaves a silence in its wake. Heavy, staticky, and full of revelations.
So there are two things that Damian knows that his Father now knows too.
He has an older brother
His older brother is alive.
(And a new secret third thing: Damian wasn't sure how to feel about it.)
#dpxdc#dp x dc#dp x dc crossover#danny fenton is not the ghost king#dp x dc prompt#dpxdc prompt#i promise this is a prompt#it just got very long#danyal al ghul au#my take on a danyal al ghul au#older brother danny#dpdc#dpxdc crossover#i know the usual gist is that danyal al ghul is a better knife thrower than he is a swordsman but hey#consider: phantom has a sword when he fights ghosts. how sick is that?#his ghost form having allusions to the LoA. its not obvious but its there#did i make danny brown skinned? yeah. because him being white or not is irrelevant to me and i wanted to make him darker skinned#thinking about the angst of bruce seeing his firstborn son going “i could stay with father!” and then said child being visibly crushed#when told no. and that he may never see his father ever. actually. if he fakes his death. and still doing it anyways for damian's sake#danny loves his little brother he just shows it in an unorthodox way. some of it is not his fault#also danny being an absolute grump in amity park is very funny to me. he's an arrogant little assassin child in AP who is only here for#his little brother's sake and safety. he loves his brother but that doesnt stop him from being an arrogant little brat#gremlin assassin child danny is so funny#i know this is very ironic for me to post after posting my thoughts on danyal al ghul aus and their missed potential#but actually this prompt is what spurred that post into creation in the first place actually.#because i was thinking about this au and then went “oh hey you know whats funny--” and then i#thought about it too much to the point where i had to make a post talking about it#tried to find a balance between danny being mature for his age and also still being a kid#like yeah he’s a trained assassin and has killed but also he’s a 10yo boy about to be separated - Assumingly permanently- from his family
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devilsskettle · 5 months
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Bride of Frankenstein (1935) / Lisa Frankenstein (2024)
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star-trekster · 19 days
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Have you ever danced with the devil
In the pale moonlight?
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sincerelybubbles · 21 days
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ok shy bau reader and the team finally managed to get her to come a rossi dinner party so she can meet the rest of the team families that she hasn’t met yet, maybe after her first date with hitch and the team realized quickly she softened very fast with the kids and jack and her just seemed to click really fast and jack had her talking more than any of the team has so far… hotch is star eyes
hotch x shy!bau!reader \\ Dinner and Delights
Warnings: brief mention/allusions to Christianity. Otherwise, fluff! More insight into what Aaron is thinking :) I got very carried away, I hope you enjoy <3
"Woah hot stuff, where are you going so fast?" Morgan intercepts you with an arm around your shoulder as you attempt to slip out of the BAU unnoticed. "Hopefully to get ready for our big dinner plans?"
It's not that you don't want to go to one of Rossi's famous dinner parties, you're just afraid that your sub-par social skills would be noticeable by tenfold in a more casual environment.
At work, you can hide your quietness by talking about the psychology of the unsub, your specialty as a licensed psychologist. You can pretend you're not hiding in your shell when the team is all laughing and talking about personal lives by quietly listening while pretending to read your maps and journals. You can observe them and spend time with them, because you do truly love them all at this point, without feeling bad that you prefer to listen over talk.
And that's really it - you prefer to listen to them. You would say you've all but warmed up to all of them. You like Morgan's teasing, Emily's stories, Reid's rambling, Rossi's sarcasm, and Hotch's...
Everything, but the thought snaps you back to the present before you can dwell on memories of a sweet date in a dark restaurant.
"Of course," you succeed, nodding and sending him a tight-lipped smile.
"Hey," he slows you down and stops in the hallway, turning you to face him gently before lifting his hands in a placating gesture as if you were an animal he expects to run. "You don't have to do anything you're not comfortable with but I promise none of us are trying to lead our little lamb to slaughter. We know you're quiet," the admission embarrasses you and makes you feel guilty pleasant that he sounds so gentle about it, "and nobody minds, I think it's cute and I think the rest are just happy our other genius isn't as vocal as Reid."
Your nose scrunches at the small dig and you open your mouth to protest at putting Reid down to lift you up.
"And look at that! Another thing we all love - you're quiet but won't let anyone say anything about the other behind their back. You're a good person, we all just want to spend some less-intense time with you. So, go home and doll yourself up, and get ready to see Hotch wine tipsy. We all know that's your main motivator." Morgan winks at you and moves quickly down the hall and away from you, laughing, before you can protest.
He's not wrong, though, and you shake your head as you move toward the elevator.
You end up on Rossi's doorstep, choking the neck of a bottle of expensive wine between two sweaty palms. Your heart is in your throat, nerves humming in anticipation.
Your team cares about you. Nobody expects you to be anything you're not. Gentle affirmations meant to soothe over your skin in gently lapping waves erupt into steam; like water hitting lava rock. You're too tense, too worried about not saying enough or too much; saying the wrong thing or saying the right thing only once and never living up to the expectation of repeated occurrences.
"Hey," Emily says from behind you. You turn to see her jogging up to stand beside you, brushing off her pants and adjusting her jacket. "You brought wine!" She cheers happily, reaching past you to turn the nob and open the door.
She gestures you inside, making no comment about your obvious hesitance. With her by your side, your nerves are calmed. Aside from Aaron, she's the easiest for you to be around. You don't feel any expectations with Emily. She doesn't talk too much or too little, doesn't push, doesn't ever send a pitying look when you opt out of activities outside of work.
"Château Lafite," you say to her, lifting the wine and shaking it gently in the air as you walk inside.
"Oh! Fancy wine."
"Wine?" Rossi asks, rounding a corner. He's dressed slightly more casually in a soft sweater and jeans, drying his hands off with a pristine dish towel. "The more the merrier, bring it in here."
You follow his gesture back into the kitchen, leaving Emily to go to what you presume is the living or dining area.
"Where did you find this?" Rossi asks, taking the wine from you to examine it and letting out a low whistle as he appreciates it.
"Just my local winery," you say, neglecting to admit that you go there often enough that the owner leaves the nicer stuff behind the counter for you.
Lonely nights crave wine, twisting them into lovely things you can appreciate. You enjoy your own company after years of quietly observing others. You've learned how to observe yourself, too, after all of these years.
And, even though you don't quite realize it, the self-awareness carries like confidence. That's what Aaron sees in you: observant eyes darting across a room and noticing everything, understanding flickering before anyone else catches a cue, deft movements across the paper while taking notes, and swift motions always with a purpose.
It's what he sees now, hands in the pockets of his dark jeans while he leans in the doorway of Rossi's kitchen, watching you. How could he not? You're a lovely creature, always begging for his eyes to settle on you for another second, and then another.
He knows the moment you realize he's in the room, minutes before Rossi. You stand straighter, tilt your chin lower, and are aware far before you tilt your head to the side to send him a soft smile. He returns it before Rossi can catch him. It's a warmth he wants to reserve for you.
"Dave," he interrupts the other man's monologuing about the wine he's sure you already know all about, "Jack would like to know if he and Spencer can use your chess set when he gets here?"
"Of course, I'll get it from my study." Rossi leaves, passing you the wine and gesturing to the opener.
Aaron steps in before you can start the process of opening the wine. He doesn't quite know why, but he wants to do it for you. He finds himself wanting that more and more recently: to do simple tasks for the sole purpose of you not having to do them. Opening doors and pulling out chairs are simple gestures that he did with Hayley, but he wants to do sillier, smaller, things, too. Straighten the pens on your desk back into their cup, reorganize the files on your desktop, untangle the wires of the headphones he really should reprimand you for using at your desk, open a damn bottle of wine he can't pronounce the name of but that he heard you say so gently to Emily as you walked in.
"Jack's here?" You ask, handing him the wine and crossing your arms over your chest as you lean back against the counter to watch him work.
He relishes how your eyes focus on his arms, pupils dilating, as his muscles work under his thin henley.
"Yes, I have him this weekend and he likes to spend time with Reid and Garcia."
He has to step closer to reach above you to get the wine glasses. He could ask you to step aside, tuck his hand against your waist to move you himself, or simply walk into the next room to grab the glasses sitting on the table. But, instead, he tucks one foot in between yours, puts one hand on the back of your head to guard it from the cabinet, and opens it to find the nicer crystal there.
Your breath hitches across his neck and he remembers the chaste kisses he's given you before. Nothing serious, nothing has been yet because he's waiting for you to lead him into that, but tantalizing nonetheless. He steps back to pour the wine, standing closer to you than he started.
A little for you, passed gently, and then a little for him. Dave could pour his own glass.
You take the wine and sip it slowly, tongue darting out to taste before you sip. He's reminded of communion as a child. The blood of christ, sacred, something to be tasted but not meant to satiate. Reverence in a sip, devotion in a small act.
He wants to give you the same thing. The desire hits him in the sternum, suddenly, leaving him winded as he watches you lower the glass. Your eyes are locked on his, you haven't seemed as hesitant about holding his gaze recently - something that makes him melt - and he wonders if you can feel how he wants to take care of you. How he wants to show you the same force that water uses to carve canyons. Persistence and pressure, time and care. He's willing to take his time, he's filled with the same patience as everything all together in nature. He's a rabbit perched on its hind legs, sniffing the wind for safety before darting forward; the bird hung in flight between beats of wings, the whisper of wind carrying small seeds miles away to wait and watch the growth. Wait, wait, wait, however long it takes, he's there. For you.
It's a strong feeling to fully realize in David Rossi's kitchen, but he's grateful for it, anyway.
"It's good," you comment softly, eyes smiling.
"Is it?" He asks, setting his glass down and retaking his spot nearer to you. He misses your warmth. "Can I?" He asks, brushing his fingers across your jugular before cupping your cheek.
"Taste the wine?" You tease, eyes flickering to his glass. The gentle jest pulls a chuckle from his chest. Another thing you've become more comfortable doing around him. His blood and bones sing at how familiar you can be with him.
"Yes," he says in a breath, dipping his head down to brush his lips against yours.
And you're reciprocating - you've always reciprocated, enthusiastically, just never in the pressing way you are now. You set down your own glass to hold his arms in both of your hands. Fingers dig into his arm as you sigh and open your mouth, new lands to explore, tilting your head back to grant him full access.
"Daddy?" Jack asks and Aaron pulls away, a man parched and staring at an oasis in the middle of a desert, before Jack can round the corner. He doesn't go far, though, hand traveling down to the small of your back as he turns.
"Jack?" Aaron replies, waiting for him to come around the corner.
"Hello," Jack says, stopping in the doorway and looking up at you with wide eyes.
You've met him a few times before, always in passing, but you still smile warmly and wave at him.
"Hi, Jack."
"Do you know how to play chess?" Jacks asks. Aaron smiles at the eagerness on his son's face.
"Yes, I do. Would you like to play?"
"Yes please!" Jack jumps forward to grab your hand, pulling you into the living room before you can react.
You go easily, though, following him with a gentle laugh that warms the coldest parts of him. Pieces of him he doesn't think have seen the light in years brighten at the sound. He's heard you laugh before but something about the sight of you laughing because of Jack illuminates needs that he didn't even know he had. Needs you're meeting before he can feel the yawning desire of them.
He follows, unable to resist the desire to see you two interact over and over again. You're setting up the board, listening to Jack chatter on, nodding intently.
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seraph5 · 1 month
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Member’ a few days ago when I was like poor Arthur always craning his neck for John, oh what if John kneeled. oh.
Well here we are.
@izel-scribbles this one goes out to you and the many clams I hope are incoming ✨
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mikashida · 5 months
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everyone I know goes away in the end
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allenwalkerbitch · 2 months
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I cannot believe I've been reading D.gray-man for all these years and it JUST now hit me that Caterina's full name—Caterina Eve Campbell—is a fucking Adam and Eve reference. The Millennium Earl's Noah name is Adam. It's right there.
And Caterina raises the two kids "Adam" becomes as her own children. Adam and Eve have two sons, and one of them kills the other one when they grow up. Mana and Nea are fucking Cain and Abel.
Local woman reads the catholicism manga, is shocked to discover it contains catholicism.
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lunrall · 3 months
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Are you one of us? Lonely like us?
Are you one of us? Lonely like us?
Are you one of us? Lonely like us?
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teaboot · 2 months
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Austrian Count Franz von Walsegg: Countess Anna von Walsegg, née Anna Theresa Prenner Edlen von Flammberg, Mine Wife of Five Years, Hath Succumbed To The Typhoid. I Shall Never Again Be Wed. I Desire To Commission From You A Mass Requiem To Embody The Pain I Feel Of Loss And Heartbreak
Wolfgang Amadeus Mozart, actively dying: mein herzliches beileid, kid. I have six months to live, let's blow those tits clean off
Mozart: *snorts a line of flame retardant*
Mozart: I take half up front btw
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blushweddinggowns · 8 months
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There were a lot of things that Eddie loved about going on tour. He loved traveling, exploring the country and beyond with his best friends. He loved the feeling of being on stage, all eyes on them as they played their asses ass. He even loved the tiny twin beds of the tour bus, especially since it usually led to Steve sleeping right on top of him. 
But he especially loved the little rituals they had before a show. 
“Eddie, baby, you gotta, fuck, go soon,” Steve groaned. He was trying to be the voice of reason, even if he was technically still pulling Eddie closer. Eddie was sucking a bruise into his neck, a hand slowly slinking under his shirt. 
“Mmhm,” Eddie mumbled, making no moves to get up. The show didn’t start for another few hours and if he was ten minutes late for mic check, they’d live. Eddie could do a lot in those ten minutes, “Just a little more-”
But then Gareth was pounding on the green room door, “Munson for the love of God, stop making out and get your ass out here!”
“Told you so,” Steve laughed, breathless as Eddie reluntaly got off of him, “Now you’re going to have to rehearse with an erection.”
“Well you have to watch it with one, so we both lose,” Eddie sighed as he stood, stopping to kiss Steve’s forehead.
“Do we? Because last time I checked that door locked. And…” Steve leaned past him, grabbing one of the Rolling Stone magazines from the coffee table. The one that Eddie was on the cover of. He grinned as he lifted it up, “I have the best jerk-off material available. You’re on your own.”
“Oh, you brat,” Eddie groaned just as Gareth started pounding on the door again, “You’re going to pay for that tonight.”
Steve smirked as Eddie walked away backwards, having the audacity to give him a little wave, “I would hope so.”
Eddie forced himself to turn away, comforted by the fact that Steve would barely be able to sit by the time he was done with him.
“I’m coming, I’m coming, Jesus,” He groaned as he swung the door open, nearly getting himself punched in the face in the process. 
Gareth retracted his hand just in time. He looked Eddie up and down with a sigh, “Why am I even surprised?”
“Hi Steve,” He added, waving at him from the doorway, “You mind if I fuck your husband up for being a late asshole? Just a little bit?”
“Just make sure not to hit him in the head,” Steve laughed, face flushed as he buttoned up his shirt, “We can’t have anymore concussions between the two of us.”
“I’ll take it,” Gareth sighed as he grabbed Eddie’s arm. Eddie barely managed to squeak out a quick Love you! before Gareth was dragging him away. 
“Next time you ask us why we make you pay for after-parties please, remember this moment.”
“Will you fault a man for his addiction?” Eddie asked, dramatically putting a hand over his heart, “It’s a dependency I have no fault over-”
“No fault my ass,” Gareth huffed, the smallest hint of a smile hiding behind his grimace, “You’ve been an addict for a goddamn decade.”
from the soon-to-be-published epilogue of this fic
@jjoesjonas because I picked up writing this again after they sent me those Joe Keery audio clips from Fargo 👀👀
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hekate1308 · 1 year
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So do I have to single-handledly tell people that at the end of Volume II of Pride and Prejudice Lizzie has rejected Darcy's proposal and is about to learn the errors of her ways or
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galasgamingcorner · 1 year
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I hate these things [escape pods].
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cremedensada · 7 months
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Yandere fem demon who has been trying to tempt you to sinning. Dragging you to shops and boutiques, highly amused when you insist everything she's been trying to get you in has been pretty revealing.
Yandere demon who uses her body to further tempt you. A flirty look here, a lingering touch there - she's pulled out all the stops.
But why weren't you at the very least tempted? Why? Whywhywhywhywhywhywhy.
Yandere demon who, while busying herself with seducing a different human, finds herself cornered. It's fine, she's a demon anyway, she'll let these stupid humans think she's fragile and shit.
But you arrive just before she slits their throats - courageously demanding they leave her alone. Brave despite the croak in your voice, and the shaking of your hands. You successfully drew the assailants' interests, abandoning her in favor of you.
In a sudden surge of unnamed emotion, she uses her powers to kill the assailants swiftly before any of them could touch you.
Yandere demon who, cradled in your embrace, figures this is the time to get you. In a way, it's a perfect set up, isn't it? A damsel in distress (not really) being saved by a hero. It's only fair she rewards you for your deeds, right? Surely you would never turn down her offer.
Yandere demon who, before she can voice out her thanks, finds the words disappearing at the tip of her tongue. Looking at your terrified expression, panicked and blubbering out words of concern and apologies.
What were you apologizing for? You didn't know something like this would happen. She's used to this.
Yandere demon who gets stunned as you shouted in frustration when she voiced out her thoughts with nonchalance. Staring at you in awe and surprise as you, frustratedly, insisted how it's exactly the reason why you're sorry.
Why?
You know she's got a reputation, she's beautiful - of course that'll get people's attention. And some people aren't so nice with trying to get her attention on them.
You don't know she's a demon, or that she's befriended you just so she can doom you to sinning. But she did befriend you.
"I care about you. Do I need any more reasons to make sure you don't get hurt?"
A sudden spike in her heartbeat, a flush of her cheeks (demons are actually capable of blushing? Who knew - certainly not her). Touched by your declaration.
You have no clue what you've just made her feel.
Yandere demon who still takes you to boutiques, urging you to wear the clothes she picked out for you. They're less revealing now, but still stylish - which you appreciate. The clothes are nice, but you were never here for them anyway.
You aren't allowed to wear anything remotely revealing anymore. Not if she can help it. Every single inch of your skin is for her to see. Every single part of you is hers.
Constantly hanging around with you, arms linked and touching you. Your popularity spikes the more the two of you are seen together - simple cause and effect.
She kills the people showing open interest towards you - also simple cause and effect.
Yandere demon who abandoned her duties as a demon tempting mortals to sin, in favor of attending to you. For your affection. You care for her, remember? You made that declaration.
Yandere demon who, in a way, got her plans with you fulfilled. She's doomed you, as she intended. Not to eternal damnation - but to herself.
this is so all over the place but i needed to write her immediately. shes invading my thoughts get her out!!!!!
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sincerelybubbles · 1 month
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Here's a dialogue prompt for Emily please! Try this out pls. Love you Kam sm sm. "So why are you here?" "To make a fool of myself." ok ty lysm
even though i watched u type this, the wording makes me giggle every time i look at it.
emily prentiss x tech analyst!reader <3
warnings: fem!reader, cannon typical violence, very brief allusions to sexual assault (nothing happens!), angst and fluff! mutual pining.
word count: 5.4k
Emily is the loveliest thing you've ever seen and you can't imagine how she could ever possibly like you back. She enjoys the game, though, and teasing you is her favorite hobby.
-
It’s a sunny day. Warmth trickles down with the scattered light through the leaves. Patterns trace your arms, throwing your skin into a collage of different shapes and shades. Leaning back on your elbows, you watch people mill about the park. You look back down at your arm after a few more minutes, this time focused on the small watch resting there. With a sigh, you stand up and dust off your pants before picking up the small blanket you laid out and tucking it into your bag. 
You walk back to work, enjoying the sounds of the people around you. You lingered too long at the park during your break and are hoping that nobody notices your slightly late return. Maybe the team will be in a meeting, gruesome pictures you never quite learned to stomach plastered on the board, entirely oblivious to your tardiness. 
Unlikely, but a welcome thought soothing your anxiety as you push the door open and scan your badge at the security desk. 
“Welcome back,” the security guard says, smiling at you over his paperback. He’s an old greying man and you vaguely recognize him. You think he’s new and send him a warm smile in return. 
“Thanks,” you glance at his name badge, “Martin!”
You walk past him and step into the elevator. “Wait!” A voice calls and you reach forward to hit the hold button instinctively before you register the voice as Emily’s. 
She jogs into the elevator with you, smiling gratefully. “Thanks, I’m already running a little behind.” She lifts a container and shakes it a little. The label is from the Italian bistro across the street, about a ten-minute walk away and always nearly triple that in wait time. 
“Brave of you to go there during your lunch,” you joke, returning her smile and pressing the button for your floor. 
You hope she can’t see how your hands shake as you reach forward.
“I know, I just love their Pasta Brado. Have you tried it?”
“Can’t say I have. I’m boring, I usually go for the parm.”
“You’re not boring,” she says so earnestly that you can’t help but blush. You cough as an excuse to raise your hand to your face and hopefully hide it some. “You do have to try it, though. Here,” she offers you the plastic box. 
“Oh, I couldn’t. And I already ate.” You ignore the way your chest hurts a little at how enthusiastic she is. The worst part? She doesn’t even know how endearing her simple kindness, her casual enthusiasm, is to you. 
“Tomorrow, then. We can go together.” The elevator doors open as she says it and she steps out with an affirmative nod to solidify it. “Don’t try to bail out on me either, I know where to find you.”
“Yeah, I'm okay,” you say, feeling lame as you step out behind her. “I would love to.” She’s too far to hear you, though, already heading to Spencer’s desk and jumping right into his conversation with Morgan. 
Someone says your last name and you turn on your heel to see Hotch and cringe slightly. “I was trying to find you.” It’s a kinder way of him reminding you that you’re nearly ten minutes late back from your lunch. 
“Sorry, sir.”
“It’s fine. Do you have the reports finished from last week's trip to Huston?”
“Yes, sir, they’re at my desk. One moment.”
-
You and Emily don’t go to the bistro the next day because she and the team are sent to a small town in Kansas that night. 
“I’ll owe you lunch,” she says, hand on the back of your desk chair and brushing your shoulder as the team rushes to the jet. 
“Don’t worry about it!” You reassure her.
“I’m taking you to lunch,” she calls over her shoulder, pretend-glaring, “you will try that Brado!”
And then she’s gone, leaving you giddy and breathless. 
You know she’s just being friendly – she treats Spencer, Morgan, and JJ all the same as you – but her efforts to spend one-on-one time with you outside of work still have you feeling like a schoolgirl passed a note from her crush in class. 
You try to remind your heart to stop singing because Emily probably isn’t even gay and definitely isn’t interested. Instead, Garcia scares the shit out of you when she interrupts your inner monologue. 
“Lunch with Emily? Things are getting serious in your work marriage.” You hadn’t seen her walk into the room and jump at her voice, hand jumping to your mouth to suppress a yelp. “Sorry! Sorry!”
“It’s okay, didn’t see you.”
“Your loss, I look fantastic today.”
“As always,” you smile up at her, nose wrinkling and genuine fondness filling your senses. 
“Careful, wouldn’t want a workplace affair,” she jokes, leaning against your desk and picking up the stress ball you keep handy. 
“Stop,” you moan in good nature. “Nobody else calls us work wives.”
“That’s just because they don’t have my brilliance and excellent observational skills.”
“Nor do they have the same privy to my more personal thoughts,” you say, glancing up at her before returning to your paperwork. With the team leaving so quickly to tend to a missing child's case, you’re not getting home in time to cook dinner but are hoping to leave early enough to grab food instead of resorting to your freezer stash. 
“I would hope not. You know I can’t be replaced, baby.”
“Does Morgan know you talk to all your work besties like this?”
“I most certainly do not. You’re a regular bestie, not a work bestie.” A wink and then her expression sobers. “I do have an actual reason for visiting your humble cubical, though.”
“Hm?”
“I’m going to need extra hands for this case. It’s time-sensitive, as usual, and seems like it will be particularly tricky.”
“Yes ma’am,” you say, dropping your pen and standing to follow her. 
Your position at the bureau is kind of a catch-all. Most of your time is spent logging data, building reports, and doing general research for the team. Occasionally, though, you jump in to help Garcia with real-time research. Nothing as high-stakes as her direct assignments, more background work. Calling offices to talk to managers, combing through more meticulous data, generic census material to rule out obvious dead ends. 
It’s stressful work that technically isn’t what you’re paid for but you never complain. Your team saves lives, consistently putting themselves in the line of danger. If you have to spend a few hours a month helping Garcia call a suspect's manager at McDonald's to see if he still works there, it’s literally the least you can do. 
“Yes, so, it looks like our unsub…”
You drown out Garcia’s brief about information you already have sitting in front of you and begin vetting possible suspects from the large pool her system created.
It’s going to be a long night. You think about future Brado to cheer you up. 
-
“Reid, Prentiss take the back,” Hotch’s voice fills your ears. You imagine the pair nodding and splitting off from the group. 
This is your least favorite part of helping the team with active investigations – listening in on the calls. It’s rare that you and Garcia join the line when they’re approaching the unsub but, with you helping her, it isn’t a risk to distract Garcia and a much quicker method of getting any new information the team needs. It’s a new system you’ve only tried thrice, unsure how having microphones on 24/7 will work, and it grants you and the team more fluid communication.
Still, adrenaline floods your veins as you listen to their coms, the sounds of Garcia typing a constant behind their voices, imagining every way this could go wrong. 
You suspect the girl is still alive, the uncle doesn’t seem to have any reason to kill her just yet, but your fear for her grows with every minute. 
“Clear!”
Your eyes fall to the receipts flooding your screen. Ammo. A new rifle and pistol. The team knows but the evidence of this unsubs ability to hurt any of your friends, your family, isn’t helping your nerves. 
“I think he’s going to the roof!” Morgan’s voice, clear in the comms. 
You click out of the documents. Two swift motions on the screen. The firm press of the button. 
“Morgan, you’re on foot. Prentiss, follow him. Everyone else in vans, go!”
“Garcia, map out possible escape routes from the roof,” you instruct. 
She nods, screens shifting immediately. She puts on her own headset with one hand and clicks on the call and starts to bark information to Hotch. 
“Got her!” Reid’s voice sounds and you deflate a little. He mutes as he begins to console the small girl. 
You know you can take off your headset now, leave the call, and go to your paperwork. There isn’t much more you can do to help – you’re sure that’s what you’re supposed to do – but you stay on anyway, listening. 
“Right on Elmore!” Morgan calls. You find the street on Garcia’s screen, eyes tracing the path you think they’re taking. 
“We’ll try to cut him off,” Rossi says and you can hear tires in the background of the call. The click of a steering wheel cutting to the side too quickly. Someone’s labored breathing – probably Morgan’s as he dead sprints. 
“Stop! Put your hands up!” Emily shouts. The firmness in her voice makes you sit up straighter in your chair. 
You hear something that sounds vaguely like, “bitch,” before a loud pop drowns anything else out. 
“Emily!” Morgan’s voice, more pops. 
Gunfire. That’s gunfire, your brain recognizes. 
Your blood has gone cold.
“We need a medic!” Morgan shouts. Hotch’s line blinks red, going dead as he calls the ambulance. “Emily, Emily.”
Rustling. Cars. Sirens. Morgan’s line goes dead after you hear a car door slam shut. Then Reid’s and Rossi’s. Emily’s is the last to stay green, blinking.
You and Garcia stare at each other as you listen to Emily be loaded into an ambulance. Listen to Morgan tell the team, voice far away and barely tangible, that the unsub only managed to fire out one shot before he downed him. 
Neither of you can hear where she was shot or how badly injured she is before Emily’s line goes red as well.
-
“Emily?” You call softly, rapping your knuckles softly on the frame of the cracked hospital door. 
Your name, faint, answers you and you take that as permission to nudge the door open. The room looked dark from the hallway but Emily has the small lamp embedded on the wall switched on, throwing her face into harsh shadow. 
“Hey, you,” you say, walking in, arms full. “I brought things.”
“You didn’t have to do that,” she says, trying to sit herself up further and wincing as the motion pulls on her stitches in her abdomen. 
“Wait, let me help you,” you say, setting your things down and reaching out a hand. 
You wait for her nod before touching her, letting her grasp your arm and looping your other arm around the back of her waist to take most of her weight yourself. 
“Thanks,” she mumbles. You can tell she hates feeling useless, hates needing help for something as simple as sitting up, so you drop the subject with a nod and kind smile. 
You turn around to the small rolling tray where you put your things down, pulling two black containers out from a plastic bag. You feel silly and very awkward as you turn around to show them to her. 
“I know it’s probably not quite what you meant but,” you set the containers down on her bed and pop one open. 
“The Pasta Brado! Oh man, I was going to treat you.” She’s pouting through a smile, attempting to put on an upset facade and failing miserably. 
It’s so cute that you struggle with what to say next. 
“Thank you, really. You can pull up that chair, if you’re hungry now.”
You grab the chair she’s motioned to and drag it to sit next to her. “I’m hungry if you are. It might be a little cold, though, it’s kind of a far walk.”
“You walked here?” Emily asks, tone appalled and face comically shocked. 
“Yeah, my car broke down last week. I’ve been walking to work – it’s actually really nice out right now – and I couldn’t find a cab from the bistro.” You busy yourself with the food while you talk, opening the second container, setting it on her legs, and unwrapping the plastic cutlery for her. 
“Jesus! You didn’t need to come and see me if you don’t have a car. You didn’t need to come at all, actually. I really appreciate it,” she amends, seeing how your bashful smile freezes on your face, reaching forward as if to touch your face and brushing your shoulder instead. “It’s really sweet of you but you didn’t need to walk all that way. Isn’t it like a twenty-minute walk from here?”
Over thirty, but you nod anyway, knowing it won’t help your case to correct her. “It’s not a big deal. You were shot in the stomach, of course I wanted to see you.”
“Ah, so you wouldn't want to see me otherwise,” she teases, nodding and pushing her pasta around with her fork. She doesn’t even try to conceal her grin. 
“Ha ha, very funny,” you mumble. You take a bite of your food and your eyes widen. “Oh my god.”
“I knew you would love it,” she beams, watching your expression as you taste the food. You you she meant to say it in a gloating way but you swear you can hear a sort of fondness behind the words. Something in you warms at her ability to know you so well. 
You tell yourself you’re overreacting about both thoughts. 
“You were right – Emily this is unfairly good.”
“Oh, I know,” she says, taking her own bite and letting out an exaggerated moan, complete with an eye roll. You giggle and she smiles at you. “Thank you, this is exactly what I needed.”
“You’re welcome,” you say, holding her eye contact. 
She's been in the hospital for three days, transferred back to Virginia last night; her hair is unwashed and unbrushed, and she’s wearing no makeup and a hospital gown. 
She’s still the prettiest girl you’ve ever seen. 
-
Your car is fixed by the time Emily is released from the hospital two days later and you offer to take her home. 
“Hi Sergio,” you greet the cat brushing against your legs as Emily disengages the alarm. 
You set her things down by the door before turning to offer her your arm. Emily doesn’t pretend that she doesn’t need the help when it’s just you two, something you’re grateful for after watching her struggle with the team around, and lets you guide her to her bedroom. 
You set about making her comfortable, turning down her sheets and propping the pillows up so she can sit. 
“I’ve got it,” she laughs, playfully pushing away your hands. 
You laugh along with her, raising your hands and backing away. “I’m going to go put the rest of your stuff away and get you a drink.”
“Perfect, I’ll take an old-fashioned. Don’t forget the cherry.”
You roll your eyes at her, scoffing and leaving her room. 
You throw her clothes and go-bag in her laundry room before making her a glass of water and another glass of juice. Once you’re sure she’s settled in her bed with her book, you return to the kitchen to make her a few dinners, ignoring her protests. 
-
Emily is back in the field much sooner than you would have liked. 
“I was cleared by the doctors,” she tells you, coat slung over her arm as she digs through her bag for her badge. 
You smile at Martin, sending him a mock exasperated look, before she finds her ID and shows it to him. 
“It still seems too soon, Em,” you persist, reaching forward to push the elevator button and turning so you can lean back to watch her face. 
“Em?” Emily asks, the hint of a smile pulling up the left corner of her mouth. 
You sort of feel like you could die in that moment, just from the heat that simple gesture surges through you. 
“It just sort of slipped out, sorry,” you say, thoroughly embarrassed. 
The elevator dings and the doors open, throwing you off balance for a second. This doesn’t help your already flared nerves as you stumble back and drop your bag. You reach down to gather it and the files scattered across the floor. 
You’re kneeling to stuff everything in your bag when Emily crosses your line of sight again, wide smile on her face – teeth fully on display and nose scrunched, you are in desperate need of help – holding out your notepad.
“I think the nickname’s sweet. I kind of like the idea of having a name only one person, only you, calls me.”
All of the air has left this godforsaken elevator, the heat must be on, you stare dumbly at her as she reaches forward to grab your bag and put the rest of your papers inside of it for you. 
And then, realizing you look like an absolute idiot, you snap back into your body and cough slightly. The doors ding and open again, you grab your bag from her and stand slowly. Smiling at her, still crouched on the floor and looking, amused, up at you through her eyelashes, you say, “Okay. Thanks, then, Emmy.”
You walk away after that brief flash of confidence, telling yourself you’re just imagining how you swear her face flushed bright at your comment. 
And if Morgan mentions a few minutes that Emily seems flusters, well, who can blame you for floating on that high for a few days?
Except she doesn’t let it go. 
She corners you on your break in the kitchenette. Literally. She catches you when you’re examining the coffee pot that has been making concerning gurgles for the past few days and leans on the counter behind you, effectively blocking your exit. 
Not that you really want to leave. 
She’s wearing a red tank top and dark jeans, her hair is loose around her shoulders, eyes steadily trained on your face as you work. 
“Hello,” you say, quiet in a way you’re not normally. 
“Hi.”
“What’re you doing?” You ask after a few more moments of her silently staring at you while you pretend to know what you’re doing with a screwdriver. 
“Enjoying the view.”
You drop your screwdriver and relish in the sound of her laugh. 
-
You’d love to say that you had some suave answer to return her charm but you think you spent it all that morning with your boldness. 
You’re not shy but confidence doesn’t run in your blood either. You’d say you’re pretty normal – average. You don’t find much wrong with that, you know you have other qualities that build you up into an interesting person. You love your friends and coworkers deeply, for one. And have an intense trust in them and their abilities. 
That trust is always tested in your day-to-day at work but never more than now as you feel the car around you make turns at highway speeds. You think you’re on some sort of back road but it’s hard to tell from the trunk given the obvious lack of windows. 
You’re calmer than you thought you would be if kidnapped. 
Groaning after one particularly rough turn that has you jostling against the sides of the trunk, you allow your head to thump back and stare at the inside of the dark car. Light breaks through the cracks of the hinges of the trunk and you wonder if water trickles through when it rains. 
You’ve been in here too long to consider if you’re focused on the wrong things. You’re scared shitless, of course, but the adrenaline faded about an hour into your drive and now you’re just bored. 
Imagine that – bored as fuck in the trunk of a stranger's car, wrists burning from the rope and jaw sore from where it’s been forced open too long by the fabric tied around the back of your head. 
You’re just allowing yourself to reimagine your morning with Emily when the car stops and the engine cuts. 
You snap back into the present, energy flooding your system again as your brain flicks into overdrive. You might spend your days paper-pushing behind a desk, but you passed your physical. You’re smart, you’ve heard the stories of how these victims survive captivity. 
When the trunk pops open, you squeeze your eyes shut to prevent pain from the sudden lack of light. You don’t want to be blinded and the action has the added benefit of pleasing your captor. He put a hood over your hood when he grabbed you, muttering in your ear in tense tones that you would do best to not even try to see him. 
Say what you will, you usually do a pretty good job at following directions. This one is easy and happens to be number one on your list right now – keep him happy so he keeps you alive. 
“Good girl,” a gruff voice says before a calloused hand gropes the back of your neck to yank you forward. Scratchy fabric envelops your head and your hot breath bounces back against you, trapped against the fabric of the hood. 
You stand when his hands start to grab your waist, pulling yourself to your knees and allowing yourself to be lifted from the trunk.
You want to run but know now’s not the time. 
“Look at how well-behaved you are!” His breath is wet against your neck. He stands too close, hands clawing under the hem of your shirt to cling to your skin. 
He walks you forward like that, chest pressed against your back and breath slithering down the collar of your shirt to hang uncomfortably over your collarbones. 
It’s becoming increasingly more obvious what this sicko wants from you and your stomach is twisting at the thought. You urge the team to hurry up, knowing your absence would have been missed ages ago. They have to be looking for you by now. And, with how sloppy this dude seems to be, he must have left a plethora of clues waiting to be found. 
You have to repeat this to yourself as you hear a door lock click. 
“Took you long enough. This is the girl? She’s kind of … well,” the second man kisses his teeth with a sharp sound. You’re pushed forward again. “Whatever floats your boat man.” The door shuts and locks behind you. The second man's voice fades as he talks, disinterested. 
You wonder if it’s wrong to feel slightly insulted right now. 
“This way, doll.”
You listen. It’s saving your life to be complicit in his directions, so you listen. Still, you’re shoved harshly to the floor once you get to where he wants you, knees striking what feels like cement. Before you can recover, your cheek stings and your head is whipping to the side from a sudden slap. 
Then, there’s a kick to your ribs. You fall onto your side, too winded to even cry out, lips falling open in a silent scream. A boot in your belly. Your ribs again, your hip and back. 
“Why?” You manage to sob out. “Why, why?”
You don’t get an answer.
-
You’re not overly religious but you thank whatever heavens or universe exists that he leaves you alone once he’s done kicking the shit out of you. Your ribs are bruised but the worst you expected hasn’t happened. 
The boredom returns as you lay with throbbing ribs. At least one is broken and every breath hurts. You can’t imagine sitting up and, luckily, with your hands tied behind your back, it’s not really an option anyway. 
It must be near an hour later when you’re fading out of consciousness – a purposeful choice on your part to save your energy – when you hear the front door burst down. 
“FBI! Hands where I can see them!” Morgan. You nearly weep but think better when your stuttered gasp makes your side throb. “What the fuck?” You hear shouted in reply. “Robb, what the fuck man.”
There isn’t much of a resistance from the living room. The second man is shouting at what you can only assume is the first – your initial kidnapper – but there’s nothing else other than that. 
“Clear!” You hear Hotch call. Spencer replies and then you hear the door nearest you open. 
His voice calls out your name. You deflate against the floor. A second, you know he’s scanning the room with his gun before holstering it. “Clear! I need a medic!”
Hands, gentle, against your face, removing the hood. Swifter after that, removing your gag, and then hand binds. 
“Hey, Spence,” you say, trying to smile up at him. 
“Shh, you’re okay. We’ve got you.” He starts to support your weight behind your shoulders and the pain that brings is too intense to prevent your yelp. 
“Oh my god, is she okay?” You hear Emily ask seconds before you see her. She looks concerned, hair now in a tight ponytail and FBI vest strapped over her chest. She whispers your name once and then a second time, reaching forward to gently brush your hair out of your eyes. 
“Hey, pretty,” you say, words tumbling out of your mouth before you can catch them.
“Hi beautiful,” she answers, reply just as soft as your own. Earnest. 
It makes your heart ache and, for the first time since being yanked off the road walking to grab lunch, you start to cry. 
“Hey, hey, I’m sorry. I’m sorry, beautiful, it’s okay. You’re okay.” She repeats this as you’re lifted by the paramedics and cry harder. 
She repeats it when they stitch up where kicks burst the skin over your cheekbone open, repeats it as she trails a hand down your arm in gentle patterns while they examine your ribs and confirm that you’ve broken two, maybe three. 
She tries with you in the ambulance. 
You can’t help but think about being on the phone when you heard Emily be shot weeks earlier. You squeeze your eye shut as they insert the IV, beyond grateful that she’s there to hold your hand while they do it. The tear that falls down your cheek has nothing to do with the pain and everything to do with the thought that you couldn’t have been there for her in the same way. 
An odd thought, you realize, but it’s the one you’re stuck with as you drift away when the pain medicine enters your system. 
-
You’re sent home three days later. You insist on spending the night alone, afraid to admit you’re scared because, honestly, nothing much happened to you. 
Oh, of course, everyone tries to convince you otherwise but you know they’ve all had it worse. You were gone from the bureau for about eight hours and spent most of it bored. 
So you force yourself to spend the night alone. You don’t need help moving around or doing things for yourself so you convince yourself you don’t need help. 
You’re cooking dinner when the doorbell rings. You wipe your hands with a dish towel and take your time walking to the door to look through the peephole. You don’t know who took you yet, you haven’t asked and nobody has said, but you can imagine seeing him through the door. Waiting for you, waiting to kill you this time. 
Okay, yeah, maybe Spencer was right when he talked about PTSD and usual levels of anxiety, but you’re so tired of him being so right all of the time that you really want to prove him right.
There is no man standing on the other side of the door, though. Instead, you see Emily, holding a plate wrapped in tin foil and looking serene in your apartment hallway. 
You open the door quickly, unlatching it and turning off your alarm with a few clicks. “Emily?”
“Ah, man, I was getting used to Emmy,” she jokes, stepping inside with a smile in your direction and kicking off her shoes. 
You can’t think of an answer so you just smile at her, hoping she’ll take the lead. You’re tired and she must see it because she offers the plate in her hands to you once the door is closed and the alarm is reengaged. 
“Rossi sent me with it with explicit instructions to not let you share it.”
You giggle and take the plate. “I’ll have to tell him thank you. It’s kind of out of your way to come all this way, though, isn’t it?”
“Not out of my way at all,” she says, words dripping with meaning as she holds your eyes. “I would have come even if Rossi didn’t have food for you.”
“So why are you here?”
“To make a fool of myself,” she says, casually, like that’s something people say every day, “probably. You’ve just gotten back from the hospital and I know you said you wanted to be alone, but,” she swallows and her words are becoming more rushed as she speaks, “I said the same thing and you still stayed.”
“Emily?” You ask, setting the plate down on your hallway table and clearing your throat. “Ah, Emmy?” You amend when she cuts you a look. Your attempt to diffuse the tension doesn’t work and she steps closer so you’re toe to toe.
“That doesn’t really answer your question, though. You’re sweet enough that you would let it go, but,” she shrugs, reaching forward to gently loop her fingers around your wrists. “Stop me if this is awful timing. Please,” she says, leaning forward and staring into your eyes. 
You feel like you’re suffocating, but if this is death, you’ll greet it gladly in the irises of Emily Prentiss. You’re caught in the trap of the moment, heart hardly breathing, all aches and sores forgotten because Emily is leaning closer, breath fanning across your face. You feel intoxicated, ensnared. 
Everything that has ever been exists here, now, in this moment. Every breath used to blow out birthday candles and blow away eyelashes – breaths with purpose, with wishes, with intent – exists between the two of you as she leans closer and closer. Closer, still, and how can so much distance exist between you two when you’ve been standing so closely?
“Just, stop me, if you want,” she whispers against your lips, eyes falling shut. 
Time yawns again, freezing. Your eyes open, hers closed, beats of seconds pausing. Hesitating for you to hold this moment in your hands. You’re grateful to appreciate it because she really is so lovely. Her bangs are pushed back from her face with a headband – imagine that! Emily owns headbands! – and you can see every detail of her face. Her elegant nose, her slim eyebrows, her narrow, prominent, lips.
And then your heart finally catches up, beats loudly, cracks whatever fragile plane of glass holding the moment so perfectly still, and her lips are meeting yours. 
You gasp into her mouth, hands breaking out of her hold to grab her face. You’re afraid that she’s going to pull away before this kiss can be fully real. Before you can actually taste her – lemon cake and rain and warmth. Before you can memorize the feel of her lips pressed against your own before you can drag her closer and slip your hands into her hair. 
But she doesn’t pull away. She meets your enthusiasm with a sigh and then enthusiasm tenfold. You can feel relief in the kiss, feel how she relaxes into you. She takes a step forward and you take one back half the amount to account for it. 
A tilt of your head and it’s better, impossibly. She’s firm, sturdy, beautiful. Confident. Lovely, lovely, lovely. 
And then she reaches forward to hold you to her, hands brushing your ribs to wrap around your back and you can’t hold in the gasp of pain that causes you to stiffen. You want to take it back, want to ignore the pain, want to keep her near, but she won’t allow it.
“Oh, I’m so so sorry. Are you okay? I’m sorry.” You smush the apologies against her lips, removing one hand from her hand to guide her arms around your shoulders where they won’t hurt. “Okay! Okay,” she giggles, leaning back with several short kisses that do nothing to satiate you. “I need to know you’re okay.”
She can obviously tell she hasn’t hurt you too bad by your reaction, but the sweet caution in her voice has you melting further. 
“I’m perfect.”
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