mioreizard

[gen-is-gone]

*deep breath*

JUST LET SANDMAN BE A TRAGEDY IT'S NOT EDGELORD BULLSHIT TO NEED DARK STORIES WHY ARE YOU ALL SO AFRAID OF FEELING NEGATIVE EMOTIONS THAT YOU DEMAND THE TEETH BE TAKEN OUT OF EVERYTHING YOU CARE ABOUT FOR THE LOVE OF THE GODS IF YOU CAN'T HANDLE A CHARACTER YOU LIKE DYING MAYBE DON'T FUCKING WATCH A SHOW YOU KNOW WILL END THAT WAY BUT SOME OF US FUCKING NEED THE FUCKING TRAGEDY YOU HAVE SO MUCH HAPPY ENDING BULLSHIT JUST LET THOSE OF US WHO NEED IT KEEP OUR TRAGEDIES GO WATCH FUCKING CARTOONS IF YOU CAN'T HANDLE IT FOR THE LOVE OF FUCK

ok I think I'm better

wait

ALSO DREAMLING ISNT CANON AND ISN'T GOING TO BE SO NO ITS NOT ~BURY YOUR GAYS~ THAT DREAM DIES THE FACT THAT YOU KIN HIM DOES NOT MEAN IT'S ~PROBLEMATIC~ THAT HE KILLS HIMSELF I PROMISE YOU THERE ARE STORIES WHERE THE GAYS GET HAPPY ENDINGS BUT DREAM OF THE ENDLESS DOES NOT AND SOME OF US NEED THAT CATHARSIS MORE THAN WE NEED FALSE REASSURANCE OF THE SUPPOSED RIGHTNESS OF A MEANINGLESS WORLD

ok *now* I'm done

[devil-changmin]

Putting it in the tags cuz it’s long, also Dec 18 tw

[homophyte]

i am definitely not the kind of person who can break down a story into its technical beats the whole method of doing this makes no sense to me but it is very interesting to read other ppls breakdowns thereof and i think they are critical to analysis. like the shit i like doing, digging into themes and especially characters relationships to them asking the broader questions of what real world thing is this reflecting or commenting on how successfully does it do so absolutely needs that as a basis imo. it is somewhat useless to say 'this is thematically justified' without first asking 'is this narratively justified'

[nopeferatu]

i always feel so alienated when i see ppl talk abt the overrepresentation of tragedies within queer media and stuff bc while i do understand where ppl are coming from, i just enjoy consuming sad media in general lol so i cant truly relate to the frustration of not getting to see happy things.

and this isnt even me being critical of that argument bc i 100000% understand where it comes from, i 1000000% think its valid, studies have shown that queer people need positive representation to not feel so hopeless for their futures and stuff so like. i get it. i just like sad shit man! and i dont think we should stop having popular sad gay narratives altogether just bc of oversaturation.

i think its a hard convo to have bc we realize how rare the opportunity for mainstream gay media comes about and so i get that people don't want the "uber mainstream gay media" that happens twice a decade to be a tragic sad fest like they all are but i think maybe the answer is. we either need to change hollywood which is basically impossible OR we just like, stop looking to big hollywood studios for representation and start giving our money to independent studios who are making a lot of stories w queer ppl at the helm and stuff. because if we have a lot of different shows and films that involve queer people, then it wont matter if some of them are tragedies, and maybe then we can finally stop throwing groundbreaking queer media of our past under the bus and/or advocating for the death of queer tragedies when there are very much queers out there who love tragedies <- like me.

[paimonial-rage]

What trope you will NEVER write ?

While there are tropes that I really don't care for (Enemies to Lovers, Childhood Friends to Lovers), I don't really think there is a trope that I wouldn't write? I think the only thing that would come close is Fake Dating. Not because I have anything against it, I just don't see how it would ever take a part in any of the fics I would want to write. And there also may be a bit of a skill issue with that one too. LOL

But as a whole, I don't really write according to tropes. I don't really care for tropes as a whole. Some of my fics may contain tropes, but it's not purposeful. I just want to tell a story in the way I see fit. If it contains a trope, that's because it fit in with the story I wanted to tell. I always have goals when I write things? I want the fic to achieve certain things. But like fulfilling a trope is never one of them. Idk. I don't read for the trope. I read to read a good story. And that's how I write.

[baeshijima]

thoughts on being engaged to duke!sunday, the head of the oak family, an incredibly influential figurehead within society, the close subordinate of emperor gopher wood who brought him and his sister in and raised him like his own, and the villain who faces a tragic ending in a novel you recently finished — the very same one you just so happen to find yourself transmigrated into. he is as cunning as he is blinded, a trait which brought ruin to many in the empire, and one which ultimately brought ruin to himself at the hands of the protagonists.

as luck would have it, you became a barely mentioned side character from a marquis family, whose role was to be the villain's wife stuck in a one-sided love who, too, would get caught up in the tragedy alongside him. however, now that it's you who is stuck in this position, you're determined to try any means necessary to deter him from going down that path, all in an effort to escape your predestined doomed fate!

of course, you didn't expect it to be easy. the day of your arrival in this world was already the night before your wedding, so you had little time to prepare yourself for the nonchalance of your supposed family, how they viewed you as but a means — a tool — to boost their influence and prosperity, the dismissive mannerisms of the household servants, and the absolute beauty of a man you will be married to.

(seriously. the novel descriptions did not do him justice. he was like... like... like he was handcrafted by god himself! and not to mention his sister, robin, was the very epitome of an angel! perhaps you're destined to perish by the god-tier visuals instead...)

to say the least, the wedding ceremony went by quickly. safe to say you didn't spend the night; he was cordial and gentlemanly upon letting you know that he won't do anything until you're ready, that you can take this relationship slow, but somehow you ended up feeling a tad insulted. like, who leaves their newly wedded alone in a big cold bed as they walk out on their own? a sick bastard that's who!

well, whatever. it's not like you need nor want to consummate with him! besides, you have bigger things to worry about — things such as your impending death. and, of course, the only way to stop sunday that you can imagine working is by chipping away at his resolve bit by bit, and opening his eyes to reality.

he is a tragic character, one who cares more about the well-being of penacony and its people than anyone else, but was manipulated into getting his hands dirty in the emperor's stead. you knew this. you sobbed over his story, cursed out the protagonists, and even fought internet randos on novel forums about sunday's motivation and how,

no, he is not just a stupid villain. he is a complex character with flaws and humanity and was cruelly taken advantage of by someone he considered family. he was deceived through the suffering the emperor wanted him to see to make him easily manipulated, creating a rift between him and robin to have that prominent separation. you know what? maybe you're just a !%#@ who can't even #@?"% read properly!

and yet you still find yourself at a loss when faced with the walls he has in place. your initial efforts went as well as it possibly could have; you trying to earnestly help him, while he "kindly" dismisses your offers! well, "kindly" being more condescending since you could read between the lines of his mannerisms and amiable demeanour, but that's fine! you expected this! that just means you have to double down on your sincerity, get through to his heart (somehow), and help him realise humanity isn't as weak as he's led to believe!

you have three years until the novel's plot officially starts, and another year after that until your demise. that's plenty of time to get him to warm up to you!

it was easier said than done, but after your valiant effort and abundance of time put into this relationship, which admittedly you could do with some of that lost time back, you could give yourself a pat on the back with the progress you made! while you definitely could have done without a lot of the headaches, it's safe to say sunday has significantly warmed up to you in comparison to your wedding day. he now willingly eats all his meals with you with some real conversation, takes garden strolls with you in the early evenings, invites you out for dinner at a restaurant at least four times a week, hell he's even joked and laughed with you more frequently! but most importantly, he has begun asking for your opinion before finalising any decisions he is required to make. and he actually listens and considers your side! now, that certainly is the best outcome you could hope for after all this time, and it most definitely will help in your endeavour to save you both from the protagonists!

however, you've noticed he's been more... affectionate? well, at the very least he now willingly holds your hand when in private (not just in moments when you're in the public eye and he has to make sure the family's reputation is spotless), sometimes he will hug you out of the blue ("i just need to... recharge. you have a way of calming me down. i hope you don't mind." ...how could you say no to his supreme god-tier face card? that's just a losing battle you won't even bother fighting against.), oftentimes he opts to just gaze wordlessly at you (robin had mentioned over one of your tea times how it almost appears as though there is no one but you in the world when sunday gazes at you with, in her words, "the eyes of a man so deeply in love!" ...whatever that's supposed to mean...), but a more recent development has been his sudden interest in kissing you; well, more specifically giving you a kiss to the back of your hand or on your forehead — certainly not anywhere near the lips! (besides, he's probably just gotten comfortable with you, enough where he can freely act without judgement. nothing more, nothing less.)

well, either way, development is development! soon enough, the time for the main plot to start has arrived. it of course follows what you remember, from the organised balls to the protagonists meeting to the political aspects of it all. the only difference is sunday's less active involvement in all the schemes and the emperor's ploy. rather, he seems more focused on you and the future of your marriage and even displayed a sudden interest in your practically non-existent relationship with one of the foreign diplomats, aventurine— wait...

"[name]," he calls your name out so sweetly you nearly disregarded it as someone else he was talking to. well, perhaps you would have done had he not suddenly appeared before you, a tight-lipped smile tugging the corners of his lips as he steadily approaches you.

oh. he doesn't seem very happy, if his tense figure is anything to go by. you wonder if one of the nobles grated his nerves a little too much this time?

sunday comes to a halt a step away from you. "i don't like that... gambler being so close to you. it... it brings me a rather unpleasant feeling." there's a slight, trembling pause. not a moment later does he close the gap between you, one knee on the ground as he matches your seated height on the fountain rim, your hands gently enclosed in both of his.

you idly wonder if this is what robin meant by the so-called "eyes of a man so deeply in love" she constantly gushed about, for the way in which he gazes up at you is enough to render you breathless.

"tell me, [name]," he begins once more. there is an underlying desperation woven within his tone, one which has your head spinning and heart thumping wildly as his trembling gaze holds you in place. "tell me, what am i to do with this fervent love and overwhelming adoration i hold for you?"

oh.

...oh.

perhaps your impending doom should be the least of your concerns when you now find yourself in the arms of a clingy husband...

(though, it's safe to say you did, in fact, manage to prevent him from succumbing to his tragic fate! you just gained a loving, yet slight slightly emotionally challenged husband along the way.

well, you can help him work through it; you have the rest of your lives now to figure it out, after all.)

[tainbocuailnge]

this is a final fantasy fourteen dawntrail post. it speaks incredibly for the desperation of the people of alexandria in its decline that they both couldn't bear to remember the dead and couldn't bear the thought of the dead no longer being remembered, and thus created this contradictory system where the dead are only remembered by something other than those to whom that memory is meaningful. so crushed by collective trauma and grief that they directed every effort to eradicating awareness of mortality altogether and it's resulted in a paradise where everyone is incredibly blasé about dying because the dead live forever in the cloud until they run out of spare souls and are completely paralyzed with fear of their own mortality.

but even more than desperation it speaks of a naive sincerity that the scientists and officials behind the project just actually genuinely built and maintained this giant memory database to preserve the deceased at increasingly large cost, rather than just lie that they totally did that to a populace who won't remember those deceased anyway. they're not harvesting souls to power the war effort while using a recreation of the beloved princess as puppet figurehead, they completely sincerely recreate the dead from their memories and simulate them living happily ever after, started by a sincere desire to not lose their beloved princess. living memory is an eternal theme park that actively goes out of its way to facilitate letting people who remember each other fondly meet again. it's the manifestation of a childish wish for a world where there are no partings, only reunions. it's a theme park rather than an actual city with a dmv and shit like amaurot was precisely Because it's a childish dream. it's fundamentally an artificial experience, but one which sole motive is to bring joy and relief from everyday sadness.

and sphene is the first and most prominent victim of that naive sincerity. she's the mascot of this theme park, and because she's the mascot in charge of providing this artificial but kind experience she can't ever break character. the people of alexandria couldn't bear the thought of her being forgotten, so they created a memory of her that would last forever, but they also couldn't bear to actually remember sphene, so she's a mascot instead of a person. she loves her people, and they love her, but none of them can possibly understand the weight that love puts on her shoulders. the sphene we meet is fundamentally trapped by other people's deeply limited understanding of her.

it's so so so important to her character that she's a small dainty feminine woman that exists to take care of everyone emotionally and be loved by them for being so nice and sweet and loving, and when she tries to arrange some kind of secure future she ends up with an abusive husband who ignores her wants and needs for his own ambitions, and she is fundamentally unable to act outside this highly gendered framework. sphene reads like the commonplace tragedy of the straight woman to me to the point where making her in lesbians with wuk lamat is like. I can certainly understand wanting to grant sphene the sense of liberation and comfort that many lesbians themselves feel at the realisation that they don't have to marry men, so far be it from me to say anyone is wrong to do so. but it's kinda ignoring part of what her deal is for the sake of that comfort I think.

not that lesbians have never ended up in abusive marriages with men but sphene very explicitly does not have other options, part of the tragedy is that you fundamentally cannot actually grant her that liberation and comfort. cahciua explicitly says there's no way to know what the real living sphene would have done because this sphene is a recreated memory of the beloved princess whose job is to sustain living memory. their darling sphene who will always listen to all their troubles and is always nice to them and will always take care of them. she's literally trapped by the role society assigned her, and that role is essentially to be their tradwife mother. the living sphene may have been into women, but the people who recorded her to create the sphene we meet never even considered the option.

do you guys know that tweet thread where OP describes going to a funeral for a woman they didn't know who'd died young of a heart attack, and the husband spent most of the eulogy talking about himself instead of his recently deceased wife, and by the end of the ceremony OP had learned nothing at all about what this woman was like beyond being a wife and mother? everyone fondly remembers the princess and queen of alexandria, but nobody remembers sphene. and just like all OP could still do for this woman was go to her casket and acknowledge that she too had been a full person in her own right before the stress of swallowing everything about herself killed her, all wuk lamat can really still do for sphene is think of her as the full person she must have been.

we're not told anything about what sphene was like as a leader, what her policies were, how she actually did her work, her vision for the future of her country before she died and was reconstructed. they only tell us everyone loved her so dearly because she was so kind to them. we're shown her dying moments and it's her using her airship to shield a civilian, so we can assume her love for her people was indeed true. but none of sphene's history that we're shown and nothing of how otis (who knew the living sphene) talks about her tells us anything about what she was like outside her role as beloved princess. her memories from after her "revival" are dissonant and corrupted and possibly not even real, and her policy of preserving living memory no matter what is a wish implanted in her by the people who reconstructed her. we don't even get to see what she looked like when alive. the only sphene the people know is the theme park mascot of living memory.

cahciua was exactly as erenville knew her and was true enough to herself to be able to turn against the system, so we're not given reason to believe any of the endless were tampered with. but sphene was already dead by the time they even tried to figure out how to preserve her memory, her actual soul and memories definitely long gone by the time the technology worked. we're explicitly told that nobody in everkeep really cared who or what sphene was as long as she adequately fulfilled this role of loving them all so much. she can't even tell you her favourite food, none of the people who labored so intensely and sincerely to bring her back bothered to write down even her most basic personal preferences when they reconstructed her. she has to deflect the question with "when I think of the people who make the food I can't pick just one" because the only preference she's allowed is loving all her people equally. she's completely thrown off that wuk lamat would even ask.

and it's precisely because she is remembered only as this kind loving woman who gave everything for her people that she is weak and powerless to actually do whatever it takes to keep them safe. she does not have the freedom to assert herself, let alone to be cruel or violent or take extreme actions. society does not give her that freedom, because she is a small dainty woman and (therefore) the only role allowed to her is to be their tradwife mother. so while her desire to protect her people is as real and true as it can be part of her plan to lobotomise herself in order to become someone capable of violence and cruelty also reads to me as that specific female frustration of wanting to destroy the sweet babygirl image of yourself by doing something extreme. like britney spears shaving her head. but in sphene's case destroying the babygirl image amounts to destroying herself completely, because the babygirl image of her is all that comprises her. and so when all is said and done the only fragment of sphene that is restored and lingers just a bit longer after that image is destroyed is the sphene that wuk lamat sincerely wanted to get to know.

[evilminji]

Broadway :3c

And I hear ya. (Insert spooky joke here) There is a sprawling WEB of central hubs, for The Arts. For trade. For getting drunk and having a good time. The Zone is large and it is endless. You'll NEVER reach the far end. It can never reach you.

All things, in gentle sweeping waves, across eternity.

So when folks want to have "a market" or "a movie theater" or "the waterpark"? You gotta PICK a point on the endless map. Figure if you are close or far enough away for others like it, to make it worth the effort to build.

You might even be the first to do it for GALAXIES in any direction! People might fly for WEEKS to come to your place! Move their Lairs to be closer too it. Like dust gathered by gravity, slowly creating planets and stars. A mega Lair. A CITY.

They rise, they fall, the Zone shifts all the while.

But!

Does the dead starlet stop singing? Does getting gunned down, stop the show?? I think NOT! Where is her STAGE? What musicals? What dramas? What operas and tragedies and forms unknown to human kind??! Ballet dancers who CAN defy gravity! Singers who have no NEED for air! The haunting blend of instruments, that could never in life have met! From empires long turned to ASH!

The greatest show in DEATH!

Ember was a world wide hit. Yes, her voice was hypnotic. But that could be FOUGHT. It was SKILL that carried the game. And she was hardly "I was Literally The Greatest My Planet Ever Produced" skilled. She was good, great even. Not "I was Born For Greatness" Excellence.

And like?

.....eventually? Danny's gonna ask after "cultural-y" Culture stuff. Clothes and food. Music and the arts. To help his parents get used to the whole "our son is half-dead" thing. To show he's not some mindless monster now.

And? Ghostwriter? Probably an absolute legend. Does he know where you can find some CULTURE? Oh THANK ZONE! He thought you'd NEVER ask! You unsophisticated-! *fist fight in a library* Still a dick, though. Always and forever.

And just? Imagine Broadway stretched out into a floating city. That never sleeps. Never stops. Shows ever changing. Some on a cycle, some only once. Dream-like. Beautiful. Eye catching.

And yeah, Danny didn't think he LIKED musicals. It was more of a Jazz thing. But? This was important! Gotta get the whole family in the Speeder. We're going to see a play, guys! We'll pick when we get there! Family road trip! Educational! We can make notes!

His parents are trying to be supportive. Big, fixed, strained grins. Trying to pretend to be excited. But they... DO seem reluctantly intrigued? And Jazz is all but vibrating in her seat. It's basically her "before you go away to college" present. And she is THRILLED.

The longer she excitedly speculates? The more into it she gets their folks. This IS gonna be new! Exciting! Never before seen Ghost Culture! Music! As a FAMILY! Think we could find souvenirs? Ooooh, wonder if they sell CDs??!

Then? They GET there. And it's... it's like seeing the Las Vegas strip for the first time, except multiplied into a city. Made of even MORE styles and eras. At angles gravity would never allow.

The air filled with laughter and excitement, people rushing to shows or humming bits of tunes. Street stalls. Fountains. Flowers growing everywhere.

They could stay for months and not even reach a fraction of these buildings. His parents are taking countless photos. His sister squeeling with joy as she races for an information kiosk like they just arrived at Disneyland. He, at least, remembers to lock up the Speeder. Grab their day bags.

When did HE become the responsible one?

The argue over shows. Obviously. Wouldn't be Fenton's otherwise. HE wants to see the alien one. It's from mars! But it's his sister's trip, as his dad points out, so she gets to choose. She picks a musical set during the Fall of Krpton. He's... reluctantly kinda interested. I mean, EVERYBODY likes Superman, right?

It's... it's amazing. Terrible, but amazing. I mean? A coming of age story cut tragically short? Oof. Hello, massively projecting then getting FEELS about it! Yeah, sure, rip my heart out why don't you? He's fine. No, really! Just drowning in his own emotions over here. The refrain of "A Life Well Lived"? *gargling dying whale noises* he's FINE. Not grappling with anything! Go on without him!

Thankfully?

They DO sell CDs.

He... he may end up, kinda, getting a bit of a collection. Going on the weekends, hoping show to show. Wandering to whichever catches his eye in the moment. Buying the CDs for one's he likes. Which? Honestly is a lot of them. Even though there's all sorts of genres and languages. Cause it... it RESONATES you know?

The grief. The anger. The "I have died but I wasn't FINISHED. It isn't FAIR.". And? Something about ghost speak flows so BEAUTIFULLY in song? It's hard to explain. But he... he needs them.

A pair of headphones, a CD, and a clear night sky? Nothing touches it. It's like a trance made of light. Like he can just drift.

The problem? Is the CDs are kinda... Zone made? They're radioactive, for one. Nothing a Fenton CD player can't handle. But... they? Also? Kinda fuckin GLOW? Like... very, very noticeably. And not in a "ha ha, cool glow in the dark paint!" Sorta way.

.........but like FUCK is he leaving his music behind when he goes to college. Gotham will have to deal. It's already a burning shit-nado, it can handle this. Probably. He'll put um in a lead lined box. Actually, speaking OF.... he needs to get a few more of those... *goes back to packing*

Which? Is how? The Bats are treated to some of the most HAUNTING music they've ever heard, belted and crooned from Some Guy's speakers, out an open window, on the "stop for a mid-patrol drink of water and a snack" building. It's one of the intersections of their patrol routes. And THAT? That is some dude listening to a Romani ballad about death and the circus. Now it's a musical about the trenches of an obscure war.

Okay, that was DEFINITELY Kryptonian. Like... coherent Krypto- *Bruce gets a call from Clark on his "work" number DEMANDING to know where that is coming from. Who is that voice Bruce?!* huh.... Well Then.

@hdgnj @hypewinter @nerdpoe @lolottes @babbling-babull @spidori @mutable-manifestation @the-witchhunter

[dragonseeds]

do you think dany knew what she was doing when she hatched her dragons or was it just an accident?

oh yes i think she knew exactly what she was doing. the magic in her blood and the eggs and the fire was speaking to her, coming through in her dragon dreams—especially that last fever dream after her miscarriage. i think she knew it was possible before because she could feel the eggs stirring and the magic waking up (and she was already connecting with drogon and drawing strength from him), but it was mirri maz duur who actually taught her how to do it.

i love that what she’s actually doing is never explicitly stated, yet everything she’s doing saying and thinking gives her away. like she swears to jorah she doesn’t intend to die with drogo, she directly compares herself to aegon, she places the eggs on the pyre and tells mirri maz duur that she’s going to take her life because only death can pay for life, etc., but the closest dany ever comes to directly saying it is when it’s done and the last dragon is about to hatch:

like calling herself mother of dragons and then calling them her children is unequivocal, but before that grrm’s building the suspense and creating this heady wild momentum. it feels very similar to reading her wake the dragon fever dream, and provides such a great insight into her character. the space in the narrative where she doesn’t acknowledge what she’s doing or exactly why she’s doing it is where the magic lives, and it also gives her a place to hide any lingering uncertainty or fear, while still making it clear that she understands what’s happening: that she is in fact making it happen.

but like speaking of accidents, i’m obsessed with the difference between dany’s success and egg’s flop tragedy. she uses her husband’s funeral pyre, the husband whose life she traded her son’s for, to wake the dragons (including herself) and creates life from death. aegon v tried to hatch dragon eggs during rhaegar’s birth (the child he and jaehaerys ii traded rhaella’s happiness and agency for) and instead made a pyre of summerhall and most of his family. rhaegar was the last dragon, born in fire, and now it’s her—but it was always her and he always had to die. “the face within was her own.” crazy. insane.

i’m sure people have pointed this out before, but the magic here always makes me think of this line from the last unicorn: “real magic can never be made by offering up someone else’s liver. you must tear out your own, and not expect to get it back.” grrm’s use of magic is very similar, just as the unicorn and dany are similar, and i think it’s very possible that other attempts to hatch dragons in the past failed in part because whoever was trying didn’t understand this (and also because they were a. men and b. not daenerys lol). magic has a price, and it’s always high. this is one of the hardest lessons dany has to learn, and she thanks mirri maz duur for it in the end, because she understands that it had to be her own child, her womb, her husband, her sun and his fire that’s really hers burning someone’s life away—and this whole time, the entire book up until this point, she’s been cracking open like the moon, like the eggs on the pyre, and then she joins them in the fire.

[bohoteacher]

Navigating Betrayal: Reconciling Admiration with Disillusionment

Like many Neil Gaiman fans this month, I've been shocked and distressed by the news regarding the SA allegations. I won't go over the details, as they're readily available online. I'll start by saying that I believe the accusers, and even the most lenient interpretation of events is still troubling enough to discredit Gaiman. For a long time, I didn't know what to say. I was just shocked and, somewhat naively, felt betrayed. I don't typically idolize actors, authors, or other public figures—I'm here for the characters, they're who I love and believe in. So, how did I end up believing in this man and his rhetoric?

I only had a parasocial relationship with him, which is to say no real relationship at all. But I took his Masterclass on writing, spent hours taking notes, and learned from him. I feel betrayed by someone I saw as a beloved teacher. I know this is insignificant compared to what the women who came forward experienced, but it's a valid feeling, and I needed time to process it. My initial reaction was to throw out and discount everything he’s ever written or done—of course it was.

This isn't just about my love for Good Omens, although how can it not be? I learned so much from this man—about writing, about not being too hard on myself, about the creative process. I read his books to my middle school classes, and we all learned how to be better people from them. Today, I saw and bought Instructions, a children’s book by Neil Gaiman illustrated by Charles Vess, from the used bookstore where I volunteer. It was a used copy, so no royalties will go to him. It’s a beautifully illustrated book where the main character walks through a land that clearly symbolizes life, learning lessons like saying please and "if any creature cries to you that it hurts, if you can, ease its pain." How could someone write this and then do what he did? I asked myself. "What an evil hypocrite," was my first thought. But then I recalled a line from another author, Stephen King. In The Stand, a character is described as "awake at the lectern, but asleep at the switch," meaning they know the right thing to do and can talk about it, but in the moment of choice, they act without integrity.

I don’t know if I’m making sense, but I think it’s too easy to label Gaiman as simply evil, as if he intentionally manipulated us by saying the right things just to make us read or watch his creations. The reality is likely far more complicated. Within this man is the amazing, thought-provoking, life-affirming wisdom that many of us have tried to live by, but also the hard, thoughtless, selfish cruelty that led him to abuse young, vulnerable women. The wisdom does not justify the abuse, and the abuse does not nullify the wisdom.

I think it's too simplistic to say Gaiman is despicable and always has been, hiding it from us all along. This doesn't acknowledge the complexity of human nature—that there is potential for both good and bad within us all. As it’s said, possibly by Terry Pratchett or possibly by Neil Gaiman, “It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.”

Gaiman is a man who has done some fundamentally good things and some fundamentally bad things. I can’t forget either one.

This is just my opinion. I know some people want to cancel him, while others want to exonerate him. You do you. As for me, I will continue to love Aziraphale and Crowley. I will continue to read and create fan-fiction. I will continue to find comfort and wisdom in books that have meant so much to me over the years. But I will also remember that they were created by a very flawed man whom I can no longer trust.

I understand that opinions on this matter vary widely. I know some people might feel that not discarding everything associated with him is wrong, but this is where I stand. I’m not looking to debate this or be told how I should react. I just needed to process my thoughts in writing and move forward in the way that feels right for me.

[aliciavance4228]

Bitches be like "Oh Hades always has to deal with his stupid youngest brother Zeus who cannot keep it in his pants."

First of all, Ancient Greeks didn't wear pants.

Secondly, Hades and Zeus are actually decent with each other. Hades isn't ashamed of asking him for help whenever he considers that there's the case, whereas Zeus trusts his eldest brother enough to give one of his daughters as his wife. There's also this whole discourse claiming that Zeus got the best and Hades got the worst, but if you actually give a second thought to it the Underworld actually has some of the greatest peaks: besides the fact that you're extremely rich all the mortals eventually become your subjects. Even poets stated that in numerous works:

Ovid, Fasti 4. 443 (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) :

"[Zeus speaks :] ‘My rank is no greater [than Haides]. I hold court in the sky; another rules the sea [Poseidon], and one the void [Haides].’"

Or:

Seneca, Hercules Furens 53 (trans. Miller) (Roman tragedy C1st A.D.) :

"Dis [Haides] himself, who drew a lot equal to Jove's [Zeus's]."

But if you're so desperate to give Hades a brotherly rivalry then I'm here to tell you that there's no need to erase all of Zeus' qualities (leadership skills, wisdom, long-term planning, determination, cunning etc.) and over exaggerate all of his bad actions in order to portray him as an incompetent asshole Hades always has to deal with. You could simply give Hades and Poseidon this type of dynamic instead.

Poseidon is way more impulsive, temperamental and testy than Zeus. He doesn't hesitate to show his wrath, let aside make others suffer because of it. On top of that, he's the god of the sea and earthquakes, and he's also almost as powerful as Zeus. His attributes and realm could easily represent a threat to the Underworld if he lets his anger go too far.

Take this passage from the Iliad as a relevant example:

Homer, Iliad 20. 67 ff :

"Poseidon from deep under them shuddered all the illimitable earth, the sheer heads of the mountains. And all the feet of Ida with her many waters were shaken and all her crests, and the city of Troy, the ships of the Akhaians (Achaeans). Aïdoneus [Haides], lord of the dead below, was in terror and sprang from his throne and screamed aloud, for fear that above him he who circles the land, Poseidon, might break the earth open and the houses of the dead lie open to men and immortals, ghastly and mouldering, so the very gods shudder before them; such was the crash that sounded as the gods came driving together in wrath."

Dude was freaking out in this scene. During the entire Greek Mythology he's presented as stoic and rarely frightened, but when his brother was causing a strong earthquake he was shitting himself and sucking his thumb like a baby (metaphorically). For the first and last time we see a god being vulnerable and scared by other gods in a similar way a mortal who is about to lose all of his property and belongings would be. Poseidon is pretty much capable of drowning the entire Underworld or exposing it to the Aboveworld if he wants to, so who's actually the more problematic brother? The one who can maintain his calm and control and understands better how distructive power can be, or the one whose anger was on the edge of breaking the border between the realms of the living and the dead?

What if people would stop completely changing the original personalities of the Greek Gods and create more headcanons and fanfictions based on what's actually stated (or at least what is suggested/more plausible) in the myths?

[tossawary]

Something I found surprising when revisiting the prequel trilogy is how much the clones aren't full characters in the movies. They're props. They're devices. The films give them the same weight and attention as they give the Separatist droids, really. The only two clone troopers I can easily name off the top of my head who get "named" in any way are Oddball and Cody, who are both just barely in "Revenge of the Sith", and interchangeable in their roles with any other background clone.

It's interesting when held up against "The Clone Wars" and other extension material, which had the time and inclination to say more directly, "Hey, these are people and what's happening to them is wrong." Like, obviously what's happening in Ep2&3 is wrong, the audience can draw that conclusion on their own, growing people as cannon fodder is a clear part of the greater tragedy if you take about five seconds to think about the situation here. Even without the element of the entire war being constructed and controlled by the main villain, the clones are a tragedy.

But, oh man, the movies themselves don't really care to focus on that. It's SUCH a background element. I had a "oh, yeah, Order 66 being programmed into a control chip was a later addition to / clarification of canon" moment while watching, because as far as Ep3 actually shows us (as was the initial intention by some, I know), Cody apparently knew the entire time that he might be called to fire on Obi-Wan Kenobi and was just waiting on the call. The "homogenous evil army" trope is... very much present and even more identical than usual here.

By the films alone, you can easily assume that the clone troopers have no love for any of the Jedi (whom we're meant to believe are relatively decent people) for a variety of reasons. Their upbringing and training on Kamino was presumably cold and brutal. They're (possibly enslaved) soldiers in an even more brutal war. This army is offered no development or individuality that makes the appalling Jedi Temple massacre out of character for any of them.

But when the various Clone Wars shows first turned the clones into individual characters and even protagonists, many of whom are shown to be good people and become friendly with the Jedi through years of teamwork in life-or-death situations, Order 66 became weird. "Wait, why would the majority of clones (all the clones we see in the movies, at least) just go along with this? What went wrong here?"

I get why TCW and SW canon settled on the control chips option and I find it interesting enough. The tragedy of it all makes me want to lie facedown on the floor. Darth Sidious is really winning at sheer evilness here.

On the other hand, there are some really fun and interesting "Order 66 was taught, not programmed" AUs to revisit here. Especially when some of the other (Legends canon now) contingency orders include what to do if the Supreme Chancellor is incapacitated or declared unfit, or even getting rid of the Supreme Chancellor and assuming control by lethal force if necessary. Presumably these orders existed as a back-up in case Palpatine wasn't elected to the seat in time for the war or didn't manage to get rid of term limits and was replaced as Chancellor at any point.

That really sounds like Palpatine's evil army of ruthless Jedi-Killers (unchipped) could have easily backfired on him if they'd ever decided all of these non-clones were unfit and organized to take power for themselves. I love any scenario where Palpatine's arrogant and overly complicated plans get him in trouble. The "homogenous evil army" often gets treated as a mindless mob, but while the clones may have some degree of emotional suppression, they're clearly very capable and not unintelligent, and they're not given many (if any) reasons to be loyal to the Republic. And it is FUNNY to imagine any Dark Lord's created army deciding that he fucking sucks at war (there's obviously a leak, why the FUCK are they losing so much ground to fucking droids) and they're overthrowing him for better benefits, so that they can create and run a more efficient Evil Empire themselves.

You could make this angsty as hell or a comedy, or both. I'm imagining the clones at the eleventh hour murdering Chancellor Palpatine with such brutal efficiency that it feels like its own kind of prejudice. And he gets revealed as a Sith Lord in the process (this was taken into account as a potential problem when planning the assassination), so there's an initial moment of: "I can't believe it! He was the Sith Lord in the Senate all along! How did you know?"

Cody: "Didn't."

Obi-Wan: "...Pardon?"

Cody: "This is a coup, sir."

Like, if we're going by what's shown in the movies alone, there's a clear Emperor Cody AU to be had here. Which can be played as a temporary (years long) measure to reinstall a Republic with proper checks and balances, while a bemused Jedi Order and Senate are held hostage, or the First Galactic Empire is established as per canon just with the clones running it and reaping the benefits. I'm currently enjoying thinking about the latter scenario as a dark comedy, in which Future Emperor Cody (or the clone of your choice) has to negotiate in his spare time with the various demands of his fellow clones. (Who are, let us remember due to the horror that is the accelerated aging, a bunch of teenagers at the oldest here.)

Rex: "I want Tatooine."

Cody: "The whole planet?"

Rex: "Yeah."

Cody: "It's a shithole."

Rex: "Yeah, but it'll make Skywalker so kriffing mad, so I'm calling dibs."

Cody: "Noted."

And if you want to write shipfic, there's always the AU of various Evil Army Clones meeting their love interest and then going, "Not evil anymore! Sorry, guys." Which could be angsty or another dark-ish comedy.

Cody @ the clone commander group chat: "WE'RE NOT GIVING UP ON THE 3-YEAR IMPERIAL COUP PLAN JUST BECAUSE YOU HORNY ASSHOLES WANT TO FUCK JEDI!!! STOP TALKING ABOUT THE POWER OF LOVE!!! STOP IT!!!"

[moonlightcycle571]

My Take On Evil Captain Marvel / Shazam / Shazamily

In an AU where all the heroes are villains, and all the villains are heroes, I like to think Captain Marvel is like the Poison Ivy but for the Magical Community.

So we all know Captain Marvel is the Champion of Magic, and as such he has duties, be it a hero or a villain. Now picture this:

Homeless Billy Batson, fresh out of being struck by a Magic Lighting, gets taken in by the magical community (be it the fae, a witches coven, magical creatures, or smt). He develops a love for the mystic realm and is thus more active as Champion. They have shown more love and kindness than any human ever has, and eventually sees himself as a magical being / well of magic more than he sees himself as human.

But then, tragedy, and he sees people hunting down members of his beloved community for the sole reason that they have magic. They see creatures under HIS domaine being captured and sold in the black market. He sees butchered remains and fur of his friends being hung as trophies.

So seeing as that there are NO magical protection laws, and knows deep down that Adults Cannot Be Trusted (if his time on the streets taught him anything, it’s that), he takes matters into his own hands.

He hunts the hunters for fun. He rips apart ANYONE who DARES hurt those under his protection. He destroys countries who normalises the destruction of the mystic. He sends plagues and lighting. Those so called ‘Heroes’ who try to stop him aren’t any better, for they stop him from doing his Duty as The Champion.

He gets noticed by a group of individuals who wish to recruit him (evil JL). He joins, not because he actually cares about their goals, but they promised to leave anything magic alone, and even help him take down his adversaries. Morality is something he has long given up on.

The Gods don’t care either. From their point of view, humanity has long forsaken them, and makes a point to destroy what they have created. Hecate is especially supportive, she created most of the magical creatures, of course she has a fondness for them.

Mary, Freddy, Tawny (who in this au might be a creature that Captain saved) and the rest of the Shazamily join in, as they too much prefer magic over humans. Maybe in this au, they were put into more abusive environments.

Fawcette becomes the center of the magical world, and is known as the most protected place if you are of the mystic.

It’s a shame that cursed Black Adam did not join them, his time trapped made him soft, and developed a fondness for people (it’s what his son would have wanted). And really, he ought to get over Kahndaq. Sure, they destroyed the country, but they had it coming! They were trapping a bunch of Gods!

Anyways, this is just me rambling. I might make a part 2 if the inspiration comes to me.

[the-daydreaming-show]

❝baby mine, don't you cry❞ — Richard “Dick” Grayson

jason's version

The arrival of your first child and the chaotic energy he brings into your life (which is saying a lot, why chaos is a part of you). So imagine the gray hair you obtained thanks to your First Joy.

NOTE:

People forget that as Dick was a troublesome little sh*t and he still is. We love him but he is the chaotic son and @igotmessymind agrees with me!!!

This story is part or the BATMOM SCARLET WITCH UNIVERSE that i have create. I hope you enjoy!!!

𝐅𝐀𝐍𝐅𝐈𝐂 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓.

WARNINGS: Dick's parents die; a boy who is very angry with the world; a very stressed new mother (you); Bruce is there, but that's not what this story is about, but he is a good father in this world.

Technically, the first time you met Dick was directly after his parents died, but he wouldn't remember that until he was an adult. And you never counted that as your first interaction with your boy because of the tragedy of the whole scenario.

You and Bruce had gone to the circus that day in the subtlest way a Wayne could go anywhere. It was a date night, one that both of you had recently defined as mandatory every week. First so that Bruce could have a break, and second because that way you guys started spending time together somewhere other than the batcave. Something that, according to Alfred, you both desperately needed as a couple.

You two were in the front row when Mary and John Grayson plummeted to their deaths in the middle of their circus act, leaving a horrified ten-year-old Dick. The boy's scream was something that, even years later, if you closed your eyes, you could still hear with terrifying clarity. Once the tent was evacuated and the crime scene isolated by the GCPD, the newly promoted Captain Jim Gordon arrived and, before you left, he very subtly approached you and your husband. He asked you if you could do something for the child. The forensics team will arrive at any moment now, and they will have to uncover the bodies. Nobody couldn't get Dick to move or to react in any way, and Jim wanted to spare the boy seeing his parents like this more than he already had.

Jim had been aware of your and your husband's identities for a while, so the request didn't surprise you. To the contrary, you quickly agreed. He took you back to the tent. Dick had been lowered from the platform, but he remained curled up in a ball on the floor, next to where the bodies of his parents were covered in white sheets, which were turning redder from day to day. Little with each passing moment. You approached him, with the most delicate step possible, and placed a hand on his hundred, entering his mind gently and gently guiding his consciousness out of the shock of the situation. It was superficial magic that didn't get you into the boy's mind very much, just enough to help him and not force him. In a few seconds the boy's head snapped up, and you let Jim quickly take control of the situation, allowing one of his detectives to guide you back out of the closed area, then back to your husband. 

You had to help your husband out of his own shock that same night, forcing him to stay home and not go out as Batman, without accepting any complaints. Alfred helped, agreeing with the idea immediately. The death of the Grayson's in front of his own son was something that came very close to Bruce's heart, too many buried memories that arose uncontrollably.

The first official meeting that both of you remember is almost two weeks later. After you and Bruce had decided to take care of little Dick into your own hands. All because you find out how the boy kept sneaking out of the houses where the state put him at least once a day since that fateful night.

“Dick, this is my beautiful wife, y/n Wayne” Bruce introduced them both that day when the boy arrived with his suitcase and his eyes wide open, surprised by all the luxury that Wayne Manor represents. Smile at yourself and look briefly at your husband in reproach for his choice of words. He just shrugged, not at all sorry for his words. It's the truth. You ARE beautiful, and you are MY wife, he thought in his defence, knowing you would listen. You rolled your eyes and returned your attention to the child between the two of you.

“It's a pleasure, Mr. Wayne” The boy said suspiciously, but politely, not believing how good the situation looked for him and not trusting you or your husband at all.

“It's nice to meet you too, Dick” you told him, smiling sweetly “No need to be so formal, just call me y/n, it's fine”

Dick's mind couldn't stop thinking about how pretty you were. The way you were sweet in that first meeting was bittersweet for him, because he reminded him of his own mother, of that affection that she used to give him and that he would never receive from her anymore.

“Lunch is almost done” you tell him as you lean a little more towards Bruce for support, “Are you hungry?. Alfred prepared a buffet just to welcome you” you explained trying to push those thoughts away for now, you desperately wanted him to feel good and comfortable there.

“Alfred?” the boy asked, confused.

“Our butler” Bruce explained 

“He's more like family than anything” you clarified, “Like a grumpy grandpa who won't let you touch the stove without breathing over your shoulder” you teased a bit.

“Did he say my name, Mistress y/n?” said the aforementioned, coming from the kitchen and looking at you accusingly.

“No, not at all” you denied it and Dick couldn't help but smile a little at the mischief, to which you winked at him and offered your hand.

“Come on, let me show you the dining room” you invited him and the boy left your hand dangling for a moment, thinking about his next move. But, since you didn't stop smiling or offering him your hand, Dick decided to take it last, mainly because he was hungry.

Dick let you guide him, serve him food. He talked to you a bit during the meal until Bruce had to go to Wayne Enterprises for a meeting, then you showed him the mansion and his room. You promised him that you would go shopping this week to decorate it to his liking so that he would feel more comfortable.

During that week was the honeymoon phase.

The social worker you and Bruce had meetings with before Dick arrived explained about the phase. It's when everything seems perfect and the child shares his best manners. Either out of fear of how you would react. Or hoping to see how long your stay in the house would last, if it's worth getting used to or not. But the act would end sooner or later.

And it was exactly one week later (a Tuesday to be exact), the day after Dick started attending his new school, that the boy act ended and the adjustment phase officially began.

“This stage is the most difficult, so I need you to be prepared for it, especially in a case like Richard's” the social worker explained to both of you with seriousness. You had taken every word she gave you with like it was the bible, but at the end you still weren't ready when it started and everything that happened hit you like a truck.

You were in your studio in downtown Gotham, having a meeting with the designers who work with you and discussing that winter's new clothing collection for the brand. When Nina, your personal assistant, enters the office after timidly knocking on the door with a worried face.

“Mrs. Wayne” she called out to you, to which you look at her, smiling kindly upon seeing her “I know that you asked me not to bother you unless it was an emergency” she said, remembering what you had told her, you frowned immediately worried, because Nina was extremely effective and if she was there it was because it was genuinely an emergency “Gotham Academy is on call, it's about your son” she told you, and you immediately called off the meeting before leaving on the phone.

It turned out that not only had the school called, but GCPD had called Bruce around the same time.  Dick, your only ten-year-old boy, had run away from school and ended up being found in Crime Alley by an officer who recognised him from the news.  The officer in turn informed Jim Gordon, knowing the proximity to the Wayne's, and he gave the order to bring the boy to his office in the centre of the city, to then call your husband.  You never knew what god to thank for Dick that would have been found by one of the few good cops in Gotham, but you did anyway.

“What is he thinking?” you asked worriedly while talking on the phone with Bruce, already on your way to the police station, with Alfred driving, “Anything could have happened to him.  If he didn't want to go to school he could have said, he insisted on starting this week, I don't understand!-” you stopped, passing your hand over your eyes and sighing heavily.

“That was probably the point, love” Bruce said softly. “He wanted you to leave him at school and not think about the matter anymore.  It is likely that his plan would have always been to escape, surely he would have done the same yesterday if he had not been assigned a partner for his first day” he explained to you, his voice accompanied by the movement of papers on the desk in his own office.

The day before, which had been Dick's first day of school since the death of his parents, the school had assigned one of its older students to guide him on that day, so he had been watched all day. But that day had been different, and your son had gotten up in the bathroom in the middle of the first class, and had not returned to the classroom. So the school had called you when they realised the boy was missing.  And Jim had called Bruce shortly after when the patrolman found him. And Dick had taken a cab to Crime Alley, of all the places.

“He's safe, you need to calm down, love” Bruce continued, getting up from his desk, to walk up to the large windows in his office and look out over the city, as if he could see you from the top of Wayne Tower “We'll talk to him when he gets home, before dinner, but upsetting you like that won't help” he advised you, even though he was just as worried about what had happened.

“Alright, alright” you whispered while taking a deep breath.

At the door of the police station you were met by a uniform who was waiting for Jim's orders, who took you to the captain's office where, sitting with his head down and his arms crossed tightly across his chest, you found Dick. 

“Richard Grayson” you started in a stern tone, walking towards him and crouching down in front of him, to check that he wasn't hurt. “¿What were you thinking?¿Why do you think of getting in Crime Alley alone?” you asked calmly but firmly, looking at me as the boy avoided returning the gesture “Dick, look at me” you insisted, looking for his gaze, but the boy continued to refuse, almost tempted to close his eyes to make his denial clear. 

“Mrs. Wayne” Captain Gordon called to you from his desk, where he had been watching the interaction, and you quickly stood up to greet him.

“Jim, you don't know how much I appreciate you for this. I almost had a heart attack when the school called me to say that Dick was missing” you told him as you shook his hand. 

“Don't worry, your boy was just taking a walk, a bit of a dangerous adventure, but he came out without a scratch” he reassured you while looking at the crestfallen boy sitting next to you, and he did not miss the way your hand trembled slightly “Gomez” the officer who had brought you to the door looked at his boss ready to receive his order “Why don't you take little Dick to get something to eat from the vending machine down the hall?” and his question didn't need an answer. Dick left with Officer Gomez without saying a word, as you watched his back walk away through the glass in the office door.

“Y/n, please, sit down” Jim asked as he approached one of the chairs on the guest side of his desk, sitting down across from you immediately after you did.

“I'm sorry, I just-” You tried to apologise for how upset you were, but the man stopped you with an understanding smile.

“Don't worry, y/n. I was close to an aneurysm the first time my Barbs ran away from school” he told you trying to calm you down, to which you giggled at the thought of the adorable red-haired little girl who was the only daughter of the Gordon family.

“They start younger and younger” you plead, with a mixture of amusement and concern looking at the older man.

“Well this is Gotham, our kids have to grow up faster than others” he explained to you, while he served a glass of water from the jug that he had on his desk “Your butler had the same reaction when I found your husband walking in the same place years ago, shortly after the death of Thomas and Martha��� he remembered, offering you the glass, which you accepted with anguish.

“God, he already acts like Bruce, and he hasn't even been with us for two weeks” you lamented, to which Jim couldn't help but chuckle a bit at your concern.

“Welcome to parenthood, your heart gets used to it sooner or later” he comforted you, running his hand down your back reassuringly.

Things got worse before they got better. Dick started running away not only from school, but from home, and he started yelling at you at unexpected times. There was no way for you to figure out what was making him mad because it was different what you did or didn't do every time he started his tantrum.

That was the case for more than two months after the first incident. Alfred told you that Bruce had been the same for a full year after his parents died. Bruce told you it wasn't your fault, despite what the kid was yelling at YOU all the time. But you could do more than feel guilty. You didn't want to fix things with your magic. When you retired you decided that your life could not be what you did with your power, it was more than just your power, and it was time to start accepting it, enjoying it. But you don't know how to help him without that power, either, at least not in a very deep way. So you did the only thing you could think of, you kept offering your hand to little Dickie, even though half the time he seemed to want to bite his hand.

It all came to a head one afternoon after you brought a very angry Dick to Wayne Manor from school. Gotham Academy had called you to talk after he tried to escape again. They informed you that maybe it was time for you and Bruce to look for another school for the boy, since his behaviour was not appropriate for the establishment.

“Dick, we need to talk” you called out to the boy, seeing him run towards the stairs as soon as you closed the front door. Alfred was shopping for dinner and Bruce was at League HQ, so you were the only one to argue with the kid that day “Dick Grayson, come back here, we're going to have a talk about this sooner or later” you said, going after the boy with a calm step, but Dick heard you coming and ran to his room at the moment he made the second floor of the house, slamming the door shut before you managed to finish climbing the stairs.

You sighed heavily as you stopped at the sound of the door slamming. You wanted desperately to go into the room and demand that the boy tell you what was bothering him so much, you wanted desperately to fix whatever was bothering him so much. But you knew you couldn't really fix the source of his problems, even if you had the magical potential to do so. You learned long ago that death is something even you must let take its course, for the sake of the very existence of the whole. You also didn't want to enter the boy's mind with magic, it wouldn't be fair to him to do that, so your options were limited at the end of the day. So you stood there, helpless.

You were having a hard time, not because you didn't want the task of taking care of Dick, but because it was a mixture of situations that seemed unfair to you. First the poor boy lost his parents together in front of his eyes, and he did so after the death of the Scarlet Witch, after you decided it was better to start a life without the chaos magic that characterised you. If the boy had crossed your path a couple of years earlier, neither Mary nor John had fallen to their deaths that day, you would have stopped it right there in that tent of the circus without much thought. But it hadn't been.

Although, you didn't need to read his mind to know one thing: Dick hated you. Totally and intensely. He had made it clear to you on more than one occasion.

And yes, he did. Dick hated everything about you. He hated the way you made his room look like the ideal in his mind of what he wanted. How you personally prepared his lunches for school. How you wore it and personally attracted you everywhere. How you smile with affection, how you patiently accept every insult and scream. I also hated how you tried so hard that he wouldn't notice that Bruce wasn't there much. Or how you always found him when he got lost in the halls. Also, when you brought him cookies and hot chocolate when he couldn't sleep, even though sugar didn't really help him sleep at all. He only made him happy for a while.

Why couldn't you be like the wicked stepmothers of the stories? 

It would be easier for him.

He hated the way you loved him, because it made him want his mom back, and it made him remember that she was gone, it made him want to accept you and Bruce as his family too. But he didn't need a new family. He necessitated his family, his parents, and his circus friends. He wanted his life back.

He hated you. He hated you. He hated you.

Dick curled up on the bed, with the blankets you personally picked out with him, which were Superman, and hid his head on the pillow. There he remained. At eleven years old, Dick had never been the type to be capricious or suspicious. His parents had always taken pride in saying that his son was very well-behaved and fit in wherever they went with the show. But now he just wanted to hate and never stop doing it, he didn't want anything else because the world was cruel, and it didn't deserve more than his hate. You didn't deserve more than that for being so good that it made him want to feel like before, and it pulled his mind to a better place every time you caressed his hair lovingly and made him feel at home.

That night, after eating the sandwich that Alfred had kindly given him when he refused to come down for dinner, he went to sleep without expecting you to come and say good night, as you had done since he arrived at the mansion. Usually, he didn't go to sleep easily, but his desire to avoid you overcame the fear of his nightmares, so he quickly fell asleep.

You arrived after he began to snore softly, already sunk in sleep. You entered, opening the door as quietly as possible, to see him spread out on his bed, with his pyjamas on, and the sheets almost falling off the bed due to his movements. Likewise, you couldn't help but feel the tenderness warm your heart, thinking to yourself that this should be a good step on the right path, because the boy hadn't slept well since he arrived at the mansion and since before, according to the reports of the social worker. So that he was sleeping at that time was good. You took victory silently and closed the door to the room, using the surface of your powers to close the curtains that let the moonlight into the room before walking away. 

You went down to the cave after that, where Bruce was getting ready to go out for the night.

“How is he?” he asked while putting on his gloves, as soon as he heard you walking out of the elevator.

“He's asleep” you told him with a big smile, happy for the small victory.

“Really?” Bruce asked, pleasantly surprised.

“Yes” you answer, reaching her side, unable to contain the smile of happiness, for that reason “I know it's not much considering what happened today-” you started, but your husband stopped you by placing his hands on your cheeks affectionately.

“It's a good thing” he assured you, smiling at you, and you kissed his lips lightly “We still need to talk to him tomorrow though” Bruce said, gently breaking your bubble, to which you sighed.

“If it makes you feel any better, Mistress y/n” Alfred began from the chair in front of the batcomputer “I could make you a list of the number of private schools Master Bruce was expelled from before he finally calmed down” he offered to what Bruce rolled his eyes in amusement “It's including Gotham Academy, of course” he clarified with amusement.

The night passed as normally as it could. But around one in the morning you went upstairs to check on Dick, as you always did at night when you stayed in the cave. It was the third time you'd checked, and he'd been fine the first two times, having started snoring louder on each visit.

So you expected to hear the boy snoring when you reached the hallway of his room, instead, you were met with crying. You stopped in place for a moment, because it was the first time you had heard Dick cry since he had arrived at the mansion.

“Mama” the boy cried, half awake and half asleep, “Mama” kept calling between sobs that shook her little body violently.

The most instinctive part of you walked quickly towards the door with a soft step, but the same logic made you stop at the door before even touching the handle, apart from that he told you that the boy was calling for his mom, for Mary. Not for you, he didn't want you. And for a moment you decided that you would not go in, and we let him cry all he needed, and tomorrow you would try to get him to talk about it. It might be a good time to suggest therapy. Yes, that was the best option and the best way to handle the situation.

“Mom, mom” you heard. Now fully awake, Dick continued to sob with his broken heart, and he broke yours with the sound of his cracking voice. So the institute won.

You walked into the room ready to be yelled at almost immediately. But you did it anyway, sure-footed and ready to do whatever it took to make your precious boy stop suffering once and for all. You knew that that would never leave him, but you would still try.

“Dickie, baby” you said as you approached the bed, to sit on the edge of the mattress next to him, running a hand over his back as he continued to cry and sobbed loudly “My joy, it's okay, you're-” and then the force of the child colliding with your chest stopped you.

In the time Dick had been there, he had never allowed you or Bruce or Alfred to get any closer than to hold his hand or stroke his hair. So when the boy threw himself at you crying and hugging your waist as if his life depended on it, he surprised you. He was hugging you as if he was afraid that you would disappear from one second to the next (theoretically you could do that, it was part of your powers, but that wasn't what the boy was afraid of). He sobbed into your chest as his knuckles turned white from clinging to you.

“It's okay, my joy” you comforted him, hugging him back and kissing his hair “Everything will be alright” you promised him, not quite sure what else to say to make him feel better and hugging him tighter to match his strength, so he would understand that you won't be leaving soon

“I want my mum” the boy sobbed, not with an internal intention to hurt you, but as if asking you to do something. You were an adult, you could fix anything, that's what adults do, and the ten-year-old was practically begging you desperately for a solution as he felt.

“Oh, I know, Dickie. I know” you said hugging him tighter “I'm so sorry, baby” you apologised, feeling bad for having no more than words to handle the situation, knowing that nothing will bring that child back to his parents, no matter how much you want to make it happen for him.

You would do anything for that boy. You would destroy yourself, and you would build yourself up again. Not only that, but you would empty out entire universes and kill God himself if necessary. But for now, you just held him while he cried, while he called out to a mother who lay twenty feet under. You knew, at that moment, that there would never be anything you wouldn't do for that boy. And Dick decided that night that maybe you weren't so bad.

Dick Grayson couldn't believe he was standing in the Batcave. He also couldn't believe his adoptive father was Batman. Now he understood why he was always missing for so long, it wasn't that Bruce was ignoring him, it was that he was down there, being a hero for Gotham City. His mind was racing as he walked around the place asking your husband questions and inspecting every nook, artefact, and blemish he found in the place. You and Bruce watched him from a distance, grinning like fools at the uncontrollable excitement of the boy who had long felt like he was your own.

“This is AMAZING” Dick would say whenever something particularly struck him, which means he said it every few seconds.

“See, he told you he would be excited” you told your husband while you took his hand, he smiled at you and brought your clasped hands to his lips to kiss your knuckles affectionately. A silent way of telling you: You were right, love.

“WOW” exclaimed the boy, he was now standing on the platform where the different suits that your husband had used as Batman are displayed “With all due respect, Bruce, but it's good that you left behind the combination of purple and yellow, it was too much” the boy scoffed, pointing at the first suit on display behind him.

“It was the eighties” your husband defended himself with a grimace, rolling his eyes at how similar the comment was to the one you had made the first time you set foot in the cave several years ago. You just laughed as you looked at him, happily remembering that moment.

“Purple looks amazing on you, my love” you assured him, caressing his cheek with your free hand. “Very intimidating” you said, to which both you and Dick chuckled, while Bruce continued to regret his fashion decisions.

“I tried to talk him out of it, Master Dick” Alfred commented, joining the bandwagon of teasing Bruce about his old fashion decisions. “But he insisted,” he shrugged gracefully.

“Okay, I'm going to throw him out of my cave if you don't leave my purple suit alone” Bruce complained, to which you and Dick shared an amused look before the boy returned his attention to the suits on display. Alfred smiled as he watched you kiss your husband in compensation, earning me a goofy smile from him, the one the butler had seen a lot since you two got married.

“HOLY SHIT” Dick suddenly exclaimed, to which you and Bruce turned to look at him wearing it, your husband ready to spring into action at your son's exclamation “You've got the Scarlet Witch suit here!!” the boy exclaimed excitedly, looking at your husband in disbelief before running to stand in front of the glass where your old suit is on display. Well, the word suit was an understatement, because it was a red bodysuit, with a belt, the cape, and high boots. An outfit that was not the best choice for fighting, but you never question it too much, because you were always comfortable in yourself and in that outfit, too.

Bruce and you shared a look. It was time to drop the second bomb on the boy. Now you were the one worried about her reaction.

“How did you get it?” Dick asked excitedly, his nose glued to the glass, pawing it with his breath “I thought the Justice League couldn't get her body back from the Dimension of the Damned after she closed the portal to save us” he said, thinking aloud, while analysing the garment.

Up close, he could see the details of the fabric, the way the cloak had a texture and wasn't smooth as it seemed watching it from the television. It was as if magic was embedded in the fabric, and it moved even when she was still on the mannequin. The boy was fascinated, definitely marking this as the best day of his life.

“Well that's true. The League was unable to recover her body after she closed the portal” explained Bruce, as he hugged your waist, pressing his fingers against you at the memory of those events that still haunt him “But the suit is here for its protection, nothing more, it still belongs to its owner” Bruce finished, letting the boy think a little about his words.

“Wait,” Dick said, frowning and turning away from the video, to walk to the railing of the platform. And how do you have it, if she never left the Dimension of the Damned?” the boy frowned, thinking hard that how could it be that this was the original costume.

“It's more like early retirement than death” Dick jumped in place when you appeared next to him, speaking sweetly to him “But yes, the Scarlet Witch never made it out of the Dimension of the Damned” you explained to him, while you crouch in front of him, the boy turned to face you still confused by what he was saying “Dick, do you remember that we told you that we had to tell you a couple of things?” you asked him and the boy quickly nodded “Well first we wanted to tell you that Bruce is Batman, as you already deduced” you pointed to your husband on the lowest platform “And the other one is that I'm-” Before you could say more, Dick squealed with excitement again.

“YOU ARE THE SCARLET WITCH, HOLY FUCK!!” the boy yelled with his eyes as wide as his eyelids would allow.

“Language, Master Dick” Alfred scolded absently from below.

“OH-MY-GOD” The boy yelled again, looking at me as if you were hanging the stars from the sky, throwing himself on you, hugging you with his arms around your neck “I knew you weren't dead, I argued every day with my friends about this, it didn't make sense for YOU to die just like that, no amount of spawn could kill the Scarlet Witch, it's absurd-” The boy began to ramble as you picked him up in your arms, he hug your hips with his legs intuitively, and you walked down with him in your arms. Smiling softly at the boy's excitement, it was Bruce's turn to give you the Told you so look “This is the BEST day of my life” Dick finished his ramblings as you pulled up next to Bruce, with him still sitting on your hip, and proceeded to grab your husband's neck and hug you both tight. The pull made your husband laugh at the boy's sudden outburst. “My parents are the coolest people on the planet next to Superman, this is the best” the boy declared proudly, ignoring the surprised looks you and Bruce shared immediately after that.

It was the first time his parents had called you, and Dick didn't even think about it much longer, it came out of him so naturally that you two didn't say anything else either. You were mom after that and Bruce was dad, as if the boy had forgotten how to say his name from one moment to the next. And he did it with the greatest happiness in the world.

That night, after Bruce went out on patrol, and you dragged a still very excited Dick to bed, as you tucked him into bed, tucking the covers over him, your son's face suddenly scrunched up at a particular thought.

“What's up, Dikie?” you asked, as you ran your hand over her forehead, concerned at the sudden change in expression.

“Weren't Batman and the Scarlet Witch supposed to hate each other?” he asked you confused, looking down with his head tilted from his pillow.

You laughed, relieved and amused by the question.

“That, my boy, is a story for another day”

And that was it.

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[applestorms]

thinking about how near refers to light at the end of the series— not really as light yagami, not even really as kira, and not quite as L, but rather an amalgamation of titles: L-KIRA, a twisted mix of two personas, masks on top of masks. no longer a person but a series of letters, a filtered voice through a screen. a man who has built his entire life in the space between lies, who cannot let himself stop for a second without the weight of his own guilt, his sins, crushing him. regrets repressed because this is the only way it could ever be, it has to be worth it, it has to, it has to, because you can’t even bring yourself to consider what it all means otherwise.

i am a firm believer that light yagami, the son, the student, the average human person, dies at the same time that L does. at least at the beginning of the series he has some semblance of normalcy to hold himself to, the Serious Student persona that keeps him walking to and from school and talking to people and eating dinner with his family at home. how many times do we really see him going outside, post-L death? how often do we see him outside of some L-based police HQ, talking to people he isn’t trying to manipulate? really, it’s no wonder he falls so far, alienated as he is from the rest of humanity. when was the last time he breathed long enough to remember what the sky looks like? hugged his mom, laughed with his sister? did he ever visit his father’s grave? does he remember what the breeze smells like? was he ever really happy? did he deny himself his only chance?

at least in the case of L and near the isolation feels intentional, a preferable choice, carefully and logically considered for all the pros and cons. light never asked for the position he fell into, that fell upon him, that he created for himself. he denies the death note being a curse, but it’s not like he could ever admit it if it was.

light’s story arc in death note really feels like a tragedy to me, specifically in the sense that he never really gets the chance to change. on a plot level this is true, much of the second half of the story post-L death is light utilizing the exact same strategies as before (taking away his ownership of the DN to Strategize, romancing a woman he doesn’t care for to use her, fighting a snarky troll of a super genius hiding behind a letter whose real name & face he cannot find), but it’s true on an emotional level too. light never really gets to grow up, he never gets the chance to truly question his ideals or goals without the world he’s built by himself crashing down around him.

i keep thinking back to the significance of matsuda asking him about his dad, how he could drag him to his death for the sake of all of this. light’s response, so truthful in its desperation, really sums it all up: he died for a reason. KIRA has to win, or his dad died for nothing. he cannot face the idea that he caused his own father’s death, so KIRA must be justice. there is no other alternative. KIRA is god, or light yagami killed his own father for a fairytale.

really, it’s so fitting that his name uses the kanji for moon. moonlight— not originating from the moon itself but a reflection, of something brighter, greater, more powerful than he could ever be. light dies the same way as every other criminal he passed his judgement upon, on his knees and desperate, pathetic, begging for life even as he knows he is doomed to the same fate of nothingness that he granted to everybody else. godhood denied. he said it himself, that he could never be anything more than a human, but somewhere in the fog he lost track of the person he once was. and it’s near’s cruelest observation that stands out the most to me in that final scene— that he never really had to be this. he could’ve stopped at any point, felt his guilt, paid his regrets, and moved on with his humanity still intact. light has spent far too long repressing and denying to ever consider that an option anymore— but there was still room for sympathy for the 17 year old kid who killed without thinking, long before he built up such a dedicated palace of lies to justify his actions and hide away his guilt.

L-KIRA dies on the floor of a dirty, abandoned building, surrounded by the people he spent years manipulating and lying to and betraying. light yagami dies in a helicopter, locked and chained to his only closest equal, holding a notebook that he would use to sound the death knell of his own fate and wearing his father’s gifted watch.

[can-of-w0rmz]

My thoughts on Frankenstein can basically be summed up in, “Victor is a dickhead but at least he’s not an incel,” and “The Creature is a dickhead but at least he’s not a rich prick”.

To this day “ermmm Victor/Creature is the innocent guy and (X other character) is the bad guy achtually 🤓☝️” takes make me so fucking mad. THEY BOTH SUCK, AND THEYRE BOTH STILL SYMPATHETIC PROTAGONISTS. THATS THE POINT OF THE FUCKING BOOK😭

Also people who think Victor was the bad guy for refusing to make the Bride and going “huh, maybe making a creature for the sole purpose of suffering and fucking you is really fucked up and not my place at all actually?” legitimately need their fucking heads checked because do you genuinely have zero reading comprehension or life experience??? Can you read a book? Can you understand basic themes and concepts? Are you actually stupid?

Victor is a terrible guy for being self absorbed enough to cheat God and nature itself, creating a being that was never meant to be born and inflicting immense suffering on it by the nature of it existing in a way that fundamentally can not be balanced out — following the Christian influences and background in which the novel was written at the time, Victor is not God, he can’t offer the creature salvation or in any way metaphysically balance out his suffering, so he just introduces him to a life of a living hell by his own design and by the nature of the fact that Victor is just a man, and the Creature himself is terrible because the nihilism inherent to his condition as Victor’s creation turns him into a murderous incel who wants to just further the suffering Victor caused, because if he can’t be happy, nobody should, so he kills every innocent bystander who Victor loved and demands that he makes him a woman like Eve who’s equal to him in suffering, who exists for the sole purpose of being his, who was created to be his.

And Victor says no, because he has actual character development and realises it isn’t his place (also, very likely mirroring his engagement to Elizabeth if you kinda follow the same reading as me that Victor never really loved her romantically and felt forced into the marriage because of his mother), which, shock horror, makes Victor a more likeable protagonist, because again, shockingly, he’s actually a pretty good guy in this one situation making a really good moral decision for once by saying “yeah I’m not going to create a woman whose sole purpose in life is to fuck you and suffer as much as you, also what if she doesn’t want to fuck you???”

Are people allergic to the concept of character development or something?? Are people allergic to multifaceted complex characters?? You feel terrible for the creature because of what Victor has done to him by bringing him into existence, and you feel terrible for Victor because of how doomed he is (in the worst way, it’s not just him suffering, he has to watch everyone he loves being forced to suffer because of him) by his one mistake and how he doesn’t have any way to fix it. A creation with no God, and a Man with the weight of God upon him because of his own mistake. They’re both doomed. That’s why it’s so good, THE BOOK IS A FUCKING TRAGEDY WHY IS THIS SO DIFFICULT FOR SOME PEOPLE TO GRASP???😭