i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?
he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?
its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.
also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.
like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so
EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.
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thinking abt maya seeing through trucy's facade because she's ALSO been a young traumatised child who grew up wanting to please the adults around her and having to be grateful to be taken in. about her accepting that this is something trucy will continue to do because as a child with no real agency it is the one thing she has to protect herself. and she doesnt try to fix it but instead reassures her as often as she can that love can be unconditional
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Do the boys just never take off their cloaking charms? Between showering sports and just childhood shenanigans... how?
Yep! The long and short of it is that Splinter invested in the good shit. (How did he afford the good shit? Donnn't worry about it. Same way he was able to cut a deal with Big Mama...)
The Cloaking Crystals are specifically designed for long-term wear, the bracelets are small and minimal so as to not get in the way of day-to-day, and are enchanted so that they fit snugly and won't fall off by accident-- they have to be deliberately removed with intention. Splinter spent weeks teaching his sons how to wear bracelets without bothering them (even before he got the actual cloaking brooches) and drilling into them how important it was to never ever take them off.
After a while, the brothers just got used to having them on, and really didn't have any reason to ever take them off. I imagine that there was at least one occasion (when they were still young,) where one of the brothers (probably Leo...) started messing with his, but...
Dad didn't even get mad. He yelled a little, sure, and he stopped Leo right away, but... They could tell he wasn't angry. He was scared. They had never seen his face look like that before.
... They kind of decided after that that they really shouldn't ever take the bracelets off. Dad said it kept them safe, and it seemed like he meant it. Now that they're older, they mostly just chalk it up to it being some kind of superstitious thing on their Dad's part, but they remember how important it is to him, and that he told them not to, so... They just haven't.
Not yet, anyway.
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people who think clem surviving makes no sense are so funny. "they were literally foreshadowing her death the entire season" let me introduce you to the concept of a red herring. she tells lilly she isnt lee and shes right. the narrative was forcing her down that path, a path she saw as an inevitable fate waiting to take her too, but its a narrative broken by aj, who is also his own person and not S1 clem
"it happened to lee, and itll happen to you" lilly tells clem she'll die protecting aj from some mistake he makes, when in reality his defiance of her will is what saves her life after she had already accepted her fate. he breaks clem free from the lee cycle and they get their relatively happy ending. good for them
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The parallel between Sokka and Tenzin as their fathers' sons.
Sokka, left at 13 as his father and all the other men head off to war. Hakoda tells him "being a man is knowing where he's needed the most" and he needs to protect his sister, his home.
Tenzin is the second airbender. He is also half water tribe, he's a man. When Aang dies, he will be the last airbender. He understands what he needs to do.
Untold amount of pressure and responsibility have been thrust upon them by their fathers. Though, I believe it is not all intentional, but the unfortunate circumstance of being the fathers of sons who take responsibility incredibly seriously.
In Sokka's case, "protect your sister" is a vague instruction. It was meant to give him purpose, to help him feel okay about being left behind, He is too young for war, his father does not want to bring his child to slaughter. But Sokka will die with purpose. He will train the children of his tribe so they will be protected, he will face a fire nation ship until his last breath. He cannot go to war, but Hakoda did not see that war was all around them. In trying to give Sokka purpose, Hakoda put their world on his shoulders.
We do not get to see Aang be a father (in the TV shows), but we know he had hopes for the future. All his children were air nomads, and the air acolytes brought his culture back, but Tenzin could bend. This part of their culture is one ONLY they share. I do not think Aang would hide this, he is joyous that he gets to share his culture. When he feels respected, he always is, he taught the air acolytes after all. Off handedly, he could say, "I'm hopeful for a future where there are lots more air benders," and that, which feels mostly innocuous to him, is the nail in the coffin of Tenzin's fate. He is Avatar Aang's son, and the future of the air benders. It would not matter that Aang meant a future in generations. Tenzin sees the responsibility and it's his. He is his father's only air bending child, he knows what he needs to do.
Being a parent is not understanding the way the things you say harm your children. Even those things that feel innocuous in the moment can be life altering. Especially the more the child respects the parent. Purpose and Hope for those with a broader perspective, can be death sentences to a life that could have been when expressed to those who idolize the former.
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Ever think about Date’s view on family and how that relates to his character? When Mizuki asks him to define family, he just awkwardly offers that its like being blood related to someone. It leaves a bitter taste in his mouth and Mizukis, but like, he literally had no idea what a real family looks like. He’s an orphan, a man who grew up with no family and no name, but he doesn’t know that yet. He has no memory of his past, no way of knowing if there’s someone out there waiting for him to come home, if he even had a place to call home. His only frame of reference for a family is Mizuki and her parents. Deep down he knows it’s not right, not loving, but it fits the mold of a nuclear family, man and woman, blood related, so that must be what family is. When he’s asked to take in Mizuki, he’s absolutely clueless because he literally has zero frame of reference for how a child is supposed to be cared for. He puts distance between them because this isn’t his place, he doesn’t have the right to love this child as his own because he isn’t the real dad. There’s no place for someone like him in a family. And it’s baffling to him to hear that Mizuki not only loves him, she needs him because he is her family. Date believes he’s a nobody, just a sad, lonely man with no name who absolutely does not deserve this kind of love. But he has it anyway because he chooses it, he makes something that neither he nor Mizuki have ever had before. HES HOME
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