#the dialogue in these scenes too what is the matter with them holy hell | Explore Tumblr Posts and Blogs

thesherrinfordfacility · 1 year

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LWA: I like your alternate reading of the damsel-in-distress scenes, in that Aziraphale's explanation becomes both post hoc and an attempt to lie to himself about how he feels about this dynamic persisting into the present. That would parallel Crowley's repeated attempts to invent a consistent friendship/partnership with Aziraphale that the script shows us is only of recent vintage. Both characters are unreliable narrators.

1967:

Two things interested me about the 1862/1967 scenes when I first watched the series. First, they're out of line with all of Crowley's other requests for Aziraphale to step out of Heavenly form, and that includes the straight-up child murder. Crowley can convince Aziraphale to go along with the Arrangement, anti-Armageddon, and even the child murder because they all involve benefits for both of them and/or the "greater good." The Holy Water is /only/ for Crowley. Here's the point for Crowley in the argument: Aziraphale won't do a (really big) favor just for Crowley. (Back to the new 1941 scene: Aziraphale's sleight of hand saves Crowley, as a riposte to 1862.) However, the flip side of 1862 is that Crowley, who by this point in the script knows that it took several centuries for Aziraphale to agree to the Arrangement, just drops the request on him out of nowhere. This was destined to not go well, even though the matter is urgent. More importantly, Aziraphale sets a hard boundary in this scene: he won't give Crowley a suicide pill. No, it's not self-evident that Crowley wants a suicide pill instead of a defensive weapon (the new 1827 scene explains why Aziraphale's mind went there, however), but Crowley just doesn't get around to stipulating why he's asking for his anti-demon nuke.

(I will take a quick break from my chain of thought to note that Gaiman's abandoned plans for a "Wild West" scene would have blown up our understanding of their nineteenth-century chronology. If it was before 1862, then Crowley wasn't in Hell for thirty-five years; if it was afterwards, then they would have seen each other prior to 1941, even if on hostile terms. The TV fandom keeps forgetting that according to Gaiman, TV!Crowley is awake for the nineteenth century.)

The script is clear that the 1967 scene parallels the 1941 church rescue (Crowley's/Aziraphale's "what are you doing here?!", the gift of an important object as a token of love). However, the script is also clear that the conversation has not progressed beyond 1862. Aziraphale repeats his earlier points and says explicitly that his mind has not changed. The boundary has not moved. Instead, Aziraphale faces two options: he can let Crowley risk death for something that he still thinks is a suicide pill, or he can just give him the suicide pill. So he plumps for the least unacceptable option, which is door #2. But he has still violated the boundary he has set for himself, and spends the rest of the scene visibly near tears about it.

A lot of fanon assumes that Crowley's "anywhere you want to go" is lovely and romantic and all, and that Aziraphale's "you go too fast for me" is a sign of a character flaw. Resisting the demon's love, once again! At the risk of treading on sensitive fanon feet, the parallel to this scene is the end of S2, in which Aziraphale's half of the proposal crosses Crowley's hard boundary about Heaven. In S1ep3, Aziraphale's dialogue shows that his hand has been forced; Crowley's "anywhere you want to go" is not a reciprocal action because it doesn't respond to what Aziraphale either says or visibly manifests over the course of this scene. The outcome of this mini-arc is that Aziraphale hurts himself to help Crowley, but does not get any assurance in return that Crowley will not make him do that again. I'm not sure that we need something more from the 1941 scene to explain why Aziraphale yeets himself out of the car as he does. (That being said? If we are idly predicting what might happen in 1941 that causes Aziraphale to be upset in 1967, it's most likely to be yet another request for Holy Water at exactly the wrong time.)

thank you!!!✨

re: wild west, i did think this when i saw his ask response - and the same for the 60s scene that neil mentioned - that they would potentially alter the narrative as we've received it so far, so for the moment im glad they weren't actualised, even if they would be fantastic on their own merit.

as an unrelated aside, because i haven't fangirled about this yet; the papal mention really piqued my interest - it was vague ("15th century") but even the implications of that time period... the build of the sistine chapel (and michelangelo)? the borgias and medicis? or even reference to constantinople? that would have been so cool!!!

anyway -

i see your point about the holy water request being of a different kind to any other request that crowley has made of aziraphale, either directly or indirectly, and that's true.

it is entirely for crowley's own benefit, as opposed to the wider benefit of humanity/'greater good'. i would slightly also argue that 1941 was also for their joint benefit, insomuch that whilst aziraphale is cognizant that hell is directly threatening crowley, he - aziraphale - would lose crowley, and only just having realised at least to some degree that he feels something More for, loves, him. would this - aziraphale saving crowley in 1941 - therefore by definition be selfish as well as selfless, compared to 1862 where arguably it is only for crowley's benefit? debatable but admittedly very tenuous.

in any case, id have to agree with your second reading of 1862; whilst crowley no doubt sees this as the only time that he's actively reaching out to aziraphale for help, and has been refused despite that it must be desperate because he is asking, not only is it dropped out of nowhere on crowley's part, but also the context is key from aziraphale's perspective, and that is what is being withheld.

aziraphale is hypothetically not under, at this point, any notion that crowley might be in danger, he's presumably been out of contact with aziraphale since 1827 (if we accept that pre-1862 wild west is technically not canon...? if it's not in the story?), and crowley presumably has just dropped a cursory letter or telegraph to tell aziraphale to meet at st james with no explanation whatsoever. i think given that, aziraphale's demeanour is understandable, and hardly poses as a good set up for such a request.

and it's a huge request! as you indicated LWA, aziraphale is slow to change himself, and slow to take in changes to the status quo; whether that's the idea that what is Good is not always Right, or whether that's 'lending a hand when needed' in the Arrangement because it means he's consorting with a demon etc., to drop something monumental on him, something that could ensure crowley's destruction, is not a light thing to aziraphale. i could imagine in some way it almost feels like a betrayal of the friendship and trust that they've slowly been building up.

ive taken a look at the scene again, and crowley's first line to aziraphale is, "ive been thinking. what if it all goes wrong? we have a lot in common, you and i." so, first of all, no preamble. straight away, he's loosely suggesting there's an Issue without so much as a by-your-leave. but the reference to having something 'in common' is stumping me; what does this line serve? is crowley saying that they both are being watched by their head offices, like aziraphale in 1793 and crowley in 1827/this scene? is he saying that he and aziraphale are both in the grey, and that puts a target on their respective backs? is he saying that they have started this friendship, and by that a reliability on each other, that crowley is hoping will play a part in aziraphale acquiescing to his request?

regardless of that (which, LWA, would be grand to have your interpretation at some point because idk if im just reading too much into it, but similarly also feeling like im Missing Something that could be key contextually for crowley), absolutely the mere suggestion of a suicide pill is a hard no for aziraphale. and crowley is deliberately vague with using 'insurance' because, to my mind, he sees it as being either/or. if demons come looking for him, he'll try to take them out. if that doesn't work, he'll remove himself from the equation entirely. and that's a horrendous prospect, but completely empathetic, but we only surmise why it's empathetic by way of our hypothetical conclusion drawn from his yeeting in 1827.

aziraphale however is demonstrably a little slow on the uptake and has clearly got some pretty big self-esteem issues. it's understandable (albeit frustrating) that he'd immediately interpret crowley's disappearance as being a reflection on him himself, rather than something potentially involuntary on crowley's part. it's only in 1941 that aziraphale understands why the request was made and - yes, 105 years after st james - in 1967 he finally reconciles that to give crowley the holy water instead of him risking death to get it (which in itself must lend some indication of how dire the need was and is after both 1827 and 1941) is the safer option. caught between the devil etc etc.

in terms of the boundary not having moved by 1967, absolutely. and this is where i imagine what will be a follow up to the s2 1941 minisode will be key in s3, because the departure from the softness at the bookshop is so vastly different to 1967.

there must be (speculation alert), not only a further conversation about the holy water - given that it's not discussed at all in the s2 minisode - but i think this will directly correlate with 'you go too fast for me'. that crowley perhaps - now feeling secure in that they can fend off hell - pushes the boundary of their friendship/arrangement/relationship, and tells aziraphale what happened after 1827 (bearing in mind that im basing this entirely off of a theory at this point). tells aziraphale that is why he needed the holy water, pushes again for it, and aziraphale still refuses. and given what they've just gone through at the theatre, crowley is expecting aziraphale to just change his mind and follow what crowley has asked for, not taking into account that this is a bit too soon for aziraphale.

maybe also a romantic move is made, maybe not, but aziraphale having only just realised what he feels for him can't quite bring himself to give crowley what he's asked for, not yet, and perhaps in multiple senses. personally, i think it has to be something deeper than just a move being made (although this would offer an interesting parallel to the ep6 kiss), but in any case the fact that aziraphale responds with such veiled conviction that for now this is all he can take shows to me a huge leap in his development.

even if he has given crowley the holy water, he is probably quietly angry that crowley has pushed the issue (in trying to get the water by any means necessary, directly undermining and neglecting how aziraphale would feel to lose crowley even by accident), and feels potentially even somewhat betrayed that crowley would use him and his feelings for him like that - even if at this point crowley only interprets those feelings as purely platonic. it doesn't surprise me that this is the last scene we see of them together pre-2019, and i kind of hope it remains that way (although i pray nightly to every god above that we at least see crowley in 1984/5 but that's immaterial).

last couple of things; "anywhere you want to go" always struck me as crowley trying to brush everything under the carpet, same way he kind of intended in 1941 with "lift home?". yes, on the surface, it's an innocuous, kind gesture - but going by character-reading feels like it's a, 'cool that's over and we're good now, let's get on'. it's crowley reverting back to his Acts of Service standby like that will solve everything. it worked in 1941, possibly because of the setting and aziraphale being distracted by his epiphany, but it worked; crowley was invited back into aziraphale's world, and the status quo was re-established.

but in 1967 he attempted this twice: "can i... drop you anywhere?" comes first, which aziraphale rejects, but remains in the car and intimates that they're not over (however you want to interpret 'over') but one day proposing a picnic or the Ritz, but first he needs time. crowley steamrolls this, pushes again - "anywhere you want to go" - and this seems to finally push aziraphale away, and he physically removes himself from the car (which now feels like an very interesting mirror to the s2 ending).

and ooft, your remark on this hurting aziraphale but crowley not seeming to notice and makes no overture to ensure this is a one-off incident? well. his calling him 'stupid' in s1 being mirrored by 'idiot" in s2, his borderline-gaslighting apology in s1 being mirrored by the dance in s2 (even if aziraphale seems to accept it), his distrust that aziraphale could find a solution to armageddon in s1 being mirrored by his dismissal in ep5 re: demon incursion in s2... certainly seems to be a bit of a habit.

#two in one day? corr i am lucky #LWA didnt pop in for a cuppa so much as stay until teatime #havent proofread this btw and probably won't tonight #good omens #ask #another one for the LWA masterpost #1941 spec #flashback meta #holy water meta #crowley meta #aziraphale meta #s1 meta

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punksouthie · 2 years

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gay as hell to almost kill your sire with a stake and then never go through with it for a reason you pretend to not know

#the dialogue in these scenes too what is the matter with them holy hell #posts inspired by a conversation i had with moon last week #i could actually talk about them for ages theyre in my heart #spangel #btvs #ats

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raisans-art · 3 years

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What the Fuck Are these Characterizations: The Essay

Full warning: This is only concerning Tommy's stream made today, 4/29/2021. I know Ranboo has streamed after Tommy but I haven't watched that.

On with the essay.

A lot happened.

Tommy tried to kill Dream, Dream actually killed Ghostbur, Wilbur is back (pog). It's a lot. A lot of plot and a lot of emotions. I will preface this with the usual "holy hell these people are pretty damn good actors for having no formal training as far as I'm aware." They get their emotions across very clearly and that's kinda why I'm making this in the first place. The way some of the characters acted in Tommy's 4/29 stream is a bit odd in my opinion.

Now, I will concede that I have not been diligent with the Dream SMP lore. I've been given broad strokes and have seen various clips but I have definitely not been on top of it. I may have missed streams entirely and you all more avid fans may be able to name scenes that I haven't seen that rationalize some of these reactions that I will be criticizing. If you can, please do so! I'd love to start a dialogue over this!

So, how I'm gonna break this all up is to take a look at Tommy, Wilbur, Ranboo, and Awesamdude and how their CCs characterized them during the stream. I'll sing praises where they are due and point out my criticisms where they arise. Then, I will try to surmise some meta as to why I think these characterizations came to be in the first place.

Tommy

Tommy, to me, has the best characterization in this. CC Tommy clearly has a very good sense of what he wants from his character and has been playing into that line of thought from the beginning of this whole debacle.

Tommy is scared, paranoid, and pissed off. Ever since he left the prison he avoids taking damage like the plague, rambles indecisively, is easily sent into a panic, and is hypersensitive to the people around him. He panics when he sees weapons out and one crucial thing that he made clear from the start was that he wants Dream dead.

Straight out of limbo, Tommy concludes that Dream needs to die. From there he plans this whole mission with Ranboo, Tubbo, and Ghostbur to get in and kill Dream. He says that Dream can't keep living with this power at his fingertips, and from before his final death, Tommy clearly wants to be rid of his abuser, adding a personal layer to his plan. Tommy is stubborn and determined since the beginning, sacrificing his life and disks for L'manberg and refusing to believe that his home is gone until the place is blown to bedrock. Of course, he would stick to his plan to a T.

Now, is this a smart decision to sneak into the highest security area in the entire SMP? Fuck no. It's a stupid idea. Even if Tommy hadn't messed up, Sam would've seen Dream die to a floating axe and kept Tommy and Ghostbur in that containment cell. It would've been a one-way ticket, especially given what we see of Sam in this stream.

But this all makes sense for the character CC Tommy is playing. Tommy isn't thinking about how smart of a decision this is and he hardly ever does when he takes action. He shoots from the hip, takes his first instincts, and acts on them.

It's easy to draw a clear line of progression of Tommy as a character from season 1 to this moment in season 3 and past Ghostbur's death. His hyperventilating as he tries to get his plan to work after it failed, Trying to save Ghostbur from what he went through, lashing out at Sam, and yelling at Wilbur. All of this in line with who Tommy is as a character and how events have changed him. This is a good characterization.

Wilbur

Wilbur has changed a lot since we've seen him last, both alive and dead. Since he's been alive, Wilbur has changed his tune from "I want to die" to "hell sucks, mate." What's particularly interesting is that this sentiment that he has from being alive carried for a long time into his limbo, as evidenced by his appearance in the season 2 finale on the bench. He wanted to "stay dead" at that point. Since we've seen him in limbo, he's gone from content in his situation and understanding why he's there and that he's there forever.

Now we have Revivedbur. Revivedbur is ecstatic to be alive again. He goes from numb to embracing feeling again. The fandom once thought that Revivedbur would be annoyed with or hateful towards Dream for bringing him back turned into joy and reverence. This is quite a drastic leap. Bad characterization.

But it isn't.

I have seen one clip from Ranboo's stream on 4/29 and that is Ranboo telling Philza that Wilbur is alive. In this bit, after mentioning that Wilbur has been in limbo for a perceived 13 and a half years, Phil says "13 years is a long time to be away... he almost certainly isn't the same person... people can change quite a lot in a single year, two years, three years, four years, even five years, Ranboo."

Wilbur has been gone for 13 years. He's been in the same place with no change other than Tommy for 13 fucking years. That's 13 years where we heard from him 2 times. We know virtually nothing about what those 13 years were like for him, but from what Wilbur has said, it was torture to him. He was stagnant, stuck in a fucking tube station for 13 years, unable to leave no matter how hard he tried.

We know so little about how his time in limbo changed him because it's such a long span of time with radio silence. I dare say this is fucking great characterization.

Ranboo

This is where I start having some issues, and this is where I have the least amount of context. From what I've seen, Ranboo is little miss angst who forgets things and is constantly on the verge of having a panic attack (hyperbole). From what I have surmised of his character in various contexts, serious and dramatic scenes and domestic ones, Ranboo really cares about the people around him and is scared of himself and his mind.

So why is it that he straight up just sneers at Tommy, saying "the hell did you do?"

I'm really just focusing on this because it just seems really off to me in the context of his character. Ranboo was in on this plan. It's pretty common knowledge that the only person with revive powers is Dream. Ranboo doesn't know everything that happened within the prison, sure, but why is he so quick to assume that Tommy was the root cause? Is it because he's been hanging out with the world's 2nd biggest Tommy hater, Niki (the character for clarification)? I honestly don't know where this jump-in assumption is coming from. Given what I understand of his character, this line and the implications I'm getting are just a bit out of character. Feel free to explain why I'm wrong because I am not in this loop whatsoever.

Awesamdude

Sam is where I have the biggest issue. How does a man go from living on an isolated island in grief over a death he could've prevented if only he had been quicker, to yelling at that same formerly dead person that he was at fault for the death/revival of another person?

Now, one thing that is strengthened by this characterization is Sam's dedication to the rules. He has his strict protocol and he is not going to let that slip up for anything. He wants to keep Dream in prison and never let him out.

But I'm just having a hard time grappling with a man so quick to blame himself last time something like this happened being so quick to place blame on a child he, from what I've seen, had a good relationship with. It feels like I'm missing something here.

Yeah, Tommy broke into the prison, but why is Sam's first thought that Tommy was trying to break dream out? This harsh turn on Tommy just doesn't come across right to me.

Why Did This Happen?

I do think there could be a meta reason as to why these don't land right to me. These two characterizations are centered around Tommy. How people are reacting to Tommy's actions. Tommy and Dream are the head of the prison stuff right now. at least as far as I know. I'm not sure if Wilbur has come back on as a writer yet but last I heard it's still Tommy and Dream handling their shit. With the writers in mind, I wouldn't put it past them to decide to add more conflict with Tommy and other members of the SMP right now. The Egg is a bit busy with other things, Jack is just running the hotel, and the Syndicate doesn't really have any qualms with Tommy on any level that they would act on. It could be the writers trying to add conflict to the prison storyline by generating conflict between Tommy, Ranboo, and Sam with Wilbur being a fuckin wild card.

I don't know mate, I just wanted my thoughts out there and maybe be fucking pounded into the ground by people more knowledgeable than me.

Have a dialogue with me I'd love to debate. (All friendly debate please I don't feel like taking this too seriously it is Minecraft roleplay after all.)

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snarkwrites · 3 years

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ssw | sweetpea; wondering what his kiss feels like. | fluff.

NOTES:

Okay, so.. Apparently my brain likes to torment me. Because earlier, I was going to outline the next chapter for my Sweetpea x Andrews!OFC fic Gangsta and my brain threw out a casual, “But have you considered.. Using the Lodge!OFC you were planning to use with Reggie Mantle.. With Sweetpea?” and this kind of.. came.

So.. if enough people are interested, I may be considering actually writing them a fic or doing more of these little things based around them.. and trying to delve more into possibly pairing Alyssa with Reggie? Because when I wrote their oneshot I felt like there was potential there too... Also, this one shot is a direct result of me, watching dirty dancing reenactments on tik tok and my love for the movie + the fact that Riverdale does musicals every season...

Anyway, enjoy?

PROMPTS:

taken from either [ HERE ] or [ HERE ] give or take. It could be one or the other or a mix of both at my own choosing.

the way he says your name / his fingers sliding between your own / wondering what your kiss feels like - these are the inspo prompts used for this oneshot.

FANDOM / CHARACTER

Riverdale / Sweetpea x Lodge!OFC, Marlena

OTHER WORKS SWEET PEA X MARLENA ARE USED IN

None BUT.. That could change, idk..

WARNINGS

Intense sexual tension. Arguing back and forth as a love language until someone snaps. Mutual crushes that turn into something more.. This one is absolutely safe for the kiddos aside from a few swears and the like.. Oh and one barely elaborated on incident of thigh riding / dirty dancing.

TAGGING

There’s absolutely no one on my Riverdale taglist. If you want to be on it, please let me know. Or add yourself to the link below.

OTHER STUFF

[ faq | sfw masterlist - safe for the kiddos but read with caution | tag list ]

“I swear to God, if she doesn’t give me more, I’m going to fall asleep. Is this really all we could find to participate in the musical for you guys?” My sister's question drew me out of a silent stare war with Sweetpea across the auditorium. He rolled his eyes and I stuck out my tongue at him before turning my attention back to my older sister, sighing as I glanced in the direction of the stage up front. “ She’s not that bad.. I mean at least she had the guts to try out for a part?” I mused quietly, shaking my head. Disappointed at myself because I hadn’t signed up.

Stage fright is one hell of a deterrent. And I knew that if I had tried out, no matter how well I knew the movie we were doing our musical adaptation of this year, when opening night came and those curtains opened and I saw all those people sitting out in the seats? I was going to freeze. I’d completely ruin the show. I didn’t want that.

The best I could do was at least offer to do costumes for Kevin. I told myself that behind the scenes was still helping and being supportive but deep down, ugh.. I wanted to do so much more.

If I were half as brave as my older sister Veronica is when it comes to this kind of stuff… Everyone has their fears though. Mine just happen to be public speaking in front of large audiences. My sister tells me constantly that it doesn’t make sense because I can go all over competing in dance stuff and there’s a crowd there, but.. When I’m dancing, I’m focused on footwork. On steps and the music and the way it makes me feel. I don’t have to speak.

This is also ironic when you take into consideration I am not a shy girl by any stretch of the imagination. I’m actually quite vocal. But when it involves speaking in public?

I freeze. I shut down and in turn, I wind up looking like an idiot.

I was so caught up in my own thoughts that I didn’t notice that Veronica had gotten up out of her seat and walked over, taking the seat right beside Kevin. They were whispering back and forth. I laughed softly because knowing my sister, she was probably telling Kevin that Leah needed to find a better attitude or Kevin needed to find a better person to play Baby Housemann.

Oh, if only I had one tenth of a clue.

My sister came back over, sinking down into the seat next to me. “Feel better now?” I asked her, barely hiding my amusement as I said it. She giggled and nodded. “Much better. I want you to remember how much you love me…” she muttered.

I raised a brow. “What’s that even mean?”

“Just wait.”

“What the hell did you do, Ronnie?”

“You’ll find out, Marlena. Just wait.” Veronica wouldn’t give me any more of an answer than that. Grumbling to myself, I settled back in my seat and tried to focus on the ongoing argument between Leah and Kevin from the stage.

Rolling my eyes at her audacity. Literally anyone could’ve done her part better and she had the nerve to demand Kevin to change everything to fit her? Refusing to work with him on anything? Putting down the script when it was the same one they used in the movie?

Just the thought of it had me shaking my head and muttering to myself about the entitlement and audacity. Veronica gave a soft laugh and leaned in, mocking the way she’d delivered her last line and the fact that she wanted pretty much all her dialogue changed and constantly needed reasons why her character did anything they did.

“Marlena! Hey, Marlena, where are you?” Kevin was calling my name. I looked up from the whispered conversation I’d been having with my older sister Veronica and raised my hand, waiting.

“C’mon. I want to try something. Leah’s just not cutting it for me as Baby.” Kevin called out to me as he gave Leah an irritated dirty look. Leah threw down her script and walked out of the auditorium in a huff. “This is a stupid idea for a musical anyway. Nothing’s gonna top what the seniors are doing. Good luck, jackass.”

Veronica gave me a nudge and with a soft laugh, she leaned in, smiling as she whispered into my ear, “You were born for this, Marlena. Dirty Dancing is your all time favorite movie.”

“Excuse me? I thought we both established it was Crybaby. Then Grease. Then Dirty Dancing.” I teased, standing in a hurry. My sister’s rebuttal to this was to point out with a soft laugh that I definitely had my own special vibe and type of guy. I poked out my tongue at her and turned away. Making my way towards the front of the auditorium where Kevin stood.

Once I was up there, Kevin pressed a copy of our class’s script into my hands. “Congratulations, you’ve been promoted from costumes.” he smirked at me. “I have a feeling about you and this part. As a director, I’m going to go with my gut.”

“But I didn’t sign up..” I shuffled my feet.

“ Yeah, well, the ones who did from your class obviously don’t care enough to bother showing up to practice or don’t care enough to give their best when they actually bother to come and we’re rehearsing.” Kevin shrugged. Taking his seat.

Alex, the guy who’d been cast as Johnny Castle, walked over. Wrinkling his nose at me as soon as he stood in front of me. Arms folded over his chest as he asked Kevin in a snobbish tone, “So we’re seriously just letting stage crew have parts now, Keller? Is that what this is? I thought you were going to help us make our musical better, not make it a massive failure.”

“Asshole.” I muttered under my breath, rolling my eyes as I stepped up to him, jabbing a finger into his chest. Giving him a piece of my mind because holy hell did his holier than thou attitude ever irritate me, “I’ll have you know, I probably know this movie line for line. I can probably do all the dances blindfolded, in a wheelchair. Who the hell do you think you are anyway? I saw you in Romeo and Juliet. I have never fallen asleep so fast in my entire life.” I smirked as I went quiet, rolling my eyes at him.

Alex chuckled and rolled his eyes right back at me, making the dismissive remark in response, “Did I ask you to speak? Did I address you directly? No. I didn’t. I was talking to the director. Don’t you have costumes to make or something? You’re holding up rehearsals.”

Out towards the back of the auditorium, I heard my sister cheering me on. Clapping and whistling. Telling me to give him hell and telling Alex he was awfully full of himself for someone who got a thumbs down by a New York theater critic over the summer.

I took a deep breath and glanced down at the script in my hands. Starting to read over it. Ignoring the argument between Kevin and Alex for the most part. Just trying to get myself in character while I waited.

Alex grumbled and stormed back over, standing near me. His posturing tense and a supremely annoyed look in his eyes as he gave me half a second’s glance. Kevin gave the cue to start and Alex read his line first.

“Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.”

Before I even got a chance to read off my line, Kevin was standing up. Making his way towards us. “You two are supposed to be dancing together. Marlena, you need to stand closer. Alex, you need to deliver the line in more of a teasing tone. Like you’re trying to taunt her. Playful. Not like you’re actually being an asshole. Like you’re flirting with her.”

“She’s not my type.” Alex rolled his eyes as he glanced at me. I glared up at him, a hand on my hip. Dangerously close to exploding all over again. I kept everything I’d been about to say to myself though, and with a deep breath, I listened as Kevin gave us both advice. Smirking to myself a little when he lit into Alex for being a drama queen.

After Kevin finished telling us what to fix, we prepared to try again. I stepped closer. Found myself glancing out in the crowd. My eyes settled on Sweetpea.

I found him watching the whole thing play out with an amused smirk. His arms folded over his chest. Holding my gaze boldly. Daring me to look away first. I refused. If I looked away first, that gave him the upper hand. I was not about to give him that.

,, That jackass. Look at him. All smug.. Ugh, I just wanna punch his stupid sexy face.” the thought surfaced and I quickly did my best at shoving it out again. I found myself thinking about a heated argument we’d had in the hallway earlier.

I found myself kind of drawing parallels between him and the character Alex was supposed to be playing but doing a terrible job at playing. I couldn’t work with the performance Alex was giving, he wasn’t giving me anything to work with.

Somewhere in the midst of it all, I found myself replaying my earlier argument with Sweetpea. Stepping closer to Alex. Doing my best to play at a lack of experience in dance, despite my vast experience and love for it. Getting immersed in the role. Imagining myself as the character Baby.. And not Alex but Sweetpea as Johnny Castle.

Alex delivered his line a second time. His delivery wasn’t much better. Kevin grumbled to himself and made his way over yet again. This time, Kevin’s problem with the scene had absolutely nothing to do with me.

He addressed me first. “Please, please please.. You have to play Baby. You have to.” he gave me a pleading look. “I’m prepared to beg, okay?”

I pretended to mull it over. Smiling as I nodded. “Okay, alright.. I can still do costumes though, right? Because I already have a ton of ideas drawn up..” I shuffled my feet, giving Kevin a pleading look.

“Yeah! Definitely. You’re the only one I trust to do the costumes right, Marlena.” Kevin answered quickly.

He turned his attention to Alex and they got into a heated argument. Alex blamed his performance on me and the fact that I seemed standoffish and that I wasn’t up to his level and shouldn’t even be sharing a stage with him to begin with. Insisting that Kevin should at least give Josie McCoy a chance to play Baby in our play. She already had her hands full with the senior class musical and her performance during intermission and Kevin pointed that out.

“Josie can’t do both musicals and intermission twice, Alex. That’s asking way too much. Even from her, man. Marlena is Baby. You can adapt to that or you’re welcome to leave.” Kevin stood firm in his decision.

Alex eyed me and I stood taller. Smirking up at him. More than a little amused by the entire thing. He chuckled. Shrugging as he tossed down the script he’d been holding in his hands. “Fine. Try to find somebody else to do a better job at playing Johnny. See how that works out. I’m done. I refuse to participate in this mockery.”

He stormed out of the auditorium.

My sister Veronica and Josie McCoy shared a look and a nod. Veronica stood. Josie shot up out of her seat also and the two jogged over to Kevin. Getting him off to the corner of the auditorium. As the three of them whispered back and forth, I stood there, shuffling my feet. Reading ahead in the script.

Taking it all in.

Honestly enjoying the fact that I was going to be playing Baby Housemann in the junior class musical immensely more than I thought I would. ,, until opening night when you’re on stage in front of everyone and you either freeze, bolt out of the room or throw up everywhere.” my mind taunted.

I shoved out the intrusive thought.

Kevin chuckled out loud. Getting so excited that he didn’t keep his voice down when he spoke up. “Your minds, I swear. Yeah, we’re gonna try that. Right now, actually.” Kevin told my sister and Josie. They smirked at each other and as they walked past me, Veronica gave me a wink.

And almost as soon as she did, I braced myself. Because I have the sneaking suspicion that my sister was up to something. And if that something had to do with a certain Serpent reading against me as Johnny Castle?

I was literally going to die. I’d be totally doomed.

,, maybe not.” and even the surprise optimism had me laughing at myself because I knew better.

“Sweetpea, can you come up here, man?” Kevin called out.

I tensed just a little. Took a deep breath. Suddenly I knew exactly what my sister had been up to but my question now was why had Josie taken part in the whole idea? I thought she was dating him? They were hot and heavy at Cheryl’s party a few weeks ago and they went places together a lot …

I prayed for a portal to another dimension to open in the stage and take me out. If my sister has even slightly hinted that I may or may not have feelings for the giant jerk to anyone I swear to God.. I’ll die.

Sweetpea hopped over the chair in front of him and walked down the long aisle, stopping where Kevin sat in the front row. The two were whispering back and forth and more than one time, Sweetpea glanced back at me. Smirking. Chuckling as he listened to what Kevin was telling him and rubbing his chin as he pretended to think something over.

Sweetpea looked over at me and shrugged as he answered Kevin. “I can try. I’m not makin any promises though because I don’t dance and I’ve never seen this movie.”

“Just trust me. You’re as Johnny as Johnny gets, Pea.” Kevin encouraged. I wanted to kick him so badly at that moment. Did he seriously have to encourage Sweetpea? There had to be someone else… anyone else. Someone I didn’t have a massive crush on and yet also want to strangle.

I pretended to stick my finger down my throat and gag, as per usual when Sweetpea locked eyes with me again as he walked towards where I stood..

,, because God forbid you let him even get an ounce of suspicion that you have a crush on the guy.” my brain was at it again with the taunting. I pushed it all down deep and took a deep breath or two.

“You did this just to be an asshole.” I muttered.

“No, I did this because Kevin’s my friend. Not everything I do is about pissing you off, princess.” Sweetpea chuckled as he said it. Adding in a quieter tone, “Just because you’re Marlena Lodge… That doesn’t make everything about you.”

My jaw set and I glared up at him. Taking a deep breath or two. Reminding myself that despite Sweetpea now reading as Johnny Castle, I still loved this movie and I wanted our class’s play to be worth watching. That I couldn’t mess this up. I couldn’t let Sweetpea taunt and torment me into messing this up either.

I didn’t want to disappoint Kevin because he was one of my best friends. He was depending on me to at least try to do my best here.

Kevin gave the signal for us to start from the top of the scene.

I stepped closer. My body brushing against Sweetpea’s. Sweetpea mirrored this and grabbed hold of my arms, pulling them out in front of me just like Patrick Swayze did in the actual movie as he recited the line.

And the tone in his voice, oh my god.

“Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.”

I responded with my line. Stepping closer, even throwing in an accidental mis-step on the top of his foot on my own.

Kevin continued to sit, watching us rehearse. By the time we got to the scene where Johnny is telling Baby that he got fired, I could feel more people’s eyes on us. And I swallowed hard, trying not to focus on being watched and how that felt, but instead, on the script. On what I had to say and how I felt like it needed to come across.

And maybe, in my own mind, I was imagining how I’d act if I were in Baby’s shoes. Having just argued with my father about the guy I was in love with only to turn and find out that despite my own optimism at convincing the guy to do the right thing, nothing worked out the way I wanted at all.

Sweetpea must have caught on to my anxiety because he muttered quietly, “You good, princess?” as he covertly brushed his hand against mine. Clearing his throat to get my attention and keep me from getting nervous and blanking out or bolting off the stage.

I gazed up at him a second or two, finally nodding. Managing to ground myself somehow and I tried my best to convince myself it was not because Sweetpea’s fingers laced through mine. Almost as if he’d caught hold of my hand to keep me from leaving.

,, He’s just doing that because it’s in the script. You’re supposed to be having a heated discussion and you’re about to walk away upset. That’s the only reason he grabbed your hand. It has nothing to do with the fact that you kind of freaked out a little and lost your focus.” I reminded myself grimly as I caught up to where we were on the page and took a deep breath, preparing for my turn to speak.

As I delivered my next line, “So I did it for nothing.I hurt my family, you lost your job anyway-- I did it for nothing!” I wanted to disappear into the stage floor when my sister stood up in her chair, clapping and whistling. But the way I said it sounded so wistful. Disappointed and bitter. Like I was truly hurting.

Sweet Pea said his line. “No, no, not for nothin', Baby! Nobody has ever done anything like that for me before.” and I paused. Staring up at him. Blown away because he sounded so sincere too. Like for a second or two, this was really taking place and it wasn’t just some silly rehearsal. Like he meant what he was saying.

But I knew he didn’t. We tolerate each other at best. At our worst, we’re at each other’s throats constantly. Finding any and all excuses to rip into each other or push the other’s buttons. Because it’s just what we do.

But his tone. The look in his eyes when he delivered the line. The way his eyes fixed on me, searching. Waiting.

“It’s your turn, princess.. Cat got your tongue?” he muttered under his breath to draw me out of my own inner turmoil.

I took a deep breath and scanned the page. Finding my next line. “You were right, Johnny. You can't win no matter what you do!” and I could feel him staring as I said it. Biting his lip when I lazily punched at his chest because it felt like the right thing to do in the heat of the moment to show how upset the character was. I shook my head and dropped my eyes. “You were right.” I muttered in a quieter tone.

Sweetpea reached out, rough fingertips gripping my jawline. Guiding my eyes back up to meet his as he replied with the next line, “You listen to me. I don't wanna hear that from you. You can!”

And again, it sounded so real. Emotional. Like we were really having this argument. I was really getting into this. Probably a little too much for my own good. I sighed and shook my head sadly. Biting my lip as I stepped away a little and continued to shake my head, arguing back, “I used to think so.” and after a second or two, adding in a quieter tone, “Now I don’t know anymore.” even though it wasn’t in the script.

Sweetpea was staring at me. Thoughtful. Intent. Almost as if he were actually seeing me and not all the stupid things he’d written me off as from the word go on the first time we met. He cleared his throat and that shit-eating smirk was back again. “Not too bad, huh?”

“Jackass.” I muttered, mostly to myself. Still a little dazed.

Kevin called for a break and made his way over.

“Okay, we’re going to take this all the way from the beginning tomorrow. I wish I’d done this sooner. We’re going to have to practice the lift next. Because the lift is iconic. We have to pull that off or I’m gonna want to punch myself in the throat.” Kevin was excited, rambling away a mile a minute.

Sweetpea spoke up. “What about my part in the senior musical?”

“You can do both. We’ll move the junior musical to a different night. You have to do this. C’mon…”

Sweetpea grumbled and finally muttered with a shrug, “Okay, alright. Fine. Shit. I’ll do it. But I’m not wearing tights, are we clear?”

“You really haven’t seen the movie at all… have you?” I scoffed as I gazed up at Sweetpea. He mimicked me and shrugged. “I’ve seen bits of it. But I know one thing and that’s dancers wear tights. I’m not wearing tights. Not happenin.”

“For your information, you big idiot, Patrick Swayze does not wear tights a single time in this movie. At least not that I remember and I’ve seen it a thousand times... Suit and tie, maybe.”

Sweetpea grumbled and raised a brow.

“Not for the whole movie, damn it.. Black jeans and a black shirt will suffice for most of it. You can even wear your leather jacket, you big man-baby. Johnny Castle wears one in the movie.” I answered. Stepping closer to him to sort of get a visual read on his measurements so that when the time came I at least kind of had an idea of what worked. Sweetpea chuckled, dragging his fingers through his hair as he gazed down at me. “See something you like, princess?”

“I’m trying to figure out what I’m gonna need for your costume, dingus.” I replied as calmly as possible.

“Ya know, you could always just measure me… Right? Or ask me my size?”

“Oh you’d enjoy that entirely too much. And I’d have to touch you. No, nope. No thanks, I’ll pass.”

“I’m gonna have to touch you anyway. That lift or whatever it was that had Kevin rambling just now.” Sweetpea barely hid his amusement as he stepped even closer. A hand at my hip. Lingering.

For a second or two, I was lost in his eyes and totally oblivious to anything going on around us and then Kevin shattered that by starting the last song of the musical and calling for everyone to take their places.

And from the crowd, Fangs spoke up.

“Hey babe.. What if we got all the extras from the clubhouse scene to come in through the crowd? Just like the movie?” Fangs was smirking at both Sweetpea and I as he spoke up. Enjoying this entire situation way too much.

“Fangs, you brilliant and beautiful man, this is exactly why I love you so much.” Kevin smirked as he rubbed his chin and called out. “Okay, if you were an extra in the clubhouse scene, go to the doors of the auditorium. When Fangs gives the signal, you’ll come in. Dancing.”

He turned to Sweetpea. “You go with them.”

Sweetpea managed to break the staredown we had going on and he nodded. Grumbling as he walked towards the front of the auditorium.

Everything went pretty well until we got to the part where I was supposed to run to Sweetpea and he was supposed to lift me over his head. I took off, running towards him.

I missed the mark. Wound up with my legs wrapped around his waist, clinging for dear life while he staggered back just a little. Both of us arguing about whose fault it was that we messed up.

Kevin cleared his throat.

“You guys need more practice. Maybe you could rehearse together?”

Sweetpea and I glanced at each other, mulling it over.

“Fine.” Sweetpea ground out through a jaw tightly clenched. A glance at Fangs revealed that the reason he agreed without a huge fight was probably something to do with the way Fangs was giving him a demanding look.

“Fine.” I answered. Swallowing hard.

Trying to pull myself together because frankly, I was still all sorts of stirred up from the way he’d actually caught me and the fact that no, I hadn’t wanted him to put me back on my feet at the end, either.

I spoke up again. “We can do it at the bunker.” I suggested. Trying to think of a neutral place that didn’t favor either of us heavily. A place we could hopefully be alone and focus. And probably scream and shove and storm away to cool off if things got too heated.

“8 work for you or does daddy let you out past your bedtime, princess?” Sweetpea taunted, smirking at me when I glared and rolled my eyes.

“ I do what I want.” I scoffed at his parting jab.

From behind me, my sister spoke up. “Are you ready, Marlena?” as she looked back and forth between Sweetpea and I with an amused grin.

“Yeah. We need to get going.” I answered.

As my sister and I walked out of the auditorium, my sister gave a soft laugh. “That wasn’t so bad, huh? I knew you could do it.”

“Oh shut up.” I grumbled, managing a weak smile. “We haven’t made it to the night of yet. Don’t jinx this. Remember what happened last time I had to get up in front of people and talk in any capacity?”

“Marlena, that was kindergarten. Maybe it’ll be different.”

“Veronica, I threw up everywhere. And not gracefully, either. It was a full on projectile vomit.”

“That was something. The chemistry between you and Sweetpea in there. I felt like I was actually watching the movie.”

“He’s an ass. And he hates me, remember?”

“Yeah, well.. It didn’t look that way to me, Marlena. If he hated you, he wouldn’t have been standing so close the entire time… or the way he grabbed your hand?” my sister questioned.

I shrugged it off. “Can we change the subject?”

“Why? Afraid I might be right?” my sister teased, as usual.

TIME SKIP

“Okay, if he’s not here in ten minutes, I’m leaving. This place gives me the creeps.” I muttered to myself almost the exact second that I managed to find a spiderweb with my face and shriek about it.

Low chuckling from behind me had me turning. Finding myself body to body with Sweetpea as he tried not to laugh.

“Do you talk to yourself a lot or do I make you that nervous, princess?” he taunted. I gave a light shove and stepped away, pouting up at him. Quick to argue that he didn’t make me nervous, not at all, not even a little.

Despite knowing that the truth of the matter was yes. Yes, he made me extremely nervous. Because he was so distinctly my type and I just longed for what I knew wouldn’t ever work out between us because we were entirely too different.

“In other words, yes. I make you that nervous.” Sweetpea’s jaw set in a line and I flinched a little. Not wanting to fight with him.

I quickly changed the subject, nodding to a little tv and dvd player I’d rigged up earlier and the brown paper bags with Pop’s logo on the front.

“We need to rehearse. Not whatever this is.” Sweetpea was still irritated.

“Yes, well.. You’re never going to realize just how huge a part of the story Johnny Castle is until you’ve seen the movie.”

Sweetpea rubbed his chin in thought. “How long is this fucking movie?”

“Maybe two hours? C’mon… Or do you have a hot date waiting?” -the hint of jealousy that crept into my tone was enough to make me tense up a little. Pray to God he hadn’t picked up on it. Lucky for me, he didn’t seem to, instead, he was already digging into the grease stained paper bags, grabbing himself a burger and fries.

Sprawling on the little twin sized bed.

I dug out my own food and sat down, close to the edge of the bed, careful not to sit too close to him because I didn’t want to crowd him or annoy him or give him the wrong impression.. Or in my case, the right impression though I’d die before admitting that to him.

After hitting play on the DVD player, the opening title splashed across the screen and I smiled, settling into my chosen seat just a little more comfortably.

About thirty minutes into the movie, I could feel his eyes fixed on me. I turned to look back at him, a brow raised. “What?”

“You know every single line.”

I felt my cheeks burn a little, shrugging it off as I nodded. Answering through a mouth full, “When we were little.. Veronica and I used to watch this movie whenever it was raining or we were sick. We’d get cozy in one of our rooms with snacks and blankets and we’d just like… imagine life being that simple. Doesn’t help that Johnny Castle is - to quote my sister, “Totally your kind of man.” “ I gave a sheepish laugh and took a handful of my fries, raking them through my milkshake.

Sweetpea rose to sit. Leaning in a little. Extending his arm and wiping his thumb over the corner of his mouth as he cleared his throat. “You had some milkshake…” before falling silent all over again. Staring at me for seconds that seemed to stretch infinitely. It felt like everything fell away. All that remained was that thick tension. The flickering of the candles I’d lit earlier against the wall. The tension got to me. It had everything I wanted to say but couldn’t find the nerve threatening to come out.

“I don’t bite, ya know.” he muttered quietly. Pulling away a little. That look in his eyes again.

It hit me. He honestly thought I disliked him. Or thought that I was better than him. Nothing could be further from the truth and realizing how he must have felt and what probably fuelled most of the comments and the arguments between us was the fact that he thought I viewed him as a lesser person somehow… that really got to me.

“I, uh.. I didn’t want to crowd you.” I managed to get the words out after a few seconds. Not daring to look at him. Desperate for a rewind button so maybe I could go back in time to when I first met him and salvage everything.

Desperate to tell him how I really felt.

Especially when I remembered what Veronica mentioned earlier about the way Josie just shut him out.

“Oh.”

The movie caught our attention again. After a minute or two of sitting poised right at the edge of the bed like I’d been and longing to really get comfortable, I settled in the sliver of space next to him. Trying not to think about the fact that the bed being as small as it was gave us literally no space and we were forced to touch.

Thirty minutes passed. Sweetpea sat up.

“ I think I get it now.” he muttered.

“Yeah?” I was getting lost in his eyes all over again.

“Mhm.” he affirmed.

I sat up and so did he. “It’s cheesy as hell, but… I get it. Kinda know how the guy feels.” Sweetpea’s gaze settled on his hands and he chuckled to himself, the sound almost bitter.

“I’m sorry. I heard about you and Josie breaking up.”

“We didn’t. You can’t break up with someone if they never wanted to be with you to begin with.” Sweetpea answered. He tensed up a little and I sighed. Wishing I hadn’t opened my mouth.

That tension between him and I doubled.

In an attempt to make things just a little lighter, I slipped off the bed. Held out my hand.

Sweetpea eyed it warily.

I insisted, “Oh come on, please? Just one dance. You did say we had to practice. And I dance, so I can definitely tell you that if we don’t at least somewhat connect, we’re going to be awkward and it’s going to look bad.”

Did I really just do that?

The scene where Baby goes to Johnny’s cabin and spends the night was just beginning and I swallowed hard as soon as I glanced back up at Sweetpea and realized that he was staring at the television in a daze. I cleared my throat to get his attention.

“You want me to dance with you.. Like that. Okay.” Sweetpea towered over me. Closing the space between our bodies before I had a chance to back out of what I asked of him. His hands went straight to my hips. Holding my body in place against his as he chuckled, looking down at me. “You’re the one who wanted to dance, princess.”

“Yeah.” I managed to stammer. Breathless. Helpless thanks to the way his fingers dug into my hips and held me against him. But when they started to move up and down my sides, oh… I felt myself shiver at the touch. Melting against him on my own. I’d been trying my best not to give in and do that.

I trained my eyes on the front of his plaid shirt because I didn’t dare look up at him.

His leg slipped between mine and I bit my lip. Breath catching in my throat all over again as I rubbed myself against his thigh. My usual careful,guarded filter was gone.

All I cared about was doing whatever I could to show Sweetpea that what he thought I felt towards him wasn’t true.

His hands settled across my ass. Fingers digging in as he gasped quietly. A groan slipping out as he muttered in a daze, “You really are a good dancer, huh?”

“I, uh… I compete. My parents are huge on pushing my sister and I into competitive activities, whether we want it or not.” I babbled.

It must have bothered him that I wasn’t looking at him because he gripped my jaw, guiding my gaze up. “But you like dancing. I can tell.”

,, maybe it’s just dancing like this with you.” the thought came. I stopped just shy of actually letting it slip out. I sighed and smiled, nodding in agreement. Because that was so much easier than everything else I wanted to do or say. ,, besides,” my brain continued to taunt, “why on Earth is he going to want you when he could have literally anyone else?” and the thought had me pouting a little.

I didn’t think he was aware of it.

“What?” he asked. Tensing a little. Loosening his grip on my body just a little bit. Seeming as if he wanted to step away from me. Before I had the chance to talk myself out of it, I melted against him all over again. Raising my arms to slip them around his neck.

“Nothing.” I answered after a few seconds.

“You were pouting again. That’s kind of a thing you do when you’re upset, you’re not getting your way or you’re annoyed.”

The fact that he picked up on that had me raising a brow. Scoffing. About to argue that I didn’t pout all the time, but keeping quiet because I knew he was right.

But how -and when, had he noticed?

“Dreading the fact that I’m going to get up there on stage and see everyone watching and I will panic.” I muttered quietly because a half truth was better than the whole truth or a complete lie.

If I told him the real reason I’d been pouting, well.. That would’ve opened up a can of worms that I’m not sure about opening. God I want to. But if I just lay it all on the line…

I can’t.

Sweetpea raised a brow. He started to say something but he went quiet on me. Thinking.

“But you’re so loud.” he finally spoke up.

I pouted up at him, giving his chest a light smack. “I ought to step on your foot, sir.”

“Won’t hurt. Boots are steel toe.” Sweetpea smirked as he said it. Sticking his tongue out at me.

He dipped me and I hadn’t been expecting it. I gasped and he chuckled. “Not so bad at this dancing shit, hmm?” he questioned as he pulled me back up. His hands moved up and down my back before settling on my ass again. Squeezing when I rocked myself over his thigh just a little before I could stop myself because what he was doing was getting me worked up.

I sighed a little. Melting all over at the way he touched me and held me. Admitting with a quiet laugh, “You’re actually not. And I can teach you more..” trailing off and going quiet.

“You can, huh?”

His voice was this perfect mix of gravel and silk and I had to clench my thighs just a little. Found myself praying to whatever God might exist that I didn’t get too excited and leave a wet spot behind on his jeans. Because that would definitely seal the embarrassment and awkwardness factor. And I didn’t want that.

I was staring intently at his chest again when he tucked his fingers beneath my chin and tilted my head. “Careful what you say, princess. I might actually take you seriously.”

“I’m being serious. I don’t mind at all.” I babbled and instantly, I wanted to punch myself in the throat for it. This awkward version of myself wasn’t me but for whatever reason, Sweetpea seemed to bring it out. All my insecurities seemed to come rushing to the surface. Taunting me with the knowledge that there was no way he’d ever be interested in me beyond the convenience of a good screw. Knowing that even if he were, something would go wrong somehow.

He dipped me again. This time when he pulled me back up, our faces bumped against each other and when my mouth brushed against his, I couldn’t stop the quiet gasp that came. His fingers dug into my body just a little more and we were staring at each other.

Dazed.

“Pea?”

“What’s up, princess?” he muttered after a second or two. Blinking as if he were trying to focus.

“Nothing.” I muttered. Losing my nerve and my train of thought. Pushing down everything I’d been about to say all over again.

“ Why do you do that? Just say whatever it is you want to say.”

“Oh, I don’t think you want me to do that.” I muttered, mostly to myself. My gaze trained on anything and everything but his. He guided my face up and licked his lips, his eyes darting down. Settling on my mouth. “What if I do?” he muttered in response after a few seconds.

“Okay, fine. I was wondering what..” I trailed off. Frustrated. Laughing at myself and shaking my head. “Forget it. It’s stupid.”

“Tell me, woman. Damn.” his tone was firm and I swallowed hard as I looked up at him.

He was going to keep at it until I said something and right now, I was drawing a blank on any other convenient things I could say that were less controversial than what I’d stopped myself from saying.

,, maybe if you say it, he’ll know that you don’t hate him.” the thought came.

I took a deep breath. Shaky.

“I was wondering what your kiss feels like.” I muttered, my voice dropping so low that for a second, I didn’t think he heard me.

His jaw dropped. One hand left my ass and raised. Dragging through thick dark hair as he tugged. His mouth opening and closing.

“What? You kept asking… I.. You don’t have to. I didn’t want to make it weird.” I babbled nervously. When he started to chuckle, I looked up at him with a brow raised. “Gee, thanks.” I pouted.

Stepping away. Because if I didn’t put some distance between us right then, I was going to keep digging the hole deeper.

He reached out and grabbed me by the hips, pulling me against him all over again. Rocking himself into me clumsily. His face inching closer and closer to my own. Our mouths were on a collision course and neither of us bothered to stop it from happening. His lips settled against the corner of my mouth clumsily. His tongue traced the outline of my lips and I shivered and melted against him like I’d been before. Clinging. My arms around his neck again. Fingers toying with the hair at the nape of his neck before settling my hand across to rest and pull his mouth back against mine.

My lips parted, granting him access. His tongue slipped past my lips and he melted into me this time. Deepening the kiss. Using his grip on my ass to pull me up his body slightly. I sighed as the kiss broke, my tongue rolling over kiss swollen lips. Staring at him as I tried to wrap my head around what just happened.

How badly I wanted it to happen again.

“Well?”

I bit my lip. Trying to formulate words. Anything. My brain must have short-circuited because I came up with nothing, despite all the opening and closing of my mouth as I attempted to answer.

I’m not sure what possessed me to do it or why I thought it was a good idea, but I was grabbing hold of the back of his neck. Pulling his mouth back against mine greedily. Taking total control of the kiss this time around. Making him chuckle into the kiss.

As we pulled apart to breathe, he repeated his question.

“Better than my wildest dreams.” I blurted out quietly.

“So you dream about kissing me?” he asked, tucking his fingers beneath my chin so that I couldn’t do what I tended to when a subject got to be too uncomfortable for me… I swallowed hard and admitted in a hushed tone, “Among other things.”

He growled out the word “Fuck.” and pulled me up his body completely. Deepening the kiss to a point where I almost forgot to breathe a time or two. I could feel myself getting light-headed. The kiss broke and we pulled apart, breathing heavily. I melted against him, dazed. Still trying to get my head around the turn the night had taken.

“It’s getting late, princess.”

“It is.”

“I should probably get you home.”

I pouted a little. Holding onto him just a little tighter. “Unfortunately.” I muttered.

He scooped me off the table and carried me out of the bunker. Sitting me on the back of his motorcycle. I wrapped my arms around him and leaned against his back, the Serpent patch scratching at my skin a little.

The drive back to the Pembrooke took almost no time and as soon as his motorcycle stopped at the curb, I pouted a little. Rolling my eyes at the literal ivory tower.

“I’ll see you tomorrow.” I asked as I slipped off the back of his motorcycle.

He grabbed hold of my hips, pulling me against him. Leaning down and stealing another deep kiss. “Mhm. Definitely, princess.”

I practically floated up the stairs leading into the lobby of the building. And I leaned against the wall, waiting on the elevator. Trying to pull myself together. Smiling like an idiot.

#sweetpea #sweetpea x oc imagine #sweetpea oneshot #sweetpea fanfiction #sweetpea fanfic #sweetpea x oc fanfiction #sweetpea x oc fic #sweetpea imagines #my writing ; sweetpea #my fanfiction ; sweetpea #my oneshots ; sweetpea #my imagines ; sweetpea #// okay not gonna lie this one got away from me but it's heckin cuuute af.#// if you wanna see these two more often pls lmk #// i beg #// this is about to flop so goddamn hard #// safe for kiddos eyes this time hehe

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theboysfanfic · 3 years

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🎲Snake Eyes : Pink Venom

A ‘Mean Girls Club - Pink Dawn' Crossover AU

Pairing: Homelander x McQualude 🎲🎲

Scent: Agent Provocateur - Agent Provocateur

Warnings: Violence. Unsavoury antics. Swearing. Hand drawn girls. Knives. Snakes. Stilettos. Cringe dialogue.

Words: 1,818

Summary: The girls encounter Homelander and Pinky is mad when one of her girls develops a weakness.

Credit: Dividers by @firefly-graphics X X Inspired by the characters and world of 'Mean Girls Club' and 'Mean Girls Club Pink Dawn' comics by Ryan Heshka, Nobrow Press.

SpookTober2021 Masterlist | Main Masterlist

Pinky shouting to get away from him.

'Don't you see he's trouble, like the rest of 'em! Don't you even think about it!'

'SNAKE EYES! Get the fuck outta here girls!'

They drop the blindfolds and clutch their knives tighter. The girls sprint in stilettoes, Sweets out the window, Pinky round the back with the Cadi waiting for them, ready to shove the girls in to skip this joint.

'Wendy! Wanda! Blackie! Come on girls step on it!'

McQualude left in the cabin, holding a knife to the sick fucker's neck.

'Come on girl! You wanna be fried to smithereens in there? No time for this shit!' Pinky calls out.

A blazed trail in the ground outside the house, double lines of scorching hot laser.

Wanda reports back to Pinky. 'Some crazy motherfucker is burning it up out there WTF are we gonna do Pinks?'

'We gotta step on it! And fast! Where the hell's McQualude?'

The girls are frantic.

'I'm not coming,' she shouts, 'leave me here! ASFGH* I'm not leaving this fucking bastard alive even if it means I'm burnin' in hell. This snake eye bastard will have to get both of us!'

He waltzes through the door, chest puffed, looking from under his brow.

Our remaining Mean Girl wide eyed at the sight of him.

This is the snake eyes bastard?! Holy fuck balls!

'Well, well well, what have we here!' he says. 'And don't waste my time.'

He walks up to the man tied to the chair gagged with a Molotov cocktail and almost blindfolded. Her with a knife to his throat.

Homelander traces a finger over the knife's edge.

'We got girls causing trouble, huh? Please tell me you and your friends have a good reason for this, or else they called me out for this too soon.'

'Sure as hell we have a good reason! Why do you care!' she shouts.

He looks at her blankly. Ignoring her question. His eye twitches.

'What's the matter blondie? Question not good enough for ya?'

He lifts his chin, staring her in the eyes.

'Well Pinky,' he mocks, 'I wouldn't judge me so soon.'

He eyes a bottle of spilt poison marked with crossbones on the floor in the corner.

He turns back to her, 'It's certainly not my style, but I'll give you points for creativity. You've really done a number on this one.'

He examines the bleeding man's face, all scraped up. He refrains from touching him. Pristine suit untouched by the surrounding mess. The shards of glass from the smashed in windows, some of it embedded in the man's face, the reptiles slithering around some splintered wood where dining chairs used to stand. The girls have come prepared. But not for him.

'We like keeping these pig bastards down, it's our specialty.'

'And who's this pig bastard?' he questions.

'He's the one sick bastard that came to visit me at the orphanage, he paid off the matrons every time. Scum sucking bitches! Pinky tracked him down last week. He's had it coming for years!'

'This is mine! But since you ladies are doing some good work here..I'm gonna let it slide.. What fun is preventing a crime scene? But I've gotta keep up appearances, so some rogue ladies terrorising poor citizens in their houses sounds like a good trade, got it? He's dead before I got here, I kill him, you take the body and leave!'

His eyes flash at her.

'The girls won't let you do that.'

'Try me.'

Pinky, Wanda, Sweets, Blackie and Wendy come running through the back shooting their way and throwing all sorts towards Homelander. None of the shots affect him, bottles just smash and knives stab but he doesn't drop.

'You bitches slow down, he's not with the other one!' McQualude screeches.

Homelander throws girls left and right, as they attempt to claw at him, hit him with Molotov bottles or slice him with knives. He has them all stumbling, falling over, then threatens them with heat vision.

Swiping lasers along the floor in an arc, narrowly missing all the girls feet as they are sprawled all over the floor. McQualude still has the knife's edge against her assailant's throat, him half passed out, half blacking out and bleeding.

Homelander marches up to her, grabs the blade and moves it away from the guy.

'Let me do this he's mine! Let me have him!' she yells.

He growls and grabs her frame forcing her to be pressed up to him, his forearm tight against her chest, gripping her to him as he leans his chin on her left shoulder.

'I said to you..this is mine..and I'll do what I think is best. But you can watch, I think you'll like it.'

Homelander lights his eyes and without a reply from her, slices lasers into the assailant's neck dragging pure fire over his face until melted goo is dripping all over the floor.

'Are you satisfied now! Get your girls out of here!'

The girls scattered like bowling pins, are destroyed and amazed at the same time.

'Holy shit! Pinky did you see what he did just now?'

Turning to him, 'How did you do that?'

'Who is he?'

'Who is this?'

They are whispering amongst themselves.

'Maybe this one isn't so bad. He could be right up our street? What you think Pinky?'

Homelander let's go of the girl known as McQualude, guides her towards her girls with a push, a bit gentler than he anticipated.

She joins the whispers.

'Pinky, he's not what you think! We can keep him.'

'Keep him!? Have you lost your mind! Has all the blood rushed to your sausage grinder honey?' Pinky scalds, 'Well we better call it a day, he's certainly not what we thought we would find, he's dangerous and we can't trust him. He's manipulating you honey!'

Homelander turns, walks out of the dishevelled shack, hearing everything they say but doesn't let on.

McQualude runs out, hanging onto the door frame, looking to see where he went, if he's still here.

He's clean off the ground and flying through the air.

Running back in she shouts. 'That hot bastard is flying away! Can you believe it?'

'You're really smitten with Snake Eyes? Snap out of it girl! You can't trust 'em!' Sweets tells her.

'Ugh he fried him! He did him in real good!'

'Let's torch the place ladies!' Pinky instructs.

A zippo (Mr.Pinky) and a few smashed Molotovs later the shack is up in a blazing flash. Girls leg it to the Cadi, speeding outta there into the woods.

On the Vought meeting room screen Homelander watches the reports of the fire breaking out, Ashley standing there over him, ripping her hair out.

'This was meant to be a story. What happened?' She's visibly shaking from having to even ask him about this.

He's mad angry.

'Get me that Cadillac and it's location.'

She looks at him with terrified eyes.

'Do it.' he walks out like nothing happened.

A knock on their cabin in the woods door startles everyone. The girls running around in towels straight from their reptile pit hot tub.

Wendy peeps through the window. 'Shit Ludey! It's your boyfriend Snake Eyes!'

McQualude sits up from her venom collection vials, swinging wildly on her seat. 'You what!?'

'It's Snake eyes! He's at the door.'

'It's really him!' Wendy shouts piling into the window with Sweets.

Pinky marches up. 'Lemme see! Well wadda you know. It's your lucky day.'

Ludey drops her poison pipette, jaw on the floor.

'Calm down and get that will ya! See what he wants but keep your guard up girls. We'll be in the reptile pit.' Pinky says.

When she opens the door, sure thing he's standing there.

In all his blonde magnificent glory.

She drools a bit.

'What are you doing here?'

All his features twitch and he cuts to the chase.

'What the hell did you pull? I told you to leave.'

'Look I didn't know that was gonna go down.'

'Well it's going to reflect badly on me now. I told you!' He points a finger holding his hand in the air. Lifting his chin up taking in a deep breath.

He evens out his breathing and looks her square in the eye. 'Now you've gotta make up for it.'

'Wait, we can help you, the girls can kick ass if a situation comes up. You're too strong for us but I'm sure no one else is as strong as you.' She twists her hair.

'Really!? Wait what did you hear?'

He holds a hand up to his mouth, faux whispering. 'By the way,' he smirks with a sparkling eye, 'I heard everything you said.'

She backs up into the house and he leans in.

'Ugh!' She's flustered and blushing hot pink.

'Can we keep him?' He looks at her face with amusement. 'How is it that your were going to keep me, exactly?'

'I thought you were one of the good ones. I could convince the girls to work with you.'

He looks taken aback, he smiles a bit.

'One of the good ones? Where did you see that?'

I saw it myself, the other night.

'Where else could you have seen it?'

'What you mean? The only time I've seen you is the other night. I don't think you're a cold hearted shit like the girls and I encounter. And what do you mean it reflects badly on you? Look, I'm sorry I didn't mean to mess something up for you.'

He contemplates. 'You wanna help me with a situation?'

'What kinda situation? Wait but who are you?' She asks.

'Homelander.' He looks proud. 'And uh just checking up on some troublemakers. Part of my job. It's gonna be far away.'

'What sort of name is Homelander?' she mocks.

'McQualude?' he raises an eyebrow.

'Homelander, how far away?'

'Far enough that I would need to fly.'

Her eyes go wide. 'You asking me to fly with you? Oo boy I've never flown before.'

'Or we can go now? What do you say?'

'Sure thing! Let me wash off the venom off my hands.'

She runs to the reptile pit with a grin on her face.

'I'm going out!'

'Don't be dumb Ludey! But watch out, if he tries anything....'

'I'll be ok!'

She finds Homelander in the house, looking at the setup, collection vials, and the snakes. She hesitates, not having invited him in, but walks up and wraps her hand over his forearm, 'I wanna go with you now, take me with you.'

'Let's go' he says.

He wraps an arm around her shoulders and chest clutching her to him, her back into his chest. Reaches his left hand out to take hers.

She holds his hand and before he flies into the air, he says, 'No more Snake Eyes ok?'

#homelander fanfic #the boys fanfic #Mean Girls Club fanfic #Homelander crossover #Homelander x McQualude #Mean Girls Club #Mean Girls Club Pink Dawn #ryan heshka #spooktober #spooktober2021

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setsuntamew · 3 years

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So, Persona 5 Royal, huh?

Full disclosure: I had gotten about halfway through November on Wednesday and finished it out Saturday night, which took uhhh about 65-70 hours? Some of that was sitting there waiting for the PS4 controller to recharge or listening to music in the Thieves Den while eating, but I still feel like I need to own up to how extremely bad I am at making good decisions with my life XD

MOVING ON, THOUGH, HOLY SHIT. P5 was a very good game, but Royal’s additions & changes made it incredible. I like the ending way more; I think it’s more emotionally fulfilling and meaningful, especially with everyone’s more defined future plans. Definitely felt like everyone had more growth in the end!! Which is something I’d always thought P5 was lacking.

Snip snip for spoilers and the fact that this post ended up being too damn long, oops! the last third is basically Akechi feels and analyzing his ending, so......yeah XD

Part of why I plowed through SO much of Royal in so little time is....Akechi XD Like okay, this is my stupid fandom blog, I can be excited about him all I want!!! I got to Sae’s Palace and just....I couldn’t put it down. @dragonofeternal and I ordered an embarrassing amount of takeout instead of cooking because we just had to see how everything with Maruki and the third semester was gonna go down. I’d already been dying along the way because Akechi’s confidant dates are so good, I just. Fuck!!!

Also, look, for the entirity of Shido’s boss fight and the depths of Mementos/Yaldabaoth/etc, we’d look at each other every few minutes and just be like AKECHI SHOULD BE HERE WITH US, HE DESERVES TO GET HIS VENGEANCE ON HIS SHITTY DAD AND FORCED DESTINY!!!!!

December 24th had to be the longest god damn day in Akira’s life because like. Final exam grades are posted in the morning! He goes to school and then dives into hell, crawls his way back out, briefly dies by fading from human cognition, fights an actual fucking god, and then....ends up dissociating in Shibuya until Sae shows up and is like “oh hey thanks for everything you did, please sign up for being arrested now.” And while he’s still reeling from that, Akechi walks up to take his place, like some kind of bullshit knight in shining armor schtick, and leaves no room for conversation.

AND THEN WE HAVE TO GO ON A DATE

I romanced Hifumi this time around, because I wanted Akria to bang a girl who is just so incredibly out of his league, but....it’s not necessarily that I forgot I was dating someone, more that it had been *so many hours of plot* that I was emotionally exhausted. Like, Hifumi texted me and I was just like. Right. RIGHT. It’s still Christmas Eve, somehow. I was at *school* this morning. The whole world merged with Mementos briefly in the middle of this, Akechi is somehow alive, and I guess I’m going on a date now????

I do appreciate how many “god I’m just dissociating my way through this” conversation options there were for the date, tbh. I feel bad though, I really like Hifumi, but I feel like Akira is not giving a date his full emotional attention at that specific time. It feels a bit like emotional whiplash, more so than I remember it being in P5? Maybe it’s because I played it 4 years ago and there wasn’t the added emotional weight of Akechi’s reappearance, but it was just like....a lot, in Royal.

AND THEN THE NEW YEAR HAPPENED. I’d been spoiled on large parts of the third semester, mostly because Royal’s been out for a year already and I’m too curious for my own good. I’d also somehow lied to myself, saying I didn’t have time to play another Persona game right now, and yet here I am, 171 hours of game play within exactly a month, kicking myself for not knowing how deep in Persona hell I would get XD

Which is to say, as soon as the new year started, it felt I was drowning in anxiety. I knew something was wrong, I knew they were in a false reality, but knowing that sure as fuck didn’t make it easier to go through. If anything, it was somehow worse, knowing that it was all gonna come crumbling down, but I didn’t yet know the exact details, only the broad strokes of it. Just. Every time someone talked about something that was wrong, my heart would clench.

God, I’m so fucking tired, I pulled an all-nighter on Friday so I could get through Royal before having to work on Sunday, and I am feeling it right now. Life tips: don’t do what I do XD

Every moment with Akechi felt like borrowed time, at least for me, because I knew what was coming. I spent so much time in Mementos with him; I ended up putting just him and Akira in my party and plowing through everything, including trouncing the Reaper over and over just for the hell of it. I got his ultimate weapons, I spent so many nights in the jazz club with him that he ran out of dialogue options, and I still took him back for more. I accidentally failed to EVER trigger Sumire’s Showtime because every fight was just Akira and Akechi against the world, because fuck it, I’m playing this for fun!! If I want to play with them in stupid costumes and no one else in the party, I’m gonna. Royal did such an incredible job giving Akechi more depth and development: it was all I could hope for, and it made it that much fucking worse to know what was in store for him.

Somehow, I thought it would be harder for me to make the decision to refuse Maruki’s deal, since fuck, fuck what I wouldn’t give for Akechi to be alive???? But I barely hesitated, only really stopping because I had to emotionally brace myself for it, because a reality where he can’t carve out his own fate would be a disrespect to everything their relationship is built on.

I have a whole shit ton of feelings about post-beating Maruki but they’re basically all Akechi related meta so somehow they ended up at the end of this post, I’m sorry XD

I understand that they had to keep the going to jail bit because 1) Akechi didn’t turn himself in, Akira did and 2) it leads to the final events of the game, but let me just say....the emotional roller coaster of fighting Maruki, almost failing multiple times, waking up in jail, the Phantom Thieves & friends getting Akira out of jail, celebrating that, and then getting thrown into Valentines Day was a LOT for my heart to take. Once again, didn’t forget I had a girlfriend, just got too invested in the plot to really be thinking about her. It’s less than two weeks after the fight with Maruki and somehow, everything is supposed to be okay????

The scene with everyone talking about their future plans is such good character growth, though. Everyone feels like they’ve truly grown and are making decisions that, even though they might be painful or hard at times, are ultimately very important to them. It’s a really good contrast to the “almost everyone goes to Shujin and they all stay in Tokyo forever without doing anything for themselves” Maruki’s perfect reality bad end.

Standing in the Underground Mall on White Day, being told I had to get flowers but finally being able to have control of Akira again was....so bittersweet. The fact that the location of the date is the aquarium is a low fucking blow, and I almost threw the controller across the room I was so upset. Like. THE AQUARIUM IS UNLOCKED BECAUSE AKECHI HAS TICKETS HOW FUCKING DARE SOJIRO SUGGEST IT LIKE MY HEART ISN’T STILL ACHING????? God, speaking of that: The fucking god damn Featherman video game tore my heart out because I ended up playing it WHILE WORKING ON SHIDO’S PALACE and I cried a ton about Gray Pigeon because of course they had to dig the emotional knife in even deeper!! Just fuck me up, it’s fine, I’m just dying!!!!!!!!!!!!

I ended up scrolling through his texts to find the group chats that still had Akechi in them, and fuck, it was a LOT. Like. Maybe it’s because I’m too invested in the two of them, but it was probably the worst emotional whiplash of the whole game. Like, how am I supposed to go play happy with anyone while staring at texts from a reality built of lies? It wasn’t real but the proof lives on in his phone and his heart, and I’m still fucked up over it.

HOWEVER. FUCKING. I SPENT LIKE HALF AN HOUR BEING EMOTIONALLY COMPROMISED ABOUT ALL THIS AND THEN DISCOVERED THE BASTARD STILL HAD ALL HIS EQUIPMENT, INCLUDING THE ULTIMATE MALE ARMOR!!! He returned his shit after Sae’s Palace even though he thought Akira was dead, but this time it didn’t get fucking returned to my inventory, so he must have fucking run off with all his shit!!!!!!! Why the hell did none of it get returned if he was never alive in the true reality? Like I know it'll be returned for a new game+ but I like to nitpick game mechanics for story reasons, because one of the things I love most about video games is the experience of them as another layer to the story. The texts from the third semester shouldn’t exist anymore, since they never really existed, but there they are. Akechi insisted that he has a gap in his memory after Shido’s Palace up until seeing Akira on Christmas Eve, but who can say that wasn’t related to Maruki tampering with reality or some other Persona-related reason?

I mean. I got the full and complete True Ending; I saw him in the train station. If that’s not Akechi, then who the fuck is it? Atlus made sure to put the work in to make him a part of not just the main story but also, especially, the third semester, and for what....to have his final time on screen be as the butt of the joke, squished underneath everyone in the Mona-copter? As much as it hurts, his end in Shido’s Palace matters; it fits his character and he gets to go out fighting- carving his own path, really. In Royal, barring the tiny glimpse of someone who’s probably him in the train station, the last we see of him is when he watches Joker let go of the rope to finish off Maruki. I know we got the heart to heart where Akira agrees to reject Maruki’s deal and Akechi insists that he’d rather be dead than live in a false reality, but.....no one even says goodbye to him. It’s tragic, it’s painfully lonely, but it doesn’t feel right for such a major character.

Also, as undignified as it is, for the first time ever, Akechi looks like he actually belongs in the Phantom Thieves in that final moment. He’s never been the butt of their jokes before; they always kept him at arms’ reach and he took himself too seriously to be included, but for that brief moment, it really felt like he was part of their group. He stopped lying about himself for their last month together, and so even if they don’t all like him, they can make that decision based on the truth, instead of layers of lies. His death is all the more tragic for this; a life cut short just when he’s finally finding a place he belongs. But his death was already painful; why make it so, so much worse?

Final thing: I’m gonna be spending a ton of time in the Thieves Den trying to find Akechi’s opinions on everything, but also....hey. HEY. What do those six stars that Jose (probably?) painted on the wall mean? Is it just a reference to Persona 6???? LIKE????? I HAVE QUESTIONS. SO, SO MANY QUESTIONS!!!!

Anyway, I’ve gotta go cry into my Starbucks and desperately try to focus on actually doing my job at work, but I loved Royal deeply and cannot wait to drown in it ;w;

#persona 5 royal #p5r #persona 5 royal spoilers #goro akechi #akeshu #I have just so many Akechi feels I'm sorry #long post #persona 5 royal meta

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asgardian--angels · 5 years

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Some more Good Omens Book minutiae

There have already been some good posts highlighting trivia and changes between the book and show (a couple are here and here) so I thought I’d add in some more that might be useful and haven’t been overdone yet. Ones I think are most helpful are bolded!

Crowley can see in the dark (because he’s a demon, not because he’s a snake)

Crowley does eat (and notes that sleeping is enjoyable after a heavy meal), but on at least one canonical occasion Aziraphale takes Crowley’s portion of food for himself (angel food cake, to be exact, and he does it without needing to ask) so infer what you will about how we never see Crowley with food in the show

Crowley does read, or at the very least it mentions him attempting to calm his nerves by reading a novel

Aziraphale learned magic when he took a class in the 1870s taught by famous stage magician John Maskelyne

Aziraphale takes his tea without sugar

Crowley does not like to shapeshift, because he is afraid he’ll forget how to turn back

It’s not terribly clear but somewhat implied that Nanny Ashtoreth and Brother Francis were NOT Crowley and Aziraphale (they reference a ‘team’ working for them) but that the two did exchange and compare notes on Warlock’s progress frequently. So thank Neil and Co. for the screenplay choices. Additionally, Brother Francis never actually did any real gardening, he just miracled everything to look perfect

When Warlock was 6 years old, nanny and gardener left and were replaced by two tutors, Mr. Harrison (evil) and Mr. Cortese (good)

Aziraphale will employ any means “short of actual physical violence” to discourage customers in his bookshop, including unpleasant damp odors and glowering looks to anyone who walks in

That clunky watch Crowley wears was custom-made to have the time in 20 world capitals as well as the time in Hell, which was always “Too Late”, and whose battery burned out years ago but he never noticed so it kept working

In 1653 Aziraphale added his own annotations to the proof sheets of a Bible published by Bilton & Scaggs Publishing (the same as who published the Nice and Accurate Prophecies), adding a bit about losing his flaming sword (basically the dialogue in the scene of the series where God confronts him at the gate in episode 3), and is now known as the Bugger Alle This Bible, one of a special collection of misprinted Bibles Aziraphale is proud to own

Aziraphale does watch films. This includes one documentary about gorillas making nests. He also makes an Exorcist reference.

For 6000 years Aziraphale thought dolphins were fish

Crowley watched Mary Poppins on TV at Christmas one year

Aziraphale buys his clothes, while Crowley manifests them

Anathema refers to Crowley and Aziraphale as “two consenting cycle repairmen” :)

Anathema’s bicycle is named Phaeton

Aziraphale’s bookshop is situated directly next to another bookshop called ‘Intimate Books’ and he occasionally gets confused customers that wrongly come into his shop

Anathema is British, not American, in the book

Adam has an older sister named Sarah

Aziraphale is the first angel to own a computer

After the non-Armageddon, Adam alters reality to send Warlock on a plane to America, because Adam thinks America is a cool and magical place and that Warlock deserves something good. (We do not find out if Warlock’s life improves, only that he liked England because it was ‘a good place to be an American’)

Crowley was so impressed by how diabolically mundane the warranty conditions for computers were that he sent a stack of them down to Hell’s ‘Immortal Souls’ agreement department with a memo saying ‘Learn, guys’

When Crowley trapped Hastur on his answering machine, he considered taking the tape and playing it in his car until it became Freddie Mercury, but he decided even that was taking it too far

While NOT show canon, in the book the combination to Crowley’s safe containing the holy water is 4-0-0-4, the year he “slithered onto this stupid, marvellous planet” (Neil has stated that the combination in the show is meaningless and was the default for the safe they bought)

In the book, it does NOT expressly say that Crowley destroys the plants he deems failures, just that he leaves and returns an hour later with an empty flowerpot

Crowley’s flat contains a bedroom, office, kitchen, lounge, and bathroom, each “forever clean and perfect” because he doesn’t really “live” there, as well as a fridge stocked with gourmet food that never spoils and the fridge isn’t even plugged in

Shadwell believes that Aziraphale is a Russian spy

Crowley and Aziraphale had both visited Shadwell’s apartment exactly once (and Aziraphale was rather disgusted by the state of the place)

In the book (as opposed to the show) Aziraphale is full aware (and nonplussed) that there’s only a 50/50 chance Heaven would win against Hell in Armageddon, and that it doesn’t matter for humans so much anyways because everyone will be killed horribly as civilian casualties during the war itself (a hilarious and very bitchy speech absolutely worth reading, when he possesses Marvin the TV preacher)

The road to Hell isn’t paved with good intentions, rather with frozen door-to-door salesmen, and young demons go ice-skating down it on weekends

Madame Tracy’s real name is Marjorie Potts

Aziraphale has “neat, copperplate” handwriting

Crowley is an optimist

It turns out, Hastur’s murder of the telephone salespeople prevented a Crowley-esque domino effect of thousands of people getting angry from the calls and passing that anger on and on, thus actually spreading a wave of low-level goodness across London

In the book, the M25 wasn’t actually on fire, but rather an inexplicable glowing combination of “pain and dark light” called infra-black, and was both 700 degrees Celsius and -140 at the same time. The Bentley spontaneously combusted when crossing it.

When Crowley meets Aziraphale-as-Tracy, he does say ‘Is that you? Nice dress’ but the TV version added the ‘It suits you.’ However in the book he also says ‘Aren’t you going to introduce me to your new body?’ :)))

When Adam acknowledges Crowley at the airbase, Crowley feels true terror for the first time in his life, because while Hell could make you cease to exist, the Antichrist could make it so you never existed in the first place

When Aziraphale makes the soldier disappear, he actually was transported back to his childhood home in America where his family lives

In the book, to get them both home from Tadfield Crowley steals a Jeep from the airbase

Crowley and Aziraphale are deadass just referred to as ‘the couple with the bottle [of wine]’ one time

There is no body swap scene at the end, because there didn’t need to be; in the book, the stakes of Aziraphale and Crowley’s Arrangement were not nearly as high. A big deal was never made of it, as they were too unimportant to warrant the attention of their superiors. Retribution never came. While they could get in trouble (and Crowley was threatened many times) for defying orders concerning the Apocalypse, little mention was made of their friendship being a crime. Thus, they never had any real reason to deny being friends, and were much more comfortable with their loyalties and each other. This lack of tension marks the biggest divergence between the series and book, and creates a starkly different (and interesting!) dynamic for the characters in the show.

Just me but I get the distinct sense that book Aziraphale and Crowley are already an old bickering married couple and this explains the distinct lack of pining lmao.

Anyway, I hope these were enjoyable or helpful!

#good omens #aziraphale #crowley #anthony crowley #mine

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spellcasterlight · 3 years

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Any WIP fanfiction requests that will be going live soon? 😚😚

Hi there Masterful Manta Ray Anon! 😊

I have so many Tumblr request WIPs sitting half-finished I'm so ashamed 😭

I've literally set aside August to do a bunch.

And when I say half-finished I do mean half-finished I have ideas, dialogue, or even whole parts of the story written down for most of them.

But the three that are the closest to being completely done I'll put snippits of under the cut!

Thanks for the ask! ✨

Warnings: Mentions of attempted suicide. Swearing. Sexual scene. Graphic Sexual Language.

Tap. Tap. Tap. Tap. - [Shino x Reader]

You looked up at the Aburame compound gates and you felt your lungs restrict.

No. Calm. Breathe.

The pad of your thumb tapped against the tip of your forefinger, then the tip of your middle finger, your ring finger and then your baby finger, before working your way in reverse sequence before starting all over again. The movements grounded you, comforted you, helped you clear your mind.

Tap. Tap. Tap. Tap.

Shino took a light but firm hold of your wrist, not your hand, he would never interrupt your stimming.

"We do not; need; to go in," the Aburame heir said

"Yes, we do," you replied honestly, always honestly. You thought it was one of your best qualities, no playing around you just said what you thought, unfortunately, others didn't share that opinion. "We said we would."

"We only need to stay for a few hours," your boyfriend's thumb ran over your pulse in a relaxing manner. "Then; we may leave."

Tap. Tap. Tap. Tap.

"Okay."

Who's Truly Lost? - [Shino x Tenten]

"Tenten," Shino held up her captured hand and his worry only grew when she looked downright ashamed. "What; is this mark?"

"It's nothing!" Her tone and the fact she tried to pull her wrist out of his grasp to hide the scar told him it was in fact not nothing. "Let go Shino."

"You; are lying," his grip tightened like the vice-like grip on his ribs she was hiding something. Tell me.

"What does it matter?! It's just an old scar! Let go!"

She pulled harder with frantic desperation behind it.

"You; never; keep secrets from me Tenten please just," she stopped pulling at his prayed words and his free hand came up to cover her captured wrist too. "Just tell me."

With another single yank, she removed her wrist from his hold and held it to her chest like she was cradling an injury before letting her arm uncurl and she ran her other hand's thumb over the healed skin.

When she looked back up at him he knew he wasn't going to be okay with whatever she revealed.

"After those first chunnin preliminaries I was in a bad place okay?" She started her voice already starting to crack. "Temari destroyed me without even trying, Lee was at death's door, Gai was inconsolable, Neji wouldn't talk to me felt really low and I-"

Her free hand clamped down on the scar as if trying to stem blood flow and when his mind connected the dots it was like someone had set him alight, his hands shook and his hive were suddenly screaming at him wondering if they were in danger from the freezing fear pulsing through him.

No. No. No no no no no-

She nodded with a pained expression as if she could hear his thoughts.

"-I did something dumb."

Knock Knock On The Door - [Shino x Tenten]

Wait; Shino and Tenten were dating?! Since when?! He was Shino's best friend he should have known! He should have told him!

Kiba gripped the bathroom door handle and immediately froze.

That was dddddefinitely Tenten letting out a-

"Shino."

Yeap, that was a moan of his best friends name, were they-right now?!

"Shino come on we ca-" she whimpered that time and it shot a solid bolt right through the Inuzuka, had her voice always been that pretty?

"I have had to watch every man in this town run their eyes over you; and it has; unhinged; something in me."

Kiba pressed his ear to the door at Tenten's light laugh sound.

"Oh, Shino what do I care about anyone else when I have you? I love you."

"I love you; as well."

Kiba, despite the situation, found himself smiling, they did sound so in love and happily devoted to each other he was happy for them it's what they both deserved.

Tenten suddenly gasped again taking the tone of the conversation full circle right back to sexual.

"Do you; feel; how much I love you? Any time anyone's gaze drifted up your legs; or over your chest; I just; imagined; bringing you against the nearest wall and having you moan my name. Let them see that you chose; me; that; I; am the one for you. "

The dog owners jaw dropped and his eyebrows shot up to his eye-line. Holy Kami above he never knew Shino could talk like that!

"Oh, yea?" It was Shino's turn to moan. "You wanna do that? Right now? I bet you would even cum before Kiba finished his shower. With-" Shino's deep groan was hard to ignore. "With how much you love me right now that is."

Oh, fuck who would have guessed they were both so good at dirty talk?

"I could just push my trousers over my hips, free your dick the same way and you could just fuck me against the wall, is that what you want? Is that what my Shino wants?"

"Yes," the Aburame's hiss of a reply was hard to deny. "Yes it is; I want to feel you."

"Then do it," Kiba heard Tenten instruct in the most sultry dominate voice he had ever heard the weapons mistress speak with, "Can't you feel how wet I am already?"

The Inuzuka's fists balled and his forehead rested on the door because fuck fuck fuck what the hell was he supposed to do now?

#naruto smut #shinoten #shino aburame x reader #shino aburame #tenten #WIP #thanks for the ask!#love to the anons!#story requests are closed #asks are open #✨✨✨

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solar-pxwered · 4 years

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A List Of Norman Reedus Movies/Shows I Have Seen And My Opinions On Them

1. The Boondock Saints

The Best. A classic. Bloody and inappropriate and if I remember my count correctly, contains 194 “fucks” or variations of it (this movie certainly illustrates the diversity of the word). Terrible Irish accents. A KICKASS soundtrack. Willem DeFoe crossdressing. Dropping toilets on people’s heads. Over the top action sequences. Cheesy dialogue. Campy as fuck. I freakin’ love it.

2. The Boondock Saints 2: All Saints Day

Some people didn’t like this one as much as the first one, and I admit that I wasn’t as fond of the new detective in this one as I was of Smecker...but, overall, I really enjoyed it and I drove 2 hours to see it in theaters. I love Romeo more than Rocco. The humor was on point. It was nice to see the original actors for Doc, Dolly, Duffy and Greenley. There was more terrible Irish accents, another KICKASS soundtrack, cheesy dialogue, over the top action sequences, still campy as fuck. I freaking love it.

3. The Walking Dead

Cannot even describe how much I love this show. I have ALWAYS loved zombie related shows and movies so this show was right up my alley from the very beginning all the way back in 2010. I watched it religiously every Sunday. I adore this roller coaster ride of a show and I especially adore Daryl, Carol and Jerry. This show has it all: Comedy, drama (hella lots of that), tragedy and triumph...and it never fails to pulls me in and hold my interest.

4. Mimic

Honestly, I saw this a LONG time ago and I hated it because...well, because I have a cockroach phobia, ok?! Don’t judge. Norman’s part was pretty small, not one of his lasting impressions on me.

5. Six Ways To Sunday

This is a weird one. It’s about an overly innocent 18 year (played by Norman) who gets involved in the Mob and develops an alter ego that’s violent and his complete opposite. There’s murder, prostitutes and good ol’ fashioned mother-son incest and it wasn’t a movie I suggest for the lighthearted or anyone with those sort of triggers.

That being said, I watched the whole thing and didn’t hate it. It was just uncomfortable...as seems to be a theme with Norman Reedus movies.

6. Dark Harbor

This fucking movie...

Ok, so, I’ll be straight with you: I really enjoyed this dumbass movie. It had me guessing right up to the very end and it took me on a very strange ride along the way.

If watching someone sexually feed a woman a poisonous mushroom, lots of dark eyed staring scenes or Norman Reedus making out with Alan Rickman is your thing, then go for it.

7. Let the Devil Wear Black

It’s modern Hamlet. What else is there to say? If you like Hamlet, you’ll like this movie. If you like pre-car accident, baby face Reedus with the black hair, you’ll like this movie. I liked it.

8. 8MM

You know what the best thing about this movie is? Nicholas Cage. He steals the damn show no matter what movie he’s in and no one can even deny that fact. Norman’s part in this one is pretty small too but I liked this movie anyway because...well, Nick Cage. Enough said.

9. Bad Seed

I honestly can’t remember how this movie ends, all I remember was that it wasn’t at all how I expected it. I liked this movie because it’s a psychological thriller and that’s my most favorite genre of all time. The movie’s premise is a guy suspects his wife of having an affair and comes home one night and finds her murdered so he goes after her lover (Reedus) to try and kill him because he believes he was the one who killed her. It’s a cat and mouse chase sort of thing...now I need to rewatch it because I can’t, for the life of me, remember how it ends.

10. Gossip

Ok, no JOKE, this is the best movie I ever randomly discovered and I can’t believe how many people have never heard of it! It’s got some big names in it (Lena Headey, Norman Reedus, James Marsden and Kate Hudson to name a few).

It’s a psychological thriller/mystery drama in which three friends start a rumor at their school as a social experiment for their class. The rumor grows, however, and suddenly it’s out of their hands and spiraling out of control. People start getting hurt, reputations get dragged through the mud and then it escalates to the point of someone losing their life. The three main characters {Reedus, Headey and Marsden) try to figure out the truth behind the out of control rumors and discover more than they ever imagined, or ever wanted.

I HIGHLY recommend this movie. I really, REALLY do. The ending is one of the best twists I’ve seen in a LONG time.

11. The Beatnicks

This movie is so weird. It’s like...it’s just really weird. It revolves around two beat poets who find a magic box that somehow magically helps them get good at being poets but it’s like...an evil box and so they decide to only use it once and then get rid of it. Yeah, it’s a weird movie. Not my highest suggestion.

12. Blade II

Ok, if you’ve never seen the Blade Trilogy then I just don’t even know what to tell you.

My favorite of the three movies, Blade 2 gives us the glorious Reedus character of Scud, the pot smoking, horrible-shirt-wearing, mechanical genius and Blade’s sidekick. Not only is he precious and adorable, the movie in all is enjoyable and has a fun rave-esque soundtrack.

The one thing I hate? *SPOILER ALERT* Scud’s scummy betrayal.

13. Tough Luck

This is another one of those movies that I liked but it’s just so freaking weird.

It’s a psychological drama where a down on his luck con artist, Archie (Reedus), tries to rip off a carnival worker and gets caught. As punishment, he’s hired to work at the carnival to pay off the debt. He gets involved in a scheme to murder the owner’s wife, but falls in love with her in the process.

Things go to shit. He gets the short end of the stick. More plots and lies develop. It’s all twisted until the end and the answers fall into place.

I really like this movie, it’s one that I kept and still have my copy of.

A word of warning though, never leave this movie on your movie shelf for your father to find and watch while you’re away at college, resulting in your mother calling you and asking you why you have such a nasty movie. Because the sex scene at the end is OUTRAGEOUS. I mean, it is the FUNNIEST fucking sex scene I have ever seen in my life and I can’t ever watch it without cringing and laughing. My mother, however, didn’t think it was funny at all and my father was too shocked to even form a sentence.

I highly suggest this trippy as hell movie.

14. Octane

Ok, to be fair, this movie is actually alright, although Norman’s character gets the shittiest death possible. I mean, imagine dying because some psycho vampire kisses you and bites your tongue out. That’s one shitty death.

But, overall, this is a good thriller. Johnathan Rhys Meyers plays the villain and he’s always pretty quality. The story is basically a teenager has a disagreement with her mom and gets picked up by this drugged up, blood sucking, vampire wannabe cult and indoctrinated joining them. Her mother joins up with a tow truck driver (Reedus) whose daughter was also kidnapped years ago and who has been hunting the cult down ever since.

It was a cringe filled, yet interesting, movie and I didn’t hate it.

15. John Carpenter’s Cigarette Burns

This is John Carpenter....OF COURSE I liked this one.

I won’t say what it’s about because that would ruin the story, but it’s part of an anthology and John Carpenter loved Norman’s role so much he STILL talks about it today and suggests Norman to people in the industry.

It’s a good one if you’re into horror shorts or anthologies or the genius of the legend that is John Carpenter.

16. A Crime

I had completely forgotten about this movie until I started making this post, but now that I remember...I REALLY liked this one!!

This is a pretty sad one, but it was very good and Norman’s acting in it is absolutely wonderful. His character’s wife was murdered and the suspect was never found so his neighbor, who really likes him, creates a fake culprit so that he can finally get some closure.

This is a good one. I suggest this one if you’re in the mood for a strange sort of romance movie that has underlying thriller tones.

17. Moscow Chill

I remember watching this one, and I remember enjoying it, but I honestly can’t remember anything about it except that it’s a Russian film in which Norman plays a computer hacker who gets hired to hack into a Russian bank and gets caught and put in prison. But I honestly can’t remember what happens in detail.

If you like foreign movies with hacking and subterfuge plots, then give it a try because I do remember enjoying it while I watched.

18. Red Canyon

This one is kinda fucked up. Imagine Daryl Dixon mixed with Breaking Bad mixed with Deliverance and you’ve pretty much got the story...

A brother and sister return to their mother’s hometown to settle things and put their horrible past behind them...but upon returning they end up reliving the nightmare all over again.

It’s a good thriller/horror watch, but there are scenes of sexual violence so if that’s not something you can handle, then don’t watch this one.

19. Hero Wanted

This. Is. A. GOOD. Movie.

Cuba Gooding Jr. is the lead and he does an AMAZING job. Gooding’s character is a garbage man who falls in love with a girl who never takes any notice of him. To get her attention, he stages a heist in which he is supposed to jump in, save the day, and win the girl...only the heist turns out to be real and he is shot and the girl is also shot in the process. He sets out for revenge and gets in way over his head.

Norman’s part in this isn’t very big...but HOLY SHIT, was it impactful. His character didn’t have a lot of screen time, in comparison to a lot of other people, but he had a solid backstory and reason for being involved and MY GOD did I cry about it. This was actually the first movie of his I watched AFTER discovering Boondock Saints and it solidified my love for his acting abilities.

A very good watch. Highly suggest.

20. Messengers 2: The Scarecrow

This one is pretty ok, actually, as far as lame horror movies go.

The plot is simple: Blonde, beardy, corn farmer Norman gets slowly driven insane by the haunted scarecrow in his field that he thinks putting up is a good idea for some damn reason. He starts to get more and more violent and rapey as time goes on until his family is forced to take up arms against him.

It’s not bad. Second part in what I THINK is a trilogy? I’ve only ever seen the first two. If you like horror movies then this one is a good watch. As I mentioned though, there is an attempted rape scene in this one so just be aware.

21: Pandorum

It’s an alien movie. Astronauts run into a species that is stronger and hungry for tasty humans. Shepard (Norman’s character) doesn’t make it out alive. If you’re not in the mood to see Norman get LITERALLY gutted or other characters get nommed by aliens, then don’t watch.

If you ARE, then go ahead and watch, because it was pretty alright.

#norman reedus #panja speaks #I just thought anyone wanting to check out more of his stuff should have a starting point

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legionofpotatoes · 3 years

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alright here’s ma thoughts on that flick I mentioned

we hatewatched a*my of the dead because we were CONVINCED “zombies in las vegas” would be an impossible concept to screw up, but in so assuming we obviously invoked a holy wager with the universe and got reminded, once again, that hoping for improvement from someone who’s dependably put out bad art is never a wise choice 😐

but we were honestly kinda roped in by the marketing??? and expected a goofy fast-paced flick with the odd traditional undead metaphor thrown in, framing some sort of relationship drama maybe or hell even nothing at all! we’d have taken pure indulgent storytelling, idk italian job with zombies in las vegas, I don’t know fucking anything but??? whatever this was???? spoilers below for it is time for One Of My Rants

I mean the main reason I really want to write all this and complain. this film here probably has the most unappealing cinematography I have ever experienced in my life and that is saying something. who the fuck signed off on that CONSTANT shallow-ass depth of field that imprisons your eyeline and turns every shot into bokeh paste???? and I mean every shot almost!!!! I promise if you think I am overreacting just throw a dart at the seek bar and watch twenty seconds from wherever it lands. it is horrifying to look at. at least it gave my girlfriend a good visual shorthand for what it’s like when I lose my glasses

why was sean spicer in this movie. did they pay him to be here. was sean spicer paid hollywood money for his scene in this film because fuck everyone who was involved in that decision

the legitimately baffling hints at the extraterrestrial origins of the infection that went absolutely nowhere and had no dramatic or plot-level bearing. we love to see the franchise sprouts fellas

yet another big budget waste of everything hiroyuki sanada has to offer. and bautista too I guess? I like him but man was this an odd career move

what was the crux of his conflict/resolution with his daughter btw. I understand it was rooted in miscommunication over their forms of grief irt mom but uhh… it was all rather clunky and didn’t land for me. I tried I really tried to buy in but something was wrong fundamentally with the groundwork there, it did not click and their catharsis felt unearned. I know there’s massive amounts of tragic baggage being projected there from the author so I’m not slapping any judgment down really;

but again it would be an easy thing to wave off if they just had a vibrant cast of lovable simpletons with good chemistry and the kinetic sense of plotting the trailers promised (and this premise never discounts good drama, either). but instead it was just two and a half (!) hours of meandering into situations the filmmaking instincts had no idea how to flow in and out of

to wit. I know talking about “bad pacing” is associated with armchair bullshit but consider the example of the scene were dieter does an out of nowhere little dance after childishly screaming but then still-killing a zombie, with the film framing this as a micro character triumph, and not a second later the bg soundtrack instantly fades into an orchestral score dramatizing a nearby mcguffin reveal, completely 180 degreeing the tone without a semblance of deft insert shot stitching or even I dont know a fucking jump cut maybe. now imagine this whiplash for 2.5 hrs uninterrupted

I will keep complaining about the length yeah because this was not a story requiring this much real estate to be told. Uhh in my humble and personal opinion, of course

[man sees zombie tiger] “this is crossing the line!” you can in fact write dialogue that is not utter nonsense that falls apart once you drill down its single fickle layer of referential meta winking. what line are you talking about. you have rules in this insane situation you’re in? total nitpick moment I know but it got burned in my brain for some reason. like a microcosm of the mismanaged dramatic instincts paired with weird writing that dots this movie. I am sure the director calls this either satire or genre deconstruction. I am SO sure

tumblr domino meme that goes from “dude getting sucked off while driving” to “entire las vegas literally nuked”

tig notaro is always great to see but once you know she’s been filmed as a separate greenscreen plate months after photography wrapped - cause she had to apparently replace some abusive asshole but that’s a whole other pig not worth fucking - it becomes impossible to unsee her odd detachment from everyone else in the movie lmao. it doesn’t really “ruin” anything on its lonesome but it is hard to unsee

why. was. sean. spicer. in. this. movie

a very simple key ingredient missing from fully turning lip service sympathy for main uruk hai dude into actual empathy that would generate meaningful conflict with hero family would be to spend a bit more time articulating what he internally wanted the most. because he was obviously trying to do something here with pointed agenda. a family, to have kids, build a caste system, save his wife’s head, return to his planet??? all of these could represent the bigger context in his psychology that spurred his vengeance but none of them are dramatically emphasized long enough for you to cheer him on. I’m not asking too much I promise. Articulating interiority of a mute character is pretty doable with deft cinema language, just gotta linger and hold a shot here and there for a few seconds, frame as his POV, donezo. I know this is also one of those like. “who cares” moments but the movie does, very evidently so, in making this guy an actual character. you can kinda piece it together and create a framework of sympathy for him, sure, but then again he ultimately becomes a foil to be killed and not defeated, so. Ehh whatever

quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was n

the rooftop helicopter fakout at the end was such an ass-backwards, manufactured moment of what could be a simple setup/payoff it just pissed me off??? you gain nothing by giving sad dad five seconds of pointless crisis that flips right back to previous status quo ANYWAY, except for a weaksauce waste of runtime, which could be used instead to get inside notaro’s head and actually SHOW the remorse form as she took off, literally maybe even a frown playing on her face as she’s headed for safety right before we cut back to drax and the kid. just a simple-ass, minimal, momentary setup for what is the most basic filmmaking trick of creating macro catharsis moments. Just???? g o d if you can’t even land that shit why are you even doing any of this

that lil run final pam did was very very charming and super choreographed in a way that was the tiiiniest bit overdone

the whole intro with the simul-backstories and posing with family photos was just… oddly motivated. what was the goal? “here’s what we’re fighting for” vignettes? why? it’s not a functional setup in that vein. what was all that

also I am sorry if this is insensitive but the reasons most characters end up articulating to justify going back into the hell that destroyed their lives makes them sound seriously insane

I dont like complaining about CGI (honestly) but so much of it in modern movies can achieve higher fidelity if the animation is simply subdued. Do not overengineer and over-apply 2D cell methodologies and kinematics to each tiny twitch and movement in a hyper 3D model and I promise you. it will look a thousand times more natural. look at thanos in those last two movies. your rendering and detail are absolutely perfect with the tiger you just have to let stuff sit instead of constantly simulating swaying hair strands and firing off all facial muscles at once. great moment at one point where makeup zombie horse and CG zombie tiger are both in one shot together and just by unnecessary amounts of movement alone you can tell who doesn’t belong. again; detail, rendering, compositing, lighting, all picture-perfect; but y’all just gotta let the animation breathe sometimes, and chill it out

plot holes don’t really matter to me but it was kinda funny how lilly decided not to mention the enormous wrinkle in intel pertaining to an actual territorial tribe of intelligent zombies that require human offerings to let you pass, just so that reveal could play out in real time through the joyous punishment of the cartoonishly misogynistic dude

total chad move for mister uruk hai and final pam to rule from a rusted swimming pool complex

the ending with vanderohe oh my god. with the. cash stacks at the airport register. and specifically them working in his favor. that is literally something you do to get arrested under suspicion of theft. it was almost played for laughs and I respect that. coulda been goofier. make these movies goofy ya dorks

anyway, weird, weird movie. bad marketing. message unclear (something something sins of the father???), baffling editing instincts, literal worst-looking cinematography I ever laid eyes upon. Confidently dying on that last hill

#text #long post #aotd spoilers #aotd critical

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nellie-elizabeth · 4 years

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okay, bear with me because this is kind of an unhinged ramble, but one of the things that’s sort of been driving me bonkers in the back of my head is that the finale was terrible... but that I honestly think it would have been quite easy to change just a few little things to make it... well, maybe not good, but certainly less rage-inducing. I don’t think any version of the story as presented to us would have left me thrilled by this ending, but I can actually think of a few very easy changes that would have had me walking away maybe a little irked, certainly disappointed in what we didn’t get to see, but ultimately more at peace.

Let’s pretend this is a world in which they couldn’t/didn’t want to have Misha in the finale, couldn’t get a big ol’ group of returning stars... and we basically had to work with a bare-bones structure like what we saw in the finale. So this isn’t pie-in-the-sky, what I would do if I could have what I wanted... This is down to earth, pragmatic, simple things they could have done to make it better, if we’re constrained to the basic shell we were provided.

Ready?

1) This is the big one: flip around the "Sam’s domestic life with his son” montage so that it starts BEFORE the vampire case and Dean’s death.

So basically, the montage at the beginning, we see the boys living normally in the bunker. We get the pie scene (which I’ll touch on in a second). But then, instead of segueing straight into the hunt where Dean dies, we see a flash of the next 5 to 10 years of their lives. We see them living in the bunker, but it gets slowly more homey, more lived-in. Vitally, for Dean’s character specifically, we see hints of him picking up new hobbies, maybe he’s playing the guitar, we see him in the kitchen, maybe he’s playing D&D, I don’t know. Something to show that Dean is living life and enjoying it, getting to find out who he is without the weight of the world on his shoulders. He’s not totally settled, you get the sense that the lingering sadness of his losses, the trauma of his life, is always going to weigh on him... but he’s doing what he can to enjoy the little things, and he’s taking pride in his continued work as a hunter.

Eileen moves in, and if we can’t see the actress, fine, we can have Sam saying “Eileen called, she’s getting home late, we should start dinner” or whatever. It’s implied that the three of them are living there together. We see that Sam has a son, we see that Dean is an active part of the kid’s life, a great uncle, totally spoiling his nephew. Maybe we see shots of Sam and Dean on other hunts, we have phone calls, mentions like “hey, Jody has a lead” or “Charlie called, she wants us to back her up on xyz.” Basically, through a montage or through a short sequence of scenes, we see that Sam and Dean have continued on, life as usual... but there’s a peace to it now without big cosmic forces standing in their way. Maybe Sam and Eileen semi-retire and move out into the suburbs, and we get shots of Dean-as-the-new-Bobby, a role I always imagined for Sam, but it works for Dean, too.... the bunker is central station, he’s coordinating things, he’s finding new skills within the life of hunting, he’s mentoring people and still getting to save people and hunt things.

And then, Sam and Dean, who don’t always hunt together anymore as Dean often goes off with other hunters, and Sam and Eileen are less active in the field now that they have a kid, decide to take a case together, just a routine hunt. Cue Dean getting impaled on a nail (or maybe he dies in a less awkward way so he doesn’t have to lean against a wall and make his big death scene looking completely unhurt? Which I thought was really strange).

But basically, we could have a version of the death scene as stands. I do not hate the idea of Dean dying in a relatively “mundane” way... literally just the idea that he lived for a handful of years after defeating Chuck makes the idea of his death SO much less empty and devastating for me, because this time Dean didn’t get cut down before he got to enjoy his life at all. It’s still sad that he’s dying younger than he should have, but he died doing a thing that he loved, he found love in the hunting lifestyle without the pressure of other’s expectations, and we got to SEE that, we got to see him making it his own, and making it just one important slice in a more robust and happy life.

Vitally, instead of saying “it’s always been you and me” during the goodbye speech, and making it all about how Sam is the center of Dean’s world, it would be framed more like “I’ll be okay, Sammy, and so will you... go home to your family, to our family, tell the kid to be good, but not too good, okay? And I’ll go be with our family that’s already passed on... we’ll see each other again. We’ve got Jack looking after us.” When Sam says “I can’t do this alone,” Dean doesn’t answer “yes you can...” Instead he says “you’re not alone, Sam.” Because he’s not. He has a family already at this point, and Dean is his family, but he’s not the only person left in Sam’s world that he loves. Dean can still say he was scared to get Sam at Stanford, that he didn’t know what he’d have done without Sam... but he’s so glad they got to be family, got to share so many amazing years, got to be best friends and be there for each other through so much craziness. This time, Sam’s “don’t leave me” isn’t quite as soul-renderingly tragic, because Sam has a wife and a kid already. The death scene would emphasize the tragedy of this separation, but acknowledges that they’ve grown to have more to live for outside of each other.

Then, we see more of Sam growing old, but he seems less utterly miserable, had more years with his brother before the end, knows that Dean got to be a part of his kid’s life, and feels confident that Dean is at peace and that he’ll see him eventually.

2) The second change is even more simple, it’s literally just adding in a couple extra lines of dialogue to... fix the Castiel situation a bit. So. Ahem. Again, this is imagining a world where Misha can’t be in the episode, where we’re keeping the basic structure. There are just two small changes that fix this, for me.

One, before the montage and Sam having a kid and all that, at the pie festival scene at the beginning... when Sam says “I miss Cas and Jack,” we get a slightly more robust response from Dean. He talks about how they fought so hard to break free of their unhealthy cycles, to escape the influence of fate, and that as much as he wants Cas back, he can’t risk making things worse again and betraying Cas’ sacrifice... but THEN, IMPORTANTLY, he says “Jack’s gonna be hand’s-off, but we know he’ll look after Cas no matter what.” This could be just a faith thing, or if we’re allowed to stretch back into 15x19 and fix that too, Jack could even say that as part of his goodbye, like, “I’ll make sure Cas is at peace.” So now, even though it’s annoying that Dean isn’t rushing to rescue Cas from the Empty, it could be more akin to the later decision when Dean tells Sam not to try and bring him back. Sam knows Dean is going to a peaceful afterlife when he dies, and Dean and Sam let Cas go because they know he’s safe with Jack and also given his rest/peace. (Instead of what we got, which was just... they knew Cas was in the Empty and didn’t even bother checking if Jack would like... handle that?)

Second, when Dean goes to Heaven, at least having lived a decade or so of the life that Cas sacrificed himself to provide for him, he sees Bobby, Bobby gives him the spiel, says that Jack and Cas helped make Heaven better (in this version, Dean would be less surprised by this; he would have known even as he was dying that Jack was going to look out for him and all of the other deceased souls). And then Bobby says, “what do you want to do?” and Dean says “I want to see my family... gotta get some good quality time in before Sam shows up and hogs all the attention.” So it’s like a balance of the fact that he’s waiting for Sam and can’t wait to see him again, but it’s implied that he goes and hangs out with his mom (and dad, ugh, John is the WORST, but maybe he went through The Good Place afterlife and he’s learned to be a good person lol), with Bobby, with Cas, and even with Jack, maybe, as perhaps the new God doesn’t mind chillin’ with the already-dead humans, or at least the ones who raised him.

It would be dealer’s choice as to how Destiel-ish Dean’s final line here could be... he could say the thing about waiting for Sam but going to reunite with his family, first, and throw in something about “there’s a conversation with someone that I really need to finish.” Something vague enough that the homophobes would let it fucking air on TV, but promising enough to put a smile on at least some people’s faces.

Then, instead of the montage being just Dean driving around, we get something a little different, but still very simple. We see Dean maybe hanging out in a house in Heaven, playing with Miracle the dog, maybe a callback to a hobby we saw him have on Earth, playing music or cooking, implying a full afterlife even if we don’t get to see the other people... he’s setting a table for like a dozen people who are coming over soon for dinner, or he’s shouting out “hurry up, my parents are hosting” to an unseen occupant in another room, we see Cas’ trench coat slung over a chair, general signs of habitation and home.

We’re cutting between this Heaven montage of Dean, with the montage of Sam on Earth, growing older (and in my version, someone who knows what they’re doing makes Jared’s wig and age makeup look less like the stuff of nightmares, oh holy hell....). We see Sam letting go, dying of old age, going to his rest...

And in Heaven, Dean suddenly freezes in the middle of playing fetch with the dog, or frying up some bacon for breakfast. He gets a look on his face... a hopeful smile. He’s just realized that Sam is coming. He can sense it. This is what he’s been waiting for, the last thing he needs to make Heaven truly perfect. He gets in the impala (which isn’t literally the spirit of his car, it’s just that everything he loves from Earth gets to be with him in Heaven), and he drives off to the bridge while “Carry On Wayward Son” kicks onto the radio. He gets out of the car, reunites with Sam, says “hey, Sammy. Everyone’s going to be so excited to see you.” They hug, they look out over the bridge... The End.

SO. Just to reiterate, this is NOT my version of what the “perfect” finale would have been. This is more just a way for me to process my feelings about the fact that the episode was pretty much entirely awful in my opinion, and it would have been relatively easy to fix it so that it was only... medium awful. Like, with basically no huge changes, just letting Dean be a part of his nephew’s life, getting to be a part of Sam’s life as Sam started a family, and then still having the poignancy of him dying before his time, but also as a hero, as the best version of the thing he always thought he needed to be but now has chosen to be, has taken ownership and pride in. And then by just buffing up some dialogue in a couple of spots, we could have had an episode that still centered primarily on Sam and Dean, still ended on just the two of them (which, frankly, I’m not mad about, it’s their show, and it has been from day one...), but still honored the message of “family don’t end in blood.” Still honored the idea of found family and community and belonging and living for more than just each other.

And if that’s what I had walked away with... well, I would have had some complaints. But I think the whole thing would have felt a lot less... empty to me. And it would have been doable, within the constraints of COVID, and limited actor availability, etc.

There have been some finales that I’ve hated so truly and thoroughly that there was simply no way to engage with them without it tainting the whole show for me. This finale was so weird, because I feel like just a few band-aids, some punch-ups to the script, would have made me feel SO much better about what we got. They didn’t need to reinvent the wheel with this one. Even given the constraints, they could have been a little more creative, a little more thoughtful, and pissed people off a lot less.

#my posts #spn #supernatural #destiel #sorry this is such an unedited ramble #i just keep thinking about the things i would have changed #if this was the episode structure they wanted to go with #and i wish it wasn't #they could have made it not TOTALLY sucky.

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vacation-grif · 4 years

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What kinda feelings?

A LOT, ACTUALLY. Like I said before, the RTNY group was telling me to skip it because it wasn’t a good season, and I want to express how much I wanted to just form my own opinion, only to end up agreeing with them in the end. Let me break this down as best as I can now that I am on my PC. I mean no disrespect to the director and writer, as well as the cast and crew. Honestly, I’m worried that my opinion makes me feel like a boomer at this point.

First off, if anyone was going to tell me that I’m going to have headaches over bright flashing lights and colors over a Red vs Blue series, I wouldn’t have believed you. As I said before, they should’ve just called this “Red vs Blue: Epilepsy Warning THE M0VIE”. I understand that they are using the Unreal Engine, because my god the graphics on this is INSANE. But everything is...too bright. TOO. BRIGHT. Everything has a lens flare no matter where the camera turns, and with the high paced action, all the lights and colors, it HURTS.

Next, this is a fully CG-animated season. We haven’t had one like that in SUCH a long time, and this is the first in the 20-ish years of Red vs BLue. When I was a kid who didn’t have a cellphone, I could only imagine what Red vs Blue was like when my best friend would play it over our landline on a weeknight before we would go to school the next day. And I would come over and be like, HOLY SHIT. IS THIS FUCKING HALO?! So imagine my excitement when after 8 years of Red vs Blue using Halo 1 to Halo 3 assets, you see a Warthog just crash through the walls of Valhalla, something you’d never see in a Halo game. A fully animated scene of Grif running over Washington (hell yeah), and an angry Washington outside of his game model just climbing onto the hood of the car and shooting at Grif through the windshield at pointblank range. Then cut to episode 10 of the same season, Tex makes her triumphant return, fully animated instead of her Halo 3 game model. And in the last two episodes of the season, you get OUR VERY FIRST FREELANCER VS FREELANCER FIGHT. You find out this was the work of the late Monty Oum (rest in peace), and until Season 10, Red vs Blue was THE HIGHEST POINT OF YOUR FUCKING LIFE.

Then we go to Season 12 where the animation post Oum (he was working on RWBY at this point but iirc this was just before he died) was choppy at best and didn’t feel right until Season 13, where within the one year the animation team REALLY stepped up. And this actually carries over into Season 17, Singularity, where it became more animation and less game effects, or rather it was balanced. It wasn’t extravegant like Oum’s works, but given that these are the Simtroopers, some Freelancers, some Mercs, and time gods, it felt par for the course. It felt right.

We cut now to these upgraded graphics, which felt like when you were playing on your Xbox 360 and you jsut FUCKING SHOT into the Xbox One. It was, as you would say, unreal (lol). But it felt...off. The first two episodes, the entire action didn’t feel like what you spent 16 seasons watching. It felt like a whole another beast entirely. With the use of super powers, you would think oh the Freelancers had that! Yes, but those were all suit enhancements. These...didn’t feel like it. Zero’s and Phase’s teleportation didn’t feel like something that Fragmented AI can control. Shatter Squad’s at least felt more at home.

The models themselves were a bit off too. Choppy at best, but understandable given that they were using the Unreal Engine. But you notice that they do a lot of hand on hip pushed out to the side type of thing a lot? Everyone does it. Except Raymond, West, and the big dude. Like the SASSY STANCE. Also, there was way too much power stance. Where if your feet were shoulder width apart, it was a bit wider, and also the pelvis was out a little more. A bit weird. Finally, everyone has an ass. Everyone. Even West. West has an ass, it was like, everyone was dummy thicc and the clap of their ass cheeks was alerting Viper.

Next, voice acting. I...absoultely could not stand the voice acting. It was completely over the top, overdramatic, over exaggerated. Granted, I’m a singer, a perform, but I’m not exactly a good actor myself in the few shows I’ve actually done. It felt like watching an anime. When you wtach something with dialogue of your own language, you can tell when you feel something is to over the top. If you watch something of a language you don’t speak, it’ll go over your head, unless you start to speak that language, and you speak to people who speak that language, then you start to pick up what is regular speaking and what is acting. When an anime gets dubbed, most times, the voice actors tend to over dramatacize in the same way the Japanese due, and some times it works, most times it doesn’t. This is because the Japanese way of acting comes from kabuki theater. When English dubbers do that with this weird over emphasized emotions, it is extremely offputting.

In some places, the voice acting is poorly done. Jen Brown’s performance from just getting out of a hospital to giving an expositional lecture about the new cast in literally 5 seconds of time was...off. Carolina should’ve had more time to recover, especailly after losing Washington, one of her closest surrogate family, she felt...a little too calm and normal. Not like the Carolina who was hesitant but trying her best to be a whole better person (see the Paradox Arc, S15-17). It was jsut quick shift, and now she’s making snarky remarks in that Jen Brown voice she does (my god step on me please) and also being a mother hen. Also, she really calls Washington David way more this season than she ever did before that.

Fiona’s performance was shaky at best in my opinion, I don’t know her very well outside of what everyone says. All I know is that sometimes, the way she emphasizes some of her lines don’t fit the situation very well. I think East/Phase was a lot better done than One imo. But she was mostly angry and competitive.

Raymond is the textbook definition of what I hate about taking a character’s role and making it their entire personality. Think of it like watching Power Rangers, and all of their roles is just defined by the shit they say. Jason is the jock, Kimberly is the pretty girl, Trini is......I’m not gonna lie, I don’t...know what to classify Trini, Zack was the cool guy, and Billy was the nerd (Tommy was Jock II also the rebel/loner). Raymond reminded me a lot like Billy, where Billy was defined by being so smart, half of his dialogue was just look at me, i’m fucking smart, let me use all of these big words. Half of Raymond’s dialogue was, look at me, i’m the tech guy, I’m nerdy and loveable, it felt like it was too over the top of trying to stand out. By the end of the season, after East’s big reveal, I started to like him a lot more because he knew what was more at stake. I want to say that my initial impression of him was immature at best.

West was too stiff. Just.. Too stiff. I get he’s old. But show some emotion, please.

Why am I emphasizing on this more? When you listen to the dialogue of RvB, and then you listen at this, even with the return cast of Carolina, Washington, and Tucker, the direction was different. I think it’s because of the new medium with Zero being all super animated like an action, where RvB was just a bunch of net videos that you’re gonna laugh at with well timed jokes. It was super casual, but also super real. Geoff and Gus and everyone else aren’t big actors or anything, but that’s what made it feel real. That’s what made RvB feel like its own thing.

In terms of writing, I get that this is RvB meets FnF (Fast and Furious). But I honestly feel that it doens’t belong. The story of Shatter Squad vs Viper would have been a lot better if it didn’t have the RvB name tacked on. It’s such a cool concept, but given what RvB was before, the tonal shift is jsut too great, especially when you only have 3 of the previous cast returning.

Speaking of, what happened to Tucker?! What happened to the guy who became a leader? Responsible? Not as arrogant? Maybe playfully arrogant at best, but not stroking his ego? What happened to HIS SWORD? Did they forget how Tucker’s sword works? That it only works IF HE DIES? Tucker didn’t die, and yet Phase was able to use his sword (which by the way is now hers). One of the earliest stories/gags of RvB and they just...retconned it and threw it away! Also, Tucker’s voice acting did NOT match the scene at all. It’s like watching a video game that was localized from Japanese, and the dubbers spoke too fast before the character could finish. Tucker moves outside of his dialogue and there is this weird seconds of silence. That...that was just a BAD return for him.

My final thought is that, if RvB Zero is not...the RvB I grew up with. Maybe the jokes are dated, but the memories of what RvB was is still real. This just...doesn’t feel like RvB anymore. This should have just been it’s own show, it’s own story, replace Wash and Carolina and Tucker with new characters, it just wasn’t their place to be in this.

The only thing I liked about this? I’m glad Danielle (I’m assuming this is how you would spell her name) didn’t go AWOL and returned to the team. I actually really liked her the most next to Axel. She was done dirty, but she still held on to that one bond she had as East that Zero didn’t give her as Phase.

I know this is probably not a great opinion, and I really hope that Rooster Teeth finds the ground they want this series to go in. Sometimes, you have to try new things, or else staying stagnant will make it go stale. It’s all about trial and error. I don’t know how everyone else feels about Zero, how the new audience and the old audience feels. RvB as a whole wasn’t perfect. They had their down moments. But when you feel that way for an entire season...it’s a problem.

#grif liveblogs #grif liveblogs rvb #rvb #red vs blue #red vs blue zero #Anonymous #spoilers #rvb negativity

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