#the future without us

[malachiwardyt]

Howdy, podcast side of Tumblr.

I forgot to share this here, but on the 30th (yes, I cut the deadline that close) I uploaded an explanation of the Extinction from hit horror anthology podcast The Magnus Archives as part of my ongoing series analysing the Entities one at a time. For this, the penultimate episode, I wound up going way further into detail than I expected, resulting in the video analysing the least significant Entity being the longest in the series. Whoops.

As always, here's a breakdown of the art, for the curious. Although he isn't an avatar of the Extinction (in fact, he seems to be actively fighting against it in most of his appearances), it felt wrong not to do Adelard Dekker for this piece. I really wanted to play around with colour and contrast in this one, and I think it turned out pretty nice.

I dressed Dekker himself in a grey suit with silver accents, because I wanted him to feel very ordinary. Dekker is one of the most human characters in TMA, never seeming to fall to any Entity despite interacting with them very frequently. More than that, he's about as close as TMA gets to a true hero, being at least a comparatively strong force for good. Silver, then, I chose both because it compliments his suit very nicely and because it has mythological and traditional precedent, especially in European folklore, as a deterrent for evil or the supernatural. One of Dekker's most interesting traits is his persistent faith, which I knew I had to include somehow, so I gave him a silver necklace with a cross on the end. It's simple, but it works. The only pop of colour in his otherwise monochrome dress is the tie around his neck, which I've coloured green to show his connection to the Extinction. I know I needed at least a bit of colour, and a neon, toxic green is the colour I associate with the Extinction, so I used a darkened, desaturated form of it for his necktie. I always pictured Dekker as a slender, angular man, which I've conveyed in his face and body. I wanted to give him hair that stood up a lot into short points, and while I considered making them a bit rounder, in the end, the pointed tips just stuck. Finally, there's the glowing green in his eyes, which is, of course, another allusion to the Extinction. Not to imply that he's being guided or influenced by it, simply that he sees it. He was the first to catalogue it, and, admittedly, they do stand out quite nicely against the shadows over him.

In the background, I knew I wanted a skyline with a mushroom cloud behind it, but, as I was working, I decided to make the buildings different references to Extinction episodes. Before I get to that, though, I have to talk about the colour scheme, which is mostly pale green. This was both, again, because the Extinction's colour, in my mind, is green, and because it contrasted nicely against the reds and oranges of the blast. Starting at the leftmost building, it references MAG 144: Decrypted, with numbers running down the side and an antenna on top to send out its encoded message. The next one over is a reference to MAG 175: Epoch, being a massive, Empire State-esque building with abandoned boxes and detritus scattered on its landings, alongside a few more... "living" manifestations. There are only five statements which are the MOST likely Extinction appearances, so, for symmetry, I had to pick an extra statement to throw in. This wound up being MAG 65: Binary, since it's a fan favourite and plenty of people theorise that it actually was related to the Extinction. To get the idea across, I put a few distorted faces on large screens, though I do regret not lightening the entire building up a bit. Across the empty space, we find a reference to MAG 156: Reflection, designed to mimic a large carnival sign and featuring tall windows with thin creatures in them. The windows could have been a bit smaller, but I worried that they would seem too similar to the next building. Speak of which, that brings us to the MAG 134: Time of Revelation reference, being an apartment building in a French architectural style (I don't recall which one at the moment, but I know it was a specific one) filled with figures in the windows, some of whom are half melted into walls or floors. Finally, the last building is a reference to MAG 149: Concrete Jungle, with a rounded roof to mimic the circular shabonos of the Yanomami people and a large, concrete serpent for... obvious reasons.

I think that about covers it. If you've read this far, I hope you enjoyed, and get yourselves ready for the final episode of Entities Explained dropping later this month. With that, all I have left to say is good night, Tumblr people!

[magus-incognito]

Longterm Nuclear Waste Warning Messages & Rich People’s Swimming Pools

[thund3randrain]

the terrible change save me...the terrible change...save me the terrible change

[glitterdisposition]

using AI to illustrate the fears (part four)

plus a bonus extinction under the cut

[temeyes]

salute

[bluespiritshonour]

"Not everything's changed" -Mai, Going Home Again

[hotpotghosts]

[fromtheseventhhell]

George did not write Arya naming babies in Winterfell and taking care of a child in the middle of a WARZONE just for y'all to say she's not going to end up with kids/family because she's "not that type of character" 😒

[egophiliac]

new ride kamens dropped, rui, who is definitely a horobi homage; another cool choice, but at the same time, kinda wish it was someone else 'cuz now we got two zero-one homages with hayate's jin, when the trend had been one rider for each season until him, and people started claiming that takahashi must be playing favorites

aw, I was actually pretty jazzed to see it was Horobi! I think it opens up some interesting possibilities if it isn't only one-per after all, and I'm excited to see if there's gonna be something with him and Hayate or not. plus I just really like his design

(also, not to be all cynical, but. this exists because of a corporate trend-hop with a franchise that is already sorta notorious for executive meddling. I would be...let's say very surprised if Takahashi had that level of control over what riders were included, versus being handed a list to work off of that the execs had already determined would appeal to their target demographic. c'mon.)

[14dayswithyou]

That is all thank you

ANSWERED: Art credit for da first Ren meme goes to @meo-eiru!!

BUT HELPPPPP THESE ARE SO FUNNY JDSGJH T_T The Moth meme + Uno meme had me CACKLING lmaoooooooo

[fertilizerforflowers]

Hozier really said to future generations, it’s not your fault. You can’t “work hard” and get what you need and want. It’s not your fault that the dreams of fifty years are now unrealistic and unattainable without breaking your soul and maybe not even getting it. You were fucked over before you came into this world, and they continue to fuck you over so much that it’s better to live your life as you see fit. It would be easier because being young and living as you want won’t ruin you but abiding by the systems most likely will.

[uncanny-tranny]

I will never be normal about trans men. My heart stops dead in its tracks when I see a trans man just existing. Do you see my vision.

[chicagolive]

Within the first interactions of this character and knowing almost nothing else about Fabian other than his dancing, seeing prof. Skullcleaver validate Fabian’s new outlook on his future in dance (and just life in general) in a way that actually makes him feel seen and loved and actually excited for life in comparison to all of the other adults in his life makes me so happy for him. I’m not trying to invalidate all of the other adults in his life, who love and appreciate him as he is. But it’s never to an extent where they solely see him as Fabian making a name for himself in the present, as opposed to Fabian continuously working to make a name for himself for the future. Fabian wanting to take a moment away from the “bad kids investigation mode” to not only get a much needed break from it all, but also to focus on himself in a way we haven’t seen before. A way where he can understand that he doesn’t need to take on the weight of always needing to be on the move or doing extravagant deeds in order to be seen as a valid member of society. He could just be. Live in the moment. Appreciate the journey and not focus on the destination as much as he has.

Freshman year Fabian was working solely to make a name for himself for his future. Junior year Fabian is now working to stop and take in the view on the way there.

[raccoonstickses]

[aimasup]

sure i COULD ramble about how ai is one of the multiple things that check all the marks of humanity's seven deadly sins but would that be extreme

^^^ possibly insufficiently educated

[pinkd3mon]

To trust somebody